#who just slaughtered all your relatives

[stromuprisahat]

One by one, every man and boy with Strong blood in his veins was dragged forth and put to death, until the heap made of their heads stood three feet tall. Thus did the flower of House Strong, an ancient line of noble warriors boasting descent from the First Men, come to an ignoble end in the ward at Harrenhal. No trueborn Strong was spared, nor any bastard save… oddly… Alys Rivers. Though the wet nurse was twice his age (thrice, if we put our trust in Mushroom), Prince Aemond had taken her into his bed as a prize of war soon after taking Harrenhal, seemingly preferring her to all the other women of the castle, including many pretty maids of his own years.

Fire and Blood (George R. R. Martin)

Wow! Now it certainly sounds SO ROMANTIC!

I mean:

Though her own children had all been stillborn, the milk that flowed so abundantly from the breasts of Alys Rivers had nourished countless babes born of other women at Harrenhal.

I'm sure none of them were among the slaughtered, and if they were, she had no relationship with them. No remaining feelings, because feeding someone else's baby doesn't usually result in that, right?!

[fiercynn]

okay, if you have ever made or reblogged a “hold your nose and vote for biden” post, this is for you.

here’s the fucking thing about these kinds of posts. i've been seeing them since i first returned to tumblr in, I think, late 2022? they've certainly increased in frequency since october 7, but they were there before too, ready to counter any kind of opposition to biden that has cropped up. many of them are not just trying to educate people about what positive things biden has done, which, like, at least I can understand the motivation behind those ones? but so many of them are directly in response to people criticizing biden, and their only real point is “sure you’re upset at this thing biden did, but have you considered the election?” starting YEARS before the next presidential election, mind you.

and october 7 only made that clearer. i don’t think it had been a week before i saw these posts cropping up. can you not see how fucking ghoulish that is? to look at the rightful pain and anger of those whose relatives and communities are being slaughtered with active american support, to respond to one of the few pieces of agency most americans have in influencing what their governments do – their vote – by saying “yes but trump would be worse.” as if the primary people you’re lecturing – palestinians, muslims, arabs, black people, indigenous people, disabled people, other marginalized people – don’t remember exactly how bad it was under trump!

and even if you think not voting is an empty gesture – something i, who studied political science at a mainstream american lib college, who has worked as a field organizer on a previous democratic presidential campaign and for several policy campaigns, who currently works in public policy in america, used to believe, but have absolutely changed my mind on – what is in no way an empty gesture is saying publicly that you will not vote for someone. the arguments people usually have about why simply not voting is bad are that you can’t tell why someone is not voting, so it is as likely to be apathy or disenfranchisement as it is a political statement. but saying publicly that you will not vote for someone, and why you will not vote for them, absolutely is a political statement, and potentially a powerful one! but you choose to negate and/or ignore that by trotting out the “lesser of two evils” bullshit.

and then there’s the whole “yes but people will DIE under trump”. PEOPLE ARE DYING NOW. even if you’re fucking racist and have decided that palestinian lives don’t count, have you forgotten biden’s ongoing covid minimalism and dismantling of the CDC’s covid research and prevention infrastructure? have you forgotten his increase in spending for law enforcement scant years after the murder of george floyd and his administration's surveillance of protesters, including cop city protesters? have you forgotten his recent ramp-up in deportations of undocumented immigrants, including the active continuation of many trump-era policies?

maybe you have forgotten all those things and do purport to care about palestinians, but you just think that biden is doing his best to influence netanyahu and is getting nowhere! but then you must have forgotten all of the things that biden and his administration themselves have done to further this fucking genocide, including:

continuing to send arms to israel

putting together a military task force within days of yemen’s red sea blockade and attacking yemeni ships

bombing yemen

bombing syria

bombing iraq

vetoing three ceasefire resolutions at the united nations

testifying to defend israel and its genocide and occupation at the international court of justice

refusing to rescue palestinian-americans stuck in gaza

halting funding to the united nations relief and works agency for palestinian refugees (UNRWA) based on israeli claims that 12 of UNRWA’s over 30,000 staff were hamas agents, even though u.s. intelligence has not been able to independently verify this

lying that he’s personally seen photos of babies beheaded by hamas when he hadn’t because they didn’t exist (and even when his own staff cautioned him that reports of beheaded babies may not be credible)

questioning the number of palestinian deaths reported by the gaza ministry of health (when even israel has not questioned them, since they are in fact proud of those numbers)

perpetuating lies about hamas having committed the attack on al-aqsa hospital

questioning united nations reports of adults and children raped by israeli soldiers while claiming to have proof (that no one else has seen) of hamas doing the same

honestly so many more things that i can’t remember them all but others feel free to add

or maybe you haven’t forgotten any of that, and think that you’re still justified in lecturing people about why they should vote for biden, because you genuinely believe trump would still be worse. if that is the case, you have still failed to see that by saying you will vote for biden no matter what, you are part of the problem of biden continuing to act like this. because biden is counting on fear of trump to win him this next election no matter what else he does. despite his appalling polling numbers, despite the knowledge that he is losing the palestinian-american vote, the arab-american vote, the muslim-american vote, the black american vote, the youth vote – despite all of that, he is secure in the idea that he will still win because he is better than trump. can you not see how that allows him to act without impunity? how it becomes increasingly impossible for his base to influence what he’s doing if he thinks that they will be with him no matter what? this is how you make yourself complicit to biden’s actions, by not affording anyone even the slightest power to hold him accountable for anything.

and in most cases, the “hold your nose and vote for biden” thing is the response of people who aren’t even being instructed by others not to vote for biden. it is their response to people saying they themselves are choosing not to vote for biden. fucking ghoulish.

[specshroom]

•The Queen of Curses•

Part 1 / Part 2

(Ok So think of this as like a Sukuna wins and everyone dies AU lol. True form! Sukuna. Added the cursed blood bath for no reason. Suggestive, titty stuff but that's it, MDNI, She/her reader, no use of Y/N)

Sukuna didn't rein over the Heian Era alone. It was always him and his lover, burning and slaughtering together. Their love for eachother was well known across the land. People knew not to be fooled by her less intimidating looks (in comparison to her husband) for she was just as brutal and heartless as he. 

All that changed when sorcerers from the era used all they're combined might to seal the Curse Queen inside a small cursed object, formed only from the combined sacrificed corpses of their comrades. 

They knew that the only way to defeat the King and Queen was to separate them and they succeeded. After hearing of the fate of his lover Sukuna flew into a blind rage leading to his own defeat at the hands of the same sorcerers.

One thousand years of relative peace passed with the two lovers separated but still yearning for each other. 

Luckily for the lovers, the ever devoted Uraume never stopped looking for a way to set their masters free. After centuries of searching and begrudgingly accepting a little help from Kenjaku, they finally found the cursed object that their Queen had been trapped in, a simple orb a little bigger than a tennis ball. It made Uraume's stomach turn thinking of such a powerful force being shoved into such a small thing. They carried the black orb with them everywhere while continuing the plot to releasing Sukuna. They found themselves whispering to it, compelled by the obsidian globe. They didn't know if their master could hear but they felt like it was right, like they could almost sense their masters overwhelming aura, compelling them to spill out everything they know. So Uraume spoke to it quite a lot, telling the dark orb and the beast inside about Sukuna's fate, about the new world, about Kenjaku and the plan to free her and her lover. 

The plan that finally comes to fruition. Sukuna is freed, his true form is restored in all its glory and hes wreaked havoc on most of Shibuya just as a warm up.  Uraume kneels before him.

"Master Sukuna."

 They say bowing their head.

 "Hmm?" 

Sukuna hums an acknowledgement, eyeing them with contempt. 

Uraume brings the dark crystal like ball out of their loose robes and holds it up, presenting it to their king. "Now, with your power fully restored we can release the Queen from her containment."

Sukuna stares at the ball in the sorcerers hand and gestures for Uraume to give it to him. He holds it as gently as his colossal hand is able to. It seems to get hotter in his hand, so hot it would surely sear the skin of a mortal. He pears into the orb only seeing his reflection in it, the Curse king nods to Uraume. He places it on the ground and they both step back, arms reaching out towards the orb on the ground.

In unison they both let out powerful blasts of cursed energy aiming right at the cursed seal. Strong streams of power, one white hot and the other pearcing cold, the orb starts to crack emitting a glowing white light. "It's breaking! Don't stop!" Sukuna orders and Uraume grunts but dutifully follows orders. The cracks grow wider and the light shines brighter before it's too blinding and they both cover their eyes as a powerful blast pierces the air.

In the settling dust stands a figure that's all too familiar to the both of them. They both watch as the figure shifts, leaning back and stretching their arms above their head, releasing a groan that is appropriate for someone who hasn't been able to move much in a thousand years. When the woman finally turns to Sukuna she sighs and smiles, letting out a relieved huff. Sukuna grins triumphantly and opens all four of his arms expecting a tide of thankful affection from his lover. When she takes the first few steps towards him her smile starts to waver until it's down to a grimace. Sukuna tenses as her eyes darken. He opens his mouth to ask what's the matter as she walks up to him and-

*SLAP*

Silence envelops the already desolate atmosphere. Sukuna's head is turned to the side, his eyes wide. He blinks before glaring at the offender with a look that could kill. She stares up at him with eyes just as deadly. 

"HOW COULD YOU LEAVE ME IN THAT FUCKING BALL FOR SO LONG!!?"

Sukuna stares with his mouth open for a second genuinely shocked into silence until that second is over and he responds with equal vitriol. 

" HUH?! THAT WAS YOUR OWN FAULT WOMEN! DONT BE UNGRATEFUL!" 

The two fiery curses glare at each other with such violent intent, the very air around them heats up. 

"WHAT KIND OF SHITTY HUSBAND ALLOWS HIS OWN WIFE TO GET SEALED!"

"YOU CAN'T BLAME ME FOR THAT! DIDN'T I JUST SET YOU FREE?"

"DONT TAKE ALL THE CREDIT YOU BASTARD! URAUME'S THE ONE WHO-" 

As if the women just remembered that the other sorcerer exists, she turns around and there her loyal subject is, kneeling in her presence. 

" Welcome back master, it's good to see you" 

The woman's face brightens up immediately, "Uraume~" She sings running up to the sorcerer and lifting them into a bone crushing hug that would've killed a lesser being. "Oh, Thank you Uraume. My dutiful subject, you did so good." The Curse Queen coos at the sorcerer, squishing their face into her chest and stroking their duel coloured hair. Uraume doesn't hug back as to be respectful of their superior but they don't push back either, just letting their master man-handle (woman-handle?) them. 

Sukuna clicks his tongue at the show of affection and crosses two of his massive arms over his chest. No doubt in disbelief that HIS wife doesn't embrace HIM first after a thousand years spent apart.

The wife in question turns to him with Uraume still in her arms, an irritated look on her face. 

"What's your problem?" 

"My problem is that MY wife is being an ungrateful bitch." 

The benevolent woman stills and Uraume peers up at her from their place, nestled into the cleavage of her loose fitting kimono. The woman sets Uraume down onto the ground gently. She breathes a heavy sigh and in less that a second she's on Sukuna throwing a mass of red hot cursed energy right into his face. He blocks it in time and is able to keep blocking her continuous fast attacks. She gets frustrated and lets out a powerful blast that shakes the earth and forces him to jump back to avoid the blast.

She laughs with relief, finally being able to let out all that pent up cursed energy feels amazing. Her tattoos (similar to Sukuna's but not quite the same) almost seem to glow with the immense energy output being let off from her body. Only the tattoos on her face, neck and wrists are visible but Sukuna knows very well what the rest looks like, having traced every inch of ink with his fingers.

Sukuna takes the opportunity while she's distracted by the pure euphoria of letting her energy loose and comes barreling towards her, she can't react before he tackles her to the ground. He pins her hands down with two of his hands and another goes to roughly grab her jaw.

"Does it feel good to finally let off some steam, Baby?" 

The king of curses teasingly remarks from above her.

"Baby? That's new." She questions with a teasing grin. Her words are a bit slurred from the way her husband is holding her jaw.

"Might as well get with the times." He bites back with an even more cocksure grin. She scratches and kicks at him and bites at his hand. With all her concentration she channels the sheer amount of pent up cursed energy in her body and lets it burst out in a deafening blast that knocks Sukuna off of her. Static reverberates in the air.

In the few seconds it takes for him to recover she takes the opportunity to pounce on him pinning him to the ground. Grinning from her place above him her heavy breaths and beating heart match his. Her crazy, alert eyes meet four others with the same sentiment.

"I missed you so fucking much." Sukuna says before he pulls her by her robes into a deep kiss. The kiss is somehow aggressive and sensual.

