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The Ultimate iPhone Parts Replacement Guide: Cameras, Charging Ports & More
In the competitive landscape of mobile phone repair, providing customers with high-quality iPhone parts is key to success. Repair shops that focus on sourcing durable, reliable components stand out. This guide walks through the essentials of stocking up on iPhone parts, from cameras to charging ports, ensuring your repair business thrives.
Why High-Quality iPhone Parts Matter
Choosing the right iPhone parts can make or break your repair service. Customers expect their phones to function like new post-repair, so using premium parts is crucial.
Quality Affects Performance
Low-grade parts may lead to complaints, repeat repairs, or even lost business. High-quality iPhone parts improve the phone’s lifespan and maintain its functionality. This includes key components like cameras, batteries, and screens, all of which must be sourced from reliable suppliers to avoid customer dissatisfaction.
Reputation Is Key
By sourcing wholesale iPhone parts from trusted suppliers, repair shops can build a reputation for reliability and professionalism. Your reputation hinges on the parts you use and the quality of repairs you provide.
Key iPhone Parts to Stock for Your Repair Business
When it comes to iPhone repairs, certain parts are in high demand. Stocking these essential components will ensure you can meet your customers' needs swiftly.
1. iPhone Cameras
Importance of a High-Quality Camera
One of the most sensitive and frequently damaged iPhone parts is the camera. Whether it's an issue with the front-facing or rear camera, replacing these parts demands precision.
Common Camera Problems
Blurry images
Camera app crashes
Flash malfunctions
2. iPhone Batteries
Battery Life and Customer Expectations
iPhone batteries degrade over time, and customers will often seek replacements. A poor-quality battery replacement can quickly result in unsatisfied customers and return visits.
Why Battery Quality Matters
Poor battery life
Overheating issues
Faster battery drainage post-replacement
3. iPhone Screens
Durability and Clarity
Cracked screens are one of the most common reasons for iPhone repairs. Ensuring that you stock high-quality iPhone screens—both LCD and OLED models—is critical for delivering satisfactory repairs.
Key Considerations for Screens
Scratch resistance
Brightness and color accuracy
Touch sensitivity
4. iPhone Charging Ports
Frequent Charging Port Failures
Charging ports see a lot of wear and tear. Customers frequently experience issues with charging their phones due to damaged or malfunctioning ports.
Choosing the Right Replacement
Ensure your iPhone charging port replacements are compatible with a wide range of iPhone models and are built to last.
Sourcing Your Wholesale iPhone Parts
The Benefits of Partnering with a Reliable iPhone Parts Supplier
Choosing the right iPhone parts supplier for wholesale iPhone parts can significantly impact your repair business. By working with a reputable supplier, you ensure that you receive high-quality, reliable parts that your customers can trust.
What to Look For in a Supplier
Consistency in Quality: Your supplier should offer a consistent level of quality across all iPhone replacement parts.
Competitive Pricing: Wholesale iPhone parts should be affordable without sacrificing quality.
Timely Delivery: Fast shipping times ensure you can complete repairs quickly, improving customer satisfaction.
Why Wholesale iPhone Screens Are a Must-Have
As one of the most frequently replaced iPhone parts, stocking wholesale iPhone screens is a priority for any repair shop. Look for suppliers that offer both LCD and OLED options to cater to a variety of customer preferences.
How to Evaluate an iPhone Parts Supplier
When choosing a supplier, consider the following:
Customer Reviews: Check online reviews to gauge the supplier’s reputation.
Return Policies: Ensure the supplier offers flexible return policies for faulty parts.
Bulk Discount Options: Many suppliers offer discounts when you purchase parts in bulk, which can save you money over time.
Increasing Profit Margins with High-Quality iPhone Replacement Parts
Repair businesses thrive on repeat customers and referrals. Using high-quality iPhone replacement parts can ensure customer satisfaction and build long-term relationships.
Offer Warranties on Repairs
Offering a warranty on repairs shows confidence in the quality of your iPhone replacement parts and builds trust with your customers.
Upselling Premium Parts
For some repairs, customers may be willing to pay extra for premium iPhone replacement screens or batteries. Offer these options to boost your profit margins.
Establishing a Reputation for Reliability
By consistently using top-tier wholesale iPhone parts, your business will gain a reputation for reliability and high standards. This can lead to more word-of-mouth referrals, online reviews, and repeat customers.
