#which is partly true after all the things happen

[lucky38-2077]

Stroll in sunset 🌳🌅

[hacked-wtsdz]

Every time I read or watch Lord of the Rings I can’t help but think about how Tolkien had survived one of the bloodiest, most cruel, most dirtiest and darkest wars in human history, came back and wrote this:

“The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater.”

And this:

"'I wish it need not have happened in my time,' said Frodo.

'So do I,' said Gandalf, 'and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.'"

And this:

"I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend."

And this:

“Many that live deserve death and some that die deserve life. Can you give it to them? Then do not be so eager to deal out death in judgement. For even the wise cannot see all ends."

And this:

“True courage is about knowing not when to take a life, but when to spare one.”

And clearly they were all written partly because he survived the war, because of what he’d seen and done and learned. But at the same time the unwillingness to lose faith, the courage and strength that this man had to believe in these things after going through hell! It makes the nihilists look so cheap, so uninteresting! People who’ve went through concentration camps and wars believe in humanity anyway, isn’t that proof that hope and love exist? And many, many, many of them did not return or returned broken and cruel and traumatised to the point when no faith in others was possible for them, and nobody can blame them. But there were many who refused to lose faith and hope. They have seen some of the worst that life has to offer and came back believing that we shouldn’t be eager to deal out death in judgement and should love only that which the sword defends.

No matter how many people say that humanity is horrible and undeserving of love, and life is dark and worthless, and love doesn’t exist I remember this and have hope anyway. Because there were people who have actually had all reason to believe in the worst and still believed in the good, so the good must be real. The good is real, even despite the evil, and we must trust in it.

[thelostconsultant]

Stay with me

pairing: Max Verstappen x shifter!reader

summary: The end of your agreement is getting closer, but Max doesn't want you to leave. You have your doubts about a relationship with him, so you want to go.

part two

There was a knock on your door, but not a single cell in your body wished to open it. You had been in your room for most part of the day, focusing on work instead of the quiet drama in this household, and so far it helped to avert your thoughts. Despite asking several times, you still didn't know why Max had been so grumpy lately.

He didn't even want you to sleep next to him, and sometimes he closed his door as a sign that you should keep out. So you locked yourself into your room and became a workaholic again, spending hours and hours doing the job you once loved so much. Because ever since you moved in, work became a nuisance, something you were expected to do.

He knocked again, and this time he didn't stay quiet. “I need to talk to you, could you come out?” he asked, his voice sounding strange. Sad, or maybe disappointed.

With a sigh, you went out to meet him in the awkward silence that settled between you the moment you stopped in front of him. He took a deep breath to prepare himself, then reached out to cup your cheek, his thumb absentmindedly drawing gentle circles.

“What will happen after the race?”

“I guess I'll move back home,” you replied quietly.

Max nodded as he nervously licked his lips. “And what if you didn't? Why don't you stay with me?” His voice was dripping with desperation, and his eyes were silently pleading to make you change your mind.

It was heartbreaking, partly because you hated seeing him like this, and partly because at the bottom of your heart you didn't want to leave him alone. But having no idea which you was the one he liked more made things complicated.

When he realized you weren't about to answer, he leaned closer to you, his gaze so intense you were afraid it would burn a hole in your head. “I love you. I need our evenings on the couch when you fall asleep next to me, and I need you there in my bed to sleep well. Stay with me and give me a chance to prove we would be good together. Please.”

You had to remind yourself that it's impossible to fully get to know someone after just a few weeks. Yes, you liked the version of him you spent time with, but it was just the two of you here. You didn't go out together, you didn't meet his friends, he stayed with you ninety percent of the time, and so you had no idea what you would have to face in the long run.

Your train of thought was interrupted when you felt his hand move to the back of your neck so he could pull you closer for a kiss, and when you automatically returned it, he pushed your back against the wall to trap you there. He was seemingly hell-bent on making you weak in the knees, even managing to get a lustful moan out of you when his fingers tightened around you throat a little.

Why did he have to make things hard for you? Why couldn't he let it go and look for someone else? Someone who would be more comfortable with the idea of living under a microscope thanks to him.

When he finally pulled away a little, you flashed a sad smile at him. “One last weekend, Max. That's all I can offer,” you told him. Did it hurt to say this? Sure. But you didn't want the changes in your life that he would bring around. You wanted to remain a normal girl, you wanted to be known for what you achieved, not for being the girlfriend of one of the best drivers of your time.

For long seconds he watched you in silence, but eventually he nodded and let go of you. “If you don't want to come with me, it’s okay. You can go home anytime,” he told you before heading to his room, leaving you there to think about whether or not it was a good idea.

You had known he was attracted to you since day one, after all he told you he wanted to kiss you back then. But you wanted to stay true to the agreement that brought you here, you didn't want complications, so you kept a certain distance as long as you could. He made it hard, but you managed quite well. Or so you thought.

Going with him after this conversation would have been awkward, you knew that. The only thing you could do now was packing your things and leaving as soon as you could, hoping he would be over you soon. He deserved to be happy, but he should be happy with someone else.

You: I guess you need some alone time so I don't want to bother you. But I'm leaving. Thanks for everything, and good luck for the weekend.

You put down your phone and went back to closing your suitcase, not expecting a response to your message. But then, a mere half a minute later, there was an unmistakable beep that filled the room.

Max: I'm not okay with you leaving and not coming with me after all, but fine, I'll respect your decision. I hope one day you'll tell me why you can't love me.

Did he really believe you couldn't love him? You decided to keep a distance, but it didn't mean you hadn't fallen in love with him along the way. With a groan, you left your suitcase behind and moved over to his room, knocking on the door and waiting for his response with your heart pounding fast in your chest. You heard his invitation, so you went inside and climbed into his bed without saying a word.

Max looked surprised, but he didn't say a word, only watched you patiently, waiting to see what your plan was. And you didn't stop, you climbed on top of him and leaned down to cup his face. “Don't you ever think that I can't love you. I do,” you told him softly before giving him a quick peck on the lips.

“Then why are you leaving?” he asked you hoarsely.

“Being with you would draw attention to me too every time people saw us together. I'm not ready for that,” you explained sadly as you began to place kisses along his jawline. If you were about to part, at least you could make your last evening together memorable.

Max captured your lips as his hands began to explore your body, and he apparently decided to take the lead from you when he flipped you around so he would be on top now. You expected him to say something, but the most you got was a deep growl when he slid his hand under your panties and felt how wet you were for him already.

Sex was great, but there was a chance of staying for good if you spent too much time in his arms, this is why you slowly peeled him off yourself and tried to get out of bed to collect your clothes. But he didn't let you, he just pulled you closer if that was even possible.

“You know I'd tell people who come after you to fuck off, right? I wouldn't let anyone make you sad,” he told you.

“I know.”

“Then stay. I'll protect you.”

You turned around to face him and he took this chance to kiss you again, making you giggle like some idiot. It was so tempting to agree, to stay here with him and enjoy the way he spoiled you with his attention. You let out a sigh as you watched him, your eyes exploring his face as if you were trying to memorize every little detail before leaving. Maybe that's what was happening. Maybe your brain had subconsciously already made this decision for you.

Max probably knew what you were thinking about, and his next words confirmed your suspicion. “We could have so many more nights like this. Just you and me, in the safety of our home. And you wouldn't have to come to every race weekend, only a few important ones if you felt like it,” he tried to convince you.

After a few seconds of silence, you reached for his hand to lace your fingers. “This is your home race this weekend. Must be important,” you began slowly, earning a nod from him, which was soon followed by a boyish smile. “If I receive one hateful comment, I'm out.”

“Noted,” Max said with a laugh before pulling you on top of him. You kissed him again, fingers tangled in his hair as you finally began to let yourself go. “I love you, kitten.”

You smiled at him as you rested your forehead against his, eyes locked the whole time. “I love you too, you maniac.”

[harmonictechnicality]

Eddie develops a strange habit after sex. It’s not exactly cute or romantic or nice. Nothing bad either. It’s just… well, Steve isn’t too sure what it is. But every time, it’s the same damn thing.

He collapses onto Steve’s chest and says:

“My boyfriend is a cyborg.”

Usually, Steve is still recovering from the fucking downpour of post-orgasm endorphins. So he doesn’t question it. Hell, he stopped challenging Eddie’s tolerance to geek out months ago. Dude holds fantasy knowledge in his brain better than he holds his liquor.

Which is saying a lot.

Anyways, Steve never has the mental capacity to react or respond. Instead, he runs his fingers through Eddie’s sweat-soaked hair for awhile. Scratches out little patterns on his scalp because it always makes Eddie go limp. Quiet.

Quiet is a rarity for him. And while Steve is totally weak for Eddie’s chattiness, the quiet can be nice too.

The only reason Steve finally decides to ask about it is because Eddie slips up. Says it before they have sex.

Steve is against the bedroom door, his nails dragging down Eddie’s back. God, he loves this kind of kissing. The lung draining kind. The type that’s sort of filthy from all the heat and grinding. 

Eddie hasn’t marked him up this bad since that time someone at work noticed his neck. Asked if Steve was having an allergic reaction during an office-wide meeting.

And this is going to be even worse. Steve can tell by the sounds and the soft pricks of Eddie’s teeth. He can tell by how long Eddie spends over each spot, like the bruising skin needs more attention than the rest of him. Like licking them over will make the colors last longer.

The damage has been done. Really no point in stopping him when it feels so fucking good. Steve forgets to worry about  how mauled he’s gonna look tomorrow because his head is swimming with Eddie’s lips on his neck. His collarbone. His chest.

That’s when it happens. That’s when Eddie’s strange habit makes an early appearance. 

He kisses over the blistery mess he made, practically growls the words out this time: 

“My boyfriend is a cyborg.”

“Okay, time out.” Steve says. Heaves some air back into his lungs. Pulls Eddie’s face up before he can continue making Steve look like goddamn target practice. 

Eddie blinks a few times. “Did I do something wrong?”

“No.” Gonna have to wear fucking high-collared shirts all week, but whatever.

He’ll bring that up some other time. “Why do you keep saying that?”

“Saying what?”

“That… thing.” Steve barely can spit it out.  It’s like his throat is physically rejecting the nerdy shit he’s about to say. “You keep calling me… a cyborg or something.” 

“Oh that.” Eddie sighs. Casually shrugs to one side. “It’s your fault actually.”

“How is it my fault? I don’t even know what fucking language you’re speaking.”

Eddie walks over to the bed, chanting Steve’s name over and over. Definitely not in the way Steve prefers him to chant his name. Very un-sexy chanting.

“Remember that day you asked me to grab your car keys?” He asks, patting the bed for Steve to join him. 

No. “Kinda?”

Steve hesitates before walking over. He didn’t necessarily wanna stop their primal makeout session. But it was bound to lead to the bed at some point, so…

Just not like this. Not talking while fully clothed. Blech.

He sits next to Eddie. Hands awkwardly fidgeting in his lap.

“Well, I couldn’t find them.” Eddie admits. “So I ended up going through your desk drawers.”

Of course he did. Perpetual snooper.

“Ended up finding a binder full of medical records.”

Well shit.

Steve’s throat tightens. Swells around the sudden guilt he feels for keeping this from Eddie. 

“Why didn’t you tell me you had a metal plate in your head?”

“Dunno. Hardly even remember it.” That’s only partly true. Steve doesn’t remember the surgery or much of the recovery process. He was only a kid when it happened.

But he does remember the hospital smells. He remembers the sounds of his IV bag dripping throughout the night. All the sensory indicators are still fresh in his mind.

“Well, that’s why. You're part-machine.” Eddie points to Steve’s head, expression softening. “And every time we fuck around, I think about your bionic skull. And how glad I am that it keeps your brain from leaking out when I bend you over the way you like it best.”

Steve laughs. The jokes help lighten the mood. Not enough to replace it entirely, but enough for it to be easy to swallow again. 

They’re both quiet as they get ready for bed, folding the covers down. And yeah, sometimes quiet can be nice. Just maybe not right now.

“Hey, Eddie.”

“Yeah?”

Steve stares hard at the pillows. “Are cyborgs like… cool?”

Eddie pauses for a moment, then hops onto the bed. Starts crawling over to Steve with a smug grin. He lifts up to meet Steve’s lips. Kisses him sweeter than normal. Lighter. Starts nodding his head mid-kiss, keeps nodding as he breaks away.

“Yeah, babe. Cyborgs are so fucking cool.”

[loveisanimaginarydagger3000]

Good Luck, Babe! (2)- Try To Stop The Feeling

Wanda Maximoff X Reader 18+

Inspired by the song 'Good Luck, Babe!' by Chappell Roan

Summary: Returning to Westview after twelve years away causes you to look back on your secret love affair with Wanda, to remember the intimate moments you shared together before her refusal to accept her true self drove the two of you apart, leaving you to pick up the pieces of your broken heart alone.

What happens when you reunite with the woman you've been trying so hard to forget, forced to watch her suffer in an unhappy marriage that was slowly drowning her, still too scared to confront her true feelings?

Chapter 2- 4.6k- Mature Rating

Good Luck, Babe! Masterlist

Chapter 1 | Chapter 3 | Chapter 4

A/N- This chapter includes mature themes such as Drinking, Descriptions internalised homophobia and Allusions to compulsory heterosexuality.

---

Laughter filled the room as you chuckled around your cigarette, your head tilting to the side to blow the smoke towards the ceiling of Natasha's room, the redhead on the bed next to you copying your actions as she amused you. You looked at your best friend, admiring the playful and casual smirk planted on her lips as you chilled with her, watching happily as she moved her hand to the gentle beat of the music that was playing from her speaker in the corner, partly buried by clothes her sister had stolen before being forced to return them by Melina. The music that accompanied your laughter and rather loud chatter was something her father, Alexi, was not too pleased about as you heard him mutter something disapproving in Russian as he passed her bedroom door, the redhead mimicking her fathers actions only entertaining you further.

