#why all death representations are so hot???

[sp4rkle-tr4sh]

excuse me...? mommy...? e-excuse me?? 😳

[changbunnies]

Danse Macabre (18+)

♡ Pairing: Rich Serial Killer!Bang Chan x Fem!Reader

♡ Genre: loosely house on haunted hill inspired, vaguely 1950s au, horror themes, dark romance, smut, dead dove? read the warnings carefully and come to ur own conclusion on what you're willing to read before engaging pls :')

♡ Word Count: 3.9k

♡ Summary: The handsomely wealthy Christopher Bang and his wife are holding an overnight party at the house on Haunted Hill, and the rules are simple– stay the entire night, and $100,000 is their guest's to take; but little do the guests know that their hosts don't intend to let them leave.

♡ General Warnings: this is a serial killer au! do not read if you aren't prepared to read about death + murder + blood + injury! (i personally think i kept the descriptions tame and mild but everyone has different opinions so just use ur discretion and don't interact if you think you may be bothered by anything listed !), chan is referred to as chris, reader is very complicit in his crimes, they're a sick and twisted couple i fear!

♡ Smut Warnings: hybristophilia (i.e chan being a killer turns reader on), smut begins with chan talking about killing reader (intended to be strictly roleplay because he knows it excites them, but ur free to read it as him being serious if ur freaky like that lol), heavy usage of pet names (darling, my love, princess, sweetheart, dear), dom/sub dynamics, rough and a lil mean dom!chan, big dick chan because it's hot!, hair pulling, knife kink (but without a knife actually being used), corruption kink (not in the traditional way), tiny bit of nipple play, oral (m rec), facefucking, choking (on cock :) ), dacryphilia, manhandling, mirror sex, unprotected piv, creampie

♡ Notes: welcome to the first of my late kinktober fics ! this fic is loosely inspired by the opening scenes of the 1959 house on haunted hill movie, which is why the setting is vaguely 1950s!, this is the darkest fic i've tried my hand at writing, but i'm also a very big horror fan so writing this was very fun for me even tho it's not the genre i typically write for!

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

"Darling, the guests are arriving. You must get ready," your husband, Christopher, emphasizes as he steps into the master bedroom you'll be occupying for the evening.

You're sitting at the room's vanity, all of your hair pulled to one side as you finish drying it after your long, relaxing bath. The scent of lavender bath oil and citrus shampoo linger over you– scents brought with you from home because you absolutely refuse to use the luxurious room's complimentary soap; no offense intended to the housekeepers who provided it, of course.

You look sweet as ever in your dainty little pastel blue babydoll gown, your robe delicate and sheer, hanging down off your shoulder and bunching at your elbows. You glance at Chris through the vanity mirror as you begin to comb your hair and free it of any leftover tangles, meeting his gaze with a smile.

"What's the rush, my love? Is it not customary to be late to a party?" Chris chuckles as he steps closer, runs his hand over your shoulder and down your spine as he leans down to kiss the top of your head. "Normally I'd agree with you. But this is your party, princess. You should greet your guests."

He's right, of course– today is your birthday, and he booked the entire mansion, as well as invited all the guests, at your behest. Christopher is the old money sort– a millionaire from a long line of millionaires before him. And because of that, your party comes with a fun gimmick– survive a night in the haunted mansion, and earn an easy hundred thousand dollars.

Assuming each guest successfully lasts until dawn, that's $700,000 for your husband to pay out– but that's no worry! That's still only chump change to a man as wealthy as Chris– and besides all that, no one's going to last until morning anyways; you're certain of that.

Naturally, as having a haunted house party was your idea, the venue was your choice– and the eerie mansion that sits lonesome upon Haunted Hill was the perfect pick. You've always found it strikingly beautiful from the outside, dreamed of one day stepping inside and drinking in all its Victorian charm.

It's certainly lived up to your expectations– and you're sure Chris will buy it for you if you express to him just how much you adore it; he'd buy you the entire world if you asked him to. For now, it's good enough that he rented it out for your sinister party.

You doubt the mansion is actually haunted– you don't put much stock in the stories of ghosts and ghouls that gave this hill its nickname; but it's a fun little tale, and you don't mind playing into it for the sake of a fun time. And it certainly helps make your party's tag line of "survive the night!" more inconspicuous.

"They're all strangers, sweetheart– I don't think they'll mind if I'm a little late," you tell him with a coy little smile as you set your comb back down on the vanity, satisfied with the condition of your freshly washed hair. He returns your smile with a mischievous one of his own, an amused glint in his eye.

"And remind me, darling, why it is that we've rented this house and invited a bunch of strangers to your party," Chris says as he leans down further, his breath fanning your ear. You giggle, almost innocently– though both of you know you're more than just complicit in his endeavors; you actively fuel them, his sadistic princess.

"You know why, my love," you reply, and to anyone else your smile would seem pure, almost angelic– but Christopher knows better. He knows that his kills excite you– perhaps even more than they excite him. He grabs a fist full of your freshly tamed hair, grins at the gasp you let out when he pulls your head back.

"And this is really what you want for your birthday? To see me stick my knife into someone's neck? To have me return to this room covered head to toe in their blood?" he questions as he looms over you now, but the answer is clear as it always is. He sees the way your thighs squeeze together, sees how the desire darkens your eyes– you’re sick; but that’s what he loves most about you.

"I could kill you too, you know. Take my knife right along your skin, just like this," he says as he runs a finger over one side of your neck to the other, gentle but purposeful in demonstration. Your breath hitches as you squirm in your seat, unable to turn your eyes away from him as he tightens the grip on your hair.

"But you wouldn't," you breathe, and Chris smiles, sweet and sinister as his eyes narrow at you, just how you like it. "Are you certain, dear? Do you think me incapable?" 

"I think you love me, as I love you," you answer, eyes starting to water from the sting of his tug on your scalp. "I love that you trust me," he replies as he trails his finger down, over your collarbones and to your chest. His fingers play with the dainty lace of your gown for just a moment before he slides his hand inside, cupping your breast in his large palm.

"I bet you wouldn't even bat a lid if I touched you with my knife here," he continues as he brushes his thumb over your hardening nipple, "you'd actually like it, wouldn't you, my love? Feeling the cold steel here, knowing I could easily cut you if I wanted to?" You whine, try to nod your head though his grip prevents it– all you can do is answer with a meek "yes" instead. 

"Speak up, darling. I'm afraid I couldn't hear you," he says with an expectant look that sends a shiver down your spine. Chris indulges your every desire, gives you everything in the world you want– so in the moments like these, in which when he asks something of you, you listen.

"Yes! I'd like it!" you answer, as loud and clear as you can bring your voice to be. Chris smiles, the sweet one he always gives you when you listen to him well, with his handsome dimples on display– a stark contrast from the darkness in his gaze. He releases his grip on your hair, cups your face and rubs his thumb over your cheek as he kisses you, greedy and deep. 

You always manage to get him hot; all it takes is a few simple words and that sweet gaze of yours to get him worked up– always the picture perfect image of innocence, pretty smiles and soft gazes that hide the depravity lingering beneath. So coy and demure, batting your lashes and acting like you don’t know at all what he does in the dead of night, acting like it doesn’t make your stomach twist– not with fear, but with desire.

Chris always sees through your act– he knows you. But he won’t pretend he doesn’t like it– the fun little game you share, where you gasp in faux surprise when he enters the room drenched in a new victim's blood, where your voice trembles and eyes well with tears when he grabs you hard, kisses you deep as the blood coating him transfers to your skin, sharing it with you.

And your answer now– whether it’s part of the game, or you truly would like feeling his knife cutting your pristine, unsullied skin, it doesn’t matter. He meant it when he said he loves that you trust him; and he loves that you wanted this. That all you wanted for your birthday was this party– to see him at his most unleashed, to indulge in the most sinful fun you could share as a couple. 

You never say what he is out loud– don’t call him a monster, a murderer, or a killer. You always dance around it, play innocent, though it’s obvious enough that you know the truth; and that’s more than enough for Chris. In fact, he prefers it this way; he likes to pretend he’s ruining your innocence, likes to pretend he’s a corrupting influence in your pure, perfect world, likes to pretend he’s ruining you.

Maybe in a way, he is– maybe you were a good girl before you found out his secret, maybe catching him in the act changed you, and maybe he’s dragging you down to hell with him by sharing this part of his life with you. Regardless, he loves what you have together– and he’ll keep playing this dangerous game with you, even if it ends in both your demise.

You melt into his kiss, as you always do– his lips, so plump and soft, always feel so perfect when they’re pressed against yours. You open your mouth for him the moment you feel his tongue swipe across your bottom lip, and he hums pleasantly as he slips his tongue in your mouth. It’s not the most slow or sensual kiss you’ve ever shared– rather, it’s needy, passionate and urgent.

Chris smiles at you again when he pulls away, enjoying the sparkle beholden in your eyes as you stare up at him. “Open your mouth for me, darling,” he says as he runs his thumb over your bottom lip. You do as instructed, the obedient thing you are for him, and he grins as he sticks his thumb inside your mouth. 

You wrap your lips around his thumb, sucking on it after he rests it against your tongue. “Oh, my love– you already knew what to do, didn’t you? Always know just what I want, yeah?” You hum as you nod, staring up at him oh so enticing and pretty. “You’ll suck my cock just like that, won’t you?” he continues, biting his lip to suppress a laugh when you eagerly nod and hum once more.

He removes his thumb from your mouth with a pop, hurries with undoing his belt and pulling his cock out of his trousers. His cock is mesmerizing, as always– so long and thick, with pretty veins and a leaking tip; but you aren’t given any time to idly sit and admire it. He wraps your hair around his fist, forces you to take his cock in your mouth all at once.

You choke and sputter as his cock presses against the back of your throat, your nose meeting his pubic bone in a flash, the neatly trimmed hair there tickling your skin. You can’t pull your head back with his grip forcing you down– but you wouldn’t dream of trying anyways; this is what he wants, and he'll have it.

Eyes watering, you do your best to relax your jaw and throat, to suck him just the way he likes, with your tongue massaging his veins. It’s a struggle to breathe through your nose, unprepared for his cock as you were– and it’s not until your eyes are dimming and head is swimming from the lack of oxygen that he pulls you back to let you take a breath.

It’s harsh, lungs positively burning as you take deep, heaving breaths. “Oh, I’m sorry, darling. Was that too much for you?” he asks, but his tone lacks its usual sincerity. “Chris–” you cry his name weakly after taking another breath, a few of the stray tears lingering on your lids finally spilling over as you blink. 

“My dear,” he cuts you off, forcing his cock past your lips once more, using the leverage of his grip on your hair to once again push your head down on him, making you take his length into your mouth until you choke on it.

“You weren’t going to complain, were you? No, I know you wouldn’t do that,” he says, voice wavering ever so slightly, breathier from the pleasure your mouth gives him. “Because I give you everything you want. Everything I do is for you– so you’ll let me use you, yeah?”

He’s right again, of course– you wouldn’t dream of complaining, of depriving him of what he wants from you. And you both know this is far from the limit of what you can take, but as with everything else, he likes when you pretend for him. When you cry and weakly try to protest, half hearted utterances of “too much!” or “I can't!” as tears roll down your cheeks– an act that always leaves him throbbing.

And Chris is good to you, always puts the entire world in the palm of your hands– so just as he says, you’ll thank him by letting him use you however he wants. You can’t nod your head, and any word you try to speak would be muffled and indecipherable– so you allow your jaw to go slack to show him you understand.

