#why ? idk i think what it is is i just would rather they focus on ray’s character and his addiction in other ways

[treefey]

I like this! But! I wish they had just made it explicitly Eowyn narrating rather than Miranda Otto doing her best Galadriel. I didn't really like the narration except for the prologue and epilogue parts (sorry). I also hate that they open with the Rings theme-- we'll get to my imaginary better alternative later

If they were gonna reference LOTR, I think a frame story where explicitly Eowyn is telling the WOTR story would be perf. She's telling the story to her kids, maybe they're sick à la Princess Bride. Which would also be perfect because she's a healer. We don't even need visuals; honestly it would probably be great without it because the audience could feel like we're the kids. And who doesn't want to feel like you're in a boring post-war Gondor with the best parents tucking you in and telling you a very bloody bedtime story? Also it would shut up the conspiracy theorists who think media is pushing women to not want kids, not that we need to bend to those people

I love the opening over the map, so open over a map of Gondor with the Gondor theme. And then have Eowyn talk about how she is gonna tell a story of her people, maybe that she knows we want to hear about the war of the ring, or Merry & Pippin's homeland, or one of their dad's ranger adventures, but instead she's gonna tell us a little known tale of the Rohirrim, a tale of adventure and loss and the human spirit. A time when the shieldmaidens' banner hung proudly in Meduseld. Then pan over to Rohan and say the story takes place during the first line of Rohan, x years before Theoden reigned. Idk, maybe it's cheesy, but the right lines could make it soo cozy and focus the story a little bit more.

Maybe there's kids in the voiceover, maybe not. Depends on just how much cheese we want. And how much you think the audience would believe that we could have a very maternal storyteller who is also so unfazed by blood she'd tell her kids this story. (I mean, she probably has had her hands up to her elbows inside people when there's a farm injury or a breech baby, so I'm not surprised we get a bit more gore than LOTR)

There's other things I would do to focus the story around the war more, give it more a three-act structure. But specifically in regards to doing a frame story rather than regular narration, I wouldn't do any more Eowyn voiceovers until the end. Or if we did wanna do the whole Princess Bride version, have a kid ask why Gondor didn't help out and have her or Faramir answer what was going on in Gondor at that time (would be funny if Faramir started answering and Eowyn interrupts and says it's time for a Rohan story right now, and the two kingdoms weren't always as close as close as they are now, let's get back to the story). But back to the end, I like the "that's how the first line ended and second line started." We could add more, like the throne passed from uncle to nephew as it did later. And remember whenever you feel alone or scared, that not only does the blood of Helm Hammerhand flow in your veins, but also the blood of his daughter who protected her people by wit and by sword. And even though most accounts have forgotten her name, we're all still here because of Hera's bravery.

I'm obsessed, actually, like parts of the story that reflect Eowyn's (and Eomer's but mostly Eowyn's) story from LotR sort of in an "each stanza rhymes" kind of way until it occurs to you that Miranda Otto is narrating with this sort of implication that it's Eowyn herself telling the story and reading it through her own experiences plus the fact that it's mostly a behind the scenes sort of story and all the great deeds were attributed to other people (Hera isn't even named in the appendices) alongside the explicit statement that Hera isn't remembered in any of the songs, making this something Eowyn either heard passed down in a non-traditional way, reconstructed from historical evidence she found herself, or possibly learned about from Gandalf, which loops back around into Eowyn's own complex with regards of all the great deeds being done by the men and not remembered for great deeds in songs -- and like okay maybe I'm reading too much into it but I'm obsessed okay

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

[orcelito]

I do find it so funny that I will graduate college days away from my birthday. Like my birthday is literally in between the end of the semester ("graduation") and commencement

It really will be like a joint graduation & birthday party for me lmao

[frostluvrs]

thinking about how i’m going to struggle through watching raymew on my screen on saturday

[mariasont]

hi!!!!

I'm soooo in love your work. bimbo!assistantreader wil always have a special place in my heart!!!

Now i have this of idea that i think can work for either aaron or spencer, but basically bau!reader who kind of always wears the same type of outfit in the field that's always really modest. Buttttt when they kind of like "know" it's just going to be a paperwork day she likes to were skirts... short skirts and Aaron/Spencer are just feral for them...

Can either be fluff of smut... I trust you indefinitely xxx

Short Skirt, Long Day - A.H

a/n: hi hi hi hiiiiiii!!! ugh thank u sm i kinda took this an interesting route so let me know what you think!!!! im also heavily thinking about writing a smutty pt 2 for this but id love to hear everyone’s opinions

masterlist

pairings: perv!aaronhotchner x bau!reader

warnings: 18+ MDNI, suggestive content, aaron being a straight PERV!!! (im into idk man), aaron imagining scenarios he didn’t shouldn’t at work, idk this is quite different from my usual postings but i kinda fuck with it

wc: 1.4k

Aaron Hotchner loved paperwork day.

Days like these meant the frenetic energy of ringing phones and rapid footsteps is replaced by the soft drone of air conditioning and the occasional rustle of files being shifted. It’s the kind of morning he appreciated—time to breathe, to recalibrate without the air of an active case breathing down his neck.

But that's not why his pulse is thrumming more than steadily beneath his skin.

Hotch glances at the clock on his desk. It's early—too early for most of the team to be here yet, save for a couple agents whose faces barely register in his peripheral vision. His focus is elsewhere, fixed on a singular thought. Or, rather, on a singular person.

You.

Hotch leans back in his chair, exhaling slowly as a shameful type of heat rises to his face. It's a little pathetic, he thinks, how predictable he's become—it's not the work that makes these mornings bearable anymore. It's the anticipation.

The knowledge that, any minute now, the elevator doors will part, and you'll step out, wearing something that will completely dismantle his carefully constructed composure.

Hotch had noticed a pattern (of course he did, that was his instinct honed to a razor's edge). In the field, your outfits are a study in practicality: slacks, fitted jackets, muted tones--professional to a T. Nothing flashy, nothing that would draw undue attention. 

But in the office, when the cases are shelved, and the team is left to wade through stacks of paperwork... it's different.

And it drives him insane.

The image takes root before he can stop it: the curve of your thighs, tantalizingly framed by a skirt that seemed designed to test his limits. The way the fabric molds to you when you move, clinging in places that his eyes are all too quick to follow.

Hotch exhales sharply, clearing his throat as if that could somehow clear his mind. It's unprofessional--he knows this, knows better than to let his thoughts stray so far from where they belong but yet…

The ding of the elevator pulls his attention like a magnet, and there you are. His grip on the pen tightens instinctively, the knuckles blanching as his gaze locks on you.

You're wearing that skirt today--black, fitted, and infuriatingly short, hugging your hips in a way that leaves nothing to the imagination.

He tells himself to look away, and for a second, he manages it--his eyes dropping back to his desk, his breath coming out slow and measured. But that reprieve is fleeting. His gaze flicks back before he can stop it, drawn helplessly to the curve of your waist as you laugh at something one of the other agents say.

You're too good. Too sweet. Too damn oblivious to realize what you're doing to him.

And he knows it's wrong—knows he's toeing a line he has no business approaching. But the way his body reacts to you, the pull you have on him, is beyond reason. It's instinctual, raw, and completely out of his control.

He calls out your name. "Could you come in here for a moment?"

You turn, blinking at him with wide, curious eyes. "Yes, sir?"

"I need you to grab something for me," he replies, his voice level, though every syllable felt like a tightly coiled spring. He motions towards the cabinet near the corner of the room. "The Marcus file. Bottom shelf."

He was a terrible terrible man.

Without hesitation, you step toward the cabinet, crouching slightly as you begin to sift through the lower shelf. The moment your body lowers, his eyes start trailing down where the hem of your skirt lifts, just barely revealing the soft curve of where your thighs meet your ass. Then, as you bend further, shifting your weight slightly to reach deeper on the shelf, the fabric stretches taut, clinging to your ass in a way that sends a jolt straight through him.

Hotch's throat feels tight, his breathing shallow as he drinks in the sight before him. You're so close, just feet away, and the angle offers him an unobstructed view. The shape of you, the smooth expanse of skin that's always just out of reach in the field, is right there--so achingly close he feels like his chest might explode.

He knows if you dipped any further, your panties would be on display and he couldn’t help but wonder what color you had on.

You’ve always had a meticulous attention to detail, choices leaning towards deliberate but understated at the same time. In the field, you favored muted tones—greys, blacks, navies. But here in the relative safety of the office you allow a little more personality, more femininity.

His mind turns to your preferences—pink, maybe.

Hotch swallows hard, pulse roaring in his ears. The thought gnaws at him, insistent and unrelenting—he needs to know.

“Careful,” he says, feigning concern. “You might need to check further back on the shelf. Sometimes the files get pushed out of sight.”

You glance over your shoulder at him and he swears he could combust. “Further back?”

He nods, leaning back in his chair to appear casual, though his grip on the armrests were anything but. “Yes.”

You turn back to the cabinet, shifting your weight again as you crouch lower, leaning further to search the back of the shelf. The motion sends the bottom of your skirt riding higher, and for a brief, heart stopping moment, the lace of your panties is on full display.

It was a pink barely there strip of fabric.

His mind betrays him, conjuring images he knows he shouldn't entertain. He imagines his hands on you, running over the curve of his hips, gripping your thighs, sliding that damn skirt higher until there's nothing left to hide. The thought of you like this, pliant and completely unaware of the effect you're having on him, makes his pulse pound in his ears. He wonders what you would do if he were to push those panties to the side and slide a finger in you.

You shift again, leaning deeper into the cabinet as your voice drifts back to him, murmuring something about not seeing it. His jaw locks, teeth pressing together as he fights to maintain control. His fingers dig into the armrests of his chair, the leather creaking faintly beneath the strain. It's a futile effort, though; the pressure building in his chest, his body, is relentless.

The heat pools low in his abdomen, simmering and insistent, a sharp pulse of arousal tightening every muscle in his body. He's painfully hard now, the evidence uncomfortably against his slacks, but he doesn't dare move. His mind a blur of want--what he wants to do to you, what he knows he shouldn't do, and the precarious line he's treading just watching you like this.

The tension in his body seems unbearable, and for a fleeting second, he considers how easy it would be to walk over, to let his hand graze your hip, to tilt your chin up so you'd look at him and see the wreckage you've left in your wake. 

But he doesn't. He can't.

Instead, he forces himself to remain still, staying rooted, the self-restraint biting and bitter. 

"Are you sure it's under here? I still don't see it."

Hotch's lips twitch, the smallest shadow of a smirk threatening to break free on his face. He leans forward, feigning surprise as he picks up the file from the corner of his desk.

"Ah," he says, waving the file. "Looks like it's been right here the whole time."

You straighten abruptly, brushing your hands down your skirt and turning towards him with a soft laugh. "Hotch! So I was practically upside down in that cabinet for nothing!"