Conclusion
Running a successful repair business is all about delivering quality. By using high-quality iPhone parts—whether it's cameras, batteries, screens, or charging ports—you ensure that your customers leave satisfied, improving your reputation and profit margins. Partnering with Siren Wireless a reliable iPhone parts supplier and offering warranties will keep your customers coming back, and your business growing.
#iphone parts#wholesale mobile parts#iphone replacement screens#cell phone replacement parts#iphone screens
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#euro mobiles#mobile spare parts#euromobiles#wholesale shop#Earldom#Audio Cable#Audio Cable Black#Aux cable#Accessories#audio transmission#gold needles
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LCD Display Assembly For Galaxy S21 Plus Replacement - Elite Cell Parts
"Fix cracks, dead pixels, and unresponsive touch with our high-quality LCD display assembly for your Galaxy S21+. Shop our wide selection of phone repair parts and wholesale pricing, perfect for those looking to sell phone parts or perform mobile cellphone repairs. Trust Elite Cell Parts for all your phone repair needs."
#galaxy s21+ lcd display assembly#phone repair parts#phone parts wholesale#sell phone parts#mobile cellphone repair
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Enhance Your Business with High-Quality Mobile Spare Parts Wholesale from We Accessory
Looking to expand your business in the mobile repair industry? Look no further than We Accessory, your one-stop destination for premium-quality mobile spare parts wholesale. With years of experience and a commitment to excellence, We Accessory is the trusted partner you need to take your business to new heights.
At We Accessory, we understand the importance of reliable and durable spare parts for mobile repairs. That's why we source only the highest quality components, ensuring that every part meets our stringent standards for performance and reliability. From LCD screens to batteries, chargers, and more, we offer a comprehensive range of spare parts for all major mobile brands and models.
Our wholesale pricing and bulk ordering options make it easy for you to stock up on the parts you need to keep your repair business running smoothly. Whether you're a small repair shop or a large distributor, We Accessory has the flexibility to meet your needs and exceed your expectations.
In addition to our extensive product range, We Accessory also prides itself on providing exceptional customer service. Our knowledgeable team is always on hand to assist you with any questions or concerns you may have, ensuring a seamless and hassle-free experience from start to finish.
When you partner with We Accessory, you can trust that you're getting the best quality spare parts at the most competitive prices. Our commitment to quality, reliability, and customer satisfaction sets us apart as the premier choice for mobile spare parts wholesale.So why wait? Take your mobile repair business to the next level with We Accessory. Contact us today to learn more about our products and how we can help you succeed.
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In the current era of unprecedented technological advancement, the smartphone industry continues its rapid evolution. Among the many brands that vie for dominance, Samsung distinguishes itself in the premium segment. Effectively distributing its high-tech phone parts, Samsung asserts its authority. This essay explores the dynamics in the distribution system of premium Samsung phone parts wholesale while highlighting how Samsung managed to reinvent this process.
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Check to see whether the mobile phone spare parts distributor or wholesaler has an extensive selection of mobile phone replacement parts, including those for Samsung phones, and see if they ship internationally. They need to be able to provide components for a wide variety of mobile phone brands, models, and generations. This eliminates the need to acquire parts from numerous vendors, ensuring that you will have access to all of the exact components required for repairs.
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Visit Car Accessories Company China - RPD Store
Select high quality car sccessories products in best price from certified Chinese Auto Accessories Company RPD Store. RPD Store is one of the most professional Product wholesale companies in China. Our goal is to provide high quality items, reasonable prices and best service. We offer you the latest trends directly from the largest smartphone wholesale market in Shenzhen, China. Visit Car accessories company china and buy your favourite items at best prices. We offer you a large selection of refurbished and second hand smart phones and tablets. We provide products such as cell phone cases and covers at wholesale prices.
