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hecallsmehischild · 3 years

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Recent Media Consumed

Books

Half-Bad by Sally Green. Man, this is grim. It’s good fantasy, and the writers breaks certain writing conventions to convey the story better, which is fascinating. But it’s so grim. There’s two more books in the series and I want to get ahold of those before I say more.

Zoo City by Lauren Beukes. Did I say Half-Bad was grim? This is grim. Grimdark to the max. But also a fascinating premise, that the crime of murder and its accompanying guilt manifests an animal companion that marks you for the rest of your (shortened) life? If you can stomach some of the imagery and if you do well with being plunged into unknown terminology and figuring it out on the go from context, this is a good read.

Dropped titles: Pursuing God’s Will Together by Ruth Haley Barton and How Should We Then Live by Francis Shaeffer. One was a recommendation, one was semi-assigned reading because I’m a non-voting member of a ministry board. In both cases I got about halfway through. I have the gist of both books and I’m enjoying neither. At all. I started to avoid Audible altogether. The moment I gave myself permission to stop listening to them and pick up the next Thomas Sowell book on my list, I was right back on reading, because I’m actually interested in what Sowell has to say. Note to self: it’s ok to drop books that you find uninteresting. (this preceded a Sowell binge reading session)

Dismantling America (and other controversial essays) by Thomas Sowell. I was surprised at how much more of an edge Sowell has in this book, but the appearance of the edge here makes a certain amount of sense. This is the first collection of newspaper columns I’ve read by him, and he has way less time to make his point in a column than he has in a book. With that in mind, his points have much less groundwork than I’m used to reading from him when he spends a whole book on a topic (though I’d guess that each point he makes probably has a crapton of citations in the printed book, like the rest of his work. He’s quite thorough about his research). This is probably not the best title of his to pick as a first read, but it’s good and interesting. My main take-away point from this book is that politicians look out for politicians, and expecting them to do anything else is naive. And, in fact, many things attributed to a politician’s “stupidity” is far from stupid, in fact they are brilliant within their set of incentives and constraints. It just rarely aligns with the general public’s best interest. Thinking about it again, it MIGHT be a good first book. It sums up a lot of his views into bite-sized digests. It just doesn’t substantiate each and every claim as thoroughly as some of his other books do. That’s my grain of salt.

Compassion Versus Guilt by Thomas Sowell. More of the same, a collection of essays by Sowell. Different ones, on a different theme. A couple that sound like they could have been written by the authors of Politically Correct Bedtime Stories, his satire is on point.

Ethnic America by Thomas Sowell. This was a fascinating read for me. This book traces 8 groups of ethnic migrations to America. I descend from Scottish, Irish, and Russian Jewish immigrants, and seeing what the different groups had to content with over the years was very enlightening. A few things that stood out to me were; each immigrant group seems to have very different cultural strengths and foibles, inter-group violence is not new (but not always in the directions modern people would think), almost every group has its own upper class that disdains and reviles its lower class, and each ethnic group is far more variable and differentiated than the general category (“the Irish” or “the blacks” or “the Jews”) makes them out to be. More and more I’m coming to mistrust the general racial category as referenced by either political party because it seems to be a linguistic expediency that sacrifices the truth of a situation for a fast rallying point.

Civil Rights: Rhetoric or Reality? by Thomas Sowell. I’m not even sure what to say about this book. It’s short and punchy and gives me a lot to think about. Sowell definitely has zero sacred cows. Toward the end of this book he addresses some of his critics who piled onto Ethnic America, which was interesting. Also, while reading this, I have begun to realize how much of a disadvantage I am at in analyzing arguments because I’m unable to understand how people slice numbers into statistics to make their point. I’m at the mercy of the conclusion they draw at the end of the statistics because, until they summarize their findings, I really don’t understand what the raw numbers are saying. I’ve had this feeling for a while, but in this book, Sowell dissects some of the foundational studies and statistics that buttressed later civil rights cases, and I realized that if I just read the statistics and data from those cases and the statistical rebuttals that Sowell has side by side, I would not understand what was being argued at all. I can only rely on the end conclusions put into words at this point, but the written conclusion is not the proof, the numbers are. This gap in my understanding is disheartening, but I hope to continue sponging up knowledge in the hopes that I will be able to think more critically in future years.

Maverick, a Biography of Thomas Sowell by Jason L. Riley. My parents pre-ordered this for my birthday a few months ago and it arrived a few days ago. I have torn through it. I think I got a more cohesive overview of Sowell’s progression through his body of work and added several titles to my wishlist. The biography is fairly minimalist on Sowell’s personal life and focuses more on his ideological clashes with… well, everyone, left and right, people he disdained and people he admired. Maverick, alright. Also Riley takes a look at how each of Sowell’s books (or grouping of books) came about, for what reasons, and what was going on at the time.

People of the Book edited by Rachel Swirsky and Sean Wallace. This is a compilation of Jewish sci-fi and fantasy short stories and can probably be summed up best by this paragraph in the introduction: “These stories allow us to identify with, although briefly, so many different characters and places, they entertain us and they give us comfort. And yet, the tales in this anthology often have a melancholic tinge, similar in tone to the minor keys of our musical liturgy. We don’t want to be too comfortable, too happy. Because that might bring some bad luck onto us, might tempt the evil eye.” I also sensed a whole lot of anger in the undercurrent of these stories, and that saddened me.

On deck/currently reading: The Brothers Karamazov, The Rational Bible: Genesis, re-read of Basic Economics, and War Nerd.

Shows

Dropped series: Hilda. The first season was lovely on so many counts. The second season’s antagonist… bothers me. So does Hilda’s behavior. And given how much time I spent on Star and its accompanying disappointment, I’m not really interested in continuing Hilda any further. I’m shelving it at this point. There are other things I’d like to watch.

Infinity Train Season 4: Now retitled “The Wormhole Judgment Line” I believe, lol. It’s hard to top season 3, but it was a solid story. Good. Interesting. The resolution with the villains int he last episode felt kind of out of nowhere and I’m really not okay with Morgan’s behavior even if the plot wants me to feel sorry for her, but those things aside, it was enjoyable. I hope Infinity Train is picked up again, I’d love to see more.

On Deck: The Mandalorian or Wandavision

Movies

Jiang Ziya. Okay whatever this studio produces in this line of movies, I will be watching it. I definitely don’t understand all the significance of what I’m seeing but it’s creative along COMPLETELY DIFFERENT lines than US animation and it’s an absolute joy to behold.

Raya and the Last Dragon. Suffice it to say, it would take an intensive blog post (or a movie review of the style I used to do as one half of The Storytrollers) to cover all the things that bothered me about this movie. I will take the thing that bothered me the most and be brief: I find the moral to be terrible. I take major issue with the idea that repeated blind trust in the face of repeated betrayal will reshape the world, given that I extended blind trust to people who never changed for many years. I take issue with the worldbuilding, I take issue with some of the designs, and I take issue with the moral. I was exceedingly disappointed in this movie.

Profile. Now THIS was a good movie. I would not be averse to seeing more movies shot like this, using the computer desktop as both film set and character. In addition this was an interesting topic, though I was tense for the whole movie, afraid the main character was going to slip up. Very good, very tense movie to sit through.

Mighty Ira. So, this is a documentary about one of the great leaders of the ACLU. It was interesting to see this, especially since it shed more light on the whole Skokie situation than I’d heard of before. Good watch. Informative.

#child loves movies #child loves shows #child loves books #recent media consumed #mind your peas and queues

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sweetkale · 4 years

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all evidence that points towards Magneto being Jewish before it was first explicitly established in 1991

!!None of this is my writing!! It’s a useful but outdated source that I merely revised to replace the G slur. It was written by Rivka Jacobs and the original can be found at http://www.alara.net/opeople/xbooks/magjew.html

The Magneto Is Jewish FAQ (revised 11/9/98)

Rivka Jacobs

(1) In Uncanny #113 (Classic X-Men #19), the added material has Magneto on Asteroid M, talking about the deaths of Magda, Anya, and he mentions Auschwitz for the first time. "I endured one death camp ... in Auschwitz ... I will not see another people fear what they do not understand and destroy what they fear." Uncanny #113 is from 1978. The additional scenes were included in 1988's Classic X-Men #19. So, we know Magnus was at Auschwitz, a death camp, not just a concentration camp. (Many fans [and writers] seem to get the two types of camps confused). There could have been a number of reasons he was at Auschwitz: he was a Polish political prisoner, a Russian prisoner of war, a member of the French underground, a homosexual from Germany, Roma, or, with a high probability, a Jew. (Out of 1.5 million victims of Auschwitz, between 1.1 and 1.2 million were Jews).

(2) In Uncanny #150 (one of my favorites) Magneto mentions, in a fight with Cyclops, "I know something of grief. Search throughout my homeland, you will find NONE who bear my name. Mine was a large family, and it was slaughtered ... without mercy, without remorse." So that eliminates German homosexual and French partisan, because the entire familes of such prisoners were not slaughtered throughout an entire "homeland." After Magneto thinks he has killed Kitty, he says: "I remember my own childhood ... the gas chambers at Auschwitz, the guards joking as they herded my family to their death. As our lives were nothing to them, so human lives became nothing to me." Storm is about to blast him for "killing" Kitty, and she says, "If you have a diety, butcher, pray to it!" Magneto answers, "As a boy, I believed. As a boy, I turned my back on god forever." So now we know that Magnus is not a political prisoner (German political prisoners were sent to camps on German soil, like Dachau, or Bergen-Belsen), he is not Polish, since whole Polish families were not herded to the gas chambers. The Poles were not the target of pre-meditated Nazi genocide. While the Russian people were the target of genocide, only Russian POWs were in Auschwitz, not whole families. So, we are now left with only two groups of people that Magnus could be from, the Roma and the Jews. Uncanny #150 is from Oct. 1981; already Magnus says something very interesting here. He says he "remembers" the gas chambers of Auschwitz, "remembers" his family being herded, he "remembers" the guards joking. Fact: no one remembers the gas chambers of Auschwitz except in two ways (or three if you believe the dead can speak to the living), either you were a Nazi SS guard or doctor or official, or you were a member of the Sonderkommando. The Sonderkommando, Jewish prisoners who were forced by the Nazis -- in all the death camps -- to do the dirty work of killing. It was Nazi official policy. The Jews, the lowest of the low to the Nazis, in Auschwitz hierarchy, followed by the Russians, and then the Roma, the Jews would be the ones to lead the victims to the gas chamber, to haul the bodies from the gas chambers to the ovens, to burn and bury the dead. The Jews would pull the teeth of the corpses, cut the hair, pile the bodies three at a time on the retorts of the ovens in just the right way. The Sonderkommando had a few kapos (overseers) who were German and Polish prisoners, criminals from civil prisons in Germany and Poland. During the summer of 1944, 19 Russian POWs from Mauthausen were sent to augment the Auschwitz Sonderkommando. Totally documented, on paper and by eye witness accounts. All other members of the Auschwitz Sonderkommando were Jews.

(3) In Uncanny #161, Sept. 1982, we have the story of Xavier's trip to Israel. There he meets Magnus for the first time. However, it should be noted that the entire story is a Charlie-dream, while he is with Lilandra. In Uncanny #161 we see for the first and last time Magnus' tattoo from Auschwitz. His number is #214782. Xavier says, "That tattoo, Magnus, were you ...?" Magnus answers, "Auschwitz. I grew up there." So now we know that Magneto was first in Auschwitz as a very young person, but we can't pinpoint the age yet. Also, his number is high for someone who was there from the beginning of the camp. The first Polish prisoners, like author Wieslaw Kielar, had very low numbers, like in the 200s. Sonderkommando survivor Filip Muller's number was in the 20,000s. He arrived in early 1942. Magnus' number is a standard number, however, without the A of the 1944 arrivals, or the Z of the Roma, or the other special classification symbols. Of course the penciller didn't know these details. So a standard Auschwitz number, which is too big, but it doesn't tell us anything.

4) Vision and the Scarlet Witch, Vol. 1, #4. Magneto has just found out Wanda and Pietro are his children. (This is from Feb. 1983). He is on the moon, in the Inhuman city of Attilan, telling VIsion about his youth. "I was born into a time and place ... Android ... where both man and mutant were persecuted for being ... different." Picture of the Auschwitz camp, guards tormenting emaciated prisoners, one of whom displays a very prominent and exaggerated Star of David on his clothing. Remember Jews and Roma were kept apart in the camp. In the next panel, however, Magneto sort-of goes into a fantasy. He says, "But unlike the other victims, I possessed the power to fight back." He imagines he's hurling Nazi tanks away with magnetic energy. What's this? In 1983, the reader doesn't know what to make of this. Keep in mind, he's meeting with Wanda, Pietro, Vision, and Crystal, and has held Luna for the first time. Is he exaggerating? Showing off for them?

(5) Now for the second most important comic proving Magneto is Jewish, Uncanny #199, Nov. 1985. Magneto with Lee Forrester and Kitty Pryde arrive at the National Holocaust Memorial in Washington, DC. (It's not really Lee, but Mystique, trying to capture Magneto). Magneto has been having an affair with Lee, he loves her. He brings her to the Holocaust Memorial? Why? Fun date, huh? Why, because he has no other family. These people are his family. Jewish survivors of the Holocaust. (The Roma have their own name for the genocide, and their own gatherings, with their own rituals and customs. Magneto has no reason to go to a Jewish gathering if he isn't Jewish). Lee/Mystique says: "Man's inhumanity to man ... how easily the race kills." Magneto answers: "Then, Lee, it was the Jews. My nightmare has ever been that tomorrow it will be Mutants." Why would he say that, why wouldn't he mention another ethnic group, if he weren't Jewish? Next, Magneto tells Kitty EXACTLY how to address the gathering in order to get information about dead or missing family members. How does Magneto know how to do this? Isn't it obvious that he's done this before? Why would he address a Jewish Holocaust gathering looking for information about his family if his family weren't Jewish? (And it is a Jewish gathering, besides the use of the word Holocaust, a speaker says in the background: "... the systematic institutionalized extermination of one people by another."). Kitty asks about her great-aunt Chava, who died at Auschwitz, and Magneto is recognized by two survivors, Ruth and David Shulman, two Jewish survivors. (Shul is another name for synagogue -- Shulman means man of the temple, or man of the synagogue). They remember Magneto as a youth in Auschwitz, and say he helped them survive. And witness him as having been there. (No implanted memories, please). They testify that he " ... Had been at that accursed place from the very start..."

Later, Mystique reveals herself, and arrests Magneto in front of all these people. Magneto says that he recognizes no authority. "My land ...all the countries of the world ... turned their back on me and mine when we were condemned to Hitler's death camps. Therefore, in return, I have sworn to deny them." So let's clear this up ... the Roma were not persecuted in Greece, the Greek Jewish community was decimated. A small number of Roma and Jews in Rumania were exiled to a new border country called "Transnistria" but the remainder of the Roma were left alone. Several hundred thousand of them. 350,000 Rumanian Jews were savagely murdered throughout the country. In Slovakia, the Roma were left alone, the Slovakian Jews were among the first sent to Auschwitz. After the Slovakian uprising was crushed in 1944, several hundred Roma who had courageously helped in the rebellion were murdered, along with the remainder of the Jews of Slovakia. Bulgaria did not persecute its Romani people. Bulgaria, although resisting deportations of its Jews, persecuted them locally. In the Netherlands, only the "wandering" Roma who were captured in camps and wagons were deported, about 500. The remaining who had bought homes or found shelter with neighbors, were left alone. The Netherlands is where Gabrielle Haller comes from -- in under two years 100,000 Dutch Jews were deported, most were killed. I could go on. There is no other people who were hunted everywhere the Nazis went or had influence but the Jews. There is no other people who had the gates of escape cut off after the war started, but the European Jews. Magneto's reasoning is based on this most extreme situation.