He shakes his head, giving a small chuckle to match yours. Not for nothing. The satisfaction still simmers low in his chest, a private indulgence he knows you'll never suspect--the movement was far from wasted.

"My mistake."

"Well, I guess we all have our moments. Let me know if there's anything else you need, okay?"

When the door finally closes behind you, he exhales shakily, the breath spilling out like a confession. Leaning back in his chair, he presses his fingers to his temples, his entire body tense with the effort of restraint. He feels unmoored, like a man balancing on the edge of a precipice, one misstep away from losing everything he’s worked so hard to keep under control.

But for now, he’ll settle for watching, for imagining, for wishing—knowing full well that nothing could ever come of it. And yet, as he glances at the door where you’d just been, a part of him wonders how much longer he can hold out.

It’s going to be an impossibly long day—but the most troubling part of all is how much he’s starting to enjoy the torment.

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[wickedgamesoyaoya]

❧ prompt:  "Why are you so worked up?" "Because they wouldn't stop fucking staring at you like they wanted to eat you." From here.

❧ the act’s performers: kiyoomi sakusa x f!reader

❧ wc: 1.7k

❧ warnings: swearing, jealousy, kissing, insecurity (let me know if I missed stuff)

❧ a/n: just a little something lolol idk I hope ya'll like it!

"You're not my type."

"And you think you're mine?"

Sakusa Kiyoomi could not believe the conversation he was forced to participate in. A mixture of disgust and amusement contorted his features at the woman staring up at him with a devious glint in her irises. Over the last year, it was almost nonstop bickering between the two of you. Well, according to Atsumu it was flirting on your end and bickering on his friend's end.

To be honest, a study needed to be conducted on why your presence alone could drive the wing spiker to insanity. From the way you would push past his physical boundaries without hesitation to the siren-like expressions, you would toss his way during class. It stripped him of his rationality and delivered him straight to madness.

All he wanted was to focus on college and volleyball, and yet sometimes all he could focus on was you.

"If I'm not your type, why do you only bother me?" The black-haired male surveyed your face for a nonverbal answer to his question. However, as always, he was greeted with a flirtatious bat of your lashes rather than a clue as to what was going on in that head of yours.

"How are you so certain that I only bother you?" Bringing your index finger to your mouth, you lightly bit down on your nail with a grin tugging at the corners of your mouth. Your answer evidently caught the male off guard, as there was a momentary crack in his usual nonchalant demeanour. "How arrogant of you to think you're the only one."

"If you have other toys, go bother them instead. I'm busy." Sakusa shifted his gaze away from you, with tension applying to his jawline. He had to bite back the urge to pout. Where was his mask again? Why did you have to catch him in a moment when he was shieldless?

"Really? You won't miss me, pretty boy?" The hand that was once near your mouth was now extended so that you could guide his attention back to you. To both of your surprise, he did not stop you immediately when your finger applied light force on his chin. Though once his dark eyes landed on yours, he was prompt in swatting your hand away.

"First, don't call me that. Second, why would I miss you?" The volleyball player's words were coated in venom, but he ignored the bitter taste. It was nothing in comparison to the emotion flooding his chest right now.

And the last thing he wanted to admit was that his heart was drowning in jealousy.

"Okay, pretty boy. Just remember... Be careful what you wish for." After dipping an eyelid into a wink, a harmonic laugh follows your words as you step away from the male.

Sakusa instantly regretted his choice of words, and yet all he could do was glare in response.

****

Silence and peace accompanied Sakusa for the following two weeks, along with bright warm spring days. His volleyball team even secured a win against their rival, one that had the hallways of the college buzzing in excitement. But the male could not find himself satisfied with his victory - not when someone was missing from the stands. A certain someone who attended his every game to shamelessly flirt and ward off the fangirls.

It was becoming progressively clearer just how much your absence impacted his daily life. Just how much he did not truly care for quiet days. And just how much he missed your mischievous mannerisms.

Atsumu practically snapped at his team-mate on day 13 - claiming that Sakusa was merely ruining his own chances with the girl he obviously liked. Sakusa cursed out the blonde-haired boy in response, but he secretly agreed with everything that was said.

But what was stopping him from seeking you out? Over the last year, you were the one who pursued him. Should the tables not turn anyway at some point? It was only fair that he chase after you now. Even if that meant going against his better judgment.

Who said emotions were supposed to make sense?

It was day 16 when Sakusa was finally successful in diminishing the distance between you two. Well, rather than being successful in his mission, it was pure luck that caused him to accidentally stumble onto your location. However, luck was truly a nasty creature, as the scene he had entered was one that had a storm brewing inside of the male's chest.

A sickening realization had suddenly plagued the male.

He hated the idea of you "bothering" someone else. Why the hell did he send you into the arms of another!?

"If I had known there were such pretty girls in Japan, I would have come here earlier." The blue and blonde-haired male towered over you with a smirk on his mouth. Based on his accent, he was a foreigner who likely transferred to the school recently.

"I'm flattered that you think I'm pretty enough to move across the globe, Kaiser." A cheerful smile painted across your lips as you interlocked your fingers behind your back. It was more friendly than flirtatious, yet Sakusa felt rage burn in his palms.

When he made the comment about your other toys, he did not think you'd actually give him space. In the past, he had made all sorts of snarky remarks. How many times did he tell you to go away? He had lost count. But what mattered was that you never acted upon his harsh words.

What changed now? Were you fed up with him?

"I'd do a lot more than that for someone as pretty as you, y/n." This time the male named Kaiser lightly grabbed onto your chin, forcing your head to move skyward. And as he leaned in closer, his eyelids dropped just a smidge which even had someone like you blinking in slight astonishment.

But before you could register what was occurring - a new individual entered the stage. Warm fingers were wrapped around your wrist, and with one swift motion, you were pulled away from Kaiser. A familiar scent of laundry detergent tickled your nose. It didn't take you too long to realize whose chest you were currently pressed against.

"Kiyoomi?" His name was breathed out with a fascinated laugh as you peered up at him. Although, his consideration was not on you at all. No, he was engaged in a staring match with the foreign soccer player.

"Y/n. I didn't know you have no standards." The comment comes from Sakusa who refuses to release your wrist. A grimace moulds your features at his incorrect and disrespectful assumption.

"Oh-oh, what do we have here? You didn't tell me you had a boyfriend, y/n." Kaiser raised an eyebrow with a humourless chuckle vibrating in his chest.

"I don't have a boyfriend, that's why." Sakusa tensed up at your retort, which only brought laughter to flow past your lips. "But I do have a grumpy cat it seems." A quick glance was stolen of the male beside you who remained focused on what you realized he considered his love rival.

"But your heart isn't owned by the grumpy cat, now is it?" The soccer player discovered far too much entertainment in the situation. Sakusa was practically sending daggers in his direction, and yet it was all just simply amusing. Kaiser was not interested in you enough to willingly enter a fistfight. But he could not keep himself from teasing the unknown male. "I'm sure I can satisfy your needs much better than he can, my sweet y/n."

"We're done here." It's the latter comment that has the wing spiker suddenly dragging you down the hallway. However, right before leading you away, he released your wrist and instead tangled his fingers with yours. Butterflies sang a melody inside of your stomach as a number of curses were mumbled against the fabric of his mask, causing you to stifle back a titter.

"Why are you so worked up?" The inquiry is posed once Sakusa leads you into an empty classroom. The black-haired male only realized he was holding your hand when his feet stopped carrying him to his destination. A light blush could be seen peeking out from the top of his mask.

It was ridiculously adorable.

"Because he wouldn't stop fucking staring at you like he wanted to eat you." His words were huffed out as his fingers were sent to toy with the strings looped along his ears.

"Eat me? Oh, I'm sure he wanted to do much more." Since ending the physical contact, Sakusa remained a meters distance away from you. A calculated decision on his part, clearly. But you were prompt in destroying that distance with a few steps forward. "I thought you wanted me to play with my other toys, hm?"

The volleyball player elected to remain silent, instead his dark irises bore into yours. Even when you extended your hand to lightly remove his mask, he did not utter a word. Nor did he disturb your movements.

When he brought you here he was not thinking straight, he had no plan. He just wanted to separate you from that man.

"Kiyoomi, if I had known you were such a jealous boy, I would have used this to my advantage earlier." The admission was exhaled with a dramatic sigh, but the playful edge to your tone was difficult to miss. "If you want me, pretty boy, I think now is the time to confess. Unless, you want me to go back to -"

The soccer player's name was swallowed back down as Sakusa's lips suddenly crashed against yours. There was no way in hell he would ever allow you to say another man's name in a romantic context again. The pads of his fingers brushed over your cheeks so lightly you could have confused it for a breeze. The earlier feelings of jealousy melted away with each passing second, as Sakusa bathed in the thrill of finally giving in to his desires. And when you broke the close proximity to catch a breath of air, he was quick to bring your mouth back to his in an urgency you had never expected from the male.

Well, it was needless to say... Operation jealousy was a success.

[lullabyes22-blog]

Real talk because you are THE resident Silco expert and all your headcanons are 100% correct: why does fandom think Silco would be good in bed? (Or good at sex at all?)

I've seen headcanons about him being a giver, and about his dick game being fire, and while he's a sexy, charismatic man, I feel like he's too... selfish, insecure, and just not a romantic guy. He's also a very bitter, lonely, and angry dude. Idk, it makes sense he would have some kinks but I feel like he'd be too much of a bitch to care for anyone else in bed. I guess he'd want it rough, and I've read some fics where he's a sadist, but I feel like it'd just be a quick fuck to satisfy himself, not a slow, passionate, sensual thing.

idk, do with this what you will.

I agree - with nuance 💗

Silco - at least as I write him in FNF - is principally a headfuck. If he's demonstrating an interest in you, then he wants something from you. If he's nice to you, there's a bottom line. No act of generosity comes without strings attached, and every small kindness comes at a terrible price. That aspect of cold-blooded calculus is never far away from his base nature, which splits the world into assets and liabilities, and his own actions into a transaction of cost versus reward.

With that in mind, he excels, not at sex, but at getting his partners to do what he wants them to do. For him, it's one of the many fluid ways of expressing power, and demonstrating his mastery over the subtleties of the human body and mind.

A few readers have noticed that he comes across as very detached and controlled during FnF's sex scenes - and that they read as weirdly voyeuristic. That always delights me, because it's an intentional choice. He doesn't really see his partner as anything beyond a medium to his goals, so his focus is entirely on their physical responses and his own actions. His narration is distant, observational and impersonal, because he doesn't experience sex as something that involves an emotional or empathetic connection. Rather, he's gauging how his target's responses play out on a physical plane, and he's calibrating his own actions to maximise their impact.

