#which means that saying 'oh no credit cards' does NOTHING to help people long-term
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#this is why you don't buy shit on credit #the likelihood of it financially destroying you is high
I'm sorry, but that is absolutely the wrong take in response to this.
Buying on credit is not the problem; in fact, in many cases, it's the only way to do something. Think about buying a house; most people don't exactly have the cash to buy outright! Oftentimes buying a car, or furniture, is the same kettle of fish. Heck, that's how I bought my furniture! 12-months no interest, yes please!
The problem comes when you lose track of how much you have bought on credit--and you can lose track of how much you've bought just as easily with a checkbook as you can with a credit card or loans.
When I bought my furniture on 12-month no-interest financing, I made damn sure that I wasn't committing to more than I knew I could pay in a month, and I kept track to make sure that I had it paid off before the promotional period ended. And look! No problems!
The people the above person is talking about have purchased much, much more than they can conceivably pay off independently. That is the issue with that scenario. They've spent more on transportation than I spent on my house, given the economic bracket he's describing they probably spent a minimum of $350k on the house and that's in my incredibly low cost-of-living area--on the coasts who knows how much it would be--and they have more on their credit cards than I spent on my car.
So yes, they have a problem with finances--but the problem isn't the existence of credit. The problem is the absence of accountability. After all, I, too, have a car loan, a house loan, and credit cards; the difference is, I live within my means.
#also#at least in the US#you CANNOT build your credit without HAVING CREDIT HISTORY#which means that saying 'oh no credit cards' does NOTHING to help people long-term#the key is PROPERLY MANAGED CREDIT CARDS#is this a pet peeve? yes#sorry Kuro I still love you#you did not know you were unlocking my vent valve#...technically I no longer have a car loan#I paid that bitch off#but being able to get a car loan in the first place is the reason I don't need to replace my car now
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How would the Miya twins interact with their darling when itâs her birthday? Does she even know itâs her birthday if she doesnât have any way of tracking the date? Is this intentional by the twins so she is more reliant on them?
Oh I love this, thanks for the request!
Rated Lemon
»»ââââââââ ⥠ââââââââ««Â
Atsumu
⥠Atsumu totally forgot that this day was coming up despite being told about it a few times in advance. Every day they spend together is a day worth celebrating with happiness and laughter, but Osamu telling him that there's a birthday coming up one week prior to it is a total game-changer. Atsumu spends almost three days pressing his darling for things she wants. Any new games? Books? Clothes? It's a little hard not to blurt out it's for her birthday, but hey, he's trying. He can't always rely on his brother to make an effort for their sweet, adorable captive. Atsumu wants to have the final say in what she gets from him. Finally, it pays off that he is annoying and stalked her a lot before the twins took their darling to be theirs.
⥠All the money he has is well-spent if it's for the love of his life. He goes full out on the materialistic things, stocking her up on things to occupy herself with for as long as it takes to play and read through all that he gets her. His credit card is flashing so many registers as he buys her games to play with him, snacks to eat with him, books to read to him, and as an extra, he gets her a diary and some stationery to go with it. There is never enough to know about her, and she probably won't mind if he reads it in secret, right? He's a good boyfriend and very proud of himself for coming up with that idea as he leaves the store, only for his eyes to get caught up on a peculiar little shop that he just can't miss. If he convinces her to put on some of the lingerie he buys her, there's no telling how he will react to it, but it will be nice for both of them for sure. No one said Atsumu can't have a little fun on his darling's birthday either, right?
Osamu
⥠Osamu is a little, and rightfully, miffed at the fact he needs to tell Atsumu about the upcoming birthday over and over three weeks before it happens. But he wonât let his own preparations be influenced by the indifference of his brother. Osamu starts fixing things around the apartment that his darling is bothered by. Her bathroom door gets a new lock, and he oils the hinges, cleaning the bathroom thoroughly while heâs at it. Seeing the bathtub, he starts thinking about what to gift his beloved, settling on the idea of a new shower curtain with a motive she likes and some bath bombs for her. He also noticed that her shampoo is unscented whenever he hugs her, so Osamu will stock up on different ones for the future. His thoughts about presents are much more fixated on long-term comfort than his brotherâs, but he hopes the little gestures will make his darling all the more happy.
⥠Investing in new bedding or a new mattress may be a big effort, but itâs about time she receives what she deserves. One day on the way back from work, he stumbles over a really adorable plush that he canât help but buy, wrapping it in a ribbon and hiding it in his bedroom from the darling and his brother. Already weeks before her birthday, Osamu started learning to bake cakes in his restaurant, selling them to see how people react and trying out new flavors. Only the absolute best is good enough for his darling, and he will have decided on the final recipe on the very day he has to prepare the cake. Two tiers, real fruit, handmade. Goldfoil on top and a taste that will make her drool all over him. Thatâs what Osamu is hoping for.
And on the day...
⥠They arrange everything on the kitchen counter and light the candles, all smiles and giddy as they prepare for their darlingâs birthday. The twins think they were very slick with their apparent behavior the last few weeks, so this should come as a surprise. Still, they were never thinking about hiding their darlingâs birthday from her. Why would they? The time they spend together is precious. There is no reason not to celebrate it. Osamu sets down the big plush on the chair last minute while Atsumu storms ahead to get their darling, who they think is still sleeping soundly in her new bed. Getting up early is worth it, but they were patient enough to at least let their beloved sleep in for once. Not like she hasnât been lying awake for hours at that point, listening to the silly discussions and preparations outside her room, unable to sleep that long, but hey, the twins are really trying to be accomodating on this special day.
⥠Nothing about their joyfulness is unreal, as they genuinely are happy to be spending this special day with their darling. Their gifts are what they really want to present to their darling, even if that doesnât mean they wonât take them away later again if she misbehaves. But until then, they are pretending as if everything was normal. As if their darling wasnât a captive, and they arenât absolutely mad about them, but instead, just the people who love and cherish her (which, to a point, is true), wishing her a happy birthday from the bottom of their hearts. They even hold back from arguing about who goes first in congratulations (Osamu) or which brotherâs presents get to be opened first (Atsumuâs). However, when they can, they steal some rare alone time with their darling, hugging, touching, and kissing her at every opportunity they can. Itâs so bittersweet for her to have this celebration in the situation sheâs in, but crying and throwing a tantrum is sure to ruin the good mood the brothers have. And if she is behaving exceptionally well, Osamu even brought some bottles of alcohol home to celebrate if she wants to drink. They are much laxer that day, and she can go where she wants in the apartment, eat as much cake, and even request things from them (like some space if Atsumu gets pushy, or a special dish for dinner, etc.) without facing repercussions, the twins just letting her have a good time so they too can enjoy the day, happy to see her interested in the gifts they bought for their darling and seeing her smile for once.
⥠Well, that is, except for one thing: the lingerie dangling from Atsumuâs finger once the day shifts to night. Because he really, really, really wants to see her in it, saying itâs just to see if it fits. Osamu holds his brother back a little, but their darling can clearly see how much heâd like to see it on her too. And maybe, just to keep the peace and not end the day on a bad taste, she should comply, even though all three of them know that there wonât be much holding back once she put on what her captor bought her as âsuch a nice presentâ.
#atsumu#osamu#Miya Atsumu#miya osamu#yandere atsumu#yandere osamu#yandere!Atsumu#yandere!Osamu#osamu miya#atsumu miya#Haikyuu!!#Haikyuu#HQ!!#yandere haikyuu#yandere!haikyuu#yandere#yandere imagines#yandere headcanons#yandere scenarios#yandere fanfiction#yandere writing#yandere stories#yandere oneshots#yandere oneshot#yandere drabble#yandere x reader#yandere x darling#Yandere TW
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More Accurate Than Any Scale
Card: Lab Coat - SR Characters: Vil, Rook, Trey, Riddle (mentioned)
Chapter 1
âLABORATORYâ
Vil: It was rather kind of the science club advisor to let us use the lab and its chemicals.
Have you been acting oddly compliant with your club activities lately, Rook?
Rook: He gave me the okay right after I told him I just wanted to help make some chemicals to use for special effects in one of the film clubâs shoots.
Although, he did ask me to turn in a list of all the chemicals and reaction formulas Iâll be using, how long Iâll be in here, and a safety plan in case of an emergency.
Vil: Youâve gotten your teachers awfully wary of you! I suppose that means you act as free-spirited as you always do in your clubs too.
Well, letâs start already to avoid putting the time you got us to waste.
Now then, the chemicals weâll be using are... ah, here.
Mix a spoonful of this in the colored water...
(Poof!)
Rook: Oh! That made black smoke appear! Are we finished already, then?
Vil: Itâs a little different than the color I have in mind. It should be darker... black enough that it could blend in with the night.
Iâll try adjusting the amount we put in a little. A little more than a spoonful...
(Poof!)
Rook: Hmm. It grew a little darker. Howâs that?
Vil: Not quite. Itâs a little too blue now. Perhaps thereâs something wrong with the water...
Rook: Would you even be able to tell the difference through the camera?
Vil: Do not ask me to compromise with something thatâs going to appear in front of an audience. The smoke will take up a very wide portion of the screen.
Without an effective color that highlights the costumes, as well as the actorsâ expressions, hair, and eyes, everything will be ruined.
We need to keep making small adjustments to prevent that. ...Perhaps this will work?
(Poof!)Â
Vil: ...Yes, that is a nice black.
Now that weâve made the smoke, our next shooting will be flawless.
Rook: Oh, even though you havenât taken care of yourself yet?
Vil: ...Excuse me?
Rook: When are you going to start your diet?
Vil, youâve gained a little weight here these past three days. Your jawline looks slightly off.
Vil: Whatâ?! That canât be right.
Iâm never careless about my health, and not a single one of my 5 million-plus Magicam followers has pointed anything like that out.
Besides, I havenât noticed anything out of the ordinary when examining myself in the mirror.
Rook: Ah, Roi du Poison. Between me and everyone else, who would you choose to believe?
Iâm always telling you this: Iâve spent much more time looking at you than you have spent looking in the mirror.
Above all else, that is the one thing Iâll always guarantee you.
Vil: ...Alright. Iâll take your word for it.
Rook: Oh, I should get going now. Itâs time for my very important fieldwork.
Vil: Ah, hold on! ...Running off right after he said what he needed to, I see.
Well, Iâm finished with the smoke, so I should clean up and then head back.
âEXTERIOR HALLWAYâ
Vil: I need to get back to the dorm as soon as I can to check my scale.
Trey: Hm...? Fancy meeting you here, Vil. Were you doing something in the lab?
Although, I couldâve sworn Iâve heard about a private lab in Pomefioreâs basement.
Vil: Oh, Trey. Today was an exception; there were some chemicals I needed in the school lab.
Rook let me know there shouldâve been a bottle of the kind I needed here after Iâd realized I was short.
Does everyone in the science club keep track of which chemicals are kept in the lab?
Trey: No, Rookâs just particularly observant. I donât remember anything except the ones I use myself.
Heâs good at memorizing the most random things, huh?
Vil: Thatâs for certain... Like peopleâs jawlines.
Trey: Jawlines...?
Vil: Oh, nothing.
Trey: I see. Hey, do you and Rook like sweets?
I actually have some cake leftover. Baking one in an 18-centimeter pan ended up a little too much for Riddleâs afternoon tea.
So Iâve been going around offering slices to everyone.
Vil: I was wondering what you were doing wandering around with that thing in your hands... So thereâs a cake inside that box?
Trey: Yeah. Gotta say, I really outdid myself on this one. See how fresh the strawberries are? Makes your mouth water, doesnât it?
Vil: Very true. But Iâll have to pass. Iâve just begun dieting.
Feel free to make Rook take two servings, though.
Trey: Seems like something happened between you two... Well, I can probably take a guess.
Vil, if youâve got time, why donât you stop by Heartslabyul?
I could offer you some of this delicious herbal tea I have.
Vil: Herbal tea... Is there any chance it has lemongrass in it?
Trey: Ah, yeah, it does.
Vil: Iâd love to, then. Its detoxifying properties would be perfect for me right now.
Chapter 2
âHEARTSLABYUL DORM - KITCHENâ
Trey: Thanks for waiting, Vil. Hereâs your herbal tea.
Vil: Thank you, Trey. ...It smells lovely.
Trey: I also brought a piece of cake just in case. I baked it fresh today, you know.
Vil: I can tell just by looking at it that itâs something youâre proud of. But, I still think Iâll just stick to the tea.
        (Vil takes a sip)
Vil: ...Mm, delicious. Where did you find these tea leaves?
Trey: The school store. Itâs rare to see leaves with a hundred years of history behind them in stock.
You can take some back with you if youâd like;Â Iâve got plenty. I wouldnât be able to finish them all myself before the flavor faded.
Vil: Well, if you insist. I take it youâll wrap them up later.
Trey: Oh, and about our earlier conversation. What did you say happened with Rook?
Vil: It wasnât anything important. I suppose you could say heâs just been watching me a little too closely.
Of course, itâs helpful that heâs able to notice changes in me quicker than even I can...
But donât you think itâs so rude to just tell me âYou got fatâ out of nowhere?
Thereâs a difference between being honest and being considerate. I suppose he just left his ability to be âconsiderateâ back in the woods.
Trey: Ah... Well, itâs true that wasnât the best way to word it...
Rook always blurts out his thoughts, whether theyâre good or bad. It surprises me at times too.
Vil: Hmph. Perhaps I shouldâve expected that heâs like this even during club meetings.
Trey: The other day, actually, our club advisor proposed an experiment and Rook immediately went âThatâs such a boring idea.â
We ended up doing a much more complicated experiment. The freshmen couldnât figure out how to do anything, so they just wound up just standing around for the rest of the period.
Vil: I can imagine how that mustâve looked.
And it was all left up to you to lead the freshmen, wasnât it?
Trey: Saying I âled themâ is giving me too much credit, but... a little, yes.
Vil: You always work so much.
Riddle is lucky to have you in Heartslabyul.
Trey: What?
Vil: You know, you come up in conversations at the dorm leader meetings sometimes. About how great of a vice dorm leader you are.
Trey: Oh, thatâs... the first Iâve heard of that. Honestly, Iâm a little surprised.
I just donât want to lose my head. I donât think that should warrant any praise.
Vil: Thereâs no need to be so modest. You should accept praise when itâs given.
Those who canât read into things might just blindly believe your words despite the fact that youâre just trying to be humble.
Well, if thatâs the kind of impression you want to give, then thatâs fine... but itâs still just selling yourself short.
Trey: You sure are harsh. But you must know what youâre talking about, as someone whose job is wholly based on others judging you.
Iâll try to watch myself from now on.
Vil: Yes, please do. It makes the one doing the complimenting feel good too.
Besides, letting yourself feel happy about getting praised helps alleviate stress.
Especially for you, who is always running around to tend to your selfish young master.
Trey: I really donât think Iâm stressing myself out over Riddle.
Vil: Well, alright. If you say so...
Trey: Itâs the truth. After all, I have a trick to not feel stressed.
Vil: Oh? A trick? Iâm curious.
Trey: Wanna know what it is?
Vil: My, youâre certainly acting cheeky now.
Trey: Iâll only say it once, so listen carefully!
Vil: Alright...
Trey: Itâs to not hold back on the sweets. Especially cakes filled with fruit.
Vil: Incredible. I was wondering where you were going with this. ...Heh.
Alright. Iâll try a bit of your fruit cake.
Iâll just have to add a few extra laps to my run tomorrow morning.
Trey: I probably shouldnât be telling you this since youâre a model, but...
I really donât think one slice of cake is going to do anything to your figure. Youâre already so skinny anyway.
Vil: Iâd prefer the term âfit,â if you wouldnât mind.
But Rookâs watchful gaze on me is more accurate than any scale. Perhaps even more than a mirror.
Trey: Really...
Vil: Mm, delicious. Youâve gotten better at this, havenât you, Trey?
Do let me know if Riddle ever has it be off with your head. Iâll make you our dormâs personal pastry chef.
Trey: Iâll try not to let that happen.
Having to worry about the calorie count with every dessert I make for Pomefiore sounds troublesome.
Vil: Wouldnât it be a great learning opportunity?
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Sense and Sensibility Readthrough Part 20
Chapter 23, Pages 119-126
Previously, poor Elinor... four years... poor Elinor... four years...
Having given it a little thought, it occured to me that the twist from last chapter worked extremely well for something that I would have expected to occur narratively anyway. And I have complete certainty that it's because the twist went completely overboard by a shocking, twisty margin. Four years!
That's definitely something I'm keeping very close in consideration. Noted, circled and underlined. Just because the basic element of your narrative twist may be heavily foreshadowed or just predictable, doesn't mean the whole part of it has to be. There can and probably should be more than one layer of twist to your twist.
In fact, isn't this a form of misdirection in itself? Put people at ease with something that could be interpreted as simple, then throw something else out from behind it. Wait, now I'm just describing the basic element of a twist... a general principle of playing with expectations... Hmm, anyway!
Readthrough below.
Chapter 23
HOWEVER SMALL Elinor's general dependence on Lucy's veracity might be, it was impossible for her on serious reflection to suspect it in the present case,
IN THE PRESENT CASE? WHAT IS THAT SUPPOSED TO MEAN MS. AUSTEN? Is this just a general statement about her unwillingness to question anything right in this moment? Or is it also a foreboding statement that Lucy's word will not be trustworthy in the future? Ms. Austen are you deliberately toying with me? D:
Elinor embarks aboard a long train of thought. The facts as presently established are thus:
There is altogether too much evidence of Lucy's claims being truthful; ergo they are engaged and all evidence presented is true.
She wasn't alone in believing Edward held feelings for her. Her family (supportive) and his sister (unsupportive) both acknowledged the case, so it's not any personal delusion or her own, or positive bias on the part of her family.
Trying to reconcile those two premises, she can draw various possible solutions that might satisfy both:
Eddie has been deliberately playing with her heart. :(
Eddie has unintentionally and hopelessly succumbed to Elinor's affection. :?
Eddie's engagement with Lucy was going nowhere to begin with. :/
I'm personally gonna float a fourth possibility, that Edward forgot Lucy Steele existed until she returned to his life recently to get him to fulfill his engagement promise, and now he's in a pickle. Not going easy on him though, the only scenario in which he doesnât bear a significant burden of responsibility in this mess is the one where, iunno, Lucyâs been blackmailing him the whole time or something.
The youthful infatuation of nineteen would naturally blind him to everything but her beauty and good nature; but the four succeeding years [...] must have opened his eyes to her defects
Oh, so is this why Mr. Palmer was introduced with the following (lemme dig it up) line?
His temper might perhaps be a little soured by finding, like many of others of his sex, that through some unaccountable bias towards beauty, he was the husband of a very silly woman - but she knew this kind of blunder was too common for any sensible man to be lastingly hurt by it.
When I was reading it I thought it was coming uncharacteristically close to laying a man's responsbility over his own emotions at the feet of his wife instead (even if Mr. Palmer was immediately following diagnosed with class angst instead). I suppose the real purpose of this line would be to prep the reader, so that the possibility of hasty engagements on Edward's part seem reasonably expected, and also to, well, suggest at the possible result of such a hasty, valueless engagement being followed through?
I know thereâs a Pride and Prejudice and Zombies, is there a Sense and Sensibility and Alternate Timelines?
Well, either way, I'm given to conclude that the Palmer chapter really does a lot more to set up pacing and expectations than I give it credit for. Though I still donât think I like these particular expectations very much.
Also, Elinor, as mature as you project yourself to be, you think these thoughts of foolhardy youth as though you're not also presently nineteen right now. :'D
Also geez, you're really picking on Lucy hard for her lack of education, which has so far been presented much more a lack of opportunity than anything else. I noticed while reading the Other Stories in Susan and Stories that many of the protagonists were definitely a little on the not-like-other-girls side of the spectrum. I always love when education is valued, but it does make me uncomfortable when I see it presented as though a virtue in itself, rather than the product of opportunity and environment.
I'm still holding out on general judgement of Lucy as I haven't really felt like I've been introduced to her outside of Elinor's lens. There's a sort of tell vs. show element to reliability of information in the narrative voice I've been sitting on; one where I've been told a lot about Lucy from Elinor's feelings and thoughts (that she's artful or selfish), but I haven't actually seen Lucy behave in any way I would interpret as more than some level of insensitive.
It's really hard for me to get a read on Lucy or Edward. Unlike with Willoughby or Brandon, their actions as depicted do not immediately align with evaluations of their character made by the Dashwood sisters. Lucy has been very little shown to have done anything to earn Elinor's harsher assessments of her character (except insensitivity). Edward, I don't even know what about him I can take at any sort of face value except that he's ambitionless.
As these considerations occured to her in painful succession, she wept for him, more than for herself.
Oh, Elinor... She's worried about how Edward must feel, that his family could possibly support his engagement to Lucy when she is in a worse position than Elinor in every regard.
Supported by the conviction of having done nothing to merit her present unhappiness,
Oh, Elinor... she's rationalised away her natural freedom to be unhappy for unhappiness' sake. And she puts the mask back on. No telling her family. She will take this burden on very alone indeed.
It'll have to be up to Marianne to save her, on the day that Marianne finally throws a fit over Edward's mysterious lack of flirting. Oh, and what about their little moment chapters back where they shared a joke over Willoughby? Oh it will hurt if they ever have a real confrontation... :(
and that Marianne was internally dwelling on the perfections of a man, of whose whole heart she felt thoroughly possessed,
oH NO! Well if you're going to say that! If Edward was four years engaged then what's Willoughby going to have been? Secretly married ten years?? I forgot Marianne is still pining hard. Wait what's even going to happen when Edward and Willoughby meet as promised?
"Hi, I'm not marrying a Dashwood sister." "Hi, it turns out I'm also not marrying a Dashwood sister." "What was the purpose of our meeting again?" "Breaking Dashwood hearts solidarity?"
What is even happening? Please come back Brandon, at least your secret daughter can't break hearts. Also because you can't break hearts in general because noone loves you. Wait, ouch. Sorry. Also because your daughter might become friends with Margaret!
Oh Elinor, she's also justifiably disinclined to tell her family anything anyway because she knows they'll make a gigantic deal out of it, and probably Say Things that she doesn't want to hear. I mean, almost certainly Eddie has done you dirty here Elinor, if at bare minimum through negligence in communication. He's gonna deserve some of that tongue lashing.
Well, now that Elinor has come to terms with her situation, she has new objectives. To talk to Lucy again, and in doing so:
Discover the true depth of Lucy's feelings for Edward
Estimate Edward's regard for herself by gauging Lucy's jealousy towards her (HA!)
Convince Lucy somehow that no, she was never interested in Edward, haha, what a funny joke, I am not hurt or in pain at all. Didn't have a minor breakdown in front of you yesterday, nope. Perfectly fine, no feelings here.
Ah yes, the "What doesn't kill me NEVER HAPPENED" approach. Maybe in a couple of years she might even manage to convince herself she had never loved Edward at all, or indeed, anyone ever?
Apparently for all of Sir Middleton's parties, it can be surprisingly hard to get one-on-one time. Yeah, I get that. It takes Elinor some time before she can speak to Lucy privately again: at a party Sir Middleton arranged but is not attending. Heh.
"Insipidity." That was a word I wanted for the past few days but could only remember "vapid." Also wow, the narrative is pulling no punches over how insipid, boring and generally valueless this gathering and it's conversations are. Elinor's usually polite about things but internally she has no patience anymore. She needs to talk to Lucy and everything about this party is very much Getting In The Way.
So some party shenanigans happen and Lady Middleton is very easily manipulated as usual through appeals to her motherhood, to provide space for Lucy and Elinor to talk. Lucy is trying so hard to finish a basket for little Annamaria before tomorrow you see, and Oh! It is so much work, surely Elinor needs to help her! Works like a charm, Lady Middleton lets them out of card games and leaves them right alone to chat at a worktable.
Marianne just up and ditches Lady Middleton for the piano haha, with all the grace and tact of... iunno, Marianne I guess. Zero subtlety. "I hate cards, piano time starts now." Narrative says she's lost in her own thoughts and emotions while playing, I choose to interpret that as "angrily and noisily."
But it provides the appropriate background noise cover for Elinor and Lucy to talk with some approximation of privacy, which seems to follow directly in the next chapter.
Well, this has been a chapter devoted to Elinor's processing of... last chapter. Considering the weight of some such revelations, yeah, there was a lot for Elinor to process.
I feel as though I could go on to make some observations on the differences between Elinor and Marianne's approaches to processing heartbreak, but, they're just so... comically and wholly contrastive I wouldn't know where to begin except in broad terms. Marianne lets it all out, expressing her internal turmoil to almost performative levels and with complete emotional conviction. Elinor suppresses everything she can't rationalise away, and she tries to rationalise away everything, up to and including her own personal right to be upset.
Also it seems unusual to have a chapter immediately succeed from the events of the previous chapter as the next one does, so I imagine the hits aren't slowing yet. No idea what else could come out right now though.
#1800 words#what doesn't kill elinor never happened#brandon come back#Jane Austen#Sense and Sensibility#readthrough#novels
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200 Brooklyn 99 Prompts
Rosa
1 âTalk to him, that's what friends do.â âNope. I'm gonna wait 'til I'm on my deathbed, get in the last word and then die immediately.â âThat's your plan for dealing with this?â âThat's my plan for dealing with everything. I have seventy-seven arguments I'm going to win that way.â
2 âI'm already seeing somebody, NAME.â âOh, and just like that, things got interesting.â âAnd just like that, I left.â
3 âNAME is even wearing his/her formal leather jacket.â âIt's the one without any blood on it.â
4 âRight, that's the guy/girl you said the lame stuff about. Like heâs/she's a good listener.â âSorry, what do you look for in a guy/girl?â âReal stuff, like the shape of his/her ass.â
5 âSorry I'm late. I had to go back to the deli and return my Everything Bagel. In what world does everything not include beef jerky?â âAll of them.â
6 âHe/She also likes to look up recipes online and go, "Who's got the time?"