(6) Uncanny #211, Nov. 1986. The Mutant Massacre. Page 9 -- Betsy Braddock has just come in from discovering what happened to a wounded Morlock, who has just died. Magneto, Storm, and Wolverine are standing there in Xavier's infirmary. Betsy says, "... I saw a cadre of super-beings ... massacring every living thing in the Morlock tunnels." Magneto reacts immediately, out of pure emotion. "NO! The horrors of my childhood, born again...only this time, Mutants are the victims, instead of Jews." What else does this mean? He's talking about HIS childhood, he's making a parallel. If he weren't Jewish, he wouldn't have said Jews, he would have said Roma. The two groups of people are not interchangeable.

(7) New Mutants #49, March 1987. Magneto is dreaming. It is an entire page representation of the massacre of his family. Here we see for the first time, his family -- father, mother, sister -- as they were gunned down in front of open graves. The family members are dressed in middle class urban clothes. No peasant dress, no Roma clothing. (And it is not a cliche. Roma women always wore, at this time, their flowing skirts and distinctive scarves and clothing, similar to the Bosnian women of today). Being massacred with Magnus' family is a mixed group of people. Men in bowler hats and suits, one old woman in a long skirt. One man in a bowler hat has the side-locks of the devout Jew, but the other people could be anyone. Poles or Jews or Roma. It's Magnus and his family who are out of place. They are well-dressed, Magnus's sister in a proper school uniform with the prim collar. Every picture I've seen of the German Rom show: a people of color, having left India and Armenia five- to six-hundred years ago, the men wearing Fedoras (favorite style of hat) and normal suits and ties, and the women and girls always dressed in the long skirts and distinctive flowered scarves. The boys wear a mixture of urban short pants but scarf belts, some have socks, some don't. New Mutants #49, page 17, could show some Roma in the crowd, but Magnus' family members are definitely not Romani in this picture.

(8) X-Men Classics #12, back-up story, Aug. 1987. The actual scenes of Magneto's escape from Auschwitz. "And with World War II ending... the Third Reich defeated...it's guards wanted no witnesses left...to tell the tale of this horror..." Picture of an SS soldier about to shoot a fallen and stricken Madga. "He had been there from the start ..." Magnus has just slammed a wooden beam into the head of the SS soldier. "Grown to manhood within its electrified barbed wire fence. If he was to die, it would not be in this abattoir ... and not without a fight!" Magnus grabs a terrified Magda by the hand and drags her with him in his escape. (a) The war is almost over, it is winter, it is the winter of 1944-1945. The Roma were gone by 1945. All the Roma women were gone. Only 4 clerks, high-status friends of Nazi officials in Camp I, were left. The Romani camp was murdered in the gas chambers in August 1944. (b) This scene, by Claremont and Bolton, is completely accurate. It takes place on Jan. 20, 1945, two days after thecamp was evacuated and the Death marches began. Some 70 of the Sonderkommando were kept to help destroy the evidence of the death factory, before they were to be killed. Some 200 women from the woman's camp, Jews, were chosen to fill in the huge pits where bodies were burned. They had to haul ashes, break up human bones, all in the coldest part of winter. The SS soldiers sent back on Jan. 20th were sent to kill the women. That is exactly what you see in this comic book, because Claremont and Bolton took the time and cared enough, to do their research. Magneto was saving Magda becasue at that point, he wasn't the target, yet. If they were out by the burial pits to the northwest of the camp, that is a point close to the forest. It just makes sense.

(9) New Mutants #61, March 1988. On page 22, Magneto is alone, kneeling over the dead body of Doug Ramsey, thinking thoughts only the reader can see. This is one moment he would not misrepresent anything, to himself especially. He says, "An ill wind is coming ... they are registering mutants ... like they once registered my people in Poland ...! Who knows what horrors await us." Only the Jews were registered, and forced to wear armbands with the Star of David on them, in Poland (at the end of 1939). Efforts to murder the Polska Roma (the Polish Roma) began in 1942, but they weren't registered first. Young Magnus wouldn't have known about any of that in any case-- he was already at Auschwitz by 1942. He would only have known that "my people" the Jewish people in Poland, including the German Jews who had already been deported there in the first months of the War, were registered.

(10) Classic X-Men #19, March 1988, back-up story. Magneto is apparently working for the CIA hunting Nazis. He is about to be betrayed by them, and his lady love of that time, Isabelle, is about to be murdered. But as he is apprehending a Nazi war criminal he gets one of his massive headaches. "Pain," he thinks, "again indescribable." "Worse than the bite of the kapo's whip. The murder of parents and family, the death of a child ... the loss of a beloved wife!" So here we see that Magneto was the victim of kapos. He could not have been a kapo. He was too young anyway, as we've seen. He grew up in Auschwitz. Here he says the murder of parents, and family. The parents separate, gunned down. The remainder of his family, no doubt sent to the gas chambers later, while he was in the Sonderkommando. Remember what he said in UX #150, his entire family wiped out. So as a Jew in the Sonderkommando he not only watched his family die, he helped kill them. How can any other comic book character ever come close to Magneto for dramatic intensity, but only if he is a Jew.

(11) X-Factor Annual #4, 1989. Doom challenges Magneto to a duel of wills, with a helmet that pulls out unpleasant memories and torments the wearer. Who will crack first? Magneto takes his turn -- Doom describes what he sees, "...after the ignoble defeat of the Nazis in Germany, you and the woman Magda you rescued, fled the prison camp Auschwitz, in Poland."

"Auschwitz, where your family had perished --living skeletons -- and you had grown to manhood amid horrors most men could not conceive." First, Doom confirms that Magnus and Magda "fled" or escaped Auschwitz before liberation and after the Roma camp was murdered. Then he describes some of Magneto's family perishing, as living skeletons, at Auschwitz. They could either have been kept as prisoners, or brought in, starving, from ghettoes in Poland and gassed. They could have been either Roma or Jews. But then it's Doom's turn to wear the helmet. Doom's Romani heritage is discussed at great length. Doom is proud to be a Rom, he knows he is a Rom. Why would he not acknowledge that Magneto is also a Rom? Why did he say your family, implying your people, to Magneto? Not "our" people?

(12) And now the most important evidence, and just about my favorite X-Men comic, Uncanny #274, from March 1991. In the Savage Land, the entire comic is told from the point of view of Magneto. It is a first person narrative, he is talking directly to us, the readers. He is not exaggerating, he is not showing off. The writing is elegant and wonderful ... "My life's ambition has been to safeguard my fellow mutants," Magneto says. "Zaladane has no such compunction. And I hear the echo of Der Fuhrer's voice in the radio of memory, smell the awful stench of the sick and dying as the cattle cars brought the comdemned to Auschwitz. I wear red, the color of blood, in tribute to their lost lives. And the harder I try to cast it aside, to find a gentler path ... the more irresistibly I'm drawn back. I should have died myself with those I loved. Instead, I carted the bodies by the hundreds, by the thousands ... from the death house to the crematorium ... and the ashes to the burial ground. Asking now what I could not then ... why was I spared?!" So there it is. He describes his job at Auschwitz. That is it. This is no vague job description, this is what the Sonderkommando did. This is fundamental to the history of the Holocaust, to the history of Nazi Germany. Making the Jews the ones who had to do all the dirty work in the death camps.

Marvel cannot say they have their own version of Holocaust history. What kind of reasoning is that? Where do the editors and writers of Marvel get off making up their own history of the Holocaust? Where do they draw the line? Has any reader out there ever seen any major publisher or entertainment outfit, outside Neo-Nazi groups and the Militias or Far Right Splinter groups, who just took it upon themselves to change a Jew into a Romany and change Holocaust and Auschwitz history to make it fit? Magneto says it here, he was a member of the Sonderkommando. He was not a kapo. He was not a Russian POW. He was a Jew! On page 14 of UXM #274, Magneto is dreaming again. He again sees his family being gunned down. He again feels what it was like to be buried alive. Rogue wakes him up.

(13) Uncanny X-Men #275, April 1991, which concludes the Savage Land story from UXM #274, referred to above, also contains confirmation as to what happened to young Magnus. Magneto says, directly to the reader, in diary-like narration, as he uses the last strength of his emaciated body to push away his captors, "They think me beaten, finished. A mistake many have made in the past. As I found the strength, as a boy, to survive being machine-gunned and buried alive, and later the unimaginable horror of Auschwitz ... so do I find it in me, here and now, to break free."

(14) X-Men Vol. 2, No. 2, Nov. 1991. The beginning of the end for Magneto. But on page 24 he says to Moira MacTaggart, who has seemingly betrayed him, and enraged him, "Of course not. You worked for the betterment of the world and the race. I heard those same rationales as a boy, in the Auschwitz Death Camp. From Dr. Joseph Mengele himself!" Mengele's first victims were the Roma, he liked the Roma. He brought the children candy and extra food. And in August of 1944, after trying unsuccessfully to save the Romani Family Camp (also for his own experimental purposes) Mengele obeyed his orders and vigorously hunted down and helped exterminate all remaining Roma. He then dissected those of most interest to him, and sent body parts to Berlin. Then he turned his attention to the Jews of Auschwitz. Only his Jewish victims have survived. His Romani victims, those transfered out of the camp in the spring and summer of 1944, have rarely come forward. If Magneto is alive in Auschwitz after the start of 1945, and he personally heard Dr. Mengele, he is a Jew.

Magneto is a Jew especially since Mengele would have been one of his supervisors in the Sonderkommando.

(15) X-Men, Vol. 2, No. 3, Dec. 1991 -- Magneto to Xavier, "You speak to the best in humanity. I have endured the worst. You imagine the reality of the Holocaust, of the Nazi Death Camps. I grew up in one." Magneto says The Holocaust. This is the translation of SHOAH, and was first used after the war, and popularized by Eli Wiesel. It means the Jewish Holocaust. One can say the Romani genocide, and today sometimes you'll hear the Romani holocaust, or the Russian holocaust, or the holocaust perpetrated against the mentally ill and the handicapped. (Nazi pre-meditated genocide was really only carried to the fullest extreme against three groups, the first were the mentally ill and the handicapped, who were the first victims of genocide. The second and third groups were the Jews and the Roma). But the Holocaust is what Jewish people say when they refer to the calculated campaign of Nazi Germany to kill every Jew in the world. (They actually made lists of every country in the Western world, and all the Jewish populations. They made no such list for any other people). Nazi Germany succeeded in killing almost 6 million of their foremost victims, until the Third Reich was defeated.

(16) X-Factor #92, July, 1993. Havok and X-Factor are battling Cortez and the Acolytes, in this opening chapter of Fatal Attractions. Cortez is ranting about the "flatscans" and how mutants have to subjugate them. Havok says, "Out to destroy the "inferior" race ... in Magneto's name? Don't you know what an insult that is to the memory of the very man you claim to worship? Fifty years ago, Magnus barely survived a Holocaust that destroyed almost all of his people: all because some lunatic took it upon himself to decide who deserved to live ... and who didn't. Where's the sense in resurrecting that kind of evil ... in the name of one of its victims?!" Cortez answers, "You've seen this place Havok! You've seen the sentinels! You tell me ... where's the sense in letting the flatscans do to the mutants what Hitler did to the Jews? ..." Cortez has done research on Magneto, he says the Jews, as a parallel metaphor. Why say that, if Magneto isn't Jewish?

(17) Then comes the infamous Unlimited #2. This is a long and involved FAQ I've got going here, so I won't go into detail at the moment. But the bottom line is, everything that Gabrielle Haller says about Magneto's history is false. I don't want to go line by line over it now. Everything! Danzig was not annexed. It was a Free City, under League of Nations protection, that voted itself a Nazi government and welcomed the Nazi troops in like liberators. Gauleiter Forster, the extremely anti-Semitic Nazi leader of Danzig ordered all 10,000 Jews of Danzig to be kicked out of the city in 1939, not the Roma. The Jews. Auschwitz wasn't opened as a Polish political prisoner camp until the summer of 1940, not 1939. The Roma were sent to German municipal camps, in Germany and the Greater Reich, as early as 1933. But they were not sent to Auschwitz from Germany until 1943. The only people who were in a work camp in Auschwitz before it opened were 300 Jews from the town of Auschwitz who were forced to transform a collection of horse stables and army barracks into the Polish prisoner camp. "Genocide, extermination ..." of Poles? No. The Polish people suffered terribly, and were considered "sub-human" by the Nazis. Millions of Polish citizens were killed throughout the course of the war, as soldiers, as slave laborers, as underground fighters, as members of the intelligentsia. But this was Nazi suppression of a conquered country, not planned genocide. Roma, Yes. The homosexuals, no. Not genocide. Persecution and imprisonment. Treated terribly. But people weren't sent to the gas chambers just because they were homosexuals. And "intellectuals" ? (How could Nicieza have written this?) Intellectuals were targets of genocide? Well, I hardly think so, since Goebbels, and Albert Speer, and even Mengele were considered intellectuals.

No one was sent to the gas chambers, or was shot in an open grave, or was tortured and murdered JUST because they happened to be an intellectual. Thousands of Polish citizens who were members of the intelligentsia (the educated class, the vanguard or elite of the educated class), were murdered in the first months of the war. But there was no planned campaign to hunt down every intellectual in Europe and exterminate them. The mentally ill and handicapped, the Jews, and the Roma were the primary targets of Nazi genocide. The Russians came next. Everything Haller says about Magneto in Unlimited #2 contradicts most of Magneto's history as presented in 15 years worth of comics.

(18) Until recently, when, in Road to Onslaught, Marvel once again published that outrageous Gabrielle Haller speech about Magneto like they were proud of it (??) the next references in the Age of Apocalypse comics portrayed Magneto once again as Jewish. In X-Men Vol. 2, No. 40, where David Haller, Legion, pulls Magneto's memories out, you see young Magnus with the men, standing behind and below a high, barred window. This is an accurate portrayal of the quarters of the Sonderkommando at Auschwitz I. At Auschwitz I, only the Sonderkommando (other than prisoners awaiting execution) were kept in isolated basement cells, the windows of which were high, barred, and as seen from the outside, half-below ground level.

And why is Magneto in Israel anyway? How could he have come there? Well, why would a Romany go to Israel when at least 30,000 Roma lived in Germany in the late 1960s and early 1970s? And many more Rom formed a thriving community in Paris. Why not just go home to his own clan and tribe? Roma have a complex system of extended familes, clans, and tribes. Why go to Israel to "find himself" or find his "soul"? A German Jew had no place to go but somewhere else. A Polish Jew definitely had no place to go back to, since some Polish fanatics continued to murder returning Holocaust survivors well into the late 1940s. Any Jew can emigrate to Israel, under the Law of Return. All Magneto had to do was show them the tattoo on his arm. And he was home. (And in case some of you were wondering, as some of us have discussed, with the exception of the Muslim Bosnians, only the Jews of Europe practiced circumcision. It was a religious rite, not a medical procedure. Only Jewish men and boys were circumcised among the prisoners at Auschwitz. The Nazis already knew what Magneto was. He was chosen for the Sonderkommando, he was Jewish. He was not pretending to be a Jew. He wasn't misidentified as a Jew. He was a circumcised, young Jewish man). Furthermore, Magnus at this time had forged papers, that identified him as "Erik Magnus Lehnsherr." He could have immigrated to any country in the world, including the United States! If he were Roma, and didn't want to self-identify as such, why not go to America? Why go to the one country that represents enormous pain for modern Roma -- i.e., the Rom today deeply resent the focus on Israel, and the support Israel enjoys among nations of the Western world, while the Roma continue to be persecuted and ignored.