To give credit where credit is due, he's very intelligent, patient and observant. There is also some realistic backing to the running gag that Good D is invariably attached to Bad Men. More specifically, Bad Broke Men. Silco has not grown up in a position of privilege or wealth. He has been forced to make use of every available resource. He has survived by the skin of his teeth on a constant knife edge of deprivation, hunger and fear.

He's a scrapper. He's a survivor. He's an opportunist.

And to be any of those things, you need to know your way around people: their wants and weaknesses. That's the foundation for the idea that he's good in bed - that he can anticipate his partner's desires, and respond accordingly. The difference is, his actions have no romantic underpinning. It's a matter of pure pragmatism and self-interest.

In terms of technical skill, he's likely very good at finding his partner's pressure points, both literal and figurative, and exploiting them. But if it were up to him, he'd find a way to turn the thumbscrews with nothing more than a well-chosen word and a cold look. The sex is just a generality, and his enjoyment a function of their compliance.

When it comes to actual intimacy?

My friends, he'd be spectacularly bad.

Not just bad, but skittish, hostile and hopelessly inept. He'd feel like an accomplished stage actor who has to step out onto the boards for an improv class. He hasn't got the right lines, he isn't dressed for the part, and he isn't even sure what role he's supposed to be playing. He'd be so awkward, he'd actually have trouble looking his partner in the eyes. The sum total of his sexual ouvre would devolve into the following comedy of errors:

"What the fuck is this?"

"Why are you looking at me like that?"

"Don't touch me there."

"This is going well, right?"

"Why can't I get it up?"

"I can't do this."

"Leave me alone."

"Where are you going?"

"Don't leave me."

"They always leave me."

"Why does everyone leave me?"

And he'd only spiral deeper into self-loathing and isolation. To submit to intimacy is to open oneself up to the mortifying ordeal of being known, and the constant risk of rejection. To Silco, it is anathema. Actual emotional vulnerability during sex would be not unlike attending his own public execution.

But.

Silco is not a one-note villain, much less a one-trick pony. He has a human history riven in deprivation, bloodshed and betrayal. He's remade himself from a 'weak' man into the premier kingpin of Zaun, but that predatory bracing still hides remnants of the soft-natured idealist he once was. In fact, he's the product of a deeply embedded internal conflict between two distinct versions of himself. The one who seeks to burn his enemies, and the one who seeks to save his city. He's also, as demonstrated by his love for Jinx, capable of profound devotion, loyalty, and a deep-seated longing for companionship.

That means the potential for romance exists. It's just buried deep, deep, deep down beneath years of abuse, neglect, trauma, and self-imposed barriers. If he meets someone who can dismantle those barriers, or bypass them altogether and earn his trust, there is a ray of hope.

Sex would still be frightening and uncomfortable, and it'd involve a lot of trial and error. But it'd also have the potential to be deeply healing. Not because Silco would become a better man, but because his partner would make him want to try. He'd also bring the same intense focus, intelligence, and determination to the task that he applies to his criminal empire - which means that, once he does have his sea legs, Silco would have the potential to become a truly giving lover.

It's all about context.

And the context is always: will he take the gamble when he has nothing to lose, and everything to gain?

[sturnioz]

shy!reader making fratboy!chris study with her so he can actually focus and pass his classes without always having her share her notes with him. things go in a different direction n shy!reader is sucking on the tip of fratboy!chris' dick when he gets an answer right or actually memorized something !!! idk just a thought

chris is not good at concentrating. on top of that, he hates studying; finds it useless and pathetic, would definitely much rather do anything else than study. his only reason for passing any of his classes is that he relies heavily on matt, who more often than not does the work for him, or he copies the answers from your organized notes that you leave for him, which contain everything he needs to pass.

it stresses you out just a bit — the weight of your own work feels overwhelming, especially as it piles on top of the responsibility of making sure that chris' notes are completed. it's a heavy burden that presses down on your shoulders, and honestly, you're growing tired of doing the majority of the work. you want him to learn, to grasp the material, and to memorise what he needs to understand on his own.

"why should i learn all this shit if i got you 'n matt doin' everythin' f'me?" chris huffs during a study session, flipping the textbook off his lap with a loud thud as it hits the floor. "m'takin' the easy way out, kid. why would i do it the hard 'n pointless way?"

"you need to stop making me and matt help you," you murmur as you bend down to retrieve the textbook, holing it tightly as you meet his gaze.

chris snorts, a smirk playing on his lips as he leans closer. "kid.. m'not makin' you do anythin'. i don't think i've even asked you for help once... s'just you handin' me your fancy little notes on your own."

his words cut deeper than you'd like to admit. it's true; he's never verbally asked for your help, it's more of you noticing his lack of effort and feeling compelled to offer your own support by taking the initiative to write the notes.

still, the realisation makes you pout and turn away, frustration bubbling inside you as you grapple with the truth of his statement.

"alright, look. you... you want me t'learn? fine. i can do that, but uh... but you have to do somethin' for me, yeah?" the sound of a proposition catches your attention, prompting you to slowly turn your head and meet his gaze. chris tilts his head to the side slightly, a glimmer in his eyes as he leans closer. "every time i get an answer right — or remember somethin'... you owe give me a kiss."

your heart skips a beat, and your eyes dart to his lips as his suggestion, the warmth flooding your cheeks. but chris lets out a deep chuckle, shaking his head.

"nah... nah, kid. wasn't talkin' about that."

is doesn't take you long to be between his legs, your knees sore from the wooden floorboards digging into your bones with your lips wrapped around the tip of his cock — gone from giving him sweet, little kisses to sucking him whenever he managed to get a question right.

there are tears in your eyes from the times he's been nestled deep in your throat, and you're unable to see him through watery vision, but you can feel him — stroking your cheek or cupping the back of your neck to keep his cock jammed down you throat.

shockingly, chris somehow got every question right. no mistakes, no fumbles of words, no breaks.

he got everything.

[froggibus]

Got Me Up All Night - Ramattra

Pairing: Ramattra x fem! reader (reader uses female pronouns + has a pussy)

Genre: smut/NSFW

Word Count: 2.7k

Summary: Ramattra is used to putting you to sleep when you can’t, but he’s found a far more effective way now…

CW: slight somno (consensual), size difference + size kink, thigh riding, overstimulation, edging, fingering, Ram has a cock, spanking, dom! Ram (that rhymes lol), sub!reader, possessiveness, insomnia, unprotected sex (but he’s a robot so idk how that even works lol), creampie but not really (^)

guys I am so down bad for this guy rn it’s not even funny…trying to focus on my comp games but he’s standing there being this sexy and ugh

It’s well past three am when you’re rolling out of bed and padding down the halls of the monastery. It’s been a while since you went to sleep at a reasonable time, most nights you tossed and turned until you gave up and resigned to wandering around until you found what you were looking for. Or rather, who you’re looking for. 

You find him in his office, legs propped up on his desk while he studies a map. Though he doesn’t acknowledge your entrance, you know he knows you’re there. He says nothing even as you approach him slowly and climb into his lap. 

You wrap your arms around his shoulders and nuzzle your head into his neck. 

Ramattra freezes at your touch. He’s not an affectionate being by any means—he’s never really understood why humans are so caught up on it. But having you drape yourself across him, your warm body against his cool metal, he almost understands it. 

He wraps an arm around you, large hand settling on your back. “Another restless night?”

You hum in agreement, nodding your head. The skin of your cheek brushes his and if he was capable of blushing the way humans did, he would. Something about you just gets into his head, and while he’s never cared much for humans and their antics, he cares for you. 

“Do you want to discuss it?” His thick fingers tangle in your hair, gently tugging on the strands. 

“Just wanna sleep,” as if on cue, you yawn. 

He nods, going back to studying the map on his desk. Still, even as he concentrates, his hand still plays with your hair and rubs your back and brushes your fingers. 

You can’t help but stare at how much bigger he is than you. Ramattra, the omnic warrior who could crush you with one hand, but he’s being more gentle than anyone has ever been with you in your entire life and a part of you just melts. Ramattra, who you thought hated you and your kind until he lulled you to sleep in his office and carried you to bed. Ramattra, who can’t communicate his feelings for the life of him—but why would he want to have feelings for you? You’re just a human, after all.

As soon as he notices your heart rate steady and your breathing soften, he’s scooping you up in his arms and carrying you down the hall. He’s as careful as he can be, supporting your body with just enough strength so that you won't wake up. 

He lays you down in your bed but your arms don’t loosen from around your shoulders. A quiet whimper leaves your lips. He tilts his head in confusion. You were asleep a second ago, and he was so careful. 

It doesn’t seem like you’re awake though. 

He sighs and lays on the bed next to you, letting your body weight drape over him. It’s a good thing he finds your sleepiness endearing. 

You subconsciously wrap your arms around him, slinging one of your legs over his muscular one. You’re completely draped over him, and though the omnic could remove you at any point, he thinks it’s a good excuse to stay the night with you. 

He relaxes with you, letting his thoughts wander from Omnic supremacy for a minute. He thinks of you, laying like this underneath him, showing him things he’s always been curious about. Of course, it doesn’t last long. Not when you’re suddenly whining and rubbing up against him. 

He can feel your heart rate pick up too, the steady thumping growing uneven. He’s not sure what to do—are you having a nightmare? Are you in pain? 

He scans you over, looking for any reason for your sudden change in attitude. He grips your shoulder and gently shakes you awake. 

Your eyes flutter open, squinting to adjust to the dark. “W-what?”

You try to gather your bearings. You were having a dream, a really good dream. It’s then that you notice the dampness in your underwear and the way your legs are wrapped around one of his. 

“S-sorry!” You stammer, and go to pull away your leg, but he grabs your hip and keeps you in place. 

He’s so big, so strong—his fingers reach almost to your belly button while his palm is on your hip, and he effortlessly holds you still. “What’s happening? Are you in pain?”

You bite your lip and shake your head, trying to keep your eyes away from his. Your pussy is still gushing and you fight the urge to keep rocking your hips against him. 

“No. I’m not hurt, I—I just…had a weird dream.”

Ramattra looks at you curiously. Your body temperature has gone way up, you can’t look him in the eye, and he can feel a warm wetness in the crotch of your pants. He’s heard of these symptoms before but he’s in complete disbelief. There’s no way you’re aroused, is there?

He holds you still with one hand while he slowly trails the other one down your side, slipping it into the waistband of your shorts. His fingers brush your swollen clit and you whine, trying to clench your thighs around his thick fingers. 

Your reaction confirms all he needs to know, and then he’s withdrawing his hand from your pants and rubbing circles on your thigh. 

“R-ram,” you whimper. 

He finds your pleas endearing. You’re so frail and desperate beneath him, straining your hips against his grip to try and get the friction you’re so desperate for. Still, he holds you in place. 

“Tell me what you need.” 