“Good, just like that,” he says as you lay your tongue flat, his praise a small kindness before he really lets loose. He easily controls your pace, yanks your hair back until only the tip of his cock remains in your mouth before shoving you back down to the base of it.

You try not to gag and choke, but most attempts go unsuccessful, more tears spilling from your eyes and drool spilling from the corners of your mouth with each full press of his length in your mouth. You can’t even feel the sting on your scalp anymore– all you can focus on is trying to breathe while he uses your mouth.

But all you can breathe is Chris, and he’s unforgiving in the way he moves you on his cock. You jaw quickly begins to ache, and every low groan that he releases is drowned out by the filthy sounds your mouth and throat create as you swallow around his cock.

He doesn’t let up until your vision darkens and blurs again, your nails digging into your own thighs as you try to hold out as long as possible. You gasp when he pulls you off his cock, heart pounding in your chest as the much needed air finally returns to your lungs.

You look up at Chris as he releases his grip on your hair, eyes lidded and hazy. He’s made a real mess of you– from the way his fingers have tousled your hair, to your freshly swollen lips, to the saliva that dripped down from your mouth to your chest. It’s pretty, really– so, so pretty; he almost wants to coo at you.

Instead, he strokes your cheek, offers you a look of faux sympathy– and you’re much too addled to realize he doesn’t mean it. You take the affection regardless of his intent, close your eyes and lean into his touch. You can hear him softly laugh, can easily imagine that smirk he must have on his face right now. 

“We’re not done yet, sweetheart,” Chris reminds you as he takes his hand away from your face. He grabs your arm, lifts you up from your chair and quickly turns you around, shoving everything resting on the vanity aside before he’s bending you over it. Your yelp of surprise is weak considering the abuse your throat just suffered, your hands lying flat as he presses you down against the hardwood. 

Your face smushes against the mirror, and how cold it is in contrast to how hot your face has become nearly makes you jolt. He shoves your panties to the side easily with his fingers, and you can hear him chuckle when you impatiently begin to squirm as he presses his cock against your dripping hole.

“Princess– stay still,” he says, and you can tell from his tone alone that it’s much more a demand than it is a request. You mutter a soft apology as you still your hips, and he waits a moment– waits to see if you’re going to move again before he acts. 

“Please,” you whine, make your desire to have his cock filling you up known, but ultimately don’t move. With a satisfied grin that you can just barely see on his face from your position against the mirror, he slowly, finally, starts to press his length inside your pussy.

He brings his hands to your hips, holds you as you begin to tremble from the feeling of his cock stretching you out. He doesn’t give you time to adjust– just squeezes your hips in his hands as he starts to fuck you from behind. “Oh, Chris– fuck,” you gasp, though it quickly becomes a moan. 

His cock feels so deep in this position, and it has your eyes rolling back with each motion of his hips into yours. “You’re so fucking wet, fuck–” he groans, his hands gripping you harder as he finds his rhythm. “Squeezing so tight– feels good, huh, princess? You like it when I fuck you like this?” 

“Yes, love it! Love you, love your cock, feels so good–” You cry, high pitched whimpers leaving you now as you try to nod your head, though its position against the mirror doesn’t make it easy. Chris groans again before he moves a hand to your hand, threads his fingers through your hair again to pull you back against him.

You reach backwards to support yourself, one of your hands clinging to his shirt while the other holds him behind the neck. “Look at yourself, darling. Look,” he says against your ear, and you focus your eyes on the mirror. You look at Chris through it first, take in the sight of the sweat dripping down his temple and the clench in his jaw as he fucks you. 

Your eyes travel down, met with the sight of your tits bouncing with each of his thrusts, threatening to spill out of your babydoll gown. Lower still, you watch as he takes his other hand off your hip, slides it past the hem of your gown to find your clit with his fingers. “Want you to watch yourself cum. Don’t stop looking,” he tells you, and you whine– it won’t be easy, but you’ll listen; you always do. 

He lets go of your hair, and is quick to wrap his arm around your body so that you don’t fall too far forward. You’re so wet that his fingers quickly become slick, and it makes his touch lack friction as they slide messily over your clit, but the feeling is still so delicious that you can’t complain. 

It’s so hard to maintain eye contact with your reflection, hard to prevent your eyes from rolling back whenever he hits your spot with his cock while playing with your clit, but you keep doing your best for him. He can feel you clenching harder as you continue to watch yourself unravel, feels your nails starting to dig into where they hold his neck.

“C’mon, love– cum for me, you can do it sweetheart,” Chris urges you, his voice soft and low in your ear. “I will! ‘m gonna�� gonna cum for you!” you cry; and though you’d been doing so well, you can’t help but let your eyes roll back and close as you finally let go and gush on his cock. If it were a different day, he might scold you for not keeping your eyes open like he told you to– but it is your birthday today, so he’ll let it pass just this once. 

He pushes you back down onto the vanity as you ride out the last of your orgasm, face once again smushing against the mirror as he grabs your hands and holds them behind your back at the wrists, fucks you rough and deep as he chases his own release. You whimper and tremble, unable to escape the sensitivity you feel, or able to grip anything to ground yourself– all you can do is take it. 

“Can’t! Chris, please– I can't, t-too much, too much!” your voice warbles as you cry, the pleasure you feel overwhelming. “Yes you can,” he says as you writhe helplessly in his grasp, your fingers clenching into desperate fists where he holds them against your back. “You can take it, I know you can.”

You’re going to cum again, you know it– he doesn’t even have to touch your clit again to get you there, because the tip of his cock is kissing your spot so good that you’re seeing stars. You’re panting hard, your every breath fogging the mirror, your nails digging into your palms as Chris’ name leaves you in desperate, broken syllables. 

It’s not until you’re finished cumming around him for a second time that his pace finally begins to falter– he lets go of your wrists, squeezes your hips in his hands and thrusts once, twice more before his own high takes him. You whine as you feel his cum spurt deep inside, hot and sticky, leaving you perfectly full.

Chris takes just a moment to steady his breathing before he’s slipping out of you, hurrying to reach to the ground for the tissue box he previously knocked off the vanity. He grabs a tissue, cleans between your legs as gently as he can, though you still end up flinching just a bit.

He then readjusts your panties so they rest on you properly again, and helps you settle back into the vanity’s chair. He kisses you after tucking his softening length back in his trousers, glances in the mirror to make sure nothing else about his appearance is out of place before he has to return to your party.

“Was it good?” you ask earnestly as you look up at him, and he smiles at you, stroking your head sweetly. “Of course, my darling. You’re perfect, as always,” he tells you, and you beam, turning your head to kiss his hand before he takes it away. He glances over at the grandfather clock sitting in the corner of the room, laughs in disbelief when he notes the time. 

“Gosh, it’s almost midnight– we really must hurry,” he says, and you giggle, truly without a care in the world that you’ve kept your guests waiting. You turn back to vanity, pout as you take in your appearance– you were too far gone from lust to really realize just how debauched Chris made you, but now you truly see just how much you have to fix. 

“Christopher! You’ve ruined me!” you complain before looking around the floor for your comb. “Apologies, princess,” he chuckles, leaning down to pick up your comb for you once you’ve spotted it. He hands it to you, but doesn’t completely release his grip to let you take it until after you kiss him in thanks.

“Now then– I’ve got to go entertain our guests. But hurry, won’t you, darling? I wouldn’t want to start the real fun without you,” Chris says as he rests his hand on the knob of the bedroom door, and you smile as you look at him through the mirror, making quick work of fixing your hair. 

“Of course, my love. I wouldn’t miss my party for the world,” you tell him; and despite what he said, it’s not long until you hear the first shrill scream of the night. Dressed in your prettiest red dress and heels, you peek your head out of the bedroom door– and Chris stands there, knife in hand with blood speckled over his face.

“Sorry darling, didn’t have a choice,” he explains, and you giggle as you fully step out of the room, carefully stepping over the blood that decorates the floor to kiss him before shooing him away to continue. Your birthday party has fully kicked off now– and it’ll certainly be one to remember.

[still-cookiedough]

Five reasons why you should watch The Loyal Pin if you enjoy sapphic content:

A complete story: In the last couple of years countless US shows with sapphic couples have been canceled and most of them have been in the middle of the story with no conclusion. This show will give you a complete story with a beginning, middle, and an end you don’t have to worry about cancellation because the whole story is contained within 16 episodes. And if you end up enjoying the genre there are more shows to enjoy!

Sapphic romance to the max: One thing that I hate in US media is the death of the rom com and romance stories in general. Because these genres cater to women they are seen as lesser. The shows/movies that do get made are typically 95% to 100% straight. So my recommendation is that while we wait for the sapphic season of Bridgerton we enjoy a period romance that is entirely focused on two girls. Do you get annoyed by sub plots with straight characters? That’s okay because there are literally none in this show.

It’s free! In the time of 10 million subscriptions you can watch this on YouTube for free.

Quality sex scenes with more to come: An episode of this show opened with a 7 minute sex scene - if anything it was too long! Which is probably the best complaint to have. The intimate scenes are tasteful and clearly were made with the intent of the female gaze. Both actresses are comfortable with each other and have great chemistry. Over the course of the show it would be my guess that there will be 5 or 6 sex scenes if not more, and while the scenes are fun and hot there is no nudity (which can be a pro or con depending on who you are). Of course everyone has a different opinion on what they consider to be a good lesbian sex scene and quantity is not always quality, but aren’t you at least a little curious to check it out yourself?

Representation: It’s so refreshing to watch media that is not produced in the west. I think it’s so worth it to give international media a chance. Some things will be different, tropes that we typically rely on may not be the same and the production methods may be different. But that is part of the fun! Also I think we all know that we can use more queer content that does not center white people.

If you’re tired of your shows getting canceled by US production companies and just want to watch some sapphic romance, try it out! Almost half the episodes are out now for your binging pleasure!

[evaglass]

Speculation about Mizu's parents pt. 4

Going back to the story of the Ronin and the Bride

This is official concept art, I believe. Look at the blue eyes, then specifically look at the baby, and the blanket the baby is wrapped around her. That blanket is seen somewhere else.

It looks like the blanket baby Mizu had laying below her

It's also seen again in a flashback when Mizu is a child and also used as her belt throughout the show.

Remember when I said that the Ronin and Bride could also represent her parents. Using the connections with the films that influenced the show, as well as hints of foreshadowing, I believe Mizu's mother found out she was pregnant, probably tried to run away to raise Mizu in safety (like the Bride in Kill Bill), realized that finding safety for both her and Mizu might take more time than she thought, left Mizu in the care the maid, during that time her actual mother was found and killed by one of the white men like Fowler stated before she could ever reunite with Mizu.

I also have a hunch that Mizu's biological mother died the same night Mizu's childhood home went up in flames, and she was left to survive on the streets. It would make the scene where Mizu is a child swearing to her 'mother' that she'll avenge them. Of course, Mizu was referring to the maid, who later turned out to survive that night, but then her quest for vengance later shifted to the reason being of her existence as a 'monster'.

I also believe the blue eyes of the Bride from the puppet show when she comes back as an Onryo are supposed to represent Mizu's mother's eyes as well, and that she got her blue eyes from her mother. Like Yuki, Mizu could be a representation of her mother's need for vengance after death.

Why? Well, because, as I said earlier, she could have tried to run away and find the best opportunity to leave Japan unnoticed (like how Beatrix tried to run away with her unborn daughter), but eventually was found and killed. So, her rage lives on through Mizu because her mother was taken away from her, was stripped of the chance to raise her, to be there when she was scared, lonely, or sad, to see all her milestones, to let her know that she loves her, etc.