#Car accessories company china#Repair Tools Parts Company China#Car accessories supplier in china#Mobile tempered glass wholesale china
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— introducing 013: NEO-NOIRE + [ link ]
a semi-mobile friendly google doc template inspired by brutalist posters, the matrix, and cool fighter types. one of my longest single muse templates yet, this document comes with space for a lot of writing and many images! this template also comes with 9 PSDs, all labelled with their corresponding pages, to easily resize, texture and colour your images to fit the template! this premium template and a full page-by-page preview can be found in the link above or in the source link.
features:
10 unique 8.5" x 11" pages with a lot of space for writing, and plenty of space for pictures
additional miscellaneous pages such as outfits, inventory and even headcanons for you to have fun fleshing out your character
9 PSDs with texture, grain and colour to edit your photo to the right sizes to fit into the template's aesthetic easily!
all pages that can be easily rearranged, copied and duplicated for more!
terms of use:
you may edit to your heart’s desire. Change the colours, replace, add or remove elements and images etc.
you may remix pages with pages from my other templates.
you may not remove the credit from the templates.
you may not copy, sell or redistribute my templates whether wholesale, in part (i.e. taking out certain pages) or remixed (i.e. modified).
you will also receive an additional guide with images on how to use and edit google doc templates! if you have any problems or issues, feel free to leave an ask or join our discord server.
I love 1-bit colour schemes so much and this was extremely fun to build, right down to looking for the right placeholder images to pull off the vibe. I hope you'll like this template as much as I do! you have my eternal gratitude for likes + reblogs (and comments!), it really pushes me to go further and put out more content for the community. ♡
#google doc template#google docs template#muse template#rp template#fave#m#m pr#rp resource#muse doc
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Web apps could de-monopolize mobile devices
Mobile tech is a duopoly run by two companies — Google and Apple — with a combined market cap of $3.5 trillion. Each company uses a combination of tech, law, contract and market power to force sellers to do commerce via an app, and each one extracts a massive commission on all in-app sales — 15–30%!
This is bad for users and workers. Many companies’ gross margins are less than 30%. In some categories, that means there’s no competition. Take audiobooks: publishers wholesale their audiobooks to retailers at a 20% discount, so a retailer that sells its audiobooks through an app, paying a 30% commission, will lose money through every sale.
This is why the only convenient mobile audiobook stores are Apple Books (a front-end for Amazon’s Audible) and Google Books: Apple doesn’t have to pay the Apple tax, and Google doesn’t have to pay the Google tax, and that means that Apple and Google can demand crippling discounts and preferential treatment from publishers and independent authors.
The app tax is a tax on the workers whose creative works are sold on mobile platforms, because creative workers have the least bargaining power in this monopolized supply-chain. Our publishers can squeeze us — and the editorial workers, narrators, and sound technicians who work on our books — to make up the difference.
Independent authors who sell directly on these platforms, meanwhile, have even less leverage and get even worse terms. Things aren’t much better at the other end of the supply-chain, either: while firms prefer to wring concessions out of their workers and suppliers, they’re not averse to raising prices on customers, providing that all the competitors do so as well.
Since every competitor is also selling through an app store and either paying a direct app tax or ceding margin to the mobile duopoly as a condition of selling in their in-house, pre-installed stores, they all have the same incentive to raise prices.
Economists call this the monopsony problem (or, since we’re talking about two companies, a duopsony or oligopsony problem). That’s an unwieldy and esoteric term, so Rebecca Giblin and I coined a much better one, and wrote a book about it: Chokepoint Capitalism:
https://chokepointcapitalism.com/
Theoretically, there’s a way to avoid the app store chokepoint: web apps. These are part of the HTML5 standard, and if a browser fully implements that standard, then developers can make a self-encapsulated “app” that’s delivered in the browser, complete with an icon for your home screen, capable of doing anything an app store app can do.
A company that wants to sell stuff without paying the app tax could hypothetically deliver a web app that the user could download and install via their browser. This doesn’t just avoid the app tax, it also overrides the app stores’ editorial control, like Apple’s decision to block privacy tools in China to aid in state surveillance.
But you can’t have a web app without a web-app-compatible browser, and you can’t get a web-app-compatible browser in Apple’s App Store. The only browsers permitted in the App Store are those based on WebKit, the browser engine behind Safari. This means that every browser on Ios, from Firefox to Edge to Chrome, is just a reskinned version of Safari.
That’s a problem, because Webkit suuuuuuucks. Without the discipline imposed by either regulation or competition, Apple has systematically underinvested in Webkit, so that major bugs remain unaddressed for years and years. Some of these bugs are functional — Webkit just doesn’t act the way its documentation says it does — but others represent serious security vulnerabilities.