Two of Sukuna's massive hands go to her waist and thigh holding her body to his as he sits up. The third hand is on the floor for balance and the last is tangled in her hair pressing her further into the kiss, as if that's even possible. Both Cursed beings are glad that they don't need to breath or else they surely would have suffocated each other by now. 

The queen of curses has never been more pleased by the fact that her husband doesn't seem to know what a shirt is. Sukuna has voiced many times that he wished his wife shared the same sentiments only for her to scoff at the suggestion, although, now she thinks the idea is one of the best he's ever had.

They fight for dominance with their tongues. Still locked in the passionate sloppy kiss the woman unlatches her hands from his hair to slip off the robes she was wearing over a loose fitting kimono. She unwraps the black accented white Kimono, rather slowly in sukunas opinion to let her breasts fall free to the warm air. 

Sukuna releases his mouth from hers, licking his spit slicked lips to stare down at his beautiful wife's beautiful tits.

"Yeah, remember these are mine. Only mine." Sukuna grumbles lowly before smooshing his face right between them, sighing deeply like a thousand year old itch has finally been scratched.

"Aww, is Ryō a little jealous?" The woman preens in a patronising manner while lightly stroking his fluffy hair.

"Poor baby~" She coos, repeating the pet name he used for her. Her teasing only gets a glare and a growl from the beast of a man currently buried in her tits, holding her impossibly closer to his face.

She chuckles down at him, a loving yet menacing look in her eyes.

"Well maybe I should let Uraume- where did they go?"

She looks around the scorched city landscape looking for her white haired subordinate and as if they heard her words summoning them they appear with a respectful bow.

"I have made the preparations for your bath."

"Thank you, Uraume~"

The woman beams and turns to the man who is still occupied with her tits, he's now picked a tit to suckle on, fondling the other in his rough hand.

"come now Ryo, it's time for our bath." She says curtly and the man groans with his mouth full, absolutely dreading even the idea of his tongue leaving the hardened nipple he's been sucking on. If the two objects poking her ass are any indication if it was up to him they would never get to the blood bath Uraume so kindly set up for them.

She tries standing up and pulling away but the man is latched on tightly, all four arms clutching around her as if they never want to be an inch apart from her again. The more she struggles the bigger the two chubs in his pants grow. She sighs and struggles once more.

"Uraume planned this out very nicely for us, Ryomen. Just do what I say Damnit!"

She pulls at his hair and he bites down on her tit in response, earning a yelp and a harsh smack on the head from her. He laughs, not with the mouth on her tit but with the mouth on his stomach. She peers down at it, as if she just remembered it's there. Without wasting more time she grabs the large tongue crushing it with her grip and tugging on it hard.

Sukuna releases her tit to yell out in pain.

"OW, WOMAN! You should be grateful for every ounce of attention I give you! OW!"

As Sukuna rages, she snorts and jumps out of his now loosened arms. Turning her back to him, she approaches the other sorcerer who's head is still bowed.

"Uraume, would you kindly show me to my bath?"

"Of course, Master"

Uraume stands and bows their head. Holding out their arm for their Queen.

She holds onto Uraume's arm, purposely squishing her still exposed breasts into the sorcerer's side as she smiles down at them.

"I guess we'll have the bath all to ourselves then, Uraume~"

Uraume closes their eyes with a knowing smile and nods in response, very accustomed to the games the two lovers would play with each other, often forcing them right in the middle. Their Queen would often promise that she'd one day make Uraume flustered, something that to this day has yet to occur.

The sorcerer doesn't even flinch at their powerful master fawning over them, stroking their arm and pressing her now marked up tits closer into them as the two walk off towards the bath Uraume prepared.

"HEY!! WHAT THE HELL!?? URAUME!"

Sukuna sits in disbelief at his wife's antics. As if he's only now remembering what a tease she is and has always been.

His wife looks back at him over her shoulder, she shrugs her kimono off her shoulder, exposing her tattooed shoulder to him before turning back to Uraume snickering.

Sukuna huffs and grins, shaking his head. He's so fucking happy to have his wife back.

(AN: I was originally planning to make this smut but... It just got away from me😭😭 sooo... Maybe in a part two? 👀👀)

[solelifauna]

With Bared Teeth & Prayers (Yandere Batfam X Neglected Reader) (Dark!!! Werewolf AU) (Prologue)

If she could, (Y/n) Wayne would go back in time and make sure she was never taken in by Bruce Wayne and his pack. Now, she has to live with the fact that her life may end on the day of her 18th birthday, that she's going to be slaughtered and ripped apart by the very people who she wished loved her. It's alright though, 'cause she has a plan. However, things are starting to get weird... scary weird.

You arrive at Wayne Manor at age twelve, newly-shifted, anxious, and hopeful. Your mother, an apparent old hook-up of Bruce Wayne, had decided that she couldn’t take care of a half-werewolf hybrid and proceeded to leave you to CPS as soon as you presented as a shifter. CPS of course ran a blood test to see if you had any viable relatives who would be able to take you in, something custom for children of shifters. You guessed they thought that shifters would be more inclined to take in a kid if they were related, something to do with pack bonds and whatnot. 

So imagine both you and the worker's surprise when Bruce Wayne came up as a paternal match on the blood test. Everything that happened afterward was a blur. After several back-and-forth phone calls and e-mails, your caseworker made you pack whatever little belongings you had into a bag, herded you into a car, and started driving towards the nicer edge of Gotham.

You sat in the backseat, hope searing through your heart as you mulled over your fate. It wasn’t uncommon for already established packs to take in other members, especially if the newcomer was related to someone already in the pack. Of course, there would be an adjustment period in your case, you didn't expect to get along with everyone immediately, but it would all work out, right? Mr. Wayne had already signed the papers that officiated his custody over you, so that must mean he wanted you, right? A pack wouldn’t tolerate just anyone on their land, let alone in the heart of their territory.

So if they were allowing you to live with them, then that means that they were willing to consider you as pack. Your heart soared in the backseat, the hope and promise of a family and pack making you giddy with joy. According to your caseworker, there were seven other pack members, all legally considered Bruce Wayne's children. That meant you’d have siblings too; a lot of them at that. You couldn’t wait to hang out with them and play in the forest on the property. 

However, when you finally pull up to the manor's entrance, things don’t go quite as you expected. First off, it takes a full ten minutes after your caseworker rings the doorbell for anyone to answer, and when the doors finally open, you find yourself looking up, and up, and up, until your eyes meet the cool steel-blue gaze of a towering man: Bruce Wayne, the pack leader, the alpha, your father.

You offer a tentative smile, trying to gauge his reaction, but he only gives you a brief glance before turning his attention to your caseworker. They launch into a conversation about paperwork and other mundane details, Bruce nodding as he opens the door wider, gesturing for you both to come inside. Stepping through the threshold, your eyes widen at the interior—grand and sprawling, yet somehow almost cozy in its opulence. A warmth you didn’t expect fills the space, as though it’s been carefully curated over time to be both stately and lived-in.

Your gaze drifts to an older man who approaches you with a kind smile, Alfred, the family’s butler. While Bruce and your caseworker continue their conversation, Alfred gently asks about your journey. You eagerly tell him about the deer you spotted on the drive over and how the surrounding forest seemed like something out of a story. Alfred listens patiently, nodding with a smile as you ramble on, your nerves momentarily forgotten.

Eventually, Bruce and your caseworker finish their conversation. She kneels down to give you a final goodbye, squeezing your shoulder reassuringly before she leaves. Now it’s just you and Bruce. You turn toward him, shy but hopeful, ready for something—a welcome, perhaps. But his expression is unreadable, his gaze indifferent, almost detached. The excitement bubbling in your chest fades, replaced by a quiet pang of disappointment.

Oh. You thought he’d be happier to see you.

Bruce studies you for a moment, his expression unreadable and a bit cold. It feels like he’s assessing you rather than welcoming you. Your excitement dims, but you keep your smile, hoping maybe this is just his way, that he’s just not sure how to be around a kid like you yet. After all, he’s the head of this massive family, and you’re a brand new addition. Surely he needs time to warm up. But as he looks you over, he finally speaks, his tone polite but distant.

 “Alfred will show you to your room,” he says. “You’ll have some time to settle in, and we’ll talk more in the morning.” Then, as if you’re not really there, he glances back at Alfred. “Make sure she’s comfortable. And let the others know we’ll have dinner in an hour.”

With that, he turns and walks away without another word. You stand there, still holding your bag, feeling the weight of disappointment settle on you. You’d imagined this moment so many times—meeting your father, being accepted into his home, his pack. You hadn’t expected hugs or anything too mushy, but something warmer than whatever the hell you just experienced. Maybe a smile, or even a nod that felt like you mattered. Instead, all you’d received was a look that barely acknowledged you.

Alfred clears his throat softly, pulling you from your thoughts. “Right this way, young master,” he says with a gentle smile, gesturing for you to follow. “I’ll give you the grand tour tomorrow, but for now, let’s get you settled in your room. It’s rather lovely, if I may say so.”

You nod, mumbling a quiet, “Thank you,” as you follow him up the grand staircase, each step echoing in the vast, empty silence of the manor. Despite the opulence and luxury surrounding you, it feels a bit lonely and cold, a stark contrast to the warmth and comfort you’d imagined this home would have. Alfred tries to fill the silence, pointing out various rooms along the way: the library, the kitchen, the sitting room. You nod along, doing your best to listen and absorb it all, but your thoughts keep drifting to Bruce’s indifferent expression, the way he hadn’t even looked back.

Finally, Alfred stops in front of a door and opens it, revealing a spacious bedroom with a large bed, a cozy armchair by the window, and shelves lined with books, even a stuffed wolf on the bed, clearly placed there just for you. The sight tugs at your heart—a small attempt to make you feel at home.

“I hope it’s to your liking,” Alfred says softly, watching your reaction.

“It’s—it’s really nice. Thank you,” you reply, setting your bag down by the bed. You glance around, taking in the details, wondering if Bruce had anything to do with the setup. But something tells you it was probably Alfred who made sure it was welcoming.

He nods, giving you a gentle pat on the shoulder. “Dinner will be soon, and you’ll meet the others then. Don’t worry too much; they’re quite an interesting group, but they’ll warm up to you soon enough.”

You smile back at him, grateful for his kindness. Alfred excuses himself, leaving you alone in the quiet room. You sit down on the bed, running your hands over the soft blanket, still clutching that little bit of hope you have left. Maybe Bruce just needed time to adjust. Maybe, in his own way, he was trying to accept you.

But as you think back to the way he looked at you, you can’t help but feel a pang of uncertainty. You wonder if he’ll ever see you as part of his pack—or if you’ll always be an outsider in this place that you’re supposed to call home.

[Hey guys! This was a super short prologue, I promise the other chapters will be at least 2000 words. Anyway, I want to say that this story will be DARK. Like I'm being so serious rn, like this shit is messed up so please be careful!!! I'm talking about potential cannibalism...still, hope you enjoyed this!]

[lordprettyflackotara]

Did it First || Part Two || Jeff the Killer

SMUT MINORS DNI 18+. tw: descriptions of gore; yandere!reader, yandere!jeff, rough sex, honestly just yandere as fuck

Jeff the killer had destroyed the sweet innocent you.

If the sex wasn’t enough, seeing you with an axe in your hand did it. You stood over Stella, a blonde Jeff had been fucking for months while also fooling around with you. Jeff was frozen in shock, his eyes widened as he stared at her bloody corpse. You had attacked her from behind, her back mangled and flesh hanging on by thin shreds of her skin. You didn’t stop there Jeff would find out, his eyes trailing up to her face. You had stepped on her, pinning her to the ground as you swung the axe at her throat. Jeff could see the manic swings you had took, her head cut off, sitting beside her corpse.

Jeff had seen and had done a lot in his day. But this? This was a lot for even him to handle. Just yesterday he had been entangled with her in the sheets, her eyes now permanently open in shock. They were lifeless, fear washing over the pale killer as he looked up at you. Splattered blood was staining nearly your entire body, your cheeks painted with the droplets. Blood soaked your shirt and pants, an unhinged grin spread across your lips.

“What’s wrong Jeff? You killed for me so I killed for you. After all, you did it first.”

Jeff was not as infatuated with you as he thought he was. What you nor Jeff realized, was what everyone else around him already knew. He had the attention span of a walnut. Jeff had a pattern of doing this, hyper-fixating on girls and then growing bored. It was nothing personal. Jeff did what he did and he would continue to do what he wanted to do. Every girl he had done this to before had two options. They could either cope and move on. Or, if they were more of a spicy bunch, Jeff would have to kill them off. It was sickeningly satisfying to the killer, making someone fall in love with them so hard that they couldn’t move on with their lives. Jeff knew his entanglements with average girls could get messy. Slenderman made it very clear any potential threat to exposure would need to be terminated.