"May would smack the back of my head if she ever caught me doing that," you mutter, shaking your head playfully at Natasha mocking her father, the redhead rolling her eyes as she knew that your Aunt May would never do such a thing to you, she loved you too much. That woman was the sweetest woman she'd ever met, her warm, kind and friendly persona something you loved about your aunt, something you appreciated throughout your whole childhood.

"That woman wouldn't even hurt a fly," the Russian teases, crushing the end of her cigarette in the discarded ash tray on her bedside table before leaning over to where you were laying on her bed, stealing the end of yours as she knew how much it annoyed you, a defeated sigh leaving you as you knew there was no point in fighting her, the woman next to you always able to get what she wants.

Before you could make a snarky remark back at her, complaining how everyone seems to steal your cigarettes, the sound of a grunt and a small thud caught your attention as you both lifted your heads off the mattress to look at the window, the sight of Bucky's hair making you let out a small laugh as he climbed through her window.

"You do know doors exist, right?" you tease, deciding to use your sarcastic comment on the redhead's boyfriend as he pushes his long hair out of his eyes, revealing his icy blue eyes which were filled with just as much mirth as yours.

"As if Alexi would ever let me come in through the front door," he mutters, taking his jacket off before sitting in the chair next to the bed, his smile widening at the sight of the adoring look Natasha offered him before her attention was drawn to outside her door.

"Лучше бы там не было мальчика, Natalia! (There better not be a boy in there, Natalia)" Shouted her father over the music, the sound of a deeper voice catching the older man's attention as he walked passed once more, his fist pounding on the door.

In the room, Bucky's eyes widened, his usually casual blue morphing into worry at Alexi's words, the boy wanting to make a good first impression to his girlfriend's father, prompting him to swiftly drop to the floor by the bed, hiding as all three of you heard her door handle turn. Her father's inspecting gaze soon peeked around the door as Natasha groaned at her father's protectiveness, your smile growing at the whole interaction as you could see the end of Bucky's boot peaking just beyond the end of her bed, your teeth biting down on your lower lip to contain your laughter.

"Papa," she groaned, hiding her face with her hands as her father put his hands up in surrender, not wanting to further annoy his daughter as she could be quite scary when pissed off at him. "It's just Y/n," at her words, you wave at the man with an amused and cocky expression, his face still sceptical though.

"Нет мальчиков (No boys)" Is all he mutters before shutting the door, a sigh of relief leaving the couple whilst you can't help but let out your laughter, Natasha smacking you at how much their nervousness entertained you, your hands coming up in surrender just like her father's did, your turn to playfully mock the man.

"This is why I can't wait to go to Uni," she mutters, annoyed hints in her tone, Bucky climbing back to his feet and flopping back into the chair, his feet going on the edge of the bed after he reaches over to steal Natasha's drink, winking teasingly at her before taking a considerable sip of it.

"Have Shield gotten back yet?" You ask, tilting your head to look at her as you remember that you were supposed to ask her about the university she applied to earlier on, your memory too busy thinking of a certain brunette most of the time to function adequately. At the smile that breaks on her face, the redhead attempting to play coy but unable to as happiness carves its way onto her face tells you the answer, a proud expression taking over your face as you grin at her. "Congrats, Nat," your tone is genuine and sincere as she offers you another thrilled smile, "I'm so proud of you." You look at the woman you'd been friends with for your entire life, warmth enveloping your chest as pride filled you, seeing her accomplish her dream making your day.

"Thank you," she whispers, bumping her shoulder against yours before continuing, "Have you heard anything back yet?" She asks, knowing you were hesitant about University, not wanting to leave May all alone and abandon your home as your options for your future were limited.

"The only place that's willing to give me a scholarship is MI: 13," you say, voice growing more unsure as you tell them, Bucky's brows furrowing as he places where he had heard the name, concern growing on his face as he knew you didn't want to travel far.

"But that's in England," His tone conveying his confusion as you shrug your shoulders, not wanting to talk about the possibility of having to leave your home, the university the only one willing to take you.

"Yeah," you whisper, clearly growing uncomfortable with the mere thought of it, causing you to sit upright and check the time, wanting to switch the topic to something else. "Anyway, enough about me," you joke, Natasha knowing you were just pushing the feelings down, face growing sympathetic as you continue, going along with what you were saying to make you comfortable, "Don't we have a party to sneak off too?"

The two of them chuckle at your antics as you jump off the bed, grabbing your own jacket before finishing off your drink, motioning for the other two to start moving, wanting to just have fun for the rest of the night at Tony's party, to think about nothing other than being free for the moment.

***

Chanting echoed around inside your head and the room, the music blaring out of the speakers deafened by the collective cheer as you downed the last of the vile drink someone created for you, your face screwing up into a grimace at the way the alcohol burned the back of your throat. You felt a few pats on the back of your shoulder as you offered Bucky a dazed smile, the earlier drinks from the night seeming to have reached your head as you held onto his shoulder, chuckling at your drunkenness. His face only showed he was just as far gone as you were, the two of you laughing like idiots as you stumbled your way to the kitchen to make yourself another drink, the sound of your tipsy giggle catching the attention of Natasha as she shook her head at the state of the two of you, the pair of you too much of a chaotic duo for her to handle sometimes.

"What are you two doing?" she asks, raising her brow as she fixes herself a vodka, the Russian much better at handling her alcohol than you or Bucky, the two of your attempts at an innocent smile causing a small, endearing smile to break out onto her face.

"Nothing," Bucky mumbles, leaning against the countertop for support, purposely bumping into you to make you bump him back, trying to be subtle in front of the redhead but failing miserably as you annoy one another.

"So you weren't about to get shots?" She teases, grabbing another couple of glasses that were available, seemingly offering to pour you some, your gaze blurring briefly as you try to remember why this was familiar, the redhead confused at your puzzled and thoughtful expression.

"Nope," Bucky slurs, popping the 'p' and smiling at her charmingly, his blue eyes filled with love as he gazes at her, flashing her an affectionate smile to make her roll her eyes as he aims to make her blush. "But if you wanna pour us some that'd be ok," he murmurs, knowing if the two of you tried to do it there'd be a lot of broken glass or spilled drinks as well as an array of disappointed complaints about the waste of alcohol.

"Wait," your tone raising in a dramatic fashion as you point your finger at her, remembering the memory briefly, "Don't trust her. She's gonna give us shots of water," Bucky's face morphs into disbelief that Natasha would do such a thing, the redhead rolling her eyes as she downs her shot, needing it right now.

"I'm surrounded by idiots," she mutters to herself, smiling at you both as she pours you each a shot of Vodka, proving to you she wouldn't to make you both trust her, knowing full well she'd switch it to water for the next round.

"Salut," Bucky cheers before you all take another shot, a grimace taking over your face at the alcohol and the sight of Bucky kissing Natasha, the redhead chuckling at the man she cherished so much before kissing his cheek and wrapping her arm around his waist to keep him upright.

"Get a room," you groan, Natasha sticking her middle finger up at you as she kisses him again, your face showing your distaste for the view causing you to leave the couple alone, not wanting to see anymore.

You mutter nonsense to yourself as you stagger around, trying to slip past people who were dancing to the blaring music to find somewhere a little less crowded for a moment, eyes slowly drifting across the room as your vision blurred once again, the sight of a familiar head of brown hair making your dazed smile widen, warmth bubbling inside you.

Deciding to go and see Wanda, you attempted to make your way through the busy hallways to get to her but the sight of a drunk Maria stopped you in your tracks, the intense blue of the woman staring at you as her mouth moved, rambling to you about something but you couldn't hear anything she said, simply offering her a drunk smile back in response as you stared at Wanda.

God you missed her. You just wanted to go up to her and tell her how beautiful she was, how amazing she was. You wanted her to know how much you loved her, all her little quirks, her pretty smile, that amused look in her eyes when you'd do something stupid. You longed to hear that angelic laughter of hers, to hear that soft, embarrassed giggle. You yearned to hear the more sinful noises too, your drunken gaze eventually being torn away from her face to the outfit she was wearing, smiling to yourself at the skirt she had worn and the red jacket that she knew you loved, your intoxicated mind unable to think of anything but her. You were drunk on the thought of her and you were addicted to it.

Maria noticed your unfocused stare, the expectant look on her face fading away as she realised you hadn't listened to a word she said, a gentle chuckle leaving her as she took in how drunk you were, advising you to go to a bathroom for a moment before leaving as she saw her friend Clint across the room, leaving to have an actual conversation with someone.

You hadn't even noticed she left you, too busy letting the world fade around you as you gazed at Wanda, taking one, unsteady step forward before stopping, the sight of a blonde entering your vision wiping the enamoured expression off your face.

It felt like a piercing pain in your chest as you watched Vision lean next to Wanda, his body towering over hers as she grinned up at him, shooting another shot someone offered her before peering up at him like she always did to you, an ache building in your chest at the sight of them.

Thoughts raced through your mind, anxiety coursing through your veins and mixing with the alcohol, the room spinning a little as you felt that familiar tightness in your chest, your breathing accelerating as you gripped onto a piece of furniture to stop your knees from giving way, somehow unable to look away from the sight that would only cause you more pain.

His hand cupped her cheek before he leaned down to press his lips to hers, his other hand moving to hold her waist as she kissed him back just as passionately, trying to stop the feeling that gnawed away at her as she focussed on him, desperately trying to forget everything else as she pushed her body further into his, unknowingly pushing you further into your state of panic and anxiety.

You wanted to leave, to somehow escape the claustrophobic space of the party happening around you but your body seemed to freeze, your muscles not listening to your screaming brain as your breathing continued to become more laboured, your heart beating harder against your ribcage at the way her hand threaded through his blonde locks, scratching at his scalp as his hand drifted lower, slipping under the hem of her skirt.

At the feeling of bile rising up your throat, you managed to turn away from the painful sight of them, your heart squeezing in agony as you blink back the tears threatening to spill, your hand clutching at your shirt, the fabric feeling restrictive against you whilst you drowned in a spiral of negative thoughts.

Why? Why did she do this? You thought she cared about you. You thought you were more. It felt like more. Was she really that scared? That scared to confront herself? Or was she ashamed of you?

When the thoughts became too much, you realised you needed to get out of there. You needed to be alone. You pushed past people, not caring if they were annoyed at your actions as you stumbled across Tony's house to find one of the bathrooms, slamming the door shut as you fell to the floor, back resting against the wood as you held your head in your hands, struggling to steady your breathing at your incessant thoughts.

Why couldn't she just love you the way you loved her?

***

Leaning your head back against your truck, you felt a deep pit of regret stirring inside you, a tired and defeated sigh leaving you as you waited for the usual footsteps to sound next to you, your eyes closed as you waited for her to arrive. You hated how you agreed to see her again, how you pushed down the events of that night to pretend that nothing was wrong with you, that you didn't have your heart shattered by the woman making her way over to you. You just wanted the anxiety and hurt to go away, the only person in the world who made you feel safe and free from your thoughts ironically the person causing them, Wanda the only person able to clear away the lingering fog of anxiety wrapped around you and clear the sky for you, to make you feel free from all your problems for a brief moment. It was stupid really, you just hoped that if you drown yourself in the safety she provided you'd forget about everything, be able to draw a line under it and move on.

The sound of her footsteps made you plant a smile on your lips, your eyes gently fluttering open as she moved to stand next to you, her green observing the hint of uneasiness in you as she peered up at you, offering you that smile she knew calmed you down. The nerves only subsided a little at her delicate and soft look, the various shades of green gazing into you causing a small flicker of warmth to tickle your heart, not the usual fire that would warm your chest as doubts still gnawed away at you, part of you wanting to confront her about last night but deciding not to, simply asking her where she wanted to go tonight instead of vocalising your thoughts.

You drove her to the Lake as she requested, the car ride filled with light banter as you wanted to hear her laugh, to feel that flutter in your chest every time she did so, your mind slowly starting to push the memory of the party further down as you focussed on this moment with her, her mesmerising green still observing you with a small hint of confusion at your odd behaviour from earlier. Her worry faded as the car ride prolonged, your usual smile growing on your lips whilst your hand moved to her knee, squeezing softly as the country roads passed you by, the scenery of open space soon changing to deep forests as you approached your hidden lake.

Once you had arranged the truck as you always did, you laid down in the back against the pillows, watching tenderly as Wanda climbed in to join you, your eyes widening at the way she effortlessly straddled your lap, intent in her eyes as she smirked down at you, heat naturally pooling between your thighs at the seductive sight of her on top of you.

"What-" your words are cut off by a desperate kiss, a moan escaping you as your mind clouds with arousal, the feeling of her pressing into you, her hands cupping your jaw in an attempt to deepen the passionate and messy kiss, enough to free you of your thoughts as you wanted.

It was similar for Wanda, her mind craving you to push away her thoughts, body begging for you. She needed you. She needed you to touch her, to caress her hips and body in that loving way, to replace the feeling of his large, selfish and over confident hands, to feel your soft and gentle lips claim hers over and over again, not his dry ones that made her feel nothing. She didn't enjoy his wet and wanting tongue, she wanted to chase your teasing lips, to hear that smug little groan you'd offer her at her sinful moans, she needed to feel pleasure crash through her body, not the disappointment that washed through her that night. It was you she needed, not him, she just didn't want to accept that.

"I need you," she sighs out against you lips, a string of saliva connecting them before you lean up to claim her addictive mouth once more, your hands moving to her hips, gently squeezing the soft skin and having her moan in pleasure and almost relief as she concentrated on the way your electric touch made her feel. She couldn't help herself as she ground her hips down against you, sparks of pleasure and arousal building in her abdomen as she moaned and gasped into the heated kiss, your hands guiding her desperate movements as you naturally took control, something the brunette adored about you. You were always in control but also always caring, dominant and soft most of the time but rougher when you knew she could handle it. You knew how to read her body, to tease her and give her what she wanted, unlike Vision.