7 âThank you, NAME. Your entire life is garbage.â
8 âNAME , tell us about your family.â âI have one.â
9 âAnyone over the age of six celebrating a birthday should go to hell.â
10 âI am dating his/her nephew/niece. Now we are hanging out on weekends. What is next? Oh! Small talk.â
11 âWait, is that a smile I see?â âPossibly. My immune system is too weak to fight off my smile muscles.â
12 âWhoa, what happened? You know what, forget it. I'll just read NAMEâs notes.â
13 âNAME? Are you stuck in there?â âNo, I'm in here by choice.â âOh, 'cause I hear some banging noises as if someone was struggling to open the door.â âNo. That was the pipes.â âOr, is it the sound of you learning how to ask for help? You know, you can't spell âindependentâ without âdependent.ââ âAnd you can't spell âGo [bleep] yourselfâ without â[bleep] you.ââ
14 âI've said "excuse me" more times this morning than I have in my entire life. Twice!â
15 âOh, nothing better after a long shift than coming to BAR NAME. It's like Cheers, where everybody knows your name.â âA place where everybody knows your name is hell. You're describing hell.â
16 âSo, what is this? Casual, serious? I need to know how to make fun of you.â
17 âNAME and I broke up. He/She ate soup too much.â âWhat, like every day?â âIt happened twice.â
18 âSo, what are you drinking?â âI'll have a margarita. But, like, a skinny margarita. So, like, tequila, lime, and a tiny splash of agave.â âMm. I refuse to order that.â
19 âWhat are you looking all wistful about?â âJust thinking, about relationships and love, and how I'm way better at them than I thought I'd be. Should I do a TED Talk on it?â âDoesn't seem any dumber than all the other TED Talks.â
20 âWhy didn't you tell me? I had no idea things were getting that serious.â âYeah, it's very embarrassing having feelings.â
21 âSo are you bringing someone to the wedding?â âNo, I'm taking a break from dating for a while.â âWhat?â âI'm sick of asking people how many siblings they have. Oh, is it somewhere between zero and two? How fascinating.â
22 âI grew a goatee and it looks amazing, and I know you can see it.â âOf course we can see it, NAME. It's horrible.â
23 âIt feels like you're being a little harsh.â âThanks, good note. I was going for extremely harsh. I'll turn it up.â
24 âAre your senses heightened?â âI think I might be pregnant, not bitten by a radioactive spider.â
25 âYou're what sneezes are!â
26 âSeriously, you guys should stand up once in a while. You know, for your hearts.â
27 âNAME, this is dumb. I'm just gonna go.â âNo, no, no. You promised me more time. I still have seven minutes.â âI really don't want to miss my flight, and I cannot physically stand the way that room smells anymore.â âJust breathe through your mouth.â
28 âYou know, some people say, âMo money, mo problems,â but those people are idiots. Money's amazing.â
29 âDude, just admit you ruined everything and turned our lives into a living hell. No biggie.â
30 âWe don't want anyone getting alcohol poisoning, so if you throw up, you're disqualified.â âI never throw up. I just tell my stomach to deal with it. My body is terrified of me.â
Jake
31 âI also have a hairline fracture in my thumb. Mankind's least important finger, am I right?â
32 âI wasn't hurt that badly. The doctor said all my bleeding was internal. That's where the blood's supposed to be.â
33 âHow much could I possibly owe you? Fifty, sixty bucks?â âTwo thousand, four hundred and thirty seven dollars.â âDollars?! Wait, of course dollars. Why was that the part I was surprised by?â
34 âSo, I'm going to grab a healthy breakfast.â âAre those gummy bears wrapped in a fruit roll-up?â âBreakfast burrito, but yeah.â âI pity your dentist.â âJoke's on you. I don't have a dentist.â
35 âI'm talking to my credit card company. I tried to get an online subscription to the New Yorker and they declined me. Apparently, based on my previous purchases, they assumed it was fraud. That's crazy. I'm fancy. One time I had coffee-flavored ice cream.â
36 âRules are made to be broken.â âThey were made to be followed. Nothing is made to be broken.â âUh, piñatas.â âGlow sticks.â âKarate boards.â âSpaghetti when you have a small pot.â âRules.â
37 âHey, can I ask you something?â âMm-hmm.â âIf the toilets drain into the ocean, does that mean a tiny shark could swim up and bite me in the butt?â âNo, not at all.â âPsh, lame.â
38 âNAME, super important question. Which one of these shirts should I wear to dinner with your dad/mom tonight?â âThose are exactly the same.â âI have a signature look, NAME.â
39 âHello, good sir, I'd like your finest bottle of wine, please.â âThat will be $1,600.â âGreat, I'd like your $8-est bottle of wine, please.â
40 âI am straight-up depressed. NAMEâs been doing her best to cheer me up. He/She gave me this sticker this morning just for waking up.â âEw, it's like you're dating your teacher.â âI know, it's so hot.â
41 âWait. Before you say anything, I want to guess what happened based on your face. Someone died. No! You won a prize. I'm not getting better at this.â
42 âWhat is the bandwidth on the wifi here? We have much content to stream.â
43 âOh, you sweaty, chair-spinning morons. You're gonna get us out of here.â
44 âSir, I think I speak for all of us when ââ âHe/She doesn't.â âHe/She doesn't.â
45 âSo, your brother/sister's a bit of a nightmare.â âI wouldn't say that. I mean, at most, heâs/she's a daymare.â âThose are so much scarier.â âYeah.â
46 âLook, NAME, I burnt two hundred calories.â âThat's your heart rate.â âYeah, that checks out.â
47 âI don't slump, people. I opposite of slump. I pmuls. That's slump backwards and it's what I do. I pmuls all over this bitch.â
48 âExcuse me. We were just looking for a place to ââ âBoink.â âYes, boink. That's my preferred term for it, too.â
49 âThank you for doing this. I love you.â âNoice. Smort. I love you too.â
50 âAdult parties? I believe they're called orgies.â
51 âI have a sexy voice!
Champagne.
Mountain range.
Hugs.â
52 âHas anyone ever told you you look just like a statue?â âYes.â
53 âNAME, you're smiling. It's very weird. Like seeing a turtle out of its shell.â
54 âYou look happy. Let me guess. Your egg sandwich fell on the floor, and they gave it to you for free.â âNo. Can you do that? Why doesn't everyone just drop their sandwiches on the floor?â âI was trying to insult you.â âAnd instead you gave me an amazing life hack!â
55 âSo, we gonna talk about what happened back there? I haven't seen someone cry that much since NAME heard they were remaking âFirst Wives Club.ââ
56 âHey, there, NAME. Everything okay?â âNo, I'm having a meltdown.â âProps. That was amazing.â âThanks. It was a lot of work.â
57 âAlmost makes me wanna take things seriously all the time. But then I'm like âboobs, farts, boobs, whateverâ.â
58 âAhh, babe, this is so nice. There are hot stones on our butts for no reason.â âNot on mine. My butt stones keep falling off, because I'm so tense about NAME being here and ruining everything.â
59 âOkay, don't shoot! That's how people get shot.â
60 âRule number 3: Let's not have sex right away.â âCool. Cool cool cool cool cool. No doubt, no doubt, no doubt. Good rule. No sex. Good rule.â
Charles
61 âOkay, but I thought since you were in charge, maybe I could be your right hand man? Your Tinker Bell?â âTinker Bell?â âLet me tell you something about Tinker Bell. Tinker Bell is a loyal lieutenant and a real thorn in the side of Captain Hook.â
62 âNAME, why don't you show Danger what a fax machine is.â âOkay. Imagine a letter had unprotected sex with a phone.â
63 âHey, NAME, are you ready to go streaking?â âWhat?â âThat's what my dad/mom and I called getting blonde streaks in your hair. We used to do it to our ponytails on road trips. You just take a little lemon up top, and let the sun do the rest. We called it giving each other road head.â âYou just said you called it going streaking.â âIt had a couple names.â
64 âSo we have good news, and we have bad news.â âMy Nana always said, âBad news first because the good news is probably a lie.â Fun fact: she made me cry a lot.â
65 âWhat about me? What if something happens to NAME, and he never gets to meet my baby? I don't want to hang out with some stupid baby who's never met NAME.â
66 âOh, you're right. I'm gonna tell him/her. It might not be today. It might not be tomorrow. It definitely won't be later than tomorrow. So pretty much today or tomorrow then.â
67 âNo! I was eavesdropping. I'm always eavesdropping.â âI don't like it.â âLook, I didn't spend the last seven years watching your love ripen, only to have it sullied by a city hall wedding. You're getting married right here, right now.â
68 âI know you think my judgement's clouded because I like him/her a little bit.â âYou doodled your wedding invitation.â âNo, that's our joint tombstone.â âMy mistake.â
69 âHow many times have I smacked you in your face?â âLost count.â âAnd you still have no fear of me.â âI'm trying to read your womb vibe.â âExactly. Knock it off.â
70 âOkay, first of all, NAME, you look amazing. Secondly, I made an appointment at the salon with Nikki, for you, under the name Gabriella Fuentes de San Miguel Estrada. I had fun with the name.â âClearly.â
71 âHeâs/She's got a type, which is really any one but you.â âYeah, that was my ex-husband/ex-wife's type, too.â
72 âSexy train is leaving the station. Check out this caboose. Later, sluts.â
73 âI can't wait to see you, my luscious little breakfast quiche. I just want to draw you a bubble bath and spoon-feed you caviar. I think we should open up a joint checking account. I love you. [pause] What am I doing?â âIt's okay. I hung up right after âChucklebunnyâ.â âHelp me. I've gone Full NAME.â
74 âDo you desire a crispen potato?â âOh, don't mind if I do-ble. Wait a minute. Crispen potato. Why are you fancy talking.â âHow dare you, sir/madam. I speak the common tongue.â âThere it is again. You only do that when you're lying or hiding something.â âHiding? Ha. Pish-posh.â
75 âHey, donut holes. Don't mind if I do. Eurgh! Fish? Fish donuts, NAME? What is wrong with you?â âIt's takoyaki. I'm drowning my sorrows in octopus balls.â
76 âPut on a T-shirt for all I care. It doesn't matter what you wear.â âOf course it matters. He has to wear the smaller checks. Big checks wash him out. Where are you, NAME?â
77 âOoh, if they have your phone, we can track where they're going. I have âFind My Phoneâ set up to track you. What? I do that for all my friends, not just you.â âShow me.â âThere's no time!â
78 âYou okay?â âYeah, no burns. The doctor said I was lucky my body was so damp.â
79 âYou guys have been down here for two hours. What, did you have sex forty times?â
80 âWhat? You don't need closet space. You have, like, one outfit.â
81 âYou just graduated pie school, bitches. [pause] Sorry I said bitches, I'm just really worked up.â
82 âSo, I know you're NAMEâs best friend, and ââ âDid he/she say that? Did you get that on tape?â âNo.â âNo, he/she didn't say that or no, you didn't get it on tape? Doesn't matter. Either way, you screwed up big time.â
83 âWhat you did is the culinary equivalent of unprotected sex.â
84 âThat's right. Boom. Just kicked Santa in the testicles.â
85 âNo, there's no one in my life. [wink] Sort of a sad thing to wink about, I realize now.â
86 âNAME! Were you dreaming about NAME again?â âWhy did you wake me up?! I told you never to wake me up!â
87 âYou used all the touching time, NAME. I get 100% of the goodbye touching time. 100%.â
88 âDo you wanna know why he/she went out with him/her and not you?â âYeah.â âBecause he/she actually asked him/her out.â
89 âNAME, will you taste this batter?â âMm-hmm. Hmm. I think it's a little off.â âYou know what's off? Your mouth! Why NAME lets your stupid tongue anywhere near him/her I'll never know. Nope, I forgot the sugar. That's on me.â
90 âThere's no need for NAME to see me unleash the beast.â
Captain Holt
91 âLook at you. Always working. What happened to my fun big/little brother/sister?â âFun? I was never fun. You take that back.â
92 âIt's the most fun day of the year. Something you wouldn't understand because you're not programmed to feel joy.â âYes, but my software is due for an exuberance upgrade.â
93 âSticks and stones, NAME.â âDescribing your breakfast?â
94 âNAME, how are you feeling?â âBetter today. I even managed to eat some plain toast this morning.â âSmart. Something bland.â âThat's my favorite breakfast.â
95 âJoining us for lunch, Sir?â âOh, no, I've already consumed the required calories for this day period.â âYummy.â
96 âYou all right, NAME? Tough weekend?â âI went to Barbados with my husband/wife. We wove hats out of palm fronds and swam with the stingrays. I've never been happier.â
97 âMaybe I should wing it. Love, it sustains you. It's like oatmeal.â âOkay. Okay. Not bad for winging it.â âI lied. Took me two hours to write that.â
98 âI do not have a problem. If I want to play Kwazy Cupcakes, I will play Kwazy Cupcakes. Kwazy is a difficult word to say in anger, but I think I've made my feelings clear.â
99 âThis place is so romantic.â âYeah, and so intimate.â âDon't worry. I'm not listening to you. I'm just thinking about how this sea bass is cold but not as cold and cruel as the hands of fate that have thrust my entire life into darkness.â âAh, damn it. I just ordered the sea bass.â
100 âYeah, and your new shirt is very aggressive and confusing. Is the pineapple the slut, or is it calling someone else a slut?â âClearly the pineapple is the slut.â âHuh.â
101 âOh, I've caused a problem. I think I am getting a text message. Bloop. Ah, there it is.â
102 âSo nice of you to greet us, NAME. I thought surely you'd still be crushed under that house in Munchkinland.â
103 âSo, do you NAME --â âYes.â âAnd do you --â âYes. Yes. We do. We're married.â
104 âI mean, don't people call you NAME?â âHow dare you.â
105 âSo you lied to me? Out of pity. You pity me.â âI wouldn't put it that way.â âI would. I am offended. I am angry. I am very tired. So I'm gonna take a nap, but when I wake up, oh, you are in for it.â
106 âLook at that. You've helped me find my smile.â
107 âHuh. Meat from the street. Sounds like a fun treat. Hah. I'm a poet and ... I didn't even know I was rhyming those words. But it happened anyway.â
108 âOh, look at that. An alert. I'm probably trending already. What? My account has been deactivated?â âTwitter thinks you're a bot.â âWhy? I am a human. I am a human male/female.â
109 âCare to sit? I'm sure you'd like to take some weight off your cloven hooves.â âCall me the devil, NAME? How original.â âActually, I was calling you a goat. You goat.â
110 âNAME! I'm coming with you.â âThank you, NAME.â âI'm also coming.â âNot necessary.â
111 âSpot checks are done. Needless to say I'm thoroughly underwhelmed.â âHuh. From your expression, I would have guessed constipated. Or chilly.â
112 âNAME, you have a pretty low bar for what you consider drama. Once, I used an exclamation point in a email. You called me Diana Ross.â âI assure you, in this case, I do not exaggerate.â
113 âI know they say it's not good to have a TV in the bedroom. Which is why I don't.â
114 âNAME, did you just laugh?â âUproariously.â
115 âYou know when you play along with the robot jokes, it kinda ruins my enjoyment of them?â âYes, I know.â
116 âAnd what do you hope to get out of this, NAME? Let me guess revenge on Dorothy for killing your sister?â
117 âIt was a good game though for a dumbass.â Okay, you're kinda overusing that one. Maybe switch it up a little bit.â âOh, good note. You dick.â âThat landed good.â
118 âDancing over. Situation defused.â âNo!â
119 âAll right, NAME, I'm sick of you wasting time. So, yes, I spilled some minestrone on my pants and I'm sitting in my underwear. Happy?â
120 âYou found me. Drinking seltzer in the shadows.â
Gina
121 âIt's a sloppy Jessica. Mac n cheese, chili, pizza on a bun. Its everything I've wanted to eat for the last 48 hours.â âWhat happened? I thought you were gonna 'last forever bitches.'â âTurns out I gave up easy. You hear that bitches? I gave up so easy.â
122 âIf NAME had a twin, he/she would have eaten him/her in the womb.â
123 âWait a minute, I think I just figured something out. I got to go.â âAren't you forgetting something?â [person a gives Person b a kiss on the forehead] âUh no, pay your bill! Damn, who raised you?â
124 âThe English language can not fully capture the depth and complexity of my thoughts. So I'm incorporating Emoji into my speech to better express myself. Winky face.â
125 âAll right, gang. Diet day 4. How's everyone holding up?â âHonestly, I'm going to last forever. You hear that bitches? I'm gonna last forever.â
126 âIf I die, turn my tweets into a book!â
127 âThe only reason I didn't tell you is I don't value you as people, so why be honest?â
128 âBreakups are a cartoony thumbs down. They make people feel face-with-Xs-for-the-eyes.â
129 âI'm sorry. I just don't think this is something you're good at.â âWhat? The only thing I'm not good at is modesty, because I'm great at it.â
130 âClick. I just captured the exact moment you realized you had failed. I guess we all got something out of this.â
131 âIt's so addictive, right? I play so much that when I close my eyes at night, I just see cupcakes instead of my normal dizzying array of flashing lights.â
132 âForget your ex with meaningless sex. It rhymes because it's true.â
133 âNAME. NAME. NAME, I screwed up, big time.â âNAME, given your daily life experiences, you're gonna have to be more specific.â
134 âSo, talk to me, goose. How are we looking?â âSexy, but not like we're trying too hard. Like, sure, we're trying, but it's almost effortless.â
135 âGive me the ring.â âYou sound like Gollum.â âThat means nothing to me. I don't see those movies, I'm too pretty.â
136 âOh no, six drink NAME isn't fun. Heâs/She's just sad. Damn it!â
137 âI never have second thoughts. That's the luxury of having great first thoughts.â
138 âUgh, constantly getting NAMEâs approval is the worst.â âYes. I can only imagine.â
139 âYou think you can just bully people, but you can't. It's not okay. I'm the bully around here. Ask anyone.â
140 âThis just might work out after all.â âYou're damn right it will, 'cause we're a ragtag, scrappity, fart-dumb, moron parade, smart-ass team!â
141 âOkay, NAME, stop freaking out. I have the day off. I can step in and help.â âYeah, me too. I'm not off, but I come and go as I please. It's part of my charm. I'm like an outdoor cat.â
142 âGina, please keep an eye on NAME today. He's/Sheâs gonna say something to the wrong person and get himself/herself punched.â âSure, I'd love to see NAME get punched.â âTry again.â âI will stop NAME from getting punched.â âCorrect.â
143 âOh, I want him/her out. But I'm too scared to tell him/her. â âAll right, listen. I know that your spirit animal is a caterpillar that's been stepped on ââ âMm-hmm.â
144 âWhat are you creeps doing? You made me look away from my phone. You better pray I didn't miss a text.â âIn the two seconds you looked away?â âSeventeen texts. All of them important.â
145 âWhat is my favorite soup?â âChicken noodle.â âPotato leek.â âCorn frickin' noodle. I mean, chowder, damn it.â âYou're all wrong. I've never had soup.â âDon't bother. They all suck.â
146 âOkay, so that plumber was useless. But we are two smart and capable people who can definitely figure out how to fix a toilet.â âOf course we can. The internet will tell us what to do. She always does.â
147 âIt's crazy how much he/she flirts with me.â
148 âGood morning.â âFor whom?â âFor you-m.â
149 âSo he/she didn't say what happened, which can only mean one thing.â âHe's/Sheâs in a fight club.â
150 âWhat's up? How can I help?â âWell, when I was a kid, I invented a magnetic flashlight clip so I could read under the covers. This clip and I went all around the world together the Shire, Sweet Valley High, Terabithia.â âBut never to a friend's house, huh?â âUncalled for.â
Amy
151 âThat stuff with us is in the past. We talked about that.â âI know, but that was before you saw me in this dope ass tux. I mean you must be freaking out.â âOh, I really am. I'm really into rented clothes. I love how many butts have been in them.â
152 âYou know, we're birds of a feather, you and I.â âI hate cliches.â âCliches are the worst.â
153 âAnd now I don't know what to do.â âI think you do know what to do.â âThanks, NAME.â [leaves the room] âI have no idea what heâs/she's gonna do but that's the safest way to give NAME advice.â âYep.â
154 âInsult me all you want, for I have only this to say ââ âVictory shall be mine!â âI heard you practicing in the shower. You can't surprise me. Letting me into your life was the worst mistake you ever made.â âCool, fun take on our relationship.â
155 âNAME, where you at?â âFour drinks.â âWhat's four-drink NAME again?â âWhy don't you come over here and find out?â âRight, Horny NAMEâ
156 âI'm sorry. We only excluded you because you're kind of an over-texter.â âOver-texter? That's not even a thing.â âOh really? So you don't remember the time you sent 97 unanswered texts in a five-minute span?â âMy phone vibrated itself off the desk. I think it was committing suicide.â
157 âWhat the hell? I used NAME's exact recipe. I know I'm not a great cook, but I love following instructions.â
158 âWhat's going on? Is this a dream? No, I'm not holding a label maker.â
159 âMy power went out last night and my alarm didn't go off.â âYour alarm is power dependent? You brought this on yourself, son.â
160 âI'd also like to apologize for my friend. His /Her parents didn't give him/her enough attention.â
161 âI'm in! A bet which improves someone's manners? Double score.â
162 âHeâs/She's scared.â âHeâs/She's not scared. With all due respect, NAME, NAME has no feelings.â
163 âI'm so cold even my fiery dance moves aren't keeping me warm.â
164 âI'm sorry. I tried to be myself and they hated it.â
165 âAll right, someone's gotta go out there and kill that feathery bastard. NAME, you're always looking for an excuse to behead something.â
Sergeant Jeffords
166 âIt was like taking candy from a baby.â âWhy are you giving candy to a baby in the first place? Don't give candy to a baby! They can't brush their teeth!â
167 âI was raised on disco. Little NAME loved to hustle.â
168 âOr is your favorite artist really Taylor Swift?â [Scoffs] âNo.â âLie.â âAll right, fine, she is. She makes me feel things.â âShe makes all of us feel things!â
169 âUrgh, what's in these?â âPotatoes, butter, a little milk. Oh, and I ran out of salt, so I used baking soda.â âWhy wouldn't you? They're both white powders. Of course they're interchangeable.â âYeah.â
170 âI warned you against using donuts. They're my trigger food.â
171 âHey, NAME, you know how you're really good at doodling?â âI know you think you're complimenting me, but calling them doodles is an insult. You a big fan of Picasso's doodles?â
172 âYour tone's braggy but your words are real sad.â
173 âSee, NAME? Tough love works.â âDamn it! NAME proved the wrong point.â
174 âNow, be respectful and grieve your asses off.â âI don't know why this is happening.â âNAME, I love it. Everyone follow his/her lead!â
175 âEverything's spoiled. My lunch is ruined. My chicken, my potatoes, pasta, my meatballs, ham, my yogurt.â âWow, that's a lot of yogurt.â âI love yogurt.â
176 âKind of seemed like you were gonna get up and leave after saying all that.â âI was, but I think I hear NAME.â
177 âYou better look cute in this picture, or no one's gonna want you. Do something with your damn paws!â
178 âMy tolerance has really changed since I had kids!â
179 âI'm hungry!â âOh, you're in luck; the fanny pack is filled with granola.â âMmm! Loose granola.â âI don't want fanny granola! I want steaks and whiskey!â
180 âYou probably can't tell, but I'm flexing my brain like crazy right now.â
181 âWhat's that smell? That's lavender. NAME loves lavender.â
182 âOkay. Excuse me. Can we please eat? My body is starting to digest itself. NAME needs nutrients!â
183 âDon't look at me. NAME wastes all that time building muscles, make him do it.â âOh, come on, you all know these are just for show.â
184 âSorry? You bumbling son of a bitch. You just ruined my life. I hope you get hit by a truck and a dog takes a dump on your face.â âNothing to see here. Just a little hypoglycaemic rage. Move along.â
185 âI feel like a proud mama hen whose baby chicks have learned to fly!â
Hitchcock
186 âNAME, why do you have your shirt off?â âCan't spill food on your shirt if you're not wearing one.â
187 âWhat bet? What are you guys talking about?â âSeriously? The bet? They've been keeping score all year. It comes up all the time. What are you doing all day?!â âNothing. Why, you want to hang out?â
188 âSo you just want us to lie on the ground and do nothing like a bunch of losers?â âYes, precisely.â âNo!â âJackpot!â
189 âI don't like it. Something stinks.â âWell, I'm sorry, but I refuse to mask my natural musk with a bunch of chemicals.â
190 âMy God. NAME, are you the only person still making sense?â âYeah. It's bad.â
191 âAll right, food is ready, decorations are set, guests should start arriving any moment, and the chairs are still perfection.â âHe/She said they're perfection. I'm so proud of you, buddy.â âIt was you. You made this happen.â
192 âWho do you think it's gonna be?â âI've no idea.â âI bet it's me. I just hope I'm ready.â
193 âOkay, look, this was maybe a weird way to start the night, but the good news is, we can still make our dinner reservation and no one got hurt.â âActually, I cut myself real bad.â âOf course you did.â
Scully
194 âOh, so your plan is to not take this seriously at all?â âOh, I am as serious as a heart attack. No offense, NAME.â âNah. Mine are never that serious. I call 'em âoopsiesâ.â
195 âI miss my home chair.â âYou miss a chair?â
196 âAre those thumbtacks? What the hell, NAME?â âI thought they'd make good confetti.â âWhy?â
197 âAll right, anyone else have questions? NAME, NAME, you've been weirdly silent.â âWe didn't want to say anything that would get us uninvited.â
198 âOkay, first of all, I want to say that this was one of the hardest decisions I've ever had to make. There is so much talent in this room.â âJust tell us, bitch. Act as if you already have the role.â
199 âI'll be back. Don't move.â âNot a problem. I hate moving.â
200 âWhere should we begin? Do you have any experience with puzzles?â âYes. I've never solved one.â
#brooklyn 99 prompts#brooklyn 99 quotes#jake peralta#rosa diaz#amy santiago#gina linetti#captain holt#sergeant jeffords#terry jeffords#charles boyle#scully b99#hitchcock b99#bb 99 prompts#bb 99 quotes#quaratine sucks and making these keeps my mind busy#i live in covid 19 hell
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One Step Behind Your Memory
TMA fic building off the AU established in Yesterday Is Here by @cirrus-grey, in which a post-season-5, married Jon and Martin go back in time to the pre-season-1 Archives to prevent the worst of the future from happening as it did in canon.
October 2017: Martinâs mother dies, the second time around.
on AO3
Jon could tell that something was bothering Martin today. Martin wasnât as able to focus on their shared research, to stay engaged with what the two of them still had left to do to help fix things, to avoid being distracted by anything and everything around them. Despite it otherwise seeming like a perfectly ordinary day--well, ordinary by their standards, at least--Martin was... off, slightly, and thinking of it made Jonâs heart ache.
Jon wanted to know what was on Martinâs mind, wanted to know what he could do to help, but he knew better than to outright ask.
Instead, when Martin started trailing off his speech in the middle of a sentence for the third time that hour (not that Jon was counting), Jon simply pressed his hand against Martinâs and said, softly, âMartin?â
âSorry, I got distracted again, uh-â
âNo need to apologize, love.â Jon squeezed Martinâs hand gently. âIâm sure youâve got a lot on your mind.â
âYeah, todayâs just... well, today. Makes it extra hard, I suppose.â
Without looking at the chart that he and Martin had compiled together of when everything had went to hell the first time around, Jon couldnât remember what, if anything, had happened on todayâs date before. Heâd been in his coma at the time, though, that much he knew, so it could well be something heâd missed when it had happened.
âI canât remember what happened today.â Jon confessed.
âYou know, Iâm not sure I ever told you.â Martinâs face was growing redder by the moment. âIt probably shouldnât bother me this much-â
âBut it still does.â Jon finished.
âRight, yeah.â
A moment passed where neither of them spoke, Jon staring down at their intertwined hands as he waited silently.
Then, finally, Martinâs voice, hardly louder than a breath, after a furtive glance at his younger counterpart:Â âMum dies today.â
âOh.â Jonâs voice was as hushed as his husbandâs, and the arm that wasnât already partly on top of Martinâs wrapped around him in a tight half-hug. âOh, Martin, Iâm so sorry.â
Martin just shrugged, but when Jon looked him in the eyes, he could see that Martin was trying to hold back tears.
âI donât think thatâs on the chart, we could have-â
Martin shook his head as he interrupted Jon. âNo, no, we couldnât have. Out of all the-â Martin let out a soft, bitter laugh. â-the supernatural boogie monsters that took over our lives, her dying is the one thing that was, well, normal. I mean, she was sick for a long time before she died; hell, there were times I didnât think sheâd last as long as she did.â
â...right.â Jon gently massaged Martinâs shoulder with his free hand. âBut still.â
âBut still.â Martin echoed, letting out a soft sigh before looking at his younger counterpart, careful to keep his voice low enough that they were unlikely to be overheard. âAt 3:37 PM, heâs going to get a call from the nursing home... you know, the first time around, I actually let it go to voicemail.â
âReally.â Jon couldnât imagine that. For all the time heâd known Martin in the Archives, heâd had his phone on him (except when he hadnât had a phone), occasionally on vibrate but usually with the ringer on, scrambling to answer it whenever it rang, because few people had his number and those that did rarely called for innocuous reasons. There had been a time when heâd found it annoying, and a time when heâd found it endearing, and a time when heâd accepted that was just part of what made Martin Martin.
