#which is very relatable and reasonable me thinks

[m3l0nfl0at]

Hi, I just wanted to say I enjoy reading ur Kuroo’s stories, the way u portray him is so accurate and y/n is very relatable. I don’t know if u take requests but here’s an idea, what if y/n’s sister has a kid and Kuroo and y/n is babysitting.

And after they finished babysitting they’re having a late night pillow talk about their future domestic life.

juno - t. kuroo

kuroo x f! reader ; fluff, angst, hurt/comfort, no y/n used, reader has a niece, playful teasing, kuroo gets suggestive for like a second but nothing major, future hints for just say yes! timeline, k words

summary ; your sister asks kuroo and you to babysit your niece for the night, which leads to you thinking about the future of your relationship

melons recommended melody ; may you never forget me - temachii

links ; just say yes masterlist and taglist request

Answering your sister’s call was the last thing you expected to do today. Only for her to explain that she wanted you to babysit for a couple of hours. It’s not like you’re not good with children, it's just more that you’re not really the playful type. In what other children at your age had lacked in education, you lacked in imagination. Every time your niece wanted to play you felt guilty for not playing along. Yet for some odd reason your niece loved you? Every time you saw her at your sister’s house she always came running to you like some magnet. However, you hadn’t introduced her to Kuroo just yet. Due to him feeling “an enormous pressure” with you being her favorite and something along the lines of he can’t take your place. You always laughed at his snarky comments like sure, he could take your place as the favorite relative? Yeah right.

“Can I come with you?”, you look over at Kuroo questioningly. You both give each other a blank stare, you confused and Kuroo thinking you didn’t hear him. “Yeah, I thought you were coming with me this whole time?” Kuroo nods unaware that he made that decision. You wave him off, remembering him making a remark yesterday about he’s going to replace you and be the best relative. Kuroo slides right next to you on the couch, kissing your cheek before laying his head on your lap. “I’m kind of scared, your niece seems to effortlessly love you. I think I might have to bribe her to take your spot.” You laugh at him wanting to bribe your niece, truly a conman aura. You start playing with his hair, “Well my niece loves anything I love, so I’m sure she’ll love you too.”

Upon arrival at your sister’s, Kuroo's nerves never once faltered; he knows you talk highly of your niece. What’ll happen if he doesn’t impress her or even worse makes her cry on instinct? Will you break up with him? Realize he’s terrible with kids and then break up with him? Glancing over to Kuroo in the passenger’s seat you see him fiddling with his fingers, a habit he picked up from you. Knowing the feeling all too well you grab his hands, “No need to be nervous we’re just watching my niece. Don’t worry, she’s really well behaved and super smart for her age.” Kuroo nods knowing if anything happens you were right beside him, you laugh. “And you really thought you were going to replace me looking like a nervous wreck? You have a lot to learn my love.”, kissing his cheek as you hop out the car.

Knocking on your sister's door, hearing footsteps and her animals patter beyond the door. Her husband opens the door greeting you and Kuroo before you hear your niece’s footsteps running down the hallway. You bend down as your niece greets you in a big hug, “There she is! Did you miss me?” Kuroo’s heart clenches at the sight of you with your niece. “I have so much to show you and tell you! I got student of the month and I also did this art of me and-“ your niece glances behind you. “Um, who’s that?”, you laugh looking back at Kuroo nodding in his direction letting him know to introduce himself. “I’m Kuroo, I’m your aunt's boyfriend.”, he extended his hand out so she could shake it. She slowly takes steps to him before grabbing his finger and shaking his hand suspiciously.

“Auntie, can he play with us?”, you tap your finger against your chin. Kuroo coughs, interrupting your thoughts, “I guess so.”, you both stick your tongues out at each other. “Alright sis, the dog and cat are fed so just keep an eye on them. Don’t give them any more treats please!”, she glared at you knowing you often bribed them. “As for her, bedtime is at 9:00 since it’s the weekend.”, your niece huffs as you ruffle her hair. “We’ll be back in a couple of hours, thank you both for agreeing to watch the house.”, you nod as you walk your sister to her front door, locking it for safety. Turning around to see Kuroo and your niece staring at each other, you could just feel the awkwardness in the air. “Ok you two, what do you want to do first?” Kuroo looks at your niece shrugging. “Let’s go play in my room!”, you grab Kuroo shaking the nerves out of his shoulders as you follow your niece to her room.