This is an important point: app store proponents say that denying users the right to choose where they get their apps and excluding competitors is necessary, the only practical way to prevent security risks to users. But while app stores can prevent the introduction of insecure or malicious code, they can also block the introduction of code that fixes defects in the manufacturer’s own security.
Mobile companies don’t want insecure code on their platforms, but they also don’t want to erode their profits. An Iphone with a working VPN app is more secure than one that lacks that app, but if that Iphone is owned by a Chinese person, it endangers Apple’s access to low-waged Chinese labor and 350 million affluent Chinese consumers.
Likewise, a third party might create a browser engine that corrects the security defects in Webkit, but if Apple allows users to install such a browser engine, they will lose the ability to extract billions through the app tax.
Companies never solely pursue their customers’ interests. Instead, they seek an equilibrium that allocates as much value as possible to their shareholders. This allocation is limited by both competition (the fear that a bad service will drive customers to a rival) and regulation (the fear that a bad service will attract crushing fines).
The less competition and regulation a company faces, the more value it can take from its users and give to its shareholders. Here, mobile platforms have it easy: they don’t have to worry about competition because of regulation. Laws like Section1201 of the Digital Millennium Copyright Act (DMCA) and Article 6 of the EU Copyright Directive (EUCD) make it illegal to jailbreak a phone to install third-party apps. Jay Freeman calls this “felony contempt of business model” — that is, the government will punish your competitors for trying to compete with you. Nice work if you can get it.
As the old joke goes, “if you wanted to get there, I wouldn’t start from here.” The rules that should promote better corporate conduct (through competition) instead encourage worse behavior, by putting companies in charge of who gets to compete with them, in the name of user safety.
Meanwhile, users are increasingly trapped inside walled gardens, because their media, apps, and data are locked up in mobile silos and switching to a rival means enduring the switching costs of leaving it all behind. Mobile companies claim to have built fortresses to keep bad guys out, but those high walls make fortresses into prisons that keep customers locked in.
But anything that can’t go on forever will eventually stop. The manifest unfairness and insecurity of the regulation-backed walled garden model has attracted the interest of new trustbusters, competition regulators from China to the EU to the USA to the UK.
The UK plays a key role here. The country’s Competitions and Markets Authority boasts the largest workforce of technical experts of any competition regulator in the world: the CMA’s Digital Markets Unit has 50+ full-time engineers, which allows it to produce the most detailed, most insightful market investigations of any nation’s competition regulators.
https://www.gov.uk/government/collections/digital-markets-unit
(Don’t get too excited, though: in keeping with the UK’s abysmal standard of government competence, Parliament has yet to pass the long-overdue secondary legislation that would give the DMU its own enforcement powers. Ugh.)
Last June, the CMA proposed a market investigation into cloud gaming and mobile browsers (gaming is the largest source of app store revenue and cloud gaming is a way to avoid the app tax, so it’s a closely related issue):
https://www.gov.uk/cma-cases/mobile-browsers-and-cloud-gaming
There were many significant submissions over this proposal, including comments that EFF legal intern Shashank Sirivolu and I drafted:
https://www.eff.org/document/comments-electronic-frontier-foundation-cmas-inquiry-mobile-browsers-and-cloud-gaming
Many commenters (including EFF) proposed that the CMA should intervene to improve the state browser engines competition on Ios and Android (Android allows multiple browser engines, but doesn’t give them the same hardware access that Chrome and its Blink engine enjoy).
This argument seems to have landed for the CMA. Today, they announced that they would go ahead with a full-fledged market study into mobile browsers and cloud gaming:
https://assets.publishing.service.gov.uk/media/63984ce2d3bf7f3f7e762453/Issues_statement_.pdf
The most obvious outcome of this study would be an order forcing the mobile vendors to open up to full-featured, alternative browser engines. This is compromise solution, between forcing open app stores onto the platforms — which would mean forcing Apple to allow sideloading and policing Google’s use of contracts to limit third-party stores — and doing nothing.
A browser engine mandate is less satisfying than open app stores, but it is also more achievable, and easier to monitor and enforce. With Android, Google proved that you don’t have to use hardware locks to prevent third-party app stores — you can use a hard-to-detect web of contracts and incentives to create an app store monopoly that’s nearly as airtight as Apple’s.
