#who is undoubtedly

[flwrkid14]

Had the silliest idea while making breakfast.. what if Damian’s Favorite Brother is Tim, but for the Dumbest Reason...pancakes

My idea is that Tim is Damian’s favorite brother, but not for the reasons one might expect. It’s not because of Tim’s skill, his smarts, or his ability to stay three steps ahead in every fight. Nope. Damian’s real reason for favoring Tim over Dick, Jason, or even Bruce is much simpler.

It’s because Tim makes the best pancakes. Like, legendary pancakes.

Not even kidding.

One morning, Tim casually whips up a batch of pancakes in the kitchen—y’know, because Alfred’s off running errands and the rest of the family doesn’t know the first thing about breakfast beyond opening a box of cereal, and Tim's been feeding himself since he was six. So Tim steps up to the stove, and bam—fluffy, golden stacks of heaven.

Damian, who never really cared for breakfast, takes one bite of Tim’s pancakes and is sold. From that moment on, he’s obsessed.

“Drake, you will make me those pancakes again tomorrow."

And Tim just blinks, completely confused, but shrugs it off like, “Uh, sure?”

The next morning, Damian’s right there in the kitchen, bright and early, waiting for his daily dose of pancake perfection. By the third day, he’s even dragging a chair next to Tim, watching like a hawk as Tim cooks, making sure he’s using the right ingredients.

Meanwhile, the rest of the Batfamily is just like, “Really? This is the thing that bonds them?”

Tim, being Tim, just rolls with it. He doesn’t ask questions. If Damian wants pancakes, Damian gets pancakes. He’s just trying to survive his new role as “Pancake Master.”

But Damian? Oh, he’s serious about this.

Damian tells anyone who will listen that Tim is the only one who knows how to make breakfast properly. He’ll give the other brothers side-eye anytime they dare to suggest they could cook for him. Even Alfred raises an eyebrow, but Damian’s already set: Tim’s pancakes or nothing.

What’s even funnier is that when Damian gets pissed off at anyone, he refuses to eat their cooking. But Tim? Untouchable. The one person who can screw up as many times as he wants and still be in Damian’s good graces—because those pancakes? Irreplaceable.

So, while the Batfamily argues over strategy, patrols, or who gets to drive the Batmobile, Damian's priorities are clear:

"You’re all amateurs. Drake’s the only one who makes pancakes worthy of the Wayne name.”

And now, Tim’s been promoted to Damian’s favorite brother for the silliest reason imaginable. But hey, if the key to Damian’s heart is pancakes, Tim’s got that title locked down.

[prettyboykatsuki]

suguru is so nice and respectful to you as a boyfriend but then randomly he’ll flip your skirt up to peek at your panties and say some bullshit like “these are cute, huh? plain cotton is my favorite but the frills are a nice touch.” before leaving just as quick as he came, utterly glossing over it the next time you see each other.

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[branwinged]

people get mad about this because to frame one character as the real hero of the story in a series such as asoiaf is weird and thematically inconsistent and i agree in the sense that no one character will swoop in and end the white walker threat and singlehandedly solve everyone's problems. but also dany IS the most special little girl in the world and hers is the song of ice and fire.

[tchaikovskaya]

I gotta say. I think people are being like…. wildly unempathetic re: the chappell roan discomfort with newfound fame thing

[threnodians]

❗ let’s just all have a friendly reminder that the fictional characters of genshin impact, honkai: star rail, and/or wuthering waves have no canon sexualities and that hating on selfshippers and “x reader” fanfiction as well as the people who write said fanfiction is not very demure, mindful, or cutesy of you ❗

[shellxrls]

i love how barry is visibly much shorter than rafe yet you never feel it because he holds so much power beyond physicality over him.

[starry-bi-sky]

I'm having incoherent thoughts about clone danny again from the clone/clone^2 au (when am I not?) but more specifically I'm thinking about his reaction to finding out he's a clone. The standalone clone au digs into that a little more than clone^2, which is more focused on Danny and Damian's relationship. But neither (so far) really get into Danny's issues about finding out he's a clone after 15 years of thinking he wasn't.

Because he resents his parents for not telling him for so long. He resents the way he found out; through a trivial school project rather than a sit-down talk. He resents the fact that, apparently, they had meant to tell him sooner. But forgot. He resents the fact that they never told him because finding out feels like something was stolen from him when it had the chance to not be.