Walking to your nieces room you feel yourself deflate, you hate playing pretend. How could you possibly be so bad at something that wasn’t even real? Your niece grabs multiple character toys before handing some to Kuroo and to you. As she tells you the narrative for her pretend play you look over at Kuroo, seeing him listening intently even wanting to add some plot points. You smile, for someone who was a nervous wreck a couple of minutes ago, he suited this role nicely. Kuroo was always so attentive and patient you knew he would get along nicely with your niece. “Auntie! Are you listening? Stop looking at your boyfriend.”, Kuroo laughs as you look away guiltily, apologizing.

“Ok, now that you’re focused auntie! You’ll be the fairy cat, while Roo is the DJ cat, and I'll be Gabriella, the human.” Kuroo looks at the toy your niece handed you, poking at its feet, giggling. Halfway through playing you decide you were going to excuse yourself to the bathroom. It wasn’t till your niece heard the door click that she put down her toys and looked at Kuroo. “Roo, I think auntie doesn’t really like playing pretend but you’re really good at it.”, Kuroo smiles before he decides to backtrack. “Why do you think that is?”, your niece pulls him closer before whispering in his ear. “She says it’s a secret but I think she just doesn’t know how to pretend.”, she pulls away from Kuroo’s ear before grabbing her toy once again. “But she tries, that’s why she’s my favorite.”, Kuroo takes a mental note to ask you what the secret is later. Ruffling your niece’s hair, “Well thank you for trusting me enough to tell me that.”. She giggles at Kuroo and continues to play pretend with him.

As you go in the bathroom you feel yourself relax, hearing your niece giggling felt somewhat rewarding. Knowing she finally had someone interesting enough to play with was a relief. You knew she would get attached to Kuroo, I mean he often worked with children due to his job. Feeling appreciative for him, you decide to take this time to update your sister on how everything is going so far. Opening the door to go take a picture of the fur babies but instead are met with the sight of Kuroo dramatically playing with your niece. Snapping a picture of that instead, making sure to make it your lock screen when you have time. Watching them from afar, thinking of how your future with Kuroo might look. Taking a moment to imagine a mini combination of you and him walking around your apartment. Thinking of moments like Kuroo holding a baby, Kuroo teaching your kid volleyball, or watching him play with your child from afar. You feel yourself fall deep into the comfort of the moment, just watching how amazing your partner was and continues to be.

Slowly walking away forgetting the task at hand, you softly head downstairs. Kuroo turns around to find your back turned to him and all he can think of is that he hopes you're okay. Snapping back into the moment with your niece as he hears you continuing to head downstairs. You find your sister's black cat laying in its cat tower, giving it strokes on its back. Looking around to find her pet beagle, only to find it also resting in its pet bed. Sending pictures and a text to her, reassuring her to continue having fun because everything was going swiftly. Walking around her house you see a picture of your sister and you as children in her hallway, you falter seeing your parents behind you in the picture. You touch the frame baffled how long ago this picture was from, thinking back to the day. Your parents were fighting but your sister paid them no mind, she was always such an independent thinker. You remember her telling you that they were just dumb adults and to only focus on her and taking a beautiful picture. To end up so different from her, you wonder what went wrong, why you were so…different?

“Auntie! Kuroo says you make the best smoothies! Can you make me one?” You and the pets are disturbed by your niece's booming voice traveling through the house. “Oh did he? You know what since he said that he has to help me make it now!”. Kuroo keeps a pace behind your niece while you stand in front of the staircase, for safety reasons. You peck Kuroo on the cheek, “Which smoothie are you talking about? You’re the one who usually makes me smoothies, handsome.”. Kuroo hugs you from behind as you start looking through the cabinet for a blender. “I’m talking about the chocolate banana one you make for me, when I want a sweet treat.”, you nod remembering that one time you made it for him when he got home from work. To be fair though, chocolate made anything taste good but hearing Kuroo brag about it as if it was the first smoothie he ever had in his life, made your heart beat ten times faster.