âYeah, I was, was talking to Peter Lukas-â
Jonâs face must have revealed some of how he felt about Peter Lukas, because Martin interrupted his own explanation to add a quick âI know, I know,â before continuing.
âSo, my phone was in my pocket and I could feel it vibrating, but I knew if I answered it heâd chew me out for it later, so I just... let it go. Wasnât until a bit after that I thought to check who called, and they just. Left that in the voicemail. Waiting for me.â
âOh, Martin. Iâm so sorry.â
ââs not your fault.â Martin tilted his head to gesture towards his younger counterpart before adding, âDonât think heâll let it go to voicemail, though.â
Jon had thought theyâd managed to keep their voices low enough that the others wouldnât notice, but either he was wrong on that count or that particular gesture was unsubtle enough to be noticed regardless, because at that moment younger Martin squinted at them and said, âAre you two talking about me over there?â
Martinâs face went red, and Jon could feel his own face heating up.
âOnly nice things, we promise!â Martin--his Martin, Jonâs Martin--replied.
Sasha glanced over at them before adding, âNice things donât usually need to be said in whispers.â
Jon jumped in this time. âTheyâre complicated nice things.â
âEverythingâs complicated with you two, isnât it?â Tim said.
Jon and Martin snorted with amusement in sync at that one.
âWell, youâre not wrong.â Martin replied.
âYeah, yeah.â
Jon waited for a long moment for the others to go back to their work before saying in a near-whisper, âWe could tell him, you know. Before he gets the call.â
âWhat, and have him start grieving early? Have her death get wrapped up in all the rest of this?â Martin shook his head. âThat sounds like a bad idea to me.â
âThere has to be something we can do, though. We canât just... just sit here and wait for it to happen.â
âI mean, we can, but...â Martin bit his bottom lip the way he did when he was trying to concentrate, and Jon stayed silent, not wanting to interrupt Martinâs train of thought, until Martin squeezed Jonâs hand and spoke up again. âActually, youâre right, there is something we can do.â
âA-â
Jonâs half-formed thought was interrupted by Martin shoving him over so that he could use their shared computer. Jon was pinned between Martin and the wall now, which might have been uncomfortable if it wasnât Martin there, if it wasnât his husbandâs body pressed against his, soft and warm and right. Heâd take that kind of uncomfortable any day.
Martin opened the Internet and entered a search term before looking back at Jon, who gave him a silent, tentative nod of approval.
They spent their time planning without speaking, thoughts shared with meaningful glances and with judicious use of the shared keyboard, and before long their plan was put into place.
3:37 came, and younger Martinâs phone rang, and he answered it on the second ring. Jon and Martin glanced at one another before eavesdropping on him mumbling through responses before ending the call and staring at his desk, eyes wide and unfocused.
Younger Jon was the first of the younger archival staff to approach Martin after the call ended; unsurprising, perhaps, given that those two were quickly growing almost as close as their older counterparts. (Though Jon and Martin would insist on that âalmostââ being there; there were certain connections only surviving an apocalypse together could bring about, after all.)
âWho was that on the phone?â
âThe... home. My- my momâs nursing home.â Young Martinâs hands shook along with his words, and he stopped to take a deep breath before adding, âSheâs gone.â
âIâm so sorry, Martin.â Younger Jon wrapped his arms around younger Martin in a tight bear hug.
âI mean, it was always just a matter of time... and now sheâs not, not suffering at least...â
âItâs still a loss, though.â Younger Jonâs head was sitting on younger Martinâs shoulder, muffling his voice a bit. âYou still deserve to grieve.â
â...thank you.â
Tim and Sasha exchanged a look before heading over to younger Martinâs desk and joining in the hug, wrapping their arms around younger Martin. Jon and Martin exchanged a look of their own before Tim waved them over, saying, âGet over here, itâs not a group hug without everyone joining in!â and they went along with his instructions.
âYou guys, you donât need to...â Younger Martin let his sentence trail off, and as Jon got closer, it became clear that his face was covered in tears.
âBut we want to.â Sasha said in a tone of voice that left no room for argument.
A long minute passed in silence with five pairs of arms all wrapped around Martin and each other, intermingled to the point where it was hard to tell whose limbs were whose, the silence only breached by younger Martinâs soft sniffles.
Then younger Martin looked up at Jon and Martin and said quietly, âYou two, you, you knew-â
Mercifully, that was when the deliveryman arrived in the archives, approaching the mass of hugging people with a bemused look on his face as he asked, âDelivery for one Martin Blackwood?â
Martin and younger Martin looked at one another before Jon pointed at the latter and said, âThatâd be him.â
âRight, well, here you are. Just sign here.â
The group wordlessly took a collective step back, giving younger Martin the space needed to reach out and sign the receipt, though his signature was noticeably messier than normal, his hands shaking as he held the pen.
The bouquet was every bit as magnificent as Jon had hoped it would be. It was primarily blue and white, filled with bluebells because they were always Martinâs favorite flower and carnations because they were her favorite, with a few other flowers mixed in, some for meaning and others just because they looked nice. Jon had known it would be big, by the price tag (charged to the Instituteâs credit card, thankfully) if nothing else, but it was one thing to know it and another to actually see the thing. The bouquet was comically huge, and when the deliveryman set it down before hurrying away, it took up a good half of younger Martinâs desk.
Younger Martin opened the card attached to it, a fairly generic âSorry for your lossâ card with the writing within revealing it to be from Blackwood and Sims, though he likely could have figured that much out regardless.
Then younger Martin pressed his hands against his face and made a noise that was half sob, half laugh, his body shaking with the sound that emerged.
Jon looked over at Martin and gave a slight nod of approval. Maybe the gesture wasnât perfect, but it felt right just the same.
#tma#tma au#tma fic#tma fanfic#the magnus archives#the magnus archives au#the magnus archives fic#the magnus archives fanfic#personal#my writing
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Chain of Command - Re-Review #23
âHow quickly can we stablise that bridge?â
âFaster than you can say âThunderbirds are goâ.â
âThunderbirds are go.â
âOk, maybe I was exaggerating a little.â
So... Firstly I thought you would all appreciate Scott popping up like that in your feed! Secondly though, that didnât exactly go to plan... I mean, thereâs meant to be a bridge and the bridge kinda tumbles, and with that we have our first known failed (I use that word lightly because the only thing lost was something which can be rebuilt) rescue and our episode!
âHeadâs up!â
âHeads up? Thunderbird Two, how about duck?â
âDuck!â
âThis may not be as bad as it looks.â
âReally?â
Iâll admit I was a little worried about Scott falling... and I just want to say that that was a very mean place in which to insert the opening credits!
âScott, headâs up.â
âDonât you mean duck?â
âNot this time.â
P.S. Thunderbird One has a Protocol Alpha in case of emergency? That is just so cool!
âItâs settling. All structures do.â
âOh no.â
âIt times like this Iâm glad Iâm up here.â
Yeah, Iâm with you John.
So Colonel Casey (right) has always played a big part in the Thunderbirds story (for playing a very little part in the actual series). Colonel Caseyâs only televised appearance (prior to TAG) was in the TOS episode âThe Edge of Impactâ. In this episode we are told that he knows nothing of IRâs operations. However we later learn in âThe Impostersâ that Jeremiah Tuttle (left) does know, and is even an Agent like Lady Penelope! This always struck me as odd, as in the TV series (1965), Casey is described as being one of Jeffâs best, long-term friends from when they both worked with the World Space Association. In the comics and cards that were released also in 1965, they adapted this, and implied Tim and Jeff met when they were young and then ended up re-meeting due to both working at WSA. Whichever you take as your gospel, both versions imply long term connection.
With all that in mind, and with him knowing the boys so well, it did always miff me as to why he wasnât brought in on it. It does make more sense to have her involved in TAG. In TOS we had Tim, in TAG we have... they never said, so take your pick.
And enter Janus. Now, Janus originated in Ancient Roman Religion&Myth. In many ways, heâs like Hades (Greek Myth) - a keeper of gates, except the Romanâs didnât associate him with âdeathâ as such, rather beginnings and endings or transitions. They also associated him with time (like Pluto), but in many ways he was imagined more like Mars (War). Images of him show him having two faces.
Janus was later associated with the Devil through the Witch Trials, believed to be a Witches God (but later proven as a male Priest dressed in a double faced mask). In the original saying of people being âtwo facedâ, it was to imply they were like Janus, looking backwards and forwards, thus playing the field. So whether you want to think of him like Pluto, manipulating time, or like Mars, inciting war, or like Hades, seeking death, or just the two-faced keeper of pathways - ultimately it is undeniable that Janus is manipulative.
Exactly like this man, who doesnât only manipulate the field during the episode, but is actually being manipulated himself by none other than The Hood.Talk about two faced, right?
P.S. Anyone else think these two were made to be at loggerheads with each other? I mean, look at those expressions!
âInternational Rescue has been answering to no-one for too long.â
âThatâs the way we like it.â
âFrom now on we have to get the GDF permission to deploy. Weâve been grounded!â
âScott, you havenât technically been grounded. You just have to ask Colonel Janus for permission.â
Um... Lady Penelope, in his mind, they are the same thing.
The cross-talk is still perfection on this show too.
âThat little control freak wants to get âis teeth hinto heverything.â
âParkerâs right. We canât let Janus do this to us!â
âhI wasnât talking habout the Colonel.â
But really Scottâs annoyance at being grounded! Heck, I can imagine he might have been one hell of a child to manage at times.
âIâve got this.â
âDonât forget to get permission.â
The little silence here just said it all. Alan isnât helping the situation and scott better not do it because the conversation would turn into an argument.
âIâll take care of that.â
Another good call, John.
âPermission denied? How can they do that!â
âScott, you need to turn around. We really have been grounded.â
Maybe not the best thing to have to say to Scott though...
âWill âis Majesty be joining hus, MâLady?â
Parker carrying Sherbet on his arm and under that umbrella was priceless! i love how the dog got the umbrella and not Lady Penelope!
âSoon to be the worldâs tallest city.â
âOr the wordâs shortest.â
âCall the Principalâs office and secure us a hall pass.â
âWay ahead of you.â
âThis time we wonât take no for an answer.â
âAnd the answer is no.â
And the answer is actually: Thunderbirds Are Go.
Look at the family all together and bad-ass. Thatâs the brotherâs we know right there. And I love how many of these moments this episode gave us. It was like a power house of Tracy family moments as well as well-written action and thought-through deceit.
âAll agreed?â
âAgreed.â
Really, when they want to, these boys find it incredibly easy to agree and not bicker .I know I said it before in âSkyhookâ, but I really do admire how they managed to write that quality so believably. In a family of that size youâre bound to have your fair share of disagreements - and through those, their agreements are perfectly valid and believable.
âGuys, this isnât the time.â
âJohnâs right. We still have no word from Brains if itâs effective.â
âSorry Scott, I really need to work on my phrasing. What I meant to say is... you have a situation.â
Maybe they should all work on their phrasing after this episode?
âStall him while I track down Lady P. Maybe her connections will help.â
âIf she doesnât torpedo us for rocking the exact boat she told us not to.â
Iâm calling that Gordon so got the blame (especially from Parker) for this one.
I love how many failed attempts this GDF team ends up with. Did they really think it would be that easy to break into a Thunderbird? Biggest mistake ever. Or maybe the biggest mistake ever was lying (oh, sorry, not knowing the truth to tell) to Parker.
âIt was sabotage. Not our Equipment.â
âI knew it!â
Yeah, okay, give Alan a prize. He did call it ten episodes that you could find a picture of The Hood in the dictionary under the word sabotage.
Excuse me everyone whilst I get in contact with Oxford Dictionary and ask them to the the hundredth - and whatever number weâre on - reprint.
Together again! Thatâs twice in one episode - seriously, how lucky are we! But seriously I do love these moments because they are definitely how the boys live when there isnât IR work to be done and serves to remind us of their humanity.
#Thunderbirds are go#Chain of Command#Darkestwolfx#Re-Review series#Scott tracy#john tracy#virgil tracy#gordon tracy#alan tracy#international rescue#grounded#failed rescue#colonel casey#colonel janus#seriously they didn't realise the name of the devil#Parker#Lady Penelope#attempting to steal the thunderbirds#The hood
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Pet Insurance
To be honest, I'm not totally convinced with this whole 'Pet Insurance' thing.
It certainly exists, and it's becoming increasingly common, but it's not exactly a good product and it's getting harder to recommend to my pet owning clients, as well as a general pain in the patootie to get money of sometimes. I have to say, I'm becoming increasingly disappointed and disillusioned with it.
I got curious the other day and looked up what it would cost me to get Accident & Illness cover for Trash Bag. No preventative care (it's cheap enough for me anyway as I can do a lot myself), just for sicknesses and illnesses. He's a 2yo neutered male, indoor only cat. He's a really low risk cat, and that's a quote without pouring through his medical history or pre-existing conditions. Even though any issues he'd had before taking out insurance would have been automatically excluded.
And it's still about $600 for the year, with only reimbursing 75% of the bills back, with no excess. What that means in real terms is that I'd have to have a $1200 vet bill in order for me to break even with pet insurance.
That would be plausible, with the median sort of 'expensive' vet bill for a stay at a 24 hour clinic or major surgery being around $3k, but the odds of that actually happening for me are extremely unlikely at his age.
Now, it might be a good deal, if I could expect to have that rate for his entire life. But that isn't going to happen.
Pet Insurance in Australia will guarantee 'lifetime cover' but what that means is not that you're paying this rate for the animal's entire life, but that they will give you a new offer of cover every year and it's up to you to accept it. They can't stop covering my cat, but they can make it more expensive every year so maybe I'll stop covering my cat. If they don't want to cover me, they will make me an offer they hope I will refuse.
Let's say I have a lot of small claims. The insurer might amend their letter of offer to include a $100 excess. That means I have to pay the first $100 of any vet bill on my own, and now they reimburse me 75% of the rest. So for a $100 vet bill, I can't claim anything. For a $200 vet bill, I get $75 back, and I'm still paying at least $600 a year at this point. Now I need a $1500 vet bill to break even.
They may also limit the amount payable for certain types of things. For example, a lot of the Australian policies have a $300 annual limit on consultation fees. In practice that translates to about 5 consults with a general practice vet, or two with a specialist. That's not a whole lot if you've got a pet with something chronic.
Tick paralysis and cruciate ligament injury have annual limits to their payouts too, and they're not quite what these things would really cost to treat.
And to add to the deception, some insurers will exclude bilateral conditions. If your pet had a sore eye one year, they may exclude all eye conditions going forward, even if they're not related, and even for the unaffected eye. Sometimes they will exclude unrelated conditions for the same organ system. Demodex as a puppy? Wont cover skin allergies now.
Pet insurance works like a bet. You're betting that your pet will get sick, and the insurer is betting that it wont. If you win, you get paid out.
But if the insurer doesn't like those odds, they change them, or they change the rules for the payout. They're not going to lose, they're going to change the rules to make sure of it, and you either agree to their terms or you stop playing.
So how do they make you stop playing?
The insurer is entitled to increase the cost of the pet insurance policy each year, based on the age of the pet and previous claims. Or they can increase the excess you pay for each claim. Or they can exclude covering conditions that you've claimed for in the past.
Progressively, it gets more and more expensive to cover your pet for less and less, and this is something veterinarians are progressively less happy about.
Now, if we were talking about a car and not a cat, you could take your quote and shop around for a better deal. But the catch with pet insurance is that if you switch providers, then suddenly everything you've ever claimed for, or that appeared in the medical history, now counts as a pre-existing condition and wont be covered. You lose coverage by switching providers, and probably don't save all that much.
Oh, there is, to my current knowledge, only two insurance underwriters for pet insurance in Australia right now. So of the 200 or so brands out there, 199 are actually all written by the same mob. Because that's not ripe for corruption at all...
Every 12 months, the insurer can review and change your premiums, excess, excluded conditions and rebate rate.
And unlike human health insurance where you scan a card, the total comes off your bill, and you pay the rest, with pet insurance you're still paying the vet clinic everything up front, and then get money back after your claim is processed, which may be a few months.
Pet insurance companies are really trying not to pay out, they want to make money, not give it away.
This makes writing medical histories a little bit tricky, because it's not vets reviewing the history to decide what they will and wont pay out on. If the insurance employee doesn't know what pemphigus folleaceous is, they might decide not to pay out. Then I have to call them up, request a review, talk it through, or send more documentation to explain what's going on.
Pet Insurance requests, demands, access to the pet's medical history. It's not like human insurance where they just see an itemized invoice. And this makes vets not entirely happy about handing over medical histories all the time when client's money is at stake. Especially when any potential mention of a vaccine preventable illness gets the whole claim thrown out, even if it's in the differentials list and not the final diagnosis.
So pet insurance is nice to have if you end up with a single, large vet bill, but it's not so helpful for chronic conditions, and you still need access to that cash BEFORE you get any back.
So, honestly, it just wouldn't work for me, and I'm a vet.
The point I would like to get to, other than Pet Insurance in general needing to be better regulated and honestly a bit of a gamble, is that is can't be used as a solution to everyone's problem, especially after a pet is already sick. You still need cash to pay the bills up front, even with pet insurance.
There are other options besides pet insurance. I can never recommend against it, but I do recommend people understand what they're signing up for, and as long as they've got some sort of plan in place for paying vet bills that's okay.
Popular in my area is just using a mortgage redraw facility. With these home loans you can pay extra into your mortgage each week/fortnight/month and it counts against the interest you pay, as a method to pay it down early. But because it's being paid 'early' you can withdraw the extra funds again if you need them, such as for a vet bill. It functions like a savings account, but you're paying down a debt you already have instead of accruing interest.
An emergency credit card is another option, one you just keep paid off unless you genuinely need it.
And 3rd party payment plans exist. Most vet clinics will not do their own payment plans, or will not admit to ever offering them, because we simply don't want people to rely on the vet clinic, a small business, taking on the financial risk on behalf of the owners because, frankly, most people never pay. This is especially true if the pet dies. A clinic might offer them for immediate life saving treatment if they know the client well, but the emergency last resort should never be anybody's number one plan. That's not fair.
Wonka also does not have pet insurance. I asked a couple of insurers at an industry exhibit once whether, because he has a neurological condition, whether he'd be covered for a broken leg if he fell off the couch. And none of them could assure me they would, in case in fell off because of the neurological condition. And that was not reassuring.
So when do I recommend pet insurance? Well I kind of donât, specifically. I advise which companies other clients have been happy with, and what sort of things a pet owner needs to look for in terms of exclusions, limits, and fine print.
There are always some breeds I do recommend it for, because they are disasters waiting to happen, and for many young animals when the insurance is still cheap, nothing is pre-existing and we donât yet know if they have a congenital condition, at least for that first 12-18 months of life. There are some you can look at as puppies and be highly suspicious this animal is going to be a money sink.
I see a lot of internet comments saying âshould have had pet insurance!â or âgo get pet insurance!â on various posts about affording pets or vet bills or emergencies, but pet insurance doesnât help at all in these scenarios. Pet insurance gives you money back, you had to already have had money in the first place to take advantage of it. Pet insurance is no panacea or cure-all.
I just have a savings account. Putting aside what you would have paid in pet insurance anyway is a decent estimate for how much youâd need to save for a normal pet.
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Chapter 5 - Up the Ante
Catch Perfect by George deValier
CHAPTER FIVE
UP THE ANTE: To increase the stakes in a game.
"You're what?"
Denmark stared at Berwald incredulously, his brow furrowed in outrage, his hands on his hips, attempting to stand imposingly over him. Berwald just stared back evenly, his impassive expression the result of years of poker table training. "Movin' rooms," he said calmly. If he was staying in this house, he could not stay in the same room as Tino. It was far too distracting. "There's one empty upstairs. I'm takin' it."
Denmark took a step closer until his face was mere inches from Berwald's. "No, you're not."
"Yes. I am."
The room thrummed with the tension of those watching. Greenland reached for a handful of Faeroe's popcorn. Tino stood watching in the kitchen doorway; Iceland leant on the wall next to him, filing his nails. Even Norway, sitting at the front table, looked up occasionally from his Dostoevsky novel. No one said a word.
"That room is not empty," said Denmark coolly. "It is the twister room." Berwald had to give him credit. Most men had trouble meeting his eyes this close, but Denmark did not flinch.
"Ye haven't used it since I moved in. Have ye?"
"No, but that's not the point. The point is..." Denmark paused. His eyes flashed as he seemed to search for a point. "The point is, you can't have it."
Berwald smiled ever so slightly, and slowly held up his trump card. A printed copy of Denmark's rules. Denmark gasped when he noticed what it was.
"Where did you get that?"
Berwald gave an almost imperceptible shrug. "Study."
Denmark blinked his shock away. "Well it doesn't matter anyway because there is nothing in there about..."
Berwald easily caught his bluff. "Rule number th'rty-two." He had been quite surprised by the actual length and detail of Denmark's list of rules. He was not sure what the insane Dane was studying at university, but he now had the slightly disturbing feeling it might be law.
Denmark snatched the list from him, perused it, and began reading aloud. "Rule thirty-two. If a bedroom is vacant for any period of time exceeding one week, any member of the household may lay claim to it if..." His words slowed as he reached the end of the sentence.
"If no one objects," Berwald finished. Denmark stared at the paper, opened and closed his mouth a few times, then looked up furiously. Berwald's expression remained unchanged as he asked, "Well... any objections?"
"No," said Greenland quickly, followed by Faeroe saying "None here," through a mouthful of popcorn.
"No," said Tino. "I mean, if this is what you want, Berwald."
"No," said Iceland. "Keep going, though, this is really hot."
Denmark turned to Norway pleadingly. "Norge!"
"Oh Denmark, honestly," snapped Norway. "The only time you use that twister mat is when you are completely trashed and want an excuse to touch someone up."
"Like that time you groped Fin's ass and Norway wouldn't speak to you for a week," said Iceland.
Denmark, Norway and Tino replied at once. "That never happened."
"Yeah, but it totally did, and Norge got so jealous..."
"Denmark," barked Norway loudly. "Let Sweden have the blasted Twister room."
Denmark took a deep, shaking breath, clutching his chest as though wounded. "I can not believe you would all betray me like this. Not that it matters in the end. You will note, Sweden, that rule thirty-two quite clearly states, 'If no one objects.'" Denmark raised his chin, smiling grimly. "I'm sorry Sweden, but I object to the terms of the agreement."
Berwald had expected that. He allowed himself to smirk as he played his last card. "Rule f'rty-three."
Denmark quickly looked down at the list. "Rule forty-three. In all decisions, disregarding those expressly and explicitly stating otherwise, the majority choice rules." Denmark's smile fell, his fists clenched, and he nodded bitterly. "Well played, Sweden, well played." He crumpled the paper in his hand. "Goddamned Scandinavian democracy. I knew I should have made this a dictatorship."
.
Berwald was still not sure what to make of this street. He had encountered most of its student population the other day at that ridiculous car dragging race, which apparently was not such an odd occurrence here after all. The inhabitants of this street would turn out in droves for any reason at all. The place was like a twenty-four hour street carnival.
Denmark divided the students into groups based on their nationalities and the houses they lived in. He had taken the time to explain it to Berwald one evening, accosting him into taking a seat at the dining room table and standing over him as though delivering a lecture, all while Tino mouthed apologies and the others looked on indifferently. According to Denmark their immediate neighbours consisted of The USSR, the Italo-German Alliance of Across-The-Street, and Those Guys Next Door.
The 'Russians', Berwald had decided, weren't really all that bad. Tino was friends with most of them, and Berwald could not figure out what they were doing living with Ivan.
Those Guys Next Door were worse. Berwald had nearly been assaulted three times by the French guy simply walking to the mailbox. The British guy got incredibly drunk every second night and either ended up bashing on their windows asking if they had any booze or passing out on someone's front lawn until the American rescued him. At least he wasn't usually naked, though, unlike both Feliciano from across the road and the crazy French guy.
Berwald spent the majority of his free time working on the garden. It was the one thing he could control in the insane erratic existence of this house, where day after day things seemed to stay the same and yet be completely unpredictable at the same time. Berwald had yet to see the guys on the couch actually move from it. He had answered the phone three times only to be asked breathily what he was 'into'. He'd had to climb onto the roof one afternoon, in front of a crowd of cheering onlookers, in a bold rescue attempt after Denmark consumed a bottle of tequila mixed with Tabasco sauce and came to the very firm conviction that he was a Mexican gargoyle. And he was still awoken every night by Denmark and Norway's deafening nocturnal activities, even though the next day Norway would swear up, down and sideways that he wouldn't touch the Dane with a sterilised bargepole.
But every morning when Berwald walked into the kitchen, Tino would be waiting, a cup of coffee already made. Every day when he came home Tino would be either sitting at the table in the living room, or at the kitchen bench, or would bump into him in the hallway, every day with those wide, violet eyes and that way he bit his lip and that small, perfect smile. Berwald was convinced he could put up with anything - with Denmark's insanity and Iceland's phone calls and Norway's nightly screaming fits - with absolutely anything, if he could just see that smile every day.
True, Tino was not immune from the insanity of the place. He was, in fact, rather strange, which really only made him more endearing. It was not uncommon to find him staring blankly out the window lost in thought, searching for his sunglasses when they were on his head, or attempting to make any number of strange dessert concoctions containing coffee, rhubarbs, salmiakki, or on one disastrous occasion all three ingredients at once. Berwald had already had to point out twice that Tino was leaving the house with two different shoes on.
But more than anything, Berwald loved early mornings. The household was asleep, the street was quiet for a change, and he could work peacefully in the garden without distractions like that French guy peeking over the fence or random empty cans flying into the yard or that really weird time Denmark had watched from the window all afternoon giving running commentary like he was a presenter on ESPN. Berwald was in the middle of planting a row of Lily of the Valley â the national flower of Finland â when he heard the phone ring. He ignored it - it was probably for Iceland. After the fourteenth ring, he realised no one was going to answer. He tore off his gloves, stomped through the back door, and picked up the kitchen phone. "H'llo?"
"Oh, hi," said a pleasant sounding male voice. "Could I speak to Ice, please?"
"He's not here."
"I'm sorry?"
Berwald sighed. "Not here," he repeated loudly.
"Oh, okay. Look, maybe you can help me out. Ice usually does it but I'm sure you can do it just as well."
Berwald's eyes widened and he nearly dropped the phone. "Um⊠no⊠can't help with that sort'f thing," he said, alarmed.
"It won't take long, I'm happy to wait while you get sorted, and of course I'll pay for your time."
Berwald started to panic. "Look, I'm sorry, you've got th'wrongâŠ"
The voice sighed. "Come on buddy, it'll take you like two minutes to fire up the laptop or grab the paper at least - Ice gets it delivered every morning. I just need to know the baseball results."
Berwald's thoughts clicked into place. "OhhâŠ"
He grabbed that days paper from the bench, read the guy his baseball scores five times until he understood, then finally hung up the phone exhausted. He turned around to find Tino standing in the doorway. Berwald pointed awkwardly at the phone. "He, uh... wanted th'baseball scores."
"There's a guy who calls every day at 6 a.m. for the daily horoscope. Ice just makes it up."
Now Berwald was really confused. "What sort'f phone service does he run?"
