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1 year contract with no job security? Is this not what happened to Valtteri before he went to Alfa Romeo? You can build the team up to win 7 championships but the second they "want to go in a different direction" they will kick you to the curb
i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
Hi guys, this is sort of my official "please, for the love of god, listen to Skyjacks with me” post because I’m losing my mind and all the content I can find is from the latest stuff right now, and I don’t want to spoil myself. I want to be able to talk about this with people!!!! I will make a watch (listen) party discord if there is enough interest. Just give it a chance; you won’t regret it. Also, some information may be wrong or outdated. I’m on episode 11 out of over 200.
Skyjacks is a ttrpg podcast about sky pirates in a world where there was a catastrophe about 200 years ago that left the sea unsafe to sail and maybe even damaged the entire world to the point where civilization is scattered and in small groups. There is very casual queer rep, and it’s casual to the point where it really just fits into the world perfectly.
A brief summary of the premise of the first episode will hopefully get you hooked. I’m really bad at summaries, but I promise it’s a billion times better than how I talked about it here:
Captain Orimar Vale is dead, and a mutiny will be on Gable, Jonnit, Travis, and Dref’s hands if they are unable to keep up the ruse of him being alive. To do this, necromancy (deeply forbidden magic) is performed by the Dref, the ship's doctor, to turn him into a semi-functional zombie. Captain Orimar is famous for his abilities as a captain; to replicate this will take great skill.
As they run out of supplies, they make a desperate decision: port on the land of one of Orimar’s scorned lovers or deal with the growing uneasiness of the rest of the crew. They haven’t seen their captain healthy in months, and whispers about his health are starting. However, greater danger will await them when they take to the skies again, lurking just beyond the clouds…
And more propaganda as to why I think you guys will like it:
There are unique and interesting gameplay mechanics they use to tell a really cool story, and if you like Hermitcraft or any other sorta storytelling-based SMP, I promise you’ll like it. Like. If you liked Boatem from Hermitcraft 8, you’ll love the characters in Skyjacks. The players are exceptionally good at playing their characters, their humour is unmatched by anything similar I’ve had the pleasure of seeing, and the story is prioritized, which I think is an amazing choice.
Best part? It’s still ongoing after, like, 5 years. Some people have left, but a good chunk of the OG cast has stayed. Not that leaving is bad, because holy crap, 5 years is a long time, and stories have to end at some point! It’s a good way of getting into something and knowing there is still a shit ton of content to be explored.
The music is good. The story is good. The characters and humour are amazing. The lore of the world is sprinkled throughout, and as you learn more about the world, the more excited you get. It’s incredible so far, and if you decide to listen to it, I will actually love you forever and ever. My boyfriend is on episode 190, and he finds it so funny every time I go. Oh my god, this is so cool.
Link to the podcast, but in a playlist (up to 180). So it’s in order and easy to find, since it’s a part of something else from the oneshot network:
In defense of late-canon x files (including the revivals)
I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.
Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)
That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"
When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!
The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:
and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)
So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.
So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.
Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)
Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.
man i remember when nevermore first came out i was sad it was so underrated.. but now after all the drama, i wish it had stayed underrated, because a big fanbase (especially one with a lot of minors) ALWAYS brings drama
Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.
Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now
Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.
Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!
Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.
Now… Due to my birdflash fixation, I have completely struck out and decided to make this post to explain why I read/headcanon them as exes. I now realize that this is going to be a long, drawn out way of saying “I think they have explored each other’s bodies,” well, it’s a little bit more than that 😭. In my head, I always felt as though Wally and Dick’s relationship sometimes read to me as two people who felt greatly for each other in their youths then over time found other people and new purpose and continued to pull away from the other.
Sometimes they treat each other kind of like how I’d treat an ex boyfriend or girlfriend, especially in Flash/Nightwing years.
Now I think it’s important to talk about their roles as Robin and Kid Flash, they are characters created to be relatable, the whole sidekick schtick was about appealing to the younger audience. It was such an early era that it should be noted that Dick and Wally did not have anyone else. Unlike now, Dick has a plethora of Robins to have seperate and distinct relationships with, same thing with Wally, any insecurities and worries can make someone feel extremely lonely. They did not have anyone, anyone but each other.