You whine again, looking at him with desperate eyes and trying to rub your hips against his thick metal thigh. “P-please, let me just—” 

He releases his grip on your hips and you let out a whine as you get the friction you’ve needed. You roll over so you’re somewhat on top of him, gliding your hips up and down his leg. He keeps a hand on your hip to guide you along, occasionally pressing you into him in a way that makes you lick your lips and roll your eyes. 

He’s in utter disbelief. He never thought he’d be close to a human, let alone having sex with one. But you look so fucking cute, and he loves how he has complete control over you. How he can give you so much pleasure or take it away at will. 

You look up at him in utter want and he knows what you’re trying to say—you need more. He rips the fabric of your shorts and underwear apart in one fluid motion, discarding them somewhere on the bed. The cold night air hits your aching pussy and the skin to metal contact is delicious. 

You go faster, rolling your hips up and down in waves, the knot inside of you building. You know you won’t hold out much longer, and all you want is to finish. 

Ramattra considers stopping, lifting you up and ruining your orgasm. But he’s not that cruel. At least, not for the first one. He wants to see you come undone, he wants to see how fucking pretty you’ll be when you cum for him. 

It only takes a few more seconds before you’re clenching around him, muscles spasming and pussy gushing. He holds you still during it, large hand stroking your head, trying to keep you calm while you thrash around wildly. 

You let out a sigh of relief, rolling off of him. “Sorry,” you say sheepishly. “I wasn’t really thinking straight and—”

Ramattra is on top of you, caging you in to the bed with his body above yours. “Who said I was done with you?”

You swallow hard. “I-I don’t think I can take another one.”

“You can,” his hand trails down your stomach, thick fingers starting to work on your clit, “and you will.”

You suck in a breath, your legs spreading against your will. You’re so wet and warm and waiting for him, your pussy practically begging to be opened up by him. He circles the tip of his finger around your entrance, admiring the way you clench the air in anticipation. 

He slips his finger inside of you. Just one of his fingers is so thick, so long. He reaches places you could never dream of reaching on your own, filling you up so damn good. He works you open, watching you writhe beneath him and whine from the sensitivity. 

It doesn’t take much to stretch you out enough to slip another finger in, the omnic pumping in and out of you at a brutal pace. You’re thrashing around so wildly that he keeps a hand on your stomach to steady you, pushing down and creating a pressure against the fingers he has inside of you. 

He can feel your muscles starting to tense again, hear it in the way you’re whining. He knows you’re not going to last long. He curls his fingers inside of you, trying to get you closer to your orgasm. 

You’re so close, you can taste it. You thrust your hips into his hand, desperate to finish. You can feel it, your whole body is begging for it. 

And then he pulls out.

You don’t waste a second in trying to shove one of your hands between your legs. Ram catches your hand before you can even touch your oversensitive clit, grabbing both of your wrists in one of his hands and pinning it above your head. 

“Do you want to finish?”

You nod furiously, looking at him with your messy hair and pleading eyes. “Y-yes, god, so fucking badly.”

He trails his other hand up your thigh, going so painfully slow. You arch your back, whimpering. Just before his fingers can slide back into you, just before he touches you, he pulls back. 

“R-ram!”

He squeezes your wrists in warning, reminding you who’s in control here. “You finish when I say you finish. You want to be good for me, yes?”

You nod. 

“Good,” he sounds pleased with your answer, and trails his hand back up your thigh. 

His finger barely grazes your clit but you shiver, arching your back off of the bed. He can’t help but laugh at your desperation, the way you’re so whiny and needy for only his fingers. The way you’re so desperate to be fucked by an omnic almost double your size. It’s so dirty, he loves it. 

He finally shoves two fingers back inside of you, returning to his earlier pace without letting you adjust. That burning need to cum mixed with your sensitivity from earlier and the way he’s so lost in your pussy is all too much for you. It only takes a few thrusts before you come undone around him. 

This time is way more intense than the first, walls spasming around his fingers. He releases your wrists, letting you arch your back and whine beneath him. 

He waits for you to catch your breath for a minute before leaning in close to your ear and whispering, “do you need more?”

You shake your head. Your skin is already feverish and sweating from cumming twice, and your pussy is so sensitive you’re not sure you can take much more. 

Ramattra slaps your pussy hard, staring at you expectantly. “Do you need more?” He emphasises each word with a slap, admiring the way you gush with each one. 

You like pain—he’ll have to remember that. 

“Y-yes!” You gasp out, clenching your thighs together. “I need more. I-I need you.”

He hums in satisfaction, happy with your answer. “That’s the slut I know.”

His words fluster you, making your head even dizzier than it was before. It’s so brash, so unlike him, but you love it. You love how he’s treating you like an experiment. 

Ramattra gets onto his knees in front of you, messing around with the plate just below his abdomen. Omnics aren’t built for breeding, they aren’t meant to procreate. But through years of the evolution of technology and omnic-human relationships, modifications have been made. 

You’re shocked to see Ram remove his plate, revealing a tentacle like cock made of the same organic metal as his body. It’s long and thick, and it’s bigger than anything you’ve tried to take before, but all you want is to feel it inside of you, stretching you out. 

Ramattra laughs at the size difference. He’s already much bigger than a human, and he knows that extends to every part of him. He knows that by fucking you he’ll be ruining you for every human man after, but he doesn’t care. Those human men can’t have you—no one can. They don’t deserve you. 

He lines up the tip at your entrance, rubbing his cock through your folds and gathering up your juices on his length. It’s such a funny feeling for him, you feel nothing like he expected but he loves it. 

He slowly pushes his way inside of you, feeling your gummy walls stretch around him. You whimper, desperately wrapping your arms around his shoulders. He pushes his way deeper, his cock stopping just past halfway. 

He frowns. “You can take more than that.”

You shake your head, toes curling. “Too deep,” you protest. 

He pulls out and slams back in, trying to force more of his length inside of you. He’s so much bigger than you, so much bigger than anything you’ve taken before. He completely stretches you out, reaching places you never knew were there. 

He picks up his pace, slamming his hips against yours in a way you know will leave bruises tomorrow. He’s so deep inside of you, you can hardly take it. Regardless of the pain and the stretch, you find yourself lifting up your legs to give him easier access. 

Ram uses this as an excuse to force himself deeper, hips colliding with yours with every thrust. He trails his hand down your stomach, squinting when he feels the slight bulge in your abdomen. He looks at it in shock—is he really that deep inside of you? Are you really that much smaller than him?

It only drives him to fuck you harder, throwing your legs over his shoulder in a mating press. You’re a moaning mess beneath him, crying out so loudly he’s sure half the monastery can hear you. Good, they’ll know who you belong to. 

You’re almost sobbing from the pleasure, alternating between squeezing his shoulders and burying your head in his neck. Everything is so hot and sensitive, and he’s so big and so deep you can feel him everywhere. But you want more. You need more. 

You moan out his name and please like a prayer. You’re not even sure what you want, what you need. Your brain has practically turned to mush at this point, and you’re getting close to the edge. 

Ram can feel it too, and his cock vibrates in response. The feeling makes you shiver, only begging him to fuck you harder. You’re so close, so so close. All you need is a little more…

His cock pulses again and you come undone, tugging him close to you while you cum. Everything is so hot and wet and the faint feeling of him fucking you through your orgasm only drives you even more. 

Your orgasm is enough to bring him close to his, cock vibrating steadily as he thrusts into you sloppily. He’s so desperate, collapsing on top of you in an attempt to get as deep as possible. 

Finally, he lets go. There’s a hot warmth spreading through your stomach, and you look up at him through teary lashes. “Did—did you just…?”

“Organic nanites,” he explains, smoothing your hair back. 

You nod slowly. It feels so good you don’t care, he could keep fucking his nanites inside of you all night as long as he makes you feel this good. 

It’s not long until you’re starting to drift off to sleep again, your head on his chest and a leg around either side of one of his. Ram strokes your hair, admiring how fucked out you look. There’s still more that he wants to try with you, but there will be plenty of sleepless nights for that in the future.

[saeun]

wife on the low manjiro, sanzu.

sum. babysitter!reader. idk where i was going with this one

manjirō sano

tension. too much tension. it's not easy trying to focus on a happy baby when you have two eyes digging through your soul. his gaze is terrifying—whether it's just the way he's just there quietly or the fact that he's bonten's leader, you don't know. he's a scary man.

trying your best to ignore whatever he's doing, you focus on cheerful baby that's been slapping her hands continuously on the little container with water.

she's five months currently so you decided it's time for sensory playtime! starting off with water and slowly adding little sensory toys into the container as she plays.

“it's getting messy.”

“oh—should we stop?”

“no, continue. i'll clean up.”

mikey pushes himself off of the door's frame and wanders off to some room for a mop. he walks away with thoughts swimming in his head; delusional thoughts if you asked him.

he doesn't really know what is it that he's feeling. is it love? dunno. he never felt it in a long time. well, it's not like he remembers what love felt like—he didn't even love the mother of his daughter. hell he can't even remember what possessed him to have sex.

coming back into the playroom, he stills for a moment. cute, he thinks. you look fitting like that. something about the way you're giggling with his daughter while she babbles words only those of her kind understands really makes his heart swell.

“'m back,” he announces after a good few minutes of gawking.

moving the baby onto her crib, you pinch her cheek before going to help mikey.

so close, you think. his body's just above yours—close to the point where you can feel his sweater on your head. his hands moves on yours taking hold of the container.

you made the mistake of glancing at him,, now you're stuck gazing into his static eyes, looking for any hints of his current emotion.

five seconds turned into ten and he doesn't break the eye contact. rather, his right hand glides from the container and rests itself on your cheek.

does he know why he did that? no.

is he going to elaborate? also no.

a few more minutes in wondering silence until he breaks it.

“you're pretty.”

oh!

it takes a minute to process it; eyes opened but still looking into his. mikey drifts his gaze from your lips and back to your eyes. he shows no signs of taking back what he said.

“thank...you..?”

chuckling, he notes your confusion and decides to fuel it by saying: “you're welcome. be my girlfriend.”

sanzu haruchiyo

“pick a colour: blue or red.”

“how about no!” hoisting up his daughter on your hip, you circle around the table making your way to the kitchen as you ignore his attempts of getting you to pick the drug of the day.

sanzu raises his eyebrow at you. you sure have a lot of nerve in front of someone that can easily kill you but he won't. why would he kill you when he isn't sure if he, sober!sanzu, loves you or if he, high!sanzu, is just fucking around.

eh, it's not like he's worried. that's something for future him to worry about!!

“sanzu, her formula's about to end!” shouting from the kitchen as you violently shake her bottle, you faced your focus more on the quiet eight month old rather than the twenty-eight years old father.

“is that all?” sanzu moves on arm behind the couch as he looks back at you. she's a natural with kids—especially mine, he thinks. he's going to blame the drugs for that even though he's very much sober.