Mizu could be a representation of her mother's rage beyond the grave, and she doesn't even know it

When Fowler finds out Mizu is actually a woman, he knows exactly who she is. That she was raised in hiding, that she had a maid raise her, that there's a high bounty for her.

I don't think Fowler laughed at the fact that Mizu is a woman, I think he might have laughed because he finds the situation ironic. He knows that Mizu is out for vengance because she's mad about her existence; that a white man, who brought pain to many people with his three fellow white men, impregnated her Japanese mother, causing her to be born a 'monster', and costing her the ability to live a normal life.

Fowler found out Mizu wants all her potential white fathers dead before he even found out she's a woman. After finding out Mizu is a woman, a specific woman too, he laughs because maybe he knows none of the white men are her father because it's mother who was the European one, and she's going through all that trouble only for the white person responsible for her existence to already be dead.

So if that's the case, why didn't Fowler just tell her? Well, do you honestly think Mizu would believe him? If anything, she could have seen the potential reveal of her mother being the European as getting him, Skeffington, and Routley to dodge responsibility. Fowler is a shitty person, but he's not stupid. Mizu is also a bit hot-headed, she probably would have definitely killed him if he revealed something like that.

Fowler knows Mizu being mixed-raced is a big insecurity for her and has proven to her that she will do anything to kill the people responsible for it. Fowler not telling her, could possibly be for the reason of simply buying himself time because him telling her she won't find Routley and Skeffington without him gives him the chance to find away to escape when they arrive at the British Isles.

Now, there's the question of who could be Mizu's father. I'll explain in part 5 (I know this already long, but I'm almost done)

Part 1/Part 2/Part 3/Part 4/Part 5/Part 6

[wen-kexing-apologist]

Can I ask, why do you love BL romance better than het romance? What makes them better? I did not mean anything negative, and I know everyone have their own like and dislike but I want to know your thoughts....

Also what do you think that made Asian MLM (BL manga/manhwa/manhua/tv series/movies) romances better than western MLM romances?

Hello! Yes you are more than welcome to ask :) I truly, truly love getting asks in my inbox and have been having so much fun with the fact I’ve actually been getting some recently! Warning this is long (but i have TL;DRs for everything)

___

I think the fastest answer for me is that I am queer, and therefore I find I have a lot more enjoyment and interest in watching queer stories compared to heterosexual ones.

Also, I find a lot of heterosexual romances to be steeped in misogyny, and have low-key or high-key abusive dynamics. And again, do not get me wrong, there are plenty of queer shows where there are abusive dynamics in play, but it is much harder for misogyny to be committed between two men than it is for misogyny to be placed on a male/female pairing. (I love GLs cause, you know…women, but there are a lot more complex dynamics going in to stories written about two women and those can get much trickier for me, and unfortunately many narratives love punishing lesbains with death so.... Anyway, I’m trying to stick mostly to BLs since that is primarily what this ask is about.)

Additionally, I love BLs more than heterosexual romances because of how BLs treat men. Men in heterosexual romances, especially in the West are extremely masculine, often unable to be in touch with their emotions, jaded, misogynistic, they have to be extremely muscular, and we almost never see femme boys or men.

BLs have such a vast range of men, they have twinks, they have femmes, they have gym bros. They have the clowns, and the super masculine boys. There are shows that let boys be boys, be stupid, and stinky, and fucking gross (hey Pat from Bad Buddy), they let boys be angry and aggressive and express their emotions that way (Sean and Yok’s fight in Not Me, Han Baram and Im Hantae’s conversation in the boxing ring in Sing My Crush, Lom and Nuea in The Wedding Plan, Patts in La Pluie), they let boys fight and wrestle and play (Bad Buddy, My School President, Moonlight Chicken, Only Friends). I love queer stories that let men be gay and ensure through the story that that never undermines their masculinity. I love that there are shows that focus on the progress older men can make in their relationships (What Did You Eat Yesterday?) THEY ARE ALSO ALLOWED TO CRY!!!!

And though it is still kind of rare, Asian BLs actually do have femme boys, and while I am sure femme boys exist in Western shows, I think Pose and fucking Glee are like…the only two shows with queer people that I have seen in the last decade that have an femme boy representation at all. On the flip side, I love how often GMMTV puts their boys in drag and that doesn’t even have to be in a queer show. I also generally love the fact that most of the male actors in Asian BLs, and again, especially in Thailand embrace their femme sides in photoshoots and whatnot, that they wear earrings, and jewelry, and makeup and they look hot as fuck, because it helps me with my own gender identity. I feel and see myself much more masculine (and have less dysphoria) when I have an earring or a necklace or makeup on, now that I have seen so many boys do the same. 

TL;DR: I am queer, and heterosexual romances are frequently misogynistic, and men are extremely masculine and rarely allowed to be soft. Asian BLs give us a very broad range of masculinity, but often let boys be boys while also kissing boys. And actors embracing their femme sides helps me feel more masculine when I lean in to my femme side.

___

As for Asian MLM romances compared to Western MLM romances, obviously this is not a cut and dry thing, not all Asian BLs are going to be better than Western BLs but I find I have a tendency to enjoy Asian BLs/queer media more for a few reasons, generally in order of most to least important for me:

Reason One- Family

This may seem somewhat surprising because the first, and honestly biggest reason I tend to like Asian BLs more than Western BLs has much less to do with the queer aspect. It's actually the family dynamics. I think Western media very frequently has a tendency to be very binary in their portrayal of family dynamics, if family is at all included in Western narratives the relationships that characters have to their family is either almost wholly good, or almost wholly bad. You either have a very abusive household that a character is trying to avoid or flee, or you have a traditional, happy, nuclear family, and when characters have a strained relationship to their family, I have noticed a lot more narrative support for leaving that family behind. But for the most part, family does not play a huge role in most Western shows (and, wild concept to me, it’s part of why I think shows like Succession are so successful, because that is all about complex, fucked up, and loving relationships within a family). 

Whereas, in Asian media, far more frequently family and family dynamics play a huge role in the character’s lives, behaviors, and can influence the story. And because filial piety is such an important aspect to many Asian cultures, you get a lot more interesting parent/child relationships out of Asian media than you do with Western content. And I am a white Westerner, but I am fundamentally, culturally a Southerner and despite no longer being a woman, I will never shed the mantle of Eldest Daughter. And that has resulted in a sense of family responsibility and piety that ends up making it very very easy for me to understand the motivations of the characters that remain loyal to their family even when their family is asking for things from them that run counter to their own desires or happiness (I’ve actually had this conversation a lot with @waitmyturtles about the intersections of Southern culture and Asian culture).

And similarly, I find that a lot of Western media with queer characters at least in the time frame that I have been able to find content with queer characters is either wholly homophobic, or wholly accepting. And do not get me wrong, we get family dynamics like that in Asian BLs too, but we also get parents who are upset about their child’s queerness, and will voice that, and yet who still take care of their children. I’m thinking of the film I watched just the other day called Margarita with a Straw where the main character’s mother can barely look or talk to her daughter when she comes out, but because she is disabled, her mother is still there preparing food for her, bathing her, etc. because even if she is upset about her child’s queerness she can’t stop taking care of her. And those aren’t dynamics I often see in Western media. 

I don’t see relationships like Sawismol and Wang in Western media, where a mother can look at her child and say, out loud that she is disappointed, and to be upset, and to still, despite everything, be the person that her son goes to for comfort when he is absolutely devastated, and I don’t see Western parents sitting there and performing that comfort even when they are disappointed in their children’s queerness.

TL;DR: Family dynamics feel a lot more built out, realistic, and complex in many Asian BLs/media that I’ve seen, than they do in many Western shows. Until I started watching Asian media, I had not seen the dynamics I have with my mother or my father played out on screen. 

Reason Two- Casual Trans Inclusion 

And, as a trans person myself, part of what makes Asian BL shows, Thai shows much more specifically, so important, interesting, and influential to me when compared to Western BLs is the casual inclusion of trans people. Like, that is just something Western media is barely ready for. It’s not non-existent. We have and have had shows like The Fosters, Sense8, Pose, The Owl House, and Heartstopper that have some trans rep. But a lot of those shows have a hefty component to them that shows the struggles of being trans.

In The Fosters we have to watch Cole nearly die trying to get his hands on testosterone, in Sense8 we have to watch Nomi be kept as a medical prisoner and stripped of her autonomy and almost lobotomized, in Pose we are constantly exposed to the very real dangers that trans women of color experience including murder, in Heartstopper we are spared from having to witness the transphobia Elle went through, but it is mentioned. I think the only one of these shows that doesn’t have some element of struggle because a character is trans is The Owl House and let us not forget that Raine Whispers goes through fucking hell in that show. And these conversations, and the demonstrations of struggle to just survive and thrive despite that is vitally important in a society that is pushing closer and closer towards genocide against trans people. Stories that show the struggles of trans people exist for the sake of realism but also serve as an attempt to try to garner empathy towards trans people by cisgender viewers. 

Thailand does have stories where a trans character experiences transphobia (3 Will Be Free, The Warp Effect, Secret Crush on You), but they also have so many stories where trans people are literally just vibing. Do you know how revolutionary it was for me when I watched KinnPorsche and saw Yok, and she was happy, and beautiful, and fun, and her entire plot centered around her running that bar, flirting with boys, and playing surrogate mother to Porsche? Or just to see trans women existing, who aren’t even central to the plot, but are just there? (Payu’s secretary at the auto shop is a trans woman, Golf Tanwarin was at the inclusive cafe in The Eclipse, Golf Kittipat had an illustrious career as a music producer in My School President). Like that shit is SO important to me, and I never, never see it in Western media. 

TL;DR: There are many Thai shows especially where trans people just exist, and they have plots that aren’t always centered around them being trans. Which is revolutionary, coming in as a trans Western viewer where the majority of trans rep in Western shows makes me eventually have to watch trans people suffer. 

Reason Three- Passion Projects

The film industry is huge and pervasive in Western culture, and in the US especially, and with that comes big budget projects that stretch out as long as they can squeeze a cent out of a fan base. As a result you get shows that are too long, you get shows that ruin their premise in the last season after five to fifteen years of dragging the shambling corpse of a story along. And again, do not get me wrong, there are plenty plenty of Asian BLs that are cash grabs, that are terrible, where the actors aren’t really in it. But, most BLs in Asia are one season, they get in, they get out, and you forget it if it’s bad, or you hate it forever if it’s objectively bigoted. But the time commitment to terrible pieces is a lot shorter. 

That said, when you have a low budget, and a story you want to tell, it makes my love so much more. Because it means the crew, the writers, the director, and often time the actors are there because they want to be there, because they like the story they are telling, because they have a story they want to tell. It’s part of why I love shows like The Eclipse so much, because that show was made with a budget mainly comprised of pocket lint and hope, because Golf Tanwarin had something they wanted to say.  Most if not all of Aof Nopparnach’s shows give genuinely, inherently queer stories that speak to queer people. Jojo Tichakorn makes pieces that are so full of queer lenses you could never deny the inherent queerness in his shows, even if the story is primarily focused on a straight person/relationship (Mama Gogo). There are so many shows in the Asian BL world where you can just tell that everyone is having fun. LIsten, Fish Upon the Sky is an extremely problematic show, but for me it felt like everyone had a great time goofing off on that set. You can tell EV-ER-Y-BOD-Y in the cast of Mama Gogo  was having the time of their motherfucking lives. 