"That's kind of hard to say. People call him for anything from sports scores and horoscopes to hacking information to..." Tino blushed and coughed. "Well, um, you know. As long as they deposit the money into his PayPal account, Ice will talk about anything. Which is kind of ironic really because normally he hardly talks at all."
"Thought he was... Ye know. A pr'stit'te." Berwald mumbled.
Tino was usually better than most at understanding Berwald, but this time he looked confused. "I'm sorry?"
"Prostit'te," Berwald repeated, his face burning.
Tino's eyes widened in understanding. "Oh, God, no! I mean, he's pretty good at getting stuff out of guys and he'll say some⊠uh⊠risqué sort of stuff on certain phone calls. But he's pretty much all talk. Literally." Tino slowly walked forward, spreading his hands thoughtfully on the counter. "It's funny. On the phone, Ice will talk to anyone about anything. He can be someone completely different, and he can also be totally himself. But in reality⊠he maintains this façade, you know? He doesn't let anyone in. Well, expect for one guy, but we all know how that ended and oh wow, it's really none of my business to be talking about that, did you want a coffee?"
"Thanks," said Berwald as Tino went to turn on the jug. "I guess I just⊠assumed. Sorry."
"Well, we all make that mistake sometimes, don't we?" Tino smiled kindly. "And I understand that you'd be a bit confused."
"It just seems a bit, er⊠really odd, though."
Tino laughed softly. "In case you haven't figured it out yet, everyone here is a little odd. But that's because everyone kind of has to be, you know? It's easier to be odd or crazy or insane than to hurt all the time."
That was something Berwald was quickly learning about Tino. He could be talking about something completely random and nonsensical one moment, then say something the next that made perfect sense.
"Did yer parents really kick y'out 'cause ye kissed yer best friend?" Berwald wasn't sure where that question came from. He just knew that he really needed to know.
Tino stared at the coffee mugs as he placed them on the bench. "I⊠wanted to see what they would do. I guess I wanted to know straight up how they would react. They kicked me out, and I got my answer."
Berwald nodded. "That makes more sense."
His face flushed, Tino focused on preparing the coffee. "I told you we were all a little odd."
Berwald could not imagine Tino without all the weird, wonderful, charming things that made him a 'little odd.' "That's not a bad thing."
Tino blushed deeper. "So, uh, what will you be doing today?" he asked quickly.
"Workin' in th'garden."
"You don't have to worry about escaping Denmark. On Sundays he doesn't get up until evening."
Berwald shrugged. "I like bein' in th'garden."
Tino paused, spoon hovering over the coffee jar. Then he looked up slowly, eyes bright and a tiny, warm smile on his lips. "You're sort of sweet, really, aren't you?"
Berwald's body flooded with warmth. Tino, however, dropped the spoon and took a step backwards, expression turning quickly dismayed.
"Um, I mean, oh gosh, I really didn't⊠I'm sorry."
"Why?" asked Berwald. That just made Tino more flustered.
"I have toâŠ" Tino paused. Berwald waited. "⊠go." Then he rushed from the room.
Berwald's heart sunk as he watched him go. Just when he thought Tino was getting used to him. He sighed to himself and finished making the coffee. Tino would probably never get used to him â no one ever did.
.
The next afternoon things came to a crisis. As Berwald went to place his money in the rent jar, the same as he had done last Monday in accordance with House Rule Number One, he found that the jar was nowhere to be seen. Just as he was checking in the cupboards to see if someone had put it away somewhere, a knock came at the door. Berwald went and answered it warily.
"Good afternoon!" The man at the door stood at an equal height to Berwald and had a fake smile plastered on his broad face. His huge arms bulged against the fabric of a cheap black suit and his stare was an obvious attempt at intimidation. Berwald recognised the threatening stance: a debt collector. "Is there a Mr KĂžhler I can speak to?"
"A Mr⊠oh." Berwald remembered the name as the one shouted in the cafeteria the other day. He stared back evenly and invoked rule number fourteen. "He's out'f th'country."
"I see." The collector's smile dropped and he flexed his biceps. Berwald tried not to roll his eyes. "Perhaps, then, you could give this to him when he returns?" The man held out an envelope and Berwald took it. "Final notice. I hope I will not have to visit again. Next time, things shall not go quite soâŠ" He paused in what he probably thought was a dramatic manner. "âŠpleasantly."
"Sure, yeah." Berwald slammed the door before the man turned away. The collector had chosen the wrong guy if he was looking for someone to intimidate. Berwald tore open the letter, read it quickly, and clenched his hand into a fist.
"Problem?" asked Greenland from behind him.
"Where is Denmark?" Berwald asked the question quietly, trying not to let a hot wave of rage overwhelm him.
"Bedroom," replied Greenland quickly. "Get the popcorn, Faeroe, this oughta be good."
"It was only a matter of time," said Faeroe. "'Three things cannot be long hidden: the sun, the moon, and the truth.'"
Berwald stormed up the stairs, slammed open Denmark's bedroom door, and turned on the light. Denmark squeaked and fell off the bed; Norway immediately disappeared under the covers. Berwald held up the crumpled letter. "Someone care t'explain this t'me?"
"Who? Huh? How⊠What's going on? Are we under attack?"
"What's goin' on is I've just received an eviction notice from a debt collector."
"What?"
"I paid ye three weeks in advance!" Berwald couldn't keep his voice down now. "That was th'only money I had! What th'hell did ye do with it?"
Denmark pulled himself to his feet, brushed himself down, and turned to face Berwald with an attempt at looking dignified. With his Danish flag boxers, flattened hair, and sheet around his ankles, he did not manage to pull it off. "Sweden. You sound as though you have some concerns. Would you like to schedule a house meeting?"
"Yes," Berwald growled. "Now."
.
Denmark sat at the head of the table, the eviction notice in front of him, looking for all the world like a supreme court judge who had been called in to a crucial case after an all night bender. He even had a gavel, which he was currently utilising to its full potential. "House meeting!" he shouted. "Come to order! HouseâŠ"
"Yes, Denmark, for fuck's sake, you've shouted that six times already," growled Norway, leaning on the table with a copy of Kafka's 'The Trial' in his hand. "We're all here. Get on with it."
Berwald, Tino and Iceland all sat around the table, varying degrees of apprehension on their faces. Even Greenland and Faeroe's couch had been turned to face the table, though Berwald had the feeling they would not be contributing much to the conversation.
"So," began Denmark gravely. "We are all quite aware of the problem with the rent."
Berwald was not aware. "Problem?"
"I can't understand you, Sweden. That's why we roped someone in to try and help us get our costs back up."
"Roped? Costs? What are ye talkin' about?"
"Seriously, Sweden, speak up, I can't understand a word you're saying. Now we all know everything has been going well, we've been paying back our debt slowly..."
"Your debt," said Iceland.
Denmark waved a hand. "Let's not quibble about the particulars. Now, due to unseen circumstances, we lost our last weeks rent. Three weeks. Well, you know, about a months worth."
"And by unforeseen circumstances he means he bet it all on a German tied to a car," said Norway.
"We've what? Can someone 'xplain?"
"Sweden, I swear, you really need to see someone about this speech impediment of yours. Now the big problem here being, of course, that we already owe about three months on top of that. You know, from the last time we lost it."
"You lost it," Iceland interrupted.
"LAST time?" Berwald was baffled.
"Look, things happen, wheels set in motion, you know how these things go, and apparently we had a visit this afternoon from our friendly neighbourhood debt collector to inform us that we now have to pay our de..."
"Your de..."
"DEBT, Iceland, in one transaction. Soon. Immediately. Well, in a week. Or we'll be, you know. Evicted."
A resounding silence fell. No one responded. Eventually Norway stood, walked over to Denmark, and slapped him over the back of the head.
Tino put his head in his hands. "Den. How much do we owe?"
"Well," said Denmark, rubbing his head, "Erm, by now it would be... ten grand."
Tino gasped. "Ten grand? Ten thousand dollars? How is that even possible?"
"Ye couldn't've told us 'bout this before?" Berwald was beyond angry. This was beyond a joke. If it were not for Tino he would be desperate to move out; but now the thought of being evicted almost terrified him. He did not know where Tino might end up moving to, but the thought he might go somewhere Berwald would not see him every day was like a punch in the gut.
"Look, I've got us out of trouble like this before, I can do it again," said Denmark.
Norway scoffed loudly. "You're joking, right?"
"Shush. Now first things first." Denmark steepled his hands, looked up thoughtfully, and leant forward. "Does anybody have any money?"
Norway glared. "Well I have twelve dollars fifty in my bank account, how about the rest of you?"
"I don't have much," said Tino quietly. "I should probably get a part time job. Or I could maybe try to explain to my parents that I need more money for school. I mean, they don't pay me all that much." When Berwald looked at him quizzically, Tino explained, "They give me a weekly allowance, as long as I never attempt to contact them. Which probably means I can't ask for more money after allâŠ"
Denmark slammed a hand on the table. "Parents are bullshit," he spat vehemently. The violence of his tone almost startled Berwald. "Don't you dare ask those assholes for a single thing, Tino."
"He shouldn't have to. Ye lost the money. Ye should get it back." Berwald didn't want to make a scene, but Denmark was really starting to piss him off. It was getting to a point where he was simply not going to take it anymore. Denmark turned to him furiously, but Iceland quickly interjected.
"Well, to be fair..." Iceland trailed off.
"T'be fair?" Berwald prompted.
"To be fair," continued Tino, "We kind of all had something to do with losing the first lot of money. Not yours of course," he added quickly. "That was all Denmark."
"Huh? What d'ye do? How d'ye lose it?"
A long silence, before Tino finally whispered a single word. "Poker."
Berwald felt like the room had turned upside down. They could not be serious. Must it always comeback to this? "Poker?"
"Russia has a poker game every month," explained Denmark. "No big deal."
"No big deal?!" Now Berwald was astounded. "You played 'gainst Ivan? Are ye completely stupid?!"
Another very long silence before Norway spoke. "Sweden, this is Denmark. Have you met?"
"I was due for a win!" moaned Denmark.
Berwald had to stop to think. This was so much more than he expected, and frankly, it was a little terrifying. "No one wins 'gainst Ivan." Especially not an amateur like you, he added silently.
"And how, exactly, do you know this?" Norway's face was as blank as ever, but his tone was uncannily perceptive.
Berwald tried to answer carefully. Denmark might be an idiot, but Norway certainly wasn't. "I've played 'gainst him, too. I lost. He's th'best on th'circuit. He plays against players far more... experienced than you. And he always wins."
Norway leant forward and fixed Berwald with a piercing, suspicious stare. "You almost punched him the other day."
"It's nothin'." Berwald spoke firmly. "Like I said, I play poker. So does he. I'm good. He's better. That's it."
Norway's eyes narrowed. "These poker games. They are more than just... games, aren't they? I mean, they are more than the pathetic little diversions Denmark involves himself with."
Berwald did not know how to answer that. "Well..."
"Ivan called you a criminal the other day. What did he mean by that, Berwald?" Norway had heard that? What the hell else had he heard? Berwald shifted uncomfortably as every set of eyes in the room stared at him.
"t'was nothin'. He just wants t'make trouble."
"He's playing with you." Iceland's voice was both bitter and surprisingly understanding. "I don't know what the deal is with you and Ivan, Sweden. But as far as I'm concerned any enemy of Ivan is a friend of ours."
There was a thoughtful silence before Denmark spoke. "Yes, Russia's a bastard, I think we're all aware of that by now. Unless anyone has extortion plans, which by the way I would totally be in favour of, I hardly think he is relevant to this conversation."
For possibly the first time Berwald found himself in agreement with Denmark. "'kay. Let me get this straight. Ye lost three months rent playin' poker."
Denmark nodded. "Yes."
"Now ye've lost another months rent on some stupid car pullin' contest."
"How the hell did that kraut lose?" moaned Denmark.
"And now we've got a week to pay ten grand."
"Sweden, your powers of observation are outstanding," said Norway flatly.
"Don't be such a bitch, Norway," said Tino.
Berwald was rather impressed. "Seems to me," he said finally, "We need t'find a way t'make ten grand."
"Norway could strip," suggested Denmark. Norway flipped him off. "Hey, baby, it was a compliment, I'd pay to see thatâŠ"
"You couldn't afford that," Norway shot back.
"Denmark could rob a bank," offered Iceland.
"No one's asking you Icelander, we all know how good your kind is with financial problems."
"Fuck you, Denmark!"
"We could kill the landlord." Everyone stared at Norway.
Denmark nodded, raising a hand thoughtfully. "So far that's actually the best idea."
"We don't even know who the landlord is," said Tino, frustrated.
"There's always prostitution."
"No one's gonna pay for you, Denmark," said Iceland.
"It's only a few more steps from what you're doing, Ice. We could kick Sweden out of the twister room and set up some sort of pay by the hour boudoirâŠ"
"I hate you so much sometimes."
"But only sometimes, right?"
"Just stop it!" cried Tino. "Don't you understand? If we lose this place, I have nowhere to go. You have nowhere to go. We need to be serious and figure out what we are going to do!"
"Weeell," said Denmark slowly. "At a time like this, there's really only one thing you can do." Berwald braced himself for whatever Denmark would come out with now. Denmark surveyed the table with a dangerous glint in his eyes. "Party?"
Norway tapped his chin thoughtfully then slightly inclined his head. "Party."
Iceland closed his eyes and threw up a hand. "Party!"
Berwald knitted his brows in confusion, Tino put his head in his hands, and Denmark stood, stretched, and grinned manically. "Doll yourselves up, boys, and bust out the fake IDs. We're hitting the town, and we are hitting it hard."
.
Next Chapter
Disclaimer: This story belongs to George deValier. Hetalia belongs to Hidekaz Himaruya. I own nothing.
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Part II
Deposition, take two.
Harvey and Mike run into each other on their way into the conference room and Harvey informs Mike that this case is never going to make it in front of a jury, thanks to their decision to waive a jury trial. Mike is aghast but refuses Harveyâs suggestion to terminate the deposition, because âwhile a jury might never hear it, [heâs] gonna make that motherfucker answer for what heâs doing.â
Hereâs the thing about that: As long as he does it in a timely fashion, the plaintiff has the right to demand a jury trial. So Mike can goad Haskins (the CEO of Brick Street Athletics, I guess) into saying whatever he wants in the deposition, but none of this finitely precludes the case from appearing before a jury.
During questioning, Mike lays out the working conditions at the factoryâ2000 people working âtwice what theyâre supposed toâ (however this is supposed to be quantified), employee salaries of less than twenty cents per hour compared to Haskinsâ salary of $20,000,000 per year, âbuilding an empire on the backs of women and childrenâ (Haskins denies that they employ children and Mike challenges that âitâs just women, thenâ)âand Haskins repeats the defense that theyâre not breaking any local or international laws. Mike argues that conditions are so bad that two people have killed themselves in as many years, and Haskins bursts out with the key phrase: âGod dammit, I donât care how many people have killed themselves! This has nothing to do with my company!â
Real friendly. Appearing quite weary of this whole charade, Harvey asks if Mike is done, âBecause [Mike] can get emotional, and [Haskins] can get emotional, but [Mike] still [has] no jury, and no case.â Not to mention âthis testimony isnât to be revealed outside this room.â
Actually I can think of at least one instance in which the deposition testimony would be admissible at trial, or in front of a judge: If Haskins testifies to anything contrary to what he said in deposition, Mike could introduce it to contradict or impeach the testimony given by the deponent as a witness, i.e., prove he lied.
But who cares about the law, this is Suits.
Louis and Sheila go to Lipschitz for therapy, and itâs nice that theyâre trying to work out their problems, and the dialogue feels honest, and Sheila never wanted kids but now that sheâs pregnant sheâs embracing the idea of becoming a mother, and Louis supports her 1000%, and she loves him, and itâs no wonder Lipschitz is always so busy if this is how quickly heâs able to fix his clientsâ problems.
Alex fills Katrina in on Fayeâs request that he oversee Mike and Harvey, and Katrina tells him not to tell them about it because âHave you ever seen either one of them react well to an authority figure telling them not to do something?â Itâs a pretty inconsequential scene, but I like the reminder that Mike and Harvey used to be, like. Marvey.
Harvey swings by Mikeâs place to make sure theyâre still on good terms after Mike got his ass kicked at the deposition, but Mike drops the bomb that Jeremy had a televised interview that day and wore a t-shirt to said interview printed with the quote: âI donât care how many people kill themselves, we abide by the law,â attributed to Haskins. Harvey angrily charges that âDammit, Mike, that deposition was under seal,â and Mike retorts, âSo sue me.â
Excuse me, gentlemen, I just want to point something out here:
âAnything that could get us disbarred or put in prison is off limits.â
You know what two of the several qualifiers for disbarment are in New York State? Crimes and misdemeanors featuring interference with the administration of justice, and misappropriation.
Mike, that was your fucking ground rule.
Mike then argues that if Harvey does sue him, âit wonât be a countersuit anymoreâ (itâs not a countersuit now), âwhich means there will be a juryâ (he can still demand a jury trial). Harvey threatens to have him sanctioned, and Mike says thatâs fine since the video is already going viral; Brick Streetâs best option is to give in to Jeremyâs demands and let him out of his contract with full pay so, wait for it, he can start his own competing and much more ethical apparel company, using the contract salary as seed money and the suit as free publicity.
This is bullshit. This is total bullshit.
Forget the part where itâs legal nonsense, letâs just focus on what an underhanded move this was for Mike. Harvey, for some ungodly reason, seems proud of him for pulling this off, guessing that Mike âhelped [Jeremy] plan this thing from the beginningâ; Mike says it was easy to pull off, since he knew Harvey would try to play the man, âbut the thing is, the version of [Mike who Harvey] thought [he] was playing, he doesnât exist anymore. The new Mike cares more about results than he does about playing the violin.â
Great. Thatâs great. But what the fuck does Korsh think heâs doing? Why send Mike off to Seattle to take on class action suits against Fortune 500s, why highly publicize Mikeâs return, why bring him back at all to turn him into some unrecognizable version of himself whoâs not even doing the work he supposedly left New York, the firm, and Harvey to follow his heart for in the first place? If anything, this episode is a tragedy, a stab directly into Harveyâs already fragile heart; Mike, his protĂ©gĂ©, his best friend, his comrade in arms, abandoned him to fight for the greater good and has made a triumphant return to once again do battle, to show how much heâs learned from Harvey, how much heâs grown since they parted ways, but instead of playing on an even field, or joining forces to accomplish something actually meaningful, Mike uses the fact that Harveyâs usual tactics of skirting the law are hampered by Fayeâs oversight in order to give himself a huge (and illegal) advantage which he started this case by promising not to use.
So I guess that when it comes right down to it, all Mike has really learned by setting out on his own is how to walk past the bodies he piles up in his wake. The ends justify the means, and thatâs all there is to that.
God dammit.
Oh, but weâre not even out of the woods yet, because after some cute but logically unsound banter (âAre you actually taking credit for my win when you lost? Letâs be very clear about something here, Harvey, right now you are the governor of Loserville, and I am the mayor of Winnertown.â âYou know mayorâs below governor, right?â âNot in Winnertown, he isnât.â) Harvey invites Mike for drinks, which after this catastrophe of an episode wouldâve been a nice Moment for the two of them, except that he goes on to invite Donna along for absolutely no reason whatsoever except to keep repainting every hint of Marvey that this show has ever had with a big old brush of Darvey.
Before drinks happen, though, Katrina stops by to inform Donna that sheâs taken her advice to focus more on herself, signing up for a ballet class to follow up on an interest she had when she was younger and piggybacking on Alexâs interest in tap by showcasing Amanda Schullâs history as a professional ballet dancer. And one more thing: Brian called her back and left a message, but she âdeleted it without even listening,â which Donna cites as âamazing,â forâŠsome reason. Seems kind of rude to me, but alright, sure, whatever. Donna then invites her over for drinks with Mike and Harvey (not that this was supposed to be an intimate personal affair or anything), which she refuses because âTonightâs the first night of class,â so, good for her.
Samantha, unsurprisingly, has become aware of Mikeâs little stunt with Jeremyâs interview attire and declares to Harvey that sheâs not going to let him get away with it. Harvey bleakly submits that âhe beat us fair and squareâ (no, he didnât) but Samantha says thatâs bullshit, that he planned this in advance and itâs a clear violation of Jeremyâs contract. (Is it? I wouldnât know, the specific contract details have been kept very under-the-table. Plausible deniability, I suppose.) Harvey doesnât want to fight this because âknowing Mike, [theyâll] never prove itâ; Samantha accuses him of being proud of Mike (why), and Harvey asks so what if he is (why), and Samantha says that if they canât find proof, sheâll make it. Shockingly, Harvey orders her not to do that (what, because itâs illegal? Or because it reminds him too much of Cameron Dennis?), and she storms out.
Remember when Louis asked Benjamin for help with the whole donation thing? Benjaminâs finally getting his just reward for all the shit he pulls for these people as Louis promotes him to Vice President (the benefits of such a thing being utterly unclear, but I suppose itâs the thought that counts) and gives him a thirty percent raise. So, uh. Thatâs nice.
Now about those drinks. At Harveyâs place, Donna prepares a cheese plate, and Harvey tries to greet Mike with a somewhat excessively enthusiastic âHey! You want some cheese?â Mike, however, is not interested in any cheese, because it seems Samantha went ahead and fabricated that evidence after all; Mike accuses Harvey of bribing Charles Hu to say Mike contacted him eighteen months ago with the scheme to get Jeremy out of his contract, which he canât dispute because â[heâs] on the record saying the guyâs a saint.â (What record, what is he talking about?) Harvey says he had nothing to do with it, Mike calls bullshit, and Donna steps in to say, in a slightly creepy tone of voice, that âItâs not bullshit, Mike. Heâs telling the truth.â For some stupid fucking reason, Mike didnât believe Harvey but he does believe Donna, so he determines it must have been Samantha who lied about him, and asks Harvey what he intends to do about it. Harvey says thereâs nothing he can do about it, and when Mike points out that he can say she fabricated evidence, Harvey pulls his loyalty card at the worst possible time:
âAre you out of your mind? Do you have any idea what would happen to her?â âI donât care! She is cheating my client out of a company that could change peopleâs lives!â âAnd Iâm not gonna sell her out! Just like Iâd do for you if you were still here.â âI donât believe this. Youâre pissed that I left!â âNo, Mike, Iâm glad that you left, and you could have come back to visit any fucking time, but you came back to pick a fight with me that you rigged six months ago.â âOh, so itâs not that I left. Itâs just that I beat you.â
Oh boy.
First of all, we get out of the way the hint that Mike really was taking this case on to make a difference in the world, but I dunno, man, feels to me like this is too little, too late.
Then, finally, after a full season and a half of no resolution, we finally get Harveyâs admission that heâs upset Mike left. Yeah, no shit; their goodbye, as Iâve lamented to the point of tear-inducing monotony, was terrible and inconclusive, and Harveyâs behavior afterwards has not been that of a man whoâs at peace with the change in his life (s08e01-04, 13). And finally, he acknowledges out loud that heâs angry (yes, angry) that Mike hasnât come back to visit, and now that he has, itâs just to pick a fight with Harvey that he secretly rigged far in advance. That doesnât seem to me like a fight Mike should be particularly proud to tout as a win; the odds were artificially weighted in his favor, and he went out of his way to tip them even further by making them both promise not to do anything illegal and then breaking that promise himself when he knew Harvey would be in no position to follow suit.
That is a dick move.
But weâre not done yet:
âNo, you almost did. I was gonna let you get away with it, but she didnât. And I might want to kill her, but Iâm not gonna betray her.â âI donât care about her! I care about you. You gave me your word, and the Harvey I know wouldnât break his word and screw over a bunch of innocent people in the process. You lost yourself, Harvey. And you know it.â
Fuck.
Not only should Mike not be proud of this win he achieved illegally, but it was only his to take because Harvey made the conscious decision not to turn him in for those illegal activities.
You know whatâs the real gut punch here?
âI care about you.â
You sure about that, Mike? Because you could stand to fucking act like it.
He goes on to as much as admit that Samanthaâs involvementânot her fabrication of evidence, just the fact that she was there, was the thing that ruined this for him, because âthe Harvey [he knows]â would have acted predictably, and he would have been able to manipulate him. âI always have time for an old friendâ? He always has time to use an old friend for his own advantage, maybe. I agree that Harvey hasnât been acting like himself of late, but my rationale for that has always been that Mikeâs rapid departure broke him and heâs been unable to recover, and if this is what Mikeâs return means, well, maybe Harveyâs better off.
(Harvey would be better off leaving the firm and going into intensive therapy, but Iâm trying to keep my goals achievable for the time being.)
Harvey then returns to the firm to confront Samantha and yell at her for lying to him, and she says she didnât lie, she just changed her mind, so thatâs mature. She asks if heâs really mad at her crossing a line or because she beat â[his] little adopted sonâ (did you catch that? "Adopted son," i.e., "definitely not a love interest thank you very much"), and Harvey tells her that he defended her to Mike, but thatâs over now because he doesnât trust her anymore, and I guess heâs taking his ball and going home and thereâs nothing she can do about it.
Spoiler alert, Faye happened to observe this whole exchange, and now has some mulling to do.
This whole episode has been one giant offense to the memory of Mike and Harveyâs relationship, but this part might just take the cake: Louis arrives at Mikeâs apartment while Mike is packing to go to the airport, because Donna sent him, and she wouldâve come herself but âsheâs with Harvey nowâ and âshe didnât want [Mike] to hold it against her.â Mike says heâs not holding anything against her, and Louis asks him not to hold anything against Harvey, either. Bringing up the story he told Mike back in âBlood in the Waterâ (s02e12) about himself and Harvey being Ralph Wolf and Sam Sheepdog, he says that he and Harvey âwere rivals at work. But no matter how much [they] fought, at the end of the day, [they] didnât let it get in the way of [their] friendship.â Kindly permitting Mike to be furious at Harvey for defending Samanthaâs actions, Louis asks that he nevertheless not let this be the end of him and Harvey. Rather than comment on the request, or their relationship, Mike says that he has a plane to catch.
As Louis bids his farewell, Mike calls him back to give him the last of the âYou Just Got Spitt Upâ onesies that he had made up in Season 8, which Rachel apparently took to save for him. Louis tells Mike to thank Rachel for him, he agrees to do so, and Mike and Louis, of all people, get the heavily emotional hug I was hoping Mike and Harvey would get when I saw that bullshit reunion in the teaser.
Then Faye goes into Samanthaâs office and finagles her into tacitly admitting that sheâs the one who fabricated the evidence, not Harvey, and Faye fires her, so at least some good came out of all this.
Part IV
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"đA misunderstood character is ostracized, perhaps even threatened, for their peculiar habits, interests, or studies" - this is gonna be v specific but like.... Drabble where vetinari and downey giggle about people gossiping about vetinari being a vampire? Perhaps? Pls?
Thank you so much for the ask! iâm not sure if this is quite what you were hoping for, but I hope you enjoy.Â
--
Midnight and Downey hears clicking so heâs half-awake, then fully awake and thinking thereâs someone in the room with him. He canât see them but knows a presence when it is felt, only: he canât move. The clicking increases, an insect-noise, as something prowls near his head and he does not wish to look over but does, because he canât help it, and there sits a monstrous creature poised with stinger above his face and the weight on his chest holding him down reminds him of that one poor man accused of witchcraft, or was it being vampire?, all those hundreds of years ago who was pressed to death in the main square. The rocks they put on his chest were later used to build the base of the Brass Bridge. When you walk over them you walk over his ghost.Â
And now Downey is awake. Awake and sitting upright, which means he can move, but heâs still seeing the insect so there remains whispers of the dream. It is a dream, he reminds himself, because he has had such before and, more importantly, he knows all the insects on the Disc and the one he imagined next to him is not one of them. If he is going to go and discover a new species it wonât be whilst half-asleep in the middle of the city.Â
He rubs eyes, looks to pillow beside him and finds it empty.