“yeah, is it okay if i use your card? i need to stock up on the groceries too.” you explained, dropping a few droplets of the milk on your forearm to check the temp.

“why're you askin' me? it's your card. i took it out for you.”

“because i don't wanna—oh???” you paused. sanzu, your boss, couldn't have possibly taken out another card for you right? certainly, right? god, it's so hard to focus after he said those words. you try to not think too much of it but it's just too difficult.

lost in thought, you didn't realize that he's already in front of you, holding up his mini to give her a nose kiss before looking back at you.

“looks like she's finished. let's go.” walking towards to door, sanzu grabs his keys from the holder along with his mask.

“huh—oh, right her stuff. just a minute!” you can't seem to think coherently, not when those words still linger fresh in your mind.

maybe it's the drugs,

maybe it's you,

maybe it's him,

maybe it's the way he holds your hand firmly while smiling whenever an elderly lady compliments your little “family”,

or maybe it's the way he guides you into his room at night after his daughter fell asleep, pulling you into a kiss that answers all questions.

[almostempty]

the meet ugly (javier peña x f!reader) 

WC: 1.6k | Other fics | Rating: it’s ? fluff? No smut

last one for today, sry for spamming anyone, it was an all-or-nothing scenario in my mind 

Summary: your bad day gets worse when a trash bag spills on you. your neighbor javi tries to help but you both get stuck trapped with him and a dumpster. 

Note: this was for the meet-cute, but i had to do something nobody asked for aka make it gross ??? it’s my clown blood idk 

Tags/warnings: au modern javi lives in your apartment complex, description of cold leftovers from your garbage spilling on you, it’s just flirty peña idk it was an exercise for me to write something short and without smut, i’m assuming that dumpsters locked behind fences are relatable enough for all, no y/n, reader is able-bodied, all mistakes are mine just pretend like you didn't see them, i think that's all ty <3

 

You groan as you wrestle with the trash bags, their weight pulling on your arms while you trudge down the cracked concrete stairs. The holly bush at the bottom catches on your shorts again, its spiky branches scraping across your leg. Mocking you. You bite back a curse. The day has been a disaster from start to finish, and now you’re hauling half your apartment’s trash to the dumpster, trying not to lose your temper.

Why does this apartment complex even have holly bushes? It’s like someone got paid just to make everything as inconvenient as possible. Whoever designed this must have never experienced the luxury of hauling garbage bags between two overgrown defensive security bushes. 

You’re still fuming about it, whoever designed this hellscape of an apartment complex, when you reach the gate for the dumpster. One of the trash bags, full of leftovers you’d rather not think about, digs painfully into your fingers. You adjust your grip, unaware the straining plastic is a ticking time bomb. 

You trudge toward the dumpster enclosure, spotting your hot neighbor rounding the corner of his SUV, cigarette between his fingers. Of course, he would be out here to witness your personal walk of garbage shame.

He glances up, and you catch the moment his dark eyes land on you. His gaze sweeps over the bags, then to your face, a smirk tugging at his lips. He doesn’t say anything, but his look is enough to make your face hot. 

Damn him.

"Rough day?" he asks as you approach the dumpster, his deep voice laced with amusement.

"You could say that," you mutter, already feeling defensive. He’s really the last person you want to see while you’re sweaty and cranky. 

With a huff, you push the gate open and step into the dumpster enclosure, tossing the first couple of bags into the bin. The smell is overwhelming, but you just want to be done with it. You lift the last bag, but just as you hoist it up, the thin plastic rips apart, and cold, week-old pad thai leftovers land on your chest, feet, and everywhere but the dumpster. 

You freeze, mortified. Of course.

Before you can even process what just happened, you hear boots scuff against the pavement. Javier’s already hustling over, cigarette still between his fingers, that damn smirk still in place. 

"Need a hand?"

"I’ve got it," you snap, despite the fact that you aren’t moving. Unsure what’s going to make the situation any worse. 

It’s hard to focus on the mess when he’s standing so close. His presence makes your embarrassment worse. Like, you could climb into the dumpster yourself and wait until the garbage truck picks you up on Thursday and takes you away. 

"You sure about that?" He doesn’t move to help—just watches you with a look that’s far too amused for your liking.

"I’m sure," you grumble, tossing the ruined bag into the dumpster. "I don’t need your help." You commit to the mess, peeling cold noodles off of your chest and tossing them into the bin. You frown deeply, fishing out the leftovers that made it down your shirt. The smell and the texture make you nearly gag. 

Javier steps closer, chuckling under his breath. "Right. Because you’ve got everything under control."

You glare at him, wiping your hands on your already-ruined shorts. “I think you’re a little late to be a hero. I’m already wearing the leftovers.”

"Never said I was a hero," he replies smoothly, taking another drag of his cigarette. "Just trying to be neighborly."

As you turn to face him, the gate behind him swings shut with a loud clang. He tries to shove it open, but it doesn’t budge. His expression doesn’t change much, but there’s a flicker of realization in his eyes.

“Oh, that’s perfect,” you mutter, crossing your arms. “We’re stuck?” 

He tugs at the gate one more time before turning back to you, that smirk still in place. "Looks like it."

You stare at him, your frustration mounting. "You aren’t even going to apologize? How are you calm about this?” 

Javier shrugs, leaning back against the gate and taking a long drag of his cigarette before acknowledging your question. He’s like the opposite of an anti-smoking campaign. You want to be the cigarette. 

"Not my fault the gate’s a piece of shit. And I’m not in a hurry."

"You closed it," you counter, flustered and looking for someone to blame.

But even as you glare at him, you can’t help but notice how infuriatingly attractive he looks, the way his leather jacket pulls tight over his shoulders, the way his dark eyes glint with amusement.

Javier catches your gaze and quirks an eyebrow. "You’re staring."

You roll your eyes, heat flooding your face. "I’m not."

"You are." His voice is low, teasing, and the way he looks at you—like he knows exactly what he’s doing—is making it harder to keep your composure.

You step back, trying to regain control of the situation and you catch him laughing to himself. 

“I really don’t see what could be funny about any of this,” you wave your arms, gesturing to your ruined clothes and the small space you’re both trapped in. 

“Could be worse ways to spend the evening,” he drawls, taking a step towards you. 

You pick another piece of rice noodle out from between your tits. “Yeah, like if the dumpster was on fire?” 

You’re too aware of him. Of how his voice gets lower and rougher when he’s this close.

He chuckles, flicking his cigarette to the ground and stepping on it. "I’ve been in worse places. With worse company."

You swallow hard. The way his eyes flicker over your face, how his smirk never fully fades–it’s maddening. He knows what he’s doing to you. It feels like a sick joke. 

"Yeah?" you mutter, your voice sounding breathier than you’d like. "And what makes me such good company?"

Javi’s eyes darken, and he takes another step forward, close enough now that you could smell the leather of his jacket, the faint tobacco on his skin if it weren’t for the foul stench of all of half the apartment complex’s trash in the container behind you.  

"You’re more fun to argue with."

You can’t help the laugh that escapes you. “Don’t fuck with me, Javier. I’m already having a day from hell.” 

He gives you a pouty look that makes you want to scream. “Why would I be fucking with you?” he asks quietly, almost sounding hurt. 

You snort, incredulous. “I’m wearing last week's lunch and the only clothes that weren’t in the laundry. Don’t act like you’re flirting with me.”

He steps closer until there’s barely any space left between you. His voice drops, smooth and dangerous. "What if I am?"

For a moment, you forget where you are. 

“What if I think you look good? Even with a garnish?” he asks and pulls a piece of cilantro off of your cheek. 

All you can focus on is how close he is, the way he waits like he’s daring you to make a move. There’s no way he’s serious. He rarely says more than a curt hello, even though you walk to your cars in the parking lot at almost the same time every morning as you head out for work. Sometimes, he’ll wave if you pass him on your walk to the corner store. 

You only knew his name because of the time he caught you trying to drag a dresser you’d scored at an estate sale up the stairs to your apartment on your own. He’d helped you carry it, despite your protesting, all the way into your bedroom.

“I’d say you’re literally stuck in here with me for the foreseeable future, so of course you’d say that.” 

He sighs heavily, muttering under his breath at you, “Tan terca.” And in a move that makes your jaw drop, he turns away from you, stalking towards the fence with a fluid arrogance. Like an oversized cat in a leather jacket, he leaps at the chain link fence like he’s done it a hundred times. He hoists himself up, swinging over the top and dropping onto his feet on the other side. 

He’s grinning at you when he unlatches the gate and swings it open, but you snap storming towards him. “How long were you gonna wait to let us out?” 

He shrugs, “I thought Randy would’ve been out for a smoke before we had to wait long. Don’t exactly enjoy having to climb over a fence.” 

“Right.” You slip out of the gate with a thanks, but when he says your name, you feel like your whole body is drawn towards him.  

He eyes you, leaning in just close enough to make your pulse race again. “And if I were to flirt with you now?” 

“I’d question your judgment,” you point to yourself, “I’m still in desperate need of a shower.” 

His eyes lift, looking just past you, before he grins. 

“Oh my god,” you cut him off before he says a word, “were you about to tell me I could use your shower?” 

Everything about his mockingly sheepish look says you are right. You shake your head at him in disbelief, but you can’t stop the smile that spreads on your face. It takes all of your strength to walk away but head towards your own apartment. 

You make it to the top of the stairs before the sinking feeling hits. You deny it until you check the door for yourself. Of course. After everything that went wrong today, it only makes sense that you would lock yourself out of your own apartment. 

You berate yourself all the way to his door. It swings open after the first knock, and he gives you a look that has your cheeks burning. His eyes gleam, and you just know he’s going to enjoy this before his smoky voice even reaches your ears. 

“Changed your mind?” 

divider @cyberangel-graphics

General tags 💗:

@lovely-vamp-princess @gothcsz @auteurdelabre @adoreyouusugar @swankyorange

[darkcircles4lyfe]

I've given it some thought--

Now, if you've read any of my posts and you've read 430, you know there are a lot of ways it falls short of what I wanted. On the other hand, I can respect an open ending, one where we are allowed and encouraged to dream. All things considered, I'm not satisfied or disappointed, but a secret third thing... bear with me.

For a lot of storylines, I can fill in the blanks how I want.

I'm heartbroken over Himiko's fate, but there's no denying that the lack of camera footage leaves open the possibility of her simply disappearing. Perhaps she is waiting in hiding for the world to change, just like Lady Nagant.

Dr. Yoshida is described as someone who can cure the incurable. That may be referring to Katsuki, but the doctor himself said it's a complete mystery how he survived, all Katsuki's own doing. Maybe he cured someone else in those 8 years... someone like Touya?

Honestly I got nothing on Tenko but who knows. Who knows! Something something OFA connection. Izuku having vestige visions. Idk.