“Ok lovie, I’m going to look for the ingredients but when I say cover your ears-”, you demonstrate. Even though she knows how to do an action so simple, you don’t want her to feel alone. “Make sure you cover them because the noise is really loud, okay?”, she flashes you a thumbs up heading to sit down at the table. Kuroo pulls out a chair for her, leaning on the counter top so he can monitor you both at the same time. Your niece gets up to look at all the artwork displayed on the fridge, looking for a specific piece. “Here it is! Look auntie! This is the one I did in class, it’s us!” You stop chopping for a second to look at the artwork she’s showing, bending down to her eye level. “This is such a well drawn picture, lovie. I see you drew my hair nice and pretty!” pointing to the picture, letting her know you understood it. “Oh! You even added little cat ears to us like your toys! I love it, can I take it home with me?” She nods as you give her a hug. Kuroo smiles to himself so hard it hurts, you were so easy to love it was effortless. From your kind personality to your adoring smile, he would never doubt his ability to love you.

You hand the drawing to Kuroo so he could place it by your phone, remembering to take the drawing home with you guys. Kuroo drags your niece to the living room, asking her if she wanted to watch anything as you finished chopping the remaining smoothie ingredients. “Ok lovie, cover your ears!”, you watch your niece cover her ears but unexpectedly you see Kuroo covers his as well. As you start blending, you watch Kuroo get up and place his elbows over your ears. Laughing at how considerate and ridiculous your boyfriend was. Flashing a thumbs up to signify that you finished up blending, Kuroo let’s go setting up three glasses. “Ok lovie, order up!”, your niece comes running to get her smoothie. “Wow, so good! Roo was right, it's delicious!”, you smile looking at the clock seeing it was almost time to put her to bed. “Thirty minutes till someone has to go to bed!”, you pinch her cheek before giving it a quick kiss. “No fair! I felt like I spent no time with you!” you look down sadly, seeing her pout. “Well, I can read you a bedtime story and we can do your night time routine together! Just you and I, no stinky Roo there.” she laughs as Kuroo rolls his eyes.

Making sure to do her whole routine with her as she talked about various topics to the episodes she watched to the things she learned in school. As she’s talking you start to comb her hair, braiding it. You see her in the mirror yawning as you tie off her braid. You help her dust the bed before tucking her in. “Auntie, can you read me something with Roo?” you stop before kissing her head. Nodding, going to go call Kuroo, “My love, I think you’ve officially taken my spot…”, Kuroo grins pulling you into a side hug. “Welp, I told you this would happen. Nothing lasts forever baby, let’s go.”, you tell Kuroo to go ahead while you pick her favorite book. Entering the room hoping you chose correctly. “I know I haven’t read to you in a while lovie, I hope this is still your favorite.”, you pull out the book behind your back. She nods excitedly, “Well it’s my favorite when you read it to me.”. You start getting embarrassed realizing why she liked this book so much, hiding behind the book. “Roo, auntie reads this book the best she does these voices and makes the sound effects and everything!”, Kuroo looks over at you grinning. “Oh does she now? Well I can’t wait to hear it. I’ll hold the book while you read babe.”

You cough, clearing your throat while you shakily read the title. “Auntie, you’re not doing the voice…”, she pouts. Kuroo looks at you seeing how embarrassed you are, “No need to be embarrassed auntie! Please Roo needs to see how awesome of a storyteller you are!” Deciding to put your pride aside you start reading with the voice, hearing Kuroo chuckle at how bizarre you sound. Making sound effects and all, Kuroo thought you were incredibly dorky in an affectionate way. As you finished reading, you saw your niece slowly starting to drift off to sleep, telling her softly goodnight. Lighting up the room with her night lights before exiting her room, shutting the door. As one door closes another one opens, “We’re back! Sorry for coming a bit earlier than expected, we were tuckered out.”. You wave your hands, telling her that it was no problem. You bid each other a goodbye before getting in your car heading home.