The early years for Robin and Kid Flash must had been confusing for the both of them so they had to confide in each other. Around this time I feel like it could be easier to fall more into a queerplatonic relationship with someone, Dick could feel confused and lonely, as he does then seeks and finds in Wally, with emotions hitting a peak I could totally see them accidentally falling for the other and sharing a relationship that’s a little more than friends…
It’s a big contrast. Wally has shown this big obligation for helping Dick and being there for him. This has always been strange to me. His inclination to try and be that person for him, which to me can feel like someone clinging to a relationship they know is slipping away.
It’s important to note that as Nightwing, the people there for Dick was not Wally, by this time, Wally became the Flash, found family, found love and entered the JLA. He was moving on and so was Dick but they still feel this inclination to call each other “best friends” though all the evidence says otherwise. It feels like one is clinging to a broken friendship to me.
He’s always so concerned for Dick because he knows how often he represses his emotions.
It’s why in my head, I can totally see Dick and Wally in their Robin/Kid Flash eras, losing their way, getting confused and confiding in each other in let’s say: a romantic way and now as adults they don’t know how to deal with it.
I know Dick is just thinking here but like, they do this A LOT. Like what is the need for this constant tension in the air with these two? Why is it so awkward? Why does it feel like there is something they want to say but can’t bring themselves to say it?
It makes my mind want to fill in the blanks…
Here they are saying flatly that it feels like an obligation. This is the closest they’ve gotten to really talking about how their dynamic has changed. It’s very sweet. It’d also be due to outside factors, like DC not knowing what to do with these two and refusing to let these two acknowledge that they are not best friends anymore and their lives have changed greatly. The thing about Superhero comics is that there’s so much fighting that the characters never get a chance to sit and just talk so it’s more the writers constantly trying to cling on to what they remember the Robin/Kid Flash dynamic to be and making it seem like these characters are clinging to their relationship.
Thry gush about the progress they make a lot and Wally feels like… I don’t know, his pride may fill the void the graysons left behind? Like he’s kind of a subtle replacement. It helps with my idea that Dick could be greiving his parents then quickly subconsciously seek and confide in Wally. Their relationship just is distinctly different from all their other friends in a way I can never pin down or the writers refuse to acknowledge. How Dick is much closer to Donna and Roy but they both still are mindlessly attached to one another like there’s this secret third thing keeping them together.
Wally has fully moved on and found his soulmate. Dick found Kory and fell pathetically in love but now he has nothing again and in canon still does this “Oh my best best friend to ever was, Wally~” It feels very much like someone hasn’t gotten over their little break up… 🙄 Even now they still comfort and talk about each other with a little bit more love and affection then they might do their other friends for this same weird reason.
Although, there’s one Wally West panel that Birdflash shippers had taken out of context: the one where Wally says “I got married and he didn’t.”
It’s not saying that Wally wishes he got married to Dick, 😭 but even then that goes into the little foulder of evidence that proves I think Wally and Dick’s relationship is ex-coded because it’s literally a bunch of thought bubbles about how Wally is heartbroken that he has moved on with his life and his life with Dick and they are no longer as close as they once were at all. (I can’t fit the panel in this post so I can just hope you know what I’m talking about) <- but my point is: Birdflash as a ship could be so much better if we stopped ignoring Linda and started treating them as exes instead. It’s so much more interesting. This is what I mean when I say they are my favorite exes.
I will be the first to admit I'm not the best at drawing animal or furry characters, but I wanted to get something scribbled down in my Non-Goof style, anyway. Plus, I've been enjoying the many reference pages folks were posting of their own designs for the Lamb and Narinder, so, uh. Here's mine, I guess! ¯\_(ツ)_/¯
do not comment on how long narinder's tail is or i swear to the lamb i will make it even longer next time >:]
[ID: the Hargreeves' spirits in the Paranatural au - or at least, the five of them that are kids in this au.