(19) In Astonishing X-Men #3, formerly Uncanny, from May 1995, we have the most clear reference to Magneto's being Jewish, written by Scott Lobdell. Magneto has just hit Bishop, and is helping him to his feet. He says, "Long before Xavier died ... before this point of divergence ... I stood by helplessly as millions of my people were led to slaughter in the name of 'genetic purity." Now the AOA is not a what-if story. It is a divergent timeline. Magneto says, before the timeline diverged. What other people were lead by the millions, led to the slaughter, in the name of genetic purity? Many people suffered and died in World War II. 250,000 to 500,000 Roma were murdered. Millions of Russians and Poles during the course of the invasions, and in political violence, and in acts of pure murder, were exterminated. But only the European Jews were "led to the slaughter" in the millions because of one man's racial beliefs. Only the Jews of Europe Persecutionand incarceration are not the same as genocide and extermination.

20) X-Men #72, cover date February 1998, published in mid-December 1997. This comic book makes a significant contribution to Magneto's history. Basically, the book reveals that the name *Erik Lehnsherr* which was revealed by Gabrielle Haller in Unlimited #2 to be Magneto's real name, is fake, and so Haller's assertion that Magneto is a *Sinte* Rom was based on false and forged identity papers.

The scenario begins with Gabrielle Haller, lying on her bed, working on a lap- top computer, writing the American Sen. Kelly, begging him to help find and secure the release of Charles Xavier. Sabra, the Israeli super-hero, a mutant and Mossad agent, suddenly appears floating in the air outside Haller's balcony doors. Haller has just pushed open the doors, saying, "You're too important to lose, Charles. I will see you ... FREE?" And Sabra says, "Sometimes, Ambassador Haller ... freedom, like the truth, is little more than an illusion. Don't you think?"

Sabra has come to Haller with information. She says to Gabrielle Haller: "I"m sure you recall shocking the world when you announced that you had UNDENIABLE proof ofMagneto's identity as Erik Lehnsherr. The undeniable has just been DENIED." Sabra then goes on to show Haller, and the readers, the file on a master forger named George Odekirk. In this file, apparently, is a computer analysis of the identity papers of Erik Lehnsherr, which shows that Odekirk forged those documents. Haller says, "He created Erik Lehnsherr? If this is true ... you must take me to him! He could be our only link to Magneto's true identity ... our last chance to stop him once and for all!"

But just as Sabra is flying Haller to the Transylvanian Alps, to meet with Odekirk, the scene switches to Odekirk, who is working on another forged passport, sitting in bed while his wife sleeps beside him. Suddenly, Odekirk looks up -- he has a visitor. It's Magneto, in full costume.

Magneto is floating in the air. He surrounds Odekirk's bed with his magnetic energy, and uses his power to keep Odekirk's wife unconscious. He says, "You failed me." Odekirk responds, "Please ... please, my wife ..." Magneto answers, "She will sleep the sleep of the innocent. She has done nothing ... but you ... YOU, my friend, have BETRAYED me." Odekirk protests his innocence, and then Magneto makes this remarkable speech: "Do you remember what you promised me the night I came to you, torn and filthy, nearly a quarter century ago? I was searching for my beloved MAGDA, determined not to lose her as I had lost so many others in the fire that engulfed all of Europe during my childhood. The authorities were in pursuit of me for the "crime" of avenging my daughter's murder. I was willing to deny who I was ... everything that my family died for ... so that I could find one woman ... so that I would not be caged AGAIN. The Erik Lehnsherr fabrication was a convenient means of ensuring that. You swore that the forged papers were FLAWLESS, that your skills were unsurpassed... but now, you have proven to be a liability. Your work has been called into queston by my enemies, and they will trace Erik Lehnsherr the Sinte BACK to you." Odekirk protests, "That is impossible! That forgery was impeccable! My work is ... " Magneto answers: "It was not ENOUGH! You gave birth to Erik Lehnsherr, Odekirk. And tonight, you have killed him. My secrets shall die with him. All that remains now ... is MAGNUS."

This scene says, subtly but clearly, that Magnus denied who he was, gave up everything his famly died for, to take the false identity of a Sinte Rom named Erik Lehnsherr. Since this entire FAQ has gone into great detail showing exactly how and why Magnus was born Jewish, it seems there is no doubt now, that Magneto's family and he himself, were Jews. Magnus would not say he denied *everything* his family died for, by taking a Romani identity, if his family were indeed Roma. As I pointed out above, only the Jews and Roms were targeted as entire peoples, and killed for no reason other than they were Jews and Roms. Magnus was either one, or the other. Since in XM #72, it is revealed that he is NOT a Rom, we must conclude he was born a Jew.

There are several continuity problems that arise from the revelations of XM #72. Several unanswered questions:

1) How much of Haller's speech (Unlimited #2) was based information contained in Odekirk's forgery, how much was based on what she personally knew, and how much did she "fabricate" herself? She makes a large number of mistakes, about nearly every aspect of Magneto's history and life. She also gets her Holocaust history and dates wrong. Did she perhaps add her own *facts* to what she found in those old identity papers? Was she perhaps trying to make the story coherent? As in, trying to make what she knew about Magnus and his history fit what she learned about *Erik Lehnsherr*? For example, where she says, on page 19 of Unlimited #2, "...Lehnsherr had taken to calling himself MAGNUS ... as if by choosing his MIDDLE name, he could bring some semblance of BALANCE and SIMPLICITY to his haunted life." This is Haller's supposition -- the reason he was calling himself MAGNUS in Israel. She knew him as Magnus back then, she had just found out, his full name was supposedly *Erik Lehnsherr.* Did she try to splice together the information?

2) While XM #72 makes it clear why Magnus cloaked himself in this false identity and ethnic background initially, what is not so understandable is why he continued to maintain that false identity after his search for Magda was over, and he immigrated to Israel. Did he use the forged *Erik Lehnsherr* passport to enter Israel? Why would he use a false identity and ethnic background to enter Israel, when he was a Jew?

3) Why would Magnus continue to use the Erik Lehnsherr identity during the Age of Apocalypse, especially since he publicly identified with being a Jew? (Astonishing X-Men #3, quoted above.)

4) Magnus worked for at least one intelligence agency, most likely the CIA (Classic X-Men #19). He then hunted dangerous mutants, for his own mysterious purposes, as shown in a brief cameo in Generation X #10 -- which was a memory belonging to Sean Cassidy, telepathically accessed by Emma Frost. During the time he was working for the CIA, his code-name was Magneto. In Classic X-Men #19, he is called only Magneto. In Generaton X #10, Interpol agent Sean Cassidy doesn't know who the man is who is helping him track down Arcady (the future Omega Red). Emma Frost, commenting from the present as a psionic guide to Cassidy's memories, calls the man *Erik Lehnsherr.* But the question is, after he left Israel, did Magnus use the false identity Erik Lehnsherr?

5) During the time that Magneto tried to follow Xavier's path, roughly from UXM #196 through UXM #253, and New Mutants issues #35 through #75, including UXM #188, NM #21, #23, #24, #26, #28, and #29, he referred to himself as Magnus, and others like Storm and Kitty Pryde called him Magnus. Even though he was disguised as Michael Xavier for the outside world, the X-Men and their associates all knew Magneto as Magnus. During this time, Magnus also identified strongly with his Jewish and Jewish Holocaust history. The question now is, what happened to the *Erik Lehnsherr the SInte* identity during this time?

6) Why, now, after so many years, did Magneto find it necessary to kill George Odekirk in order to protect his identity? We know why he took the false name and ethnic background to begin with. But we have no evidence that he continued to use *Erik Lehnhserr*, during each stage of his pre-Magneto career. After he became Magneto, after all the battles with the X-Men, after the events of Fatal Attractions, after the mind-wipe and the appearance of Joseph, after Onslaught, why would Magnus be so concerned with protecting his true identity? Was he trying to protect the memory of his family? Has he maintained contact with pre-Holocaust family grave sites, or places where he once lived? Is he worried that the very bones of his ancestors might be violated by those looking for his genetic material? Then there's Anya, his beloved daughter -- she was never Anya *Lehnsherr*. Her last name is now unknown -- is Magneto trying to protect something concerning her? George Odekirk wouldn't be the only witness to Magneto's true identity, either. What about those Carpathian villagers, who accepted Auschwitz escapees Magnus and Magda in 1945? Did anyone in Vinnitsa who knew Magnus' true last name survive his burst of electromagnetic radiation? What about Ruth and David Shulman, who knew him at Auschwitz, and recognized him, in UXM #199?

These, and other unanswered questions, remain.

By removing the *Erik Lehnsherr the Sinte* identity, fixing that particular retcon from Unlimited #2, and leaving the rest of Magneto's history intact, writer Joe Kelly and editor Bob Harras have not officially stated that Magneto was born Jewish, and was a Jewish survivor of Auschwitz. But, as was the case during the years Chris Claremont wrote the character, the references to Magneto's Jewish identity are there, subtle and at the same time, obvious.

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shebpaw · 5 years

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Other Animal Fantasy Books I Think People Should Know About

So, I’m a forever huge fan of animal-centered books and I like spending a horrible amount of time looking for them, buying.renting them, and never reading them. BUT, I have read a lot of them and I honestly REALLY REALLY want more people to read them, too!

You got your Warriors and Watership Downs and Redwalls and they’re all good, but today, here’s some lesser-known ones!

1. Tailchaser’s Song - Tad Williams

If you’re fresh off Warriors and want something similar, this is the book for you! I’ve always loved books that are self-contained in one volume, and Tailchaser’s Song does it really really well! It’s a short-ish epic about a cat looking for his gf and getting caught up in a world-ending scheme by these evil demon cats. Very well written with a really interesting world and lore system.

Also, in my opinion, it does almost everything right that Warriors does wrong (there’s no LGBT+ sadly but this was published in 1985 so eh you can’t have everything).

There’s also a movie in production? Kind of? It’s sort of been on and off for a few years, but I’m still holding out hope!

2. Varjak Paw & The Outlaw Varjak Paw - S.F. Said

Moving right along with cat protags, we have Varjak Paw and it’s sequel The Outlaw Varjak Paw. Like Tailchaser, it’s got it’s own “magic” system but more so with cat martial arts. Varjak Paw is a descendant of a line of cats with the ability to use this art and has to stop a guy who’s making cat zombies. It’s reading level is around middle school-ish but it’s still really enjoyable!

There was gonna be a movie, made by the Jim Henson Company, but it was scrapped. Ah, well.

3. The Sight & Fell - David Clement-Davies

If you were/are the “wolf kid”, you’ll be all over this duology like I was! Clement-Davies is one of my favorite authors, and I’ve read The Sight twice now and I’m starting a third read! Specifically, I love the system of animals being blessed with the ability to see through the eyes of birds. Fell is less of a sequel as it is a companion novel/spin off. The Sight is otherwise pretty self-contained, but I’d HIGHLY recommend Fell, too.

If you enjoy Cartoon Saloon films (Secret of Kells, Song of the Sea, Breadwinner), these books have a very similar tone.

4. Firebringer - David-Clement Davies

Another Clement-Davies book, I know. But, this is the last one, I swear! I’ve mentioned Firebringer before, specifically as an uncommon animal protag. I can definitely see why writers would shy away from writing an epic about deer, seeing as they don’t exactly stand for courage. But, Clement-Davies managesto keep deer in character while making them heroic! It’s a “the chosen one” story and reads like a Disney movie for the most part, but that’s not to it’s loss! Another self-contained book, it has a satisfying opening, middle, and conclusion. This book is especially dear to me and I will jump at the chance to recommend it! If any book deserves a movie adaptation, it’s this one!

Also, before I stop talking about Clement-Davies, he was writing another book called “Scream of the White Bears” about polar bears which, unfortunately, will never see the light of day due to lack of funds. It makes me really sad, and I really think he deserves the funds to keep writing, so please support him if you like his work!

5. The Last Dragon Chronicles - Chris D’Lacey

This one is sort of cheating because the dragons aren’t the main protagonists, but I highly HIGHLY recommend this series. It starts out tame and gradually flies off the handle in terms of storytelling! The books are long but TRUST ME, they do get good. Also, living clay dragons and polar bears!

6. Bambi: A Life In The Woods - Felix Salten

Now, I know what you’re thinking “Sheb, everyone knows Bambi! It’s a Disney classic-” NO! No, you DON’T know Bambi! Not if you haven’t read the book! Yes, the Disney film is pretty close, but there are HUGE parts missing that are awesome and should be read.

“But Sheb, Bambi isn’t exciting or epic, it’s a boring movie about deer-” Shut! The MOVIE is like that. The book? Bruh, you gotta read it. Disney did Bambi DIRTY on that aspect.

ALSO ALSO ALSO, Felix Salten was a Jewish man who narrowly escaped the full extent of the nazis’ wrath. Bambi: A Life in the Woods was among the books banned and burned by the nazis simply for being written by a Jewish man. So, if you feel particularly petty towards nazis, another reason to read this book! Piss off their ghosts by reading a boring book about deer they tried to erase from history!

Also, reading banned books is just a good practice in general.

7. DarkWing - Kenneth Oppel

You guys remember SilverWing? Not me! Never read it (I will soon though, gimme a bit)! But, I HAVE read this prequel thingy! It’s not just bats, its prehistoric bats! I’ve never heard people mention this book when they talk about SilverWing, and that’s a crime. Another self-contained story (sorta, it is a prequel of sorts), I LOVE this book! There’s dinosaurs, prehistoric barn owls, snakecats, and hyenas? DarkWing slaps and deserves as much attention as SilverWing, is what I’m saying.

I’m working through more books like these (SilverWing, Sword Bird, Ratha’s Creature, Poppy, Wild Road), but these are the one’s I’ve finished!

In conclusion, read Bambi or I’ll break into your kitchen and eat your oyster crackers.

#sheb.txt #tad williams #tailchaser's song #varjak paw #sf said #The Sight #Fell #Firebringer #David Clement-Davies #The Last Dragon Chronicles #Chris D'Lacey #Bambi #Felix Salten #Darkwing #Silverwing #Kenneth Oppel

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strvngcrs · 4 years

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『 adam brody. forty. cis male. he/him. 』 oh heavens, is that DANIEL ABRAMS from FAIR LANE i see roaming around mapleview? minnie may’s always calling them -BROODING & -EVASIVE. i happen to think they’re not that bad! they’re a pretty cool HORROR AUTHOR and every time i’ve seen them, they’ve always been +DEBONAIR & +ELOQUENT. i hope i see them around again!

classically rolls in ridiculously late bc i forgot i had to work last night & then proceeded to sleep in today wooo !! good afternoon ghouls, it’s ya girl maia, finally here to deliver the definition of hot mess with good intentions.