Besides obligation from him, Jeff enjoyed slaughtering his past lovers. Something about seeing the insides of a person really gave him something to remember them by. Faces and names became blurred, Jeff unable to even remember his last fling before you. But what he could remember crystal clear was the fact that none of them. not one, had returned the favor. Jeff enjoyed killing off people in his flings lives. Relatives, lovers, friends, it all blended together after a while. The mortal attachments that made humans so fragile was adorable to him. He loved nothing more than to cut that cord. His brain always justified it beyond it being a means to control his fling. Most people didn’t realize they’d be better off without those restraints holding them back. Jeff thought that if anything him killing Jim was tame. He was a shitty hookup, not a work of art or someone memorable in the grand scheme of things.

Killing wasn’t anything super meaningful anyways. So after a couple of months, Jeff grew hopelessly bored. He knew everything about you. There was no mystery, no fantasy. You were exactly who you presented yourself to be. It’s not like Jeff could reciprocate, his life a forced secret that he had to keep. And you could bet your sweet ass he wasn’t going to tell you how he became the monster he was. So Jeff did what he always did, he disappeared and moved on. As he stared at Stella’s corpse he supposed deciding to move on within the same town was perhaps not the best idea he’s ever had. Stella was the stereotypical blonde you saw on social media in bikini pics. Jeff didn’t necessarily have a type, but she was the bobble headed moron Jeff needed after a fresh break up. His appearance didn’t freak her out either, an added plus. He ignored that it was because of her wanting to spite her parents. She wanted him to get her pregnant, the idea of having a freaks baby to piss off her parents somehow the best plan in her mind.

Jeff didn’t mind playing into it anyways, burying himself in her cunt every night. It didn’t matter anyways, her parents had been dead in their bedroom for days. He would’ve loved to keep the affair going, but truthfully he was too lazy to bother moving the bodies. He knew the smell would catch her attention and things would get unnecessarily bloody. He didn’t need to kill her anyways, he knew she would be shipped off to the closest mental institution. But didn’t she need it anyway? Wanting a killer to impregnate her just to piss a couple of people off? Yeah, Jeff could definitely justify breaking things off. He decided to check on her one last time, wanting to really savor the feeling of her cunt. She may have been a helpless airhead but Jeff was never one to turn down sex. That’s when he saw you, proudly standing in her bedroom doorway. He must’ve missed the murder by a few minutes, the blood still fresh and oozing out of the corpse.

What Jeff hadn’t anticipated was the opposite what he wanted. All of his time as a killer he either ditched or killed girls, no in between. He picked seemingly average and normal women, careful to avoid ones that seemed unstable. His mistake was choosing you. Your obsessive tendencies and underlying codependency issues slipping under the cracks of his inspection. You were the devil in disguise, unaware that he would provoke it out into exposure.

You didn’t accept Jeff’s choice. If anything you had convinced yourself that he had been tricked in some way or was testing you. Ultimately you decided either way, the blonde bitch had to go. So you began stalking him as he once stalked you. You hid in the shadows, watching him climb into her window time and time again. It seemed so bluntly obvious to you this was a test, the killer not even attempting to conceal himself in his bright white hoodie. So you waited for the perfect moment. Coming right and out and killing her during their affair didn’t seem right. You didn’t want either of them to have a chance of preventing what had to be done. Jeff would confidently stroll into her house around the same time every night. He was so predictable. You felt like even though you lacked the traditional information one usually has about their partner, you knew Jeff. You knew what he liked and disliked. You knew his habits like picking at his nails or running his fingers through his hair. You knew him better than he could’ve ever imagined.

“Wow this um, wow,” Jeff said, trying not to stumble over his words. The pale killer had never been so caught off guard before. You dropped the axe, allowing it to fall to the floor as you approached him. “I understand why you did it, testing me. Finding a real ride or die bitch must be hard when you’re a real man,” You purred. You strolled behind him, wrapping your arms around his neck. You could feel him tense up, freezing as you placed a kiss to his neck. “You need a real woman and guess what baby? I’m that bitch. Blondie here could’ve never done this for you,” You say, glancing over at the bloody corpse. Jeff swallowed, becoming increasingly nervous and aroused. Jeff liked to have control in any and all situations, but something about the lack of control in this one was making him incredibly flustered. It was humbling, having you snatch the reigns from him. “Now it can just be us. Just me and you,” You cooed. Your blood stained hands coated his hoodie, covering it with an all too familiar color. “Thats right,” Jeff confirmed, swallowing. You pressed a few soft kisses to his neck, before standing on your tippy toes to reach his ear.

“Oh and Jeff?”

“Huh?”

“If you ever fuck another bitch again i’ll kill you.”

Jeff should’ve been terrified. He had created a mini me. A monster. Yet he felt all of his blood rush to his cock, your curious gaze not failing to notice. “Oh baby does this turn you on? Seeing what i’d do for you?” You asked mockingly. You smirked as Jeff braced himself, his cock aching against his jeans. Your hand slithered down to his front zipper, pulling it down aggressively. It didn’t take long for your hand to find his cock, pulling at the length as it hardened in your palm. Your other hand slid to his throat, cuffing it and squeezing. “Not so big and powerful now are we?” You hummed. Jeff bit his bottom lip, the urge to snap at you rising but the feeling you were providing him was far more euphoric. “You’re a crazy fucking bitch,” He panted, watching you slowly jerk him off. You smiled as you nibbled at his ear lobe. “I’m sorry what was that? You wanted me to stop?” You teased. Jeff’s patience had thinned, quickly turning around and grabbing you. He tossed you onto the bed, pinning you onto the mattress. “I said you’re a crazy fucking bitch,” He hissed.

You giggled with glee as he began to tear at your pants, shoving them down to your ankles. He roughly palmed your panties, growling. “Wet already whore? Seriously? Murder get you off?” Jeff huffed. You grinned as he tore your panties harshly, ripping the fabric and tossing it to the ground: With two fingers he rubbed up and down your folds, examining your slick. “You’re fuckin soaked, don’t think you need any prep,” Jeff grunted. He grabbed his shaft, rubbing it up and down your folds. “Besides princess you better get used to taking this dick, since you’ll be taking it for the rest of your life,” He spat, shoving himself inside of you harshly. You had taken Jeff dozens of times before. But this. Something about the way he was fucking you now obliterated all of those previous experiences. He showed no mercy as he bottomed out inside of you, taking a brief moment to relish in the feeling of your walls clinging to him. “You’re insane, you know that?” He asked. You giggled at his comment, watching him pin your wrist above your head. “I’m insane? You’re one to talk,” You countered.

This earned you a sharp slap across the face, causing you to whine as Jeff moved his hips. “Dont talk back to me slut,” He barked. He didn’t give you time to process his response, his hips aggressively snapping into yours. All thoughts about the gruesome scene behind the two of you had faded, the only thing you were able to focus on being one another. Jeff’s thrust were harsh and unforgiving. You wanted him forever? Wanted to be his girl? Then you better buckle up and bow down to who you belonged to. You whined as the knot inside of your stomach tightened further, his cock abusing your g spot. “You take me so nice. Shit, maybe you really were made for me,” Jeff grunted. You smeared Stella’s blood on his face with your hands, cupping them against his cheeks. The crimson paint stained his pure white skin, the blood of his ex lover unfazing him as he rammed into you.

You wrapped your legs around his waist, trapping him as if he came closer to his high. “Go on Jeff, cum in me. I’m all yours,” You pleaded. Your begging made him lick his lips, his permanent grin curling upwards into a real one. “You sick bitch. I’ll give you what you deserve,” He snarled. He watched you slither a hand to your clit, both of you close to your highs. As euphoria washed over you it occurred to you this is all you ever really wanted. Him to be yours. With his cum flooding your cunt and filling you to the brim, you realized you got what you wanted.

[prettyboykatsuki]

✮  tags ; top + gn!reader (no desc of parts but reader is fucking him), unabashed daddy kink, implied verse, small age gap, bottom megumi, petnames (boy, baby) thorough discussion of megumis daddy issues in exactly the direction you think, 18+

✮ wc ; 1.3k

✮  a/n ; i haven't slept . im not responsible for anything. will not be taking questions at this time. 🫡

He's the prettiest thing you've ever seen in your life.

You tell him as much. He pretends to hate hearing it. Soft features bend at hard angles to convincingly drive in the fact that he detests it. Megumi is always like that. For the years you've known him - anything he's at risk of playing his hand too quickly, he retracts. You think that's why you're so addicted to getting him to let go.

He scowls, has the signature Zenin mean mug that almost makes the whole schtick convincing. You know better though. Maybe because you've known him since highschool, or maybe because you simply find him easy to read.

You've never met someone so touchstarved or so delicate all while being so, so mean. There's a lot Megumi can do but he's shit at hiding when something bothers him. When he's irritated, he's petulant and when he's pleased - you'd almost describe him as docile. In his own way. In the way a dog who used to cage fight could be.

You have an interesting relationship to Megumi. You're a stray just like him - with your family being a Zenin lapdog and you being their black sheep. You have a lot to relate on, but Megumi finds your attitude grating. Finds the harshness of your personality difficult, and finds the finesse you have for slaughter and violence to be nauseating.

It's probably why he makes wide, wet eyes at you whenever you're alone. Closest thing he has to someone he can depend on with more experience. You're quick to appraise his work when you go on trips together. Despite your acting smug and Megumis frustration about your attitude, he soaks up the praise like a pretty little sponge. He's only a few years younger than you though, despite how he acts.

(Sometimes you think he wants the gap to be a little wider. )

A cute kid, only two years younger than you. Soft, striking green eyes. Soft lips. A mean little glare and spiky mop of black hair to compliment pale, cream colored skin. Megumi blushes easy, bruises even easier. His knees and elbows are a pretty cherry-blossom pink like something out of a movie scene.

The first time you fuck Megumi, its mostly because you're drunk and interested. It'd be stupid to not be interested in a face so pretty and desperate for approval.

All times after that are false happenstance. You make a routine of it - a silent game that makes it look like you're coercing him so he doesn't have to accept his own wants with any seriousness. You're cool with the ambiguity cause you're a little sick in the head. It's enough to fuck him, and sometimes when you're generous - to have him fuck you.

Megumi is pretty when he's being fucked. He changes his tune fast when his dick is a little hard and his guard is down - never thought that bratty little fucker could whine like he's in heat until you pulled the sounds out of his mouth yourself.

You always reaffirm how much he loves attention and praise and pampering when you fuck Megumi. He likes when you appraise him like that too. Soft compliments about his pretty little hole and the tightness of his waist. You manage it with relative ease. Makes your whole core throb just to see how much he twitches over something so slight and so easy. Such a mean fucking kid - such a brat, all welled up anger and abandonment issue.

Sometimes you wanna make him cry from him pain.

But most times, like now - you offer Megumi sweet pleasure. Give him that gentle, doting authority that he seems to fiend for. Desperate for reprieve in a way that stains his face, despite his attempts to brush it off.

Megumi takes dick like he was born for it. Slender fingers grip at your waist and claw at your back like he wants to rip you in half - tear you limb from limb but his legs wrap around your waist like he'd die if you left him for one fucking second. Megumi likes being full, you think. And he likes more when you praise him for taking your cock with such ease.

It's not rocket science to figure out he has some issues with authority. That distant relationship with his sensei and absent father make it obvious that he never wants to let anyone get too close. He could never really entertain certain relationships, he could never actually ask for approval. It's too little, too late.

Still, it surprises you a little when you first hear him say daddy. Not a lot, but enough that you pause in mid-thrust to stare at him a bit. He's mortified at the realization.

But you're not much less of a scumbag you figure, than all the figures in his life. You nod instead, feel arousal spark up in your stomach and claw it's way into your throat as you fuck him even harder.

("Daddy, huh?" You laugh because it's funny and you think the feeling of being so turned on you pass out is inappropriate. "Sure, baby. I'll be your daddy if you want." )

He doesn't say shit to you about it afterwards. Can barely look you in the during your post-sex aftercare and chat - though that conversation is never particularly romantic. You think the whole thing makes him want to die, so you don't really bring it up outside of a knowing look.

But it happens more often than that. Like a dam breaking, something slips and now Megumi can't close it despite how desperately he seems to want too. It's not even that you're particularly into it at the start.

But well, he's pretty. Prettiest little thing you've ever seen in your life, even though he's tall and strong. He's got this grace that overwhelms you into fucking him dumb whenever you can. Try as you might, you will is not strong enough to not lust over someone like him calling you daddy. That level of unprecedented whining, the affection, the need in such an embarrassing word makes your feel so horny you can barely think.

So, it doesn't particularly surprise you when Megumi calls you daddy. Not anymore.