Sinking back into bed he pulls the eiderdown up around his head and burrows in an attempt to reclaim even a shred of disturbed sleep.Â
But itâs gone. His mind is already going fast-fast-fast there are so many things he must do as Term moves into exam season and holiday festivities must be planned and budgeted for and rooms prepped for new students joining them for Winter term after Hogswatch. Then thereâs City Council matters and Guild matters and three jobs lined up, hasnât he already decided heâs too busy, tired and old for this?, and then thereâs the never ending social calendar. Which he enjoys. But, it can be a bit much.Â
Bedroom silence is as maddening as his racing mind. Heâs staring at the thin pool of moonlight on the floor. Itâs autumn, so skies are a perpetual grey with only a weak sun to splash watery gold and pink across horizon at morning and evening. The grey continues into the night obscuring stars. So everything is a shadow of its summertime self.Â
He is restless. His nerves are up. He has spooked himself and remains half-convinced thereâs someone in the room with him. The presence, he repeats to himself, was the dream and the dream was made of stress.
He rolls around for a bit. Then, out of a sense of paranoia, he retrieves a blade from between mattress and headboard, and prowls about his room but finds nothing and neither do Alsace nor Harold. He ought to be content if not pleased.
Fear is an anathema to him. One of the first rules of performing assassin is knowing that you are the most dangerous thing that walks the streets. And if you donât know it in yourself, for certain, then at least exude it to others. Smoke and mirrors &tc.Â
One autumn, as a boy of seven, he developed a deep fear of vampires. They can turn into mist, slide into bedrooms through keyholes and hide under the bed or in the closet. They drink your blood and make you one of them whether you wish it or not.Â
The fear left him as he grew up. At first, because he learned how to kill them. Then, later, he met a few, became friends or an approximation of friends, with a few. Olivia Hunter, one example, said, itâs being damned for a sin youâve no part in. People look and say âWe know your kindâ when they know nothing of anything. What is my kind? Genuan? Black? Woman? Secretary? Vampire? Omnian?Â
And thatâs a sentiment he understands, was raised to understand, for his grandmother would talk about the bad old days in Brindisi when she was a girl and they had to leave, which happens sometimes, because people decide they know your kind and whatever it is, itâs unwanted.Â
He dresses. Alsace and Harold become very excited at this sudden change in events. As always, he takes a circuitous route through the city to the palace. He weaves through alleys, up and down stairs and closes, trots this way and that across streets. For a time, he loiters on the Brass Bridge and peers at different stones. The foundation stoneâs date has worn away with time so when you trace fingers over it there is only the merest indentation. Was this the stone that finally killed that man all those years ago? Heâs never seen a witch stoning and has no desire to. There are some violences and brutalities that go too far.Â
The palace is shades of moth-wing grey. Downey slips in between shadows and up to the patricianâs bedroom where, as expected, Vetinari is up. The man is seated at his desk half-dressed with robe wrapped around him and a blanket over shoulders.Â
âHave you considered a brazier?â Downey asks upon entrance. Vetinari flicks a look at him. âIt would help with your consistent lack of heating.âÂ
âI am quite content, Downey. If the temperature was comfortable people might wish to stay.âÂ
Downey feigns offence. He drapes himself across the bed and stares up at canopy. Alsace and Harold make themselves at home by the meager fire next to Mr. Fusspot who remains unphased by the sudden presence of dogs easily three times his size. He snores on in peaceful slumber.Â
âMay I be of assistance?â Vetinariâs voice drifts over coupled with the ruffle of paper.Â
âOh no, youâre fine.âÂ
âIs there a reason youâre here?âÂ
âMust there always be a motive for my coming? I had a desire to be mildly chilled and to stare up at your canopy.âÂ
Vetinari makes a noise, a scoff or snort. Downey smiles at the fabric above him.Â
âWe didnât have plans,â Vetinari says, quietly, to himself and his desk. Downey does not respond. Vetinariâs penchant for exact order crops up time to time. They are both men with strong affinity for order, but applied in very different areas of their lives.Â
Downey orders butterflies and beetles and natural and manmade poisons. He also orders accounts, aligns the debit-credit column of the guild, his wardrobe, his drinks cabinet. He does not order his personal life. He doesnât need to, Vetinari orders it for him.Â
âYou know,â Downey drawls as a thought occurs. âYour desire to have cold rooms and no creature comforts is probably why people think youâre a vampire.âÂ
A cough from the direction of the window.Â
Downey props himself up and looks over. âTolerant of extreme temperatures? Lack of expected, human reactions to circumstances? Patience of a rock? Never seen sleeping?âÂ
âYou have seen me sleep.â A lofty, disinterested expression, âand you can attest to my ability to react appropriately in certain, ah, circumstances.âÂ
Itâs a lascivious grin on Downeyâs face. Vetinari tells him that he is being lewd. Downey replies that he is not being lewd at all. Vetinari says, âvery well, your face is making lewd insinuations.â Downey begs his pardon with great animation, delighting in the other manâs long suffering sigh. He delights in most things Vetinari does, including his more obsessive ticks. Itâs a pleasure to know thereâs someone who wonât judge you for talking to your plants and will understand the extreme stress of holding oneâs tongue when someone is wrong about biology in public. Which happens with great regularity.Â
A huff, Vetinari decants from his desk to the bed where Downey, who has pried boots off and deposited cloak, scarf, hat, gloves, frock, and so on, on the floor, happily scoots beneath covers.Â
âAnd you have very cold hands,â Downey continues.Â
Vetinari snorts, âthe people of this great city really have nothing better to do than speculate upon my supposed inhumanity?âÂ
âI think itâs an improvement over their wildly inaccurate speculations about your manhood.âÂ
Vetinariâs face is a portrait. Downey kisses it.Â
He continues, âI would correct them, of course. But that would cause more grief than itâs worth. Now, you as a vampire on the other hand, I can see their reasoning.âÂ
âIâve eaten food in public. I drinkâŠwine.âÂ
Downey snorts, âMr. Warrender at the Cloak and Dagger believes it all to be an elaborate ruse.âÂ
âI see,â
âHe was going on about this the other night,â Downey begins plucking at Vetinariâs robe which he considers an affront as it is another layer of clothing to take off. âI think he managed to make a few converts to his cause. He says that heâs never seen you handle coin before therefore youâre avoiding silver. You donât attend religious ceremonies because of holy ground. Your robe is annoying me deeply. And you rarely go out, uncovered, in daylight due to discomfort in the sun.âÂ
âIâm not sure Mr. Warrender would have any opinion on my robe. Downey, Iâm quite busy tonight.âÂ
âYes, Iâm here now. Your metaphorical dance card is full for the remainder of the evening.âÂ
Vetinari stares. Downey stares back. Vetinari opens his mouth to reply, apparently reconsiders it, and sighs. Downey kisses him again as it seems the right course of action.Â
Downey rolls Vetinari over to his back, snaking a hand beneath robe, down, pulling up nightshift beneath. Vetinari liftst hips to allow the clothes to be hitched up, âwhy are you here, Downey?âÂ
Downey raises an eyebrow. Looks down at their bodies then back up.
âThatâs not why youâre here. This is a symptom, not the cause.âÂ
âI dislike that. Being associated with disease isnât something I enjoy, but Iâll save my annoyance for tomorrow. I was awake and restless.âÂ
âRight.â A beat. âMy apologies.âÂ
âThank you,â Downey hums. He cannot think how to explain: I had a dream and spooked myself. So he chooses not to. He continues with vague answers and determined exploration of Vetinariâs body, a boney, youâre-a-bit-of-a-shut-in sort of experience. Being opposites in most regards, Vetinari has nothing spare, all strung together with skin and only the amount of muscle needed to operate a body compared to Downeyâs more, as he puts it to himself, comfortable, frame. Â
As teenagers, therefore posturing with great energy and determination, Vetinari once said: Iâm an aesthete. Downey hadnât been entirely sure what an aesthete was so made some general scag-dog-botherer related insult and went off to ask Ludo what it meant. Ludo explained asceticism with a wry expression. Downey then spent the remainder of the day mocking Vetinari for being a nerdy prat.Â
Downey thinks that to be fair to sixteen-year-old Vetinari the young man hadnât been wrong. He was, and is, very much an aesthete. But, Downey adds on, he was also a nerdy prat.Â
Not that he, himself, was a joy and pleasure to be around at that age. Eleven to five-and-twenty, he thinks, those are terrible years where no one is at their best. Â
Vetinari scoops an arm around Downeyâs neck and leans up, pressing their mouths together. âWould you still be here if I was a vampire?âÂ
âYes. Though, thereâd be very strict boundaries.âÂ
âNaturally.âÂ
ââIâve no desire for immortality. The one thing I wonder is,â Downey settles on his side. âWould you still be you if you were one? Itâs a rude question so I havenât asked anyone I know.âÂ
Vetinari shrugs. How does never dying change a person? How does not tasting, not needing sleep, not bodily changing, shape an individual? Would that change be any different from the normal changes all people go through as life forms them forever into something new?Â
Neither choose to answer the questions. Downey figures they were rhetorical more than anything. But even if they werenât, he has no answer. He likes his humanity. Heâs content with being merely mortal. There is a thrill to life that he thinks wouldnât be there if you knew you werenât going to die. Pleasures would lose their meaning. He likes luscious fox fur, richly patterned cambric, heavy brocades because he knows they are his but for a limited time. When he dies theyâll be of no use save to cover the body until itâs cremated. But doesnât that limitation of enjoyment make it all the sweeter? There will be a finite end to champagne and oysters and music and dancing and gold and silver.Â
But as a vampire, at least with regards to the clothing and objects, you would have it forever. One fades, buy another.Â
Perhaps they find meaning in other things less worldly than clothes and beautiful things.Â
What a terrible concept.Â
âYou had a mistress who was one, didnât you?â Downey asks.Â
âMistress,â Vetinariâs bemused by the word. âI wouldnât go that far.âÂ
âWhat was her view?âÂ
âOn how she was before? She didnât speak of it much, but I think she takes the long view of things. So time is both fast and slow. She said that because relations with humans are so fleeting she found them more precious.âÂ
Downey pulls a face. See, finding meaning in less worldly things. Vetinari flashes a smile, returns to his usual impassive self.Â
âI donât think itâs life that would suit you, Downey.âÂ
âIâd have to become philosophical, which is a horror. I would be required to place value in things other than material wealth. Absolutely terrible.âÂ
Vetinari props himself up on an elbow and takes to considering Downeyâs face with great intent. Downey looks away. He frets that Vetinari is going to say something about him being more than what he intends himself to be. Which Vetinari tends to do because he enjoys telling Downey home-truths.Â
Life delivers. Vetinari says, âI think you hold things beyond material wealth as important. A limited amount,â he amends. âPerhaps a very limited amount. But nonetheless, they exist.âÂ
This is too much, Downey can feel a flush crawling up his chest and neck so leans up, gives a messy kiss, then rolls over in search of his clothes. He says he should go back to the Guild. Itâs late, he has much to do in the morning. Vetinari sits up and watches him dress. Downey swans about, makes it a bit of a theatrical moment, then the final flourish, he places his hat on.Â
âI will see you tomorrow,â Downey says.Â
âYou will. Or today, as the case may be. We are well into the small hours.âÂ
At the door Downey pauses. Behind him is the sound of Vetinari dressing. The shift of linens, bare feet on soft, wooden floors.Â
âI donât think it would be a life that suits you either,â Downey says to the doorframe. His palm rests flat against it, a profile to Vetinariâs line of sight.Â
âImmortality, or vampirism in particular?âÂ
âBoth.â Or maybe, Downey doesnât think, he wishes to believe that for his own sake. He doesnât like to think of Vetinari going on, existing as some lonesome, grey rock in the midst of human life for any longer than he already has.Â
âPossibly. Quite possibly youâre very right.âÂ
Downey sucks in a breath through teeth then, because he enjoys hurdling head first off cliffs from time to time, âIâm glad things are working out, you know. Between us. Despite the fact that youâre a nerdy prat, Dog-botherer.âÂ
Heâs gone before Vetinari can reply though he imagines he heard a soft exhale of a laugh. One of those dry ones Vetinari gives when amused but feeling many things at the same time. Itâs a ghost of a sound and follows Downey through streets homeward. He wishes to remember it forever.
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Etiquette for calling a customer service line
Letâs face it, there are a lot of products out there that donât always work the way theyâre supposed to. So what do you do when this happens? If you have two neurons to rub together to form a synapse, you read the labels and/or the use and care manual until you find a customer service number. Now, it has become increasingly clear to me that many, many, MANY people out there donât understand that there are rules and protocols that customer service reps are required to follow, so hereâs a few handy tips to keep in mind:
1. Make sure you are actually standing beside the product that you need help with when you call. We only know what you tell us, so we need you to be our eyes, ears, and most importantly, our hands when addressing the issue with the product in question. If youâre running an errand and think for one second that we can do anything at all to help you when the product is at home, youâre going to have a really unpleasant time. Donât call us while youâre driving, unless itâs to ask how late weâre open, and please for the love of all that is decent, DONâT TRY TO RETURN THE PRODUCT WITHOUT CALLING US FIRST OR YOU WILL VOID YOUR WARRANTY. Also, make sure you actually have time to stay on the phone and address the issue.
2. Do not just start rambling at the person you are speaking to. There is always an order of operations that must be followed if they are to help you and more often than not, the person who picks up the phone is either not trained or not authorized to directly address the problem that youâre having, unless they tell you otherwise. In most cases, the first person you speak to is only supposed to do two things: register a file in their computer system for the product in question (or otherwise access an existing file) and then transfer you to someone who can actually help you with the problem that you are having. In addition, extraneous information can slow down the process, waste time for both parties, and cause additional problems, so listen carefully to the person that you speak to and they will tell you what information they need. Once the unit is registered, the agent may then place you on hold and transfer you to the department that is trained to address the specific product you have and the specific problem that you are having with said product. This is why you need to make sure you have time to actually stay on the phone, because they can only help you if youâre going to be available long enough for them to get the information they need. If you require a representative who speaks a language other than English (usually Spanish, but the center where I work does also employ at least one French-speaking agent), please request to speak with a representative who speaks that language, as the agent may be able to immediately transfer you to someone who can communicate with you more easily.
3. Answer all of the questions that you are asked, and only those that you are asked, in the order that you are asked them. yes, I briefly addressed this above, but it still bears repeating. The data entry systems have variations from one company to the next, but more often than not, when the agent answers the phone, the only thing they have on the screen before them is a single textbox that will only accept one specific piece of information. In addition, the systems are usually designed to access data from the top down, meaning that you MUST provide the information specifically requested before it will allow the agent to access anything else. If they donât ask you for a piece of information (such as the date of manufacture or who installed the unit), itâs more likely that the information is unnecessary than it is that they forgot to ask for it. And if they ask you what room an appliance is installed in, itâs usually because certain models are only designed to be installed in certain locations, so please be specific. And for peteâs sake, A HALLWAY IS NOT A ROOM; IF YOU MEAN CLOSET, JUST SAY CLOSET.
4. Read all information directly from the label on the product itself. In many cases, the only place you will be able to find the information is on the product itself, and the agent with whom you are speaking will be able to direct you to its location. This is why you must remain near the product for the duration of the call. DO NOT WRITE IT DOWN OR READ FROM THE COPY THAT YOU HAVE WRITTEN. 100% of the time, one or more digits are omitted or miswritten and you will be asked to go back and check again, and the system will not accept the information unless every single digit is entered correctly. This is not something that you can ballpark. Every single specific individual digit of each number requested must be included, correct, and presented in full and in the right order. This isnât just limited to Serial and Model numbers. Learn to distinguish between Q, O, 0, 8, B, U, 4, and A, the difference between G, 6, and 9, the difference between 5 and S, the difference between 1, 7, T, 2, and Z, and the difference between a dash/hyphen (-), an underscore (_), and a space ( ). Yes, I have seen every single one of these digits mistaken for every single one of the others and getting even one digit wrong can mean the difference between getting the help that you need and wasting time. And when providing these numbers PLEASE ONLY SAY ONE DIGIT AT A TIME. You may see it as 217, but when we hear it, it comes across as 2 7 teen, and then we have to go back and correct it, which gets especially annoying when the text box that weâre entering it into has a character limit and has to be manually highlighted in order to correct the error, which causes us to fall further behind. And donât say âohâ when you mean âzeroâ, it doesnât save any time. Also bear in mind, if you have more than one unit, each unit must be registered under its own file so that they may be addressed individually; remember that the information for the product is saved under the serial number, NOT the ownerâs name. Also, if you need glasses to read small print, WEAR THEM. I cannot begin to describe how many times Iâve asked a customer for their serial number and then had to wait several minutes for them to put their glasses on so that they can read it. And when we ask you for your serial number, please donât ask âare you ready?â We were ready the moment we asked for it.
5. Yes, you do need to provide your personal information. but usually only the first time you call. Itâs the only way they can link the product in question to the customer that owns it, and in most cases, the warranty will only pertain to the original registered owner of the unit. In some instances, the database will be designed to allow for multiple contacts to be attached to the same file, but there will always be one primary homeowner that takes priority over the others, and so all information must be correct, especially with regards to sending parts or repair personnel under the warranty coverage. In addition, when accessing an existing file, asking what name the file is registered under is the easiest way for the agent in question to determine that they have entered the serial number correctly, which means that telling them to write âjohn doeâ will just make it impossible for them to find your information should you need to call back. In addition, you must also provide the information requested of you in full. This means that when you are asked for the ownerâs name, you must provide both the FIRST AND LAST name. When you are asked for a preferred phone number, YOU MUST PROVIDE THE AREA CODE FIRST, and when you are asked for the address, YOU MUST INCLUDE THE HOUSE NUMBER, STREET NAME, APARTMENT/TRAILER/LOT/SUITE NUMBER (if applicable), CITY, STATE, AND ZIP CODE (or province and postal code if you are calling from Canada), as the system will usually have a feature that it uses to validate the address for the purpose of sending parts or technicians to the correct location under the warranty, and if it does not recognize the address or the address is incomplete, it will not accept it. In addition, for larger appliances, the warranty will only apply if they remain installed in their original installation location, so we need to know where that location is in order to cover the appliance. And if they ask if your phone number is a home, work, or mobile, itâs usually because theyâre selecting from a drop-down menu and can only select one option, so if you say âall of the above,â they will want to reach through the phone and swat you, and just because they ask this question doesnât mean they are looking for a specific number (hence the use of the term âpreferred phone numberâ). âBut I donât want my information where some stranger can access it!â I hear you cry. Tell me, How are you calling us right now? and how did you obtain the means to do so in the first place? How did you pay for it? Chances are, the answers to all of these questions required you to offer your personal information to some party or other in the past, so Iâm sorry to break it to you, but if youâve ever used a cell phone, or the internet, or a credit card, or have a driverâs license, or any form of legal ID whatsoever, your information is already irretrievably out there and you have nothing to lose by providing it to the people who actually need it in order to help you. Youâll be happy to know that in most cases where appliances are concerned, providing your email is optional, but if you donât wish to provide your email or otherwise donât have one, donât be an ass about it, just say âno emailâ. And if you do provide your email, hereâs a couple of pet peeves I would like to address. I have been on this earth for about as long as email has existed, and never in my entire life have I encountered an email program where the email address was case sensitive, nor have I encountered an email address that has spaces. YOU DO NOT NEED TO TELL ME THAT IT IS ALL LOWER CASE AND YOU CERTAINLY DO NOT NEED TO TELL ME THAT THERE ARE NO SPACES OR THAT IT IS ALL ONE WORD, because it is my job to copy every single digit that you provide exactly as you provide it and I will read it back to you digit by digit to make sure I have it written correctly.
6. You must stay on the phone until we have finished all of our procedures. Once the first agent has registered your unit, or confirmed that theyâve opened the correct file, they will likely transfer you to another department that has the training and authorization to directly address the problem that you are having. DO NOT GET UPSET THAT YOU ARE BEING PUT ON HOLD. This is a necessary evil, as the agent is required to wrap up the conversation in a hurry and move onto the next customer, and you need to speak to someone who can actually use the information that has been gathered to help you. once put on hold, they will tell the system to transfer you to a particular line within the call center, at which point you will be added to the end of a queue. If the agent says something to the degree of âPlease stand byâ, that is an indication that they need a minute or so to finish entering the information that you have provided, that they are waiting for the next page to load on their screen, or that they are about to send you to someone who can help, and are requesting that you patiently wait for them to request the next piece of information. NOT AN INVITATION TO START TALKING OR YELLING AT THEM. There will be times when the automated hold system will tell you that there are a number of callers ahead of you, or that you will have to wait a certain amount of time before an agent will be available to answer. Whatever you do, DO NOT HANG UP THE PHONE AND CALL BACK HOPING TO SPEAK TO SOMEONE SOONER. All that will accomplish is getting ahold of another registration agent, who will ask you for your serial number again, and will then transfer you back to the same queue, where you will now have to wait even longer because you gave up your place in line.
7. When providing information, SPEAK SLOWLY AND ENUNCIATE YOUR WORDS. This is a huge pet peeve of mine. If English is not your first language, then itâs understandable (also you speak my language MUCH better than I speak yours), but if youâre a native English speaker, you have no excuse. Half the mistakes that are made are due to poor or miscommunication. When I ask you a question, I expect to hear words, NOT A STRING OF GROANING NOISES. If I canât understand what youâre saying, Iâm going to write the information wrong and then weâre going to have to waste even more time correcting the errors. In addition, make sure you speak at an audible volume. You donât have to shout, but if youâre mumbling or speaking in a low tone, we will not be able to hear what you are saying. And PLEASE keep your fingers away from the buttons and/or screen while you are on the phone; itâs going to make it that much more difficult if I keep hearing buttons being pressed every two seconds. And for Peteâs sake, CHANGE THE BATTERIES IN YOUR SMOKE DETECTOR. I swear, every third call I hear that infernal beeping in the background.
8. Yes, you must troubleshoot the product. Regardless of your preconceived notions of how a particular product works, or what the problem is, or what you want done to resolve the issue, we still need to know the exact nature of the situation before we can take any actions to resolve it; the most fundamental of which is to walk the customer through a step-by-step diagnostic and troubleshooting procedure over the phone. The purpose of troubleshooting the unit is to determine the nature, source, and severity of the problem through process of elimination by observing the symptoms that it exhibits under different circumstances. You may think you know whatâs wrong and what needs to be done, but there will ALWAYS be something that you missed or otherwise didnât think to look for. Plus, as mentioned above, we cannot see what is happening on the other side of the phone, so we need you to be our eyes, ears, and hands and follow our instructions, many of which are time sensitive once we begin. Always listen to the precise wording of each instruction you are given and each question that we ask, as if a step is performed incorrectly, it can give inaccurate information or force us to start over. It may seem intimidating if youâve never done it yourself before, but itâs necessary for you to help us help you resolve your problem. And no, we will not ask you to do anything that will endanger your health or safety; for any problem where that would be an issue, you will likely be instructed to hire a professional to do the work for you (assuming that one isnât already being requested under your labor coverage, if applicable). In most cases, the steps are simple enough, and the agentâs instructions easy enough to follow, that even a child could accomplish them. âBut I just have a simple question!â I hear you cry. No, no you donât. Itâs never simple and itâs never just one question.
9. Sometimes you just have to wait. It is inevitable that a problem will sometimes require that a part be replaced or that a licensed professional be sent to diagnose, repair, or replace the appliance in question. But understand that we will never be able to get them to you the same day that you call. In the case of the parts, the reason for this should be obvious, but in the case of the technicians, there is some explanation required. You see, while there may be some companies out there that have their own field technicians on their payroll that can be sent out at a moments notice, said companies are increasingly few and far between, and most of the time they prefer to cut corners in the interest of spending less money, and the easiest way to do that is to outsource to independent businesses. Typically the situation is as follows: The parent company manufactures the product, which is then sold to an independent vendor, who then sells the product to the customer at locations of the vendorâs choosing, with little to no input from the manufacturer. The manufacturer themselves will then sign on various independent contractors and business owners to take warranty jobs in the contractorsâ own service radius if a customer should need a technician to help them with their unit under their labor coverage. Because the units are sold to the customer by the vendor, whose distribution is not controlled by the manufacturer, there is usually little to no correlation between where the products are sold and whether there are technicians under contract with the manufacturer within the same area, so even though a product is sold in a particular location, the manufacturer may not be able to send a technician, simply due to not having anybody under contract that services that zip code, or otherwise not being able to reach or send the ones that do, due to various circumstances (eg outside their normal service radius, too many customers on their plate at the time, or just plain not answering their phone). In most cases when something like that happens, the company will offer the customer the means to hire their own technician and then submit for reimbursement for the service fee. From what Iâve gathered, most companies that have a need for field technicians function this way, for better or for worse, simply because itâs cheaper and easier for the company to contract independent businesses than it is to employ personnel for a division that only sees occasional use. Why am I telling you this? Because Iâm tired of customers acting like itâs our fault that the technician never showed up, or that there wasnât one available for us to send in the first place. Our influence only extends so far, and while they may be under contract with us, we donât own them, and so have zero influence on when or where they are available. Yes you should call us back if there is a problem with the technician, but also understand that simply sending a technician in the first place means that there are now three separate parties involved in the situation, two of whom are separate businesses. And this should be a no-brainer, but when the technician does show up, please please PLEASE have the technician call the manufacturer while they are in front of the machine so that we can walk them through our troubleshooting steps and ask them what they find. Telling us âthey already left and they said xyzâ is not at all helpful to us, because how do we know you didnât cancel the technician and just make that up on the fly to get a quick fix? How do we know the technician actually said that? How did they come to that conclusion in the first place? What did they do? What did they see? This of course is to prevent people from just calling and asking for free parts or replacing the device for something as simple as not understanding how it functions. Our job is not to give you what you want. Our job is to solve the problem with the unit.
10. All of our calls are recorded. This is something that a lot of customers seem to not realize, even though the recorded message that they hear while on hold explicitly tells them as much (it also explicitly tells them to have their serial number ready, WHICH THEY NEVER DO). So if you say something off-color that makes the agent uncomfortable, or if you threaten the customer, their employer, or the parent company in any way, THAT SHIT GETS RECORDED AND CAN BE PRESENTED IN A COURT OF LAW. It also means that you canât say one thing and then deny it later in the call, because guess what? We have a recording of you saying the thing that you said, which means you canât take it back or say that you were lying earlier and that your new story is the truth, because how can we trust that youâre telling the truth now if you didnât tell us the truth to begin with? This is a major pet peeve of mine. Iâll get a customer who says their unit is having a problem whose nature or circumstances are not covered by the warranty, and then when I tell them as much, theyâll suddenly change their story, thinking they can talk us into giving them what they want. Sorry, but that ainât happening. We already have you on record as saying A, so if you think you can talk us into believing B, youâre wasting your breath. This is also why itâs important that you give us the CORRECT information the first time we ask for it, because if you feed us false information and then call back later and say that itâs actually something different, we will call you out on that shit.