GENERAL

FULL NAME. daniel elijah abrams.

NICKNAMES. dan, danny.

AGE & BIRTHDATE. 40 years old ; may 4, 1980.

GENDER & PRONOUNS. cis male ; he/him.

ORIENTATION. heterosexual.

MARITAL STATUS. estranged.

RELIGION. jewish ( non-practicing ).

OCCUPATION. horror author.

INSPIRATION. bill denbrough ( it ), donnie darko ( donnie darko ), lucas scott ( one tree hill ), stephen king.

PHYSICAL

HAIR COLOUR. black.

EYE COLOUR. dark brown.

BUILD. athletic.

MARKS. freckles scarcely spread across his entire body.

TATTOOS. none.

PIERCINGS. none.

HEIGHT. 5'11".

FACECLAIM. adam brody.

PERSONALITY

ZODIAC. taurus.

ALIGNMENT. chaotic neutral.

HOGWARTS. ravenclaw.

LABEL. the arcane.

POSITIVE TRAITS. cheeky, debonair, driven, eloquent, resilient, solicitous.

NEGATIVE TRAITS. brooding, evasive, inquisitive, sarcastic, stoic, stubborn.

HOBBIES. smokes like a chimney while writing until he forgets what day of the week it is, dabbles in hunting & fishing (thanks @ his dad), labels all crime / thriller genres as ‘predictable’ but continues to watch them, obsesses over & relentlessly criticizes his own work, drinks heavily & passionately plays moonlight sonata or fur elise as if he’s betoven’s disciple.

BACKGROUND

PLACE OF BIRTH. california.

CURRENT RESIDENCE. mapleview, north carolina.

NATIONALITY. american.

ETHNICITY. ashkenazi jewish.

PARENTS. judith miller & mr abrams.

SIBLINGS. mia miller.

BIRTH ORDER. eldest.

CHILDREN. penelope abrams.

EDUCATION. university of california, los angeles; bachelor of arts in english.

LANGUAGES. english, some spanish & french.

HISTORY

EARLY LIFE. born to THE judith miller and some newspaper editor, daniel was raised by the latter and notoriously abandoned by the former. well, not completely abandoned - there’s an old shoebox containing a few letters as proof - but that was the only source of communication in their otherwise absent relationship. while little danny boy didn’t fully understand why he couldn’t see his mother, he sought out an alternative solution by watching her movies. his father wasn’t aware, at first, and dan created this extravagant fantasy of the person he thought she was based on the roles she played. however, once papa abrams found out his son was watching these movies (which were probably not fit for children in the first place lmao oop), he begrudgingly revealed the bitter truth. being forced to come to terms with the fact that his own mother willingly abandoned him with his father, daniel didn’t fully understand what it meant; he couldn’t properly process why. the hurt of absent mother was expressed more out of anger, feeling as though there must have been something wrong with him. there were fewer and fewer letters sent to judith until he gave up altogether and thus, dan’s out of control behavior was born.

TEENAGE FEVER. SUICIDE MENTION TW. he struggled in school. his emotions betrayed him. instead of relishing a happy childhood, daniel found himself pushing everyone away, getting into fights, sneaking out late at night to run around the city streets with his friends and get into all sorts of trouble with them. he couldn’t count on his hands how many times the police picked him up and brought him to his dad’s doorstep. it only got worse once one of his best friends was found dead, written off as a suicide, though it didn’t add up in dan’s eyes and seemed so much more sinister. the young man was nearly deemed to be a lost cause, until he discovered his passion for writing.

language arts or literature was the last thing anyone would ever think to group with daniel abrams. but his english teacher noticed how well he could articulate his thoughts and feelings on paper, and submitted one of his pieces to a writing contest, which earned dan the win and a cash prize. bewildered by a talent he hadn’t even realized was in him, daniel embraced it. he started writing in a journal ( which he kept safely tucked away beneath the mattress of his bed ), documenting every feeling and thought as a way to express his emotions in a more productive manner. this talent earned him a full ride scholarship to ucla with a major in literature and plans of diving into some sort or creative writing career or perhaps becoming an english teacher, to follow in the footsteps of his high school teacher who he came to idolize.

mere days into his freshman year, however, his high school sweetheart showed up in the middle of the night at his dorm with a positive pregnancy test. it was then the chaotic world as he knew it turned a new leaf, revealing a silver lining in the form of their daughter, penelope, who daniel hadn’t a clue, just yet, would save him. and so a shotgun wedding was quickly planned around the pair, both families either completely supportive or in utter disbelief. it was quick, it was cheap(ish), and it was stressful as all heck. but they were young, and in love, and were looking forward to starting a family together, despite it being a little earlier than initially planned.

“ADULT”HOOD. fast forward five years, and they’re signing divorce papers. fortunately, it wasn’t messy. the two had simply grown apart as they matured in their respective ways, and remaining together was only causing a rift to develop between the two. the last thing they wanted, for the sake of their daughter, was built up resentment to tear the little family apart. his wife, who daniel initially thought to be the love of his life, blossomed into an absolute goddess; she was ambitious and knew exactly what she wanted. daniel, on the other hand, was still somewhat caught up in his ‘bad boy’ habits of drinking excessively and his career was still pretty up in the air. the two just didn’t compliment each others’ lifestyles anymore.

daniel moved out but remained in california, settling for a bachelor’s apartment where he was able to have penelope every weekend. during this time, he finally cracked down and worked on finishing a novel he’d started years prior. within a year, he found a publisher who took interest in his grotesque works, and by the time daniel was twenty seven, his first bestseller hit the shelves, changing his life for the better with the ability to provide for his daughter without stress of landing another odd job ever again.

as his fame increased, so did his desire to slink back into the shadows away from the limelight. at first, he enjoyed the wholesome book signings by day and grungy celebratory benders by night. but it grew old pretty fast and he certainly didn’t want to end up as another washed up shmuck. so, on a whim, daniel decided to move out of california completely, removing himself from the toxic lifestyle he’d grown accustomed to and shacking up on a beautiful piece of land in the rocky mountains of north carolina. the serenity and scenery certainly aided in his inspiration, as well as his unacknowledged lowkey addictions slowly being rehabilitated from his bloodstream.

OLD YELLER. now, in his utmost prime at forty years old, he’s written numerous cult classics, a few of which have successful movie adaptations. he was lucky enough to land himself in a second marriage, though.... that one is now deteriorating as well because he literally doesn’t know how to maintain a healthy relationship. he received full custody of his daughter when she was sixteen, under the unfortunate circumstance of her mother’s untimely death. although they’d been separated for nearly twenty years, daniel was still very much affected by the loss, more so empathetically for penelope. he’s still hooked on the drink, though he’s definitely calmed down quite a bit from when he was a young buck. basically a messy, depressy old soul who uses sarcasm to deflect his true feelings.

CONNECTIONS

ESTRANGED WIFE. first marriage was a bust, and the second is turning out to be no better. they haven’t hit rock bottom just yet, in his opinion (which would be finalizing a divorce lmao), and he’s unsure if they should work things out or not but also really.......doesn’t wanna go through the process of another divorce. plus he likes her and deep down adores their bickering. the reason(s) why things started falling apart between them can be discussed of course. lowkey debating on whippin this up as a big official wc but.... if anybody already here would like to snag it, i would 100% mclove it.

COLLABORATORS. literally anyone he’s worked with over the years, whether they be fellow authors, publishers/publicists, journalists, screenplay writers, etc. yeehooo the possibilities are endless !!

FOLLOWERS. anyone hooked on his books, whether devout fans from his early beginnings or people who newly discovered his fictional writings.

FORMER CLASSMATES. could be from high school or university, but he was in california for the better part of his life aka not a mapleview native. former friends to foes & anything in between. dan’s that one kid who spiked the punch bowl at all the dances and years later probably snuck in party favors to snort off the bathroom sink during their high school reunion lmao whew !!

ANYTHING. literally anything. i’m my groggy state of mind on my lack of creativity rn so please, i’m beggin. if daniel can enrich your characters’ lives in any way, shape, or form, hit me up and we’ll hatch a plan.

#———— 🥀 . 𝙳𝙰𝙽𝙸𝙴𝙻 𝙰𝙱𝚁𝙰𝙼𝚂 ╱ DOSSIER .#mv:intro #alcoholism tw #abandonment tw #drug use tw #mommy issues tw #suicide mention tw #i think....that covers it?? if i missed anything pls let me know & ill tag accordingly #this is awful bc i rushed a wee bit buT #HOT DOG am i stupid excited to write with yall

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sunshine-and-waffles · 4 years

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2020 Book-End Review

Here it is! My 2020 Book-End Review. My only consistent New Years tradition.

HARD COPIES

Kingdom of Copper: The second book in the Daevabad Trilogy. Female protagonist, Islamic influenced fantasy world, love stories (gay and straight). Uhg, this was so good. I literally couldn't put it down and was subsequently sleep deprived for a week. I did get a little confused with all the titles and names, but that's what google is for. I haven’t read the third book yet because I haven’t had the time to completely give myself over.

The City It The Middle of The Night- Charlie Jane Anders: Science fiction with female and non-human protagonists. Themes of colonization, the polarization of government, and human nature. It was so hard to get into, but by the end I was completely enthralled and was wishing for more.

Enchantment by Orson Scott Card: Time travel, fairytale (sleeping beauty), Jewish protagonist. It’s simple and enjoyable. I read most of it in the swimming pool :)

All The Birds in The Sky-Charlie Jane Anders: Again, Ander’s books deal with duality, only this time the duality is magic and technology. This book was easy to get into, complex, and brutal. It was so complex, I think I could read it a few more times and get something out of it each subsequent time.

The Lost Gate-Orson Scott Card: The first book in the Mithermages series. All gods are real, coming from an alternate world where their magic and power originates. The gate between worlds has been closed, so the gods' strength has withered. A young boy, from the norse god family, escapes their abusive clutches and discovers his special strength. Meanwhile, on the other world, a young boy observes the palace intrigue and his own powers. The plot is so strong and enjoyable. It’s easy to read, and is well written, which is such a rare quality.

Loving Across Borders: A book on how to navigate multi-cultural relationships. I was hoping this would be interesting and insightful, but I found it to be dry and obvious. The author didn’t include significant personal stories (which is what I find the most interesting and helpful). Essentially, a summary of the book is: Communicate with people, each situation is different, and set boundaries… Duh.

2020 Audio Books

The Polygamist's Daughter - Anna LeBaron: A memoir told by the daughter of a cult leader. It is told from her adult perspective, remembering her childhood which is full of abuse and neglect, and then working through her trauma with a therapist at the end. It was an interesting enough story, but could probably have benefited from some editing. I honestly wouldn’t recommend it.

The Heart Goes Last: Freaking love this book. A dystopian future where the poor and disenfranchised can sign up to live in a compound with shifts in a utopian world and then in a prison/work compound. In this setting there is love, romance, and DRAMA. I listened to it twice.

Little Fires Everywhere: Socioeconomic differences, race, art, women’s rights, mother daughter relationships, infertility, motherhood. The book is better than the show.

An Easy Death- Charlaine Harris: Book one of the Gunnie Rose series. A little western/gun slinger genre, a little magic, a little alternative history. A hot Russian magician and a female gunslinger protagonist. It’s not a great book, but I bought the second one, so I guess it was good enough.

A Longer Fall- Charlaine Harris: The second Gunnie Rose book. I actually liked this one more than the first book. The characters seemed more flushed out and the story was more complex. The ending left me wanting more, and I’m looking forward to the third book in Feb 2021. Widdershins-Charles Delint: The follow up to The Onion Girl, the background story is a war between native spirits and fairy, while the protagonist Jilly faces the abuse she endured as a child and the guilt she carries for leaving her younger sister in the abusive home in order to survive herself.

His Majesty's Dragon: Book 1 of Temeraire. Alternative history of Napoleonic wars with DRAGONS. A sea captain unexpectedly bonds with a baby dragon, and has to change his whole life to accommodate it. I really enjoyed that this book has almost no romance. It’s just straight up about the relationship between a man and his dragon.

Throne of Jade: Book 2 of Temeraire. The Captain and the Dragon/Temeraire travel on a mission to China, where dragons are treated with respect and care. The dragon/Temeraire is becoming more mature and the disparity between West and East is highlighted, which causes some tension between the captain and the dragon, as well as between the reader and the book (at least for me).

Black Powder War: Book 3 of Temeraire. I gave up on this series with this book. The main human character’s inability to stand up to society and the government to demand that they treat his his dragon (who’s basically a soulmate) as a whole and independent being was too frustrating.

Moonheart -Charles Delint: This is the third time I tried to read this book, and I didn’t finish it. I just can not get into it. I love Charles Delint, but this book isn’t for me.

Harry Potter and the Philosopher's Stone: I love Harry Potter, and with the quarantine, listening to the whole series was the best mental comfort food. Harry Potter and the Chamber of Secrets:Harry Potter and the Prisoner of Azkaban Harry Potter and the Goblet of Fire Harry Potter and the Order of the Phoenix Harry Potter and the Half-Blood Prince Harry Potter and the Deathly Hallows

Midnight Sun: LOL, sorry not sorry. This is trash and I love trash. However, Edward is super self-pitying and creepy. I knew that from the original series, but reading it from his perspective made that feel even more clear. I spent a lot of time making rude comments about Edward under my breath. I’d honestly listen to or read the rest of the Twilight series again, but I’d skip this one.

The Witch's Daughter: Female protagonist, with an immortal witch, and a young female apprentice. I had to force my way through it until the last quarter, and then I was really engrossed. The ending was nicely wrapped up, and I don't feel the need to read the sequel. Interestingly, I really disliked the narrator's voice, but it was the only audiobook I’ve listened to that Kal didn't mind. (Because he hates the sound of audio book I usually use my headphones).

Too Much And Never Enough: Donald Trump’s niece exposes their shared, terrible, abusive, and sad family history. It sheds some light on who Donald Trump is as a person. The psychological background doesn’t make his actions any better, but it helped me to understand how he could be the way he is. Honestly, this book was good for my mental health.

A Deadly Education-Naomi Novik: I LOVED THIS BOOK. In a world where the magicaly gifted are hunted by terrible monsters, magical children go to a school where they have to fight to live. It deals with how inequality in socioeconomic standing impacts students and their ability to succeed… with magic and romance.

The Betrayals: This book started a little slow. The characters are all flawed and make terrible mistakes because they are too proud. There is romance, magic, and redemption; I enjoyed the ending, but there were so many emotionally tense moments I wouldn’t say I enjoyed the book as a whole.

Caraval: Sisters escape their abusive father to become embroiled in a magical game where what is real and what is fake is unclear. Magic, romance, sisterly love, and mystery. The writing isn’t perfect, but I enjoyed the ride of this book.

Currently Reading:

Hard Copy: The Gate Thief, Book 2 of the Mithermage Series.

Audiobook: Legendary, Book 2 of the Caraval Series.

Poetry: Salt

I read/listened to 29 books this year. I'm tempted to try to finish a 30th before my 30th birthday on Monday. We'll see if I make it :)

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starstuffandalotofcoffee · 4 years

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You mentioned earlier that you'd be willing to give book recs? If you still are, what would you recommend for fantasy/sci-fi not about straight white guys? Got a lot of recs for those already.

while I take umbrage with your url, I have many recommendations! In fact, most of the sci fi and fantasy books I have read as of late feature nonwhite and/or LGBT characters and many are not written by straight white guys either, which tends to help. Here’s an incomplete list thereof. Other people looking for recs, this is a pretty broad list ranging from fairly classic fantasy to modern urban fantasy to a couple different forms of sci fi, so you can probably start here.