Getting home you immediately feel exhaustion take over you, changing clothes and getting ready to sleep. Coming out of the bathroom you see Kuroo dusting the bed, getting ready as well. He meets you halfway before lifting up his hand, expecting a high-five from you. You laugh as your hands meet, “We’re the best relatives ever!”. He grabs you, pulling you into a hug, laughing at his exclamation. Shaking your head and going to lay down on your side, “Tetsu can I be honest with you?”. Kuroo bobs his head, “How bad did I give you the ick while reading that book?”, he laughs and you suddenly feel the urge to crawl in a hole. “I KNEW IT!”, you hid under the covers not wanting to see any sign of life. Kuroo lightly pulls the covers down, “You didn’t give me the ick per say. More like “I got with a major dork.” but I knew you were a dork when we met so I wasn’t too phased.” He kisses your head before pulling you into a cuddle, “You know I think because you’re such a dork that’s why your niece favors you so much.”. Your fingers dance around his chest feeling guilty about getting so much love from your niece. “You know, till this day I really don’t know why I’m her favorite. I can’t even play pretend correctly.”, Kuroo remembers what your niece told him earlier that night. “You know your niece said you had a secret. Care to tell me what it is…?” you look up at him, raising a brow. Trying to think deeply about what secret you told her, only to reach a blank. “Tell me more about this said secret Tetsu?”, Kuroo starts petting your hair.

“She said you had a secret about why you don’t like playing pretend with her.”, you sigh, shaking your head. “I used the word “secret” as an excuse not to dump my trauma onto her.”, still Kuroo starts nudging you hoping you would take the hint to open up. “My parents didn’t really allow me to be a “kid” so I don’t really know how to pretend. I just get a little insecure about it, I mean how does one not know how to play pretend? It’s not even real!”, you laugh at how frivolous it all sounds. Kuroo takes in what you’re saying thinking about your… strange parents. Feeling sympathetic towards you, knowing his parents allowed him some sort of kid-like innocence. Even though his parents had a rocky relationship they never included him, allowing him to focus on friendship and sports. “You can play pretend, that is how we got together in the first place baby.”, you bump his chest playful. “That was a life or death situation, not the same.” You both laugh remembering how you both were so entranced on selling yourself as a couple, years ago. “Don’t think too hard, loving someone like you isn’t complicated. You’re a very caring and nurturing person. Everyone is attracted to a beautiful soul like yours, especially me.”, you roll your eyes.

“You know Tetsu spending today with my niece made me think about us… about having…” Kuroo’s heart stops with each break you take, are you about to say what he thinks you’re going to say? “About having a possible child together someday?” Kuroo felt his heart burst out of his chest, seeing you with your niece being a dork but being oh so kind, he couldn’t help but think of you being a mother. A mini version of each other walking around? Get him a defibrillator, stat. “I mean I know we haven’t gotten married yet and maybe it’s too soon to have children but having a child would be something to start thinking about.” hearing Kuroo’s heartbeat increase as you continue talking. “If it’s a boy, it’ll have your crazy hair or if it’s a girl it’ll have my nose, it makes me think how badly I want that. With you.” You look up to see Kuroo’s face blank, you laugh thinking you’ve broken him. “I know that I don’t come from the best family but I want to be able to give my child an opportunity that I didn’t have, a loving family.”, Kuroo pulls you into a bone crushing hug feeling your sentiment deeper than you could ever know. A loving family, you and him together creating another beautiful life, what more could he ask for? He settles into your shoulder, speech coming out muffled. “You’d be the greatest mother. Seeing you with your niece, I’d never doubt your motherly abilities. You love people so seamlessly and that’s exactly what a child needs.”, you tear up in his arms feeling a sense of peace wash over you. The man you loved, who grew with you these past few years, never once doubted your ability to be a mother.