As for the manner in which society is changing, I'm drawn to Shouji's speech: "I'm dedicating the honor to those who joined the uprising eight years ago. All I've done is stand atop the resolve that they demonstrated to the world, nothing more." That at least tells me his earlier judgment of the other heteromorphs "setting them back" was a narrow point of view Shouji was supposed to grow out of, rather than a way of Horikoshi trying to criticize revolutionaries. In general, just because a character says something doesn't mean we're supposed to take it as gospel. That's lit crit 101, people.

Then there's Izuku. Once again I am feeling this pretty close to home. I keep coming back to the fact that the class is 24/25 now and I'm 25, man. On top of that, anyone else who was 14/15 ten years ago when the manga started gets to feel like we've all grown up together. I wanted catharsis for Izuku's trauma so badly. I wanted words. But I can't deny that the way Izuku is shown attempting to make the best of things and be content with a humbler life resonates with me, as painful as it is, as much as I know deep down he's kidding himself. It doesn't surprise me that he kept his walls up all this time and continued to shun his "selfishness."

I almost feel like there's an all-encompassing narrative theme being expressed here, in the fact that Izuku was trying to push past his pain and focus on the next generation, but surprise, his story's not over yet. I think the implied message there is that more can be done in the here and now, and maybe other stories that seem to be over, aren't.

With these things in mind, I can take the ending in stride, even if this is all the more we get from Horikoshi. However. There's one thing that is jolting me out of my peace every time I start to get comfortable here. It's actually related to the storyline that got the most closure.

I've seen a lot of fellow bkdk enjoyers calling their conclusion the best part of the ending, and I agree with that. They got a truly full circle moment, and a way of communicating to the reader that they're together, they have their forever, in a way that is personal to them. It's not "canon" in the way a kiss or a confession is, but I've said it before--this makes sense for them. And Horikoshi also did something legitimately interesting and groundbreaking by not making Ochako confess, not showing her future being tied to the main character as a love interest.

No, the thing that's bugging me is a seemingly small detail: why does Izuku and Katsuki holding hands at the end, of all things, have to be implied? Lots of things about 430 make sense in the context of the interview Horikoshi recently gave where he expressed being content with what he has drawn, and what he has left to the imagination. But not this. You can't convince me he didn't want to draw this. It's a motherfucking story about hands. This is the one thing I was 110% certain would happen. It's been teased for forever. Katsuki clearly wanted it so bad. So many other characters got to hold Izuku's hand in-frame. What the hell. Why.

Idk. I will be thinking about it for the foreseeable future.

[deeply-unserious-fellow]

I've been seeing a lot of people talk about how Hazel is a boring protagonist(or I guess more like... people complaining about how other people are saying that? Idk I'm not on Twitter), and at first I kind of agreed with those takes because all I had seen were random clips. BUT, now that I've watched the show, I disagree. I don't think Hazel is a boring character, at least not conceptually. I think the issue is that the majority of her RELATIONSHIPS are really boring.

Hazel on her own has a lot of potential. She's caring, she's funny, she has a tendancy to overthink, her design is really good, she has realistic problems most people can relate to... she's just all around a really well built character. The problem is that almost none of the characters she interacts with consistently have any depth, and that causes her relationships with them to fall flat, which causes HER to fall flat because at the end of the day, a character is only as strong as their relationships with other characters. We're TOLD what her relationships with others are like, we're TOLD what the other characters' personality traits are, but we're never SHOWN those things. I think the episode where they deal with Jasmine's fears is probably the biggest offender. Jasmine herself acts as more of a plot device then anything else, with her fears being used as a stepping stone to teach HAZEL a lesson, rather then allowing the episode to focus on Jasmine overcoming those fears. The scene where Jasmine actually FACES those fears ends up being just thrown in at the end as a way to solve the conflict, which tbh wasn't that engaging in the first place because Hazel had no personal attatchment to any of Jasmine's fears... that's just kind of a bad episode overall tbh it's where all of the shows flaws are the most prominent but I DIGRESS-

Another really good example of the poor relationship building is her relationship with her brother, Antony, who we literally don't even get to SEE until well into the second half of the season. I haven't actually gotten to that episode yet, so I can't really judge Antony as a character, but I CAN judge how they've been setting him up so far! Which hasn't been very good! Instead of SHOWING US Hazel's relationship with him through flashbacks or something, the writers just have Hazel TELL US how she feels about her brother and things they used to do together. It just doesn't have the same impact as actually seeing their relationship play out would, y'know? They've been telling us about Hazel's relationships with other characters instead of showing us those relationships, and it's been hurting Hazel as a character.

The only relationships she has that we actually get to watch her BUILD are her relationship with Cosmo & Wanda and her relationship with Dev, which, while the ladder is genuinely really well done and interesting(aside from a couple pacing issues but honestly the show is chock full of those so whatever), the former ALSO falls really flat because Cosmo & Wanda aren't really... characters. They're iconic, sure, and they're really funny, but they're also mostly just plot devices. They're here to grant Hazel's wishes(aka cause the plot of the episode) and be funny. That's it. Which is fine, those kinds of characters obviously have their place, but when they're the only ones your main character consistently interacts with? That causes some problems. It's like if, in the movie Aladdin, instead of focusing mostly on the relationship between Aladdin and Jasmine, they focused entirely on his relationship with the Genie. The Genie is mostly just here to move the plot along and say funny things, so having him be the character Aladdin interacts with the MOST kind of breaks the movie. Having a story where almost all the interactions are between the main character and the comic relief just doesn't work.

Honestly I think the issues with Hazel's relationships are probably why people are more drawn to Dev as a character then they are to Hazel, because while Hazel almost exclusively interacts with characters who could be replaced by cardboard cutouts and nobody would tell the difference, Dev doesn't. Dev's relationships are a lot more engaging because all of the characters he interacts with are SIGNIFICANTLY more fleshed out then the ones Hazel interacts with. His relationship with Hazel is engaging because it's an emotional rollercoaster for both of them. His relationship with Peri is interesting because Peri is much newer to being a fairy godparent then Cosmo & Wanda are, meaning he's more likely to make mistakes. His relationship with his dad is interesting because it's literally the main motivation for his character, and we actually get to SEE WHY THEIR RELATIONSHIP IS THE WAY IT IS. His relationship with Irep is more interesting because Irep is a weird little shit who's mostly just using Dev to take over fairyworld, and he also has an interesting dynamic with Peri! Dev's relationships are all WAY better executed then Hazel's, and honestly I think a lot of that has to do with the fact that Dev is an antagonist who mostly interacts with other antagonists. He's at the center of almost every single ongoing conflict in the show, which is often times what makes a character and their relationships interesting: conflict. I also think he benefits from getting expanded on LATER in the show, since by that point all of the writers would've had a much better feel for all of the characters, making it easier for them to actually show what his relationships are like instead of outright telling us skgnvkdmfkekfndn

Now, was the point of all this to say that I think Dev would be a better protagonist then Hazel? No. Absolutely not no- he has a more interesting, better executed story then Hazel does so far, sure, but he just. Wouldn't be able to carry an episodic show like FOP on his own I'm sorry- we've seen the kind of wishes he makes, they're not particularly interesting. Because he's a rich kid who can do basically whatever he wants. Plus, his conflict with Peri just isn't really built to be stretched out over an entire season, which it would HAVE to be if Dev was the protagonist of a Fairly Oddparents, because the entire premise of the show is "this kid gets a Fairy Godparent, what kind of wacky hijinks will they get up to now?" Plus there's the fact that the narrative has been treating his parental neglect with a lot more gravity then Timmy's ever was, meaning if the show was from his perspective they'd have to tone down the things that make him interesting to keep the show from getting outright miserable- Dev is not a good character to make carry that kind of show. Dev should not be the main character. HOWEVER! Do I think the show would be more interesting if we got more episodes featuring him and Hazel hanging out together? Yes absolutely. They bounce off of eachother incredibly well, and once Peri is introduced we also get to see Peri's relationship with his parents and how THEY interact, and it's just. So much more interesting then seeing just Hazel and CosWan. Or Hazel's cardboard cutout friends. Honestly I'd go as far as to say he should've been Hazel's dueteragonist instead of just a recurring character, kinda like a(hopefully) better executed Chloe. It'd give Hazel a more interesting character to bounce off of then Cosmo & Wanda. Either that or I think Peri should've been Hazel's fairy godparent instead of Cosmo & Wanda, because he has more room to grow and develope as a character then they do, making his potential dynamic with Hazel a lot more interesting. Idk just in general I think having Hazel interact almost exclusively with Cosmo & Wanda was a mistake-

Also should be noted; I am saying this as someone who has never seen the original Fairly Oddparents. I don't know if the original show had these issues aswell or not, everything I know about the original comes from random YouTube videos I watched out of curiousity/boredom. Either way if the original DID have issues with Timmy's relationships being really boring then uh. That's not an excuse for A New Wish to do the same, I guess. Idk where I'm going with this... also sorry if this essay is incoherent! I have a lot of thoughts about how Hazel's relationships are really poorly executed and I just needed to get them out skfnvdkdjfndn- if you want me to elaborate on anything feel free to leave a comment or send me an ask :)

[timegnosticproductions]

Ghosts: BBC vs CBS

It’s been almost a month since I finished BBC’s Ghosts, and I cannot stop thinking about it. It has quickly become one of my favourite TV shows. I watched the US-American version first because it had been plaguing my TikTok FYP. It was a fine show, but it didn’t have the grip the BBC version currently has on me.

This is an exploration of why I found UK Ghosts to be a much more compelling story than US Ghosts, even if they are “the same show”.

DISCLAIMER: There will be spoilers for both shows.

The Main Couple

Underappreciated in both shows, let’s begin with the two livings: Alison and Mike, and Sam and Jay.

Sam and Jay feel, to me, like they just spawned at the beginning of the show. They aren’t people, with lives before the fragments we see, which will continue after the show ends. Sam is the biggest offender of the two. Where are her friends from before she moved to Woodstone Manor? I would understand if she didn’t have any friends over, and we also have to consider that the US is massive compared to the UK, and her friends might live on the other side of the country. But not one call? No facetime? Not even one text message? And let me be clear: I don’t want this to be a show about her living friends, and I don’t need them to be characters in the show, but do Sam and Jay have to be completely cut off from the real world?

Alison and Mike, on the other hand, have a friend group, and when these friends play a role in an episode, the focus is still on the ghosts’ reactions. They don’t distract from the main characters, while still making Alison and Mike feel more grounded in reality.

Character moments vs. cheap jokes

I’m not the first person to point this out, and I certainly won’t be the last, but it’s still worth saying: why would you change a ghost’s powers from Mary reliving the moment of her death, being “burned at the stake” again, and subsequently making the living people that have passed through her smell the burning of the fire that killed her, to a fart joke. Isaac’s life/death is tragic, but his ghost power being “fart” get’s really exhausting really quickly.