Danny Fenton, just fifteen, cloned not even half a year ago, knows what that personal violation of autonomy feels like. He knows what it's like to be cloned and while he loves Ellie, he does, she's his sister, and in this au his twin. But he is still left with that feeling of unsafety after realizing he'd been cloned. Being cloned is violating. The onset realization that it's so easy to get DNA without the other party noticing, and that what was stopping someone from trying to clone him again?

Followed only after with the rest of the inexplainable mix of feelings of being cloned, the rest of that inner conflict and panic that's an ugly mocktail of emotions that range from horror to fear. Trying to imagine what it's like to be cloned from the cloned party, and I imagine that it leaves you with the feeling of needing to crawl out of your own skin with discomfort.

And then he gets put on the other side of it. Danny Fenton, only fifteen, was cloned not even half a year ago, finding out he is a clone. And reactions, I imagine, can vary from person to person. But to him, it feels like something got stolen from him, like someone took a hole puncher and stuck it right into his chest and stole a chunk of himself from him.

It changes nothing about him and yet it changes everything. It's a betrayal on it's own to just find out he was a clone and they didn't tell him for fifteen years -- it shouldn't mean anything, because he's still Danny, and yet it means everything. It's him, it's him, it's about him. It's his personhood. It's about the fact that a load-bearing rock in his identity just crumbled beneath his feet and now there's a rockslide.

Because then he finds out that they used the wrong DNA. Its like pouring salt in an open wound. He's not even related to his parents or his sister, when for years he thought he was. It's the fact that pieces of his identity that he's been so secure in for so long just got ripped away from him in an instant. Then they tell him -- only through his own horrified prompting -- that the person whose DNA they used -- Bruce Wayne -- didn't even know he existed. That they accidentally used the wrong DNA, then didn't tell the person whose DNA they used.

The betrayal of being lied to for years turns really quickly into horror at his own existence. Something very similar to the horror he felt at being cloned and the skin-crawling discomfort that made him feel like his own skin wasn't really his. And then its not. It's actually not. Nothing but his own name feels like it belongs to him anymore -- not his hair, not his eyes, not his heart or his lungs, nothing feels like his anymore and he didn't know what that felt like until it was gone.

It's a question of Nature Vs. Nurture -- where does the line of "nature" begin and where does the line of "nurture" end? What of him is actually his? What of him is Bruce Wayne's? It's not logical, it's not supposed to be. It's a load-bearing wall on the house of his identity being destroyed and now everything else is caving down in on him. What belongs to Danny, what belongs to Bruce Wayne?

[carlyraejepsans]

Uh, context?

someone said people calling themselves bi lesbians are the reason lesbians get sexually harassed by straight men in bars and it was so painfully cruelly stupid and victim blaming that i saw red. and then i was like you know what fuck y'all, I'm not staying in this tar pit, because twitter had already been making me miserable for a while

can y'all stop showing me people gossiping about me behind my back. it's rude that they're doing it in public, but it's their business what they think of me & I don't want to see that either.

[thatswhatsushesaid]

man, but like.... why is there a contingent of jiang cheng stans who are incapable of stanning their special guy (totally justifiably! i support you!!) without shitting on jin guangyao in the process? why are these fans capable of doing deep narrative dives to understand and contextualize jiang cheng's justifiable actions re: wei wuxian and the wen remnants pre-timeskip, who write thoughtful screeds in defence of his feelings of anger and betrayal vis-a-vis the golden core reveal, but lose that capability entirely the second jin guangyao shows up?

is it because jin guangyao is mean to jiang cheng while trying to not get murdered as his whole life collapses around him? jiang cheng is a big boy, jin guangyao's carefully calculated spiel to provoke him during the guanyin temple confrontation doesn't even make the list of top ten most traumatic things to happen to him, he'll be fine.

feral jc stans should be friends with feral jgy stans because nobody else likes us 🥲

[fatedroses]

Adventurer Zenos and G'raha cause I had to draw my silly guys. I just enjoy the idea of Zenos hanging out with fellow bookworms and being begrudgingly (though occasionally willingly) helpful.

[genericpuff]

LO stan brain rot is vehemently defending a comic that you're swiping through so fast that you miss and forget crucial plot points, like thinking Demophoon was the reason for Demeter being a helicopter parent despite him being born during the 10 year time skip while Demeter was mortal.

LO anti/critic/hater brain rot is being able to look at an out-of-context panel of a character with same face syndrome turned greyscale and name exactly which character, scene, and episode it's from.

We are not the same.