He's weepy in the face, somewhere in the distance - and he's still wearing his pajamas when you come see him. The scene is uncomfortably domestic between two people who aren't dating, but you don't really care either way. Megumi is pretty everywhere, but he's especially needy getting fucked on his kitchen counter sitting up to cling to you.

His arms around your shoulders, face drawn together with shameless embrassed. His cock is twitchy, leaking against the flat plane of his stomach with unbridled enthusiasm. He says it in a whisper today which you can't help but find cute.

It's raw in the back of his throat, mildly gravelly as his nails dig into your shoulders with an enthusiastic whine. "Daddy. Fuck, please, can't."

"What's daddy's boy want huh?" You say, obviously mocking - a hand wrapped around shaft with a thumb over his slit. Megumi shivers. Lets out a shameful moan at the word boy that makes you laugh hard, makes your head spin dizzy with lust.

"Wanna cum," He says, but doesn't beg. Doesn't know how and couldn't figure it out if you paid him. You've spoiled him rotten after all. Filthy, really but he's prettier when he's acting precious. At least to you. "Make me cum, daddy please."

"Really milking it today, huh boy?" You chuckle and all he does is whimper. "Okay, okay. So fucking needy. Go on and cum, baby. Cum for daddy."

Megumi lets out a whine. A sound you barely knew he had in him as you say it that time and you laugh again and again as you bottom out. You watch him squirm as he finally finishes, back arching off the counter as the pleasure runs through him.

His face is still hazy when he comes down. Still beautiful in that way that makes you want to fuck him stupid and indulge for the rest of your life.

"Feel good, baby?"

He blushes faint and doesn't bother pushing you away. "Mm."

[marzipanandminutiae]

Why I fucking hate "The Handmaid's Tale" comparisons to real life (ie "this means THT is going to come true!!!")

that was not an elected government in the story. it was a fringe group that slaughtered the entire US government and took control by force. which makes little sense if you think about it, but that's because it doesn't matter HOW the dystopia happened; it just had to be there for the fiction to make a comment upon the author's present.

Dystopia is never a future prediction. see above: it's always a comment on the present in which it's written

That is massively fucking insulting to women who have actually lived with systemic oppression. They don't have to take away your name or your ability to read and write or put you in a color-coded costume. That's not what violent systemic misogyny looks like, because we KNOW what it looks like.

Sarah Emerson (1762-1784) could absolutely read. Based on what was expected of wealthy girls in her era, she probably spoke at least two languages- English and some French -as well as having knowledge of household accounting, basic first aid, history, literature, drawing, music, etc. She was still married to a man in his twenties when she was fourteen, because he wanted the inheritance her parents had left her (property she owned because, yes, women COULD own property back then). His family disapproved- they called her "the child bride" -but it still happened.

Women in the 19th century who couldn't vote, were discouraged strongly from public speaking (as in, speeches, not conversation), who sometimes had no control over that property they could in fact own, if they married, did normal things. They laughed and cried and petted cute animals. They spoke their minds. They wore what they wanted, albeit with societal constraints. They had names and voices and they still had so few rights under the law.

Women who died from backalley abortions as late as the 1960s could read and write. They had jobs. They dressed in ways we wouldn't consider remarkable today. They voted. They had access to the fucking pill, for gods' sakes. And yet that still happened to them. And yet they still died because the government didn't care about their lives as much as clumps of cells inside them.

Shirley Jackson (1916-1965) was a popular author with a rapier wit that she wasn't above using freely, living once again in a time we'd recognize many features of today. she married a Jewish man over the objections of...well, most of society back then, really. the nurse still wrote "housewife" for her career when she said "writer," during hospital admission to deliver her daughter Sarah

and that's all without getting into the double-damnations of women who aren't white, who aren't Christian, who aren't straight or cisgender. women in non-western countries where some of those things- like clothing laws or movement restrictions -have come to pass, but still not all and not in that way precisely

It doesn't have to be The Handmaid's Tale. In fact, it usually isn't, historically speaking. It's Call the Midwife. It's Harlots. It's Hidden Figures. it's Carol. It's astonishingly normal, among normal women living relatively normal- even happy lives, many of them.

Don't insult their memories by implying that it has to be speculative fiction to be real.

[fdelopera]

there's something comical about Heritageposts' "blocklist" of Jewish blogs (on which my blog is listed), which consists entirely of Jews, plus some people who have been vocal allies to the Jewish community on Tumblr. (i love you all!)

Heritageposts is a known antisemite (i blocked them months ago for their explicit Jew-hatred), and they have clearly been collecting the names of Jews who have been speaking up about the tidal wave of Jew-hatred that we've been receiving from antisemites.

any Jew, and any non-Jewish ally, who speaks out loudly enough about antisemitism, Heritageposts adds to their list.

and ... i think this little piss-ant actually believes that a blocklist is going to intimidate a group of Jews into silence!!

honey. please.

we have been dealing with Jew-hatred for over 2000 years. our relatives went through the Holocaust within living memory. we've been slaughtered by the millions and shoved into mass graves.

we have been murdered by Nazis, by Communists, and by everyone in between.

we have just been through another recent pogrom by a group of fucking terrorists (Hamas is not your blorbo, kids!), and we are more united than ever.

we've been through this before, and by much worse than you.

and we are still here. and we are still proudly Jewish. we love being Jews, and we love our Jewish community.

and long after you are gone, when no one even remembers that you existed at all, we will still be here.

we will outlive you.

[pruneunfair]

Tropes in manhwa are awful yet people still defend them

I'm in a bad mood right now so what better way to release all that pent up anger by ranting on what can ruin a good story.

1: Slavery being inserted only for cheap plot and slaves being demonized as obsessive/greedy monsters for "not knowing their place"

Theres nothing wrong with wanting to insert slavery in your story AS LONG as it's not just cheap plot to make your MC look "better" by buying from a single to all of the slaves because let me tell you this: there is no such thing as a good slave owner, you cannot morally own another human being. A lot of manhwa like to have slavery be a part of their plot completely ignoring that just because the MC goes "wow this is terrible" doesn't make them a good person after they buy a slave.

Remarried empress does this with its villian Rashta by pushing the notion that she's being greedy for not wanting to stay in poverty so Navier won't suffer because apparently a slave wanting what the silver spoon mouthed nobles were born into is so terrible not to mention they justify slave owners and slavery in general as a punishment for criminals (neglecting the fact that children can be sold by their parents)

The villainess has fun again justifies a child slave being bought by the lead and he becomes an obsessive shouta love interest, fans continously justify by using the ancient lolicon excuse "he may look young but he's actually 99182823 years old!"

In divorcing my tyrant husband, Robelia buys 30 slaves and the only 2 that consistently show up have no other personality other then "we love you FL we will worship you till the end of time!"

There's a damn manhwa out there literally called the order of slave breeding and even when a story tries to do this correctly such as VADTD with Penelope being portrayed as a bad person for what she did to Eckles, fans have been so deluded by the idea that FL's buying slaves is "girlboss" that they think Eckles should be grateful to be Penelopes "pet"

2: ML's murdering innocent people after one guy hurts the FL

I already made a specific post about it before and I'll say it again: all this does is make your male lead/father figure look like a horrific monster. While you could say it's because its a medieval kingdom (objectively that is true that they would do this) manhwa and OI is the same place where despite in those times taking a mistress was considered normal they still view it as cheating and "how could you pick that slut when you have such a perfect wife!? 🤬" in most stories. So yes, modern morality is still inserted within these tropes. While I can get it's a way to show that the man in questions loves the FL so much he's willing to go to such lengths to protect her I think just mutilating the guy that actually did the sin would be enough because try imagining yourself as a faithful servant who was amazing at your job getting brutally slaughtered by the Emperor because your boss attacked his daughter or lover.

Into the light once again does this with Aishas dad murdering all the relatives and close friends of a count that tried to kill Ysis and Aisha, Aisha doesn't seem to care despite being in a situation where she was wrongfully executed in her past life.

Remarried empress does this too. After Navier is nearly killed by Krista's brother, Heinrey tortures and kills the dad and slaughters the servants of the zemensias. I can't remember if he also murdered the remaining family members but I wouldn't put it past him.

3: protagonist centered morality

Protagonist centered morality is the biggest indicator that a piece of media is dealing with a mary sue FL. Whatever the protagonist says is right is immediately morally correct. This is actually used to justify the last 2 examples with "it was for the FL!" Things like slavery, murder, workplace abuse, union busting, pedophilia, and being a POS to your loved ones are all justified if the protagonist finds a cheap way to justify it and you HAVE to agree with her because her backstory is very tragic 🥺. Protagonist centered morality also ruins the chance for good characters since the FL herself never has to grow as a person so she stays the same exact thing as she was just with more enablers and random characters will be treated as villains even if they aren't actually wrong about being suspicious of the Protagonist or calling out her behavior. It twists the narrative in such incomprehensible ways that you don't even know what your reading anymore. I can't even list all of the manhwas that do this given how many there actually are so I'll just list some that are at least self aware there Protagonist is awful/morally grey or isn't even a bad person but they still have flaws that can be pointed out

Villains are destined to die

My in laws are obsessed with me

Not sew wicked step mom

Depths of malice

The villainess turns the hourglass

Beware of the villainess.

4: villains being dumbed down to make the lead look smarter

This is unfortunately another common staple often used as a quick way to make the FL look smart and witty but is that really hard to look smarter when everyone else around you is an idiot? Not only does the FL not have to put in actual effort to best her enemies but you just start to pity the villain for basically being a punching bag. Dimwitted villains aren't always bad in fact they can be some of those most entertaining characters no matter much they lose but that only works when they are meant to be seen as a goofy character that your not supposed to take seriously. Villains that are written as extremely childish and stupid but your still supposed to treat them as serious antagonists on the other hand are just annoying since you wonder how the protagonist even got killed by them in the first life if they're so stupid.

Isabella de Mare while admitly having a good reason for being dumbed down (she's a teenager in the 2nd life so it's reasonable she wouldnt be as smart as her adult counterpart) is still a joke of a villainess who keeps flipping back and fourth from a snot nosed whiny brat to a mastermind only at convenient opportunities when the plot needs conflict.

Mielle from the villainess turns the hourglass was first portrayed as extremely conniving as she arranged for Arias downfall in the shadows but in the second life she fails at every scheme she has even though she has Emma and Isis to help her out.

Ragibach is a literal demon possessing the body of another woman with the goal of setting demons loose on the word to start another human vs demon war and she succeeded in that the first time, the devastation was all there so clearly she has to be a formidable antagonist right? Well no, she's another case of being dumbed down further and further so Keira can succeed and while they do understand some plot holes such as Ludwig not trusting her as much in the second life it doesn't change the drastic character change from evil genius to bumbling idiot.

In short: dumbing down your villains so your lead can look smarter is essentially going to give the equivalent of a hydrogen bomb vs a coughing baby.

5: feminine women being demonized as basic "other girls" sluts

Okay this one isn't nearly as terrible as the others on this list because we all love the good old "a demon makes itself look beautiful to deceive humans" kind of villain, in fact as you probably know by me by now, white lotuses are my favorite kinds of character and even in media outside of manhwa I always find myself drawn to angelic villains but it seems like this is less of that and more of "Oh those are all the other girls who just want a man to save them, look at how much better my badass rich boss babe is for working for herself while taking all of their men at the time 😎" in manhwa. As soon as a traditionally feminine girl shows up, comments are already calling her a two faced bitch and half the time protagonist is already skeptical of her. This is the opposite of what being a feminist really is, a real feminist wouldn't be putting down other women just because they dress with more pink with bows and skirts and while I do think for most manhwa this is unintentional I do wish that we could have more characters like Psyche, Helena, Athy, and Jennette that prove that being overly feminine doesn't make you a backpedal on feminism. This doesn't make the badass or sexy fl's bad either, it just means they can co-exist.

An angelic villain should be treated as evil for being a well calculated schemer, not because they have a light colored color scheme

6: toxic relationships being romanticized as good

You know for a large community that claims to be about girl code a good chunk sure likes to look the other way when it comes to toxic relationships as long as the abuser is "hot" and theres always the terrible excuse such as "he has trauma!" Or "he doesn't know how to show his love normally!" No just no we aren't doing that here. Cry or better yet beg has this problem with not only the narrative claiming that Matthias graping Layla is okay because she actually loves him and doesn't know it but a large part of the fanbase also defends it, the same goes with try begging, a manhwa written by Solche who also wrote cry or better yet beg and once again despite Leon being an abuser everyone's ready to justify his actions because he's just a soft little boy who ends up falling in love with Sally awww 😍 (what the hell?) Everyones all about not justifying abusers because they had a sad past until it's the "sexy" male leads with daddy issues.