“So, when do we get started?” you laugh. “No way! You have to marry me first Tetsu.”, Kuroo lifts his eyebrows. “That’s manageable. Expect it soon, always be ready!”, he pecks your lips before you both fall asleep. Kuroo knew he had the ring stashed away in his closet dresser beneath the million novelty ties you got for him each holiday. Truth be told he got that ring after your first official month living together. Living together showed him that he didn’t want to do this life with anyone else but you. This one joke between you was sooner than you think.

divider credit to @/vase-of-lilies, @/bunnysrph, and @/thecutestgrotto

˚ ༘ ೀ⋆｡˚ melon's marginalia: tysm anon for requesting! i try to portray kuroo as accurate as possible so tysm for the reassuring words! i hope all my readers find comfort in my kind of weird girl character because we all deserve some kind of rep. request for just say yes time line are open please consider requesting just like this lovely anon!

taglist: @0tsukie

@m3l0nfl0at on tumblr. All Rights Reserved. Do not steal, copy, or translate any of my works.

[ssruis]

love seeing you hate on the showtime ruler set . keep up the good work

I appreciate it! but I don’t think it’s something praise worthy. I think speaking up about the issues with RMD should be the norm and it’s disappointing that it isn’t. You would think that “I don’t think the cultures of historically marginalized and oppressed groups should be used as costumes” wouldn’t be a hot take. but apparently it is.

On the subject of that: I’ve heard a lot of people say “it’s not really based on native Americans” and “they didn’t know any better.”

To the first point: that is probably correct. It most likely draws inspiration from the colonist idea of indigenous people in general, but more specifically the Ainu (indigenous people to Japan).

Which brings me to the second point - they absolutely should have known better (and saying otherwise warrants a discussion on the infantilization of East Asians as well as Japan apologism in general. but that’s off topic).

The Ainu have historically been subjected to absolutely horrific violence and oppression by the Japanese government, on par with how the US has treated Native Americans. They were viewed as primitive and barbaric. Their land was taken, Ainu women were sexually assaulted, they were forbidden from practicing their religion, they were put into Japanese speaking schools and forbidden to speak their own language. They were forced to assimilate by law. In 2008 there were ~100 native Ainu speakers. The Ainu weren’t recognized as an ethnically distinct group by the Japanese government until 2019, but they are still continually erased by the push for a homogenous national identity.

Portraying the colonization of indigenous people as a simple “well both sides were prejudiced against each other they just needed to hold hands and get along :)” erases the very real history of oppression against indigenous groups. It allows people to ignore the atrocities committed and their lasting impact. Native Americans and the Ainu (as well as other indigenous people) are still feeling the effects of colonization. It’s not an issue that can or should be viewed as a thing of the past.

Portraying indigenous people as a vague fantasy race/group or as a costume contributes to their continued erasure. It leads to people believing indigenous people and their culture no longer exist. The reality is replaced by the fictional representation.

Phrased more eloquently by Gerald Vizenor (and the person he is quoting) in Mannifest Manners:

“… other masters of manifest manners in the nineteenth century, and earlier, represented tribal cultures as the other; to them ‘language did the capturing, binding Indian society to a future of certain extinction,’ wrote Larzer Ziff in Writing in the New Nation. ‘Treating living Indians as sources for a literary construction of a vanished way of life rather than as members of a vital continuing culture, such writers used words to replace rather than to represent Indian reality.’

[…]

“Those who ‘memorialized rather than perpetuated’ a tribal presence and wrote ‘Indian history as obituary’ were unconsciously collaborating ‘with those bent on physical extermination’ argued Ziff.”

(P.8, emphasis mine)

Vizenor is speaking about Native Americans here, but I think it’s applicable to this situation as well.

This post goes into it a bit more, in terms of harmful tropes present in the RMD story itself.

There’s definitely character related reasons to dislike the RMD story, but I think it cheapens the discussion to center it around “why rui wouldn’t write that” because that is not the important issue and defending a fictional character from the colonization apologist allegations is like. A non issue. Considering everything else.

[dusty-siltstrider]

Alright I'm gonna ruffle some feathers I think but idk I gotta say something.