Ghost lore

Expanding on ghost powers, let’s talk about the other ghosts. This point, I realise, is less black and white and more about personal preference rather than bad writing. I like that Ghosts (UK) doesn’t always directly answer the viewer’s questions about the afterlife. Some ghosts have powers, and some don’t and the ones that don’t aren’t searching for them. Mary gets “sucked off” but we don’t know what comes next.

In the US version, however, there is explicitly a hell and a heaven, and Elias comes back from hell to tell us what happens there.

That is one of the many charms of the UK version, the uncertainty. What comes next? I don’t want to know.

I also think it helps the emotional punch of Mary’s death (re-death, moving on? idk) land better. If one of the CBS ghosts were to die, the grieving wouldn’t be as devastating, because we know what comes next, and how could we be sad when a character has, certainly, gone to heaven? It could still be made into an interesting episode, maybe exploring the other ghosts’ (especially the older ones) jealousy, who also want to get “sucked off”. Still, I much prefer the uncertainty of Mary’s death (would also very much like to see a main character from the US version move on, just because I would like to see how they handle it when it isn’t a fake out like with Flower).

Found family vs. pair the spares

CBS’s Ghosts has an obsession with romance, to the point where it is quite frankly absurd.

You know when in a fandom there is a four-person friend group (or other even number) and two of those characters are in a really popular ship, so the fandom decides to ship the other two characters together as if they couldn’t be happily single, or aromantic, or whatever? (Author’s note: yes, aromantic people can still date, doesn’t take away from my point.) Yeah, I feel like that watching CBS’s Ghosts. Some characters are single, but I still think there is too much of a focus on romance/sex, with Flower and Thor, Isaac and Nigel, Hetty and Trevor, Pete and Alberta/Donna since he discovered his ghost power, and I’m sure when the series is over I will have more examples. Maybe, if these couples had more chemistry and were properly set up, I wouldn’t be so hard on them, but my point still stands.

Both shows try to pull off the found family angle, but only one of them succeeds. You can’t call it a found family if your only “family dynamic” is “romantic relationship”, that’s just a regular friend group. The Captain and Kitty’s father-daughter relationship is one of my favourite things about the original, and I also love Julian being a sort of mentor to Alison in all things scheming. It can even be played for laughs, with Robin being the “family dog”. None of this charm is carried over to the US-American version, and I really, really wish it was, because it has made me fall in love with the BBC’s version.

Pacing

You know, for a show with 20-ish episodes per season instead of six, you’d think they could take more than an episode to develop a storyline properly. Let’s take a closer look at two storylines that appear in both shows.

Firstly, the one with Alison’s/Sam’s long-lost sister. In the BBC’s version, this is a season-long arch, and it is not solely centred around uncovering whether she is lying, but also discussing Kitty’s jealousy and possessiveness over Alison; and Alison’s deep desire for a family, and how the ghosts have become that for her. And, generally, it makes you believe that Alison would believe the lie, and wouldn’t see the holes in the story, because she just really wanted a sister. Sam’s story plays almost the same but is reduced to a single episode. I know it is the classic sitcom formula, things must return to the status quo by the end of the episode. Still, I wish it wasn’t so rushed.

Secondly, the Captain(s) coming out. In both shows, the queerness of these characters is very obvious, but in the UK version, coming to terms with his queerness and learning to express his feelings is the core of his character. However, the US version takes this in another direction, placing more importance on the budding relationship between Isaac and Nigel (see: my point about this version’s obsession with romance). The UK version is hardly subtle, but compared to the US version… I wouldn’t be so angry if they hadn’t decided to undo their development by having Isaac leave Nigel at the altar.

Bad people vs. bad characters

This discussion should extend beyond Ghosts and into literature/art in general. To quote Oscar Wilde, “It is absurd to divide people into good and bad. People are either charming or tedious.” A character being a bad person doesn’t mean they are a bad character, those two qualities can coexist, but don’t always come together. CBS’s Ghosts seems wary of making any of the characters bad people. BBC’s Ghosts doesn’t have this problem. Julian (the equivalent to Trevor in the CBS version) is a bad person, especially at the beginning of the show. And he is probably my favourite character. He died of a heart attack while cheating on his wife, he didn’t bother to take care of his daughter and he attempted to kill Alison, which ultimately resulted in her being able to see ghosts. He is not nice, and the show doesn’t want you to think that. And you watch him grow throughout the series and it is great.

None of the characters in the US version are bad. This is mostly just a pet peeve of mine, but I do think it makes things much more static. Everyone in this version is just too nice. And too excited about everything. Why is Sam so onboard with the ghosts? Why is she never annoyed with them? And why do they never talk over each other? Do they never get tired of each other? I mean, some of them have been “living” together for centuries!

This topic in particular is something I want to write about more extensively, looking at other shows and fandom perception and that kind of stuff, so I’m going to cut myself here.

Conclusion

I don’t think that CBS’s Ghosts is, like, the worst show ever, it just doesn’t live up to its predecessor. That was just, from my point of view, a really high bar. There is one thing I think it does better than its BBC counterpart, and that is Jay’s relationship with the Ghosts (as opposed to Mike’s), which is to say, he actually has one.

So, yes, CBC’s Ghosts has lots of issues that may come from adapting the story for an American audience, or may just be lousy writing. Either way, I still enjoy it, although the episodes are definitely harder to get through.

[cartoonsinthemorning]

So I absolutely love all your thoughts and ideas about a fem Stan, but what about a fem Ford? I feel like that could also be a really fun dynamic. Stan trying to be the man and protecting fem!Ford from bullies, but is really just entirely wrapped around Fords fingers. And then! The jealousy could come into play in other ways! Like Stan starts dating someone and Ford is pissed about it so she leaves a lipstick mark on his collar or subtly sprays him with perfumes so that Stans partner thinks he was cheating and leaves him. And the obsessionnn. Imagine her stealing Stan’s shirts and sleeping in them just because they smell like him. Or staring at him while he sleeps and sketching him in her personal diary (though let’s be real, canon Ford did that too lol.) Anyways, I also like the idea of all of these pent up feeling finally coming out and her just riding Stan until he can’t think straight and her being like “that’s right, you’ll never have it this good with anyone else.” Idk. Thoughts?

Hello new friend! Thank you for enjoying my thoughts and ideas about fem!Stan, and for now kickstarting a conversation about fem!Ford too! I have a lot of thoughts. So many, in fact, that before moving to the shippy part, I need to focus on Ford alone, first. What would differ, was he born a girl. Quite a lot. I’m gonna be blunt. All things Ford had been oppressed by, in canon, would hit ten times harder, if he was a girl. Take academic ambitions, for example: I’m not saying that fem!Ford’s extraordinary intelligence wouldn’t had earned her praise. I just doubt she would had been encouraged to pursue higher education, and convert her studies into a career. A jewish WOMAN into STEM? Back then? I don’t think any of her teachers suggested she shoots for a prestigious university- why give her and her family unrealistic expectations? Ma and Pa would had been happy to have a smart, studious daughter, but I’m sure the idea to invest into her studies would had been up to debate, if not shot down immediately: to spend that type of money, when her likely future job would be either high school science teacher, or museum curator- would had been a pointless waste, to someone like Filbrick Pines.

To be honest, I think teen fem!Ford would had rather been encouraged, by her parents, to attend professional classes instead, something like a typewriting course- in order to find a stable secretary job, for example, after high school. Can you imagine, someone with Ford’s potential, being told “Well honey, at least you can put those extra fingers to a practical use, if you learn to type very fast”? Can you imagine how UTTERLY humiliated fem!Ford must had felt, all the time? Just like Ford, I think she’d be perfectly aware what a genius she is, and how drastically she’s been underestimated. And yet, she’d have to take in consideration the evidence: it doesn’t matter how great her mind is. They are right, there’s no place that would want her. The only person that would root for her, ever the dreamer, would be Stanley. He’d just take her hands, wipe her tears away, and promise, with naive, granitic certainty, that he will find a way to help her. His plans would range from completely unrealistic and cartoonish (“Ya could invent a machine that turns me into a brainiac, and once Pa send me to that tech uni ya like, I’ll sneak you in the classes, and you’ll take my place!”), to painfully sweet, albeit still unrealistic (“If Pa doesn’t want to support ya, I’ll take two or three jobs and pay for your studies and stuff myself!”). Stanley would look at his sister with bright eyes, and a huge optimistic grin, stating that she’s the smartest gal that ever existed, so there’s NO WAY she won’t become some posh scientist and prove everyone in Glass Shard Beach wrong. Every time Stanley would pull his stupid, naive, adoring Protector Knight acts, fem!Ford would feel so angry at herself for blushing, and for her heart-rate speeding up. Because it’s so intoxicating to be believed in, but she can’t afford to fall for Stanley’s overly-hopeful view of her condition, and she can’t afford to fall for him either. And this brings me to yet another point I wanted to make: self-esteem, and societal expectations.

If canon Ford’s hands got him bullied, and classified as freak- for a girl, they would had also been a mark of ugliness and considered remarkably un-feminine. I bet F., as a little girl, suffered a lot for having more in common with the grotesque antagonistic creatures of her favorite books, rather than the princess. And I’m sure EVERYONE around her didn’t fail to make her notice too. In subtle ways, sometimes. Like her mom suggesting she gets ear-rings, for her birthday, rather than bracelets, because it would be best not to concentrate more attention on those, right? Even if teen fem!Ford would act aloof, as if she didn’t care anymore, she’d be so self conscious about her large palms and extra fingers- so unfeminine and gross- she’d fantasize about chopping them off quite often. If Stanley hadn’t happily held her hand throughout their childhood, and “made fun” of how tiny her hands look in his large ones, as teenagers, maybe she would have, in a fit of self-hate. Thing is, fem!Ford would hold grudges and set secret standards in her head. It’s not like she thinks she’d never be able to get a boyfriend, despite her hands: she doesn’t look horrible, she’d be pretty, even, if she cared for her appearance like her moms begs her to do- but F. wouldn’t be able to suppress the burning conviction that “No other man but Stanley deserves me”. Other men may want her despite her hands, but Stanley was there since the beginning, telling her her hands make her more special than any other girl, like she was magical, like she belong in the fairy tales book she used to read aloud to him. What a stab to the heart, then, that she can’t have him. Not only because they are siblings, but because, just like you said, Stanley would date someone else. Carla, and some other stupid bitch that F. would need to get rid of, because they don’t deserve Stanley like she does neither! I love all the strategies you listed, to “mark her territory” and push other girls away!! I love toxic, jealous girlies!! I don’t condone Ford’s yanderism, but fem!Ford has my blessing. She can be a creep, as a treat. As for the part you mentioned, about fem!Ford snapping and riding Stan- YES I also agree, AND I’d like to add to it. In this AU, Stanley isn’t a misogynist in the classic sense: he doesn’t consider his sister an inferior at all. But… he would not be immune to absorbing the Madonna-whore complex:Girls like Carla- he can fool around with, because they are that kind of girls. Promiscuous, slutty- bad girls. But his sister is different. She’s so virtuous, so smart- his pure, innocent little sister. Stanley would NEVER lay a finger on her. Yes, he may admit to himself he is in love with her, which is also horrible, but at least he would never, ever sexualize her. Cue Stanley playing dumb, or finding excuses to weasel away, whenever fem!Ford flirted with him, or even made clear advances- during the entire length of their teenage years. Until fem!Ford just. Decided she couldn’t take it anymore, stripped naked, slipped into Stan’s bed, and grinded and kissed his neck until he caved, lmao. I have even more thoughts, but it’s getting late, here. I must cut the yapping short, for now. Please, feel free to come chat again, and throw more ideas of your own at me! Thank you for this one, MMMMWAH, baci baci!