"Yeah?" you husk out in that smug voice, tone lowering and hands sliding lower down her body, appreciation and adoration in all of your touches, despite how sinful they were, as your fingers ghosted over the edge of her skirt, letting it hitch up slowly. You can't help but think back to the way his hands did the same to her, how his fingers slipped under to reach the soft skin of her thighs as yours did now, your touch faltering as you slide them off her inner thighs, going back to her hips. You try to ignore the unwanted thought as she lets you slide your tongue into her mouth, effortlessly controlling the kiss whilst your hands continue to guide her movements, her clit brushing against her soaked panties with every desperate rut of her hips. "Show me how much you need me," you murmur against her lips, her sinful sighs pushing the memory away briefly before you bite down on her lower lip, soothing the dull pain with your tongue, the brunette's body burning with desire and lust at your teasing actions, her hips rolling against your hips with more vigour, desperate to feel the pleasure building in her to overpower her.

"Fuck," she groans out when on of your hands slide under her shirt, nails scratching against the impossibly soft skin at her stomach, the sensation causing her muscles to tense as a small amount of pain mixes with pleasure. "Please," she whispers, tone pleading whilst her hands leave your jaw, threading through your hair and scratching at your scalp, needing you to do more.

The action however stops you, your mind once again returning to the memory, remembering the same way she let her fingers slide through his blonde, how she pulled his head closer to deepen the kiss, disgust filling you at the unwanted thoughts that followed. Did she do this when he fucked her too? Tug on his hair like she does with you when you push her over the edge over and over again? It sickened you, the mere thought of them, making you break the kiss off, uncomfortable with what was going on. You needed to know what you meant to her, what the two of you were.

"Wanda, stop," you croaked out, your hands stilling her hips as her mouth ghosted over yours, her body pulling back immediately at your tone, the lustful look in her enchanting green dissipating into concern.

"What's wrong?" she whispers, eyes searching yours as her fingers brush some of your hair back affectionately, only further increasing the confusion stirring inside you at her tenderness.

"What are we?" you ask, vulnerability swirling in your eyes as you look up at her, her body still on top of yours, her brows furrowing at your question.

"What?" her tone acts confused as she avoids your gaze, a harrowing sense of dread filling her at what she thinks you mean, not wanting to talk about what the two of you were. She wanted you, she knew deep down that was all she wanted, but she couldn't. You were wrong for her, something to be ashamed of. Her love for you was shameful. She just wanted to be normal.

"What are we doing?" You ask, keeping your gaze on her as you whisper the words, scared to hear the answer but needing to know whether she cared about you. "I saw you and Vision at the party..." your words trail off at the way her eyes instantly snap back to you, guilt and something undecipherable washing over her face whilst you continue, "I just- I thought we were-" you cut yourself off with sighs, not wanting to say what you mean, too scared to be rejected.

"Were what?" her tone hardened slightly, scared you were going to say something that would make her confront herself, a small part of her hoping you'd still say you were something more. She crushed the small glimmer of hope just as fast it came, her reluctance to be like that too powerful. She wasn't one of them. No, she was going to be normal. She was going to have Vision and he was going to give her everything she'd need to fit in.

"I thought you cared," you murmur in a quiet voice, the small tone of your voice creating a dull ache in her chest, her features softening momentarily before confliction etched its way onto her face.

"I do care," she sighs out, trying to figure out how to unravel her messy thoughts and put them into a sentence, her hands moving to brush her own hair back in a stressed manner, her head looking away from you to try and distance herself momentarily. "What we are is... casual," she says after a moment, a nauseous feeling stirring inside her at saying the words, knowing that they weren't true. She was just making another excuse, coming up with another stupid reason to not have that conversation with you.

You scoff at her words, feeling the bottled up anger from the last few days seep into your veins, your gaze conveying your irritation at her as she meets your gaze, her fingers anxiously playing with one another at your reaction.

"You know that's not true," your tone matching her provoked one, shaking your head in disbelief as she looks away from you, trying her best to not let you see the tears threatening to spill as she tries to stop the feelings towards you.

"We agree on this being casual, no strings attached," Wanda manages out, the brunette biting down on her lower lip to stop it trembling as she builds up the courage to look at you, preparing for the pain that would envelope her heart at the idea of hurting you.

"But Wanda-" you try, wanting to argue that this was never just casual, the two of you always having been drawn together.

"No," she interrupts, not willing to hear you out. "We agreed on that and-" she pauses, hesitating over her own words which only disproves her point, "Nothing has changed for me. If it's changed for you we need to call this off." 

Her words pierce your heart, the usual playful look in your eyes replaced with a blank stare as you looked behind her at the lake, forcing yourself to keep it together and suffer in silence whilst contemplating your answer. You should tell her the truth, break off the arrangement to stop any more pain for the both of you, but you were selfish. Having her like this, just a little bit, was more important to you than not having her at all.

"No," you whisper out, clearly not meaning the words as you answer her, "Nothing's changed."

"Good," her tone is shaky as she mutters the word, not having it in her to call out your blatant lie.

Once the two of you grew silent, you realised she was still on your lap, the brunette moving off you swiftly and apologetically before sitting next to you, not leaning her head on your shoulder as she usually would, simply staring out at the scenery in front of her as she truly grasped how hard it was going to be to stop the way she felt towards you.

She'd have to stop the world just to stop the feeling.

[daisys-reality]

── ☔ꜞ˖ ꒰ 𝙿𝙰𝙲: 𝚈𝚘𝚞𝚛 𝚜𝚑𝚒𝚏𝚝𝚒𝚗𝚐 𝚓𝚘𝚞𝚛𝚗𝚎𝚢 ꒱

Hello my fellow shifters, here is your ☔ reading which you've voted for!

Do you want to know why all of this is exactly happening? Do you want guidance and answers because you want to know where you’re standing in your shifting journey and how to move forward? What are you heading towards exactly? I’ll try to find answers to such questions for you in this reading. Choose a picture and enjoy your reading!

Also check out my  masterlist if you want! Fyi I don't own any of these beautiful pics, they're all from pinterest. 🤍

──

𝙿𝙸𝙻𝙴 𝙾𝙽𝙴

Why were you meant to find shifting? What is your (higher) reason for finding shifting? (for personal shifting reasons, please check out my other pac reading)

To develop your creative force, to be more daring and to follow your passion and ideas, to make you follow your dreams, to trigger growth, to give you a spark for new beginnings, to recover the joy of life/the magic of life

To give you strength in trying times (mental/health struggles, feeling rejected by this world, feeling lonely and not understood, …), to help you endure those almost impossible trials in your (cr) life, to help you stay resilient, to strengthen your resolve and faith

To evoke a nostalgia for sweeter times, to find your innocence again, to connect with specific people/souls, some people want to connect with you, to strengthen your connection with spirituality/the world of spirits, to go on adventures and partly to re-experience childhood especially if you felt like you missed out a lot in your younger years, to experience love/soul connection in other realities

This message only applies to people with specific spiritual beliefs: if you feel like you have a specific purpose in this life, it might actually be a major purpose for which you need to be strong, that’s why you experienced so many hard lesson in your life until now, shifting is there to make your experience in this reality a little bit easier/enjoyable, to give you strength to keep going because there is something great waiting for you, for some it feels like an exceptionally strong soul connection (!!), for some of you it feels a bit like a so called “twinflame” connection that is finally tuning into the same frequencies in this human life/reality - if you believe in this type of connections

Major theme in your journey: Learning something specific?

To learn to connect with yourself and your emotions on a deeper level, expressing yourself wholly and authentically with youthful purity, to learn to love yourself and other as well as learning to enjoy your experience here and in other places/realities, to make use of your sensitivity and to develop your own spiritual beliefs, to just have fun and to let things happen to you, no one and no thing(reality) is bigger, better or more important than you - there is no hierarchy, there is no specific worth you need to have - you are able and “allowed” to experience anything you desire whether it is true love, freedom, adventure, joy, comfort or just silly romance. No one is deciding above your head on what you may or may not do in this universe. It's important that you understand this. (Connecting, loving and expressing/communicating seem to be very significant here in general)

The difference between you right now and the you in the ‘future’ that finally succeeds (shifting)

Disclaimer: ‘Future’ is a loose word and time is not really real anyways. So, everything that is not the ‘present’ or the ‘past’, represents the future. ‘future you’ can be you in a second, you after reading this or you in a week etc.

‘Future you’ embodies the queen of swords energy. ‘Future you’ is strong and knows it. You will know that you're protected, you will be fearless and fierce, unbiased and independent. You will stay calm and open minded while still being firm (not accepting less than your ‘goal’, firm boundaries + direct communication), not giving in because ‘future you’ knows that it’s only fair that you succeed - you’re meant to succeed, you’re meant to shift. You’ll see your situation with open eyes, mind and heart, remaining positive and not losing hope. Your insights will make your beliefs stronger, therefore your faith will become also strong and unwavering. You. Will. Shift. Periodtt.

Advice for you right now:

Keep looking and acknowledging the signs around you, focus on recovery (your health, your energy etc.), forgive and fully release your past. be in the present moment and be free. 

Timing: “Create space (in your mind, life etc.) for it to happen sooner”, “Release any attachment to timing”, “Time is still unknown” (the energy is mutable)

Thanks for reading!🤍☔

𝙿𝙸𝙻𝙴 𝚃𝚆𝙾

Why were you meant to find shifting? What is your (higher) reason for finding shifting? (for personal shifting reasons, please check out my other pac reading)

To learn/practice long term commitment, to become more determined in life, to learn how to complete a “project”, to be decisive

To awaken the power of self, to build balance, to find your inner beauty and learning to appreciate it, to build your self-esteem, to give you the ability to see a future for yourself

To  understand the spiritual nature of life, to develop your intuitive abilities, and your grace in dealing with others

To increase your knowledge and wisdom, to learn to listen to your subconsciousness, to get encouraged to form your own conclusions, to recognize your vast yet subtle powers, to become a mystery in the eyes of others

Major theme in your journey: Learning something specific?

Learning more about spirituality and other spiritual beliefs and practices, finding your joy in those things, learning about & developing your new spiritual gifts or abilities, getting closer to spirit world

Learning how to make use of your emotions/feelings and your compassion, learning how to be more receptive to creative opportunities and loving connections, and to be more deeply compassionate for other living beings

Creating the start of a new life and a new version of yourself

Learning and practicing self reflection, making important decisions for yourself and about yourself (ex. who do you want to be, etc.)

The difference between you right now and the you in the ‘future’ that finally succeeds (shifting)

Disclaimer: ‘Future’ is a loose word and time is not really real anyways. So, everything that is not the ‘present’ or the ‘past’, represents the future. ‘future you’ can be you in a second, you after reading this or you in a week etc.

‘Future you’ knows that your life will drastically change and there is no going back, the change is necessary. ‘Future you’ went through a metamorphosis and is embodying the ‘king of swords' energy combined with the energy of volcano deity Pele. Your power will be enhanced by your wisdom. ‘Future you’ is wild and free, capable of anything, patient and persevering. ‘Future you’ knows exactly what to do to succeed. ‘Future you's’ approach to shifting will be very structured and disciplined, while your mind force (will power + confidence) will be wild and uncontrollable like an explosion or the eruption of a volcano. ‘Future you’ cannot be held back, shifting is inevitable at that point.

Advice for you right now:

Reconsider your current mindset one more time, spend time reflecting and ask for help from others, perhaps communicate your current ideas/plans with someone close to you to gain another perspective, communicate clearly (specifically with yourself), focusing on romance might have a positive influence!

Timing: “When you’re truly ready for it”, “Don’t lose hope”, “Create space (in your mind) for it to happen sooner” >prepare the metamorphosis<, “Gain more knowledge/wisdom”, “Meditating brings answers” 

Thanks for reading!🤍☔

𝙿𝙸𝙻𝙴 𝚃𝙷𝚁𝙴𝙴

Why were you meant to find shifting? What is your (higher) reason for finding shifting? (for personal shifting reasons, please check out my other pac reading)

To have the opportunity to fulfill all your many dreams and aspirations. You might have so many that you wouldn’t be able pursue them in “just one normal life”

To stop procrastination and to choose and go after the things you desire in life

To learn to differentiate between “illusion and reality” especially in regards to what you really want to experience and what you think you want to experience… some opportunities can often lead to a major disaster (if you’re someone who romanticizes dangerous realities… shifting there might not be the best idea, buddy)

to leave seemingly good things behind in the pursuit of higher ideals, to go deeper into introspection and starting to seek the truth and to come to realizations about yourself and about life/universe etc.

Major theme in your journey: Learning something specific?

(This is very specific and only relates to those who have special s/o:) Going through a rocky connection with someone who is probably from another reality and going through all these feelings/moods/longing in this “long distance connection”... I feel like this is about one specific person and you developed feelings for them..? Even though you’re pretty much opposites, you complement each other well and I think you feel this too… Learning how to love healthily is a theme in your journey…even ideal relationships still face difficulties, right? 

Learning how to create a stable lifestyle/mindset and to actively be thankful towards yourself but also for the things you have gained and experienced and to cherish them and the people who support you

Your shifting journey is the built up to your happily-ever-after (your reunion with someone specific and the start of many happy moments) 

The difference between you right now and the you in the ‘future’ that finally succeeds (shifting)

Disclaimer: ‘Future’ is a loose word and time is not really real anyways. So, everything that is not the ‘present’ or the ‘past’, represents the future. ‘future you’ can be you in a second, you after reading this or you in a week etc.

‘Future you’ is grounded, down-to-earth and very practical and organized. They are always on the move, improving, perhaps even teaching others, sharing their experiences and realizations. They are starting to be very secure in their beliefs and they are eager to travel the universe. Also, they feel abundant in energy, they are very self reflected and therefore overall balanced and stable in their home/cr life. ‘Future you’ acts very motherly towards themself - pushing themself when it needs to be and taking care of themself when they need a rest. ‘Future you’ does not lose their temper when things go ‘awry’, they always keep moving steadily towards their plans/goals

‘Future you’ overcomes the procrastination and follows their passion with much force. They are not scared of what is to come because they are so secure within that they feel comfortable enough to be daring in the pursuit of their goals.

Advice for you right now:

You might have to change your focus right now or rethink your current plans - there is another path that leads to more big happy changes. Always remain positive, don’t stop or procrastinate -  take action!