Currently I’m reading the Foundryside series by Robert Jackson Bennet (I read book 1, I’m mostly through book 2, I don’t think book 3 is out yet) which is best described as cyberpunk, but in an otherwise low-tech fantasy world. The plot and themes are great, the characters are great, the exposition in the first book is a bit heavy-handed like dude we get it you program but the second book is much tighter. Most of the characters are described as being nonwhite, and the main character of the first book (who’s still a major character in the second; it’s just more of an ensemble) is a wlw. Note: I think these are the only books on this list written by a white guy, so again, look for women and LGBT and nonwhite authors and often they will make characters who are like them.

N. K. Jemisin is a good author not only to read but to follow in that as one of if not the most prominent black sci fi/fantasy authors she makes recommendations of other authors and pushes for recognition (basically, her point is that she did not come in to take Octavia Butler’s seat and you can have more than one black woman writing sci fi). The City We Became is based on a phenomenal short story that she wrote, about the city of New York coming to life through various human avatars; almost all are nonwhite and several are gay, bi, or lesbian (there’s a minor supporting trans character who I hope gets a larger role in the next of the series but the first book just came out). The Broken Earth trilogy is maybe one of my favorite series I’ve read in the last few years; most of the characters are black and a decent number are LGBT.

Speaking of Octavia Butler, most of her characters are black and she’s also just a modern classic sci fi writer for a reason. I’ve only really read short stories (the Bloodchild collection), the Patternist series, and Kindred. She does dip into horror themes at times and I respect if people aren’t into that, but she was a brilliant author. Most of her characters are black and The Patternist series includes shapeshifter characters who have romances with people of various genders.

I was frustrated by the pacing in The Priory of the Orange Tree, but not the characters. The worldbuilding could also stand to be a little better in that it’s clearly like, Europe and Asia of our world circa 1600-ish but with different names for things and also some magic. Plenty of nonwhite characters, some lesbian romance. (Author is Samantha Shannon).

You have probably seen stuff for Gideon The Ninth on Tumblr and for good reason; it’s very good. The tagline on Tumblr is often Lesbian Space Necromancers which is true but also it’s just incredibly funny and dark and well-written. (Author is Tamsyn Muir).

You may have also seen things for the Shades of Magic series on Tumblr; it’s a really cool conceit, one of the two main characters is a woman, and there is significant gay romance among the supporting characters. It’s got epic battle vs. evil for the soul of the universe stuff as well as interdimensional portals but also pirates and the elemental magic olympics, somehow. I do feel sort of ambivalent about the author saying one character is likely genderfluid but doesn’t know that it’s an option because on the one hand I do not like the author saying things and it counting as representation, but on the other said character comes from early 1800s London and this would not be an unreasonable way for them to feel. (Author is V. E. Schwab)

The Raven Tower is super interesting and I only read it because my mother had it out of the library when I was home for Thanksgiving and she said ‘here you might like this’. It’s sort of a retelling of Hamlet, it’s got weird deity lore (which I happen to love in fantasy), and the main character is trans. (Author is Ann Leckie).

A Long Way to a Small, Angry Planet is sci fi and while there are challenges and real plot involved it’s just like...kind of a fun adventure book? I just remember finding it fun, despite the seriousness of elements of the plot, and I say this as someone who often does like a good epic good vs. evil plot but it’s kind of nice to read a book where the hardships are like, needing to fuel your spaceship in a weird place. Some of the human characters are nonwhite (I’m of the opinion that aliens don’t really count as representation), and several characters are not straight. (Author is Becky Chambers).

The Golem and the Jinni is about the early 1900s immigrant experience in lower Manhattan, but through the eyes of a golem woman living in the Jewish community and a jinni in the Syrian community who become friends due to being displaced magical beings. (Author is Helene Wecker).

Alif The Unseen is by G. Willow Wilson of Ms. Marvel fame and is a technological fantasy novel that takes place in an unspecified Middle Eastern country in roughly the modern day. It came out in 2012 and was clearly (and thoughtfully) influenced by the Arab Spring of 2011; most characters are Middle-Eastern or South Asian Muslims.

Finally on this list, though not of the many books one could read, Stars in My Pocket Like Grains of Sand is by Samuel R. Delany, a gay black man, and while it’s been a couple years since I read it it was so brilliantly written and different than a lot of space sci fi that I’ve read and it hit me in such a way that I keep meaning to reread it. The main characters are also black gay men.

#sci fi #fantasy #book recommendations #paladins-are-dumb

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buzzdixonwriter · 4 years

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The Four Gospels Of Sci-Fi

The “canon” of science fiction is in the news again in the wake of the recent Hugo awards, and since I’m nothing if not opinionated and I also want to load up my posting queue before diving into my next big project, this struck me as an apt topic to write on.

So settle back; we’re going to touch on the history of sci-fi, the influence of its old guard, how it pertains to religious literature, and perhaps even delve a little bit on Christianity itself at the end.

First off, a quick recap of Christian scripture for those who aren’t read up on the subject. Vacation Bible School veterans can skip this part.

. . .

The foundational works in the Christian New Testament are the four gospels: Matthew, Mark, Luke, and John.

The first three are referred to as the synoptic gospels because they tell basically the same story in the same beats, differing in style and detail, but essentially the same.

Mark is considered the oldest of the three and the primary source for Matthew and Luke (boy howdy! Am I ever streamlining a lot of Biblical scholarship here but bear with me; I’m doing this to make a point about sci-fi, not religion).

The common Christian reading of the three synoptic gospels are that Mark is the basic story, Matthew (because of its focus on Old Testament prophecies) was written with a Jewish audience in mind, Luke was written for gentiles.*

John is the gospel that sticks out.

To grossly oversimplify, the biggest difference is that the synoptic gospels mainly record what Jesus said and did, John focuses more on the who and why.

And that’s all we need to know at this moment…

. . .

The four gospels of sci-fi are Heinlein, Asimov, Clarke, and Bradbury.

(Before we go further, let us stipulate this applies only to those who came to the genre prior to Star Wars -- indeed, an argument can be made it only applies to those who were fans before Star Trek.)

Sci-fi’s synoptic gospels are the oeuvre of Robert A. Heinlein, Isaac Asimov, and Arthur C. Clarke; Ray Bradbury is the oddball.

I say they are the synoptic gospels because truth be told, you can only tell them apart by style, not content, certainly not by point of view.

If all three exchanged story ideas and plot outlines, the end results would be different only in tone and vocabulary, not theme or character.

Heinlein, Asimov, and Clarke were all technically trained and worked professionally as engineers or chemists when not writing; Bradbury was a gosh-wow! fanboy.**

If Heinlein, Asimov, Clarke, and Bradbury are the gospels of sci-fi, their John the Baptist was another John: John W. Campbell

Campbell is a problematic figure in sci-fi, so let’s just get him out of the way ASAP.

He was a good but not outstanding writer, but when you write “Who Goes There?” (basis of the various film versions of The Thing From Another World) you’ve earned your place at the table.

He was a visionary editor and under his helm Astounding / Analog set the gold standard for sci-fi for decades to come.

He was a white supremacist of the paternalistic bent, and while on the one hand that’s better than being an outright hate monger, on the other it’s more insidious since it presupposes a correct worldview without challenging that assumption.

He was a male chauvinist of the same stripe, not particularly open to female writers but willing to publish the occasional story with a female protagonist…written by a male.

He was a crank who believed a bunch of goofball ideas, from psionics (ESP, telekinisis, etc.) to dowsing to the Dean Drive to the Hieronymus Machine (a device so wonderous that even a schematic drawing of it would work!).***

Campbell by all accounts was not a bad individual and the field is still replete with those who knew and loved him, but like the cranky patriarch**** who refuses to divulge the contents of their will, forcing everyone in the family to kowtow to them, Campbell’s position atop the highest paying / most prestigious market in science fiction shaped much of the genre around him. (Full disclosure: One of the greatest highlights in my writing career was finally placing a story in Analog after fifty years of trying!)

Writers would typically aim at Astounding / Analog first, and failing to sell there, the Campbell rejects would start a long, laborious trudge down the stairs to the cheaper markets.

This held true even in the 1950s when sci-fi magazines of a more literary bent (Fantasy & Science Fiction and Galaxy in the US, New Worlds in the UK) started attracting stories written for them, not Campbell hand-me-downs.

As Jeannette Ng observed in her acceptance speech for the 2019 John W. Campbell Award for Best New Writer*****: “Through his editorial control of Astounding Science Fiction, [Campbell] is responsible for setting a tone of science fiction that still haunts the genre to this day. Sterile. Male. White. Exalting in the ambitions of imperialists and colonisers, settlers and industrialists.”

Campbell’s absolute faith in science and technology to solve all our problems (including the ones created by science and technology) while ignoring the very real problems that plague humanity since time immemorial (lust, gluttony, greed, sloth, wrath, envy, pride) coupled with his prime market position led to a genre that unquestionably accepted those settings as the only viable ones.

Campbell certainly held more direct sway over the writings of Heinlein and Asimov than he did Clarke, but Clarke’s earliest sci-fi sales were to Astounding and nothing he wrote in his first decade as a writing professional fell outside the big cushy box Campbell crafter for the genre.

And even though Heinlein and Asimov broke off for cushier writing gigs elsewhere (Heinlein in novels, Asimov mostly as a popular science promoter), they remained steadfastly loyal and respectful -- as did Clarke -- to the ends of their lives.

And on a personal, individual level, that’s a good thing -- we all need friends who will stick by us.

But Bradbury never got invited to the party.

Which is not to say he didn’t try to crack Astounding -- he did, on four occasions, two of them humorous short-shorts for the magazine’s “Probability Zero” feature, one run of the mill magic-shop-disguised-as-super-science-store tale sold in the middle of WWII when Campbell’s best writers were on active duty, and the last in 1950 when he was no longer Ray Bradbury, fanboy, but Ray Bradbury, Important American Writer!!! and Campbell published an excerpt from The Martian Chronicles.******

. . .

We’re going to take a sidebar here to discuss one of Al Ries’ immutable laws of branding.

Ries long observed there are only two models for any brand category:

A single dominant top brand with a distant second place competitor then a host of niche brands (Microsoft then Apple then everybody else)

Two big rivals fighting for first place with a competitor placing a distant third then a host of niche brands (Coke vs Pepsi with RC Cola trailing third then everybody else)

The way to break through in branding is not to waste time and effort trying to knock out a dominant brand but to create a new category to dominate!

That’s what Bradbury did in the late 1940s and early 1950s: He stopped aping the default Campbell / Astounding style and began writing more lyrical / less techno-focused sci-fi.

Heinlein, Asimov, and Clarke were no dummies and soon they too branched out more consciously to mainstream audiences.

But as successful as they were, none of them ever fully shook the influence Campbell weighed down upon them.

That is why telling people today they must read the old masters results in eyerolls.

Too often the old masters trafficked in cleverness, not as Faulkner observed “the human heart in conflict with itself.”

Heinlein managed to transcend the genre a few times, but finding the gems in his work requires a lot of effort.

Clarke remains dry and antiseptic: it speaks volumes that his best known character is HAL 9000.

And Asimov just isn’t that goof in either concept or execution. His Three Laws of Robotics demonstrates a failure of nerve and imagination: Humans won’t build robots programmed not to harm humans because the first thing humans will make robots do it kill other human beings!

So there’s our canon: Mostly irrelevant, often impenetrable.

The last author standing is the least technology oriented of the lot and Bradbury’s stories continue to work and delight because he doesn’t lecture on weights and measures but allows the reader to imagine along with him.

. . .

Okay, short Christian content now; if you came just for the sci-fi you can either stop reading or skip ahead to the footnotes.

Any field of human endeavor that does not constantly re-examine itself and challenge previous assumptions is doomed to irrelevance.

This does not mean established works need to be rejected out of hand, but we do need to ask what those works mean to us right now.

Truth is indeed timeless, but the package has a sell-by date and the contents do no one any good if they aren’t periodically taken down from the shelf and examined.

Modern Christianity -- in particular mainstream American protestantism -- has failed to closely examine the contents for quite some time.

While the field of sci-fi brims over with exciting new voices, we’re still straining to listen to the cracked / garbled / low fidelity wax cylinders of theologians long dead.

We need fewer Christians. We desperately need better Christians.

Instead of demanding those outside or struggling with the faith must read things the way we were taught to read them, understand them the way we were taught to understand them, follow along the way we were taught to follow along, perhaps we should show faith in the material and let those who will read and re-imagine the text in the light of their own experience a fair hearing.

The old canon in sci-fi fails today because it is too dated, too rooted in the mindset of a bygone era. The exception -- Bradbury (he himself a Christian and it shows in his stories) -- stays vibrant and alive and appealing because he doesn’t tell us what to think, he walks with us as we discover things for ourselves.

* Acts Of The Apostles is a sequel to Luke and while Jesus appears briefly in the beginning in almost a flashback fashion, that book focuses on what his disciples did afterwards.

** An interesting trait Bradbury shared with Harlan Ellison was that despite their fanboy origins, both were one helluva lot more savvy to the business of writing and publishing than anyone else in the genre, and both skillfully created public personas that served them well (Bradbury’s better than Ellison’s, granted) while they guided their careers through the treacherous shoals of gatekeepers and public fancies. Bradbury has written of his fanboy epiphany when he asked himself if he was satisfied being a fan / autograph hound or if he really wanted to be a creator, and immediately began directing his career in a fashion that could only be described as ruthless were it not attached to such a charming gentleman. Wannabees are urged to study his career and how he did it if they want to be truly remembered.

*** All well and good as fodder for sci-fi stories, not so good in reality. As the movie They Might Be Giants states: “[Don Quixote] carried it a bit too far. He thought that every windmill was a giant. That's insane. But, thinking that they might be... well… all the best minds used to think the world was flat. — But, what if it isn't? — It might be round — and bread mold might be medicine. If we never looked at things and thought of what they might be, why, we'd all still be out there in the tall grass with the apes.”

**** To stretch our Biblical analog to the breaking point, if Heinlein, Asimov, Clarke, and Bradbury are the New Testament gospels and John W. Campbell is John the Baptist, then sci-fi’s Old Testament has patriarchs such as Swift, Verne, and Wells plus the matriarch Mary Wollstonecraft Shelley, a major prophet in Hugo Gernsback, and a host of minor prophets in various pre-WWII niche media including comics.

***** An acceptance speech which in turn won a 2020 Hugo for Best Related Work -- how cool is that? ****** Basically, Bradbury was perceptive enough to recognized he turned a creative corner in 1944 with “The Lake” and broadened his submission range to include far more prestigious slick magazines such as The American Mercury and Mademoiselle and Collier’s and The New Yorker and when tipped off that Warner Bros. planned to plagiarize “The Foghorn” as the basis for The Beast From 20,000 Fathoms he didn’t waste time or money suing but sweetly judo leverage this to get his name prominently displayed on the movie posters as “Ray Bradbury…Saturday Evening Post” writer and then holy %#@& he was a Major American Writer! I loved Ray, but his gosh-wow sweet exterior camouflaged one of the most brilliant strategists I’ve ever met.