[muntitled]

Yes I would still love the Lee tang smut!!

Convenience Store Guy

Summary: Confronting your coworker about the weird messages you've received doesn't go as planned.

Warnings: Language, Dark Themes, Stalking, Threats, Slight!DeadDove, Gaslighting, Convenience store era cus that was the best, Unstable Tang, Smut 18+ (Minors DNI) Rough Sex, Choking, Degradation Kink, Kinda Virgin!Tang, Dom!Tang

Stalking is bad. If someone is Stalking you, 100% don't do what y/n does, please.

The more he spoke to you, the more he found it increasingly difficult to act like a good person.

“And guess what else?” The chill in your voice has nothing to do with the oppressive winter weather.

“You're pregnant.” your co-worker says.

You laugh and he laughs because you laugh.

It took a certain level of skill, Lee Tang likes to admit - being able to time exactly when you’d crane your neck back, letting your complaints reach the artificial fluorescents while he lowered his incriminating eyes to your cleavage.

“Remember that unknown number I told you about? The one that kept sending all the weird messages?” Tang hums, bopping his head as he slyly adjusts the front of his jeans, obscured by the counter.

“Shit, don't tell me you got another one,'' As the words leave his mouth, you're already handing your phone to him.

“This was sent to me last night,” You say, swinging your head away from the cash register and towards the wide windows displaying the night beyond. Anyone out there could be the person terrorising you. Anyone could be out to get you.

The text simply and succinctly read:

Wear the same colour tomorrow.

And while Lee Tang attempted to feign uncomfortable ignorance (as one might when your coworker tells you she might be getting stalked), he couldn't help but notice that you were, in fact wearing the same colour. Bright yellow.

For some inexplicable reason… you listened.

“What were you wearing?”

He already knew.

“Is that important?” You step aside, making way for the final customer to be rung up. All the while, Tang nurses an even bigger boner than before.

He did not… exactly intend for his moves to get so bold but texting you and having you listen to hus demands… the demands of a stranger… the whole thing is something akin to shooting pure heroin straight into a fresh vein.

Perhaps you weren't so innocent in the exchange.

“That's not important,” You say quietly before swinging your head towards him again, “I thought we should focus on the very real fact that I might have a stalker?”

“Maybe you should respond to the poor guy and see what he has to say- that'll be ₩5000,” While Tang entertains his customer, you immediately grab your phone before stuffing it into your back pocket. The convenience store buzzes with the exit of the final customer.

“Because entertaining a stalker is exactly what they tell us to do,” you accompany your sentence with a small eye roll.

“We don't know if it's a stalker.” Tang didn't like that term. He'd much rather prefer ‘walking you home from a distance,’

“All this guy has done so far is send a couple weird messages.”

Not a stalker. Not a stalker. Not a stalker.

“Why don't you just block him?”

You'd think by the self gratification in this voice that Tang solved world hunger. You let him dwell in his ignorance, partly because you were afraid to dissect how deep this iceberg went.

You were afraid to admit that you had already blocked the Private number… twice.

Initially you had hoped the messages were the effects of some virus, but they kept getting worse by the second.

[17:59] Just wanted to know if you've had a nice day? :)

[20:22] My cat’s sick. Idk what's wrong with her.

[20:23] I don't have a cat lol

[22:23] Where'd you get your cat?

[01:00] I love talking to you

[01:05] You're so fucking hot

[02:03] I love you

You were afraid to admit that you waited for his message at the end of every long monotonous day.

While you wrestle will all sorts of the moral implications that came with enabling you stalker, Tang couldn't take his eyes off your dress.

Had you really worn the dress for him?

Tang couldn't suspend disbelief even for a millisecond to imagine a world in which that was possible. When he sent that message, he obviously didn't expect a response.

He always believed he was nothing but a fragment of furniture in the workings of your life.

The convenience store guy you occasional spoke to.

Everything began to feel more and more brighter in your presence. The clinical musk that hung in the convenient store began to smell more and more like jasmine and time seemed to grow wings and take off whenever you swung by, chatting his ear off about your latest inconvenience.

One moment you were an irritation, the next Tang found himself seated at his desk, surrounded by a halo of used tissues while habitually scouting out porn where the campy lead actress resembled you more and more. He found it concerningly easy to get off when your eyes, your smile and those beautiful fucking tits were clouding his mind eye.

It was around this time when he started walking you home.

For a while, a vaguely heavy silence sits in between you two. Tang, with his head bowed, chooses to ruminate in an emotion very new and complex to him…guilt.

He is completely unaware that you're watching him, until you sigh loudly. “You know… you could at least try to sound convincing,” your words cause his neck to snap up and he watches with wide eyes as you round the counter, dragging your finger against the cold surface.

“I think I'd find it way more endearing if you don't try to lie to me, Tang.” You're walking closer and closer and he feels like his entire mental state has imploded on itself.

“Fuck, I'm going mental,” he screws his eyes shut and pats his cheeks rather hard. When he opens them, youre still there. His breathing picks up as your warmth penetrates the radius surrounding his flustered, agitated body and Tang immediately sends a worried gaze up to the CCTV nestled in the corner above.

“Some girls respond better to just being asked out.”

A billion lies try to flash across his mind's eye. Anything that might get him out of this situation unscathed. He comes up empty. Eventually, all Lee Tang is capable of, is a droop in his shoulders as he asks, “Are you going to call the cops?”

You don't respond immediately. Choosing, instead, slide your finger over his on the counter. Your warm hands encircling his had the power to knock the very life out of him.

“I should call the cops,” you state very gravely,” you look up at him with a grim sort of fascination.

Lee Tang has mentally checked out. His droopy, ringed eyes are stationed on your lips alone.

“You really should.” He says, before bending down ever so slowly as if to bridge the gap between both of your lips.

“You're sick, you know that? You had me fearing for my fucking life,” You're whispering. Why are you whispering?

“Don't say shit like that,” he whispers back.

“Why?”

Almost before he can talk himself out of it, Lee Tang grabs ahold of your hand, the one stationed on his own and he presses your palm directly onto his bulge. His eyes nearly roll back at the warmth of your small little hand alone and you watch, absolutely mesmerised as he begins to rub your palm up and down and up and down.

“Wait-”

“No.” He states, before motioning to bend down and kiss you, but before he can, you stop him with a hand against his chest.

There it was. That all too familiar pang of rejection. That nauseating, acidic feeling that ate away at his insides.

It made him want to hurt you.

How dare you try to stop him?

How dare you bring him this far, only to take it all away?

How dare you?

“Wait.”

“What?” Your eyes widen at the slightly louder quality in his tone. Sensing that you might have disrupted something that was well on its way to blossoming, you're quick to try and appease his nerves. You watch the conflict in his eyes dissipate and when you step closer towards him, your front pressed against his as you whisper in his ear, “Not here,” before spinning around, in the direction of the break room. It takes a moment for his brain to process your words, but when they do, he's ambling his way onwards, away from CCTV.

The very second he shuts the door to the break room, he's charging at you in a quick, frantic gait.

You're only allowed to feel nervous for a total of 5 seconds before he's pushing you against the wall, forcing his tongue down your throat as if it were his first kiss. His movements are jilted and frantic and so incredibly messy. If it were anyone else you might have been disgusted by his haste only proves to be contagious. You can feel it rubbing off on you with the way you mewl against his mouth, shoving your fingers into his mop of dark, unkempt hair.

“You're so perfect to me, F-Fuck,” he whispers in between kisses. He never strayed too far. Your lips stayed connected by a line of saliva. You were both absolutely wrecked.

“So, long…” he whispers, before shoving his hand over your boobs and squeezing, “I've thought about this for so fucking long. I've jerked off to you for so fucking long- I just-” He breathes out, before flattening his thumb against your pebbled, clothed nipples, “I've always fucking wanted you,”

“How long?”

“Since I saw you,” he whispers before dipping his head in between the crook of your neck. Instead of splaying lazy kisses there, you gasp at the sound of him completely inhaling you. “F-Fuck…” he whispers before pulling back, enough to fiddle with his belt, “I need to fuck you,” he simply and succinctly says before bringing his other hand up to your collar. “You're not gonna go anywhere, yeah?” As he asks this, he curls his fingers around your throat, alluding to the real and very daunting fact that he wouldn't allow you to go, even if you wanted to…

“I'm not going anywhere,” you attempt to coax him yet again but he still keeps a firm grip around your throat as he slides, quite sloppily into your slippery cunt. Now his eyes roll back and he exhales the biggest groan he's ever let out. “I already know I'm not gonna fucking last,” with his free hand he swipes his fingers across your clit, stimulating you to the highest level as you whine and mewl into the air.

“So long,” he continues muttering as he ruts into you, “ s-so fucking long… s-so tight. You're too tight-”

You're caught in the throes of the pleasure of being fucked so throughly and so roughly that you completely miss his question.

“Hey?” He says all too quietly while slapping continuously at the side of your cheek as if trying to bring you back down to earth, “You're such a slut you didn't even hear what I asked you?”

You manage to shake your head.

“I asked if you were a virgin.”

You stilled at the question, sensing that you were walking on dangerous ground. Which, you were realising is a norm around this guy. While you were thinking you had to choose your words correctly, Tang dips his head in between your neck and shoulder once more.

“Doesn't matter,” He ruts against you, feeling himself get closer and closer as his grip on your neck becomes tight.

“I'll kill him-” and for some inexplicable reason you cum at that very moment. Your moans reach the dusty ceiling and you fall apart against him so absolutely.

“You're gonna make m-me-” He's already cumming inside you, all while completely cutting off the air to your lungs. He watches you through his spell of pleasure as you claw at his hand and it only makes him cum harder.

“F-Fuck,” he whispers when he empties the last of his seed inside your weeping cunt. You gasp for all the air you were deprived of and he watches with morbid curiosity as life flows back into your eyes.

“That was way better than porn.” Now that he had you, he didn't plan on ever letting you go.