For this moment and this moment only I'm going to set aside the rabid Viktor fan that I am and speak as a slightly less rabid Vi fan. She's a very close second and I relate to her the most out of the cast. Love her. So on and so forth. At this point the marketing is frustrating me less as a Viktor fan and more as a Vi fan.

When the Annecy people talked about a goth Vi fighting in the pits piss-drunk mad seeing crazy things I was ECSTATIC. Like holy shit that's such a major turn in her personality! Really fills out that whole "what does Vi do when she has no one left to protect" thing! Wow! Not to mention she's gonna be hot but that's a given. What a shocking thing to see when November comes around aaaand there she is in the trailer okay. Along with what is presumably her act 3 timeskip design judging by the longer hair. Element of surprise gone. Cool.

So where the Viktor part of me gets to waste hours yapping about where he's gonna be in season 2, what his arc will be, what he's gonna look like, what's gonna cause divorce era... feel like we're running out of room for speculation for the main 3. Room for imagination, if you will.

Like WE'VE BEEN KNEW ABOUT PIT FIGHTER VI. This isn't a surprise sneak peek anymore, everyone's either seen her in the trailer or at least heard about the Annecy stuff. Personally I no longer have the same level of insane jittery excitement to see how that arc goes in s2 anymore. Her new design is no longer a surprise and they're going to show even more tomorrow lol. I have little room to ponder "huh wonder what VI's gonna be up to." Pit fighter arc gets started and instead of my jaw dropping going "oh my god Vi honey you really are broken aren't you noooo" it's just... yeah that thing I saw during a Netflix event. Damn. Looks cool still but it's not a shock.

This massive point in both the plot and Vi's arc has become a marketing hype machine. Which dampens, you know, the whole "telling a story" thing.

What do I have to speculate about? Cait's whole iron-fist arc is fairly obvious via marketing, Vi's three-act structure has been pretty clearly laid out, they even spoiled Noxus/Ambessa turning on Piltover. Yeah, think we saw it coming, sure, but I kind of like being able to speculate on stories I enjoy. At least Jinx's revolutionary thing is pretty up in the air (which I still believe is a misdirect but I digress).

Please don't get me wrong, I really like her design and I'm still very excited to see where it goes! Obviously there's still plenty of details in between to fill out and yes I'm being slightly dramatic and yes my salt towards yet again no Viktor may be contributing to this frustration and YES pit fighter Vi is sick and the clip will be cool as fuck no matter what. But I'm honestly a little surprised everyone's so thrilled about this. I'm (likely) not watching it solely to preserve at least some element of surprise because I'm so excited for Vi next season and it sucks that they're just giving this all out in marketing.

Assuming this is the Annecy clip, that's just kinda lazy to reuse btw. But whatever this is lengthy and poorly worded enough.

Anyway bringing back the Viktor fan that I am yes I'm bitter yes I miss him yes I will not stop insisting that throwing in a few voice lines is not only perfectly reasonable as a teaser but would be more effective marketing wise than burning out the Cait/Vi/Jinx stuff bc deadass what else can they show us at this point okay thank you goodnight

[keepthedelta]

Maybe I'm being overly cynical (I Do Not know these people and this is just my outsider view), but the whole 'Piastri family social media' stuff has made me uncomfortable from the start because (to me) it gives off huge 'chasing clout and followers by using my famous family member'

None of them were particularly active social media posters before, none of them had an interest in influencing or building a career from it. But, suddenly now Oscar is more popular they are posting A Lot. (For comparison, someone like Max's sister has definitely used her brother to her advantage in gaining a following and popularity, but, she also seemingly always had an interest in fashion and makeup and having a career in it + her posts are not about Max/F1 directly)

It's only going to cause headache and pain and sorry, if my brother was famous, I would not want to even remotely see people thirst trapping him or shipping him romantically with people. Why would you invite that into your space. Also, if I was on Oscar's PR team I'd be fucking worried because what happens if your mother or sister says/posts something that is controversial or actually bad. That now will have a huge audience and actually affect how people see Oscar, and he will be obligated to comment on it. And, if he doesn't, it will be to his detriment (See Max and the Piquet family)