[read-write-thrive]

platonic and romantic are not some sort of binary that relationships have to be divided into. they’re not even two ends of a linear spectrum. they’re fully just abstract concepts made up of culturally-dependant social behaviour and expectations that are continually forced upon people to reinforce religious, legal, and broader societal/cultural norms, often and repeatedly to the detriment of non-normative groups including, but not limited to, the queer community. and I am sick and tired of those norms being replicated in fucking fandom discourse, of all places

[daily-hanamura]

[decepti-geek]

tbh an important part of my take on the 'don't be like Sentinel' question is that hours earlier D16 had very decidedly assumed leadership of the High Guard, after which any attempt at resolving his very understandable personal trauma via murder was also, on a wider affects-everyone/your-new-power-means-something scale, inherently going to count as a military coup.

yknow. the thing Sentinel did to assume power/hand it over to the quintessons in the first place

[oneatlatime]

Want to get your thoughts on something you've touched on in a couple places. A pretty popular idea in the fandom is that one of the (in-universe) reasons airbenders have gone so hard into the peace-and-love monk thing is a self-awareness that, if they didn't, there's not a whole lot anybody could realistically do about it.

Like, Southern Air Temple pretty strongly implies that Gyatso solo'd a room full of comet-roided firebenders. It killed him but he did it, and while he is a master Airbender, we're not given any real indication that he is uniquely so, right?

I have many thoughts on this! Sorry in advance for the long post! And sorry if this goes a bit off topic!

Short answer: I don't agree.

Long answer:

We've seen that nations' cultures tend to reflect their native bending styles. Or vice versa. It's probably a chicken and egg scenario. The Fire Nation chose to spread (like wildfire) and is full of hot headed, impetuous roid-rage sufferers who can't see or plan for the long term. Fire itself easily becomes ungovernable and is at best muzzled/leashed, always waiting for the next chance to bubble over in unplanned / unpredictable / generally unhelpful directions (Hi Zhao!). So an element shapes a culture shapes and element until you've got a positive feedback loop (or in the case of the Northern Water Tribe, a negative feedback ourobouros due to outside pressure). Importantly, neither culture nor element develops in isolation; I think they develop simultaneously.

The Earth Kingdom is probably the most rigid and unchanging, even when it would benefit them to change/innovate. We see rigidity and humourlessness in response to change or the unexpected (see Toph's parents) and we see an inability to let go of a bad idea, or mitigate the consequences / think on the go when things that were clearly bad ideas go bad in ways anyone with a non-earthbender brain can see coming a mile off (think The Avatar State episode). Earth digs in when it should retreat, stands solid when it should duck and weave. It is grounded to the point of stupidity (unless you're Toph or Bumi, although even Toph seems to be unbending so far). It's linear to the point of being unable to deviate from that line.

This is me guessing, but I figure since fire and water are opposites, air must be the opposite of earth, right? So while we'll never see airbending culture in a non-shrunk-down-to-one-person form, we can look at earthbending culture for its dark reflection. Well, probably not dark, but you get what I'm saying. They'll be opposites in world view. We can extrapolate.

So if earth is grounded, humourless, aggressively traditional, linear, then air must be constantly fluctuating, unchained, lighthearted, bonkers-all-over-the-place. The heaviness of earth would dictate that problems should be faced by digging in and facing them head on until the problem blinks first. The lightness of air would dictate that problems should be faced the opposite way: blinking first i.e. removing yourself from the problem entirely. The linearity of earth dictates that fights are solved by fighting - you punch me, I punch you. The non-linearity of air would seek to recontextualise a problem until it's no longer a problem because we all forgot what we were fighting about in the first place, i.e. throwing pies at it or busting out the marble trick. The heaviness of earth would cause excessive earthly attachment; the lightness of air would cause excessive detachment from worldly concerns.

To start violence is to make a statement that you wish to be involved. It's rooting yourself to a particular dispute, choosing a hill to die on. It stems from attachment. This is earthbendery behaviour (and Zuko-y, but let's not go there). To never start violence is to never invest, never dig in your feet and make a stand. To be detached. (I'm oversimplifying here.) It's clear from in-show examples that Aang's pacifism is of the "ladies don't start fights but they can finish them" variety; he's got no problem with self-defence (caveat: we have no idea how typical an air nomad Aang was). But he never attacks first that I can think of.

Violence is a very direct tool. If someone starts a fight with you, and you decide to continue it, you're choosing the most obvious action. Since when is airbending direct or obvious?

All this to say, I think that pacifism, peace and love, monkiness, etc., was more likely a natural and inevitable outgrowth of air nomad culture, caused by constant culture / element interaction, rather than a conscious choice.