7: maid slapping

This shit isn't asserting your dominance as a boss bitch it's just work place abuse. This trope has gotten so out of hand of being justified by narratives and readers that there is an entire webtoon called this isekai maid is forming a union that's all about criticizing twisted manhwa tropes that get brushed off with maid absuer being at the biggest one. It's funny because a lot of people complain that Isekai maid union villainizes the nobles too much but they never ask the same questions when a OI is demonizing maids as greedy and lazy in order to deserve a beating. This doesn't just stop at hands either it can escalate to threats of mutilation just to assert dominice which is absolutely sick. Most of the time these leads used to be office workers or terminally ill patients, they know how terrible it is to be treated like garbage by their superiors yet they continue to absue every maid who isn't getting on their knees for them. Most maids in real history would not mistreat a noble even if they were the most hated in the house and even if they did they'd be fired without a letter of recommendation so why can't the FL's just fire the rude maid if they care about dignity so much because I'm pretty sure getting violent with a maid isn't very dignified either.

8: disgusting age gaps

Very similar to #6 but in this case while the ML/FL isn't a cruel monster to their partner it doesn't change the fact that grooming and pedophilia is still a crime worthy of life in prison. You'd think "oh no way, this can't be justified can it?" You'd be wrong. Now I belong to house of Castillo thankfully has a larger fanbase of people who think that a relationship between a girl who got groomed by her knight is bad but in cases like into the light once again a lot of people like to say "Well Aisha is technically 28 so it's fine!" When it really isn't since Aisha is still mentally 14. Taming my ex husbands mad dog is another one that does this with Reinhardt grooming a 16 year old boy and its apparently meant to be "cute".

9: claiming a character as unattractive yet giving them a perfect body and appreance

I just think this is a major cop-out since there's time where they want to make a realistic story yet also wanting a fantasy fufilment. I don't think its a coincidence that the only woman in tears of a withered flower that yout supposed to support is a Victoria's secret model body type. Even though she's meant to be an overworked exhausted 33 year old woman being mocked for losing her beauty she sure as hell isn't drawn that way, the only other women around hae soo are all women with smaller boob's and in general more common body types that are either classed as stupid or jealous that Hae soo is so beautiful that all the attractive men want her

how about we don't pit all the women against each other for once? And let's especially not villainize other women because their jealous they could never be have large boob's and tiny arms+waist at the same time?

10: the commoner protagonist actually being a noble rich person all along

Look I know most of us had loved those "the hated child is the lost princess" GLMM but we need to drop it because it's kinda disappointing that the nobody who had to work their way to the top is actually a secret magical princess who had royal blood in them all along. While I did think the villainess turns the hourglass was a pretty decent read I was super disappointed finding out that Aria was of noble descent all along. I liked seeing a commoner protagonist for once and it really felt like it was critiquing the idea that all commoners and poor people who want nice things like the nobility are greedy animals. Something similar can also happen with certain saintess manhwas that decide to twist itself into "the villainess was the true saintess all along!" And I'm just sitting here thinking "well there goes the hope that you didn't need the super duper rare power to be a strong character"

I feel way better now after writing all this.

[mothwingwritings]

C and F for my boy Pickle

Eyyy sorry for the delay! (Yes I am still working on these!!!) Here is some Pickle goodness for you my dear.~<3

WARNINGS: Sex and violence and one love sick feral man.

Cruelty: How would they treat their darling once abducted? Would they mock them?

Pickle would honestly treat you as nicely as he is able too. His living environment has its limitations, but he does everything he can to make it comfortable and inviting for you, adamant about making it a home that is fitting of his mate.

Once you are safely stashed away in his secret abode he sets to work constructing you a nest of things so that you may find pinnacle contentment in your new home. He’s gathered an amalgamation of the softest blankets, clothes, linen, etc. that has been given to him or that he has scavenged, so that you may rest in peace and luxury while in his presence. He also brings you the best cuts of meat after his hunts, though he caught on quickly that you were apt to turn your nose at his bloody, raw offering (he couldn’t quite understand why, he was sure you would love it if you just gave it a chance). Once he picks up on your distaste, he instead begins to hoard ingredients and snacks he steals picks up out in the world, supplying you all manner of foodstuff till he pins down the ones you like.

While Pickle prefers you in your natural state, he understands your body needs protection from the elements. He doesn’t quite get modern fashion, but you seem sad wearing the same thing over and over again. While he’s out he procures a hodge-podge of varying clothing, presenting it to you by dumping it at your feet, a huge dopey grin on his face. He loves seeing you in the clothing he gifts you, you look so beautiful in each and every piece that he can’t help but stare, holding back the urge to rip it right back off and have his way with you.

Pickle won’t mock you and wouldn’t dream of disrespecting you in anyway. Any harm he causes you is either completely unintentional or for your own good. He loses control of himself sometimes, forgetting his own strength. You are just so small and he loves you so much, it’s hard to hold himself back. He hates using his strength against you to prove a point, but if you remain insistent on trying to escape him he will do what he must to protect you. You are HIS mate and HE’S the only one who can take care of you. All that’s waiting for you in this strange new world is danger, so if you won’t stay by his side willingly, he will force you there.

All that said, while you may be relatively safe from Pickle’s more violent tendencies, anyone else most certainly is NOT. If another person approaches you, threatens you, or tries to take you away from him they will be obliterated, decimated, ripped to shreds, torn apart until nothing is left. He’ll bask in the gruesome slaughter, their end another validation that he is the best one for you, the one who loves and can protect you above all others. Doesn’t matter if that person is a stranger or your own mother-he is all you need, anyone else butting in is an unnecessary threat.

Fight: How would they feel if their darling fought back?

He would find it incredibly charming if you tried to fight him. Pickle doesn’t see it as an act of aggression at all, but views it as you trying to mimic him as a sign of reverence. You think he is so impressive and strong that you strive to be like him, going so far as to challenge him to a fight. It’s adorable, and he can’t help but break out into a huge toothy grin when he sees you assume a fighting stance.

And it excites him- seeing you tense up, clenching your fists and bending your knees, preparing to strike at a moment’s notice. Seconds before the fray, you stare him down with such intensity, sizing him up and calculating what moves you should make against him, gears turning in your head as you focus wholly on him. The fixation on him sends a shiver of anticipation down his spine. He is the only one you are thinking of in that moment, and in turn you are all that is occupying his thoughts.

Your strikes never hurt him and he can tell how much that frustrates you. He’ll play along sometimes to make you happy, yowling like a mother lioness that is being batted by her cub. He’ll cringe at your punch, shy away from your kick. If he’s convincing enough, you sometimes award him with a small smile, a brief look of accomplishment. It warms his heart, knowing you are having as good of a time as he is.

He also relishes the closeness the two of you share when you initiate these little fights. Usually you try and hide away from him, distancing yourself as much as possible whenever he is in the vicinity. At first he thought it was another game you were trying to play with him, something coy, cute, and seductive to grab his attention. But when the chase became a regular thing he was disappointed, why did you put up such a fuss each time your mate tried to approach you? You didn’t even give him a prize when he finally caught you, just flailing and screaming and spitting. It hurt his feelings- this was supposed to be fun.

But the little brawls you had were fun, and they gave him a chance to have you near him without any to-do. He could feel your skin on his, smell your sweat as your body writhed and wriggled against his. Feeling your small hands grab at his hulking form, listening to your strained moans and heavy breathing as you threw your all into attacking him… Witnessing you in such a state, holding you close as your body rubbed his in just the right way, it doesn’t take long for him to completely lose control.

Before you can recognize what is going on, your body is sheathing his cock, previous grunts of exertion quickly turning into wails of pleasure.

He doesn’t understand why you cry so much afterwards, though. Were you not having as much fun as he was? You initiated the fight, why are you so upset at the outcome? It was a good tussle, and judging by the noises you were making, he was able to make you feel good. Even if you struggled a bit when he was trying to enter you, you always end up yielding to him. The fit is tight, and there have been several times he was afraid he would outright break you when he pushed deeper, pressing into your core.  But the pleasure that courses through him as he bottoms out is indescribable. He loses himself in the feel of you surrounding him, completely consumed by the euphoria your body has supplied him.

You are his perfect mate, his brave little warrior, and his love for you is endless. So don’t cry, OK? Maybe next time he’ll let you really ‘win.’ :)

[sunboki]

— ENDLESS WINTER. TEASER a Christopher Bahng fiction

Christopher Bahng x fem. reader

TROPE. Beast! au, Mage! au, enemies to lovers (she wants to kill him), marriage au, angst

WARNINGS. violence, kidnapping, mention of a past war, descriptions of murder, reader is injured, hyunjin is a bit of a pain, hinted minsung (hehe), blood, kissing (dubcon), cursing

WORD COUNT. estimated around 12k

AUG'S NOTES. me and my inner thoughts… as a fic 😭 i cannot believe this is my longest writing yet!!! hopefully you enjoy!

SYNOPSIS. As heiress of the Magus, otherwise, Mage Clan, you find your position ripped from your fingertips when the Beast Clan conducts a raid. Left the only survivor, you make it your priory to stay alive in a ravaged Kingdom. That is, before you’re captured.

alternatively :

Starvation becomes the least of your problems when you meet King Bahng.

Hiding in the kitchen’s cupboard was definitely not your intention.

Neither was the Kingdom getting raided by the Beast Clan or being the (presumably) lone survivor in the castle, but fate would have its way, whether you liked it or not — this one just a bit more severe than usual.

Your mother once told you of the Beast Clan, of their ferocity and inability to handle things diplomatically. In her opinion, Beast were barely able to be considered Human.

Well, these words came after the Mage-Beast War; a grueling, disgustingly brutal dispute that caused what was referred to as the “Endless Winter”, a curse put upon the nation by a Magus overseer bidding every day of every year with, well, “endless winter”.

She told you how the ground used to be a wondrous green. Soft beneath your fingertips like feathers. Now, blankets of snow stretched as far as the eye could see, killing off any remaining expanse of foliage.

Although years had passed since then, your Kingdom was still recovering, still navigating importing routes in order to supply necessary goods.

Yet, everything was rapidly adapting, whether that was the snow-shoe rabbits roaming your vast tundra or the unexpected growth of fur on the bottom of the horse’s hooves.

Growing, learning.

Magus, though a lineage of magic practitioners, had begun to dull over the centuries. There was no need to learn with peace eminent, and the more aged those wielding supernatural abilities became, the less said abilities progressed into your generations.

However, Magus is the hearth of your Kingdom, and for as long as you live, the title shall reign supreme.

A title that, used by enemies and allies alike, had modernized from its ancient form Magus, to Mage.

Dinner held in the customary hall began that night, seat upon seat homing each member of the family adorned in their extravagant clothing.

Your father occupied the upmost chair, his plate stacked full of greasy lamb and pork bones. You, on the other hand, had had your fill chatting the cook’s ear off, slipping sweet potato wedges here and there as you talked.

Ms. Maewether was her name, a sad soul who carried her love in her cherished dishes. A love reserved for her late husband, a Beast himself, who unfortunately passed in The War.

Back then you asked her questions to the moon, about what they looked like specifically — if they really had eight inch claws like all the other children gossiped, if they could feel.

The last one was important, because everything Ms. Maewether told you you believed without a doubt, and the number one thing she pressed was that Beasts can feel, so very deeply. Just like humans.

The War changed that, and tension rose tenfold, especially as each Kingdom recovered from their countless casualties.

Luckily, your life had been peaceful, having been born young enough you could hardly remember.

Had been peaceful.

A scream from outside redirects the table’s conversation, relatives and siblings alike turning their head to gaze out the window.

Your blood runs cold.

Beasts, left and right, are slaughtering. Their clothing stained in blood that certainly isn’t their own, blades in clutch.

Immediately, panic ensues. People are trampling over each other to get out, disregarding every instinct but to stay alive. It’s chaos.

Dodging flailing bodies, you anchor yourself in a secluded cupboard below the countertops, shrinking as close to the wall as possible.

A few moments after everyone evacuates the Dining Hall do you hear cries. Yelling, gargled sounds. You cringe back imagining, stifling your breathing as much as possible.

Suddenly, a thought comes to mind, a thought that might just be responsible for saving your life.

Smell.

Ms. Maewether warned you a Beast’s smell is like no other, like a dogs. Twenty times as heightened as a persons.

So slowly, silently, you fish your hand into the small bit of darkness in front of you, locating a small bottle of cooking grease you wince upon finding — forcing the awful smelling concoction over your body, masking your scent.

Right after sitting down the container does the door creak open, heavy footsteps belonging to none other than a Beast. You can hear it in their sniffing, the clicking of their claws. Chills scatter your arms.