Obviously, fans should just act fucking normally, but we all know that isn't how things work on the internet. You sometimes have to take steps yourself to avoid getting into those situations.

see i personally don't view it as them using him for clout because i think that it is at minimum a symbiotic relationship from which they both benefit. i am a long time hater of the piastri family socials, but i have disliked it because in my personal opinion oscar's family are being used as fodder for his pr.

you say they weren't really active before oscar's career in f1 but even if they are seeking to become influencers etc. which i cannot confirm or deny because i don't know them and frankly have no interest in them, the main reason imo that they did become more active was for oscar. it seems as though his pr is very much trying to portray him as a normal, down to earth relatable kind of guy. a gen z kimi raikkonen who is very calm and level headed (even if he's nothing like kimi, nor honestly is kimi like that). and it benefits oscar (and by extension his pr team) for him to have a cool mum who says funny things on twitter and cool young sisters interested in kpop etc. who aren't impressed by him. his image benefits from the "normal family guy" aesthetic.

there's a reason dts wanted to film him having breakfast with his family. his family has become a part of his media strategy. his mother goes on podcasts or whatever as part of his pr strategy. she is there to talk about him and to promote him without it seeming like promotion. you think if oscar or his team didn't want that she would still have gone on? i don't. that's not to say she's being disingenuous or inauthentic, but i'm sure someone went through roughly what media narrative they wanted to tell and how she should tell it. they are part of oscar's media strategy. they're there to make people think that he's normal and just some guy who happens to be an exceptionally talented driver.

i don't know if his family are benefitting from his fame or to what extent they may be but it's not oscar who should be worried about fan response to his family, it's them. they are being used as a proxy personality for him (and i know that sounds mean but it's not intended as criticism of oscar himself) and at some point things are going to get nasty. what happens if oscar and lando get into an actual wdc title fight at some point? what happens if the chirlies or cultLH turn on him and his fans? oscar has the protection of being a famous f1 driver. his family don't. people will send death threats to his sisters or turn up at his mum's house. they'll search through everything they've ever posted looking for a miniscule detail to cancel them over and justify their hatred and abuse.

everyone involved in this, oscar, his family, his pr team, mclaren, their pr team, needs to recognise that enabling these parasocial relationships, letting people think of oscar's mum as their friend or mum figure, letting people think it's okay to send his sister rpf as though she's their friend is not acceptable. there do need to be boundaries (frankly i think that all f1 drivers need much stricter boundaries than they currently have because some fan behaviour is worrying. people have already shown up at charles's house this is not a worst case scenario it's already happening) for the safety of everyone involved.

i do also think there's something to be said about fan culture and the increasing entitlement to a public figure's life. as fans i think we all need to be a lot more respectful of these people, whether they're famous or simply connected to someone famous. at the end of the day they are people and should be granted basic respect and privacy because they are people. we do not know them, we are not friends with them. how we feel about them should have no bearing on their lives.

but public figures personal lives are increasingly being used for promotional purposes and i think they need to recognise that they are feeding the entitlement and aggression of fans when they do that. the reason why fans get more and more demanding is because people keep offering up more of themselves and their families for promotion. and i think that needs to stop before someone gets hurt.

[milkemie]

Hey Kemie! I’ve followed your story for a while but was wondering about Shin and Hina. At one point in the story Hina is forced to go back to her parents and Shin never tries to force their hand to take her back. She sneaks back to their house.

That leads me to two questions:

Did Shin take Hina with him when he moved out as a teen or did she run away to move in with him back then?

The second time it happened, what was the reasoning for Shin not retrieving Hina?