11. Nobody manually answers phones anymore. Every time someone complains to me about how long it took me to pick up the phone, I want to reach through the line and slap them. All call centers have an automated system that directs the call to the first available agentâs computer. That computer will then answer the call automatically and let the agent know through their headset that the call is coming in and which queue it is coming from, usually about two seconds before the line connects. The agents have zero influence over how quickly your call is answered, because that part of the process is entirely automated. If it does take a long time for your call to reach an agent, itâs usually due to one of two things: they are either experiencing a higher call volume than normal, which means there are more customers ahead of you in the queue, or they are understaffed, meaning that there are fewer people available to take the calls in the first place. Either way, as soon as one call ends, another usually connects, and rarely does it take longer than a few seconds for an agent to receive their next call.
Hereâs a short glossary of terms to keep in mind when calling:
Unit: the individual product that you are addressing
Model: the type of product under which the unit is categorized
Part: a specific component of the unit which may be replaceable.
Serial Number: a sequence of digits (often both numbers and letters) that identify the specific individual unit that you are working with. Every unit of every product ever manufactured has a unique serial number that is not shared with any other unit of that product, and so this is the number that the call center agent uses to identify which file to open, and the first thing they ask for when creating a new file. ALL OTHER INFORMATION IS SAVED UNDER THE SERIAL NUMBER. Just because you have provided all of your information during a previous call does not mean they will instantaneously have your information in front of them the next time you call; the registration personnel alone receive a bare minimum of about 84 calls per day, rarely from the same person twice, and do not know you from a hole in the wall, so you must provide the serial number again in order for them to access the file for your unit. And please please PLEASE make sure the serial number you provide pertains to the unit that you actually need help with, because as mentioned above, each individual unit must be registered under its own separate file, and the serial number for a replacement unit will not allow us to access the information for the previous unit, regardless of whether they have the same ownerâs info attached to them.
Model Number: a sequence of digits (again usually consisting of both numbers and letters) that identify the type of product that you are working with. Unlike the serial number, which is unique to the individual, the model number is shared among all units in a specific production line. More often than not, the model number will tell the agent various other pieces of information about the unit as well, so that they do not need to ask you for as many details about the product (such as the warranty, size, capacity, etc), which means fewer questions for them to ask. The model number will usually only be requested the first time you are calling about a particular unit, and only after the serial number has been provided. Usually the model number pops up on their screen automatically with the touch of a button, but the agent will ask you to read the number anyway in order to confirm that it matches the one that is attached to the serial number that you have provided. If it doesnât match, you will be asked to provide the Serial number again, ad nauseum, until it does match. WE CANNOT USE THE MODEL NUMBER TO PULL UP YOUR FILE BECAUSE MORE THAN ONE UNIT HAS THAT MODEL NUMBER.
Part Number: a sequence of digits (again, usually consisting of both letters and numbers that identify to a specific part of the product that you are working with. Similar to a model number, a part number is shared among all individual units of that specific part, but does not say much about the unit as a whole, as multiple models may utilize the same parts. Many appliances are designed to be repaired on the spot, hence the need for part numbers, but if you think weâll be able to tell which unit you have just from the part number, you are sorely mistaken. More often than not, agents higher up the chain will be able to access a list of all part numbers pertaining to your unit once they have access to your file, so this number is almost never necessary to provide. NO, WE CANNOT JUST SEND YOU A PART BECAUSE YOU HAVE A PART NUMBER WITH YOU. First off, it may not even be the correct part for that unit, and second we still need to know what the actual problem is before we can determine if you even need that part in the first place.
SKU Number: a sequence of digits (usually just numbers, but may occasionally include letters) that the vendor (read: the store where you bought the damn thing) uses to identify the individual product in their database. This number is completely useless to the call center agent and will never be requested over the phone.
Troubleshooting/warranty department: usually used interchangeably, as the person troubleshooting the unit over the phone is required to recognize what is covered under the warranty and what is not. Either way, they are the ones you want to speak to after the unit has been registered, and if they arenât, they can usually direct you to the ones that are.
Parts department: this department process part orders, both in and out of warranty, but will only speak to a customer directly if the customer wishes to purchase a part out of warranty. If the customer wishes for the part to be sent under their warranty coverage, they need to speak to the person troubleshooting the unit.
Contractors department: This is the department you want to speak to if there is a problem involving a field technician, whether itâs having trouble finding one in the first place, or having problems with one that has been dispatched to the location of the appliance.
Billing department: this is the department responsible for processing your reimbursements. if a reimbursement is necessary, the customer will usually be given specific instructions on what information to send and where to send it. most such info is sent electronically these days, so you will likely not be able to send it via physical mail. Also bear in mind, WE ARE NOT STUPID. If you think you can send us a hastily written MS Office document or handwritten âinvoiceâ and that weâll give you free money, you will instead receive a templated email and/or letter explaining that your document is invalid and cannot be used. I worked in my companyâs voucher department for a time and nothing would bring me more joy than going into miniscule detail in my reply to a fraudulent customerâs email about why their documentation was invalid.
Claims department: This department handles any cases where the customer is seeking reparation for damages caused by the product in question, but you usually wonât get to speak to them until after the unit has been registered and diagnosed. In addition, any cases where a claim has to be filed will require that the appliance remain in its installation location pending further investigation.
Supervisor/Manager: Most of the lower departments are required to strictly adhere to the rules that they have been instructed to follow, else they get in trouble and are required to correct their indiscretion, usually by calling the customer back and explaining that whatever we promised is not actually going to happen and that we need to go through all the steps properly before we can provide anything (this is referred to as a rework). Only the supervisor or manager has the leverage to bend the rules and give you something that we otherwise would not, though they are also required to work within certain limitations. Bear in mind however that they can only help you if youâve already tried to cooperate with the lower departments and if you think you can just bypass the process by immediately asking to speak to a supervisor and demanding things from them, you will learn very quickly that they have the authority tell you where you can stick it.
I think that about sums it up. Just try to be polite and cooperative to the person youâre talking to and theyâll do their best to help you out.
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FIC: and you breathe (one breath at a time)
Lovelace goes somewhere warm, and quiet, where nobody has any idea who she is. Nobody, except for somebody who died in space six years ago.
Wolf 359, post-canon. 7.7k. Gen, Lovelace-centric, some implied/background ships. content warnings for some discussion of death/grief and PTSD.
With all my love to @travismcelrcy, who helped shape the ideas.
Read on Ao3Â || title lyric
#
Sydney is bright in the summer, a constant barrage of sunlight that slams into Isabel full-force the second she steps out of the airport. It was raining when she left Shanghai. Or maybe sheâs still not used to sunlight - not blue light or red light or artificial Hephaestus lighting. Honest-to-god sunlight.
Isabel slips a voice recorder out of her pocket and switches it on. âNote to self,â she murmurs, âdouble-check which vitamins sunlight is supposed to give you. Just in case that matters.â She doesnât need to record captainâs logs anymore, hasnât for a long time, but itâs the fastest way to keep track of things. Grocery lists and memories from the old crew and whatever else is worth hanging onto these days.
She left her suitcase back in Brussels, so itâs easy to wander the streets with nothing but a backpack and a vague recollection of places she should visit. Sheâs never been to Australia before. Sheâd only left the country once, before the Hephaestus, and that was to go to Niagara Falls for the weekend with some friends in high school.
(Sam had laughed when she told him, and sheâd raised her eyebrows, said âYou telling me you traveled a lot, Oklahoma boy?â like it was a challenge. It always was a challenge, and maybe sheâd feel bad about it if heâd ever stopped rising to the challenge. If he hadnât met her every step of the way, until-)
Thereâs a list of names tucked away in her backpack. Sheâs been trying to visit people who deserve to know what happened. Kuanâs sisters, who grieved by screaming. Victoireâs mother, whoâd cried as Isabel told her in halting French what happened to her daughter. Samâs family, who barely reacted at all. Like they already knew he was dead.
They probably did know, she supposes. Itâs not like it was hard to guess.
Sydneyâs beautiful. She tries to imagine Mace in the city as she walks through it, slowly. Heâs not from Sydney, of course, heâs from some smaller town. He used to talk about it, but she canât remember the name of it, and of course his files with Goddard donât exist anymore. Thereâs next to no proof that he was ever there.
But he was here. She imagines him squinting in the sunlight, trying to read a street sign. She imagines him pointing at some local business and saying that there, Captain, thatâs his best friendâs uncleâs ice cream shop. She imagines him painted bright in the sun, laughing with his boyfriend, pushing a stroller.
Isabel blinks. That one felt less imaginary.
Heâs gone by the time she looks back, of course. Sheâs been seeing ghosts for the last month. All of Kuanâs sisters had his smile. Every tall man with a suit and a carefully disarming smile is Cutter. Hell, she even sees shades of Minkowski and Eiffel sometimes, even though she knows both of them are safe and sound back stateside. Sheâs used to it by now. She should be used to it by now.
She still goes straight to her hotel room. Bolts the door once itâs closed. Moves a chair in front of the door just for good measure. Good things never happen when the dead start showing up again. She knows that better than anyone.
 #
 Getting back to Earth goes like this:
Goddard debriefs them. It takes weeks, plural, because nobodyâs sure what to do with their story. Two of the most important people in the company are currently space debris, and the third doesnât even remember her own name. And all the rest of them are officially dead.
Itâs Jacobi, actually, whoâs most helpful in moving things forward. Lovelace gets the impression that itâs because he wants to get out of there as fast as possible, but she has to admit, itâs nice having someone who knows people. Keplerâs name pulls weight, and by extension so does Jacobiâs. It gets things in motion, even with the gaps in the power structure.
The process is also kept completely secret from the public, which they probably werenât supposed to figure out. Jacobi guesses as much on the second day, snorts and says âitâd look bad for them to be caught in a lie this big,â and thatâs supposed to be that. Itâs hard to bring people back to life, in terms of paperwork. Probably a nightmare.
But theyâre debriefed. They see doctors, who donât know what to do with Lovelace, human and also decidedly not. They see therapists, who kind of wave Lovelace off because thereâs absolutely nothing in their repertoire that could help them deal with aliens. They sit in corporate meeting after corporate meeting where Lovelace tries to focus on getting out and not how badly she wants to rip this company to shreds.
Goddard lets them go on a Tuesday morning. They reach Minkowskiâs husband that night, living just outside of Boston, and all of them pile into a house that seems far too empty for one man. Lovelace gets a bedroom to herself. They figure out how to install Hera in the house, because Doug refuses to let her live in a box. Sheâs up and running by Wednesday morning.
Jacobiâs gone by Wednesday afternoon without so much as a goodbye. It stings, maybe more than it should, but Lovelace has faith that heâll come back one day. If only because heâs bored.
By the early hours on Thursday she has a list of cities. Shawnee, Brussels, Shanghai, Sydney. She writes and crosses out Moscow a dozen times - even if Selberg was hers he also decidedly wasnât, and she doesnât owe that man any more of her sympathy - and does the same for New York City. Who says you canât go home? Probably other people whose entire families think they died in space years ago.
She makes a second list for good measure. Victoire used to wax rhapsodic about the summer she spent in Iceland, and Kuan had endless stories about visiting cousins in Hawaii. Sam traveled constantly, which she wouldnât expect from someone from Oklahoma, but he wanted to see the world. Or, no, he felt like itâd be a shame if he didnât. A shame? An embarrassment? Itâs hard to remember his exact words.
Itâs hard to remember his exact voice.
Lovelace lifts her voice recorder, brand new, purchased from a RadioShack with a shiny Goddard-issued credit card. âGet back in touch with Canaveral, see if they have any of Lambertâs old logs somewhere. Shake them down if you have to.â
Isabel Lovelace has a valid passport Thursday night. She says her goodbyes on Friday morning, promises to call and hugs Eiffel a little tighter than she should and leaves. She has more ghosts than the rest of them. Itâs time to put them to rest.
 #
 The problem, which she learns in Oklahoma, is that as much as she wants to get this over with, she canât start with the families. She tells Samâs mother what happened one day, his father the next, and then if she stays in Oklahoma for one more goddamn second she thinks sheâs going to suffocate, so sheâs in Brussels the day after that.
(âThat could just be an effect of Oklahoma,â Minkowski - no, Renee says, when Isabel calls her, now in Brussels and still not quite breathing right. âI mean, Iâve never really been there, but it sounds⊠like Oklahoma.â
âMaybe,â Isabel allows. âBut if Iâm going to be here, I should start with the tourist thing, right? Instead of just jumping in with the⊠bad news.â
âThe tourist thing,â Renee echoes, in that voice that means sheâs not laughing at Isabel, per se, but sheâs definitely laughing and it just so happens that Isabel said something funny. âYou mean relaxing?â
âI guess I do.â
âYouâve earned it.â
She has. Sheâs earned it and re-earned it and the universe probably owes her a full year of not dealing with other peopleâs problems at this point. âThen maybe Iâll stay in Belgium for a while.â
âJust make sure you call,â Renee says, soft and careful. She never says goodbye, only asks for Isabel to call again. And she always does.)
It takes two weeks in Brussels before she has the stomach to find Victoireâs family. After that she stops over in Moscow for all of two days, just to see the sights, and then itâs three weeks in Shanghai. And of course, by the end of that sheâs ready to snap in half, so she takes a week for herself in Thailand to recover.
Sydney is warm, not as warm as Thailand but also sunnier. Itâs not quiet, but itâs just her and her ghosts there. And itâs going to take a little more work to track down Fisherâs boyfriend - she knows his nameâs Corey, heâs a history teacher, and he lives somewhere reasonably close to Sydney - so she might as well take another break.
She ends up on a beach, one of the quieter ones. Itâs a weekday morning so itâs not terribly crowded, just a few families that Isabel makes a point of staying away from, carving out her own quiet corner in the sand. She sets up with a towel and an umbrella and a stack of books that she got from airports and-
-and her phone starts ringing.
Isabel sighs. Itâd be easy, itâd be so easy to just ignore it, but the fact is not a lot of people call her. This number isnât in enough databases to get calls, and it would be⊠inconsiderate if she didnât take full advantage of Goddard generously footing all her bills for a little while. Including the bill for international calls.
She smoothly reaches into her backpack, resting a carefully-calculated armâs length away from her on the sand, and swipes to answer. âYouâve reached the phone of Isabel Lovelace. Iâm currently unavailable because I finally got to a real beach where I can relax for a while, so leave a message if-â
âOh, Iâm sorry, is this a bad time?â Hera asks, not sounding sorry at all.
Isabel rests back on her towel. âNo, Hera, itâs not. Unless thereâs an emergency, because I am halfway around the world right now and canât help.â
âNo emergencies. Thank god.â
She smiles, relaxing a little as she does. âAnd youâre bored?â
âHorribly.â
âWhat do you do now that nothingâs constantly going wrong?â
âNot much,â Hera admits. âIâve been teaching myself new languages.â
âProgramming language or human language?â
âA bit of both?â
âOf course,â Isabel says. She thinks idly that maybe she wouldâve been sarcastic about that, once upon a time, but now it comes out fond. Indulgent. Hera complained about being in a house and how it was so much smaller than the Hephaestus, but now she has the Internet. Thereâs only so much complaining she can do with the entirety of human knowledge at her fingertips. âHowâs everyone?â
Hera hums. âMinko- uh, Renee- shoot. Is it weird that Iâm still having trouble with that?â
âItâs only been two months, Hera.â
âBut I talk to her every day.â
âAnd how many days did you call her Minkowski?â
âMore than sixty,â Hera admits. âOkay. Uh, Reneeâs looking for jobs, although nobodyâs really sure what kind of thing she should look for. Dougâs a waiter now, all the customers love him.â
âAnd everyoneâs in one piece?â
âIn one piece.â She says it so proudly that Isabel canât help but smile. âAnd Reneeâs been helping me practice my French.â
âDo you need to practice?â
âOf course I need to practice, just because I know the whole language doesnât mean I know how to speak it right.â
âOne of these days, you should learn a made-up language. Or make your own.â
âIâve already looked into making up my own, but itâs not as easy as you might think. Itâs kind of a fun side project, itâd be nice to talk to a linguist or something sometime. Figure out how-â
âLovelace?â says someone, about three feet to her right.
She drops her phone. She hadnât noticed anyone coming towards her, and these days thereâs no way to tell if itâs someone hostile or not. From the other end of the phone Hera says something but Isabelâs hand is already halfway into her bag, where she has a knife waiting for her, and she looks up to see who it is and squints against the sunlight and-
âLovelace,â says Mace Fisher, like he thinks sheâs going to disappear.
Slowly, Isabel pulls her hand away from her backpack and lifts her sunglasses, just as Fisher - it canât be, it has to be - drops to a crouch, then his knees. His hairâs longer now, curling in loose spirals around his cheeks. He has the same scar down one side of his nose. Heâs wearing the most horrific swim trunks that sheâs seen in her entire life, and heâs staring, and heâs here.
âFisher,â she says, and he gulps, and suddenly her eyes are stinging. He sits back on his heels, looking winded, and Isabel remembers her phone. She snatches it up and takes a deep breath. âHera.â
âCa- Isabel, whatâs going on, is everything okay?â
Is everything okay. Of course, everythingâs fine. Just Lovelace and her ghosts again. âIâm going to have to call you back.â
âThatâs not a yes.â
âI donât know yet, Hera.â Sheâs still watching him, of course she is. He looks somewhere off over Isabelâs shoulder, mouths something that she doesnât bother to try and understand. He must not be here alone. âItâs⊠complicated.â
âAre you safe?â
âI think so.â
âCall us back,â Hera says, voice small. âJust- just to be on the safe side.â
âOf course,â Isabel says, and hangs up. Fisher is still there, so thatâs a good sign, probably. If this isnât real then at least her brain is collapsing all at once. Hell, they have no idea what the sunâs radiation is going to do to her weird alien brain. Maybe long-term exposure induces hallucinations. Maybe this is the last thing she sees before her internal organs turn to soup. It could be worse, she figures.
Fisherâs still staring at her.
âSo,â she says carefully. âThis⊠is new.â
âYou died in space,â Fisher says. âI donât know if you heard.â
âNo, Iâve been told.â She looks him up and down. She listened to him die, during that meteor storm. They all did. âYou⊠also died in space.â
He snorts. âApparently not.â
They never found a body. Of course they didnât, it was deep space, but they never had anything to remember him by, other than what he left behind. âApparently not,â she agrees, and her voice is a little thicker than she expected. âHow about that?â
Fisher swallows. âThe others-â
Isabelâs breath catches. None of the others had been home, when she visited. âThey- Mace-â
âOh,â Fisher breathes, and lunges forward. Isabel lets him, reaches out, pulls him in. And he feels real, not like a hallucination, not a ghost. Heâs as real as she is and heâs squeezing her like heâs trying to make sure of it, one hand pressing her head into the crook of his shoulder. âCaptain-â
âOh, god, donât call me captain,â she laughs, and he huffs out something like a sob, warm against the back of her neck. âIâm nobodyâs captain anymore, got it?â
âAye-aye,â Fisher says, and fans one of his hands out on her back. Isabel laughs again and her eyes are still stinging but sheâs not crying, she canât cry until she understands. âWhat are you doing here, anyways?â
Isabel sits back on her heels, keeping one hand pressed against Fisherâs shoulder. Just in case he disappears. He pulls away too, a little reluctantly, but one of his hands drops to her knee. âI was, uh. Trying to say goodbyes, you could call it.â
âAh,â Fisher says. âI take it you havenât been back long, then.â
âA couple months.â She shrugs. âGoddard⊠wasnât interested in letting us go.â
Fisher raises his eyebrows. âUs.â
âItâs a long story.â
âI can imagine.â
âWhat about you?â Isabel rubs a hand across her eyes, probably scrubbing salt and sand into them, which has to be why the stinging doesnât go away. âWhat⊠how long have you been back?â
Fisher shrugs. âFive years, give or take.â
âSo you got back after the first mission.â
âFirst mission,â Fisher repeats, something like dread creeping into his voice. âCaptain-â
âIsabel.â
âIf youâre Isabel then Iâm Mace.â
Isabel nods and takes a deep breath. âItâs⊠a really long story. Itâs one I can tell you, but-â
âDaddy!â a childâs voice shouts, from somewhere behind Isabel. Mace is on his feet in a flash, so fast that she barely has time to mourn the loss of contact before heâs off and running. Itâs just enough to make her panic, so she whips around, climbing to her feet in the process. Her sunglasses tilt dangerously to one side, threatening to fall off, and she manages to settle them back on her face just as she spots Mace again.
Heâs crouching low, looking seriously between two kids. Twins, if Isabel had to guess, both of them dark-haired and olive-skinned. They donât look anything like Mace, but one of them has the same stubborn mouth, and one has the same honest eyes. His kids, if ever sheâs seen them.
Cautiously, she takes a couple of steps closer. Mace doesnât notice, talking in a low, serious voice to the twins. âFive minutes, alright? Five more minutes on the sand and then we can go back in the water, how does that sound?â
âBut Kuan said heâs gonna squish my sand castle,â says the one with Maceâs mouth, and Isabel nearly takes a step back. âAnd I donât want him to!â
Mace looks seriously at the twin with his eyes. âKuan.â
âIâm not gonna squish it,â Kuan mutters. âBut Sam said his was better than mine, and thatâs not nice. â
Mace turns back to the other twin, looking exasperated. âSam-â
âMineâs better,â Sam protests, but he falters instantly and turns to his brother. âIâm sorry, Kuan. Youâre right, it wasnât nice.â
âIâm sorry I said I was gonna squish yours,â Kuan says seriously. âThat wasnât nice either.â
âGood job, boys,â Mace says, and both of the twins brighten up instantly. It figures that Mace would have the most well-adjusted kids Isabel has ever seen. âDaddy just needs three more minutes to talk to his friend, and-â
âFriend?â Sam demands, and both twins turn to her immediately, with that uncanny perceptive stare that children always have.
Isabelâs hands are shaking. She notices it sort of absently, the same way she notices thereâs a man with a sleeping baby lying on his chest watching them intently, the same way she notices that the only clouds in the sky are wispy and light and dreamlike. Like it doesnât affect her that sheâs having trouble breathing.
She glances at Mace, over the tops of her sunglasses, and he nods slightly, so she takes a couple steps forward and drops into a crouch next to him. âHi, guys.â
âYouâre friends with Daddy?â asks Kuan.
Isabel nods. âI am. I used to work with him, a long time ago.â
âIn space?â
âYes, in space.â
âWhoa,â Kuan whispers. âWas he cool?â
âThe coolest.â
Mace snorts and nudges her with his shoulder, still as solid and real as anything. âSecond after you, maybe.â
âOh, definitely,â Isabel says, with an exaggerated nod, and both of the twins giggle. âBut, you know, itâs hard to measure up to me.â
âDaddyâs cool!â Sam bounces up and down. âThis one time, this one time he was making pancakes, and he flipped them in the air!â
âIn the air?â Isabel repeats, trying to sound like itâs the coolest thing sheâs ever heard. âYou know, that might just be cooler than me.â
âNever, Captain,â Mace mumbles, and Isabel rolls her eyes. Maybe she shouldnât teach kids to roll their eyes, but if theyâre living with Mace, theyâre probably going to be supernaturally patient. Someone has to teach them. âBoys, we can go in the water as soon as Iâm done talking to Miss Isabel, alright?â
âMiss Isabel?â Kuan turns so heâs looking at her and leans in, putting his face very, very close to hers. It takes all her self control not to pull back. Children can smell fear, or something. âLike baby Izzy?â
âBaby Izzy,â Isabel repeats. âIs that⊠a TV show, or something?â
Kuan giggles. âNo, silly, itâs our sister!â
âSister,â Isabel echoes, feeling like a broken record. They have a sister named Isabel. That canât be right. She turns, carefully, to look at Mace, who is staring intently at the sand by her feet. âMace.â
âMiddle nameâs Victoire,â he mumbles, and meets her eyes, looking sheepish. âThereâs not a lot else you can do to remember people, these days.â
She understands. When the world has already mourned and moved on, when Isabelâs mission to say her goodbyes was met only with acceptance and grief thatâs still heavy on her skin, thereâs not much else to do, other than remembering. He had to grieve already, without her.
âMace,â she says again, her throat so thick that it hurts to say. She swallows a couple times, until she feels like she can breathe again, and says, âWe can talk later.â
âYeah?â Mace says, and she wonders if he expected her to want to talk to him. He looks so⊠hopeful.
âYeah.â She takes a deep breath. âI can⊠you know, I brought books. I have a cell phone that I mostly understand how to use. I can kill time.â
Mace laughs. âYeah, those have changed a lot. You want to come in the water with us?â
Isabel has gone swimming once, in the last two months. It was in a Goddard facility, for some kind of fitness check-up. Itâd been nice at first, cool and refreshing. Chlorine is one of those things that sheâd forgotten, not unlike the exact flavor of potato chips and how to talk to children, and sheâd even appreciated the sting in her eyes.
Itâd taken eight minutes and forty-one seconds, as per her official Goddard chart, before the panic set in. Before the water stopped feeling like water, and all she knew was that she was floating, and if she was floating she mustâve been back in space, back on the Hephaestus, and if she was on the station then she wasnât safe, and-
Nine minutes. A new record, said the Goddard tech who was observing her. Most former astronauts donât even make it to five.
âMaybe later,â Isabel says. As long as her feet are on the ground, she should be fine.
âShe can sit with me,â someone says, off to one side. Itâs the man with the sleeping baby, still watching them. He has one hand resting on the babyâs back, and he looks relaxed, but his eyes are as sharp as anything sheâs ever seen. âIf you want.â
Isabel nods slowly. âI think Iâd like that.â
Mace reaches out and brushes some sand off one of Isabelâs knees, leaving his hand to rest on her thigh. âAlright.â
âAlright,â Isabel repeats, and looks back at the twins. âSam. Kuan.â She has to take a deep breath, because fuck, even that is hard to say, isnât it? How does Mace do it every day? âIt was very nice meeting you.â
âYou too,â Kuan says, very seriously. Just like any kid trying to pretend to be a grown-up. It reminds her of Hui, of her Kuan.
âAre you gonna still be Daddyâs friend?â Sam asks. âBecause you look like a good friend.â
A good friend. A good captain who lost her crew and barely scraped out with her second crew. A good person trying to say her goodbyes.
âI will be his friend,â she says. Itâs too awkward and stilted for a kid but itâs all she can manage. Friends are hard to come by these days.
Mace squeezes her leg and gets to his feet. âWhoâs ready to go in the ocean!â
The twins both scream in excitement, and Isabel glances back at the man who is most certainly Corey. âYou mind if I bring my things over?â
âCourse not,â Corey says, amiable as anything. âAlthough I hope you donât mind that Iâm going to be asking you a few questions.â
Isabel smiles faintly. None of them talked about Their People Back Home too often, at least not in the first few hundred days, but she still remembers Mace talking about his boyfriend. He used to say Corey was smart. And suspicious. She can see that already.