I also think the West is very self-congratulatory and tends to hold themselves as the standard of televisions and acting, when I am over here watching Asian BLs with some of the strongest acting from young people I have ever seen, and having it be written off because its a) low budget b) gay and c) in another language. Like, when I try to get people in to BL I start with shows like KinnPorsche (which I know drives @bnegiyo mad) cause it has a much higher production value than many other Asian BLs without being prestige and therefore can’t radically alter the perception of what BL is (hello ITSAY/IPYTM and 180 Degrees), Thai BLs especially. And I figure that is the only way to show someone the level of absurdity and camp that comes from a lot of BLs, while also maintaining their interest because it has a higher production value, so that if they end up enjoying that they are more willing to watch the low budget shows. 

TL;DR: Many Asian BLs are pretty low budget, compared to like any Western show, which I find to mean we have more stories in Asian BL that people actually want to tell. (there are still very many shows that people seem to just kinda show up for, or get bored with partway through [looking at you Tee] but.)

Reason Four- Abundance

There are 

So 

Many 

Asian 

BLs 

Here's a fraction of my watch list

I have watched 81 in roughly the last year, and there are so many more on my Plan to Watch list, and there are more coming out all the time. The West has given me like…two, maybe three. And when we do get good queer shows in the West, they are frequently canceled before completion. Especially if they are on Netflix. 

We lost Sense8, fans had to fight for Out Flag Means Death to get renewed, The Owl House got cancelled by Disney after giving their main character a girlfriend, ND Stevenson had to write two ending to She-Ra and fought tooth and fucking nail to get the gay one, Legend of Korra had to save the gay kiss until the end just like She-Ra had to. If you want to get depressed here is a link to an article ‘50 TV shows with Lesbian, Bisexual, and Queer characters cancelled after one season’. Because most Asian BLs are meant to be only one season, we actually get complete stories, rather than ending with unresolved tension, or cliffhangers. 

TL;DR: there is a metric fuck ton of Asian BLs

Reason Five- Sex

The West, especially the US, tends to have a very puritanical view of sex (which makes sense because the Puritans were some of the first colonizers…I mean colonials…to murder everyone and occupy…uh, I mean settle the United States (I would also like to place blame on the Italians and Spanish [hey Columbus] and their Catholicism AND PROTESTANT CALVINISM that also influenced the pervasive societal views of sex and especially gay sex in the United States).  

With ever increasing homophobia and transphobia, so many shows are trying, in my own personal opinion, to garner empathy, sympathy, and acceptance for queer characters by cisgender and/or heterosexual viewers by making their queer characters flat, two-dimensional, virginal, perfect people. But homophobes and transphobes consider holding hands to be just as grotesque and inappropriate as full on porn. With Western, and especially US based, views of sex, many queer characters are sanitized, sex scenes are rare, and if they do exist at all they are usually in shows that have mature ratings. 

That is not the case with Asian BLs. Like, do not get me wrong, there are plenty of pure, virginal, don’t kiss, barely touch BLs out there, but because there are so many BLs, there are also plenty of shows with lots of physical intimacy and multiple make out scenes that aren’t maturely rated, as well as plenty of maturely rated shows that have multiple sex scenes AND CAN INCLUDE KINK WHICH LIKE!!!!! I rarely see in the Western media I’ve watched. Hell, Sense8 is a sexual liberation show that includes multiple orgies, but there is not even a hint of any other kink (besides whatever Dani, Lito, and Hernando have going on).

gif by @radishayuan

Meanwhile, The Warp Effect has fucking puppy play, Bed Friend has pet play, Laws of Attraction which has a couple pretty chaste kisses shows handcuffs to at least imply kink, there’s a ball gag and a fucking leash in Big Dragon, I haven’t seen it but Unforgotten Night has a lot of BDSM themes in it, Rain and Payu have a dom/sub dynamic going on, we have daddy kinks abound, I also haven’t seen this one but I know there is some belt bondage in War of Y. And even if it isn’t shown, kink and bondage specifically are often referenced in passing in shows with sex.

Also, there are very very very few Western shows I have seen that treat sex workers kindly, and Jojo Tichakorn is right there giving us sex workers as main characters multiple times in a row. Taiwan has great physical chemistry, the very few things I have seen from the Phillipines are so fucking queer, Japan even when they aren’t including sex at all have some extremely queer narratives, and when they are including sex? Holy fuck. South Korea is developing, but I have liked what I’ve seen so far, and it’s been fun seeing very rapid progressions in the level of physical intimacy characters are allowed to have, Thailand has been making a name for itself.  

TL;DR: There is a very broad range of physical intimacy in Asian BLs from no sex to lots of sex, but the abundance of content means I am seeing more shows with gay sex in them in like…a month or two, than shows I have seen in the West with gay characters at all in like…the past year. (This is of course, subjective, don’t ask me for real numbers). 

And, you know, in case this response wasn’t long enough, the amount of queer content, the types of stories being told, the rapid and continued development of BL is super interesting to observe in its own right. Sure, it may be driven by marketability and sales, but that doesn’t mean there aren’t some truly important, realistic, vital, and beautiful pieces of queer media being created and shared with the world, a lot of which is much more accessible to audiences than Western media. I go heavy on the Thai shows in part because they are available for free on YouTube. 

I also think the West seems to think that having gay marriage is the be all, end all of queer inclusivity, and that they do not realize that countries without gay marriage are creating some of the most realistic queer content out there right now. The West has a lot it can learn from Asian BLs, but in my opinion, we’ve got our heads too far up our asses to be following their lead.

[sarasade]

It's been pretty interesting to follow the

"Why Didn't Viren Get Redeemed vs Viren Got What Was Coming To Him"

discussion after The Dragon Prince's 6th season got released.

Hot Take

I think Viren got redeemed.

Because to me Viren humbling himself and acknowledging the hurt he has caused was redeeming. His conversation with Soren was the main event. His rather heroic death was only the cherry on top of the character development cake that has been baking since s4.

I think Viren dying wasn't as significant as what he did before that and how he tried to provide Soren with some kind of comfort and closure, you know, as a parent should, before going. Viren's redemption wasn't just him dying for Katolis but acknowledging his wrongdoings and trying to salvage what he could.

That was pretty redeeming for me at least. Viren did the right thing even when he knew there wouldn't be any reward for it. Even if he couldn't stop Aaravos from destroying Katolis or manipulating Claudia even after his death. Like, man, I kinda feel for the guy.

I think it has always pretty easy to feel sympathy for Viren. Viren wants to matter and wants to be important. However, his grandiosity, as psychologists would call it, keeps him from creating genuine connections with others. His friends, wife and children are only there to prop up his ego or get rejected if they fail to live up to his expectations. It's also pretty damn tragic that Viren opens up about his deep insecurities to Aaravos of all people. Someone who was the most likely person in the world to exploit these insecurities for his own gain.

Viren had to taste his own medicide but I don't think TDP says that's an objectively good thing per se or that we should enjoy this sort of revenge fantasy uncritically. Viren is still portrayed rather sympathetically and of course there is the part about his actions affecting others and the world in unpredictable ways. It's still a tragedy because Viren's actions and personal problems have caused so much collateral damage. The Why behind Aaravos exploiting Viren and Claudia is part of that tragedy, too. There are no winners here. In a way Viren is a victim of his own narcissistic tendencies, too.

This isn't just about the final episodes of Viren's arc. To me it's essential to ask What was Viren's biggest sin he should be redeemed or punished for? Depending on your answer you may have a relatively different reading of s6 story development compared to mine.

To me it's not a specific action he took but his whole worldview. Viren is a fictional character (duh!) so his story isn't exactly literal but metaphorical, a representation of certain values and morals real people and society holds. In s3 TDP draws a pretty straightforward, though brief, comparison between Viren and reactionary right-wing ideologues. It's not exactly subtle.

It's just one way TDP goes to show how toxic and abusive Viren's core values are. that gets reflected both in Viren's personal life aka how he treated Lissa, Soren and even Harrow and Claudia (last two more indirectly). Since he also had a ton of political power as a high mage and briefly as a king we see what he did with that power. It's a pretty clear take on people who dehumanise others, fetishise power and see all living things as something to exploit. TDP explores that both philosophically and psychologically through Viren. Dark magic encapsulates this philosophy well since using magical creatures like tools or objects is essential for it to work.

Also also- I don't really get why people see redemption or atonement as something black and white. It's not bad or anything but Redeeming Yourself For Your Sins is a very Christian concept and Christianity isn't the only way to understand villain story arcs. Like I wish there could be more discussion about WHY redemption is the main analytical framework we impose on villains when villainous characters have a ton of variety anyway.

I don't really have anything to complain about Viren's death itself and I'm not surprised that he ended up dying (for real this time). Aaravos seemed like someone who'd turn against Viren the moment he stopped being useful to him so Viren's life has been hanging by a thread since s4. Viren was the best part of TDP and every scene he's been in had been a delight, well expect the s5 dream sequence because it was too long-winded and obvious, anyway, I'm sorry to see him go and I look forward writing AU fix-it fics where he and Aaravos are married and run a hot brown morning potion shop with all their four totally not dead children. RIP Viren. You lived like a messy bitch and died like a messy bitch. Iconic.

[peppershark]

Nicholas Galitzine as Tom Riddle

I will die on the #thicklipsTomRiddle hill, and it’s why I think Nick G is an ideal choice to play Tom Riddle.

Here is why:

A lot of TMR art and fandom face claims have Tom looking nearly like a villain already with over-the-top sharpness to his features and a shadowy, shifty look. I love it, honestly. So hot.

But there’s also a solid argument to be made that Head Boy Tom Riddle would have to have the golden retriever innocence of someone like Nicholas Galitzine. Allow me to explain.

Based on the description in The Chamber of Secrets of the Ministry of Magic’s inquiry into Moaning Myrtle’s death, Tom wasn’t even noticed as a suspicious character (except by Dumbledore) because he was held in such high esteem by his teachers and classmates. To have this level of automatic deniability, Tom needed a top-ranking academic record, an irreproachable reputation, plus—and this is my argument—an innocent face.

I find David Kibbe’s 1987 body categorization scheme problematic in general, but for the sake of this conversation, describing “sharpness” (yang) in features, and “softness” (yin) can help us explain how some faces might have a certain level of ‘innocence privilege’.

Kibbe associates certain “soft” features like bigger lips, bigger cheeks (regardless of weight) and other more “romantic” body dimensions with “yin” energy, the “light”, gentle and feminine side, or white on the Chinese yinyang symbol. On the opposite end of the spectrum, Kibbe associates sharp, prominent-boned features with “yang” energy, the “dramatic”, intense, masculine side.

According to Kibbe, everyone has a combination of these features. I know, it’s very reductive, and an overly-simplistic reduction of the Chinese yinyang model. I bring this up, though, because Kibbe’s presuppositions likely overlap with how Hollywood has conditioned us to interpret these facial archetypes; for example, we see lots of representations of young TMR with very angular cheekbones, gaunt cheeks and dramatic features. He’s often interpreted as a “dramatic” Kibbe type, the side with the highest concentration of “yang”.

Considering Tom’s situation, however, it makes more sense to cast him as a young man as someone with a lot more “yin” in his features. Snakeface Voldemort is his villain era and that’s pure yang: dramatic, angular, sharp, and snakey.

So as a younger man, I imagine he would have to employ more “innocent” features. When you consider that Tom was viewed as more innocent than Hagrid—who is the *actual* golden retriever of the Harry Potter series—you have to assume that Tom not only seemed less shady in a circumstantial evidence stance, but he actually must have outperformed Hagrid in some of his genial, “yin” features.

This is why I love Nick Galitzine’s look for Tom. My eye types Nick as a “soft dramatic” Kibbe Type which underneath is a dramatic body frame of very sharp angles, but covered in softer contours of body shape and more “yin” features like big eyes and big lips. It’s a metaphor for Tom’s dark, ambitious energy covered in a winsome, innocent-looking softness.