Timing: “Refocus and stop waiting for it”, “Trust that it will happen when the time is right”, “Summer time” (- perhaps in 2 months from now? August could be lowkey an important/happy month for you and your journey…)

Thanks for reading!🤍☔

──

[ineffable-endearments]

When you (generic, universal) talk about theories about the end of Season 2 and Aziraphale going to Heaven, you often run up against either:

taking everything at face value to the point of ignoring that some details contradict one another

or

accidentally nullifying major emotional, plot, and character beats by implying that they Didn't Really Happen.

A lot of the differences in analyses, especially ones that I like (LOL), can be explained by the fact that we're analyzing a character who is experiencing massive cognitive dissonance and believes a number of contradictory things at once.

Nobody is wrong to point out Aziraphale's need to Belong to a Good Cause, which makes his acceptance of the Supreme Archangel position entirely in-character; nobody is wrong to point out Aziraphale's anxiety around the Metatron, which indicates that he may have been coerced.

Did Aziraphale go back to Heaven because he's afraid of what will happen if he keeps refusing, or because the Metatron made an implicit threat? Did he go back to Heaven because he's vulnerable to flattery and wants to feel important? Did he go back to Heaven because he thought it would be a way to be permanently safe with Crowley? Or did he go back because he missed belonging to something Good, something bigger than himself? All of the above. It's all of them.

Yes, even though it's incredibly dissonant to believe a system that he KNOWS is dangerous and coercive can accomplish true Goodness, that is in fact his belief.

Admittedly, this is no one I follow - just random comments I see around from people I don't know very well - but it seems like some people out there are assuming Aziraphale can't possibly be making any plans to do anything remotely intelligent, because this would mean that he is already aware that Heaven is bad and would therefore leave no room for character growth.

Except no, that's not necessarily what it means. In fact, the cognitive dissonance is the main thing he is going to have to resolve. Having that dissonance - the belief that Heaven's ideals are genuine, along with the understanding that Heaven is dangerous and needs to be carefully manipulated - is what will move his plot forward. Mindless obedience wouldn't progress his story any more than magic brainwashing coffee would, and it would be equally inconsistent with his story and motivations so far.

The dissonance is the point. And part of the dissonance is that he already knows Heaven is dangerous - he just hasn't accepted what that means yet. It would make sense for him to simultaneously try to work within Heaven's system and watch his own back.

Also, only partly related: Neil might write a story about how the worst people exploit the need to belong and to be Good. He might write a story about how we have to become our own greater good. He might write a story about how to rebuild after you discover your greater good is not so great or good after all. He is not going to write a story about how having any faith or trust in something objectively bigger and stronger than yourself makes you a stupid clown who is wrong about literally everything and shouldn't have even tried.

Let Aziraphale fuck up. He needs to and he will. Whatever plans he was making in that elevator won't actually succeed. But give him credit where it's due.

Edited to add: And you know what? When he fucks up, he's going to get through it. And then he's going to do the right thing. And he's going to get it right when it matters the most.

[sapphicnae]

Love, Hate and Everything in Between

Summary: Regina hated you and you hated Regina. Each of you so obsessed with taking down the other. But was this obsession pure hatred or something more?

Character Pairings: Regina x fem!reader, Regina x Cady (if you squint)

Warnings: Slurs, Bullying, Toxic Behaviour, Internalised Homophobia

Words: 2.6k

A/N: This is my first fic / one-shot on here so I hope you guys enjoy. I’ve been reading some fics on here and decided we don’t have enough Regina fics going round, so I thought, what better than a classic enemies to lovers (?). Apologies for any mistakes I did write half of this at 4am. If you do enjoy, please let me know because I wouldn’t mind turning this into a full blown fic, I have plenty more ideas for it. Also, I’m very open to requests!

You and Regina. Two of the most popular girls in school.

Regina hated you, and you hated Regina.

 It had been this way since you had joined North Shore a year ago and gained popularity, despite Regina’s attempts to take you down at every turn. But one thing you and your best friend, Janis Imi’ike couldn’t figure out was why Regina was so obsessed with you. To the point you would catch her staring at you from across the cafeteria almost daily, albeit with an icy glare plastered on her face. You had both had your fair share of run-ins with each other, after all, Regina couldn’t stand to see the new girl rise to popularity as fast as you had in your year of being at this school. But the difference between you and Regina was that you actually treated people with respect... and you just happened look pretty while doing it.

Jealousy. That’s all you had chalked her behaviour down to, until recently.

Regina had consistently made it clear that she was in fact, not gay. From her messy relationship with Aaron Samuels to openly flirting with Shane Oman in the halls, she had made it very clear she only had eyes for men. Her performative gestures with Shane in the hallways also coupled with the spreading of rumours about certain people being a lesbian. From the way Regina had spoken this word, it had made it seem as if this was the worst possible thing to be known as at North Shore. No one in school had ever had the guts to stand up to Regina for her problematic behaviour, especially since she ruled the halls with fear. Yet her reign seemed to be interrupted the moment you transferred to North Shore. You were the only person who wasn’t afraid to defend yourself, or others for that matter.

Naturally, Regina could not stand this. Which lead to you having a constant target on your back for rumours and blatant lies in order for you to lose your popularity as well as your dignity. You thought it was incredibly excessive of her to make out that being a lesbian was a bad thing. Partly because your best friend and partner-in-crime, Janis was a lesbian and partly because deep down, you knew you had an attraction to girls too. Yet the only people who knew this was Janis and Damien, of course, your two closest friends.

You had not yet been in a relationship since joining North Shore that year, not due to avoidance, but due to all your time being taken up by your rivalry with Regina. Which was totally normal… right?

The most recent rumour that was circling the halls, of course spread by Regina, was that at a party that you had both been to last Friday night, you had made a pass at Regina. Hearing this from Damien in English class that day was the last thing you had needed, after enjoying a supposedly drama free day for once. Anyone who was at the party that night would’ve known that wasn’t true, yet Regina had a certain charm to the way she could make anything seem believable. You of course weren’t surprised at her attempts to drag your reputation down for the umpteenth time this year. She loved making out that you were the one who was obsessed with her and not the other way round. It irked you to think that she could get away with having the last laugh. You would have just let it slide, but your ego once again stood in the way of your ability to allow Regina to think she had won.

So that’s when lunch rolled around. You, Janis, and Damien were sitting at your usual table, with the plastics in view. Having to watch them gossiping with each other and occasionally glancing your way had left you with a deep-seated feeling of rage. You had never been one to keep your emotions in check, this seemed to be your downfall in situations like these. Feeling anger like this was always the driver of your revenge. Coupled with the fact that thoughts of Regina didn’t often leave your mind. Which was obviously due to the fact that you resented her so much. You hated everything about her. Sure, she was gorgeous, with those stupid green eyes that always harboured some form of winged eyeliner, along with the rest of her makeup that accentuated her already flawless features. That stupid beautiful blonde hair that always seemed to sit in the perfect place, flowing down her back like she was some sort of supermodel. Those perfect lips tha-

“Dude, are you even listening to me right now?” Janis questioned, lightly punching your arm, ripping you away from your thoughts. A small blush crept up your neck, realising you had been so deep in thoughts about Regina that you had completely zoned out of the conversation you were supposed to be having.

You faltered for a moment before attempting to save yourself with a reply “Y-yeah of course. I was just-“

“Clearly planning her revenge against queen of the plastics, god Janis, keep up” Damien chimes in, attempting to save the day. Janis just rolls her eyes at both of you. She had been dealing with Regina and her posse for years, which meant she had more or less tuned their drama out in an attempt to stay sane at this school. With you however, it was a different story, Regina somehow always found the perfect way to rile you up.

“The day queen bitch of North Shore gives it a rest with these dumbass rumours, will be the day I know peace” Janis huffed, which made both you and Damien chuckle in response. “Especially with her obsession over who’s a lesbian and who’s not. If you ask me, she should just come out of the closet already.” She then nods to you “I mean, the closet might as well be glass with the way she stares you down at any given moment. Coming from a fellow girl kisser, she wants you baaad.” She laughed at her own words. Receiving an eye roll from you this time.

“That girl needs to be called out on her shit.” You glance over at Regina who is sporting a smug smile listening in to her friends gossiping. You couldn’t stand the fact that she had gotten under your skin once again. With the rumour fresh in your mind, you couldn’t help yourself from wanting to act. Deep down you loved the drama between the both of you, it gave you some sort of high, being able to pull Regina off her own narcissistic pedestal. It was like some sort of addiction; you couldn’t get enough of it “in fact… what better time than right now?” You uttered, as you shot up from your seat. Before either Janis or Damien could sway you out of it, you were already making your way over to the table across the cafeteria.

As you approached, you could see Regina’s eyes flicker towards you, a wry smirk growing on her face. On seeing Regina’s attention shift, the rest of the plastics turned to face your way, which didn’t deter you in the slightest. Having a rivalry with Regina for this long, you were used to all eyes being plastered on you while confronting her. Plus, nothing about Regina’s minions scared you. All they ever seemed to do was blindly follow her around like lost puppies. The only person who you had never understood as being part of the group was Cady Heron. You had sat with her in a couple of your classes, and with the way she spoke, it seemed she so desperately wanted to be her own person instead of being grouped in with the meanest girls in school. This lead to you gaining a small amount of respect for her. A few times you had considered asking her why she still sticks with Regina after seeing the way she treats her, but you knew that would be a whole other mess. Besides, there was a high chance that she’d go running straight to Regina about it. It seemed as though Cady was on the tightest leash out of anyone in the plastics… probably because Regina knew she could be pulled away from her with the right amount of convincing.

Right before you reached the table you noticed Regina stiffen her posture, followed by a groan, “here comes queen lesbo of North Shore”, which was followed by a few snickers from Gretchen and Karen. Funnily enough, Cady remained silent. “What’s up? Couldn’t get enough of me Friday ni-“

You interrupt her by slamming your hands on the table, which not only grabbed the attention of the plastics, but those from surrounding tables too. You lock eyes with Regina as you spoke in a low tone, attempting to control your anger towards her.

“Real cute hearing that you’re telling people I came onto you, when anyone who was there knows we barely even made eye contact.” Regina raised an eyebrow at you, smirk still in place. She then spoke condescendingly, before you could continue.

“Oh honey, of course you don’t remember, you were sooo drunk and all over me, everyone saw it, right Gretch?” You then see her shoot a subtle dangerous look to which Gretchen instantly nodded in response. This amused you slightly, knowing she was laying it on thick. She was trying so desperately hard with this angle that you decided to use her tactics against her for once. You let out a laugh of false amusement before continuing.

“Oh please Regina, you’re trying so hard to convince everyone it’s true, almost as if… you wish it was? I mean it wouldn’t be surprising. I’ve seen the way you stare at me in the hallways, you make it a bit obvious don’t you think?” By this point, the smile on Regina’s face had completely dropped, morphing into a poisonous glare. As she opened her mouth to cut you off, you kept speaking, raising your tone to catch the attention of others. “-so obvious in fact, that I don’t even need to say it out loud, people are whispering about it already. So next time you wanna spread rumours like that, try taking a look in the mirror first.” People around you gasp, hearing you speak to Regina in the same way she would leaves even the queen bee herself in slight shock before she manages to compose herself. You hadn’t even considered the weight of the words you had spoken until they had left your mouth. You had basically just accused her of having a huge crush on you and judging by the state it left her in, it didn’t seem like that was far from the truth.

“So, you are gay?” Karen pipes up first, mouth slightly agape as she speaks. Regina shoots a glare at her this time, making her immediately look in the opposite direction.

It was your turn to smirk seeing her cheeks turn scarlet as she gritted her teeth. She was clearly outraged, the look on her face said so. Yet, hidden behind her eyes, there seemed to be an ounce of shame present. Having a moment to study this look almost made you feel… regret? Though in the next beat, she rose up from where she was sitting and took a few steps towards where you’re stood, towering over you slightly. She had rarely ever made a move to get this close to you before, and standing where she is right now, you could practically smell her expensive perfume. You fought the urge to take a step back, as your breath hitched slightly. For a moment she hesitates, her eyes flicker to your lips for just a split second, but not fast enough that you don’t catch her doing it. If this wasn’t happening in front of the whole school crowd, you would be sure that she was about to lean in and kiss you. You felt yourself taking a heavy breath to steady yourself before she snaps at you.

“Listen, dyke. If you ever catch me staring at you it’s because I think you’re a freak. And if you think for one second, I would ever be into you, then you’re even more delusional than I thought. So why don’t you and the rest of your sad little band of freaks over there, go and-“

She is almost immediately cut off by a teacher who walks over to the group, clearly having been alerted of the altercation going off in the middle of the cafeteria. Regina immediately takes a step back from you and fixes her hair, attempting to seem as innocent as possible.

“Girls, what seems to be the problem?” Ms. Norbury questions, looking between the two of you. With the rest of the plastics keeping silent, it was up to one of you to speak up first. Regina then plasters a fake polite look on her face and turns to Ms. Norbury to speak. Right as you expected her to defame you all the way to your seat in detention, she instead gives a different response.

“There’s no problem, everything’s fine.” Regina smiles at her as you see the rest of her crew nodding behind her, which brings you to scoff at the sudden change up in her demeanour. Having dealt with Regina many times before, it was clear that Ms. Norbury saw right through this attempt to get her to leave you both to it. Which lead to what she had to say next.

“Look girls, I know the two of you have had issues in the past. But I won’t tolerate drama like this during school hours.” She then steps between the both of you. “Now separate this and I’ll see you in my office after school. Both of you.” She then turns on her heel and walks away.

“Are you fucking kidding me?” you huff out in disbelief. After this, you decide it’s best to walk away from Regina and return to your table before your day could get any worse. But not before she hastily grips your forearm and subtly whispers some hostile words a little too close to your ear.

“We are so not done, freak” she then roughly drops your arm before coasting back to her seat. Though her threatening remark left you stunned for a moment, her closeness left you breathless for longer. As you made your way back to Janis and Damien, you couldn't get the thought of her out of your head. After all the tension and pent-up anger between you, you secretly hoped she might be right. Because as you stared at her from across the cafeteria, your heart thumped in your chest, not out of fear, but something else. You were definitely not done with each other. Not by a long shot.