As soon as she settles in next to him, Corey points out towards the water. âI had to come to Sydney for a work conference. It was Maceâs idea to make a trip out of it and bring the kids, and heâs been wrangling all three of them by himself for most of the week.â
Isabel follows where heâs pointing. Mace is in the shallows of the ocean, each twin holding his hand. Every time a wave comes in, no matter how small, they all try to jump over it. She can hear the twins shrieking and laughing, and Mace laughing with them. âHow old are they?â
âThey turned four last month.â Corey smiles faintly. âHe was self-conscious about the name thing. Originally it was going to be Samuel Kuan, and then we found out weâd be adopting twins.â
âAnd you were okay with it?â
âOf course. My boyfriend comes back from space, from the actual dead, and says he wants to name the kids after the people he lost? What kind of a person would say no?â
Isabel nods, and looks at the baby still asleep on Coreyâs chest. âSheâs quiet.â
Corey snorts and strokes the babyâs - Izzyâs back, smiling down at her. âTired herself out screaming earlier.â
âI hear that babies do that.â
âYou have no idea.â
âHow did he come back?â
âWeâre still not sure,â Corey admits, and looks back out towards Mace and the twins. âHe says the last thing he remembers is getting knocked off the station by a meteor, and then next thing he knows heâs back on the station two years later with nobody but that doctor of yours there.â
Something cold creeps up Isabelâs spine. âAnd what did the good doctor do?â
âLied to everyone who came to rescue them.â
âLied?â
âSaid that there was some kind of misunderstanding, that Mace had been with them the whole time in a coma.â Corey shakes his head. âThey made it back to Earth and Selburg disappeared. Mace looks for him sometimes.â
âThatâs good of him,â Isabel says, because it is. Even if Hilbert doesnât deserve a damn good thing anymore. Even if he infected Mace with Decima for the sake of research, for some greater good that turned out to be no good at all. Maybe it was his penance, bringing Mace back to Earth. After all, he knew the theta scenario. He probably knew there was no point in running experiments on an alien.
âYou donât sound like you mean it.â Corey looks at her, eyes narrowing. âDo you know how he came back?â
Isabel exhales. âI do.â
Corey takes a deep breath. âIâm not going to ask you to explain, but Mace will.â
âI know.â
âAnd be careful, when you do. Whatever it is, he already has questions.â
âWhat kind of questions?
âDoctors have been saying heâs in peak condition for the last five years. They also keep saying that he breaks some of their equipment.â
Psi waves, Isabel thinks. Psi waves, or alien biology, or one of those other things that Pryce and Cutter went on and on about.
Because heâs like her.
âIâll be careful,â she says, and turns away from Coreyâs eyes, back towards the shoreline. One of the twins jumps too high and crashes to his knees in the water. Mace lets go of his hand, just long enough to scoop him up and balance him on his hip. âIâll tell him the truth, if he asks, but Iâm not going to scare him away or anything.â
âGood,â Corey says quietly. âAnd I know weâve never met before, but Iâm glad youâre not dead.â
Isabel quirks a smile. âThanks. Iâm glad he came back to you.â
âMe too,â Corey murmurs. Mace picks up the other twin now, holding them both carefully, like itâs nothing. Like he was made to hold them. âMe too.â
 #
 Mace and Corey have to leave first, because when you have three kids you need to feed them lunch. They leave Isabel with Maceâs phone number, Coreyâs number in case Maceâs phone dies, and a small collection of seashells that Kuan picked out for her.
(âI didnât get her anything,â Sam whispers, looking absolutely horrified, and then proceeds to dump a child-size fistful of sand on each of Isabelâs thighs. âIs mud good for your skin?â
Mace, whoâs reapplying sunscreen on Kuan, takes one look at Isabelâs face and laughs so hard that he has to sit down.)
And then theyâre gone, and itâs Isabel, by herself on a beach. Just like she wanted.
The breeze keeps blowing. The air still tastes like salt. The waves keep crashing on the sand. There are still families around, but a few have filtered out, probably to go to lunch or school or whatever else families in Sydney have to do. Maybe theyâre on vacation. Maybe theyâre just passing through. Maybe sheâs just passing through, although sheâs not sure where exactly sheâll go after this. She still has that list: Reykjavik for Victoire, Honolulu for Kuan, Sao Paulo and Quebec and Copenhagen and San Francisco for Sam. Disneyland. New York. Boston.
She doesnât remember getting to her feet, but the next thing she knows sheâs standing in the shallows. The waterâs around her ankles, lapping against her calves, gritty with sand and salt. It feels good. Itâs grounding.
Sheâs holding her cell phone. Slowly, she punches in the numbers and holds her breath.
Renee picks up on the second ring. âHey! I was just about to call you, I got a package from Goddard today. Apparently they archived all of your crewâs old logs on analog recorders. Less of a chance of a hacker accidentally finding some of Goddardâs dirty laundry. Hera and Dom are going to try and convert them to digital for you, although you can always come pick them up in person.â
Isabel swallows. The world seems too bright, suddenly. Sheâs not used to the sunlight, she might never be used to the sunlight again, she spent seven years in deep space and she was dead for three of those. Or maybe she was only alive for two of them.
She remembers Lambertâs voice. Or maybe she just remembers a ghost of it. Itâd be another thing, another thing entirely, to have his logs. Or to have him in front of her. The way Mace was.
âIsabel?â Renee says cautiously. âAre you there?â
âThereâs a baby here named after me,â Isabel says abruptly. It seems like the easiest entry point.
Renee goes quiet. Isabel takes the opportunity to lower herself so sheâs sitting in the water. Sheâd forgotten what sand felt like, but itâs the kind of muddy sand thatâs easy to bury your toes in. She has one foot halfway covered in mud when Renee finally says, cautiously, âWeâve only been back for two months.â
âI know.â
âThatâs not enough time for that to happen.â
âShe was adopted.â
âWho adopted her?â
âMace Fisher, from my old crew.â
Another silence. This one only lasts long enough for Isabel to get the toes of her other foot into the sand, before: âIs there some kind of an explanation for this?â
âI think itâs another theta scenario.â She pauses. âActually, Iâm sure of it, because the only other option is that I just vividly hallucinated a two-hour encounter with five people, only one of whom Iâd ever met before.â
âWho were the other four?â
âHis partner and kids.â
âYou never met them?â
âNever had the chance. Kids are all under the age of four anyways. For all I know-â Isabel swallows, hoping it wasnât too obvious that her voice cracked. For all she knows it was just wishful thinking.
Renee sighs noisily. âDid you look them up on Facebook?â
âWhat?â
âFacebook. Finding a profile page to see if you were imagining them.â
Isabel blinks. âNo.â
âAlrighty then,â Renee says briskly. Itâs kind of a comfort: all business, no question of what it means if Isabel is seeing things, just another fact-finding mission. Isabel can hear her tap a few buttons, and then: âHera, you busy?â
âNo,â Hera says immediately. âNo, Iâm- Isabel! You hung up so fast earlier, was everything okay?â
âI ran into one of my old crew members,â Isabel says, as no-nonsense as she possibly can. Reneeâs certainly not fooled, but Hera just might be, if she plays her cards right. âWeâre trying to figure out whatâs going on.â
âWeâre looking for a Facebook page,â Renee explains. âOr some other kind of social media.â
âOoooh, finally, something interesting!â
Isabel grins. She canât see Renee, all the way in Massachusetts, but she can still imagine Renee grinning back at her. âI donât have a lot for you to go on,â she warns. âHis name is Mason Fisher, and his partnerâs name is Corey.â
âLast name?â
âDonât know.â
âOccupation?â
âCoreyâs a history teacher, or at least he was seven years ago. Mace was in the military.â
âAnything else?â
âThey have three kids, Sam, Kuan, and Izzy.â
âAnd they live in Australia?â
âYes. Although Iâm not sure where.â
Hera hums to herself. âYou sure like to give a girl a challenge, Iâll tell you that. And my first Facebook search isnât picking up anything.â
Isabelâs heart hiccups in her throat. âNothing?â
âNot yet, but I started with all the parameters in place and Iâm broadening the search as we go.â
âTry the other sites too,â Renee suggests. âTwitter, or Instagram, or whatever people are using these days.â
âIâm already running those too,â Hera says. Isabel knows that tone of voice. Itâs the âI donât want to tell you my systems are failing, but they areâ voice. âIâm still not seeing anything. And Iâm running Corey with an E-Y, Cory with just a Y, Iâm putting Kâs in there-â
âHave you tried LinkedIn?â a new voice says. âIf theyâre trying to fly under the radar, which they very well might be, they wonât be on Facebook, but most professionals are on there these days.â
âOooh,â Renee says softly. âGood one, Dom.â
âThank you. Hi, Isabel.â
âHi, Dominik.â
âAre you still in Thailand?â Dominik asks, sounding completely unbothered by the fact that his wifeâs best friend is searching for evidence of someone who might not exist. Isabel likes that about him. He takes everything in stride.
âAustralia, actually.â
âStaying in the warm half of the world, I see.â
Isabel snorts. âYeah, itâs great, itâs always sunny in Sydney.â
âOh, god,â Renee mutters. âYou know, itâs crazy to say this, but Iâm still not used to the sun. Like, the actual sun, you know what I mean? Heat that isnât from a vent, light that isnât from a bulbâŠâ
âOr a star outside the window,â Isabel adds. âAnd isnât blue.â
âIsnât blue!â Renee snaps her fingers. âI keep expecting everything to be blue!â
âAnd way colder.â
âGod, way colder. And I keep forgetting about gravity.â
Isabel laughs, a little more wetly than she intends, but she canât help it. âEarlier today I was lying on the beach, reading a book, and I went to put the book down-â
âOh, no,â Renee laughs, like sheâs already figured out the punchline to the joke. Or already lived it out a dozen times over.
âExcept, of course, I just let go of it, and it fell-â Isabel smacks her knee with one hand. âRight into my solar plexus.â
Dom chuckles. âHopefully it wasnât too heavy.â
âEh, just an airport paperback. Heaviest thing about it was the main characterâs tragic backstory.â She sighs. âWorst part was that I cursed loudly on a public beach and almost woke up a sleeping baby, but-â
âCheck your phone,â Hera says suddenly. âIs this him?â
Isabel pulls her phone away from her ear and looks at it. The message from Hera opens on its own, as messages from Hera are wont to do. Itâs a professional headshot, much cleaner and more put-together than heâd been on the beach.
âYeah,â Isabel says, a little winded. âThatâs Corey.â
âAwesome,â Hera says, clearly relieved. âCorey Rapp, thatâs C-O-R-E-Y, has a LinkedIn profile, thank you, Dominik. Heâs still a history teacher at a secondary school north of Sydney. Government records show he adopted twins about four years ago and a daughter last year, like you said. No evidence of a spouse or partner, at least not on the record, but knowing what Goddardâs like, that doesnât mean anything. Doesnât look like Corey has a Facebook or anything under his own name.â
âNeither do I,â Renee points out. âIf anything that makes them smart. Means theyâre watching out.â
âGood choice,â Dominik murmurs. Isabel agrees, would say as much if she could remember how to breathe.
Mace is here. Heâs alive, more than six years after he died, and heâs also definitely an alien. Sheâs going to have to tell him. Maybe Corey, too, depending on how Mace takes it. Sheâs not the only one in the world, and somehow, thatâs worse than if she were alone. At least if it were just her she wouldnât have anything to feel guilty about.
âLovelace,â Renee says quietly.
Isabel blinks. Her skin is hot. Right. Sunlight. Beach. Sheâs here. âHey.â
âYou okay?â
âIâm good.â
âHera and Dom left,â Renee says cautiously. âYou kinda went dark for a minute there. Anything you wanna talk about?â
âNot really.â
âHow about things you donât want to talk about?â
âOh, there are way more of those, donât worry.â
âIâd be more worried if there werenât,â Renee admits. âSo. You found your alien crewmate who survived the most unlikely series of events that any human has experienced.â
âYou really think thatâs more unlikely than what we went through?â
âEh.â Isabel can picture the accompanying shrug, almost jokingly nonchalant. âItâs gotta be on the list, right? Anything involving aliens is⊠up there.â
âOh, up there,â Isabel mutters, and Renee makes a soft noise that somehow sounds like a smile. âHowâs Doug?â
âDefinitely the most well-adjusted out of all of us.â
âHera said he got a job?â
âHe works the night shift at Olive Garden. Customers love him.â
âWow.â
âYeah,â Renee says, and then goes quiet, and Isabel feels⊠bad, for a few seconds. Sheâd been with Renee and Doug for a while, but what theyâd had, the casual trust and the years of determination to survive, was irreplaceable. Doug-and-Renee is never going to be the same as Eiffel-and-Minkowski.
âHow about you?â Isabel asks, and then kind of wants to kick herself. Thatâs not necessarily a better talking point.
Renee hums. âBetter than Iâve been. Dom and I decided I canât go back to the military, what with being legally dead, so Iâve been trying to put together the case against Goddard.â
âBy yourself?â
âWith Hera, sometimes.â
âSo by yourself.â
âMostly,â Renee admits. âI was going to wait for you to come back, butâŠâ
But this trip was supposed to take two weeks, tops, and Isabel hasnât come back yet. But she has a second list of places to visit. But now she found somewhere else that she could stay for a while. But you canât plan on someone who might not come back, donât you know that by now, Captain?
âIâll help once Iâm back,â Isabel says, which she figures is the most honest thing she can say. When sheâs ready sheâs going to burn Goddard to the ground. Which reminds her: âHave you heard anything from Jacobi?â
âNot yet.â
âAnd you havenât tracked him down?â
âIsabel,â Renee chides. âHeâs an adult, heâs not my responsibility, and if his way of handling it is leaving, then Iâm not here to judge him for it.â
âSo thatâs a no,â Isabel says, and grins when Renee groans. âHeâll turn up sooner or later.â
âYeah, I know. And what about you?â
âWhat about me?â
âFisherâs alive,â Renee says, like Isabel could have possibly forgotten. âYouâre not the only theta scenario. Youâre in another new country by yourself. Take your pick. I have a couple reasons to be worried here.â
And Isabel thinks about it, actually thinks about it. Itâd be easy to lie, sure, but Renee would know, and she figures if theyâre in this whole space trauma business together she might as well be honest.
She pulls one of her feet out of the sand, sticking it into the water. âI'm coping,â she says slowly. âItâs early yet in the process. I think I might be going through the opposite of the five stages of grief.â
âIs that going through the stages in backwards order or experiencing the opposite of each stage?â
âIâll let you know.â
âThinking you were hallucinating could be a form of denial,â Renee says, far too thoughtful. âOr the opposite of acceptance? Is that how it works?â
âI donât know, shrinks gave up on me, remember?â Isabelâs phone buzzes in her hand, and she glances at the screen. âMace is calling me.â
âThen answer!â
âOkay,â Isabel says, and then, âThank you.â
Renee doesnât ask what sheâs thanking her for. Sheâs smart like that. âAny time. Time zones donât matter, just call.â
âI will,â Isabel says. Itâs not quite a lie. âTalk to you soon, Renee.â
âTalk to you soon, Isabel.â
Isabel swipes over to answer. âMace.â
âIsabel,â Mace says brightly. She almost doesnât catch the note of surprise. âI realized I forgot to ask how long youâre in Sydney.â
âUntil I leave.â
âNo dates?â
âWell, you know, international travel gets a lot easier when a multibillion dollar company is footing the bill.â
âHuh,â Mace says. âWell, if youâre not busy tonight-â
âIsabel,â Renee says, sounding far too amused, and Isabel almost jumps out of her skin in surprise. âYou didnât hang up on me.â
Isabel frowns. âApparently not. Did I make it a conference call?â
âYouâre still not used to the new phone,â Renee says smugly, which is completely unfair. Phones have changed a lot in seven years, and Isabel is entitled to a few moments of staggering confusion. âThatâs okay, you know.â
âTook me a while to get used to it too,â Mace says, in whatâs probably supposed to be a sympathy move. âTouch screens and all.â
âYou must be Mace Fisher,â Renee says, and Isabelâs breath catches. Itâs so outrageously her, making a point of acknowledging that she can hear the person on the other end of the phone. âIâm Renee Minkowski. Former commander of the final mission to the USS Hephaestus Station, which is currently space dust.â
âCanât say Iâm sad to hear about that,â Mace admits. âAnd Captain, you owe me⊠so many explanations for all of that.â
âMany, many explanations,â Isabel agrees. âI can pay for drinks too.â
âIâll leave you two to make plans now.â Renee pauses, and Isabel can feel the smugness from thousands of miles away. Itâs strangely comforting. âIsabel, donât worry, I can hang up on my own.â
âIâm so happy for you,â Isabel says as dryly as possible. âIâll call you soon, Renee.â
âYouâd better,â Renee says, and then thereâs a soft beep.
Isabel exhales. âSo. Drinks?â
âI probably shouldnât leave my hotel, if Coreyâs alone with the kids, but-â
âHotel bar?â
âHotel bar. Iâll send you the address.â
âLet me know when itâs a good time to come.â
âI will.â Mace pauses. âSo, we can talk about this later, butâŠâ
âBut?â
âRenee, hm?â
Isabel groans. âMace.â
âAre you guys close?â
âCome on.â
âNo, Iâm just saying, you sounded happy to talk to her.â
âThatâs because I was.â
âGood,â Mace says, sounding pleased. âI have to run now, I just wanted to call and check.â
âYeah,â she says softly. âIâll see you tonight, Mace.â
âIâll see you tonight,â he echoes, and then thereâs that soft beep again, and Isabelâs alone on the beach.
One of her feet is still buried in the sand. Carefully, she wiggles her toes. The mud squishes between them. It almost tickles, and she can feel some of the sand dissolving in the water. The shallows are still lapping around her, against her hips, her thighs, one hand that she plants in the sand while she cradles her phone in the other.
There was a point where she thought sheâd never make it back to a beach. She hadnât been to many beaches before space, and definitely not many with actual oceans. The Air Force isnât exactly interested in destination resorts, after all. But here she is. Sitting on a beach in Sydney.
Isabel swirls her hand through the water, letting the sand cloud around her. She never thought she would feel sand again. Or sun. Or the sheer gratitude of knowing that someone else made it out alive. She has another list, one thatâs been getting longer: things sheâs getting to experience again. Maybe for the first time, depending how you look at it.
Sydney is bright in the summer. There are people waiting for her in Boston, and a list of cities she has to visit. Thereâs a stack of books on the beach, next to her backpack, underneath an umbrella. She should go back to those and make some kind of progress, or at the very least make sure nobody takes her book before she can finish it.
She stays in the ocean, just a little longer. Itâs not every day that she gets the chance.
#wolf 359#wolf 359 fic#w359 fic#isabel lovelace#mace fisher#waveridden.fic#i'm not tagging anything else this is already niche as fuck
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To Be or not to Be
Itâs the weirdest thing when you meet your former best friend, and you have nothing in common any more.
Bonnie was at the shopping mall to grab a new book. She loved spending her weekends curled up in a blanket, reading a good story while drinking a hot tea, only stopping for the occasional food, bathroom, or vinyl break.
Her professor had left early today because she had been having a migraine attack, which left the afternoon of most English Literature students at the university, including Bonnie, wide open.
Her mind occupied with what book to buy and what ice cream to complement it with, Bonnie didnât even see the young man who had stepped in her way until she almost ran into him.
âGot any change?â he asked.
Without looking at him, Bonnie replied, âNot really. I prefer spending the little money I have via credit card. It seems counterintuitive, but it somehow works for me. I spend less when Iâm not sure how much I have left.â
âHe didnât ask for spending tips, he just asked for a little change.â
The voice seemed strangely familiar.
âWell, I donât have any, okay?â
The face looked familiar, too. So much so that Bonnie said, âBelinda, is that you? I didnât recognise you with that green hair and your, ahem, new look.â
âBelinda? Who calls you Belinda these days? This is Bindy. And sheâs a proud fuck up, just like we all are,â the man in Bonnieâs way howled.
âDonât scare her like that, Buck. Bonnie is a delicate soul.â
âBonnie. Another potential B for our exclusive club. Wanna join the âFive Bâsâ, make it the âSix Bâsâ instead? Bindy has been lonely lately, and youâre kinda her type. For some reason, she likes bookworms.â
âShut up, Buck. Donât listen to him, Bonnie. Heâs just trying to get a reaction out of you. Besides, Iâm not even looking for someone new. Iâm perfectly fine on my own.â
Belinda paused for a moment before she smiled and added, âBut Buck is right about one thing. This will be a pretty lonesome weekend for me. Alone in the woods with two couples. Weâre going on a little trip, you know. A weekend getaway in the hinterland. Billy knows the owner of what he calls an oasis in the mountain woods. Donât try to explain to him that an oasis is always situated in a desert. Heâs hell-bent on using the phrase.â
âIt sounds cool,â said a small guy with a half shaved head. He was sitting next to a lanky man with long bleached hair who said, âIt fucking does, babe.â
They were both wearing skinny jeans with holes at the knees and a The Clash T-shirt. That generally seemed to be the uniform look of the group.
Bonnie looked at the ground as she said, âAn oasis in the forest is indeed an oxymoron. Unless, of course, heâs referring to the secondary meaning of the word âoasisâ as a refuge. Then itâs perfectly fitting. Either way, I wasnât gonna say anything.â
âOf course not. You never wanted to hurt anybodyâs feelings. So Iâm sure you wonât hurt mine when I ask you now if youâd join us on our little trip?â asked Belinda with a slightly shy yet beaming smile.
Bonnie looked back down at the floor as she answered, âI already have plans for the weekend.â
âDo they involve other people, or will you be alone in your apartment watching sad movies all day long?â said the young man called Buck, who was still standing much too close for Bonnieâs comfort.
âNot sad movies but a good book will be my companion this weekend,â she replied, looking up defiantly. âPlus, I have a paper to finish. Iâd rather stay in.â
âOh, come on, Bonnie, live a little,â said Belinda. âHow often have you stayed in a mansion? And the two of us will have a lot of time to catch up while these four keep each other company.â
âKeep each other company? Weâll fuck each otherâs brains out. At least Billy and I will. I donât know about these two prudes,â said the tall guy with the bleached hair while pressing his boyfriendâs hand.
âWho are you calling a prude?â The girl with the pink short hair grabbed the buttocks of Buck, who grunted with what seemed delight.
âStop your squabbling,â said Belinda, âyouâre scaring my friend off. Please, come with us, Bonnie. I promise you theyâll behave. Itâll just be like old times, when we were the Two Bâs, just that itâs now the Six Bâs.â
Bonnie smiled while her thoughts were racing. It would indeed be nice to spend some time with Belinda, Bonnie had missed her quite a lot over the years. And her story-filled mind craved an actual adventure in real life. But she also really needed a quiet weekend alone, it had been a stressful week.
Plus, her feelings were a little hurt. Back in the day, the Two Bâs had only been the two of them, Belinda and Bonnie, nobody else was allowed in the club. That had been the rule.
Apparently, that wasnât true any more.
Bonnie felt hurt on a deep, personal level. It even went so far, that it ruined the treasured memory of something she had never shared with anyone, not even Belinda.
Because Bonnie had always thought of the Two Bâs as the âTo Be'sâ, a reference to Shakespeareâs âTo be or not to beâ. Every time they had called themselves by their clubâs nickname, Bonnie couldnât help but think of that famous line: to be, or not to be, that is the question.
She cynically thought that in terms of their friendship being unique, the answer had to be a ânot to beâ after all. That realisation made Bonnie pretty sad and stung quite a bit, but then, to her surprise, her thoughts turned somewhat angry.
Billy, Bobby, and Becky werenât even names that started with a B, there were just nicknames that started with a B. Those certainly werenât their birth names. Unlike Belinda and Bonnie, those were proper B-names. And Buck, what kind of name was that? Was that even his given name or just some random word he called himself?
Bonnie didnât care to find out. The more she thought about it, the more she was looking forward to her time on the sofa with a good book in one hand a an ice cream cone in the other.
* * *
Three hours later, Bonnie got out of the one car they had all shared, thinking that she really needed to work on her ability to say ânoâ. She had been cooped up in the middle seat in the back of the car with Belinda to her right and Buck and Becky to her left.
Those two had been sharing a seat and had been furiously making out for the whole drive. Sitting next to them had been uncomfortable to say the least.
After everyone had stepped out of the car, the others walked over to the lawn. It was lined with a row of greyish white stones of all different shapes and sizes. The five youths lifted various of the little rocks and put them down again, getting more and more frustrated with every stone.
âAre you sure thatâs our way in, jackass?â said Bobby.
âYeah, blockhead. It has to be under one of these stones. The stoneâs fist-sized, thatâs all I know, ahem, I mean, remember,â replied Buck with a sideways glance at Bonnie.
âGood thing you brought me with you then because I just found it.â Becky put down a small rock and handed the key over to Buck.
âEverythingâs better with you around, baby. Who would I screw if you werenât here?â
âYourself,â interjected Bobby, which made everybody laugh. Even Bonnie couldnât stifle a chuckle.
Bonnie entered the house last. Its big, impressive entrance hall had a marble floor, and two wide hallways branched off to either side. But what really caught Bonnieâs eye was a long polished wooden display table with beautiful stone sculptures on top. All three of them were about the size of a wine bottle and depicted dancing fairies. The car keys were hanging from the forearm of the middle one, and it almost looked like the keys were a part of the sculptureâs attire. Behind the table, a broad, polished wooden flight of stairs went up to the upper floor.
Becky and Buck were already stumbling up the stairs. They were half tripping, half making out, as they moved towards what was probably the bedrooms, scattering the house key and several items of clothing all over the steps.
From her left, Bonnie heard Bobby howl, âJackpot. Thereâs a lot of expensive-looking booze in the liquor cabinet.â
âThen letâs get shit-faced. Thereâs not even any reception out here, so weâve got nothing better to do anyway,â was Billyâs answer. It was coming from the same direction.
Bonnie went the other way, down the hall to the right. There was a door not far down the corridor labelled âGuest Bathroomâ. From there, the hallway continued around a corner to the left. Bonnie turned the corner and suddenly stood in a wide kitchen.
It had a country-style wooden look, and a long row of windows straight ahead directed the view to a huge and well-kept garden.
There was also a row of smaller windows to Bonnieâs right, where the stove and sink were located right next to the fridge. The refrigerator was currently open and half of Belindaâs body seemed to be lost in the vast space it opened up into. Bonnie had never seen a fridge this huge in all her life.
Belinda had a disappointed look on her face when she closed the large silver door.
âItâs turned off. Thereâs nothing in there.â
âWell, thereâs always the cupboards,â said Bonnie with a smile.
Half an hour later, the house was filled with the lovely smell of a hearty home-cooked meal that mostly consisted of canned food. Bonnie and Belinda had both always had a knack for cooking and used to cook together quite often, so they managed to create a rather delicious meal even though they had no fresh ingredients at hand.
Becky put the first two plates of noodles with âtomato sauce Ă la surpriseâ on the long wooden table. It had eight chairs to go with it and was clearly meant to host rather big and fancy dinners, which made it perfect for their party of six.
Buck and Becky entered the room and joined Billy and Bobby on the white sofa that was standing not far from the kitchen counter, which served as a room divider.
Buck sneered at Bonnie as he said, âWe wanna eat our lunch over here, sweet Miss Proper.â
âIf you make breaking conventions a rule, it becomes just another convention. But have it your way, Mister Rule Breaker,â said Belinda while bringing two plates over to the group situated around the coffee table.
Bonnie followed Belindaâs example and took the two plates she had just put down on the big table with her when she joined the others. There was hardly any room for the plates since there were already a half-empty bottle of expensive vodka and six shot glasses on the coffee table, but they managed to make it work somehow.
They sat around the small glass table, most of them sitting on the floor and putting their food and drink on the couch, ground, or their laps.
The lovely alcove by the windows looked like a mess after they had finished their meal. Becky had managed to spill tomato sauce on the delicate white fabric of the sofa, but no one seemed to care. Buck just flipped the cushion over, and that was that.
Bonnie was piling all the plates and cutlery into a tower of dirty dishes and was about to carry them to the kitchen, when Buck insisted on everyone sharing a toast. He was smoking a cigarette, using a gorgeous small ceramic bowl that had been sitting on the windowsill behind him as an improvised ashtray.
âBut I donât drink. Iâll just wash the dishes while you guys go ahead,â said Bonnie.
âWhatâs one drink, dear Miss Proper? Iâm sure you can handle that much,â roared Buck.