#science fiction #sci-fi #Robert A- Heinlein #Isaac Asimov #Arthur C Clarke #Ray Bradbury #John W Campbell #Christianity

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whereisstevethestove · 4 years

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so I heard we were telling ya’ll about our WIPs?

So I have quite a few running, both published and not, so I’ll just go into the list.

1.Healing = Chaos series

So it’s my pride and joy series, I’m actually on book three and it should be completely done and out by the one year anniversary of said series, which is great! It’s a college au where you can meet your ‘other selves’ but it usually throws the universe out of alignment. It’s got analogical, Rosleep and Mociet, with a few OCs running around and occasionally Thomas. Disaster condo and wacky adventures with angst as the characters manage past and future lives.

2. Four Horseman AU

For the TSS Big Bang. Currently about halfway written and unbeta’d but the plot centers around the four sides being the four horsemen of the Apocalypse. But there’s a catch- Logan’s Jewish and doesn’t believe the new testament, where the four horsemen are mentioned; Virgil’s died before he can ever really age into his power and now, in his current life, he’s atheist and a cynic; Patton’s so full of Catholic guilt it’s a miracle he’s even agreeing with the others; and poor Roman’s been around since the Roman empire trying to figure out how to keep his other horsemen from triggering the end of the world. Princxiety planned, with a spicy hint of Logicality.

3. The Hero? Au (Marvel inspired)

Virgil hates superpowers, and they’re common enough that he’s been saddled with them. Unfortunately, his high school bullies want to use him for it, seeing he’s pretty powerful. Also unfortunately for him, his high school bullies are superheroes, so him saying he’s being held against his will doesn’t exactly work. Oh, and comic nerd/Hulkling equivalent Remus is there too, and he’s really fucking lonely.

4. Sylphs and Streets Au

Urban Fantasy, set in Chicago with Storm Sylph Virgil, Illusionist Remus, normal human Roman, Seer Emile and Remy, who happens to illegally sell his potions on the side. It’s an unbeta’d project exploring the idea of injustice and discrimination. It’s AO3 exclusive and on it’s second installment of three.

5. The Mishaps of Ladybug and Kuro Neko.

Self indulgent miraculous ladybug au, where Logan and Virgil are half Japanese, Roman’s a massive fucking idiot in a himbo way, Janus is related to the previous ladybug, Marinette, and Patton’s nearly getting himself killed in hero fights every other weekend. Ladybug!Roman and Black Cat!Virgil, with other’s coming later. I post about it on my main blog.

6. Band Au (AO3 exclusive)

Virgil’s a singer/songwriter that got BES (Billie Eilish Syndrome) and once he turned eighteen, he snuck off to college with the help of Remy his manager and a bodyguard with as much social skills as him. Love triangles and crushes all around as he runs into small town friends Logan and Roman, all while trying to figure out where he’s seen Patton from before... oh! and Janus is there with the firm belief that everyone is just stuck in a story controlled by an unforgiving Author.

7. ‘Dating’ a Demon

Remus is getting married and Roman’s still single, much to his mortification, as how the hell did his twin get married before him?!?! He summons a demon out of desperation so he can have a plus one for the wedding and spare the humiliation that is his love life. Unfortunately for him, Virgil is really fucking hot and now he kinda doesn’t want to get rid of him. Chaos ensues as Virgil learns about humans and Roman tries to not die from simping over a demon that’s ten times older than him, and did he mention that they were hot? About one fifth written.

8. Accidental Adoption Au

Logan died in a horrific car accident, which also landed his son Virgil into the hospital with a collapsed lung, and the ER nurse that ended up taking care of his son adopts him. Roman, along with his husbands Remy and Emile, grow to care for Virgil as the teen goes through high school. Thomas is also there, as Virgil’s crush and he’s very confused that you can in fact, be gay. Angst and fluff, Ao3 exclusive and about halfway published.

9. The Fae Au I made to cope with the end of Mahogany and Teakwood.

Logan didn’t want a human, and now he’s stuck with one who keeps passing out. On second thought, maybe he shouldn’t have stabbed them with a massive icicle, that’s probably why. Oh, and his neighboring Unseelie friend also has partial ownership of said human. You lose some, you lose some. Patton’s also slightly unsympathetic, but he’s fae, that’s how they are. Virgil just wants to be awake for more than a half hour.

And that’s the bulk of my multi chapter Wips! Of course, I’ve got over 74 one shots that haven’t been published or worked on, but that’s a problem for another time. *sweeps abandoned one shot folder under the rug in my google drive*

#sanders sides #dating a demon au #fae au #accidental adoption au #sanders sides wips #the stove talks #band au #the mishaps of ladybug and kuro neko #healing = chaos #sanders sides fics #wips #four horsemen au

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princesssarisa · 4 years

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22 questions

Thanks, @cinefantastiquemitho!

01. The book that transformed your life. Freak the Mighty. It traumatized me so much in middle school, I think it singlehandedly changed me from a mostly happy (if quiet and overemotional) child into a moody, anxious teenager. The same goes for it’s ‘90s movie adaptation, The Mighty, starring a young Elden Henson and Kieran Culkin. It’s about the unlikely friendship between two misfit middle school boys: Max, the big, hulking, “stupid,” somewhat mentally disabled protagonist with a traumatic past, and “Freak,” an intelligent yet small, severely crippled, and (spoiler alert) terminally ill boy who rides on Max’s shoulders and serves as his “brain,” leading him in modeling their lives after the knights in the Arthurian legends he reads. Basically, it’s like Bridge to Terabithia meets a PG-rated Midnight Cowboy with Arthurian themes. I was forced to read it and watch the movie in school and it shook me to the core because I identified too much with Max. Not that I ever thought I was stupid, but since I was also a physically heavy, intellectually disabled, socially awkward, often teased, withdrawn misfit, I saw myself in him, very, very much. So to watch his struggles, and then in the end to see him devastated by his only friend’s death, hit hard. If that spirit medium I recently talked to was telling the truth about my past life as Emily Brontë’s best and possibly only friend, then maybe subconsciously I saw her in Freak (since she was also a “freakish” misfit who nonetheless was highly intelligent, witty and imaginative) and relived her illness and death in his. At any rate, it plunged me into a long depression that must have seemed inexplicable to the adults around me.

02. The movie that changed your way of seeing the world. The 1983 telecast of Madama Butterfly from the Arena di Verona, starring Raina Kabaivanska as Cio-Cio-San. In hindsight, it was a flawed production. Kabaivanska was a 49-year-old Bulgarian grand dame, not the least bit convincing as a 15-year-old Japanese girl. The tenor, who was supposed to be her worldly seducer, was young enough to be her son. There wasn’t a single Japanese person in either the cast or the creative team – it was all a European fantasy of Japan. For that matter, Madama Butterfly is inherently problematic with its racial and gender issues (in other news, water is wet). But watching this old telecast on VHS, out of curiosity about Miss Saigon’s source material, was the real beginning of my passion for opera. I was already familiar with The Magic Flute, but this was the start of my love for opera beyond that one. The tragic romance of the story, the visual beauty of the sets and costumes, and Puccini’s sumptuous musical score captivated my fourteen-year-old self. It led me to VHSs of La Traviata, Carmen, La Bohéme, Tosca, Rigoletto, Les Contes d’Hoffmann, L’Orfeo and Turandot, as well as other videos of Butterfly, and then to opera performances onstage. It gave me a new passion and gave me something beautiful to share with other people through “Opera Quest,” the program I’ve created to introduce opera to elementary school students. I’m so, so grateful to it!

03. The music that makes part of the soundtrack of your life. Opera, Broadway/West End show tunes, and Disney songs.

04. Define longing. It’s wanting, but deeper and stronger. It’s constant wanting, painful wanting, wanting that almost becomes obsession.

05. If you got back in time, which scene would you visit of your life? Any of my Thanksgiving visits to my grandma in Mesa, Arizona. Of course I’d love to see her again – she died 12 years ago – but I also loved wandering around the pretty retirement community where she lived, listening to Les Misérables or to Andrew Lloyd Webber on my headphones, and then sometimes swimming in the outdoor pool. I also loved the restaurant we always went to for Thanksgiving dinner, and if possible, going to see the lavish Christmas lights at the Mormon Temple a day or two later.

06. The place where your heart is. Los Angeles. Even though I wasn’t born there, it’s the earliest place I remember. I grew up there and it’s only been four years since I moved away. Every time I’ve gone back to visit since, I I’ve had the overwhelming feeling of “I’m home!” Even though I’m glad not to be living in a big city right now, I wish I lived closer and could visit more often.

07. The travel of your life. I haven’t travelled very much outside the US, though I have been to Canada, London and Ireland. Within the US, I was born in Connecticut, I’ve lived most of my life in California, and I’ve spent a lot of time in New York (relatives live there), Washington State (more relatives live there), Arizona (my grandma lived there), Florida (other grandparents, plus Walt Disney World), Montana (still more relatives), North Carolina (still more), and Minnesota (family friends). Once each I’ve been to Chicago, Boston, Cape Cod, and small towns in Vermont and New Hampshire, and I’d love to go back to each of them one day. I’ve also been to North Dakota, but don’t remember it very well, and I’ve spent at least a few hours each in Las Vegas and Salt Lake City, but not long enough to do much of anything.

08. An author that you have met recently, and whose works you want to continue to read. Not too long ago I took a writing class taught by April Halprin Wayland, who wrote the beautiful Jewish children’s book New Year at the Pier about the tradition of Tashlich on Rosh Hashanah. I’d definitely like to read more of her books, especially her Passover children’s book, More Than Enough. I’d love buy them for my little cousins on the Jewish side of my family.

09. Coffee or tea? Herbal tea. Rooibos chai is my favorite.

10. Who's your Doctor (if you don't watch Doctor Who, who's your favorite character from a TV series)? I couldn’t say. I don’t watch Doctor Who or much TV at all anymore. Let’s just say I love the main characters from all the TV shows I watched when I was little.

11. If you could just throw everything away and live your dream, what would you do? I’d buy a safe and luxurious self-driving RV (this is a fantasy, after all) and travel all over the US, living in a different place for a week, two weeks, or a month at a time. In this fantasy, there’s no pandemic going on, so I have the freedom to go anywhere. I’d visit every big city, every cozy small town, and every notable place of natural beauty, I’d go to the opera and see local productions of Les Misérables wherever I could. I’d visit my relatives whenever I liked. I’d present “Opera Quest” at a local school in each place I visited. But I’d also spend plenty of alone time in my RV, or in whatever hotel or inn I chose to stay in for a little while, and work on the books I’m writing, listen to music and meditate. There would be no pressure on me from anyone to do anything. That would be amazing.

12. If you could choose to be a character from a book, TV series or movie, who you would be? None. Some of them have nice lives, but they all have their problems too, and I’d rather keep my own problems than take on theirs.

13. What makes you not like a story? Characters we’re supposed to like being cruel and spiteful to each other and neither regretting it nor being properly called out for it. If their behavior is clearly supposed to be bad and treated as such within the story, it’s one thing. Even if they never regret their own behavior, that’s fine as long as the other characters call it out as bad. But when they don’t, I feel like the author is saying that anyone would be just as cruel and spiteful in that situation. That it’s no big deal, it’s just human nature and anything better would be unrealistic. I hate that.

14. Do you like romance in stories? Why? Yes, I do like it. Not if it’s badly written, but when it’s well written, I love it. I love watching two characters come to care so deeply for each other, fill each other’s deepest needs and bring each other happiness. Of course that happens with platonic love too, but romance is the way it most often happens in stories.

15. Which book did you hate having read? Well, I didn’t like having to read Candide as a college freshman, because despite all its humor, it’s cynicism depressed me. I was going through a stage where I was feeling overwhelmed by the world’s problems and had turned to idealistic spiritual beliefs to comfort myself, so I hated having to read a book that essentially said “Optimism is stupid, the world is a terrible place, there is no God and no good reason for anything, and all we can do is try to make the best of our individual lives.” (Yes, I know that’s a vast oversimplification of Voltaire’s philosophy – it just came across that way to me at the time.)

16. Which movie did you hate having watched? I’ve already mentioned The Mighty, above, so... another one... When I was seven or eight, I saw Willy Wonka and the Chocolate Factory for the first time, and I was very disturbed at the end by Wonka’s angry outburst about Charlie and Grandpa Joe stealing the Fizzy Lifting Drinks. Of course everyone can agree about how scary and mean Gene Wilder acts in that scene. But imagine how much worse it would be to an ultra-sensitive little kid on the autism spectrum, especially since I wasn’t expecting it. I had read the original book already, so the fates of the four bratty kids and the infamous boat scene didn’t phase me because I knew to expect them. But movie-Wonka’s final test is a movie-only addition, so I had no idea he was going to start screaming at poor Charlie, and to me at that age, an adult suddenly screaming in rage at a child was scarier than a child turning into a blueberry any day. Yes, it’s only a test, Charlie passes it and all ends happily, but it still upset me.

17. Do you like anime/manga? Any favorite? It all looks very nice, but apart from seeing Kiki’s Delivery Service and a few episodes of Pokemon as a kid, I haven’t experienced much of it. Maybe I should explore it more.

18. Who is the best villain you saw in a story? I don’t think I can choose just one from all the stories I know. For the best villain from Shakespeare and opera, I’d probably have to say Iago, because of how thoroughly effective his scheming and manipulation are. For the best Disney villain, I’d have to say Frollo, because of how horribly realistic he is: as an abuser of power, a racist, a religious bigot, a sexual predator, a psychologically abusive foster parent, and in the way he believes everything he does is holy and right. But there are so many good villains in all genres of fiction, choosing just one favorite is impossible.

19. If you could do an interview with any person, alive or dead, from our world, who would you choose and why? William Shakespeare. I have so many questions about his plays. They’ve all been interpreted in hundreds of different ways and I’d like to hear what his real intentions were when he wrote them. And for that matter, if he really did write all of them or if there’s any truth in the anti-Stratfordian theories.

20. If you could meet and and befriend a writer, who would it be? I just said Shakespeare, but I don’t want to repeat the same answer twice... Well, if that spirit medium was right, then I’ve already met and befriended three famous writers in a past life: Charlotte, Emily and Anne Brontë. Supposedly I spent “many hours” with all three of them, but was especially close to Emily. If that’s true, then I’d love to meet them again, do some catching up, and talk with them about the modern controversies surrounding their books... especially Wuthering Heights, which seems to defy easy interpretations of its characters and themes.

21. Cats or dogs? Dogs. I just adore them!

22. If you could choose any time period or society to live, which it would be? A year ago, I would have said “right here, right now.” But with this global pandemic taking place and the future of the world and of America in particular feeling so uncertain, I’ve changed my mind. I’d rather live in one of the fantasy worlds I’ve created: either the Sisterhood of Nira’s valley (the setting of my completed but unpublished novel An Eternal Crown) or Zalina Island (the setting of the Beauty and the Beast and Little Mermaid retellings I’m working on). Those places might have flaws of their own, but at least they’ve made social progress that this country hasn’t made, and they have magic too. If I could I’d move to one of them, at least until the pandemic is over and we have a new president.