But policing whether a platform permits rival, full-featured browser engines — ones that enable web apps and cloud gaming without paying the app tax — is much easier. Also easier: developing objective standards for evaluating whether a browser engine is secure and robust. Open Web Advocacy’s criteria are a great starting point:
https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/1118238/Open_Web_Advocacy_-_Consultation_response_-_Publication_version.pdf#h.q9nder968wzm
The CMA announcement is welcome, but has some gaps. It under-emphasises the importance of hardware access (for web apps to compete with native apps, they need full hardware access), and could leave new browser engines at the mercy of the existing review teams that review all the other apps in the app store (who reject rival browser engines out of hand).
Meanwhile, while I was writing this article, Mark Gurman published a jaw-dropping scoop in Bloomberg: Apple will open its Ios platform to rival app stores by 2024, in order to comply with the EU’s Digital Markets Act (DMA):
https://www.bloomberg.com/news/articles/2022-12-13/will-apple-allow-users-to-install-third-party-app-stores-sideload-in-europe I’m still absorbing this news, but I think this complements the CMA browser engine work, rather than rendering it redundant. Alternative app stores don’t necessarily mean alternative browser engines. Apple says it will have security standards for alternative app stores, and these standards could well include a ban on browser engines. At a minimum, it’s clear that different levels of scrutiny need to be applied to apps, app stores, and browser engines, as each one poses different threats and opportunities.
[Image ID: London's Canary Wharf, a high-rise business district that is home to the UK Competition and Markets Authority. The colours of the buildings have been inverted, and the sky has been filled with a Matrix 'waterfall' graphic. In the foreground is an ogrish giant, standing at a console, yanking on a lever in the shape of a golden dollar-sign. The console is emblazoned with the logos for Chrome and Safari. The ogre is disdainfully holding aloft a mobile phone. On the phone's screen is a Gilded Age editorial cartoon of a business-man with a dollar-sign for a head. The phone itself is limned with a greenish supernova of radiating light.]
#pluralistic#digital markets act#dma#ios#android#cloud gaming#gaming#mobile gaming#blink#chrome#interoperability#duopoly#comcom#safari#mobile#antitrust#apple#browser wars#competition and markets authority#browser engines#adversarial interoperability#trustbusting#open web advocacy#digital markets unit#google#competitive compatability#interop#competition#monopoly#uk
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Our Organizing Wins in 2023
Over the past year, EWOC had its busiest year yet with some truly extraordinary organizing wins. These include EWOC’s direct support in 14 successful union recognition wins and 15 more workplaces currently in a union drive. We’ve also connected 65 workplace campaigns and represented more than 7,000 workers to outside unions.
Growth in 2023
EWOC has also supported workers in
Taking one form of collective action at 447 workplaces
Winning demands at 47 pre-union workplaces
Marching on the boss at 17 workplaces
Striking at two workplaces
EWOC accomplished these wins by mobilizing our volunteers in 2023
200 EWOC volunteer organizers supported worker organizers
67 EWOC volunteers made worker intake calls, guaranteeing that every worker who reached out to us received a call within 48 hours
75 EWOC volunteers took on the role of support organizers. These are typically organizers with decades of experience, who mentor younger organizers working on EWOC campaigns.
Our 2023 Campaigns
These are some of the incredible stories from campaigns in 2023.
Residents at Beth-Israel Deaconess hospital in Boston ran a petition campaign with support from EWOC volunteers. That campaign garnered a supermajority of signatures in less than a week, and management conceded to the overwhelming pressure. They won a $10,000-per-year housing stipend and additional benefits for the 700 residents on staff.
Twenty-six workers at a Juiceland warehouse in Austin, Texas, won a $2-per-hour pay increase after marching on their boss.
Workers at The Basement, an escape room in Los Angeles, worked with EWOC volunteers to learn the foundations of organizing. They then went on to work with Actors Equity and become the first unionized escape room in the U.S.
In New York City, workers at Hex&Co., a gaming cafe, worked with EWOC volunteers for more than a year to develop organizing skills before connecting with a union. Their successful union drive with Workers United sparked a wave of game store union organizing across New York City. Two more stores have since announced union drives.
In Princeton, New Jersey, 19 workers at Labyrinth Books, an independent bookstore, are unionizing with the Retail, Wholesale and Department Store Union (RWDSU) after working with EWOC for over a year to develop their organizing skills.
