#who shot jr?

[citizenscreen]

On March 21, 1980, J.R. Ewing was shot by an unknown assailant on television’s popular prime-time drama "Dallas.” #OnThisDay #WhoShotJr?

[duranduratulsa]

On this day in 1980...the greatest season finale cliffhanger ever aired...Dallas: Who Shot J.R.? #history #tv #television #dallas #WhoShotJR #80s

[jeff-davis]

WHO SHOT JR?

WHO SHOT JR? (Feed generated with FetchRSS) via Just A Thought July 22, 2024 at 03:54PM

[hollywoodoutbreak]

When the final scene of the third season of Dallas was shown on March 21, 1980, it spawned a frenzy the likes that television still hasn't seen in the 43 years since then. Because that's when we saw the character of J.R. Ewing take a couple of bullets, with the episode ending on a double cliffhanger: 1) Did J.R. survive? and 2) Who did it? The "Who Shot J.R.?" controversy enthralled America for the next eight months, until the shooter was revealed. Coincidentally, that long wait happened at the same time the presidential campaign between Ronald Reagan and Jimmy Carter was going on, and when the mystery was solved, more Americans (83 million) watched the broadcast than voted in the election. When we spoke to the late Larry Hagman, he once told us about how he unwittingly became part of that election.

Dallas is currently streaming on Amazon Freevee.

[tonyrossmcmahon]

When the BBC refused to screen Dallas

In 1985 the BBC lost the rights to screen the TV series Dallas to ITV and refused to screen the remaining episodes as Tony McMahon reports

It was the hit TV series of the late 1970s to mid 1980s. The BBC aired Dallas from 1978 until 1985. Introducing us to the mega-rich Texan oil family – the Ewings. In 1980, the episode about the murder of J.R. Ewing, played by actor Larry Hagman, became a national talking point. Everybody was asking: “Who Shot J.R.?” But after years of screening Dallas, the BBC was outbid by rival network ITV for…

[morsmortish]

when regulus complains about ‘walking in on’ barty and evan, he’s not talking about discovering them fucking in their room (although that does happen a fair amount). he talking about the times he’s entered their dorm to see evan stood over his boyfriend with his fingers probing around in barty’s mouth, whilst the latter sits on his own hands on a wooden chair in order to stop himself from squirming. he’s talking about having to witness, on multiple occasions, barty lying down on the floor, shirtless and flushed whilst evan’s traces over the key parts of his anatomy with a permanent marker, explaining each label in a monotone voice as barty blushes more and more. he’s talking about being subjected to the sight of barty lying in an ice bath, shivering but grinning ear to ear as evan lazily flicks through a book on his bed as he waits for barty’s body temperature to drop low enough to resemble a corpse. the worst part about living with these two freaks is not their disturbing sex life, but their disturbing everyday life.

[alexiethymia]

If I could gif, I would probably gif three scenes. The ‘what rope’ scene where Vash calls Meryl and Roberto his friends so that the townspeople of Jeonora Rock don’t lynch them, and then the scene where Vash says Meryl and Roberto aren’t his friends to Wolfwood when they separate on the Sand Steamer and Wolfwood calls him cold, and finally the scene where Luida definitively calls Meryl, Roberto, and Wolfwood his friends when he first wakes up.

It’s such a nice progression of his bonds in such a few number of episodes. For all that Vash is a nice guy, and has people he helps, and even family in the form of the people in Home, it’s possible Meryl, Roberto, and Wolfwood are his first friends. It’s only when the three stick by him even after Monev and finding out that he’s a Plant, that it really dawns on him that huh in his hundred years alive, he may have finally found his first friends.

Vash isn’t naive. He knows the capacity of people to betray his trust. He’s resigned to it in a way. But he still extends that trust to people. The plan to stop the Sand Steamer wouldn’t have worked without Meryl. But Vash still leaves the task to her without any assurance that she would do her part. At the same time, I get the feeling that he wouldn’t have blamed her if she did decide to run away, same as Roberto was telling her. And it’s such a wonderful thing that through the friendships he formed with Meryl, Wolfwood, and Roberto, the trust that he freely gives is finally reciprocated. (And of course he would always have faith, what with his experiences with Rem, Luida, Brad and the people in Home).

In the same way, Vash saves what was precious to Wolfwood which was the orphanage, Wolfwood eventually gets to return the favor in saving Meryl. Even though it was out of order, you can also look at it as Meryl saving Vash, who saved Wolfwood at the Sand Steamer, who eventually ends up saving Meryl. Even Roberto, cynical as he is, does end up advising Vash on occasion.

People get hurt. People die. It’s a dangerous world they live in. But it’s nice that Vash who always asks if people ‘need a hand’ eventually meets ordinary people who also ask him if he ‘needs a hand’ sometimes too.

[leclercskiesahead]

who told these guys basketball was done shirtless

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[marvelmaniac715]

Watch something with David Tennant in it and take a shot every time he does that little mouth breathing/acting thing - you know the one I mean 😂. The more you look for it the more you notice him doing it, it really adds to his performances but it’s fun to look out for I think.

[tani-b-art]

Janine Teagues, the baller

[Abbott Elementary S2E6 — Candy Zombies]

[f1-stuff]

Drive to Survive S5E10 // "End of the Road"

[evansbby]

https://twitter.com/ehlsplayhouse/status/1633325620028637185?s=46&t=7YkhwL-OjLgniuoPGOHHsg poyt steve and omega

links look so awk now 😕

Why is this the most poyt-accurate prn I’ve ever seen

Like… this SCREAMS poyt, down to the very last detail. THERE’S EVEN A STEVE JR THAT STEVE MOVES OUT OF SHOT 😭😭 and the way he holds her foot and the white nail polish on her toes??? SCREAMS poyt!Steve and his foot fetish 😭😭😭😭

Like, this is totally poyt!Steve when he gifts omega a pretty and girly lilac lace negligee and then wants her to ride him, but a little bit to the side so he can still watch the game on TV 😭😭 and of course he films her bc that’s what he does. And Steve Jr rolls into the shot bc the bed is moving, and Steve shoved the stuffie out of the way 😭😭 And he also made omega paint her toenails white bc he’s into that 😭 so he grabs her foot and rests it on his chest so he can keep it in view bc ofc he does jsjsjsjaka

Bestie idk how you literally found this video that looks like it’s from Steve’s camera roll but wow… I’m seriously impressed. This is literally them in a nutshell 😭😭😭

[miyagic]

thanks for the +100 favs on my Regulus x reader!! ly <33

[hopkei]

maybe a team effort?

[kaseyskat]

choosing to believe that nick's memory of the betrayal only having three of the other kiddads following him wasn't an anthony mistake but that one of them stayed behind. and im also choosing to believe that one was sparrow! and until anthony clarifies this himself you cannot convince me otherwise