[withahappyrefrain]

For the ship ask game!

48. …out of habit + a bob of your choice!

This prompt screams secret relationship, and what better Bob to do that with than Cobalt Eyes & Sweet Smiles Bob?

Bob knew he shouldn't be jealous. You weren't paying Jake any attention as he bragged about the latest air maneuver he mastered. Your eyes were focused on putting together a burger.

Soon enough, one of your fathers' old Top Gun classmates would whisk you away, no doubt to marvel at how much you had grown up, reminiscing on how you used to toddle around at this yearly cookout.

The worst part was Bob couldn't even be mad at Jake. Because he told Jake that all that happened after you two met was that he walked you to your car.

Which was partly true. Bob did walk you to your car. And then exchanged numbers after making out in said car. Which led to going on a date, which led to Bob secretly dating you.

Turns out, dating the daughter of your bosses is complicated.

Once the current mission was over, it would be easier to come forward. And decidedly less weird to think about.

Though Bob was still worried that once the secret was out in the open, he'd wake up the next day to find he's been deployed to Australia.

So all Bob could do was sip on his diet Coke as he tried not watch Jake fail at hitting on his girlfriend.

"I'm going to go...." Your eyes lingered on Bob. God, he looked so good in that blue shirt, it was unfair. But wouldn't that be too obvious?

"Somewhere that isn't here," you finished, walking away before Jake could even speak. The temptation to tell the blonde pilot you were dating Bob grew stronger everyday.

But Jake also had a big mouth and seemed like the kind of dick to mention something to one of your dads, if not both.

Technically, you weren't breaking their rule. They said no pilots and Bob wasn't a pilot. He was a WSO.

But it certainly made things awkward as Bob was working with Dad. And Pa was his boss.

Well, wanting to get away from Jake Seresin wouldn't raise anyone's suspicions.

Bob tried to hide his excitement when you stood next to him. He tried to act casual, but nothing could hide that smile of his.

Not that you mind. In fact, his sweet expression sent warmth throughout your body.

"Got tired of hearing how much better he is than everyone else?" Bob joked, causing you to nearly choke on your burger.

"The best don't brag, they let their work speak for themselves," you explained, a sly smile on your face. It was so hard not to make eye contact with him. Truly unfair how he had eyes bluer than the ocean, deeper than the sky-

"Is it too much if I asked you to accompany me to the Hot Dog station? Figured it would be nice to have someone who understands all the toppings." With that lopsided smile, how could you say no?

"It is an intimidating amount of choices," you chuckled as you led him over to the station.

"Alright, so I know it sounds weird, but the Olivier-Russian potato salad- that Pa makes is actually pretty good. The chili Slider makes is good, but unless you have a stomach of steel only take a little. Oh, and Hollywood says the candied jalapeños are mostly sweet but that's a lie. It's mostly spicy."

Bob couldn't help but be memorized as you rattled off facts about the various condiments. Whether it was about work, a personal belief, or yes, even hot dog toppings, you always spoke with such passion.

He loved it. He loved you, but that conversation is still a few steps away.

For now, Bob was happy to settle for counting down the days until he could hold your hand in a gathering like today's. Even if it terrified him.

Yes, technically, he wasn't a pilot. But considering who your dads were, a technicality didn't bring Bob much hope.

According to Bradley, the idea of you dating someone in the military, much less a naval pilot, had been vocally met with disdain.

But today Bob wouldn't focus on that. Instead, he focused on your bright smile and how cute you looked in that sundress.

"What's your go-to?" He asked, ready to take the valuable information to heart.

"Chili with some of the candied jalapenos and a dash of ketchup."

"No mustard?" He asked, wiggling his eyebrows.

You had to stifle a laugh, "No mustard."

"Alright, I trust ya." His words, laced with a slight twang sent warmth throughout your body.

Without saying a word, you took the ladle from the chili bowl, serving it onto his hot dog. You gave him a sweet smile as an explanation, one that Bob took happily.

"Thanks darlin'," He leaned in to peck your lips, neither of you thinking about it.

It wasn't until he broke away to grab the ketchup that you both froze, realization washing over you.

Fuck.

"I'm gonna, um, go." You said quickly, grabbing your plate.

"Uh yeah, good idea," Bob quickly put down the ketchup, turning around to walk away from you. His face was bright red as he practically ran back to Mickey and Natasha who were currently chatting up with some of Pete and Tom's old classmates.

You looked around, everyone seemed to be enjoying themselves. No one standing in shock.

Alright, good. That was a good sign.

"Hey, did you see that?" You asked Bradley, who had been roped into grill duty.

"See what?" Your pseudo-brother shrugged, his eyes remaining on the grill, unaware that you were on the verge of having a panic attack.

"Bob and I kissed. It was an accident, like neither of us thought about it! It just felt natural and we forgot where we were!" You hissed.

Bradley was the only one who knew. The first time Bob spent the night at your place, the universe decided that Bradley should be the one to pick you up for family brunch. In hindsight, better he than one of your dads. Thankfully, you had enough dirt on Bradley to buy his silence.

"Oh," Bradley shrugged, as if it was nothing. Truthfully, he didn't know why you two insisted on keeping it a secret. It wasn't like you were dating Hangman (thank fucking God for that).

"I didn't notice anything," He said, which accurately reassured you.

"Although...." His words made the hair on the back of your neck stand up.

"Although?" You gritted through your teeth.

"I mean, that would explain why Slider was running into the house. I thought he just had to piss."

God. Dammit.

"You good Bob?" Mickey asked upon seeing his fellow WSO, beet-faced and nervous.

"Huh? Oh! Me? Yeah, I'm great. Swell actually!" Bob said, unconvincingly.

Natasha knew Bob was dating you. It was obvious when you showed up to one of the beach football games. How anyone else failed to notice was beyond Nat.

But she knew not to say anything. Instead, she gave Bob a raised eyebrow. Whatever it was (concerning you), she knew it was better to ask in private.

"Lieutenant Floyd? May I speak with you in private?"

Bob's blood ran cold as he turned to face Captain Mitchell, who had his arms crossed.

"Um, I..." He could pretend to pass out. There was no current or former medic here. So he would just need to play dead as if his life depended on it, because it did. Claim it was from the heat. Yeah. Blame the sun, he was pale enough to do so.

But his knees were locked. Bob couldn't run, couldn't pretend to pass out. Fuck, it was too early to fake food poisoning.

So instead, all he could muster up was a weak nod as his legs carried him inside the Mitchell-Kazansky house.

He was fucked. Utterly fucked. He should just leave now so he can go pack up for Australia. Would he even get that far? He had been sneaking around with their daughter, death was probably the only option.

Even if your dads didn't kill him, your honorary uncles will. Fuck, was his will updated? Would you even get anything? Well, Bob did tell Bradley to give you the ring in his drawer should anything happen to him. It was his grandma's, given to him so he had a ring to propose and-

Why was the Admiral whose callsign was literally "Iceman" hugging him?

"Thank God it's you. We thought she was seeing Seresin."

Oh.

That explains a lot.

"Um, no offense sir, but you raised your daughter to have better standards than Seresin," Bob barely got out, now receiving a hug from the much shorter Captain.

"We knew she was seeing someone. We're all glad it's you."

When you ran into your childhood home, you were expecting many things. Mainly Bob's head on the floor.

Receiving hugs from your dads was not on the list, but man was it a welcoming sight.

Bradley shrugged, "I don't know why you were so worried about them knowing."

You rolled your eyes, "The same reason why you haven't told them you have a fiancé."

Wait shit, that was not supposed to be said out loud.

"You have a what?"

[from-the-clouds]

moonlight on the river - joel miller x reader

masterlist | song inspo

summary: Joel has been many things to you. A dealer, a mentor, a friend, a lover. Lately, it’s the latter.  Sometimes he’s none of those things, or a handful of them, or all of them at once. And it’s up to the both of you to decide in the moment which things are true. Takes place during episode one of the TV series. pairing: joel miller x f!reader words: 2.4k warnings: angst, fluff, good ol' fashioned hurt/comfort. depressive thoughts, reader sort of has a death wish, references to alcohol/drug abuse, death, loss of family members & loved ones. implied age gap, references to casual sex, heavy petting (no smut). a/n: it's been months since i posted a fic on here! some of my best work comes when it’s 2am, i’m emo and touch-deprived and i have an 8am appointment so i stay up until 5am to write. this was actually supposed to be fully a fluff piece but the angst queen had to strike.

You wish you could drown in the pile of blankets you’ve wrapped yourself in. Wish the couch would swallow you whole, like a whale, then drag you down to the deepest depths of the ocean and leave you there until you can’t hold your breath any longer, until the cold pricks the tips of your fingers and toes, until you succumb completely. 

But in some ways, you’re already existing like that, in the sea-level equivalent of the Marianas Trench. One of those sea creatures that look not of this Earth, features warped – adapting, evolving, surviving, despite your environment’s best efforts to eradicate. Your mother had once shown them to you in her old textbooks and shown you the photos of anglerfish, frilled sharks, phantom jellyfish. The memory of your mother makes you wince, and you try to think of something else.

How anyone else around you managed to put on a brave face and make their way through each day was beyond your comprehension, even though you do it, too. They probably all feel the same way about it as you do, but no one talks about the collective trauma you’re all slogging through. No one has anything new to add, and it’s foolish to believe that anyone’s insight could somehow take the pain away. Even if you have a chance to tell your story, there is always someone who has it worse. 

Get in line. 

Exhausted as you are, you don’t sleep much. Most of your nights are spent at the precipice of unconsciousness, and you can never quite make it over the edge, the helicopters, radios, sporadic gunfire always manages to rouse you first. When you do manage to sleep, you’re plagued with nightmares. You prefer perpetual fatigue. 

A knock at your door comes suddenly, and you start, sitting up quickly – but quietly – to not alert the unexpected guest that someone might be in the tiny studio you call home. It’s well after dark, which makes you doubt that whoever, or whatever is at the door, isn’t there for a friendly drop-in or a cup of tea, not that friendly drop-ins or cups of tea ever happened. 

But before you grow too panicked, your name is muttered, accompanied by another impatient rap of knuckles against the hollow wood. It’s a familiar rasp, even-toned and calm, and your shoulders sag in relief before you abandon your post on the couch. 

“Joel?” you ask softly, squinting in the dim light of the hallway through the crack in the door. He doesn’t look any different, though it’s been about a month since you’d last seen him. You’re not sure what to expect, but he’s the same as always, wearing a worn, tight denim shirt and fraying jeans. He looks tired, but you can’t recall a time when he doesn’t. Everyone looks tired all the time, it just only concerns you because it’s him. 

Not waiting for an invite, he steps through the small opening you allot for him and into your place, wordlessly.

“What the fuck, Joel, it’s past curfew are you trying to get yourself killed?” 

“I’ve done worse,” he says, dismissively, and yanks the door from your hand to close and lock it behind him. 

You don’t argue with him. You rarely do – which you think is partly why he likes you – but especially now, you don’t have the energy. And when you do, he’s too stubborn to listen. 

Joel has been many things to you. A dealer, a mentor, a friend, a lover. Lately, it’s the latter.  Sometimes he’s none of those things, or a handful of them, or all of them at once. And it’s up to the both of you to decide in the moment which things are true.

So when he steps forward, crowding you backwards until your rear hits your kitchen countertop and you have nowhere to go, you don’t ask questions. 

His hand cradles your chin, tilting it back to look into his sad eyes, and he kisses you. For a split second, it’s chaste, and you’re almost confused, until it’s suddenly not, and his grip on your jaw tightens, his lips parting. Joel stakes his claim, his free hand winding into your hair and pulling. You sigh, closing your eyes. 

He moves both his hands to cup your ass through the flimsy athletic shorts you’re wearing, lifting your hips up and against him, making to carry you to the bed, or maybe even take you on the countertop – it could be one of those days. Everything he’s doing would normally light you on fire, and there’s a primal instinct that’s telling you you like it, but for some reason, you hesitate.

Joel senses it right away. You’re not sure how. And you don’t want him to. You’re prepared to submit, even though you feel numb everywhere, because you hope for the chance to feel something, anything other than what you’ve felt the last few days. He pauses, too, pulls back. 

You expect to meet his eyes when you look up at him, but they are fixed on something else. Tugging on the collar of his shirt, you try to kiss him again, but he doesn’t budge, until you follow his eyes. An empty bottle of liquor sits on the bar behind you. Fuck.

“You’re drinking again.” It’s not a question.

“That was actually from yesterday,” you say, like it would make any difference. The remnants of a hangover have been tweaking your temples all day, biting the back of your eyes. It was half empty when I got it. It was just one night. I can have a couple drinks without getting out of control. Your brain cycles through several more excuses before you decide not to waste your breath. 

“What did I tell you about this?” He reached behind you and lifted the bottle, holding it in front of your face like you hadn’t been able to see it clearly enough before. 

“You should talk,” you don’t like being cruel, but you’re already desperate to end the discussion. He’s probably drunk or high right now, but it’s none of your business, and you’d given up trying to save him a long time ago. 

You shift your weight to lower yourself off the counter and move away from him and the once-inviting warmth of his embrace. Joel doesn’t let you make it far, reaching out to grip your upper arm and tugging you back to face him with little-to-no effort on his part. His strength always startled you, even though it shouldn’t, considering his size. It also should’ve scared you, but the manhandling mostly just turned you on. Not enough that you were going to keep letting him lecture you.

“It’s different. You’re still so young.”

“What does that matter?”

He doesn’t have an answer. 

You lift your chin, squaring up to him. “That’s what I thought.”

He puts his hand on hip and studies you carefully. Despite your attitude, you’ve never liked disappointing him. He’s the closest thing you have to a father, which you can recognize is an awfully fucked up way to feel about someone you regularly have sex with, but you lived in an awfully fucked up world.

There’s a wistfulness to Joel’s expression you’ve never seen before. He chooses to change the subject, and you’re thankful until what he says registers. 

“I’m leaving town tomorrow night. You might not see me again.”