Another enters as the second door creaks, muttering something incomprehensible to its companion. At this point you’re pressed to the other side of the cupboard, both hands covering your mouth.

Your heart thunders in your chest, beating unbearably loud the longer you huddle.

Walking past where you lie, a Beast stops, body ducking down close enough you can hear its labored panting. You wait, waiting for the door to be flung open and for your death to await.

It doesn’t. And you thank whomever above for the echo of its presence fading away into the distance, barely relaxing against the highly uncomfortable hiding spot.

Instead, a blood curdling screech rips through the atmosphere, comparably close to where you hide. Abruptly, it stops, the thump of a body against the floor making you staunch the nausea building like bile in your throat.

It takes three days for you to finally peer out of the cupboard, the entirety of the Kingdom completely void of a soul.

Taking your first few steps around do you notice a woman, obviously slain by the puddle of blood surrounding her and the putrid stench. Her mouth hangs open—horror-stricken, frozen in place. You vomit in the sink.

For about a week do you roam the murder-house of a castle, finding purchase in a non-blood-bathed room and the many, thought to be endless amount of food.

You won’t leave, simple.

As long as the Beast Clan believes they’ve killed everyone, you’re safe.

That reminder was assuring, until your food supply dropped exponentially and a new problem situated itself on your platter.

Worst case scenario you die of starvation, the likelihood high if you stay here. Solution? Hunting.

Granted, you’re not the most skillful hunter, but you’re also not horrendous with a bow. Except, it’s not your aiming abilities you stress, it’s the chance someone sees you, the enemy sees you.

Four weeks in and you’re left with no other choice than to bundle yourself in layers upon layers of clothing and heed the feeble weaponry available.

Blizzard frost permeates your vision, wobbling steps making your hunger evident the more you roam. A horse would’ve been effortlessly useful, but selling yourself into that fantasy had been futile upon realizing they either took or killed all escapades.

A hare catches your eye, pale fur barely divisible from the terrain below. Carefully, you crouch down, elbow stretching the arrow back as far as possible whilst maintaining a solid grip. Steady. Steady.

Shoot!

The arrow flies, puncturing the animal in its chest enough to where it thankfully doesn’t suffer, flopping over rather pathetically instead.

However, your success is short-lived.

Stalking forward to snatch the creature quickly, a shadow looming overhead halts your footsteps. Behind you.

Before you can think to run, you wind back, meager arrow in hand providing little defense against the attacker.

First thing you take in is how huge they are. At least six feet tall if not taller, brilliantly ruby eyes revealing its true identity.

Beast.

With ease the man has your efforts pinned, curiousity overflowing as the animal looks at you. Yet, he doesn’t look like an animal, and apart from those eyes of his, no other factors would’ve revealed him to you but that.

This Beast has a fox-like face. A younger stature and smaller, slanted features.

“Hyung, what is this?” He asks, lifting your petrified frame like you were the rabbit you’d killed earlier.

His older counterpart glances over, and any hope of getting released plummets upon those wild crimson hues focusing in on you—knowledgeable as to what you were.

The cooking grease had long worn off, and your identity was likely as apparent as can be.

Mage.

Older Beast easily roaming through the snow, his fingers tangle into your hair, drawing out a cry when he jerks his hand up, forcing your gaze to meet his through the searing sting of your scalp. The younger grimaces.

His long, nearly white hair is tied into a ponytail, sharp cheekbones and calculating stare beyond intimidating. Beneath his left eye you note a small, distinct mole.

“One remained, huh.”

sunboki, may 2022 ©

[lisafication]

Digging Graves for your Morals; Or, The Ethical Problem of Outlawry

Hello, yes, I am here again. This one is shorter, I swear (it’s under four thousand words, even). If this is the first post from me you’re seeing, this is a follow-up to my prior essay posted here on the game The Coffin of Andy and Leyley, although it should be able to mostly stand alone.

At the end of my last essay, I touched on both the game’s nearly uncompromising moral scepticism and relativity, but I didn’t really dig into it. I outlined that the game only textually frames actions as ‘morally bad’ in the context of a morality set by the society and the world that has treated them as no better than farm animals raised for the slaughter. Well, I have a lot to say on the topic of ethics on the topic of The Coffin of Andy and Leyley, so buckle in, this one’s going to talk about the social contract, moral scepticism and everyone’s favourite topic: Mrs. Graves.

As usual, this was originally posted and formatted for on Sufficient Velocity and you can perhaps more easily read it there. Spoilers abound, and my content warning from last time still applies.

She’s not too hot on either ethics or her mother

The Meat of the Matter

Since a lot of this is optional or otherwise missable information, let’s review the premise the game gives us. If you’re already aware of all of this, I apologise, it won’t take long.

First off the bat, the quarantine at the start of the game was a hoax-driven money-making scheme of which you can pick up more-or-less all the relevant details of. This is entirely missable and by the time it’s possible to discover, our protagonists have better things to dwell on and have dialogue about, so I’ll give you a summary of what you can deduce from reading the notes and thinking about it.

The quarantine is an organ harvesting operation, as per some documents you can discover in the wardens’ office. They entrap the residents, test their blood types and starve to death those they deem surplus to requirements — alternatively the starvation itself could be their method of ‘preparing the harvest’, there’s evidence in both directions and it hardly matters — harvesting the organs of the others for sale. As our protagonists are AB-typed, the ‘universal recipient’ or ‘most selfish blood type’, they’re some of the first on the chopping block.

If you read through the newspapers and the documents in Mr. Washing Machine’s car, you can discover that ultimately ToxiSoda are responsible, and a similar thing is happening in a different city under the guise of a ‘chemical leak’.  Should you further investigate matters, you will find mentions of the ‘man behind it all’, the doctor, or the Surgeon, as the fandom have been referring to him — you may recall Mrs. Graves mentioned someone similar! Yeah, he’s the guy who runs ToxiSoda, who are themselves partners with the water company that faked the parasite outbreak in the first place.

It’s all a life insurance scam, apparently

How much the details of the operation matter is something open to interpretation — it might just be something for players to figure out and Episode 3 will not cover the Surgeon at all, or he might play a major part; it's not particularly relevant to this essay. What matters is that it happened at all — indeed, it’s fairly easy to justify Ashley and Andrew in everything they did in Episode 1 (flashbacks aside), arguing that if they’d made any other decisions they’d have died — an argument that the victims dug their own graves, even if the Graves siblings put them in them. How correct that is is a matter of debate, but that you can make the argument at all matters, and we’ll be returning to this later. In my last essay (and again in the introduction here), I made an analogy to farm animals, raised without love and for slaughter. Let’s put a pin in the ‘for slaughter’ part for now and take a look at the ‘without love’ part. 

That’s right, it’s time to meet the parents.

As Andrew notes, there are significantly more compelling reasons for you to say that

They Fuck You Up, Your Mum & Dad

They really do. 

Our charming protagonists are, as with many things depicted in this game, an exaggerated, almost farcical example of this phenomenon — one that’s just grounded enough to still feel very real, just like the siblings themselves. 

The late and lamentable Mrs. Graves is just the same: originally a teen mother, hopelessly out of depth with two difficult children — even if one was good at masking it — and an unreliable, emotionally unavailable (at least to their children) partner who can’t hold down a job, ends up foisting them off on each other and doing a Parental Negligence because she simply Cannot Cope. That’s the real part. The part where she gets paid off by an organ harvesting operation to leave them to die, that’s the borderline-farcical exaggeration that throws all the nooks and crannies of her character into sharp relief.

Mrs. Graves does not have a good relationship with either of her kids. Having self-admittedly fobbed the job of raising Ashley off on her son, to the degree that they did not even celebrate her birthday as kids, both of them hold differing degrees and types of resentment for her.

For Ashley, it’s hate — perhaps not quite so clear cut as that, as it’s her that calls for the eulogy and she shows some potential signs of discomfort while cleaning up her parents’ corpses, but by and large, it’s fairly simple and straightforward, as usual for Ashley. The sentiment is not exactly unreturned, either.

This brings Ashley’s heart great delight!

The most clear incident raising her from everyday ‘neglectful’ to ‘wow she wanted nothing to do with this kid’ is the optional ‘birthday cake’ scene, obtained by finding the present in Ashley’s first ‘transitory world’ dream, in which we see Ashley’s birthday  and the founding of a lemon cupcake tradition between Leyley and Andy. She has received nothing from her family, notes that her ‘friends’ would say they were busy before she even told them the schedule and Andy takes her out to buy cupcakes with his pocket money.

This scene gets a callback in Andrew’s dream later. Just remember to Ask Nicely, rather than Kill Her.

Parents of the year, everyone.

So with Ashley it’s as straightforward and obvious as she herself is — she hates her mother, her mother hates her. With Andrew, as with Andrew himself, it’s a fair bit more complicated. His mother is a much more nuanced figure, who is believable in her role as an unfortunate teen parent who was trying her best. He has a degree of trust in her against, seemingly, his own good judgment In her conversation with Andrew, she acknowledges her fault in raising him and seemingly sincerely tries to offer him a ‘way out’, an olive branch.

I think many people have had relationships where they might say this

This scene in particular intrigues me, because she is acknowledging fault in a way that Andrew strictly avoids doing — and well, there’s nothing Andrew likes more than a good way to avoid acknowledging any fault of his own. With her dominant relationship over their father as a model for Andrew to draw comparisons to his own relationship with Ashley with, it’s no surprise that the narrative resonates with him to the point of ‘Accept’ being many people’s first completion.

Of course, that’s not all there is to it. There is a fascinating contrast with her later conversation with Ashley, where she — despite accusing Ashley of brainwashing Andrew — refers to Leyley and Andy as ‘two psychos’ and states that she always knew they were responsible for Nina’s death and that, implicitly, they owe her for not turning them in. 

There's something about mother-daughter relationships here that I just do not have the time or reading to dig into, unfortunately.

Meanwhile, when Andrew interrogates her on her possession of their death certificates, she has… an interesting, plausible story about a life insurance scam and claims that she really did think they died in the fire, implicitly denying the claim that she sold them. It’s entirely possible that she’s describing the details of the ‘scam’ correctly — you can even buy that she genuinely does care for Andrew in some way, if not Ashley, but her claim about being an honest, grieving parent shocked at their deaths… doesn’t add up?

This is a very normal reaction to your supposedly dead children showing up in your house.

As Andrew himself notes after hearing her story, she’s full of shit. This gets into speculation, because there are a few ways to read this, but the most plausible ‘gist’ is that she and her partner were paid off in money and jobs to not raise a fuss — the surgeon she mentioned is almost certainly the founder of ToxiSoda, remember?

The overwhelming difference in presentation between how she speaks to Andrew and Ashley invites investigation — and when Andrew turns down her offer and tells her he isn’t interested in her offer in Decline, her reaction isn’t… despair, it’s shock — and well, there’s a good reason for that.

Why do you think she did it in the first place?

This is the happiest we see her

Well — it’s so she can finally fit into society. That white picket fence, that idyllic 1950s life — hell you can call it the American Dream. She wants that, or as close to it as she can get — the working-class teen mother, living in poverty, aspiring to the middle-class. It’s a very common, very real and very grounded motivation.

And to that end, she effectively sold off her children. It’s no wonder she can’t fathom why Andrew wouldn’t choose the same.

That’s the part that makes you think — just like the deaths in Episode 1, well- maybe the siblings are justified here, too. It’s a weaker argument, but it’s still one you can make under many common moral paradigms today — what goes around comes around, all that jazz. Just look at how awful she was to Ashley.

She’s finally found what she’s been striving for.

Here’s the thing, here’s the thing though — what, reasonably, could she have done? Andrew and Ashley briefly highlight this in conversation about Ashley’s ‘friends’ in Episode 1 — was she supposed to fight gunmen to try and break them out? Throw food to the balcony from four stories?

Moreover, as she herself says to Andrew… would anyone really have been able to do better than her in her position? She was seventeen when Ashley was born, living in poverty with a partner who couldn’t even remember Andrew’s name when he was a kid. Anyone would have had difficulty, let alone with these kids.

Her evils are — they’re not any deliberate action, but rather… prompted inaction. She didn’t have the emotional energy, resources or plain capability to properly parent her children, she didn’t have any solutions to their murder of Nina in a state so blatantly hostile to its underclass, she didn’t have a way to connect with Ashley and she took the money rather than fight a futile and likely suicidal battle against a corporation and its armed goons in a dystopian setting.

Ashley, notably, does not deny this.

Her sin is the one we’re all, I think, guilty of — that of not trying hard enough, that of inaction in the face of difficult tasks, of not standing up on principle because it’s just too much that day and you don’t have the spoons, you’ll do it tomorrow (no you won’t). It’s a petty, everyday kind of evil — that of not doing enough. 