I tag @simone-boccanegra, @astrangechoiceoffavourites, @nitrateglow, @thatvermilionflycatcher, @sunlit-music, @theheightsthatwuthered, @fairychamber, @wuthering-valleys

#questions #about me

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justalittlelitnerd · 4 years

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What If It’s Us by Becky Albertalli and Adam Silvera

“I don’t know if we’re a love story or a story about love. But I know whatever we are that it’s great because we kept jumping through the hoops in the first place.”

I didn’t think this story could possibly be cuter than I expected to be but it was. It far surpassed my expectations with it’s quirky, insecure ensemble of characters and the story was written in a way that convinced me to accept such an open ending when usually that’s my biggest pet peeve.

Overall, this story is just a fun take on a whirlwind summer romance because it pulls in all the weird, slightly crazy aspects of modern dating like missed connections and the ease of internet stalking. It was exactly what I needed as a counterbalance to the dumpster fire that is 2020 and if you’re looking for that brief escape into a wholesome, awkward romance and story about first loves and second chances and the complexity of dating and friendships than I would highly recommend!

My only semi-complaint were the issues within Arthur, Jessie, and Ethan’s friendship could’ve been fleshed out more to do justice to the time the authors took to flesh out the side characters and their relationships with the main characters. I felt like that fight didn’t balance out the fight Ben had with Dylan because it was clear how that disagreement was building over the course of the summer. Also it felt too obvious that Jessie and Ethan were secretly dating and I was confused and unsatisfied by Ethan’s explanation that he didn’t text Arthur back the whole summer simply because it felt like lying and didn’t think twice about how ignoring Arthur (especially right after he came out) would make him feel. Also the whole time it made it seem like Arthur and Jessie were slightly closer and she had no qualms texting him and lying to him all summer and let’s just say I’m not as forgiving as Arthur was.

Let me know your thoughts!

Keep reading for some fun quotes I saved!

Normally, being an intern is more boring than terrible, but today’s uniquely shitty. You know that kind of day where the printer runs out of paper, and there’s none in the supply room, so you try to steal some from the copier, but you can’t get the drawer open, and then you push some wrong button and the copier starts beeping? And you’re standing there thinking that whoever invented copy machines is this close to getting their ass kicked? By you? By a five-foot-six Jewish kid with ADHD and the rage of a tornado? That kind of day? Yeah.

I believe in love at first sight. Fate, the universe, all of it. But not how you’re thinking. I don’t mean it in the our souls were split and you’re my other half forever and ever sort of way. I just think you’re meant to meet some people. I think the universe nudges them into your path.

Ex-boyfriend. Which means Box Boy dates guys. And okay. Wow. This doesn’t happen to me. It just doesn’t. But maybe the universe works differently in New York. Box Boy dates guys. I’M A GUY.

It’s weird—now I want to prove it. I want some gay ID card to whip out like a cop badge. Or I could demonstrate in other ways. God. I would happily demonstrate.

“On the sad scale, how are you feeling today?” Dylan asks. “Opening-montage-of-Up sad? Or Nemo’s-mom-dying sad?” “Whoa, no. Definitely not opening-montage-of-Up sad. That shit was devastating. I’d guess I’m somewhere in between, like last-five-minutes-of-Toy-Story-3 sad. I just need time to bounce back.”

“Let’s talk about why you really didn’t mail the breakup box,” Dylan says, like he’s going to bill me for this conversation. “Only if you drop the therapist voice,” I say. “Maybe we can begin with why my tone bothers you. Do I remind you of an authority figure?”

I’m certain that I’m 100 percent gay because if I was even 1 percent bisexual I would be crushing hard on Samantha for looks and high energy alone. Dylan watches Samantha as if she were glowing, and I wonder when I went dim for Hudson. If I ever really glowed for him at all.

“I would love to start my own app games. I have this one idea. It’s like Frogger, but instead of heavy-traffic streets, it takes place on the sidewalks of New York. You die if you get hit with someone’s shopping cart and you lose points if you cross a tourist’s path while they’re taking photos.

Emotional blue balls. That’s what it feels like. It’s being handed everything you’ve ever longed for, only for it to slip through your fingers. And there’s no way to fix it. Nothing you can do but slink toward the kitchen counter in a full-body mope.

"You’re not being fair to yourself,” Dylan says. “Maybe not. But I’m being honest.”

It’s this strangling fear that we’ll be sitting there and we’ll run out of something to say and I’ll be able to witness the exact moment someone falls out of love with me because I don’t have enough substance to keep a conversation alive over a meal. Why would you want to talk to me for the rest of your life?

But no. Not even close. Instead, it’s me bleeding out all my neuroses, looking for answers to questions I have no right to be asking. But I don’t know how to make myself stop asking them. People like me should come with a mute button.

I have only said one word on this call—a call I made—and I’m already ready to settle into another few hours of Arthur rambling. It’s better than my favorite Lorde and Lana Del Rey songs.

“You can sing a different song next time,” I say. I like that we’ll have a next time. That even though things have gone wrong, we’ve tried to make it right. “So I was nervous to admit this at karaoke, but—” “Please don’t tell me you’re actually a bunch of rats wearing a cute boy as a disguise.” “Worse.” I take a deep, dramatic breath. “I haven’t listened to Hamilton.” He doesn’t say anything. Then the line goes dead.

I tell him how I want to write Hamilton and Harry Potter crossover fanfiction and call it The Great American Fantasy Novel and stage all those duels in the dueling club and what houses I would sort everyone in.

“All history should be taught through rap by Lin-Manuel Miranda.”

“How lucky we are to be alive right now, right?” “Oh my god, you’re speaking Hamilton—I’m just so into you. I’m helpless.” I’m so into him too.

“For the most part, I think. But every city has its assholes.” I want to hug him, but he doesn’t want to be touched right now. Like any affection is going to become a target sign on our backs. Like we’ll get punished because our hearts are different.

But it’s just like the old posts on Instagram that I can’t get myself to just delete. Like Hudson never happened. Like he’s someone to be ashamed of. And throwing away the good memories feels like a slap in the face to our history. It has nothing to do with the future.

When the song ends, I’m ready to apologize. But Arthur takes my phone and looks up a cover of “Only Us” from Dear Evan Hansen, and he comes closer to me as he sings the words “So what if it’s us, what if it’s us, and only us.” This song is so beautiful. What it feels like to be wanted by someone who sees you for who you are. How the world—the business of Times Square—can feel like it’s falling away when you’re with the right person.

But maybe this isn’t how life works. Maybe it’s all about people coming into your life for a little while and you take what they give you and use it on your next friendship or relationship. And if you’re lucky, maybe some people pop back in after you thought they were gone for good.

Maybe I’m feeling masochistic. Or maybe I’ve unlocked the secret, and this is how people focus. All you have to do is have a cute boy rip your heart out, then let your best friends stomp all over it, and if it’s still beating even a little bit, finish the job yourself. Say the worst things and yell your voice raw and destroy everything you love until, lo and behold, the monotony of work is a relief.

I don’t know how to tell Hudson that I want to throw away a box of things that used to mean everything to me. But that fucking box. I can’t keep treating it like something that belongs in a museum’s exhibit specializing in one guy’s history of breaking hearts.

“Do not ask any what-if questions about you and Hudson dating again. That would probably end in literal heartbreak at the hands of someone pretty familiar with the law because of his summer internship but too reckless to care.”

It’s hard to be a fully functioning Arthur when your heart lives in four envelopes.

I can’t lose you forever. You can’t be someone I just knew for one summer. I have to know you every summer.

#what if it's us #Becky Albertalli #adam silvera #ya #young adult #summer romance #mlm #nyc #coming of age #friendship #books #book quotes #book blog #booklr #quotes #just some softbois falling in love during a summer in nyc #lots of hamilton references

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qaraxuanzenith · 5 years

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On Representation: A review of The Tyrant’s Tomb

It’s still too early to go to sleep and I have nothing better to productively do, so: time for me to rant angrily about representation.

IMPORTANT WARNING: this will include some (probably minor?) spoilers for The Tyrant’s Tomb by Rick Riordan. Since I’m pretending it’s a review of that book even though it is really just my angry thoughts about representation that were prompted by it. There will also be (definitely minor) spoilers about a character in Rick Riordan’s Magnus Chase and the Gods of Asgard series.

Edit: this rant is long, in addition to the spoilers, so please (but actually, please) read it after the cut.

Okay. First of all: I enjoyed The Tyrant’s Tomb. I’ve been loving the Trials of Apollo series, and this is no exception, and I’m excited for the next book. But.

I have ranted, a lot, about representation before, because I so rarely see Jewish characters in books not written exclusively by and for Jews, and even rarer do I see observant Jewish characters in any media not created exclusively by and for Orthodox Jews. And obviously, I want to feel reflected in at least some of the mainstream media I consume.

The important preface to this rant is a quick review, though I have discussed this, too, before, of the intense pleasure and pain brought on by reading the character of Samirah al-Abbas in Rick Riordan’s Magnus Chase books. Samirah was almost, almost, almost the Holy Grail of “observant religious character” that I had described, almost to a T, of what I am constantly seeking in media: she was a major character, whose religion was a major part of her life in tangible ways throughout the books - from wearing her hijab, to observing modesty in her interactions with her fiance, to performing heroics while fasting for Ramadan - and yet who was characterized well enough that her religion, while inextricably an important part of her life, wasn’t her entire character, either. It was beautiful; it was magnificently done.

And it broke my heart. Because God knows observant Muslim people have deserved Samirah for so long; but her existence on these pages only drove home to me that what I was looking for was possible and yet, impossibly, I still didn’t have it. Samirah was fantastic, but she still wasn’t the representation that I was looking for: I wanted, and still want, those traits, but for a Jewish character, in whom I can see something of myself. I want Samirah, but I want that for me, too.

Flip ahead a couple years (and a few more representation in media rants) to me picking up and reading The Tyrant’s Tomb. I’d pre-ordered it in the summer, while ordering a few books as a birthday present to my sister, and promptly forgotten about it, so when it arrived, it was like a delightful gift from Past Me.

I started reading, and I was so, so excited when the character of Lavinia was introduced, right near the beginning of the book. Right away, Riordan telegraphed that she was both Jewish and queer, with the Magen David necklace and her interest in a female dryad. I was primed and ready to both love her and see myself in her.

And then I was let down.

Now, before I dig deep into the many ways in which Lavinia was a complete and utter disappointment, I want to offer an important caveat, referring to my preface about Samirah. I don’t want to give the impression that I’m castigating Riordan for trying, when so many other mainstream writers don’t. At least he made her canonically Jewish on-page, rather than hiding behind a Jewish-sounding last name and then declaring it to be the truth off-page (looking at you, Rowling and Anthony Goldstein). At least there is a Jewish character in his books (looking at... almost every other mainstream YA fantasy series I’ve ever read not written by Jews).

But the thing is, we raise our expectations of people based on what we know they are capable of. I’m a teacher; a level 3 “Meets Expectations” is going to look different for my academically-struggling student who is working really hard to improve, as opposed to my bookworm student who started the year off by turning in a long and erudite personal essay.

Most of those other mainstream YA fantasy writers, I don’t have any expectations of. Whereas Rick Riordan, the man who created Samirah al-Abbas: I know exactly what he is capable of. Which is why it hurts so much more that, when it comes to a Jewish character, he falls so strikingly short.

I’ll be fair: I wasn’t expecting a second, Jewish Samirah from him. That wouldn’t be reasonable. I would like that, someday, from someone, but that will have to be in someone else’s book; it wouldn’t make sense for Riordan to retread the exact same ground, and I understand that.

And Lavinia didn’t have to be observant - as I’ve recognized, he already has Samirah for that. But I was hoping, expecting, for her to be something more than Jewish In Name Only. (Strike that: she may have been Jewish on-page, but Riordan never even used the J word. He wrote around it. Why? I don’t know. Presumably not just to disappoint me.)

So what’s wrong with Lavinia? And how could he have done better with her?

Great news: I’ve got a bulleted list to help with that, starting with the simple and working our way up.

To start with: her last name. I’ve been going over and over this dozens of times, and I still can’t quite work out why, for his one Jewish character, Riordan decided to give her the last name of one of the most famous Jewish speculative fiction writers, and then (a) never once acknowledge this connection, and (b) acknowledge that she shares her name with a famous Jewish... fictional dancer. Why Asimov, if he wasn’t going to say anything at all about the Asimov?

Continuing with her name: her first name. I get that Riordan likes to give Romanesque names to the Roman demigods, but this overlooks the fact that the demigods are almost always named by their human parent; and while Sally Jackson had her reasons for naming her son after a Greek hero, most Jewish parents will give their child a Jewish name, if not the actual name of a recently-deceased relative. But okay. Fine. I wouldn’t want to mess with the thematic naming in the book; but how about a name that evokes the intersection of Roman and Jewish history: Salome, or Salome Alexandra, for instance?

Speaking of that intersection of Roman and Jewish: I’m still too relieved at finding a Jewish character, any Jewish character, in his books, to be offended that this Jewish character ends the book as a centurion in a Roman army, but - she should be. Lavinia should, at some point in the book, have expressed discomfort at the Roman side of her heritage, as it intersects with her Jewish culture and history. And it would have been so easy: throughout the book, Lavinia has problems with authority and with the structures of the Legion in particular. Just once, she could have defended that rebelliousness - honestly or not - with a reference to how the Roman legions once destroyed her people’s Temple, razed her homeland, and subjugated her people with an exile that is still, in many ways, ongoing to this day. Not in so many words, obviously; I’m not asking Riordan to write it the way I did. Just something like “Yeah, well, Roman Legions and Jews aren’t usually a good mix.” Or here’s another way she could have expressed her Roman discomfort: in that conversation about awkwardness. Instead of “You want awkward? Try telling your Rabbi that you’re taking a girl as your date to your Bat Mitzvah,” she could have said: “You want awkward? Try being a Jewish demigod.” “You want awkward? Try being a queer Jew in a Roman legion.”

SPEAKING OF THAT INSANE AND PERPLEXING COMMENT ABOUT RABBIS AND BAT MITZVAHS, I have so so so many problems with that line:

First of all, given the premise that Lavinia as written is very clearly not an observant Jew by any means or interpretation, and does not appear to have any Jewish community ties, it is strange to me that she speaks about having a rabbi. Typically, people who have a rabbi are either (a) observant people who go to this rabbi with religious questions, or (b) community-oriented people who see the rabbi of their community (or another chosen spiritual leader in their chosen community) as their rabbi. Lavinia appears to be neither, so why “try telling your rabbi that...” and not, say, “try telling the rabbi at your shul that...”?

Okay but forget whose rabbi this is: why is she telling the rabbi about her date? Why is that necessary? For those (like Rick Riordan??) unfamiliar with what a Bat Mitzvah is: A Bat Mitzvah is actually the term for a (female) person who has reached the age of religious responsibility in Judaism, and it happens automatically when a girl turns 12 (and for a boy - Bar Mitzvah - when he turns 13). But okay, I’ll stop being so pedantic, and agree that Riordan, and Lavinia, were obviously referring to the party that is commonly held to celebrate this milestone. But that’s all it is: a party celebrating a milestone. Although there is often a prayer service and/or a Torah reading, there is no ritual aspect to a Bat Mitzvah celebration. Other than, again, perhaps the prayer service / Torah reading, there is definitely nothing you would need to inform a rabbi of. You would definitely not be telling the rabbi about your guest list, unless the rabbi is your parent/guardian / the person paying for the party.