Nick serves a lot of shady, mysterious energy in his expressions, but the lovely fullness in his lips, big eyes and slightly-soft cheeks counters his darkness.

Nick looks like a prince, like his role in RW&RB (2022) or the high school quarterback like his role in Bottoms (2023) or the gorgeous Jacobean fuckboy for King James in George and Mary (2024). All archetypes I think TMR employs to get ahead in a wizarding world where he’s the half-blood Heir of Slytherin who grew up in an orphanage but clawed his way to the top. Nick G’s look in general is a great example of how I imagine TMR would combine features, displaying the dynamic of his character.

Do you think Nick G makes a convincing Tom Riddle?

[lullabyes22-blog]

Dropping in just to tell you how much I LOVE your Sevika x Silco portrayal. I never considered Sevilco a ship before reading your fics but you make them work so well, and I really like that you gave Sevika so much more backstory and character development. As a desi girl, I also appreciate your Sevika giving us desi rep and making it so relatable and believable. The kavya, the payasam, the bidi, I can feel her being desi on my skin, lol.

And for Silco, you make him such a hot bastard, it's unbelievable.

As someone who's a huge Grishaverse fan, they're giving Kaz x Inej vibes. I think you mentioned reading Six of Crows so I believe you're familiar with the duo, but I can really see similarities between Kaz and Silco. They're both badass villains, they're both dark and twisted and have done questionable things, they both have an intense obsession with destroying a rich and corrupt society and replacing it with something better. Also Inej and Sevika are both poc women who can kick ass and they both have a complicated relationship with the men they love. I love Kaz and Inej to death but if they were a little darker and older, they could totally be Silco and Sevika.

I'm sorry, I'm rambling, but I wanted to share. Keep up the amazing writing! I hope you write a lot more Sevilco fics. You've become one of my favorite Arcane authors, and I look forward to your updates.

Thank you so much<333

I'm so glad you're enjoying Sevika and Silco content. They've been a weird 'sleeper hit' with certain pockets of the fandom (and horrified a few others) and I'm really happy the ship's being considered as a viable option.

I really did want to try and give Sevika a bit more depth re: her family, motivations and flaws, simply because there's so much (justifiable) thirst for her character as a hot mama, and plenty of 'yas queen'ing everytime she does something terrible - but not a lot of consideration for the human, complex, flawed person behind the muscle, and why she'd choose to throw in her lot with Silco and stake everything on Zaun.

I'm also so pleased the representation feels authentic - I'm basing Zaun on RL Manchester in some ways, and Queens NYC in others - both of which are very diverse, with a huge South Asian presence. If FnF was taking place IRL, Silco would've been a no-good-bounding English boy of working-class immigrant parents (probs half-French, half-German) growing up with his best friend Vander (also of German descent with a little Greek thrown in) and Sevika and Nandi would've hailed from the nearby South Indian community, all set in the 1980s. The boy would've known his way around a good plate of biryani, though I doubt Nandi would've let him within 100m of her kitchen, let alone into her bed.

Sevika, on the other hand, would've hung out with him aaaaaall the time, just so she could bum his cigarettes and booze, and snog questionable girls behind the local pub.

(He would've paid her a tenner so he could watch her and her mate snog at his twenty-fifth birthday party. She'd have agreed, and maybe tried to goad him into joining in…)

Roflmao I do remember reading SoC, but it was very long ago, and I was a bit old for the 'young adult' genre by then. I did enjoy Kaz x Inej, although the dynamics would be somewhat different, and in many ways, far less toxic: none of this 'let the monster out' nonsense as Inej wants Kaz to be a better person, not a more ruthless one.

But really, all things aside, this is all I can think of whenever I see the comparison made:

Also we fuck. A lot.

Thank you so much, and I'm very happy you're enjoying the story<333

[chaotic-beautiful]

Build up where ??? HOTD

Those who are defending HOTD writing , fighting tooth and nail like obsessed fangirls , are they even watching the same show ??? This show is literally garbage writing , zero characterisation and full of illogical plot holes looking like pot holes on a muddy village road .

Where to even begin ? Atp, a whole 200 page book can be written on the lack of writing and cringe fanfiction OC inserts of showmakers that are not even subtle anymore.

Where's the smartly written dialogs and interesting scenes between small fry characters and MCs ?? Interestingly composed scenes of diverse cultures , grounding scenes of daily lives that are somehow intricately connected to who they are about one or more characters.

Truly , true art can not be replicated or replaced . I'd watch old clips of GOT where it's just two random characters talking to each other and nothing else happening over this entire dump on fire season . Such memorable quotes n conclusions that kept us all on our toes came out of such conversations.

Let me not even start on our female characters. Whichever gave the showmakers this idea that a person who doesn't even identify with that particular gender will be ideal candidate to play a feminist icon in the show ? They do not understand the power that comes from embracing the fragility, gentleness, allure and softer sides of being a woman . And the show makers ?? They've zero idea about Women , their bodies , their hearts , pregnancy, motherhood , marital bond , importance of husband wife bonding and rearing children . They've zero idea what makes a woman strong . I've seldom seen such poorly written female characters, each weak , pathetic , cut board cut outs ( Rhaena , Baela , Haelena ) and unrelatable. They're denied of agency ( Alicent ) , femininity ( Rhaenyra ) , ambition, ruthless strive. Catherine, Sansa , Dany , Cersei , Arya even small female characters that appeared for a season are of fuller blood and flesh , feel like real life and they each embrace different sides of what being a woman actually means.

Show makers have zero respect or true regard for LGBTQA characters. They literally deleted a bunch of canonically established book characters belonging from that group . They treat Ser Laenor like garbage . No body cared about him when he was in the show , he literally proposed to be there for their children and for a fresh start with his wife but was then kicked out from her life because atp, she felt she needed a new husband to secure her position and safety of her children and decided to seduce and manipulate an emotionally vulnerable Daemon mere days after his wife's death.

And now in the show every one has moved on. Where is Laenor?? Is he alive ? Why is Seasmoke so restless and ready for a new rider ?? Can he sense that his rider is gone? Does your favorite girl boss cares ?? No ! Neither does the show.

But nor does the viewers , because hey we've got a hot toxic lesbian kiss that pretty much ruins the essence of both the characters and deviates them so far away from their book selves that they're no more the same characters. They might as well just change their names and introduce them as OCs . Yay for representation. We won ! Not.

The show stinks so badly of racism that it makes me feel sick. The Valeryons are played by a bunch of Bl actors without that having any effect on the story . AND yet those same characters are treated like disposable and insignificant within the story , existing as props to enhance the story of White characters. How typical. 🤔 They erased Nettles whose story reverberated through the heart of Westeros for eons to come and was truly inspiring , because that could not endanger what they're trying to do with their OC Rhaenyra, not comfortable making her human by showing her jealous and possessive of her OWN husband whom she loved crazily and was prepared to cross all limits of morality for him . No , that'd make her a human being and a wife . Can't have that here. Doesn't fit with our narrative. Can't show her to be dismissive and vindictive as she was of Nettles because of who she was and where she came from. Can't have the simp Daemon of the show look outside of his cheater wife, when Nettles was without a doubt the most important person for him near the end of his life.

They ruined another book , ruined great characters and those who have no idea about the book and the essence of these characters are praising and defending this garbage by attacking the books fans . It's indeed an interesting psychological study how like minded people are attracted to like minded stuff.

Mike drop.

[scoobydoodean]

Something fun for you to ponder. When Sam was soulless, Bobby thought there was a chance that, "This is just Sam." I think it's because Sam tends to perform empathy somewhat selectively, at times more cognitively than emotionally. Do I personally think it's a neurodivergent trait? Yes, I do. BUT. It's hilarious to me that Bobby looked at soulless Sam and thought, "Hmm. There's a good chance that's just Sam." No?

Ho ho! Very interesting.

From 6.06 "You Can't Handle the Truth":

DEAN I don't know how much longer I can do this, Bobby. You got to figure out what the hell he is and fast. BOBBY I'm trying. But, Dean, there's a worst-case scenario. DEAN What, Satan's my co-pilot? Yeah, I know. BOBBY Well, that'd be the other worst case. DEAN Well, then what? BOBBY Maybe it's just Sam

Notably: This happens before anyone knows Sam is soulless and before Sam has admitted that he doesn't feel anything, but after Sam has let Dean get attacked and turned by a vampire.

I don't think that Bobby disagrees with Dean that Sam is acting different from before (I think that's why he calls it a worst case scenario). Sam has been putting everybody on edge, not just Dean (Samuel says that Sam scares him in 6.07). I think what Bobby is considering is that Sam simply isn't the same person after The Cage—that Sam compartmentalized his emotions to deal with the trauma—turned himself into a stone cold killing machine as a coping tool—and now Sam doesn't know how to warm back up to feeling anymore or caring about anyone or anything (or maybe can't because it's still too raw). Bobby's considering the idea that Sam may have simply cracked open and spilled his emotions out on the floor somewhere and left them behind... which ironically, is pretty much what happened?

Bobby is aware of similar (though less extreme) behavior from Sam in the past in coping with trauma. In fact, he arguably knows this side of Sam better than Dean does. Sam ghosted Bobby while Dean was in hell (and for months in 3.11 "Mystery Spot", though Bobby doesn't remember that). It wasn't that Sam stopped feeling (he was full of anguish and rage), but he did push Bobby away and focus obsessively on revenge, hunting like a machine. Sam pushed away the potential to talk through Dean's death with someone else who loved Dean and understood a lot of the grief Sam was feeling because it opened him up to a dangerous amount of vulnerability.

This is very John-coded behavior from Sam and it doesn't represent a lack of emotion as much as it represents "I feel so much that I cannot stand the idea of touching that emotion or I will break". It's a refusal to engage with and feel certain emotions, because if he did, he wouldn't be able to get up. Anger is fuel that burns hot and keeps you moving, but grief and fear can rip the life from you.

Consider even John's way of dealing with the worry he perpetually felt about Sam. Yelling and telling Sam never to come back when Sam wanted to go to school, making the fight all about betrayal and responsibility when deep down the entire time, John was just scared that Sam would get hurt (1.08, 1.20). Griping at Sam as a kid for wanting to play soccer (1.08), but without Sam's knowledge, quietly placing Sam's soccer trophy in a storage unit because John couldn't bear to throw it away even though there was no room for it on the road (3.03). John buried certain representations of affection and love because they were fraught with so much terror. Being open about how much he cared exposed him to feeling so much fear he couldn't cope with it, and John feels emotions incredibly deeply like Dean does. When the crying starts he cannot stop. It isn't macho bullshit—it isn't "I'm a man so this is unacceptable"—it's "If I feel this emotion right now at this exact moment then I will shatter into a million pieces".

Sam does the same thing when Dean is dead. Bobby represents vulnerability, family, and love—talking about how much Dean meant to both of them. The rage is easier. Being a hunting machine in 3.11 is easier. Focusing on murdering demon and training to kill Lilith is easier.

When the people Dean loves are in pain, Dean talks to them—he tells them how much he cares about them. He lets himself be vulnerable with it. Sam wants something to do and he needs to take charge. We see this is in 5.07 after Bobby reveals that he's having suicidal thoughts. Dean is distraught, and Sam is too (we see how much Bobby's opinion of him matters to Sam in 5.01)—but Sam just tells Bobby he isn't going to let him sacrifice himself, then jumps into action and focuses on the mission, while Dean lingers at Bobby's side. Then at the end of the episode, Dean sits down with Bobby alone and tells him how much he loves him and needs him. I don't think Sam could have that conversation at that point in his life. I genuinely don't think he could—and not because he doesn't love Bobby, but because he can't touch the distress that would surface from a discussion like that. One could argue Sam really does the same thing in 3.10, stepping outside of Bobby's house and seeking out Jeremy inside Bobby's dream while Dean goes up the stairs and finds Bobby and again—opens himself up to vulnerable emotions and expresses how much Bobby means to him—that he sees him as a father and he can't lose him. Sam focuses on finding the guy doing all of this and skirts the emotional vulnerability.