Is that enough to condemn her? Certainly, there’s a pretty manipulative read of her that likely has some truth to it — in the locked door in Ashley’s dream in ‘Decay’ you can discover that she has a ‘not-hatched’ tar soul — but consider that lens — the game won’t make up your mind for you, so you’ll need to choose that for yourself.

The dad is interesting in terms of negative space — but he’s mostly important in that he doesn’t matter, so I decided to not fit him in here. He has art, though — just no sprite, because, well, he’s never mattered to either sibling.

The Contract We Call Society

Right, it’s time to get a little bit Theoretical in here. Not much, but a little. Social contract theory is a complex topic with a lot of nuance, much of which I will be eliding in the name of not writing a twenty thousand word paper on semiotics, law, and anthropology, but the short analogy is… the idea that as long as you play by society’s rules, as long as you are a good citizen, a good person, the state, or the community, will take care of you.

In a number of ways, the harshest penalty levied by many historical states and legal codes was not death, but rather the criminal status of outlawry, a practice that’s cropped up a number of times in history — the practice of no longer being protected by the law. This meant one could be killed or worse with impunity — you were no longer protected by mob justice and, while overexaggerated as a term of reference, certain texts from Medieval England refer to outlaws as bearing a wolfshead, ‘for the wolf is a beast hated by all folk’. Never minding that wolves are actually delightful, this was a time when wolves were actively hunted and sold by people — and the same was intended to happen to outlaws. They were ‘fair targets’ as far as society was concerned, no longer to be treated as your fellow citizens.

This was the gravest punishment on the books, for most of these legal codes — something saved for those who had broken the social contract so completely that there could be no turning back (civil outlawry is… a bit different, that’s not the topic here). Among others, a modern critique of the concept is that it offers no incentive for improvement, no incentive to change or to cease harming society — if an outlaw has none of the social contract’s protections, what reason do they have to obey… any of the social contract? If that seems familiar, well, let me ask you this:

What if the state or community fails its end first? What responsibility does the innocent outlaw have to that contract?

It’s an interesting phrasing, that the world is better off.

It’s time to talk about the incest, and part of why it’s there. The cannibalism too, but that’s less impactful here. If you’ve seen me elsewhere, you might have seen me say that the incest is a load-bearing narrative pillar — in large part due to it being a critical facet of the siblings’ relationship, but in another large part due to it being an equally critical part of how the game uses taboo.

A taboo is in this context something that is considered repulsive and to be avoided by society. It’s a more complex term than that — you can also use it for certain sacred actions or utterances that are only permitted to certain people, for example — but that’s what it is here. Swearing, premarital sex, BDSM and murder are, approximately from weak to strong, some example taboos held in modern Anglospheric society. 

Strong taboos are a staple of horror — they shock, they disgust, they draw people’s attention and it’s that last one that’s critical here. Incest is a very strong taboo — while I am absolutely not segueing into its historical context, the very well-established Westermarck effect gives it a certain timelessness and immunity to desensitisation that most other taboos don’t have — murder, to contrast, is a taboo we’re largely desensitised to in modern media and works of modern media have to put in actual work to make a murder seem horrifying — through atmosphere, cinematography, evocative prose etc.

And this is important because the use of taboo I’m covering in this essay is that the incest is used to invite judgment — it is so ingrained as a ‘wrong thing’ in people’s brains almost regardless of background that it forces the player to engage with the work morally. And that’s where the fun starts.

I’ve mentioned before, very briefly, about the juxtaposition of tone between the Burial & Decay endings, contrasting with the very monstrous difference in morality. Burial is remarkably light-hearted — they play around with the drain blockage, they joke about their mother’s personality and this is further exaggerated on the Love path, where Andrew is much more comfortable with casual contact and the two make a game out of how far they can throw their parents’ skulls, the humour is directly contrasted against their abhorrent actions.

I’ll be real Ashley is far more merciful than I, I’m shuddering at the thought of that gunk in my hair

In comparison, Decay is… bleak. I’ve seen it being referred to as being ‘emotionally sandblasted’ and, yeah I think that’s fair — it’s uncomfortable, it’s heavy and it’s just not fun. And this is the route in which, if you chose Trust into Accept, Andrew has bought into the narrative that his mother’s offered — that he can fit just fine into society if he wasn’t stuck, if not for Ashley — the route that ‘fits’ most closely to the social contract, to Andrew feeling the guilt that we think he should and hating the monsters that they’ve become, as the social contract deems them. Given the pains the game takes to attach the player to the protagonists, this normative moral ending is very easily interpreted as the bad ending.

And well, isn’t it?

Thing is, as mentioned above, the social contract has never held up its end for them. The game takes careful pains to point out to a viewer that they’ve never had the life that society promises people, so why do its moral standards apply?

The game invites you to judge the characters, and in the same motion, asks you from what principles you judge them, making a pretty good guess in that, like most people who haven’t spent a large amount of time navel-gazing and reading some very boring books by very dusty old men, they come from the society around you.

Love even has Ashley express this sentiment directly after the incestuous dream — she asks you — well, Andrew, but this is also something for the player to mull over — why this is what’s engaged your morality or sense of revulsion, rather than the desecration, cannibalism or murder.

Andrew and Ashley are both very funny and very fascinating in this scene.

And that’s the framing that it casts all of its own moral judgement in — even the ‘tar-soul’ aspect is… well, it’s unclear what it even means. Mrs. Graves was a ‘not-hatched’ tar soul, after all. Other than that, it’s society and the world being better off without them, rather than any kind of assertion of objective morality. Due to the present of ‘soul colour’, we’ll presumably see the game make some moral statements in Episode 3, but as it stands?

It’s nearly completely morally sceptical, in and of itself — it’s not interested in moral assertions or education, it’s interested in making you question your own morals. Deconstructive (not that kind), rather than dialectic, to be mildly pretentious.

It uses taboo and shock to invite moral judgement, but then uses tone, charm and our instinct to look for the happiest end for our blorbos to get you to recognise that these are principles you yourself brought into the game, rather than any it’s handed you. 

To summarise: you’ve brought these principles in from society, but what do the siblings, the protagonists, the villains to the world, owe society? Enough that they should follow them? It failed them first, after all.

Closing Thoughts

This one is a bit less energetic than the last, tragically — my sleeping schedule is the stuff of nightmares recently, I love windy weather. Wait, no the opposite. Huge thank you to everyone who commented on the last one, you are the wind beneath my wings and the main reason I managed to get this out this week.

This essay is a bit more interpretative than my last one — certainly, there are alternative readings and I’ve been toying with the idea of deliberately taking a reading I don’t like very much and writing from that perspective as a demonstrative exercise recently — mostly that you shouldn’t just take my word for things!

Otherwise, if the last bit at the end seemed murky, I apologise — I did try to write a more detailed version, but firstly, it was three thousand words and secondly, I re-read it the next day and I could not understand what the fuck I was talking about. Personally, I blame Derrida — suffice to say that I strongly recommend playing through it with an eye towards considering culpability, morality and why you think certain characters are more or less forgivable than others, and for what deeds. See what you get out of it.

I managed to keep one particular thread open to wrap up with here —  I try to keep speculation on Episode 3 content to a minimum in the main essays, but it should be fine here — you might have noticed that I refer to Episode 1 and Episode 2 being on something of a spectrum of justifiability, with the siblings’ actions being ‘more’ justifiable in Episode 1 and ‘less’ justifiable — but still justifiable if you try — in Episode 2. 

To continue the thought of the happiest ending being the one in which they step the furthest away from common morality and to further jar the viewers’ sense of morality by contrasting societal morality and blorbo-oriented morality, Episode 3: Burial could continue this trend in having a major victim be someone who, well, has done nothing wrong and isn’t even guilty of bystander syndrome.

I wonder if there’s any good candidates, someone who’s sweet, harmless and will indisputably be an innocent victim…

…I’m sure she’ll be fine

[lady-quen]

Numen, "Love" of Jormag, the scion of Ice. Also known as "The One Who Opens the Door". (He/They)

I don't have their norn design (nor name) yet, but imagine the most innocent blonde boy of short stature with striking blue eyes and the softest smile :) Character backstory below cut! Pspspspsing at all angst hound Commanders out there!!

An orphan rescued from an abandoned village in the Deep Shiverpeaks. Though losing entire settlements to the savage Sons of Svanir was a common occurence, there were no signs of attack, no blood, no slaughter, it just seemed like the inhabitants simply got up and left merely moments before a norn patrol arrived to rest at the local inn. Doors and windows were open, rendering interiors freezing.

The child, naturally, had no known name and was of an unsettlingly pale complexion. He was taken in by the warriors and brought to Hoelbrak, where he grew up more or less normally.

Though he did fit in, he was frail and unfit to pursue his legend, or even be a hunter, despite clearly wanting to. Instead, he was an elementalist with the rare affinity for ice, something the elders theorized to be a result of the near death experience in his infancy.

The boy joins the Commander's party relatively early on, perhaps as an adoptive younger sibling/childhood friend to Braham, and makes himself useful with his unique magic. It's during S3 that things begin to get weird, with Jormag stirring from slumber leading the young man to run off as though following a silent call, before eventually returning seemingly with no memory of whatever happened.

During IBS, he starts acting even weirder, with people mysteriously going missing when left alone with him, as though spirited away. The Commander and Braham confront him, wishing to get to the bottom of what's happening to their friend, only for the reveal to happen.

He was never a norn, but the shapeshifter Numen, the One Who Opens the Door. Every cycle this happens, the scion's memory is wiped and they're found and taken in by the living races, they come to be loved, grow into an identity, only for that love to become everyone's downfall. In Jormag's own words,

"You'll sleep now, and be their child. But you will always wake, and be my child first."

The character could go a traditional villainous betrayal route or (maybe preferably) an "I never wanted this but I can't refuse my creator" tragic route. Two personalities fighting inside, the servant of the Ice Dragon and the personality developed during his time in Hoelbrak and then, with the party. But most importantly, the Commander has to make a choice between saving many people via slaying Numen during a Dragon Response mission or trying to save him, in whatever way they might devise.

Naturally, if they do slay him, Jormag's only got one thing to say: "I see you're more than willing to discard love... if it only aligns with your heroic ideals. Weighing lives on a scale when patience cannot be afforded. Well, no matter. Raven taught you well. I wonder just how easily you could do the same to Aurene?"

"Tell me, o Commander of Tyria, what's worth more to you? The world, or her?"

[interastical]

Another Phighting writing account??YAYYAYYAYAYAY

can you do yan!Subspace x former assassin!reader (reader is gender neutral!). The reader was from Blackrock but ran away and uhh Subspace kinda found them again.. oneshot please!

(I stole this request from someone because the other writer hasnt update for a while and I am in desperate need of fanfics.. thank youu!)

sorry for taking so long on requests! i've got a good handful in my inbox now and since i got a lot of my assignments out of the way, i can start working on these ahaha

requests are also still open! please feel free to send some my way in my inbox :)

aanyways, thank u for being so patient!!! here we go

tw - yandere themes, kidnapping, drugging, semi-realistic violence

˖°.𓆩♡𓆪 .°˖

♡ YAN ! SUBSPACE X READER ♡

˖°.𓆩♡𓆪 .°˖

Your life at BLACKROCK was -- to put it bluntly, a living hell.

Your entire life, all you ever knew from the moment you entered this world and were shipped off to that horrid faction, was violence, war, weaponry, and murder.

You were trained to hurt people. Hurt demons who dared try to question Blackrock. Those who tried to flee, to escape the freezing confines of the place.

Rules were strictly abided to at Blackrock. Make one mistake -- consider yourself a goner. The best outcome was you being thrown in prison, the worst outcome was being slaughtered publicly.

You were made to abide by the rules and silence those who made the smallest of mistakes.

Nobody ever thought you'd break the rules one day yourself.

So when you one day disappeared, having vanished off the face of the Inpherno, Blackrock believed you were a goner.

That was far from the truth.

You knew the ins and outs of the faction, making your escape was relatively easy -- a cakewalk.

As an assassin, you specialized in stealth, speed, and agility. Maneuvering past guards and treading through freezing cold blizzards did not falter your escape in the slightest.

And when you were finally out, taking a deep breath of the fresher, evenly temperature air, you believed to be in the clear, as long as you managed to keep a life of anonymity, what could go wrong?

And you were right -- everything was fine.

Until one day, when mindlessly watching a PHIGHT, you noticed a familiar face participating in the round.

Subspace T. Mine.

You felt your heart stop in the moment.

Back in Blackrock, the two of you hardly had any form of connection. Rarely spoke to one another, as the two of you were on completely different fields of work.

His rambles about discovery and science nonsense made no sense to you. His work partner - Medkit, seemed constantly annoyed by the guy's presence as well.