It takes a moment to process, but it hits you like a blow to the gut. So hard, you’re surprised you don’t stagger backwards with the force of it. Even when it settles, you know it hasn’t even sunk in all the way.

“Well…” you take a long, thoughtful pause, and offer the only thing that your brain can come up with, “....stay safe out there, then.”

“Yeah,” he runs his tongue over his teeth and squints at you. “You want to tell me what’s going on?” 

Snorting, you know it’s important to remain as blase as possible so you don’t cry. Although, you don’t really cry anymore. Even when you want to, the tears never come. At some point, after watching every person you’ve ever cared for die in uniquely devastating ways, you must’ve reached your lifetime limit. 

“I know you. Something’s up.”

No, you don’t! You want to scream, but that would be a lie. It’s been three years since you met, maybe one since your….arrangement, or whatever you’d call it, had begun. 

How the two of you had become so close was a mystery even to you. It’s not like you were charming or charismatic, or willing to put up the innocent act. You didn’t try to inflate his ego, which most men loved. At first, you didn’t even really like him at all. That changed with time. Somewhere along the way, things just clicked.

“It’s nothing that no one has ever felt before,” you shrug. Joel has his fair….or rather unfair share of demons, and is the last person you want to complain to. Most of the time, he’s unflinchingly guarded, but he’s shared enough – secrets whispered in your ear while tangled in damp sheets, your hand on his chest, feeling the steady thump of his heart – to make you wonder if you have it so bad. Focusing on a fixed point, a crack in the tiled floor, you avoid his eyes.

“Hey,” his voice pulls you back. “Don’t do that.” 

“I’ll be okay,” you say. “I’m just having a d-a week.” A month, a year, a life. Reluctantly, you meet his gaze.

His face softens, his hand reaching to clasp with your own, thumb grazing across your palm. “Come here,” he murmurs. He pulls you against him tightly, tucking your head under his chin, his fingers weaving into your hair. 

“You’re going to be alright. You’re a strong girl.” He’s too smart to believe that, you think. But it doesn’t stop you from pressing your lips against his sternum. His broad chest is sturdy, firm, and you close down your eyes. 

Neither of you speak, and one of his hands begins to stroke your back in soothing circles. You stay wrapped in his arms for a long time. Long enough to think about how you might never get to do this again, and you suddenly want him in all the ways you never had him, and all the ways you had. Just one last time. 

He presses a kiss to your temple. “I can tell you’re exhausted, baby. Let’s get you to bed.”

There’s no reason to protest, he’s right, so you let him lead you to the bed. You’re already in your pajamas, and he draws back the covers and tucks you underneath them carefully. 

“You’re staying,” you say. It’s meant to be a question, but it comes out like command, and although you can’t stand the idea of pleading for it, would if you had to. You’re that desperate. 

You hear the clunk of his boots landing on the floor, feel the dip of his weight on the opposite side of the bed. 

“Of course,” he says softly, voice barely above a whisper as he slides underneath the covers. 

Joel’s arm snakes around your waist, and you’re being pulled back against his chest. You wriggle to be closer, even though it’s not possible, his nose resting on the crown of your head, stroking your hair softly. He’s being so tender, so sweet, it makes you feel sick.

“What if I don’t want you to leave?” you turn your head slightly, so you can see him out of the corner of your eye. You want to be able to remember his face, in case you never see him again. He was handsome, you’d always thought that, even despite the years between you. 

“It’s my brother. I don’t have much of a choice, baby.”

Joel had told you all about Tommy. You wished you could be resentful at his leaving to find his brother, but you knew you’d risk pretty much anything for the chance to see anyone in your family again. 

You shake your head. “This…sucks.” 

He offers a rare chuckle, one that vibrates through his chest and straight to the ache in your stomach that started when he told you he’d be leaving. “It does. I’m sorry.”

Joel sighs, his breath on the nape of your neck, and you shiver. “I’ll miss you.” It’s a simple truth you can hear in his voice without even needing to look in his eyes.

“I’ll miss you.” You reach for his hand. 

You roll over to face him, his head propped on his opposite hand, looking down at you. 

“You remember everything I taught you?” he asks. “Be smart, keep yourself safe.”

Joel had proven to be a pretty valuable resource when it came to survival skills. He’d taught you how to shoot a gun, to load and reload it, how to take it apart, clean it, and put it back together. You recalled the feeling of him leaning over your shoulder, adjusting your grip to shoot at a target. And even if most of his lessons in hand-to-hand combat resulted in him having his way with you on the kitchen floor – you didn’t mind it at all – you knew enough to defend yourself. 

“I do,” you answer. “And I will.”

You think of all the time you’ve spent with him the past few years. How it has made things bearable. It’s likely the last time you’ll ever see him, and you know what you’re supposed to say. But for the life of you, you just can’t say it.

Instead, you lean in to kiss him, lazy and lingering, both your hands on the side of his face, palms pressed against the scruff of his beard. You pull away after awhile.

“Tell me about what it was like. Before all this.” When the outbreak began, you were just a child. It felt like a dream, your memory so fuzzy it was hard to recall anything except the worst parts.

Joel does, and you listen, captivated, though it’s not the first time you’ve heard it. For such a gruff man, he paints a pretty picture.

It’s easy to imagine what your life might be like if none of this had ever happened. It would have been better, infinitely better, for yourself, for Joel, for everyone. It would be better, but if it hadn’t happened, you wouldn’t have met him. For some reason, something about that doesn’t feel right.

[krirebr]

For MTT: what if Ransom was actually looking forward to the arrangement, sick of dating and the party scene. When he sees reader it’s love at first sight for him at least.

Chelsea! This was a great ask, but answering it was hard for me. Maybe because MTT has so fully taken over my brain and trying to change it just a little tripped all sorts of internal booby traps for me.

Regardless, I was able to come up with something. Here is an alternate version of their first meeting where Ransom isn't a complete dick from his POV. But because I'm me, I, of course, can't just let these two be happy right away. Even in this alternate, alternate universe.

And somehow, even though this fought me the whole way, it's still well over 1k words. I don't know how.

No Way of Knowing

Pairing: Ransom Drysdale x Reader

Warnings: Explicit language, references to forced marriage and forced pregnancy, angst

Ransom was furious when Harlan and Linda told him. Absolutely livid. How dare they dictate his life like this! Yes, most of his friends had already entered into similar arrangements years ago, but he was doing fine the way he was!

And they were so fucking smug when they told him. ‘Oh, it’ll be so good for you.’ ‘It’s about time you settled down and joined the real world.’ Fuck that.

But. When he got home and had a chance to think calmly about it, without his mother’s resting smug face glaring at him, what was he doing, really? He was inching ever closer to forty and sleeping with random socialites just wasn’t as fun as it used to be. Almost all of his friends were married, so he didn’t really see much of them anymore. He was kind of lonely if he let himself admit it. Would this really be so terrible, if he did it for himself and not for them?

The pregnancy clause was admittedly awful but if you took the narrow timeline away for a minute, he could actually see wanting to be a father. He’d do it right, wouldn’t treat his kids the way his parents had treated him. This didn’t have to be the worst thing.

So he spent the next week going through the binder they’d given him, did what he could to get to know you. You were young, which made him a little nervous, but it wasn’t the largest age gap he’d seen in one of these things, and you were still very much an adult. You seemed intelligent (your fucking test scores were in there, which just seemed like a wild invasion of privacy) and sweet. You had a dog, which wasn’t ideal, but at least it was small, so he hoped he’d be able to tolerate it.

All in all, you didn’t seem like the typical society fare that Linda liked to parade in front of him. He dared to hope that that would hold true once he met you. That opportunity came faster than he was ready for. Just a week after he’d signed the papers, he was sitting in a restaurant, waiting for you. He already had his Macallan 18, trying to get some liquid courage before you appeared. 

You were a few minutes early and seemed surprised but pleased that he was already there. He stood up as you approached the table, partly to be polite and partly to get a better look at you. You were beautiful. Gorgeous. It was shocking, really, the way you took his breath away. That’d never happened before. 

“Hi,” you said softly as you stood opposite him and extended your hand, then gave him your name.

“Hi,” he said, somewhat stupidly. He swallowed and tried to pull himself together. “I’m Ransom,” he said. “It’s nice to meet you.”

“Nice to meet you, too,” you said, cautiously, as you sat across from him and he sat back down. “Have you ordered yet?”

He shook his head, “Just a drink. I’m ready to order food whenever, but I’m in no rush.”

You nodded and after you briefly looked at the menu, he signaled the server over. He couldn’t stop watching you as you ordered. You asked a lot of questions about their wine selection. It seemed like you knew what you were talking about. He found himself wanting you to tell him all about it, how you knew so much, why you liked it. He just wanted to listen to you. 

Once the server was gone, you looked over at him warily. You were so nervous. He wanted to reach across the table and gently hold your hand, but he wasn’t sure how it’d be received. “So,” you said carefully, “I guess we should talk about how this is going to go.”

He nodded, a little disappointed that you wanted to get down to business straight away. He wanted to just talk, get to know you, take some time, but he supposed that he couldn’t blame you for wanting to get the hard parts out of the way. “I have a house,” he said, “just outside Boston. I think you’ll like it. It’s big, in a good neighborhood, quiet. But I’m not sure how suitable it will be for starting a family. That’s something we’ll have to talk about once you’ve seen it.”

You looked at him, shocked. “Start a family? Don’t you think you’re getting ahead of yourself? We’ve only just met.”

The bottom dropped out of his stomach. Oh no. “Didn’t they tell you? You didn’t read the contract?” There was no way. They couldn’t have been that cruel.

He could see the panic rising in your eyes. “They didn’t give me any time to read it,” you said, your voice wavering. “What didn’t they tell me?”

Fucking shit. How could they have done that to you? And now he had to be the one to break the news. He cleared his throat and tried to speak calmly, gently. “There's a clause in the contract. We’ll need to conceive a child within the first year.”

“What.” you whispered.

He didn’t say anything, wanting to give you time to process. And he was afraid that if he tried to speak right now, his voice would come out far too angry. He needed to find out who was responsible for this, who had treated you so terribly.

“A baby,” you breathed. “With you? Right away.”

“They should have told you. Talked to you about it. I’m so sorry, you shouldn’t have found out this way.” He wasn’t sure you heard him. You just stared straight ahead.

That, of course, was when the server brought out the food. The sound of your plate hitting the table right in front of you seemed to bring you back to the here and now. You looked down at it and shook your head and then looked back at him. “I don’t think I’m very hungry,” you said. 

“That’s fine. We–” 

You stood up, interrupting him. “I’m sorry,” you said, both your voice and body very stiff, “but I need to go.”

“Are you sure?” he asked, desperate to get you to change your mind, to fix this. “I’d really like you to stay, so we can have a chance to talk.”

You shook your head. “No,” you said, your voice resolute. “I can’t tonight. Maybe– Maybe we can talk another time.” 

And then you turned around and walked away, leaving Ransom reeling. He would spend the rest of his meal thinking about all the ways he would make this up to you, earn your trust, win you over. 

Tag lists are open

@stargazingfangirl18 @drabblewithfrannybarnes @thezombieprostitute @jaqui-has-a-conspiracy-theory @bval-1 @km-ffluv@texmexdarling @ladyvenera @she-wolf09231982 @citronbun @rebeccapineapple @alexakeyloveloki @dancer3205 @i-can-do-this-all-dayy @thecrandle @lokislady82 @thedazzlingburglar @23skidoosteven @arbesa-mind @samfreakingwinchester @blackhawkfanatic @emerald-writes

[dysfunctionalupsidedown]

An Analysis Of "STurn": My Turn

Hello, everyone! This is my first real post/analysis of anything Stranger Things related, so please keep that in mind while reading. I'm sure there are quite a few analyses about this playlist already (I'm definitely late to the party,) but I still wanted to add my two cents.

Feel free to let me know if any information I've provided is incorrect. My main source is Genius.com, which isn't at all the most reliable; even still, it'll help to give a clearer picture of each track's meaning and how the general public (which includes Finn) interprets them. I'm attempting to go by what I think Finn's intentions were.

Also, don't forget that this analysis was done under the assumption that the "STurn" playlist is a somewhat play-by-play outline of how specifically Mike Wheeler's S5 arcs might happen. The playlist could be entirely unrelated to ST5. It could be related to all the characters and arcs in ST5. It could be out of order, or based on vibes -- We really have no way of knowing until the full season comes out.

Finally, I tried my best to keep the analysis somewhat objective and reasonable, and I hope I've at least partly succeeded. This is all in good fun, in the end. Now that I've finished housekeeping, please enjoy my thoughts and feel free to chime in with your ideas in the comments! I'm always open to changing my perspective.

1. Ballad of the Texas King

Let's begin! This song starts with the lyrics, "No one saw / Nothing at all, no law was there to fight / All dressed down / Walkin' out in the California night". I believe this is a more surface-level vibe-setting song, considering where Mike ended in S4. It may also imply that the start of S5 begins where S4 left off. A lot of car imagery is also present throughout, which was a big part of Mike's S4 journey.

There are ideas of being separated as well, with lyrics like "My heart won't beat / 'Til we meet again together". This may allude to Mike's feelings towards the end of S4, having been separated from Hawkins/his family.

2. What You're Doing - Remastered 2009

Genius.com claims this song was written about Paul McCartney's then-rocky relationship at the time. The lyrics make this very clear, so there's really no alternate angle from which I can read. Let me know in the comments if you interpreted it differently.

In specific, the lyrics "You got me running / And there's no fun in it / Why should it be so much to ask of you / What you're doing to me?", "Please stop your lying / You got me crying, girl", and "I've been waiting here for you / Wondering what you're gonna do / And should you need a love that's true / It's me" really intrigue me. This could refer to Mike's relationship.

The song suggests that the partner may be withdrawing in multiple ways, with the singer grieving over it and attempting to prove their love. El may be starting to distance herself, and Mike could be struggling with it. At the end of S4, El was understandably focused on her failure, to the point where she hadn't really spoken to Mike in the days following it.

I don't think it would be surprising if everything was too much and she ends up pushing herself away from him. I wouldn't say it's implying a break-up, but maybe distancing issues.