I think this is something Bobby, then, is very familiar with from Sam, so when he takes it to an extreme, where Sam is now dealing with a traumatic experience from being in The Cage, he can easily see how Sam would suppress his emotions and focus on hunting like a machine yet again, and how that could possibly reach such an extreme that Sam would stop feeling altogether and maybe not know how to or not be able to come back from that. And you know... I've never thought of this before in this exact way, but how did Sam's soul and body get separated in The Cage? Is there anything that disproves the idea that Sam himself ripped his soul from his body to cope with Lucifer's torture?

[mxdzin]

current thoughts on vampire daniel

i’m grieving his humanity. it was, to me, such an important part of his character, and i really cherished it. i was so sure he cherished it too, and i’m still trying to convince myself this move from the writers doesn’t necessarily mean character death even if i would’ve done it differently

saw him take his glasses off and got so hard i couldn’t breath for a couple of minutes

i feel like maybe this decision was rushed. we don’t yet know how or why armand turned daniel, if daniel agreed to be turned and if yes, then why, why armand left him, how daniel learned to be a vampire, how it impacts his life and his mental health etc. and it feels more like bait, it feels unreasonable because there’s just too many blank spots. let the tale seduce you and all that but how about not jumping forward so much maybe…

rip any possibility of romantic danlou or loumandiel but hey at least danlou get to be besties with weird homoerotic tension for eternity now! and whatever the fuck is going on with armandaniel is going to get so much worse!

armand turning daniel because he’s the only person left. armand turning daniel because daniel despises him and it’s just one step from hatred to love, right? or he could just take the hatred, he would be fine with it, that burning hot thing in his mouth, sinking down to his gut, burning him from inside out, and whose hatred even is it now? armand turning daniel because without a fledgeling he would truly be alone, with no connections, no friendships, no family, nothing. everybody left him so he will make himself a person who can never truly leave.

armandaniel officially hottest iwtv couple

daniel becoming a vampire erases him as representation for quite a lot of things: chronic illness, disability, 50+ age group with 50+ age group problems, human sexuality, addiction… it does feel like maybe the writers wanted to get rid of his parkinsons to keep him alive but i’m just not sure it works for me. i guess it’s wait and see for now (UGH) since we, again, don’t know exactly how and why daniel was turned and how he feels about his vampirism

eric and assad are about to do unspeakable things on tv right in front of our eyes. good.

love you so much old man <3

[freddiemerqwerty]

Every now and again, I've got to post more on Queen. Despite the fact I left the fandom years ago now, so much stuff still swirls around my brain—that's what Tumblr is for I suppose.

This swirl of things, however, is a topic I've always wanted to expand upon more somehow, but brushed aside because it felt too much like the influence of personal bias, or I had too much lack of personal connection—and surely if this were actually true, someone will have written on it.

The feeling I have is: there's a lot of queerphobia in how the life and legacy of Freddie Mercury is articulated, and that ultimately the main reason that the members of Queen (and affiliated people) have acknowledged Freddie Mercury as LGBTQ+ is because of his death from AIDS-related complications.

When I was coming into my own queerness, I remember being really struck by how much I'd find connection in some aspect of Freddie's queerness, and then I'd be reading a biography or watching an interview and see how it was perceived by others as strange, suspect, bad, or as ultimately a cause of death—looking at you every Queen documentary that goes "and then Freddie found the gay community, ultimately his cause of death".

I think about things like how Hot Space (1982) is perceived because of being Queen's step into disco and the "gay club sound". I love Hot Space, so I'm a little bit biased, but I do wonder why the blame for this weaker album is always based on it's genre rather than on the cohesiveness of the band during that time. That's really suspect to me, especially on an album with hits like Under Pressure—one of the most recognizable songs, and baselines, of the last 40 years.

Generally, I think it's also so strange to be a queer person and see Freddie Mercury—an incredibly queer person—rarely be acknowledged as that. Freddie Mercury played with gender, performance, sexuality, morality, and the boundaries of respectability constantly and that's only ever discussed as "just who Freddie was"—not also as a presentation with context and relatability to a wider community.

I used to think that perhaps all these feelings were just in my head, something I was feeling just to feel worse about my own queerness at a time when I couldn't be out. But over the years, I've only continued to gain more context for these feelings, and thus, they've only continued to grow. The unfortunate thing about any person who's passed, is that they've finished speaking for themselves. There's never going to be a right way of talking about Freddie's identity and self-representation. I just wish his queerness was more often acknowledged, not just his sexuality and death.

[mwolf0epsilon]

Clone Beans - An Informative Guide

Because I am now way too invested in this silly little idea, I've decided to create an informational guide to Clone Beans. Just so y'all have a general idea of what they are, how they exist within this alternate universe of the SW world, what the general purpose of their existence is, and all that fancy jazz...

Anyway, lets get on with it! ---

--What are Clone Beans?--

Clone Beans (or Trooper Beans as the clones prefer to refer to them) are physical manifestations of a clone's personalities and emotions.

They're essentially the Force's response to the creation of the clone army outside of what one would consider the natural order (although why exactly it would manifest like this for them and not any other one of the Kaminoan's creations, or even the Kaminoans themselves, is something of a hot debate among Jedi scholars once the existence of the Beans comes to light).

They are a little like daemons or even familiars, if you really feel the need to have something to compare them to. That said, their behavior and purpose is a little more complex than that of the daemon or familiar.

They are seldom perfect representations of their troopers, being more like exaggerations/caricatures of them, and also being capable of going outside their usual behavioral parameters to benefit their emotional and mental health (Example: Dogma's Bean has a tendency to act out as a form of vengeance against those it perceives to have slighted his trooper, because he knows Dogma would not stand up for himself due to his strict adherence to both regulations and the Perfect Soldier™ act he sticks to out of fear of being singled out as defective by his superior officers).

Troopers who are in positions of command often have Beans that act more emotionally-driven to give their troopers an outlet for feelings that they are often forced to swallow down in the name of remaining professional (Example: Fox Bean is constantly weeping/mournful, Ponds Bean is constantly exasperated/frustrated, Wolffe Bean is constantly afraid/paranoid, Bly Bean is constantly affectionate/cuddly, Gree Bean is constantly trying to sate his endless curiosity, etc...).

Another thing to note is that, while Clone Beans are directly tied to their trooper's soul/essence/force signature/whatever, they persist well after said trooper's death. Often being the only living remnant to prove that the trooper ever even existed in the first place.

Beans who have lost their troopers become incredibly despondent and apathetic to the world around them. Often laying about and refusing to partake in any activities such as eating, playing, or (sometimes) even sleeping. They are in a very long state of mourning and as such do not react to outside stimuli because they can't find enjoyment in it anymore.

It's become common practice for batchmates to look after their lost batchers's Beans. Entire battalions will also look after Lost Clone Beans if no batchmates remain to look after them.

It's been theorized that after the extensive mourning period, the Beans will bounce back and return to their former happier selves (albeit considerably less carefree and immature than they used to be), but no one has been able to confirm this yet because Clone Beans take so long to process the loss of their trooper.

Interestingly enough, the reaction a Bean has to the loss of their trooper is not too dissimilar to the reaction a trooper might have if they are separated from their Bean for extended periods of time.

Troopers who are forcefully separated from their Beans for more than a week, begin to shut down emotionally and seem to almost be running on autopilot. It almost seems like they become completely devoid of emotion or reaction to outside stimulus such as pain or the presence of food or water. They feel no hunger, thirst or tiredness, despite their bodies craving basic amenities and rest, and will essentially rot while still alive because their bodies are breaking down while they continue to function on what's essentially a mental loop.

A last thing to note is that Clone Beans seem to react rather strangely if their trooper is put through reconditioning. Because a Clone Bean is a manifestation of their trooper's personality and emotions, should a trooper be reconned successfully (Example: This follows my Reconditioning Headcanon so I recommend reading this post) their Bean will still have the trooper's former personality as its base and will now be abnormally disconnected from their trooper to the point where their absence has no real ill-effect on them.

These specific Beans are referred to as Vestiges. They are incredibly rare and also considered extremely anomalous in their behavior, as they seem to not have any sense of what is and isn't socially acceptable, playing too rough with others, breaking things for the hell of it, eating inedible objects, targeting specific individuals to take their frustrations out on (if their trooper has a dislike or disdain for a specific person, that will usually become their Bean's primary target), and even being prone to changing their shapes (sometimes in a horrific manner) to better suit their needs.

Cody's Bean is one of few known Vestiges that hasn't completely abandoned their trooper, and he's generally feared by other Beans despite not really meaning any harm (Rex Bean is especially terrified of him). He is unusual, even for a Vestige.

--What do they Eat?--

Clone Beans don't need to eat, but they enjoy doing so anyway. In fact I made an entire post to explain this! Have a read and enjoy the accompanying graphics!

I have also done a render of the 501st Clone Beans enjoying some breakfast in chaotic fashion.

--What abilities do they have?--

Some Clone Beans actually have special abilities that make them useful to have out in the field!

As you may have figured out by now (due to how secretive the troopers were about the Beans's existence), they obviously don't start out with unique abilities. They instead developing them later on depending on specific circumstances (Example: When their troopers are promoted to ARC, Clone Beans tend to develop specializations that better suit their trooper's style out in the field. Fives Bean can sprout little claws to climb up onto high surfaces, while Echo Bean has better night-vision and sensitivity to noises). Most often than not, however, they just don't develop any at all and remain standard Beans.

List of Beans known to have unique abilities:

Cody Bean - Being a Vestige means he has a proclivity for shape-changing, and he tends to be rather... Eldritch in his approach.

Thorn Bean - Generates enough static electricity that he can be used as an improvised stun grenade/droid popper.

Trapper Bean - Camouflages with his surroundings, which makes him very helpful on recon missions. It's very normal to see him with a camera strapped onto his back.

Crys Bean - Glows in the dark. An engineer's best friend if you need an itty bitty light-source that can get in the most cramped of crevices.

Fives Bean - Retractable claws. He is an excellent climber and can act as an extra set of eyes from up above.

Echo Bean - Night-vision and a form of rudimentary echolocation. Exceptionally good at navigating in the dark.

All Medic Beans - Bacta infused saliva. They will group up and flock to troopers who have minor injuries to literally lick their wounds clean. This way their troopers only need to worry about the more seriously injured patients.

Dogma Bean - Invisibility. Supposedly his pranks/acts of vengeance have been successful because he can go invisible and not be caught in the act. However, he only developed this ability after Umbara and hasn't really used it all that much other than to be left alone...

Rex Bean - Presumed to have a teleportation ability but it's unconfirmed. Rumors started because he always seems to be in different places all at once. No one's ever really seen him do it.

Wolffe Bean - He grows fur. That's it. He literally just becomes fuzzy. You can guess why he's everyone's favourite cuddle partner.

--What do they sound like?--

Not all Clone Beans sound alike. This is because they tend to adopt different sounds as their unique forms of vocalization, depending on what noises best fit their personalities.

Oddly enough, despite the great range of "adopted dialects", they all seem to understand each other fine. Their troopers also seem to be able to understand them just fine (much to the confusion of anyone who witnesses them having a "conversation").