So I think airbenders "have gone so hard into the peace-and-love monk thing" because the nature of their element creates a culture that discourages the traits required for effective offensive violence, and the inherent detachment and ever-changing nature of air naturally encouraged spiritual (i.e. monkly) pursuits rather than earthly ones, like whatever the conflict of the week is. I don't think self-awareness of the dangers of their element factors into it. Not to take away from Gyatso's accomplishment, but I think air is nowhere near the most dangerous element. From what I've seen so far that would be Fire or Earth, though I'd give the edge to Fire because they self-generate, and also because they've spent a largely successful century dominating the other elements. Waterbenders and earthbenders can be neutralised by taking away their element; airbenders - due to the very nature of their element - probably can't get past that initial avoid and evade instinct to become legitimate offensive threats.

As for Gyatso, I think he's an outlier. We know little about him so far, but we do know that: a) Aang says he's the best airbender (in I think the Southern Air Temple?); b) he's good enough that he was granted a statue while he was still living, learning, improving; and c) he's good enough that the monkly council (of which he is part) granted him the honour/responsibility of being the quasi-dad of the Avatar. These things tell me that Gyatso was the Spiders Georg of the Airbenders. I suspect Bumi is the same for the Earthbenders, and at least as far as the philosophy of bending is concerned, Iroh may be so for Firebenders. Even the example of Gyatso nuking the comet-enhanced firebenders is a case of defensive action in ultra extraordinary circumstances: he was staring into the teeth of a genocide while mourning the disappearance of his quasi-son and the likely loss of the world's only hope / chance at stopping the war. That's how far you have to push an airbender before they'll take a life. Unless the Avatar world pre-war is a lot more godawful than Aang has implied, airbenders probably wouldn't have been taking lives frequently enough for them to get to the point where they would have to start questioning whether they should consider pacifism.

I think what this fandom idea ultimately is, is a desire for the hidden badass trope. Everyone loves it when the most peaceful character in the story is revealed to secretly be a Rambo-level fighting badass, right? Who didn't love it when kindly grandpa Roku manifested in his temple and unleashed a volcano? But I think this trope fundamentally takes something away from the appreciation of Airbending, Air Nomad culture, and the concept of Pacifism as a whole. This is just my interpretation, but applying the "secretly the deadliest all along!" trope to airbenders undermines their commitment to pacifism and makes it performative rather than earnest. It's a cop out; an acknowledgement that violence actually is the answer, and even those head-in-the-clouds monks know to use it when the chips are down. This show goes out of its way to show that non-combatants have value and a place in this world that's worth fighting for, that fighting goes way too far pretty frequently, that non-violent solutions are valid, even preferable. It would kind of undermine that message if all of the elements were easily weaponisable.

Something I've loved so far about Avatar is the show's earnestness. There have been no Marvel-style fakeout bathos plots. I feel making airbending secretly the deadliest element or similar would be exactly that sort of thing. Can't my pacifists be peaceful not because they're secretly untouchable badasses who carry the biggest stick, whom the rest of the world leaves alone out of fear, who are not a threat only because they have chosen not to be, but because that's just who they are?

On the other hand: Aang's been a one-man-army plenty of times. We've seen that; that's undeniable. So air is stupidly powerful as an element. No denying that. Gyatso did murder a bunch of people trying to kill him, so air can be deadly. But I don't think your typical airbender could be deadly. If you gave a can of airbending to a firebender, an earthbender, or even a particularly provoked waterbender, I don't doubt that they could kill people with it. But the culture that the element generated - rather than a conscious choice by that culture's participants - prevents them from taking the direct, violent, solution. And I think that culture developed in tandem with airbending, so there could not have been a time when airbenders were deadly as a rule. Air shaped airbenders as much as airbenders shaped air, and it shaped them into non-violent people.

There's a lot of power in the idea of consciously choosing, and sticking to, something that is perhaps not in line with your natural abilities. Styling airbenders as deadly-but-choosing-peace is a great way to explore themes of agency, identity, strength of character, morals, maturity, etc. But, to me, there's also a lot of power in the idea that some people just can't - not won't, but CAN'T - fight their way out of things, and this doesn't make it any less wrong to genocide the crap out of them.

If the fandom wants to headcanon airbenders as secret badasses who consciously choose nonviolence, I say a) go ahead! there's more than enough evidence to support that conclusion; b) I respectfully disagree; and c) is Iroh not enough?

tl;dr in my opinion, air's pacifism was a natural outgrowth of, and restriction imposed by, the element rather than a conscious choice; airbending can be deadly but airbenders aren't; Gyatso is not representative; 'speak softly and carry a big stick' is all well and good as a philosophy, but those who speak softly and don't have a stick are of value too.