3. After The Earthquake

Again, it's pretty surface-level in the beginning. There was a devastating earthquake in-universe, which supports the theory that "STurn" connects to ST5 in some way. The song tells a story, though, and I recommend looking up it's inspiration.

Despite the choice seeming surface-level at first, After The Earthquake may be implying more for Mike in ST5. Genius.com's contributors interpret the song's narrative as, "[Molly Rankin applying the] concept of post-catastrophe clarity to a couple that got into a major disagreement before one of them falls into a coma from a car crash... In a metaphorical sense, [the song] could describe a more mild situation in which Rankin must put their conflict on hold because something more important turns up." I don't think it's too far-fetched to say that Finn picked up on this. The idea of a disagreeing couple and coma is also prevalent in ST, but like I said in the beginning, I'm going to try to connect these songs to Mike Wheeler specifically.

Although this may be me reading too deeply into it, the metaphorical meaning of the track pairs pretty well with the implications of What You're Doing. It also fits in well narratively, considering that more important things are happening aside from the drama -- the earthquake being one of them. Mike could be putting all of his current issues (internal-conflict-related, relationship, or otherwise) on hold for the moment. He continues to struggle with suppressing his problems later on in the playlist, as well.

4. Promises I've Made

This song is about mourning a lost or ex-lover. The opening lyrics, "Ever since you have gone, the days don't seem so bright / And I wish I could forget you but I can't / Ever since you have gone, I haven't felt quite right / And I promised I'd forget all that you meant" address this quite directly.

At this point, it's possible that Mike has either been broken up with or the pair have gone their separate ways for some reason. It wouldn't be too crazy to say something like that will occur and he'll grieve it, keeping in mind that one of Mike's main fears is losing El. I just don't know why they'd continue to make it the subject of conflict in S5 (unless it hasn't been fully resolved yet.)

Physical distance between the two also makes sense when considering that Mike is, supposedly, teaming up with other characters next season. Personally, I'm leaning slightly more towards a break-up because of what the previous songs have set up, but, ultimately, it's up to interpretation. It's possible they've just been physically distanced while in a bad spot.

5. Angst In My Pants

This song is about a person attempting to be someone they're not, suppressing who they really are, and it ultimately leading to dissatisfaction. The lyrics, "You can dress nautical / Learn to tie knots / Take lots of Dramamine / Out on your yacht" describe a faux lifestyle one lives that only serves to hurt them in the end: The idea of putting on a self-harming persona. This could be what Mike is going through in S5, and his teased wardrobe change from S4 supports this.

The lyrics, "I hope it doesn't show / It'll go away / It's just a passing phase / It'll go away" and, "I hope it doesn't show / It'll go 'way / Give it a hundred years / It won't go 'way" are particularly fascinating and can have multiple interpretations.

For one, it could be Mike trying to hide his real personality following Eddie's death and the collective panic by acting out a more "normal" and "idealized" life -- painfully repressing his true self in the process. This is supported by the lyrics I first discussed. Hiding and embracing differences is a theme in Stranger Things, and I wouldn't be surprised if this is where they take Mike in S5.

Another interpretation involves the previous lyrics, as well as, "But when you think you made it disappear / It comes again, 'Hello, I'm here'". This sounds more like someone trying and failing to suppress a thought. Coupled with "It's just a passing phase", it appears to be a feeling or belief instead of someone's true personality, although I do believe that's a big part of it, too.

Whatever it may be, Mike is definitely struggling with something at this point. He's pushing it down, hiding it, and hoping "..it doesn't show" and that "It'll go away".

6. The Better Side - Audiotree Live Version

Half way through! This one gave me more of a challenge because there aren't any written lyrics to analyze. From what I can gather, the track is about a person yearning for someone who is a better fit(?) The lyrics that best support this interpretation are, "You're on the better side / You're always the better one for me" and "Don't make me do the falling when I'm drinking of you". Again, if you have any alternate interpretations, please let me know. I'd like to take all ideas into account.

The final lyrics are interesting, "And you're all that I need / I'm not gonna miss you anymore". This can be read as the narrator longing to accept a person into their life and bring them closer. I'm especially interested in the final line because it implies there was something to miss, as if an emotional rift or gap was there.

Mike has come to a realization about something, as shown in Angst In My Pants, and it might partly be about a new thought he's trying to push down, "It'll go away". It's possible the "thought" is about newly developing feelings he isn't ready to accept(?) I don't want to say for certain, though. Nonetheless, it seems like he recognizes this person's importance and "better fit" for him, despite trying to repress it. A fairly surface-level read, but it's the only conclusion I'm able to come to.

Alternatively, it might be about El. The distance apart could be what gets him to solidify how he feels about her. However, Angst In My Pants and multiple songs establishing a separation precede The Better Side. The track is about a better option, as well. Those facts alone make me think of this interpretation as unlikely, so it's not one I personally hold.

7. Don't Ask Me to Explain

Don't Ask Me to Explain is about two people who are afraid to confess their true feelings to one another, so instead they hide them; with one of the two seemingly more uncertain. It's also, from what I've researched, supposedly about two people of the same gender. There's a possibility that this is irrelevant to the track's purpose in the playlist, but I kept it in mind considering the other songs and my personal interpretation. It's also important to note that these "true feelings" could be about a multitude of things.

The lyrics, "How will I ever know you enough to love you / If you're hiding who you are?", "How am I supposed to let it show / When I don't even know?", and, "Besides, I don't want to be the one who's coming out first / I'd really like to but I'm just too shy" support this reading.

I interpreted the last line, "It's so easy to laugh to myself / And pretend that I could love you but I can't" in two different ways. Either it's the narrator doubting their feelings for someone else, or it's the narrator recognizing that they can't let themselves embrace their love for someone, for one reason or another.

As for Mike, his progression makes the most sense to me in the following interpretation. There are multiple and, again, please let me know your ideas in the comments. I narrowed it down to just the one so I don't start nit-picking.

Mike went from a realization, "It's just a passing phase / It'll go away" (Angst In My Pants) to a sort of acceptance, "You're always the better one for me" (The Better Side) to struggling to admit it out loud, "How am I supposed to let it show / When I don't even know?"

An LGBTQ+ or "new love interest" interpretation is what I'm able to gather from this. It could describe Mike falling for 'someone' and not knowing how to be open about it due to fear and doubt; with the other person feeling the same way. It may be a surface-level reading, and I'm sure there are several other ways to interpret the track, but that's what I've been able to conclude thus far.

8. What Do You Want Me To Do?

This one might be the most difficult for me to figure out, but I'm going to try.

The song and the lyrics, "You walked out, took your chance / You turned your back on our romance / You said you found somebody new / You said the change'd do you good" and "You never even gave me a thought / You figured that would be all right / I nevеr had a chance to persuade you / You nеver let me put up a fight" remind me a lot of What You're Doing.

One way to look at it is that it might have the same purpose as What You're Doing -- adding a sort of angsty frustration vibe. I don't know if it would be used to set up a "come crawling back" moment because I don't think that would make sense (especially in Stranger Things), but it's a random possibility I'm throwing out there.

Alternatively, the 'person' that Mike has feelings for could have rejected him for someone else(?) Again, I don't think this would make much narrative sense in Stranger Things, but we don't know what the next season's going to look like.

I'm personally reading it as the former because there are other songs in the playlist used to set the tone. Keeping What You're Doing and Promises I've Made in mind, an additional break-up song is on theme. There's still the possibility of another conflict, though. If anyone else has different thoughts on what the song could be implying, I'd appreciate the input.

9. Substitute - Live

This track is about an idealized version of someone being put in place of their true self. The narrator describes a scenario in which their partner sees a version of them, "I'm a substitute for another guy / I look pretty tall but my heels are high / The simple things you see are all complicated / I look bloody young, but I'm just back-dated, yeah", that is unrealistic and put on, as seen in the lyrics "Substitute your lies for fact / I see right through your plastic mac / I look all white, but my dad was black / My fine-looking suit is really made out of sack" The couple also seem to be having issues with this, or in general, that they're not addressing, "It's a genuine problem, you won't try / To work it out at all, just pass it by, pass it by"

The concept of a guise applies well to Mike, as referenced in Angst In My Pants. A recurring theme of hiding oneself really makes me think Mike is going to completely abandon his interests for a different lifestyle. I believe Finn has also mentioned that Mike wants to be as "normal" as possible, so I can't wait to see where they take that idea. It could also be him realizing how he's been acting, and admitting that this "romanticized" version isn't true to him. I have hope that Mike will eventually learn to embrace his differences and what he enjoys.

While this part is a bit nit-picky, I feel it's fun to mention that the song was inspired by a lyric in The Tracks of My Tears by Smokey Robinson; the lyric being, "Although she may be cute / She's just a substitute". The line following this (which is also referenced in Substitute's Genius.com entry) is, "Because you're the permanent one". Funnily enough, these lyrics also fit into the narrative the playlist is laying out. They remind me a lot of what The Better Side represents.

Out of context, the lines from The Tracks of My Tears may imply that someone is either using another person as a substitute for an ex, or that someone is realizing they've been using their previous partner as a substitute for someone better. Both routes have the potential to happen in ST5. Although, I don't know if the idea of a literal substitute fits with what The Who was going for. The Tracks of My Tears is also not on "STurn", so take this part as a fun fact with a grain of salt on the side.

At the end of the day, we don't know Finn's motivation for adding Substitute, so this is what we'll have to go off of for now. I feel as though the former interpretation, a less literal "substitute," holds the most merit considering the theme of personas.

10. The Rebel Kind

Like The Better Side, I couldn't find any lyrics, so I'm doing it by ear. Though, I'm happy to say that this song is about a desire to embrace differences and rebellion. "We'll be free to run with the rebel kind" and "It's not easy, but I don't mind / I just want to run with the rebel kind" establish that. The track appears to tie into Mike's insecurity struggles throughout the playlist.

The lyric "They call us the rebel kind" hints to the panic brewing at the end of S4. Mike might start to embrace and stand behind his true self at whatever point this is in the season. The line following, "But they don't understand / The things a man must do to prove that he's a man", can be taken in different ways depending on how the lyrics are read.

It could be the narrator's struggle to keep up with societal norms before finally giving in to their truth instead of trying to conform, read as "they call us rebels but don't get how hard it is to for us to keep up." On the other hand, it could be the narrator commenting on how society doesn't understand people like them, and, by embracing their true self, it proves more about who they are than conforming ever would; read as, "you think we're the rebellious ones, but you don't understand that we're more self-secure and strong than you'll ever be."

I can see both of these interpretations working for Mike and his connection to the Party. The progression of insecurity in Angst In My Pants and potential realization of this guise in Substitute is wrapped up by Mike's self-acceptance here. I really hope this is how it plays out in S5.

11. Block Rockin' Beats

There's not much to analyze because this track has one repeated line of lyrics, but it's definitely here to set a tone. The song may have a similar vibe-setting purpose as What Do You Want Me To Do? and Ballad of the Texas King. That's just my theory, though. (A ST5 theoryyy!)

Perhaps this is a climax of sorts where the cast fight the "big bad." The music's tone is intense and sort of aggressive. It's definitely a fun addition to the playlist, whatever the song's purpose in it may be.

12. Just What I Needed

Finally, we have Just What I Needed. I read this song in two different ways.

The first way I interpreted it was as a love song about the narrator not caring about who this person is, and realizing they need them in spite of it all. The lyrics, "It's not the perfume that you wear / It's not the ribbons in your hair / And I don't mind you comin' here / And wastin' all my time", "Cause when you're standin' oh so near / I kinda lose my mind, yeah", and "I needed someone to bleed / Yeah, yeah, so bleed me" support this.

The second possible reading is that the narrator realizes they were/are in a codependent relationship and they still love the person. The lyrics, "I guess you're just what I needed / I needed someone to feed / I guess you're just what I needed / I needed someone to bleed" and "I don't mind you hangin' out / And talkin' in your sleep / It doesn't matter where you've been / As long as it was deep, yeah", could be read as more of a "you're what I needed at the time, but I still love you and want you in my life." With this reading, it's unclear whether or not the love is romantic or platonic. Maybe I'm looking too far into it, but this is what some Genius.com contributors brought up, and it would feel wrong to not include this understanding of the song.

I'm just assuming, since The Rebel Kind seemed to tie up Mike's self-security problem, that this track is supposed to imply a resolution with his romantic issues. Under that impression, there are a few ways we can look at it.

It could be an acceptance for who he has feelings for. He went from mourning a loss in Promises I've Made, noticing something and hoping it goes away in Angst In My Pants, potentially coming to terms with the fact that this person is his "better" choice in The Better Side, wanting to admit a truth but feeling doubtful in Don't Ask Me to Explain, comprehending that he's able to embrace his authentic self in The Rebel Kind, to now admitting, possibly out loud, that this person was "just what [he] needed". That could be far-fetched, but it's just what I picked up on throughout the playlist.

However, it may also pertain to his self-identity struggle that's hinted at throughout (can you tell that I love this part of Mike?) while also tying into his romance issues. He went through a difficult separation with someone in What You're Doing and Promises I've Made, put on a persona and suppressed his true self in Angst In My Pants, realized he couldn't keep it going and needed to address it in Substitute, embraced himself in The Rebel Kind, and now recognizes that the relationship may have been codependent and holding him back from fully dropping the facade: "I guess you're just what I needed" -- in the moment. I don't know if that's too in-depth of a read, but it's a possibility.

While not relevant to the playlist in it's context, it's fun to bring up the fact that Just What I Needed was apparently also the final track listed on the 'official' "Will's Castle Byers Classics" playlist created by Spotify. It's not available anymore, so I can't really say it as a fact. Although, recreations of the playlist have been made long before "STurn" was a thing, and the song was added as the last track as far back as 2018. I suppose that's proof enough that it was at least on the playlist.