-List of Confirmed Bean Vocalizations-

Rex Bean - Classical Lego Clone Trooper

Jesse Bean - Video Game Sound Effects (Has a lot of variety to work with)

Kix Bean - Guinea Pig Squeaks

Hardcase Bean - Windows XP/98 Sound Effects (No one's really sure why)

Fives Bean - Kookaburra noises

Echo Bean - Copies Sounds/Mimics Words (Pitched higher)

Tup Bean - Animal Crossing Villager

Dogma Bean - Mixed Mouse Droid & Frog Calls

Cody Bean - Various Alarm Sound Effects (Sirens/Klaxon Horns/Etc, rarely vocalizes)

Waxer Bean - Squeaky Toy

Boil Bean - Whistling & Kettle Whistles (Can be painfully loud)

Crys Bean - Astromech Noises (Pitched higher)

Wooley Bean - Cartoon Sheep Sound Effects

Longshot Bean - Ion Cannon (Pitched higher)

Trapper Bean - Chameleon Hisses (Rarely vocalizes)

Gregor Bean - Tinkling of Bells (Sometimes makes a honking noise)

Wolffe Bean - Gray Wolf Calls (Pitched higher)

Boost Bean - Cayote Calls

Sinker Bean - Dingo Calls

Comet Bean - Dog Barks/Noises (Pitched higher)

Wildfire Bean - African Wild Dog Calls

Warthog Bean - Hog Calls (Pitched higher)

Fox Bean - Red Fox Calls

Thorn Bean - Mixed Thunder Claps & Electrical Sound Effects (The thunder is pitched higher)

Thire Bean - Mixed Gonk Droid & Training Droid Sound Effects

Stone Bean - Hologram Sound Effects

Hound Bean - Massiff Calls (Pitched higher)

Note: Clone Beans who have adopted another creature/construct's type of vocalization, seem to be able to communicate with them in the same way they can communicate with their troopers. This means it's not unusual to see Beans who sound like animals or non-basic speaking droids in the company of their vocal likenesses.

--What will happen to the Beans once every single clone is gone?--

Considering the fact they persist well after a clone's death, it's possible that the Beans are immortal. So, even after every single clone is gone, the Clone Beans will likely just carry on existing on their own. Perhaps spreading across the galaxy and living in newly established Bean communities of their own making (they are, after all, intelligent and resourceful creatures that do better living communally).

This is just speculation of course, but it is somewhat bittersweet that the only way the clone army as a whole gets to live freely is through their Beans, who will be the only beings to remember them after a millennia has passed...

At the very least they won't be fully forgotten to time.

[roachesforthewin]

My Personal TIMKON Recs List

i made this for my friend recently and thought i’d share it here because you tumblr bitches love pain and little gay dudes (just like me fr)

all of these have good young justice, batfam and superfam (though sometimes it’s minimal) representation (because i don’t read them if they don’t have good rep, sue me). Plus Tim and Kon personality and character accuracy, obviously.

Also these are all Ao3 recs because i like to consider myself as not a heathen

Funk Ass

- sun kissed by merils

https://archiveofourown.org/works/48882055

beach episode, queer young justice fr fr, Kon rep is off the charts (ashgs quite possibly the conner rep of all time, just the phrases he uses /$)/ so real!!)

- Baby Talk Me Down (Take Me Out) by sage (lemontongues)

https://archiveofourown.org/works/25384345

ahhhsh this one is unfinished but i desperately wish it was, either way great fic and great character rep + conner civvy life insights

- Out of The Frying Pan, Into the Casserole Dish By JpegdotJpeg

https://archiveofourown.org/works/41005416

martha kent (& the superfam!) is the best person ever, plus tim is the most autistic little dude (we love him sm)

Haven’t finished but amazing rep/haven’t read yet but plan to

- Robins and other flightless birds by Ionaperidot

https://archiveofourown.org/works/15607170

ahsgshsh this one qualifies for [literally kill yourself after reading (pain)]category but i put it here just cause :-| uhh BW adopts fucked up kids good for him: JJ!tim, Catatonic!jason COA!dick etc

- Straight on ‘til morning by merils

https://archiveofourown.org/works/43401684

haven’t read this one yet but i’ve heard really good stuff about it! plus good kon character development/ exploration (from what i’ve heard)

- there you were by mindshelter

https://archiveofourown.org/works/25599205

the blorbos deserve pain, don’t you agree? (i haven’t read this one in a hot minute and have forgotten what it’s about but i remember it being good)

- Buy Back the Secrets by sundiscus

https://archiveofourown.org/works/43137879/chapters/108412977

okay no this one LITERALLY AHSGGSGS bro just read it, uhh civvy tim and superboy interactions, 5+1 things, good sibling Jason (a rarity unfortunately), funny ass dialogue

sexy times (good for them)

disclaimer! none of these fics are like solely focused on smut, but that plays a large ish role thats why they’re in this category

- take me to the airport (call me from the platform) by Hayleythewriter

https://archiveofourown.org/works/47970586/chapters/120950194

This has an idiots to lovers tag…there’s not much more to say. except for great sibling relationship portrayal of Damian and Tim that doesn’t involve murder attempts Yay!! (DC wouldn’t even dream of it)

- What happens in Vegas by Ididloveyou_once

https://archiveofourown.org/works/32850109

Stupidest bitches alive fr (mostly tim) + Cassie Sandsmark being a bitch, we love to see it! and and and it has an interesting subplot/s so woowoo, also minor Birdflash👀

- Scions by winterlive

https://archiveofourown.org/works/375897

Conner Luthor is a bitch and i love him + lex luthor is a good dad WHAT!?! oh HA and Clex which is soo good.This was honestly one of my favourites sheerly because of good character representation and BW not being a terrible father

- Trust Fall by Ididloveyou_once

https://archiveofourown.org/works/31654376

Again good sibling rep between all of the batboys, mostly Damian and Tim tho YAY! (it’s seriously a rarity do not take it for granted)

Literally kill yourself after reading these (Pain)

- when your bf hits the street and turns into meat that’s amore by CarrionCarnival

https://archiveofourown.org/works/40318824

self explanatory title, heavy gore :loved it, literally my favourite fic on this list (i adore gore what can i say)

- You are Shaking Fists and Trembling Teeth by Bored_Liege_bow

https://archiveofourown.org/works/47679967

implied TimKon, aftermath of conners death Rip timothy d-w

- my dear devoted delicate by blenderfullasarcasm

https://archiveofourown.org/works/48556555

pushing daisies au, sad af + good exploration of loss on tim’s part through his life

[nfcv-saltmine]

To christen this blog, how about you compile your top 10 reasons NFCV should not be watched either as an adaptation or its own thing? :3c

Only ten? I have like. 40, at least. But oh well! I'll be happy to provide with ten, for a start. ❤️

(Warning for mentions of SA and death)

Reason number 10: The characters all suck, in one way or another. The only ones I have some sympathy for is Hector who was never given the chance to evolve, and was forced to be a victim the whole show, and Trevor, who is never taken seriously and is mostly there to be mocked by those who are supposed to be his friends.

The others? Dracula is a joke who can't keep his own men in line. He has to wait for a #girlboss to enter and insult his wife to his face. He spends most of his screentime being a poor little meow meow, gaslighting everyone into thinking he deserved the happy ending he got. Isaac is boring and his "deep arc" really is just inconsistent and a bad version of game!Hector's arc. Lenore is. Lenore. :) Going from a manipulative villain to a poor little meow meow so fast it's ridiculous. The lesbian vampires just exist to be lesbians and pretend the plot is more deep and complex than it is.... it's not enough to have good ideas. You need to execute them properly.

Concerning Nocturne? Only the girl who was kidnapped and used as Erzsebet's juice box has my compassion. Everyone else sucks, from Maria being twitter personnified, to Annette being a cunt who gets a pass because she's black. Tera doesn't do shit to defend her own children when Annette insults them right in front of her. Edouard is there for cheap drama. The Abbot Emmanuel's logic for why he does what he does doesn't make any sense. Erzsebet has no charisma and is a cheap replacement for the villain Dracula should have been (not to mention her plan is stupid because we saw vampires being touched by sunlight with no problem on multiple occasions. :) And Olrox literally went to met his future bf in plain daylight. Clearly the sun musn't be THAT much of a problem). Olrox and his bf are there to be gay. And Juste... Juste deserves his own post for how dirty they did him. Richter isn't THAT bad compared to the rest of the cast, but I do not care for him (except when he gets shit on for no reason), he's just a cheap mix of Trevor and Game!Richter. And Drolta is Game!Isaac with boobs. Would be cool if Game!Isaac wasn't constantly shat on by NFCV fans, the same who love Drolta. :)

Reason number 9: You like representation in your media? NFCV sucks at it. They have: man who gets raped by both a man and a woman, two lesbians who exist just to be lesbians and could very well be written out of the plot, two gay men with a rushed relationship who share very little screentime together (four scenes and the first one is them meeting) yet we are supposed to be affected by their romance, one man who is implied to have a bf so vaguely that most people probably have missed the one hint there was of it, and lesbian main villain who uses a random woman as a juice box and potentially is mindcontrolling her (would be hot if said villain had any charisma and random woman was more than a fridge)

Reason number 8: Character developments are either bad, meh, or inexistant. Isaac goes from ordering his night creatures to kill every survivor at the end of an episode, to build them graves and rebuild the town and pretend to be so deep and nice and caring for said innocents and future people of this town in the next. Hector started a nice guy trying to live in peace, has lived as a nice guy trying to live in peace while getting mocked and shit on and used and abused by everyone, and ended as a nice guy trying to live in peace but now in a Castle and with one finger less. I guess Trevor is less of a drunkard than before (but it's not like we saw him drink THAT much before). Lenore's development is not much of a development than it is the writers trying to convince us she was always sweet and tragic and Good Deep Down and make us forget her evil doings...

Reason number 7: There's lots of ACTUAL anime out there with prettier animation, if that's what you like. Or you could. Play the games. ❤️

Reason number 6: The couples are bad. Sypha is rude and never showed any interest or appreciation for Trevor's own interests or findings. They don't have an actual spark, despite "cute" moments here and there. The moment Sypha asked Trevor to travel with her just made me question what she saw in him considering now she's been treating him (also the moment she decides to nickname Trevor as "Treffy" is embarrassing more than cute. Doesn't help that it's the same moment where she pulled him aside to scold HIM for getting mad and defending himself against Alucard's bullying). They lack a proper build-up, because the show loves doing things offscreen and expecting us to go along with it, but they NEED to be together because they NEED to have sex because they NEED to have children even though they completely destroyed the reason why.

Alucard and Greta. Haha. Oh Alucard and Greta. You'll see in reason number 1 the biggest reason why Greta sucks big sweaty balls, but one of them is that she's just a generic girlboss. Her and Alucard are not an official couple, but considering the parellel they made with Draculisa at some point (Alucard bowing to welcome her in his home, like Dracula bowed to Lisa to welcome her in his lab), and her line "lucky you have me to run your life for you now", I think it's implied. And I do not buy it. :) (They both suck anyway, so who cares)

Richter and Annette DEFINITELY have NO chemistry at ALL. Annette spends most of her time HATING Richter, who is only, along with everyone else, trying to help her. And when they finally see each other again after multiple episodes of being away from each other, during wich everytime Annette mentions Richter it's to insult him, when dares to pretend she was worried for him and they have a little "cute" scene together...? NO. THEY DID NOT EARN IT. THEY BARELY SHOWED ANY INTEREST IN EACH OTHER BEFORE RICHTER DISAPPEARS, ANNETTE SEEMS TO DESPISE HIM MORE THAN ANYTHING. And one of the worst things is that thinking of HER, a woman he JUST met and who just kept insulting him, that Richter unlocked his powers??? I CALL BULLSHIT. YOU CANNOT RUSH THINGS TO THIS DEGREE, NO.