Workers at Barboncino in Brooklyn worked with EWOC volunteers one-on-one over the course of many months. They learned and applied their organizing skills to become the first unionized pizzeria in New York City. Leaders from this campaign have even become organizing volunteers with EWOC. They use their experience and skills to support other service workers interested in organizing across the city.
2023 Special Events
In addition to EWOC’s organizing support, we had a record year of training. About 480 workers participated in our foundational training program. This four-week program runs six times a year at no cost to participants. We also put on two “Train the Trainers” events, growing from 10 to 55 foundational program facilitators. This has greatly helped expand our capacity to support workers interested in our training.
In 2023, EWOC launched a fellowship program designed as a follow-up to the foundational training, specifically for workers engaged in ongoing workplace campaigns. Participants were invited to apply with their co-workers. We welcomed 49 participants split into four cohort sessions, each lasting six weeks.
EWOC also put on a number of events in 2023. We discussed many labor topics, including salting, corporate research and power mapping, the Cemex decision, and organizing in remote workplaces. Jane MacAlevey joined EWOC for training on winning a first contract, and members of UAWD and TDU came to speak about the power of strikes and contract campaigns. Adam Conover attended an EWOC volunteer call and gave us a shout-out on his show.
In 2023, EWOC released a 26-part video series entitled “Unionizing 101.” These short videos were designed to make unionizing accessible and fun. They broke down core organizing questions like leader identification, power mapping, and more! These videos have more than 6,000 views on YouTube alone.
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The live action Scooby-Doo movies?
I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions
So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.
Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)
The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.
Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]
AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).
And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.
And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.
TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.
#that last sentence is such a weird tone jump btw but its because the topic flowed one way and i had to jump it back to a summary to actually#finish this monster of a post#SO anon i hope you're happy with this and this makes my opinion make some more sense. and you or anyone else is more than welcome to ask me#questions about anything i said here or my opinion on any and everything scooby related (and not) so if theres a specific aspect of this yo#would like expanded on i can definitely 100% do that for you or anyone who cares#also there are many complexities towards my feelings on these movies that i didnt get to hit on despite the monstrous size of this rant (il#check word count later but im not gonna fuck with it now because im terrified of deleting this post by accident) one of which is my lasting#fondness towards all of the actors in this movie. YES including freddie prinze jr. i may have major issues with his fred but hes also playe#characters i really really like. for example hes the va in this tv show i LOVE and havent watched in like 10 months despite the fact im on#the last season because freddie's character dies in like 7 episodes and i am NOT AT ALL emotionally prepared for that on any level because#that is my fictional father goddamnit!!!!!#also every buffy the vampire slayer gifset that crosses my dash gets me closer and closer to watching it because oh my god daphne!!!!! that#sarah michelle gellar thats daphne oh my god!!!! also i went and saw guardians of the galaxy 3 with my friend (despite not having seen a#marvel movie in 2+ years AND holding a grudge over james gunn's scooby doo crimes)[the things you do for {platonic} love amirite?]#and the title sequence SAID linda cardellini was in it and i got SO excited i was looking everywhere for her it was like wheres waldo in th#discount movie theatre FOR REAL and i just could NOT for the life of me find her (turns out she was VAing the ferret) so in a way linda mad#me cry with that role. whatever. istg i get so off topic i forget what i was even talking about but ANYWAYS <<<1 of my fave english words b#dubs (my favorite spanish word is el amanacer btw. it means sunrise. also burbujas because its bubbles and saying it sounds like bubbles#popping) BUT. AS I WAS SAYING. SEND ME ASKS IF YOU WANT SCOOBY DOO OPINIONS. DEAR GOD I GET SCATTERBRAINED SOMETIMES.#scooby doo#answered#anonymous#blah
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The Ultimate Guide to Finding Reliable Wholesale Suppliers for Motorola Parts Online
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Adhésif Batterie pour iPhone 7 - Euromobiles!.
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Shop High Quality iPhone 14 Pro Max Replacement Parts - Elite Cell Parts
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It’s possible that your smart phone, will malfunction. If you drop your phone, the screen could crack. Repair services for mobile devices are essential in these situations, as they provide access to OEM and aftermarket Samsung cell phone parts wholesale such as screen replacement. When searching for Samsung cell phone parts wholesale, you should exercise some caution. Before buying any parts from them to fix your cell phone, be sure to read customer feedback.
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