I love all the details of how Shin thinks related to security and his family so I wanted to ask.

hi bailey! this is a great question!

when shin moved out the first time, it was because his parents were rarely present, they always had something better to do than to stay with their kids, so shin & hina were mostly taken care of by maids/butlers

when shin left the first time, hina came with him from the get-go, but the second time he left the situation was different, he had physically attacked his father for the first time so he wasn't prepared to leave like the first time, it was rushed and unplanned

but shin didn't worry about hina staying with their parents because they treat her differently from him, shin's parents are more aggressive towards him, towards hina they're more indifferent, so her being in their parents' house means she could at least get three meals a day, a comfortable bed to sleep in, and a lot more space until shin can figure out what to do

shin & maya were broke at the time and shin wanted to get back on his feet before he tried to get hina back, they also had to prepare their secret marriage and maya unexpectedly got pregnant, which made it even more difficult for them financially but hina took matters into her own hands and came back, it would be a lie to say that having another mouth to feed & a child to raise was easy, but shin & maya did their very best!

[soldier-requests]

well i am basically this one freak. very known one. and i want doodles of the kin. the kin is Christian Brutal Sniper! heres some references of what my kinself looks like -w- i also got nose piercing too

oh awesome! that roblox avatar is sick /positive. i love the little red skull on the side of your face, too. i'll try my bestest o7, and as always please don't repost my art.

(note: feel free to send another ask if you want more violence/blood or something like that or if you want me to clean and/or color these or somethings! yippie ^_^)

i got two Big Ones TM:

and two little sillies:

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)

[thatonecrookedsmile]

"Gaze into the space between the pixels on the screen There, you’ll see a place between the signal and the screams Feel the oscillation of the crystal in your dreams Just switch off your brain and let it sizzle in the beams"

-----

It took a matter of months to finish this drawing. (/j, it only took. 2 weeks? I think? maybe a little less,but that's an approximate)

It's been a while since I made a digital drawing. So far between April and now I have focused more on traditional drawings with digital coloring. These are (mostly) cool to do,but it's nice to go back to full digital every now and then. This is one of the cases where the original idea and the final result don't differ that much from each other,but there was still a certain evolution from when I conceived the drawing and how I ended up doing it. The Main Thing of the original idea is still here,I just expanded it a little.

Also,the lyrics at the beginning are from "Tune Into The Madness" by The Stupendium and Dan Bull. Great song,and one that I was listening to a lot at the time I was reading the book (and much earlier too). Because,you know. Mix of horror and TV. It made sense. (And yes,I know this song is about a totally different game,and the TV context in both stories are very different (as far as I remember, it's been a while since I played LN2) but I thought the lyrics could match the drawing anyway + it's my chance to recommend peak, so yeah) Listen to the song, it's very good! (The video do contains flashing images and lights tho,so viewer discretions is adviced)

Also,alt. versions without the text,because I thought that without the text it looks good too (+ you can now see Bendy's face)

[alxastrx]

When you're one of the most selfish mc who only saves people because it's part of a job you never wanted and did not get to chose or you would've died, who took your co-workers' morals and ideals because you didn't have any and desperately wanted to fit in somewhere, be it with the heroes or the villains, who's activelly haunted by one the most tragic past to have been created and suffer from a psychosis so bad (dare I say schizophrenia) that even your enemies acknowledged that you are mentally ill and objectively flawed in your judgement, never hesitated to try to kill anyone and has the most egoistic reason to be a good person but the fandom still thinks you're just a kind crybaby "I don't know what a gun is" homosexual twink.

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[lynxfrost13]

Do you guys think Holt and Storch Sieben ever hatefucked

[arolesbianism]

GUYS.

New dupe real! Also new pod????? Olivia is that you girlie speak to me

[prismatoxic]

perpetually torn between "'antis' is such a vague and useless term that means nothing to people outside of fandom discourse" and "people WITHIN fandom discourse know exactly what it means so it's the easiest way to get the idea across"

fancop, fanpol, fandom conservative, fandom puritan, etc--all great and descriptive terms that fit the bill perfectly and also are, like, a lot longer than "anti" and far less typical as a descriptor because everyone uses a different one and also since they're less established they're actually more likely to get people asking what they mean exactly

fancop remains my fave of the bunch but ough. fandom terminology

[valewritessss]

This reply is hidden because you have blocked the author

“Hmm… I kind of wanna unblock just to see what they said.”

*sees everyone disagreeing and arguing with the reply*

*pats myself on the back*

[sysig]

Getting closer, getting really close now I swear (Patreon)