I ain't talking about the two gay couples because there's literally nothing to say. The lesbians are supposed to be cute and the gays are supposed to be hot. It's just fetishization at this point.

Reason number 5: Female characters are either fridged or girlbosses. That's it. Don't expect much variety here. Because apparently to be a woman you have to either shut up and die, or be super strong and rude. (Or be a BDSM mommy. :))

Reason number 4: CHURCH BAD mentality with no nuance. Because it's so cool and edgy. And that works for both shows. :)

Reason number 3: The villains sucks too, when you have your brain turned on. You might like the ideas or the designs (though Erzebet Sun Thundercat's design is so awful i can't understand why anyone would like it. Also Carmilla is ugly guys?? Her head melts into her hair, come on), maybe a scene here and there, but when it comes to the execution? Urgh. I already talked about Dracula being a poor little meow meow, but what I can add that him and Isaac are fucking stupid for going with Carmilla's plan. Isaac is fucking stupid for blaming Hector and going after him. And Carmilla is fucking stupid for treating Hector the way she did when he wasn't intending to go against her before she makes him her prisoner and beats him up.

Reason number 2: Play the games. The themes and ideas taken from them are bastardized and done poorly in the show, when they're not straight up ditched.

Isaac's arc? Game!Hector's but more inconsistent and pretentious. Trevor and his family being rejected and hated by the people? Castlevania 3 (and this fear and dislike of them won't end until centuries later, with Simon). Dracula welcoming Isaac and Hector and making them his generals? He did so in CoD and they were literal children seeking a home, wich he helped and shared his own essence with. Not two random dudes who happen to have powers of their own. Alucard vs Dracula and the tragedy of blood fighting blood? Symphony of the Night but way too early

Alucard literally steals Trevor's spot as the main character and the one who is supposed to kill Dracula first, wich is a MAJOR part of the games and the CV universe, completely taking away the Belmonts' purpose as the only ones capable of defeating Dracula. It was completely unnecessary, too, if what they wanted was family angst, as Alucard could have simply been about to stake his father, but because of his love for him, would have been unable to give the final blow. Leading to Trevor giving the final blow himself, so his "friend" wouldn't have to go through the pain of doing it himself, thus keeping the Belmonts' unfortunate purpose intact and still making for a poignant father/son tragedy. But no, they just had to make Alucard the MC and make him destroy the core of the games they are supposed to adapt, on top of making him a cunt.

Oh, and this idea of Dracula being the literal Lord of Darkness? Not just any vampire, but the most powerful of them, a straight-up demon, respected and feared by all creatures of the night, who has multiple terrific forms and cannot be killed by any weapon... other than the Vampire Killer? Out the window! Now we're SUPPOSED to think he's big and scary and dangerous, but he can be killed with a piece of wood and no one respects him! Barely fear him! Not even Death, who is supposed to be his closest confidant and most devoted servant, is now an entity that uses him in the dark and don't hold any respect for him. Pathetic.

There's no respect to the source material. The VK means nothing now, wich is coherent with the fact that Belmonts mean nothing now, because Dracula means nothing now and nothing is near as epic as it is in the games. Nothing that makes "Castlevania" Castlevania matters anymore, it's just bullshit, and chances are, what you like from the show you will prefer in the games.

Reason number 1: It handles trauma and sexual assault like the purest shit.

It's something to not give a shit about Trevor's trauma wich happened offscreen. It's another to treat the trauma the characters go through RIGHT IN FRONT OF US like it's nothing.

As much of a cunt Alucard is, I cannot excuse the way his case with Sumi and Taka was handle. Forget how their reasoning for betraying Alucard was shit and the way they decided to go at it was unnecessary. The fact is, they tricked Alucard with sex. Giving him the deepest kind of affection sexual creatures can share, making him so very vulnerable, making him believe he was loved and not alone anymore... only to betray him. Forcing Alucard to kill them before they kill him. It's a truly traumatizing experience that can easily lead to the victim struggling to trust anyone, on top of having a very complicated relationship with their own body from then on.

How does NFCV handles that? It makes Alucard piss on the corpses of his old friends, then have him tell his story to a random #girlboss who jumps on the occasion to make a joke out of it, comparing this very obvious sexual assault and betrayal of his trust with her willingly sleeping with a married man.

Funnily enough, Hector was going through the same thing at the same time! He has been manipulated and seduced by Lenore. She's the only one who treated him decently (because Carmilla is supposed to be a smart bitch who can trick Dracula and his court, but not smart enough to understand that physically assaulting Hector and letting him rot in a cell naked with only molded bread for food and freezing water thrown at him to wash is a bad idea.), the only one who talked to him, offered him gifts such as books, a bed, a desk. She worked her way into his heart until he fell for her and "willingly" had sex with her... and then, in this crucial moment, where Hector was at his most vulnerable, she stabbed him in the back. Made him her slave with a magic ring. Then went on to say "Shh, the real people are talking" to him when she talks about her brilliant plan to her sisters, and then going "i gave you what you always needed. i made you into my pet." when Hector expresses his horror and pain about the situation.

At the end of s3, there was absolutely no doubt that Lenore was an evil, two-faced villain. And there was hope that Hector would go back at her when he pensively looked into a fire, a parallel to when he burned down his home with his parents inside, and foreshadowing for chaos to come... but nope! Next season, he makes sex jokes with Lenore like we're supposed to believe they share chemistry, and he PROTECTS her from Isaac, and let her die on her own terms because she could not handle to be trapped in the same kind of life she tried to trap Hector in! And Hector's sexual assault is only mentioned ONCE, so Lenore can go "oh shush, you were having fun". :)

Actually, it's not that NFCV handles sexual assault and trauma badly. It's that it does not believe men can go through them, clearly. It uses very heavy topic for cheap drama and nothing else. Lenore did not need to have sex with Hector and trap him with a magic ring for her plan, not any more than Sumi and Taka needed to fuck Alucard if all they needed to do was use some magic object on him to trap him. Ellis just wanted something he could masturbate to. And THAT is supposed to be the Peak Adaptation Of All Time? Seriously?

Oh you also have Richter's trauma. They literally gave him a mom just to fridge her and use that for a little bit of drama that only really matters ONCE, when Richter runs away from Olrox in the dungeon, and Annette hates him for it... but then he quickly gets over this years-long trauma and next time he sees Olrox, it's as if he's just another vampire. It's not as bad as Alucard and Hector's cases, granted, but it's ridiculous. A clear case of bad writing who feels the need to rush things.

SO YEAH. Plenty of things wrong here, and plenty more to come. ❤️ I can't possibly tell them all in just one post. It wouldn't be fun. 🥰

[daenerystargaryen06]

Hot take: but maybe it would have been better in the show if in Daemon's most recent vision within Harrenhal it was Aemma he was with over Alyssa.

I have seen both sides of the argument here for and against Daemon's scene with Alyssa. But overall I still get a sense of disgust and question wtf the writers were on when they made that scene with Alyssa and Daemon. If you like the scene, great, more power to you. But overall a good majority of people were revolted by this scene. And I think that if they had replaced Alyssa with Aemma, the scene still would have the same effect, just in a different narrative.

Let's go with the theory that Alys is attempting to use the visions Daemon has as a means of building him up as King. Making him think he should have had what Viserys did, because he was better. Ultimately her goal for this theory is drive Daemon mad and make him think he would make a better ruler over Rhaenyra, thus turning him against her.

Let's begin with a breakdown of this vision. Daemon is committing incest and sexual acts with Alyssa, while she praises Daemon. Here is what all she says to Daemon: "Daemon. Daemon. You were always the strong one. The finest swordsman... the fearless dragonrider. Your brother had great love in his heart... but he lacked your constitution. Viserys was unsuited for the crown... but you... Daemon, you were made to wear it. If only you'd been born first. My favorite son." This dialogue is reminiscent to what Viserys tells Daemon in season 1 episode 4. Daemon was their mother's favorite. He had that in regard above Viserys.

But, why need to showcase him having sex with his mother just for this? The scene could work just as well if you replace Alyssa with Aemma, and it feels so less revolting if it had been Aemma. The reason Aemma would work just as well in this scene is because she is also the representation of what Daemon never had but Viserys did: -A loving wife and Queen with him as King -Their daughter, Rhaenyra, who Daemon clearly favors

-A stable marriage and the appearance of a good life (despite Viserys' actions against Aemma regarding childbirth and her death)

Aemma could have been the Queen Daemon could have gotten if represented in this vision over Alyssa. She could have been implemented as a way of saying- "See? You could have had all that your brother did and more if you had only been born first or made King over Viserys. You should be the one to rule, and Aemma should have been your queen, not Viserys'."

Daemon was stuck in an unhappy, loveless and childless marriage when Viserys was with Aemma. She could have been shown in this vision as a "what Daemon could have if he was King" over what he had been (or what he felt he had been) burdened with. Aemma also possessed Targaryen blood despite also being an Arryn, and has the Targaryen look in the show. She also could have been another known face Alys uses against Daemon to weaponize him against Rhaenyra (like how he saw young!Rhaenyra and Laena).

The dialogue Alyssa says in the show could also be rearranged to fit Aemma: "Daemon. Daemon. You were always the strong one. The finest swordsman... the fearless dragonrider. Your brother had great love in his heart... but he lacked your constitution. Viserys was unsuited for the crown... but you... Daemon, you were made to wear it. If only you'd been born first. My favorite [one/husband/lover/brother (not incest brother but favored brother out of him and Viserys)]."

Really only one word needed to be changed to fit this. The dialogue overall is neutral before that one word 'son' comes into play (fucking nasty). They wouldn't even need to change the blood that was on Alyssa for Aemma either. Aemma had died in childbirth, as Alyssa had, mirroring Daemon's mother's own fate. It still would have had the same effect, which is planting the idea in Daemon's head that he should be King (and should have been made King before Viserys) and manipulating him.

I just feel it would be better if it was Aemma? His mother was a weird take. I get somewhat what the showrunners were trying to do here, as I've said: I've read the arguments and points for Alyssa's implementation into the vision. But it still feels wrong. Targaryen's practiced incest, yes, but never parental x child incest. I get that Daemon never knew his mother but including her into a scene such as that was just... jarring and did not leave the taste I think the showrunners wished it did. I had liked Daemon's arc within Harrenhal up until that point. It was like a gut-punch and just felt icky in the end. And even MANY had assumed that it was Aemma in the vision over Alyssa, which just proves Aemma could have been a better fit over Daemon's own damn mother in this scene and it still would have been just as effective.

Or... maybe, just maybe- if they really were so damn set on it needing to be Daemon's mother in that vision- they should have done it differently.

Idk maybe have Daemon walk into the Throne Room, and instead of young!Rhae, he sees Alyssa. If it has to be intimate, make her treat him like an actual MOTHER would and not a fucking lover. Daemon missed out on having motherly love and affection -don't fucking come in my comments saying 'but Daemon never had motherly love so it makes sense he sees it as sexual since he views women as sexual blahblahblah' go read the fucking books- so they could have used that scene as a way of showing Daemon something he never got to manipulate him and add in the dialogue and boom, same impact.

It's just fucking gross, all right? I wish it was Aemma. I don't wanna see someone having sex with their MOM on screen. It's gross. Never bring that shit before my eyes again.