âItâs not that I canât handle it. I just donât like the taste of alcohol.â
âJust one shot. Itâs over quickly, and then you can wash it down with a tea or whatever it is that you do enjoy the taste of.â
âI donât know.â
âAre you a chicken or what? One shot wonât even make you drunk. And I will be offended if you say no and that goes for the others too.â
They all seemed to agree, judging by the chorus of voices that followed. Bonnie was fed up with being treated like a child by most of these people, most of all Buck. So she took the shot glass he handed her and emptied it in one big gulp. She didnât cough and didnât even bat en eye as she put the glass back down on the table.
âNow, if youâll excuse me, Iâd like to wash the dishes. I donât like living in my own filth.â
âDamn, woman. Maybe you have a backbone after all,â said Buck as Bonnie was already walking over to the sink, balancing the tower of dishes in her hands.
After Bonnie had put the dirty dishes in the sink, she noticed Belinda behind her, bringing over the shot glasses and the defiled ceramic bowl. In the background, the others were climbing out the window behind the sofa they had just sat on, trampling all over the couch while making their way to the lovely garden, completely ignoring the big slide door only a few paces away from them.
âTheyâre nice people once they warm up to you. It just takes them a while to let someone new in,â said Belinda while putting the glasses and bowl into the kitchen sink.
While Bonnie was still thinking about how to respond, Becky shouted from the garden, âAre you coming, Bindy? You can bring your friend.â
âScratch that. Let little Miss Proper wash the dishes. She can join us once sheâs done,â added Buck.
âReal nice people. Iâm sure youâre right about that,â said Bonnie. âBut I actually agree with Buck here. I prefer doing the work before play. So you guys go ahead, Iâll catch up with you later.â
âYou sure? Thanks. Honestly, Iâve been dying to explore the garden. Thereâs this ominous slope and I want to see where it leads.â
âYou go have fun, Belinda. But be careful.â
Belinda rolled her eyes and smiled as she squeezed Bonnieâs hand. Then she walked over to the sofa and climbed out the window.
Bonnie could see the others through the kitchen window while she was washing the dishes. They were standing over by the drop, looking down towards the unknown. Buck put his hands on Billyâs shoulders, pushing him forward as if he was trying to shove him over the edge, but then pulling him back. This earned him a not so soft punch in the stomach by Bobby, whose long blonde hair was blowing in the wind.
Bonnie focused on the dishes again and was a little startled when there was a soft knock on the window in front of her. Belinda smiled at her through the glass and beckoned Bonnie to follow her as she passed through to the right, following the others to a covered veranda. Bonnie couldnât see what was over to that side because there was a waist-high wooden fence obstructing her view.
She could only see rays of golden late-afternoon light passing through the narrow slits in the fence and shadows dancing in those beams as the others moved behind it.
Being done with the dishes anyway, Bonnie decided that it was time for the fun part to begin, so she went over to the sofa, sighed at the bootprints on it and climbed out the window, too. She walked over to the wooden veranda through an open door in the fence, joining Belinda who was standing in front of a metal cage.
Belinda was staring intently at whatever was in there while grabbing Bonnieâs hand. Bonnie squeezed her friendâs hand as well and turned to see what was in the cage.
At first, she thought it was a big dog that seemed to be hiding in the shadow of the fence. But as her eyes adjusted to the darker environment of the cage, she saw that it wasnât. The creature was much more humanoid and seemed to be squatting while its hands touched the ground. It looked completely dishevelled and seemed to be wearing scraps. In fact, the more she looked at it, the more Bonnie realised that âitâ was the wrong pronoun to use. This was a woman, hiding in the shadow of the calf-covered cage. The scraps she was wearing barely covered the most delicate parts of her body.
Her face seemed to be scarred, like someone had cut her mouth open towards her ears and left a thick brownish-pink scar.
âIs that âŠ? Is she âŠ? Where are the others?â
Instead of saying anything, Belinda pointed her free hand at a little shack in the big cage. There were muffled noises coming form that direction, but Bonnie had almost no time to notice them because the dirt-covered woman started crawling towards them. She was moving in a strange way that didnât seem human and was weirdly choppy.
âAre you okay, Miss? Do you need help?â
Belinda squeezed Bonnieâs hand and shushed her. The woman in the cage was still moving slowly towards them, demanding all their attention with her strange not-quite-human looks and movements, when the others suddenly burst out of the shack and came running towards the cageâs door, which had been ajar the whole time, unbeknownst to Bonnie. The terror in their eyes sent shivers down Bonnieâs spine, who took a step back, ready to run. But Belinda was still clutching Bonnieâs hand, and as Bonnie tried to pull her back and away from the cage, Belinda was frozen in place, staring at the woman crawling in the cage.
Bonnieâs gaze followed that of Belinda, and she froze as well. As the woman slowly opened her mouth for an unnatural hiss, not only her lips parted but the scar tissue also gave way to reveal an unusually long row of pointy teeth.
Bonnie stood there mesmerised, and she barely noticed how Belinda let go of her hand, screamed, and stared running, calling for Bonnie to follow.
The others had reached the cellâs door and pushed it open, so that it slammed against the metal frame of the cage, startling Bonnie into action.
She ran off the veranda and onto the lawn, perceiving that the others had already gained a lot of ground and were running towards the slope that was the natural border of the property.
âThe drop is too steep,â screamed Belinda while considerably slowing down her pace.
âIâd rather take my chances crossing the river down in the valley than staying here with the familyâs freaky pets,â shouted Bobby.
âMe too, babe,â were Billyâs words as he ran over the edge and disappeared quickly.
Becky fell onto the lawn and gave a little scream, which made Buck turn around and help her up before he dragged her behind him towards the edge. They had almost left Bonnieâs field of vision, holding hands, running as fast as they could, when two shadows showed up behind them, seemingly out of nowhere, and threw them to the ground.
Two monsters looking similar to the woman with the scarred cheeks except that they were apparently male, loomed over the two lovers on the ground and howled in a way that made Bonnieâs blood freeze. She had come to a standstill next to Belinda, staring helplessly at the scene.
As the two monsters lowered their huge mouths towards their victims and ran their claws into the loverâs backs, another shadow ran past them and down the slope in fast pursuit of the two young men.
Bonnie, suddenly aware of her situation, tore her gaze from the ghastly scene in front of her, and pulled Belinda towards the window of the villa.
âCome on, Belinda, weâve gotta get to the mansion and barricade ourselves in there. Itâs our only chance. We can call the police in there. There must be a land-line phone somewhere.â
Her words actually reached Belinda despite her frozen state, but they had the opposite effect of what Bonnie had intended.
Belinda suddenly turned on her heel, violently broke free of Bonnieâs grip, and started running towards the slope, following the others to what could only be seen as certain doom. With her friend out of reach, Bonnie screamed at the top of her lungs, âBelinda, what the fuck! Itâs this way!â
As if shocked by Bonnieâs sudden out-of-character profanity, Belinda actually turned around and started to move towards the villa instead.
Bonnie had already reached the window and was climbing in when the unnatural hiss from before came from the veranda. She turned her head just in time to catch a glimpse of the woman who had mesmerised both her and Belinda, before Bonnie slipped through the open window and into the parlour.
Standing on the sofa, Bonnie was holding the window open, ready to slam it shut as soon as Belinda joined her.
Bonnie watched her childhood friend run towards her, with the two dead bodies lying on the ground behind her. The monsters that had been feasting on them had finally let off and were now heading for the slope instead, joining the chase of the boys whose screams were echoing in the vale.
Belinda was getting closer to the window, and Bonnie felt a wild, almost fiery hope growing in her chest. But then she noticed the two lovers in the background getting up from the ground.
Those two looked at each other with animal-like eyes, and their faces moved in towards each other as if they were about to kiss. But instead, they sank their teeth in each others flesh, biting the others neck with animalistic delight and ripping out pieces of muscle with long, pointy teeth. As they slowly ate each other with pleasure, their mouths tore open all the way to their ears, showing an unnaturally long row of teeth ready to devour each other as well as anyone else.
Bonnie screamed a very high-pitched, long cry as she saw that carnal display of consuming love, which drew the attention of everyone around. Belinda turned her head mid-run, which made her lose her balance and stumble, and the monsters that had been Becky and Buck only mere moments ago looked up from their bloody embrace.
They looked at Bonnie for a moment and then focused their attention on Belinda. Their desire for prey must have beaten their lust for each other because they both stood up in almost perfect synchronisation, moving in a strangely choppy way.
Belinda, who had fallen onto the ground, shrieked at the sight of them and then started crawling towards Bonnie and the safety of the mansion. As their eyes met again, both young women saw a terror in the otherâs gaze that was beyond anything they had ever seen before.
Bonnie waved her left hand in a frantic motion and yelled, âTheyâre gaining on you, Belinda! You wonât make it in time crawling. Get up and run!â
Stumbling to her feet, Belinda accelerated her run while the monsters got closer to her as well as the window, making Bonnieâs heart pound faster and faster with every step they drew nearer.
With their inhuman speed, the two monsters had almost reached her when Belinda made it to the window. Bonnie wrapped her right hand tightly around Belindaâs forearm, ready to pull her in when the look on her friendâs face suddenly made her stop.
Belindaâs eyes went from alight with hope and adrenaline to black with despair and pain in an instant. She looked down at her own belly and tears ran down her cheeks while she tried to suppress a groan.
Bonnieâs eyes followed those of Belinda and arrived at her belly, where she saw a thin red line form from Belindaâs chest to her navel. It erupted into a gaping hole, spilling blood and little bits onto the windowsill and all over the white couch. Little droplets got sprayed all over Bonnieâs blouse, face, neck, and forearms, making her feel strangely wet and warm.
Looking into her friendâs terrified eyes, Bonnie saw the monsters bloody faces coming ever closer and their clawed hands gripping Belindaâs torso.
Without a conscious thought, the hand that had been ready to pull her friend to safety now pushed her away instead when Bonnie drove Belinda into the two monsters while she slammed the window shut with her other hand.
The expression in Belindaâs eyes went from sheer terror to utter disbelief as she realised what had just happened. Bonnie had slammed the window shut before the three outside hit the ground, and she was already on her way to the kitchen when the two monsters started feasting on her childhood friend.
When Bonnie arrived at the entrance hall, she could hear claws scratching against the front door. Panicked, she looked around and saw the key still lying on the stairs. She grabbed it as fast as she could and ran to the door, practically throwing herself against it as the doorknob started turning.
The sudden impact must have startled the monster, giving Bonnie enough time to shove the key into the hole and lock the door. She silently cursed the fact that she couldnât just walk out the front door and drive off back to civilisation to get away from this nightmare and maybe even get help for the others. Perhaps there was a way to reverse this transformation. With science and medicine being as advanced as they were nowadays, there was still some hope, wasnât there?
The scratching at the door started again and was followed by loud banging noises. Horrified, Becky ran over to the display table and took the car keys from the arm of the dancing fairy. Then she walked past the sculptures and took a running start, so that she ascended the stairs two steps at a time.
While running upstairs, Bonnie couldnât help but notice that whenever someone went upstairs in a horror story, they usually ended up being the next victim. But she obviously had no other choice. Bonnie suddenly knew what it was like to be the character the reader or movie-goer cursed at for doing the stupid thing.
At the top of the stairs was a big open space filled with many beautiful works of art: more sculptures, several old as well as modern paintings, and even the furniture clearly consisted of artisan pieces. There were several doors, and on instinct, Bonnie opened the one that was straight ahead.
She entered the master bedroom. Sweeping the room with her gaze for a way out, she couldnât completely ignore its beauty. The wide open space of the gabled bedroom held a gorgeous light-coloured wooden desk and chair, and a big closet to go with it.
There was a canopy bed with untidy bedclothes â this was most likely courtesy of Becky and Buck â and behind it, the room opened up to a balcony that went along the whole length of the room, overlooking the garden. Bonnie recognised the balcony as a possible way out, but then again, the garden wasnât at all where she wanted to be.
A little door to the left caught Bonnieâs eye when she was scanning the room. She went over there and opened it, which was how she found herself in the master bathroom. She hardly noticed the bathtub, toilet, and towel racks, but instead focussed her attention to the dormer window next to the washbasin.
Following her instincts once more, Bonnie climbed out the window and onto the roof. The sun was slowly setting behind the gable as she started her ascend. The tiles were easier to navigate than she thought, so that she reached and straddled the houseâs topmost point in no time.
Now, all Bonnie had to do was to climb down the other side of the roof and find a way down the facade of the building on the other side to get to the car. She figured that that shouldnât be too hard because from up here, she could overlook nearly everything.
Scanning the area, Bonnieâs heart sank, and her newfound enthusiasm went as quickly as it had come. Even though they hadnât spotted her yet, she could see the monsters everywhere. There were several in the garden, two of which looked like Bobby and Billy, who must have been caught down the slope and came back up to join the others.
Other monsters, some of the original cage dwellers by the looks of it, were circling the premises. Even up on the roof, Bonnie could still hear someone banging against the entrance door, making it infinitely harder to reach the car.
Yet that was still her best bet. If she could divert their attention somehow â maybe by throwing a roof tile to lure them away from the door and the car â she might be able to escape. Feeling hopeâs spark kindled once again in her chest, Bonnie made her way down the other side of the roof.
She had only swung her leg off the gable to begin her descend when she heard a scratching noise behind her. She froze mid-motion and then slowly turned her head towards the noise. Even in her despair, Bonnie had to smile. It was always the harmless-looking ones.
The woman from the cage lifted herself up the edge of the roof as if it was no feat at all, and then pulled up Belinda in one smooth, sweeping motion. Both of them stared at Bonnie with eyes filled with hunger.
Slowly but surely, and with her gaze fixed on the approaching monsters with their long rows of teeth glistening in the setting sun, Bonnie started climbing down the roof towards the car and towards freedom.
To be, or not to be, that is the question that would be answered for Bonnie shortly.
âSubmitted by Lone-Eyed
#spoospasu#spookyspaghettisundae#horror#short story#writing#my writing#literature#spooky#fiction#submission#to be or not to be#the b's#long short story#Bonnie#Belinda#Bindy#Billy#Bobby#Becky#Buck#punk#mansion#squatting#party#bookworm#couples#real-life adventure#escapism#monster#monsters
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Think about it, How money really works? It will help you consider the value of money all the time and lead you to focus on getting the power of economic freedom by having a lot of money in your life. So don't be such a loser! First of all, clean the damn room in your mind ! In this article, I'm describing the Five money secrets that will guarantee you to become rich or poor. And knowing the facts about all the misconceptions about money in five easily understandable secrets.
#Learn How to grow money in plants, by applying money-making secrets
Money secret number one, and that is money moves to those who are not afraid to talk about it. People ask me all the time, why do you talk about money all the time? You see, there's nothing wrong or evil about money. Money is neutral. Imagine if you enjoyed talking about basketball. Raptors, NBA, Canadian team, right.. and If you enjoyed playing basketball or watching basketball, would you be ashamed to talk about basketball with your friends, or your buddies? No, you wouldn't. Then why would you be ashamed of talking about money? You see, you have a story in your mind right now about health, about success, about life and also about money. You have a story in your mind right now and guess who created those stories? Could be your parents, could be your relatives, could be the people that you know, you love, your brothers and sisters, your cousins, it doesn't matter, but you picked up those stories from somewhere. Remember when you were a little kid? The horror story, the scary story, the spooky story, the boogie man hiding in the closet? Someone planted those thoughts in your mind and someone planted those thoughts about money in your mind as well. That it's hard to get money, that rich people are bad, that you have to do something bad to make money and it's one thing to make money and it's very difficult to keep money and if you make the money and now you lose it, then you look really, really stupid. This is simply not true. The people who are struggling with money, they're afraid to talk about money and believe me, they do talk about money. The difference is they argue over money. Do your parents argue over money? Do you argue over money with your loved one, your spouse, your boyfriend and girlfriend? I remember one of the few times in my life that I saw my mom cried was because we ran out of money, so remember the above money secret number one, money moves to those who are not afraid to talk about it. Money secret number two, money moves to those who love it the most. Money is a lovely thing. It is a statement of abundance, not scarcity. You see, only people with money forget about money. Take this moment for example. You don't think about oxygen, why? Because you have plenty of it. You are breathing in and you are breathing out. You don't spend a second thinking about it, but the minute let's say you're under water, and you're running out of air, you're running out of oxygen, guess what? The only thing you can think about is (inhales) air, oxygen. When you have plenty of something, you don't have to think about it. It's very difficult to not think about money and care about money when you don't have any. When you are worried about paying the bills, when you are worried about your credit card debt, when you are worried about paying your rent, you have to think about it. It occupies your mind, it restricts your ability to do other things and focus on other areas of your life. You see money gives you the ability to love, to give, to express yourself, to be more, to do more, to uplift others, so love money, love your family, love yourself, love helping people. There is nothing wrong with that. You can love everything else including money. Money secret number three, and that is money moves to those who understand it the most. How much do you understand the money? Think of the language you're speaking right now. How long did it take you to learn this language? How many years you spent learning, writing, and speaking the language you're speaking right now? How much time did you spend learning about computers or the internet? Now the question is, how much-focused education did you get about money when you were growing up? How much time did you spend learning about how money works, how to make money, and how to create wealth as an adult? Do you speak the language of money, which is accounting? Do you understand these words, words such as retained earnings, return on investments, depreciation, cost of goods sold, accounts payable, accounts receivable? All these words, that's what made up the language of money. If you're like me, I basically got zero education growing up when it comes to how money works. How do you make it, how do you keep it, how do you invest it, how do you multiply it? I got zero mentoring in all these areas and that's why, You see, how can you understand a language, how do you master a language, when you don't even understand the words? You first have to understand the words, then you can master the language, then you can use the language, but first you have to understand how money works so you can become a master of money. Money secret number four, money goes to those who know how to circulate it. Now in Chinese, the term making money (In Chinese) also has a separate meaning, meaning to circulate money, (In Chinese). It's not just to hold onto it and keep it, and not spend it, it's to circulate it. You see whenever there's a contraction in the economy, what does the government tell you? You go out there and you what? Spend money. Go, spend money, consume. Hire that new employee, go start that new business, make that investment, go on that trip, buy that car, they want you to spend because it keeps money circulating. So money goes to those who know how to circulate it. In terms of business, go, open that new office, expand. That's how you keep billions, and billions and billions of dollars going and that's how you create momentum in the economy. Same thing in sales; a salesperson, a closer could circulate money because they are making money move. Without them, they would not have made that sale. That sale would not be there. The goods and services, that transaction would not take place. So money goes to those who know how to circulate it. Money secret number five and that is, money moves to those who know how to multiply it. I want you to look at the richest people in the world. Some of the richest people in the world, they are money managers, they are investors. Now, why do people throw money at them? Because they know how to multiply money. They know how to generate good returns for their investors. It's very simple. Once you know how to multiply money, you don't have to chase money, money chases you. I remember back then, when I was a teenager, when I was asking the bank to give me a credit card, a credit card for $1000 and they wouldn't give that to me. Why? Because back then, I didn't know how money works. I didn't know how to multiply money. They wouldn't even give me a credit card, a limit of $1000, and now the banks call me and say, do you need a loan? Do you want to buy a building? Do you want to expand your business? We're more than happy to give you a huge line of credit, unsecured. Why? Because they know I know how to multiply money now. So I want you to rate yourself, comment below, based on these five secrets. Number one, do you talk about money? Number two, do you love money? Number three, do you understand money? Number four, do you know how to circulate money and number five, do you know how to multiply money? Give yourself a rating, zero being horrible, 10 being fantastic. That tells you exactly why you're where you are financially and what you need to do to fix it. Now, if you're like most people, you'll probably read this article and say oh, great, that's a great idea. I need to work on this, I need to work on how to circulate, I need to understand money, I need to do this and all that, but most people they talk about it, they don't want to do shit about it, but if you actually want to do something about it, and you want to fix this problem, but if you could apply the above five secret consciously into your life then you would be able to help yourself to change your life around the thought process that whether personal wealth or money really works.
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Concerning my post from the other day:
TL;DR:Â Sorry for pissing you all off and assuming you had no idea what you were getting yourselves into.
That being said, I do have more to say, but if you were just looking for my apology and wanna bow out, Iâm putting it under a read more so you can skip it more easily.
Iâm not gonna lie, I was really ticked off by a bit of the response to what I had to say. My point of view was that Thomas was attempting to turn a stereotype on its head, a âdonât judge a book by itâs coverâ kind of deal and yâall blew it out of the water. Before you call me an idiot for thinking that, hereâs what I saw:
me: *opens new ml comic*
me: *immediately closes ml comic*
What went through my head was â...you didnât even read the comic? You saw this and got pissed off? I mean, I can get it, but sheesh, not even a chance at seeing what he was trying to do or if this was intentional...â
Next reblog was an image that said Fucking Yikes in pretty font
What went through my head was â...aaaand now itâs a bandwagon. Great. Oh well, mob mentality... I donât think theyâll take it too far.â
Next was a gif of a woman who looked utterly disgusted.
Which, fine. I kind of got the idea that based on these three images, everyone was immediately choosing to boycott the whole comic without seeing where he was going with it. Which, hello, screams kinda dumb to me, but whatever. Itâs your cause and youâll fight for it how you want. Maybe some of you even read the comic, who knows. Best not deal with it since my opinionâs probably gonna get people pissed off at me.
hold up⊠this is the OFFICIAL comic book?
????????????
what in the actual racist hell?? i saw a thumbnail of this on youtube and just assumed it was some alt-right trolling nonsense, not that it was aN ACTUAL SANCTIONED RELEASE????
who would i go to if i wanted to complain about this?
My thoughts: Hey, look, someoneâs questioning this and deciding to take matters into their own hands. Maybe theyâll read the comic and if they find something they still dissent with, theyâll take it up with the right people. If not, then cool. Either way, hope this ends up ok.
Next comes a snapshot of the infamous conversation between fan and Thomas Austruc
My thoughts: ...what the hell did you just do. You just completely messed up any credibility/validity you ever had! Did you go in there for a debate at all? Did you think about his side of events before expressing your own? Did you have a defense, an offense, or even anything to defend against this very obvious question!!?
Simultaneously: Thomas has a point. If they havenât read it, they donât know the context, donât know what he was going for, and they kind of landed themselves flat on their face with their ignorance.
Also: ...*face palms* You guys... just lost.... everything...
âgood to know he really caresâ I say as I roll my eyes
My thoughts:Â You guys cannot be freaking serious.
This is the same guy who wanted to include all sorts of diversity in ML, who worked hard for that and you guys were all for that, but after this and his (very freaking PREDICTABLE!!!) question, yâall instantly turn your burners on high and flame the hell outta him. I mean, what the hell?
But it doesnât end there.
Because I made a stand for what I thought--something I just donât do because I know people hate my way of thinking because itâs different and I still work through it myself sometimes--I got mixed feedback.
Iâll start with the good stuff. I got a single solitary ask, telling me that I was being unfair to the people who were offended. That they had valid concerns, but I wasnât told what those were. I thought that those valid concerns were more of the same of what I had been talking about, so thatâs what I went with. Spoiler: without clarification, people will just keep going on the same branch.
So that happened, and to the questionerâs credit, she was extremely straightforward and polite. A combo I rarely see, so good on her.
I actually didnât see her response until my 15 minute break at work (which happened a few hours later), so I didnât have the chance to respond, and Iâm quite frankly glad I was. Because it ticked me off. It ticked me off because there were pieces of information that I didnât know, and Thomas sure as hell wouldnât know based on the fact that someone with NO BACKGROUND KNOWLEDGE OF THE COMIC went to argue with him about it.
Instead of âHey, I havenât read this comic, but I saw these pictures and am super offended!â, we could have had a discourse like âHey, I read your comic and while I get your intention, your execution of this idea came off as really offensive.â Itâs a night and day difference! We have one who is about to be schooled and we have one who is ready to do schooling! Like.. what the heck, guys!? Debate teams donât just wake up and debate, debate teams gear up for a fight, anticipate counter arguments, and then employ them! And thatâs how they win a freaking debate!
Another thing that ticked me off was the complete disregard of one of my own points (the âwait and seeâ tactic), because she thought it was kinda stupid, citing an adult literally beating a child as an example. Yeah, that would be instantaneous, but Iâve been in too many situations where Iâve been burned, burned others, or set literally everything on fire because I didnât âwait and seeâ. Iâve gotten in trouble, accidentally ruined relationships, and burned bridges so fast because of it that now itâs just common sense to wait and see. So that was more of a personal (yet unintentional, Iâm sure) insult. That argument just went out the window for me based on recent events and personal experience.
The only objective argument I found was the explanation of âGhetto Blasterâ (which Iâd assumed to be another stereotype to be subverted) as well as the addition of the beanie and dollar sign necklace, neither of which Iâd placed as out-of-place. Iâd figured it was part of a warm welcome, like âmake her feel like sheâs at homeâ kinda thing. But the objective points made about those, how they were out of place and too much, were valid points towards their argument. And that is the ONLY reason why I was able to take a breath and try to see it from a perspective I literally knew nothing about.
The slap about Thomas failing the test, though, ticked me off. Because in terms of debate, so did the fans. His question was valid from the point of view I was coming from, as well as his response. Once you arm yourself with more information and context, then argue with him on a level playing field. Doing so before is just an insult. Youâre assuming that you hold all the cards and that you know everything when you obviously donât. You donât have all the evidence, you donât have the shots. All youâve got is three images you saw online that you initially assumed were fake and your righteous anger. Lemme tell you from experience that emotion is a poor ally in a debate. It has more holes than swiss cheese.
Another fan expanded on the points of clothing, which also helped me to see it more from that angle. So thank you to them as well.
But I didnât get any of this until someone STOPPED TO EXPLAIN! Even if they were taking shots at my belief system and how I view and interact with the world, an explanation is better than just saying âyouâre wrong hurr durr you stupid white girlâ, which does happen sometimes.
Additionally, one of my friends who shall remain unnamed came and talked with me for about fifteen minutes while I was still in my raging zone. She assured me that no one was actually attacking me or how I thought and that they were simply trying to express their point of view. While it still doesnât feel like it, it is with her help that I have taken this period of time to calm down and attempt to convey my side of the story (which, if youâve even read to this point, good on you! Have a cookie! *gives cookie*)
Now, if you did click this thing and decided it was waaaaay too long, hereâs the gist of it:
Yâall did not make it seem as though you knew what you were talking about at all, faced off with the literal head of ML with zero preparation, and only when I made my stand did you guys actually pull up evidence, explanations (both objective and seriously subjective), and make a solid argument. While I know my ideas were not what ticked you guys off, Iâm still seriously disappointed in the whole execution of this. You guys could have made a serious impact and difference if you had argued this out with him rationally like how youâve been trying to convince me.
Now, make no mistake, I am sorry that I pissed you guys off and Iâm sorry that I made the assumption that you guys were flying off the handle on the basis of three images (which I had thought were promotional). But please, for the love of all things holy and divine, think before you talk to someone with power about it. Prepare your offense, your defense, and your points. Make sure theyâre valid and as objective as possible so that way you're making a difference and not just making noise that people will ignore all over again.
Also, to the person who told me I was âstill confusedâ, thatâs actually a really sucky thing to say. More like âdoes this help clear up any questionsâ or âis there anything else that we can clear up?â would work, but telling me that Iâm still confused is just calling me an idiot and I do take slight offense to that. I am trying, but you donât get to tell me when I stop being confused. Thatâs my call since itâs my brain. And these are my opinions, which I have reasons for and have just explained to all of you. Just because they are different to yours does not mean that Iâm âstill confusedâ.
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