You always talked to Hyperlaser more often. You still occasionally met up with him and Katana to go out for drinks in Crossroads -- as Hyperlaser was your only friend from Blackrock who swore to keep your existence a secret to that awful, awful faction.

But you did always take note of how Subspace.. stared at you often, whenever the two of you did manage to encounter one another back in Blackrock.

You remember constantly asking him if he needed something, and he'd whip out some awful excuse, saying how he was just "focusing on something next to you" or "staring off into space".

Yet, he always did it often. It got on your nerves.

The guy was .. a little weird. It's no wonder you constantly avoided him.

But Subspace... knew everything about you. Unbeknownst to you.

He'd often send a Biograft to just .. watch as you worked in Blackrock. He was so utterly captivated by the way you'd wipe out any filthy traitors with a single swipe of your blade.

You were so.. powerful -- flawless, perfect.

Subspace wanted everything you had.

Subspace wanted you.

The way their blood would hit your face, your stoic expression unchanged at their screams and cries -- as you silenced them with ease.

He so badly wanted to talk to you. But he could never find the courage to do so, despite his greatness, talking to you was his only flaw.

Medkit was often forced to listen to his constant rambles about you, often tuning it out and focusing on crystal studies.

But oh -- did Subspace just want to bring you in, set you down and tear you open, digging around at your inner workings, watching as your blood would stain his skin.

He needed you.

So when you disappeared, Subspace was devastated.

His work became sloppy, slower, and his emotions became violent.

Medkit suffered the consequences of his outbursts.

Nothing was never enough. Not without you. He needed to see you again -- even if you were some lifeless, rotting corpse in the midst of a blizzard, or if you were out there somewhere, he needed to find you.

So when he felt eyes on him during a PHIGHT match that he'd found himself participating in, he turned his head.

And he saw you.

You looked different. Your appearance was different, but it did not change the fact that your face was the same.

He found you.

The match? Subspace didn't care about some stupid bux anymore. You instantly clouded his mind. Thoughts of you, your face, your skills, your expression -- everything.

He could hardly hold back the manic laughter bubbling in his chest, rising to his throat.

Subspace had found you.

And he wasn't going to lose you again.

Walking home to your apartment in Crossroads late that night was no unusual activity for you. After saying your goodbyes to Hyperlaser and Katana, you strolled down the empty sidewalk, your apartment building only a few blocks away.

The sounds of crickets in the distance, the soft breeze of the night and the lack of any demons around was rather peaceful for you.

Thoughts of seeing Subspace again had almost completely left your mind, the soft buzz of alcohol from drinking earlier had you a little more careless.

But the sudden rustle of a bush from not far behind you shattered the relaxation you were undergoing, as you froze.

As a trained assassin in the past, you had high reflexes. Any slight noise off in the distance; you were trained to take note of, and prepare to defend yourself.

The night grew still.

You swore you heard quick footsteps.

Multiple footsteps. Two people, max.

One sounded.. normal. The other sounded heavier.

Something wasn't right here.

You quickly took a few steps back, not taking your eyes off of the bushes behind you, your dominant hand moving to reach for your gear so that you could summon it--

You were suddenly yanked backwards by cold, rough, metallic hands wrapping around your waist, locking your arms to your sides.

It wasn't a demon's skin that you felt from your assailant.

" TARGET ACQIRED. "

You knew those voices.

Biografts.

A Biograft was holding you still.

" PLEASE DO NOT ATTEMPT TO RESIST. "

You ignored the bucket of bolts, slamming your head back onto the robot's in hopes to damage it enough for it to loosen its grip, allowing you to escape.

As you felt the arms around you begin to loosen, a figure suddenly ran in front of you.

You felt a sharp pinch in your neck.

You screamed.

Not out of pain, you were trained to have a high pain tolerance.

But you weren't an idiot. You were clearly getting kidnapped -- and you'd most likely just got some kind of injection.

A cold hand covered your mouth.

"..shh, shh." a familiar voice -- slightly muffled underneath a mask, spoke. "Don't scream, beloved. I only gave you a small pinch!"

The demon in front of you -- you recognized him instantly with horror.

Subspace.

You -- how -- he actually noticed you earlier?!

You noticed your vision growing foggier and foggier - your brain turning into mush as comprehending thoughts became harder and harder.

no no no no noononono

You felt Subspace move his hand away from your mouth and over towards your cheek, softly caressing it with his thumb.

"Don't panic." Subspace reassured -- his voice becoming quieter and quieter, sounding farther off into the distance as your consciousness was quickly deteriorating. "I'll take good care of you."

The last thing you felt was being slowly lifted up by the Biograft - and your world faded to darkness.

[utilitycaster]

So far in campaign 3, 5 of the party have died and been resurrected and 2 have died permanently, with only Imogen, Dorian, and (presumably) Braius not dying ever. In campaign 2, again 5 of the party died and got resurrected over the whole thing with Beau, Yasha, and Kingsley surviving, and Molly permanently dying. BUT, in Vox Machina, everyone except Tary died at least once with the twins dying FOUR TIMES EACH and only Vax permanently dying. What do you think changed after the first campaign? Is it that Matt got “better” at scaling encounters, the players got better at staying alive, a group decision to take resurrection more seriously, or is it a total coincidence?

It’s just something I noticed all of a sudden tonight and I’m not sure if I’m just seeing something where there is nothing or if other people have noticed this too and have thoughts on why it is.

Hi anon,

I started to write up a massive and lengthy analysis this morning and realized it was not very good and that I had to leave for work in 20 minutes. Anyway I think it's mostly the players getting better at staying alive, mostly through party comp:

Vox Machina unexpectedly, for "Ashley got cast on a TV show that filmed in NYC" and "Tiberius's player sucks" reasons found themselves abruptly down not only a healer (most of the time) but an arcane caster, leaving Scanlan and Keyleth doing double and triple duty. Vex did a pretty impressive amount of healing for a ranger, actually, but only had touch heals and limited spell slots for them. Add the fact that Keyleth couldn't heal while in Wildshape until pretty much the endgame and Scanlan was absent for an arc, replaced by Tary, who could heal but was not a full caster, and that explains a lot.

Vox Machina also had two characters with relatively low HP/terrible con saves to go with it (the twins) and only one true, full-time tank (Grog). Vex and Percy were often out of healing range but could get hit by an AOE attack. Also, dragons are particularly lethal for AOE reasons and four of those deaths are Raishan, two from when they tried to get Raishan immediately after the Thordak fight.

Of Vox Machina's deaths, two of Vax's, one of Vex's, Keyleth's, and one of Grog's are all out of combat and primarily due to player choice. They got way better at not doing this (well, Vax's are kind of unavoidable, but we only had one in C2 of this nature with Veth and the Power Word Kill trap, and none in C3).

One VM death (two if you count the wedding one-shot) was a direct assassination vs. one in the Nein and none for Bells Hells.

Now consider:

The Mighty Nein and Bells Hells each have at least two tanks; Bells Hells has three. The Nein have two full clerics (*extremely tired voice* Jester actually is a very good healer, Caduceus is just exceptionally support-focused) even without Fjord and Yasha's healing. Bells Hells had one full time cleric, and now they have a full bard and a bard-paladin.

No one dumps CON anymore. If only I could get them to start dumping WIS again and stop dumping INT, but I digress.

People are getting better at checking for traps and not selling their souls to cursed items.

Otohan Thull's build is in fact, I must admit, pretty good and cool, her lack of any personality traits not withstanding, but her lethal nature is specifically because she exclusively faced a super tapped party in a situation where they couldn't get out of there. She is responsible for all 5 deaths that weren't a Bertrand Bell Clear Setup situation; I think if Bells Hells hadn't been trapped and tapped things might have gone differently, whereas Vox Machina often was like "rests are for SUCKERS" and got their asses beat in avoidable manners.

My other caveat is of course not to count your chickens before they're slaughtered, namely, while none of Vox Machina died in the final Vecna fight unless you count Vax, which I don't, Vecna did kill two of them earlier on, though; Vax permanently (the Raven Queen just let him hang out a bit longer). The Somnovem/Lucien hybrid killed two of the Mighty Nein in the final battle. Ludinus or Predathos could fucking level the party. Otohan could have gone much worse in episode 91 without many changes; that was the first time I've ever heard Matt talk like a TPK was potentially imminent. Some of this is also luck, and some of this with Bells Hells is that *Myst voice* the ending has not yet been written.

[samwisethewitch]

How I Get the Most Out of Meat When Cooking

As someone who 1.) was 100% vegetarian for ethical/religious reasons until very recently, and 2.) recently had to reintroduce meat for vitamin deficiency reasons, limiting waste as much as possible when I cook with meat is really important to me. For one thing, I feel like I owe it to the animal that died to get as much use as possible out of its body as a way of honoring its death. For another, meat is expensive (ethically raised meat even more so) and I want to get my money's worth.

I recently bought a bunch of lamb for my family's holiday dinner, so I wanted to share my attempt to practice the Honorable Harvest in my meat consumption. This is new to me, but I wanted to document the attempt because it's been a fun learning process for me! If you want to actually learn about honorable consumption I encourage you to read the works of Robin Wall Kimmerer and other indigenous ecologists, since the Honorable Harvest is based on indigenous North American practices. (Though there are other cultural practices all over the world.)

Step One: Sourcing the Meat

I am very fortunate to have enough disposable income to buy ethically raised meat, which tends to be more expensive. This is a privilege. Other people are not able to spend this extra money on their meat, and that doesn't make me better than them. Feeding yourself is morally neutral, and a tight budget is not a moral failing. Most meat alternative products (Beyond Beef, Impossible, etc.) are also pretty expensive. If the factory-farmed meat at the supermarket is the only thing in your budget, use that.

If you DO have some extra funds, local farms are a great place to source meat. The reason we had lamb for the holidays is because a local farm recently culled their herd and had lamb on sale. In the past we've gotten beef from a relative who raises cattle. I encourage you to learn about farms in your area and what they have to offer. CSAs and farmers' markets are great places to start. You can also ask around at local restaurants about where they source their ingredients.

When I say "ethically raised meat," what I'm really talking about is pasture-raised animals. Cage-free animals may not live in cages, but they can still be kept in cramped, dirty, inhumane conditions and be sold as "cage free." Pasture-raised animals are able to graze and forage and generally wander around within a paddock. For some animals like chickens you can also look for "free range," which means the animals are unfenced and are able to wander freely. Since I don't cook meat often, I try to get free range or pasture-raised meat when I do buy it.

In some areas, you may also be able to find certified ethically slaughtered meat, which means the slaughtering process has been designed to cause as little suffering to the animal as possible. That kind of certification isn't really available where I live, but it might be for you!

And of course, hunting or fishing yourself is also an option. If you kill the animal yourself, you know exactly how it died and can take steps to limit suffering as much as possible. Hunting isn't a skillset I have, but if you do more power to you!

Step Two: Cooking the Meat

This is the easy part. Depending on the cut of meat you got and the dish you are cooking, you may need to remove bones or trim fat, but aside from that it's just following a recipe.

For our holiday lamb stew, I used this recipe. I have Celiac disease, so I subbed gluten-free flour and replaced the beer with red wine. I also added rosemary and garlic for a more Mediterranean flavor to compliment the wine.

Step Three: Organs and Bones

This is where the breakdown is for a lot of Americans. We don't cook with bones or organs very often, and we tend to throw away whatever parts of the animal we don't want. That is not honorable consumption. Part of the Honorable Harvest is using every part of the being that died to feed you.

Most organs make great stew meat. My favorite Nicaraguan beef stew is made with tongue, and my indigenous Hawaiian relatives make stew with pig feet. And while I don't like them, lots of my Southern family members love chitlins (pickled pig intestines). Lots of cultures eat organs, and you'll find plenty of delicious recipes if you look!

Bones are typically used to make stock, which can be used as a base for future soups and stews. There are lots of recipes for DIY stocks and broths, but I usually fry some onions and/or garlic, deglaze with wine, and then add the meat/bones and the water, plus salt, pepper, and herbs for flavor. Most animal bones can produce two batches of stock before they lose flavor. (For really flavorful stock, leave some meat on the bones.)

Once the stock is done, you'll still have bones to deal with. Contrary to popular belief, cooked bones are not safe for dogs to chew on. (But raw bones usually are!) Instead, I strip any remaining meat and gristle from the stock bones, give those scraps to my pups as a treat, and then use the stripped bones for something else. With a little extra processing, the bones can be used as a fertilizer in a garden, a calcium supplement for chickens, or a safe treat for dogs and/or cats.

This was my first time processing bones, but after boiling them for, like, 12 hours in water with salt and vinegar, they were soft enough to break apart with my hands. I'm going to grind them to make bone meal.