Luther's is an ape that looks like his body from the comics. Diego's is a creature that looks a bit like a small porcupine. Allison's is a large snake with its mouth duct taped shut. Klaus' is a blue raccoon with three eyes and a pink tail, and Viktor's is based off of the White Violin from the comics, except its head transforms into reaching arms. End ID.]
sorry, the ID got REALLY long this time. that's a summary for anyone scrolling, theres a more detailed one under the cut!
[ID: Luther's spirit is labelled First Simian In Space: THE MARTIAN APE. He looks like the ape that supplied Luther's body in the comics, drawn in the paranatural style; blue, with one eye. He is wearing an astronaut helmet and sitting in a coin operated rocket ship that is much too small for it. He has transformed the world around him into a scifi martian landscape; cardboard standups with doors and lockers scribbled on them are the only indication of the real world. Luther is sprawled on the ground staring in shock, while the Martian Ape says "Y'know, you should totally just kill your dad".
Diego's spirit is a very small creature that looks a bit like a porcupine.
Panel 1: Diego holds his spirit in his hands and says, "So, what's your name?". His spirit responds "I am called..."
Panel 2: A caption appears; Projectile Extraordinaire: KRAKEN. The image is in full color, focusing on Kraken, which glowers cutely and shows off her spines.
Panel 3: The same shot as panel one, except Diego now looks very skeptical. He says "..." and then "Why." Kraken responds "It sounded cool."
Allison's spirit is a giant green snake coiled around a tree branch, with a pattern down his back that looks like open mouths.
The first two images are centered on Allison, who is scowling in both. Someone unseen says "It can force people to do things, honey!" and "It's too dangerous to leave you alone with it." and finally, "So we fixed it."
The final image is of the spirit. He is captioned Muzzled Mind Controller: THE RUMOR. His mouth has been duct taped shut. He does not look pleased.
Klaus' spirit is a blue raccoon with dark purple legs and a fluffy striped pink tail. It also has three eyes.
Panel 1: The large colored closeup of Klaus' spirit. It is captioned Mystical Conartist: THE SEANCE.
Panel 2: Klaus asks it "With a name like that, what's your power?" The Seance, its nose just high enough to fit into frame, replies, "Oh, I can sense ghosts"
Panel 3: Klaus looks supremely unimpressed. In the background, a ghost says "Hi" to Allison and Luther, and they say "Oh, hey" back.
Panel 4: Klaus asks, "Seriously?"
Panel 5: The Seance, viewed from above, says "Hey, I can sense them even when they're not visible! Like behind walls and stuff!"
Panel 6: The Seance adds "Also I can float." It is demonstrating, floating about eye level with Klaus and emitting a cloud of cyan spectral energy as it does so. Klaus looks more pleased with this and says "Okay, that one's pretty good."
Viktor's spirit is a Wight, a spirit so warped by rage and pain that it has permanently been changed, its spectral energy has become white, and has gained massive, devastating power. It looks a lot like the design of the White Violin in the comics, but it manifests too many or too few arms from where its head should be.
There are three images of it. In the first, it is kneeling. It has manifested six arms in varying degrees of completeness, and all of them look sad.
In the second, the matter of its head has split into many small pieces that almost look like parts of mouths, save for two clawing hands. It screams, in the Wight spirit language from Paranatural, WHAT DID YOU DO TO ME.
In the third, the largest, its knees buckle as it stands and manifests one reaching hand. It is captioned Violent White: THE WHITE VIOLIN. End ID]
now that I haven’t lived with my parents for almost two years I’m starting to come to terms with myself as a full human being. and like idk I can’t really complain about my parents too much in terms of their overall parenting of me, I feel like I’m lucky in a lot of respects just based on the horrific shit some of my friends/family have gone through, but I feel like one consequence of how much my parents fucking hated each other for my entire life is that I feel like I have no reference point for showing affection or being emotionally considerate/vulnerable, those things tend to make me deeply uncomfortable and disempower me to do nice things for the people I love. I feel like I have to really concentrate and spend time on emotional reciprocity and spontaneous gifts/gestures of love. genuinely just kind of sucks how much my parents despise one another and how their constant fighting and days-long silent treatments over the course of 25 years has made me feel inadequate to the task of showing the people I care about how much I love them