But never mind who she’s telling about her date: did you miss the part where I noted that a Bat Mitzvah is for a girl turning twelve. Speaking as somebody who has celebrated a Bat Mitzvah for myself, and who has attended many such celebrations as a guest, I can tell you beyond a shadow of a doubt: you do not invite a date to this event, whether you are a guest or the girl of honour. For one thing, you are twelve. Twelve is too young to be bringing dates! For another, you’re going to a party full of twelve-year-olds, where there will be maybe a prayer service and then a nice meal and then probably a bunch of twelve-year-olds bopping around to some obnoxiously loud music. I get Lavinia’s trying to let us know she was already very gay when she was twelve, but that does not explain bringing a date, female or otherwise, to her own Bat Mitzvah. Just ask the girl as a normal guest and then awkwardly ask her to dance, for heaven’s sake!

In conclusion, that entire sentence made no sense, and it really only accomplished two things: (a) it gave me the impression, rightly or wrongly, that Riordan knows absolutely nothing about Judaism; and (b) it strongly implied, unfairly, that rabbis in general are homophobic, which it why it was so awkward for Lavinia to tell her rabbi about her nonsensical date.

Throughout the book, Lavinia’s big crusade is ecological safety, protecting the nature spirits and the environment, and the homeless people living in the park who would be impacted by the Emperors’ attacks. It would have been so easy to infuse this important aspect of her personality with her Jewishness, by just letting her throw around the term “tikun olam” in that context. It would have absolutely fit with the culturally-not-religiously Jewish air he was clearly going for, and it would have made her seem 10,000% more authentically Jewish to me, with just, my God, two words added to the entire book.

You want another way to make her seem more realistically, three-dimensionally Jewish? How about, oh, I dunno, her one Jewish parent? (By the way: it has not slipped my attention that Lavinia’s one Jewish parent is her father, meaning that except by Reform definitions, she’s not, technically, Jewish at all; just canonically connected to Jewish culture. Are paternal Jews who consider themselves Jewish valid and Jewish? Of course. Am I nonetheless extremely disappointed that he’s managed to water down the Jewishness of his one Jewish character in 20+ books in this additional way? Absolutely.) Apollo showed great interest in asking her about her father, the famous Asimov... dancer (I’m sorry, I still can’t get over that he named her Asimov and did not make a single reference to Asimov; is Isaac Asimov the only Jew he’s ever heard of or something???). She could have alluded to his Jewishness. “Yeah, Sergei’s still mad that I stopped coming to our Asimov family Seders.”

Instead, other than the absurd-and-mildly-offensive rabbi-and-Bat-Mitzvah line, what is the only evidence we have that Lavinia even is of Jewish descent? Ah, yes. The thing that got me so excited in the first place, as - or so I thought - a hint of Jewishness to come: her Magen David necklace. Except of course, Riordan only ever calls it a “Star of David,” because - okay, that’s what Apollo would call it in his narration, and of course Lavinia never said a word about it, despite all the times she played with it. Never explained where she got it from, or why she wore it, or what made it so important to her. So it had no sentimental or cultural value conveyed to the reader. It was just a visual cue to tell us: “Jewish character.” It was as anemic and anodyne a way of making her Jewish as the Menorah-on-the-Mantelpiece trick that I’ve often complained about in TV shows that want to suddenly establish a character is Jewish - except worse, because at least with a Menorah on the mantel, we’ve got the implication that somebody lights it (if it’s a Chanukiyah) on Chanukah. This is just a star, on a necklace.

In conclusion: Lavinia could have been great. She could have been a queer Jewish demigod, passionate about nature and about tikun olam, complex and uncomfortable with her role as a Jewish person in the Legion despite her absolute commitment to helping her friends survive the attack and defeat their dangerous enemies.

Instead, she was a disappointment. She was characterized well, for what she was. But what she was was a girl with a necklace. A queer Roman demigod with a famous dancer father.

I started this rant expecting to call her Jewish in name only. But she wasn’t even that.

Perhaps it’s unfair of me to call Lavinia a disappointment, from how anemic her Jewishness was. The real disappointment in The Tyrant’s Tomb was Rick Riordan.

#representation #jewish representation #representation done right #representation done wrong #representation in media #representation matters #trials of apollo #the tyrants tomb #rick riordan #lavinia asimov #am i jewish tumblr #rant #representation rant #review #not actually a book review #not lies either though #judaism #failed representation #samirah al abbas

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latter-day-saint-nick · 5 years

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Here‘s a list of all the books with queer protagonists I’ve read this year. While I do actively seek those out, there are several books on here that I didn’t know had queer themes when I picked them up from the library and then I was pleasantly surprised by lesbians. I‘ll avoid spoilers except when discussing trigger warnings.

Kaleidoscope Song by Fox Benwell

Neo, a South African teenager, is obsessed with music of any kind. Her love of music brings her together with the singer of a local band and they have a passionate relationship that they must keep secret. The descriptions of Neo‘s life and her tendency to hear music in everything are beautiful and dynamic. The author included a list of the songs Neo is listening to throughout the book, so I was introduced to a lot of cool music from South Africa and other places. TW: Corrective rape and Bury Your Gays. This is a book by a queer (albeit white British, rather than black South African) author writing about a very real problem that exists within our communities, so it feels different to when a cishet author kills off a queer character just for shock value. I still can‘t help feeling that he could have made the same point without having the character die – just have her be injured. Still, I loved pretty much everything else about the book, so it gets a tentative recommendation from me.

The Mermaid’s Daughter by Ann Claycomb

25-year-old opera student Kathleen tries to cope with the constant pain in her feet, nightmares about having her tongue cut out, and desperate yearning for the sea. With the help of her girlfriend Harry she delves into her family history to uncover the secret of a curse spanning generations of women. What’s nice about this book is that Kathleen and Harry’s relationship is accepted by all their family and friends without question, so if you want to read a nice wlw fantasy story with no homophobia, this one’s for you. TW: Some discussion of suicide, but nothing too graphic.

The Miseducation of Cameron Post by Emily M. Danforth

A teenage lesbian is sent to conversion therapy by her religious aunt. This is basically a coming-of-age story as the title character comes to terms with her identity and the death of her parents. It’s considered an important work of LGBT YA literature, so I really wanted to like it more than I did. Most of the first half of the novel deals with Cameron’s everyday life in her small town in Montana, which was, to be honest, rather boring to me. The pace of the story picks up a bit once she gets sent to conversion therapy, but even then it’s slower and less eventful than I would have liked. But since it is a popular book, that’s probably just me. I did like that the two best friends she makes at the therapy camp are a disabled girl and an indigenous boy, two types of people that are not often represented in queer fiction, so that’s something. TW: Conversion therapy and self-harm.

Proud by Juno Dawson

This is a collection of poems and stories about queerness aimed at a YA audience, and each one is a pure delight! These stories detail moments of joy and pride that make you feel happy and hopeful about being queer. They include a high school retelling of Pride and Prejudice with lesbians, a nonbinary kid and his D&D group on a quest to disrupt the gender binary at their school, a magical phoenix leading a Chinese girl to find love, and gay penguins. All stories, poems and illustrations are by queer writers and artists. Seriously, I cannot recommend this collection enough!

Spellbook of the Lost and Found by Moïra Fowley-Doyle

An Irish magical realist story about three girls who perform a spell to find things that they have lost. The spell appears to have wider consequences than they expected, bringing to light things that should have stayed lost. This book has three narrators, two of whom are wlw. It treads a nice line between fantasy and reality, and has some pretty good plot twists. Also, there’s a crossword at the end, which is awesome. More books should come with crosswords.

Ancillary Justice, Ancillary Sword and Ancillary Mercy by Ann Leckie

A space opera trilogy set in the distant future about the embodiment of a ship’s AI who seeks revenge against the ruler of a colonialist empire who destroyed her ship and killed her beloved captain. This is not beginner’s sci-fi, as it is very complex and intricate, but if you’re fine with a bit of a heavier read, you’ll be rewarded with some very interesting concepts. What makes this series queer is that the Raadch empire has no concept of gender and uses female pronouns for everyone. This makes every romantic relationship queer by default, whether we are aware of the characters’ sexes or not. I found it particularly enjoyable when Breq, the protagonist, tried to communicate in different languages that have gendered pronouns, which she had to navigate carefully in order not to offend people. She tries to look for outward clues of gender, such as hairstyles, chest size, facial hair or Adam’s apples, but even then often gets it wrong, because these things are not always consistent. That is just a great depiction of how arbitrary ideas of binary sexual characteristics tend to be. Also, I guess technically Breq is aroace, but since she’s not human, I’m not sure if she can be considered the best representation, though she is a very likeable character that I enjoyed following.

The Gentleman’s Guide to Vice and Virtue and The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee

These books are a lot of fun! They’re historical adventure stories with a bit of fantasy thrown in, featuring disaster bisexual Henry Montague, his snarky aroace sister Felicity and his best friend Percy whom he is secretly in love with. In the first book, the three teenagers are sent on a tour of Europe for various reasons, but they quickly abandon the planned route when they get embroiled in a plot involving theft and alchemy. The second book details Felicity’s further attempts to become a doctor, which leads her to reunite with an old friend and chase a tale of fantastical creatures.

The Spy with the Red Balloon by Katherine Locke

Technically I read this one late last year, but whatever. I just wanted to put it on the list to have an excuse to talk about it. It’s about two Jewish siblings with magic powers who are recruited during World War II to take part in a secret project to fight the Nazis. Both siblings turn out to be queer: the brother is gay and demisexual, while the sister is bisexual, and they each have a love interest. This book is an independent prequel to The Girl with the Red Balloon, which takes place in East Berlin during the time of the Wall, and is just as good, albeit not as gay.

We Set the Dark on Fire by Tehlor Kay Mejia

This book tends to be classified as fantasy, because it takes place in an alternate, Latin-American-inspired world, with a distinct history, culture and religion, but there’s no magic at all, so I’m not sure it counts. But I digress. The country of Medio is built on classism and acute xenophobia. But by hiding her status as an illegal immigrant, Daniela, a girl from a poor background, manages to rise to the top of her class at her elite finishing school and become the first wife of one of the most powerful young men in the country. But her new comfortable status is threatened when she is pressured to join a group of rebels who fight for equality. At the same time, she also finds herself falling for her husband’s second wife. Obviously, this book’s political message is very topical, but beyond that, it’s just a very good story, with a well fleshed-out fictional world and great characters. This is the first in a series, with the sequel, We Unleash the Merciless Storm, coming out in February.

All Out: The No Longer Secret Stories of Queer Teens Throughout the Ages by Saundra Mitchell

A very nice collection of short stories about various queer teenagers in different historical settings, from a medieval monastery to an American suburb on New Year’s Eve in 1999. Most of the stories are realist, but there are a few ghosts and witches to be found in-between. What I found particularly notable about this book is that it featured several asexual characters, which you don’t often see in collections like this. I definitely recommend it.

Under the Udala Trees by Chinelo Okparanta

This is a thoughtful, heart-warming life story about a woman growing up during the civil war in Nigeria. After Ijeoma, a Christian Igbo girl, is sent away from home, she finds her first love in Amina, a Muslim Hausa. Even after they are found out and separated, Ijeoma doesn’t quite understand what’s so shameful about their love. Still, as she grows older, she attempts to fit into a heteronormative society while also connecting with the things and people that make her happy. TW: Homophobic violence, including an attack on a gay nightclub. The novel makes up for this by having a remarkably happy ending.

The Watchmaker of Filigree Street by Natasha Pulley

A young man in Victorian London finds a mysterious watch on his pillow, with no idea how it got there. This sets into motion a strange series of events, which leads him to a lonely Japanese watchmaker, to whom he finds himself increasingly drawn. This is an unusual novel that treads the line between historical fiction, fantasy and sci-fi. Most of the characters are morally grey and have complex motivations, but are still likable. I just really enjoy stories that take place in this time period, particularly when they are this thoughtfully written and don’t just take the prejudices of the past for granted.

If I Was Your Girl by Meredith Russo

A YA book about a transgender teenager, written by a transgender author. After her mother decides that she is not safe in her hometown anymore, high school senior Amanda moves in with her dad in a town where nobody knows her and she can try to go stealth. But even as she is making friends and experiencing romance for the first time, she constantly worries about what will happen if her secret comes out. It’s a fairly standard story about being transgender, really, but as it comes from a trans author, it feels a lot more personal and less voyeuristic than these stories tend to be when coming from a cisgender perspective. Amanda is a sympathetic and compelling character. TW: This book deals with a number of upsetting themes, including transphobic violence, being forcibly outed and suicide. There is a flashback to Amanda’s pre-transition suicide attempt, which I found particularly triggering. I also wish she could have come out on her own terms, instead of being outed in front of the whole school by someone she thought she could trust. It is still a pretty good book, but it can be very upsetting at times.

As I Descended by Robin Talley

A loose retelling of Macbeth that takes place in a boarding school in Virginia and involves two queer couples. The supernatural elements of the play are amplified in a wonderfully creepy way, and the characters are complex and realistic, so you understand their motivations, even when they do bad things. TW: Out of the five queer characters in the novel, three die, two of them by suicide.

A Day in the Life of Marlon Bundo by Jill Twiss and EG Keller

A charming picture book about the Vice President’s pet bunny who falls in love with another boy bunny and wants to hop around at his side for the rest of his life. This book was written as a screw you to Mike Pence, but even so it is a genuinely nice kid’s book that deals with homosexuality and marriage equality in a way that is appropriate for young children. The illustrations are incredibly cute as well.

Palimpsest by Catherynne M. Valente

A very strange, surreal tale about four people (most of whom are queer in some way) exploring a magical city that you can enter in your dreams by sleeping with someone who has been there before. I wanted to like this one more than I did, because I really love Catherynne Valente’s Fairyland books for children. But while some of the dreamlike imagery is cool and pretty, I found a lot of it weirdly uncomfortable, along with the frequent sex scenes.

The Pearl Thief by Elizabeth Wein

15-year-old Julia is home for the summer at her parents’ ancestral mansion in Scotland and gets involved with a plot about theft, disappearance and possibly murder. She also has her first crushes – on a man working at her parents’ estate and a young Traveller girl, respectively. This is a prequel to Code Name Verity, which has the same protagonist, though her bisexuality isn’t really alluded to in that, which is why I’ve kept it off the list, even though it is an excellent book. The Pearl Thief is pretty good as well, though it is a bit strange to read after you’ve already read Verity and know that this carefree teenage character is going to grow up to be a spy in World War II and be tortured in a Nazi prison. Do read both books, though. They are great.

Gut Symmetries by Jeanette Winterson

A young scientist falls in love with the wife of the man she’s having an affair with. There’s speculation about quantum mechanics and interconnectedness, all wrapped in very poetic language. To be perfectly honest, I really didn’t get it, so I have no idea what any of it means. But at least the main character is bisexual and polyamorous (and possibly genderfluid – I’m not sure).

Queer Africa by Makhosazana Xaba and Karen Martin

A collection of short stories by queer African writers, discussing themes like love, sex, marriage, family and homophobia. The attitudes towards queerness in these different countries varies. In many of them, homosexuality is illegal, even though same-sex relationships used to be respected before the interference of Western colonialism. In any case, these stories are an interesting and oftentimes beautiful examination of queerness from a non-Western point of view, some joyous and some tragic. TW: The second to last story is about incest.

#books #LGBTQIA

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