Finn listing it as the final track may be a reference to "Will's Castle Byers Classics", but it's also likely that there's no association. That's why I gave the song an equal amount of analysis instead of writing it off as a reference. As to how canon those playlists are, I don't think it particularly matters. It's true that Finn could've seen Just What I Needed in the Will playlist and put it on "STurn", thinking of it as a fun easter egg. There could or could not be implications for that and I'd be remiss to ignore it. I don't know if this rings true for any of the other songs on "STurn" as well -- if they're connected to any other character playlists. Feel free to let me know if they are!

TL;DR

This was really hefty post, and I apologize for that, so here's a summary/recap of what I think S5 may have in store for Mike Wheeler.

Summary:

The season likely starts off at the end of S4, with us seeing Mike react to everything that's happened in Hawkins and reuniting with his family. Tension or unresolved conflicts may be arising in his relationship(s) as well, but he puts it aside to focus on the more important tasks at hand. Either his relationship is put aside with this, or there's an eventual separation that occurs, and he mourns it. After, he tries to maintain normalcy and puts on a guise to appease others. During this time, he may start to have a realization about something that he attempts to repress. He eventually comes to terms with it, though, recognizing that there's someone (maybe something?) better for him. He wants to admit to these true feelings, but he'll struggle with hiding, doubting, and fearing them; thinking he can't allow himself to fully love this person or, at least, admit to whatever feelings or "truth" he possesses. Mike will most likely continue to struggle with mixed feelings and hiding his true personality after this, eventually admitting to not being fully authentic. He'll then accept his true self for what it is. This will lead into a climax, where the main conflict of the show will be resolved. Finally, he'll accept and admit his true feelings, realizing that all he needed to do in the end was be entirely honest with (and about) himself.

In Conclusion

I really want this to be where they take Mike in ST5. It would be such a satisfying thing to watch, especially with how he's acted the past two seasons. I think he deserves to have a self-love/acceptance arc because the show has made it clear he's insecure and inauthentic.

Thank you so much for reading, and I hope you enjoyed! Please let me know your thoughts and interpretations in the comments, as well as if there's anything you think I should add/fix. I'd love to hear what others have to say about "STurn" and it's connections to ST :)!

[stardustbuck]

im a multishipper. i ship buddie and bucktommy. but if im being honest one side is being incredibly more hateful and toxic than the other side. (aka the one thats been around longer) maybe i’ve taken off my rose-colored shipping glasses, but seeing ppl make hate posts abt tommy/lou gives me the ick. it makes me actually realize why oliver left twt. bitterness will get you nowhere. if buddie is meant to happen then it’ll happen. you cannot force it to happen. everything i’ve seen and read tells me buddie was more of a consideration pre-s5 than it is currently. and that fucking sucks but just because things aren’t going your way doesn’t mean you need to get on the internet and be a bully. it’s truly mind-boggling to see people so intense in their hate for a character that has righted his wrongs, who is now friends with the people he wronged, is well-liked among said characters and is now being a positive influence on buck’s newfound sexuality. their dynamic is also nothing new, pessimist/optimist ship dynamics have been around forever and it’s only a problem because it’s not eddie.

i would be happy for buddie to go canon as much as the next guy. getting buck canonically bisexual is mind-blowing enough in itself, i’m glad we’re witnessing it at all. if ryan doesn’t want to do buddie because he feels its important they stay friends then so be it. platonic friendships between a queer man and straight man are important, especially one that runs so deep like buck and eddie’s. sure, their friendship could be read as romantic throughout the show, but partly because oliver and ryan truly share a great chemistry on screen which helps lean into it but also because these shows are not written with an endgame in mind. 9-1-1 is very much a go with the flow show, and if bucktommy is where the show is flowing then that’s what is meant to be. invisible string theory isn’t because ppl think it was always planned from the beginning, it’s because it’s amazing how well buck and tommy becoming a couple comes together so perfectly out of pure coincidence.

we know buck was supposed to be made queer long ago. we also know maddie originally was brought in for eddie but was put with chimney instead. if tim minear hadn’t left after s4 i truly think buddie could have been already established by now, but unfortunately that isn’t how things work. perhaps the idea of tommy and eddie was pitched but ultimately ryan didn’t agree it would work for these character nor the story being told at the time. buck was already supposed to be queer, so turning it to tommy and buck instead makes total sense.

no one is saying you aren’t allowed to continue to ship buddie. most ships in the world are ships that have never gone canon. buddie is valid even if it’s non-canon. god knows i will continue to read and write for them and enjoy them whilst also enjoying buck and tommy together. the behavior i’ve been seeing though is just weird, especially from larger creators who i understand are very passionate for buddie, but it’s weird when you flip it into tommy/lou hate instead of just talking about buddie itself.

perhaps the theories will be true. we don’t know! maybe buck and tommy won’t last and buddie will be endgame. i’m happy either way because buck’s sexuality is so important for him and at the current state of the show eddie is absolutely not ready for anything romantic because he’s still grieving shannon to a point where he is not ready to move on romantically just yet and we’re literally shown this. even if buddie is happening, it is not happening by the season finale nor is it probably happening by the beginning of s8 considering the current storylines and where they’ll be at by the end of this season. lou probably isn’t going anywhere and from the looks of it, we’ll probably be bumped up into a semi-regular character in s8 like karen. he’s easy to write into the plot, he’s got connections to people and emergencies outside of buck that would integrate him well into the plot. their romance is supposed to be “romcom” esque, they’re taking things slow but they’re obviously happy together at the moment.

im just really tired of the nasty attitudes ive been seeing. sure theres are som toxic people on both sides, but to me its obvious which side is being the bigger bully. reality checks needs to be put in place for some people, go outside and realize you are getting way too worked up over a tv show where plotlines are out of your control. if the show is ruined for you over one relationship then stop watching it.

[bird-inacage]

Only Friends: Why Ray's reaction speaks volumes about his feelings for Sand, rather than his feelings for Mew

It's natural to think Ray reacted so strongly in the fight with Boston because of his residual feelings and loyalty to Mew. But let's be clear, this revelation doesn't adversely affect Mew in any immediate way if you read this as Ray being upset on Mew's behalf.

Boston's bombshell is instead targeted to hurt Ray specifically. An attempt to make Ray look like a villain and Sand to feel like a victim of Ray's 'deception'. Sand being the unwarranted collateral of this fight.

Why is Ray angry?

So let's break down all the reasons Ray is angry in the first place.

This wasn't Boston's story to tell. He saw and recorded the kiss without their knowledge or consent. He frames it like a 'dirty secret' that Ray intentionally hid from Sand. But it's Ray's right to choose when and if he felt it necessary to share this with Sand, depending on the progression of their relationship.

What Boston is claiming is only partly true. Yes they did kiss. But no, Ray did not 'take Mew's virginity'. Nothing further happened and Boston is embellishing, which implies more gravitas to a 'history' which doesn't exist.

Sand is being fed this information without full context. He doesn't have the benefit of understanding Ray's past (namely his breakdown), the nature of his friendship with Mew. Without it, Ray is going to look categorically bad, especially through the lens of his affectionate behaviour with Sand that day.

The revelation could ruin what potential future there may have been between Ray and Sand, if Sand is driven away. Ray's newfound happiness dashed in an instant.

The initial part of his Ray's reaction is defensive - the shock, the betrayal regarding such an invasion of privacy. Ray's first punch is thrown after "keep track?" The audacity and complete lack of justification felt as to why Boston would even do such a thing. Ray's second attempt to enact violence is when Boston says, "are you going to be two-timing?" I saw the following through his response: 'It's one thing to hurt me. I'm your friend. I know what you're like. But why on earth are you dragging Sand into this? How dare you.'

Attacking Ray's Weak Spot

We can't change our pasts. Whether it was one kiss or years of unrequited feelings - ultimately, nothing became of it. Ray can't erase the fact he did once love Mew (and probably always will in some capacity because of what Mew did for him). But if Ray were to eventually fall in love with Sand, then his romantic feelings for Mew would become past tense. So whatever he felt then would have no bearing on his here and now. Ray shouldn't be made to feel ashamed.

The progress Ray made with Sand this episode has essentially been unravelled through this one act. It's been hugely difficult for Ray to even consider loving anyone other than Mew. He only just started to display inklings of welcoming the idea. We should all be afforded the opportunity to move on. For Boston to use Mew (someone who means so much to Ray symbolically) as ammunition to hurt Sand (someone new he's grown to care about), is pitting his past and future against each other. And it's not fair to do so. Your past doesn't negate what you may do in future. Similarly the future doesn't discredit the past. Both are important for different reasons.

Ray has every right to value both Mew and Sand, because his feelings for each of them will be entirely different in their own right. But what Boston has tried to spin here is a comparison game. 'Ray loves Mew. He's always loved Mew.' The further insinuation being: 'Ray will never find you as important Sand. You're lesser than. You'll never compare in Ray's eyes'. It's simply not Boston's place to say that. How would he know? It's possible that one day Sand could match Ray's love for Mew, surpass it even. But Ray isn't to know that yet.

There's also a palpable air of derision in how Boston delivers this. He makes Ray's feelings out to be a slightly pathetic, sad little obsession, by wording it as "Ray's whole ass is owned by Mew". Reducing Ray's incredibly complex feelings for someone who saved his life to a more superficial pining. The nuances of which Sand won't be aware of.

Hurting Ray by hurting Sand

Not only is Boston trying to tarnish Ray's character by accusing him of misleading and lying to Sand - but in doing so he's humiliating Sand for not being aware of this. If he can tell that Sand has feelings for Ray, he knew this information would hurt an innocent third party. All 'disguised' under a feat of righteousness.

I'm sure Ray is more than aware of how Sand treats him. Sand has been nothing but kind and accommodating where he's concerned. Willing to bend to his will and soften to his demands. Sand absolutely does not deserve to be dragged into any unnecessary drama, (drama which involves a notable part of Ray's history). So Ray is forced to feel somewhat responsible, based purely on the fact that this very 'drama' concerns him.

It's because Ray cares about Sand's feelings, cares about Sand's opinion of him, cares about what Sand feels towards him, and is also concerned by Sand being caught in this crossfire - that Ray is so clearly flustered. No matter what he's done, Sand shouldn't have to suffer along by association. That's not fair on Sand. It's his past in question. It's his best friend doing the damage. And it's because of him that Sand is now getting hurt too.

He can't outright deny it, because part of what Boston is saying is true. (Trying to vehemently defend yourself can sometimes come across even more as an admission of guilt). He can't apologise to Sand, because he hasn't figured out who Sand is to him yet. (If Ray doesn't deem him as a boyfriend at present, then he can't be sorry for liking someone else). The kiss with Mew also relates closely to an absolute rock bottom period of his life, which he probably wasn't ready to share with Sand just yet.

Ray has been made out to be a liar and a cheat and he's just praying that Sand can give him the benefit of the doubt. There's absolutely no way he can possibly explain all the intricacies to Sand in such an instant, but he's allowing Sand to ask him should he wish to. It's the least he can do. But Sand is going through his own internal battle now, and both need time to process what this has led them to realise about how they feel about each other.

[tycarstairs]

ready to fight for my life for ty blackthorn when twp is released because the way people are already infantilizing and patronizing him bc he’s autistic is so….

no one asked for this but i’ve seen a lot of people have weird takes on his autism so as an autistic woman i need to clear some things up ok 😭 so buckle up, this is gonna be a long one (seriously, it’s long)

the main arguments i’ve seen are: (i’m paraphrasing here btw)

“ty didn’t cry when livvy died but he did cry when kit said he wished he’d never known him so it’s clear that he does love kit.”

and

“ty clearly loves kit because he cried when they argued and it’s hard for autistic people to cry.”

and

“ty gets on my nerves because he didn’t react at all when kit told him he loved him”

like. i do get what you’re saying (with the first one. not the second one, that’s a stereotype, and also not the third one bc that’s just weird), because it does show that ty cares but like. obviously? all his actions before that showed that he cared too.

saying “he cried when him and kit fought but not when livvy died” just comes off as acting like he’s more upset about kit leaving and insulting him than he is about kit dying and that just rubs me the wrong way.

i know this is not common knowledge but autistic people often have delayed processing, especially when we’re grieving because it can be so overstimulating and even when we do grieve, it’s not gonna look the same as when an allistic person grieves.

so, delayed processing:

delayed processing in autism is where you are recording/aknowledge events as they happen, however that information is stored elsewhere in the brain and isn't taken in.

once the brain is ready or has capacity the information is suddenly taken in. this could be hours, weeks, days or even months later.

an example (from justkeepstimming_ on instagram):

An autistic person whose mother died at quite a young age. At the time, when his father was grieving, it did not appear the autistic son was upset.

However, one year after his mother's death, he suddenly processed that she was gone (permanently) and only then started the grieving process.

that example is pretty much exactly what happened with ty in qoaad.

partly, ty didn’t cry when livvy died because he didn’t accept that she was dead. he was so sure that he was gonna bring her back and for a long time, he probably didn’t even consider the fact that he might fail.

after livvy dies, kit says this:

“Everyone had been terrified. Ty would fall apart, they’d thought. Kit remembered Julian standing over Ty as he slept, one hand stroking his brother’s hair, and he’d been praying—Kit didn’t even know Shadowhunters prayed, but Julian definitely had been. Ty would crumble in a world without his sister, they’d all thought; he’d fall away to ashes just like Livvy’s body.”

if ty were allistic, he probably would have reacted like this immediately. and he does react like this eventually when his brain fully processes that the ritual didn’t work, that livvy is actually not coming back:

“Livvy!” Ty didn’t scream the word so much as it was ripped from him; he curled up, hugging himself, as if desperate to keep his body from shattering apart.”

this is when ty actually processes that his sister is gone. so saying, “ty didn’t cry when his sister died but he cried when him and kit fought” as if it’s some really romantic thing that he was sadder about kit leaving than livvy dying (which is not true) is just iffy because it’s such a stereotype and a misconception that autistic people don’t seem to care at all when people die, and way too many people from this fandom are feeding into that so much.

and ty does show is grieving throughout qoaad but because it’s not in the allistic way, a lot of readers don’t recognize it.

(i was actually so positively surprised to see that cassandra clare, an allistic woman, wrote the grieving process for an autistic character—and everything else about being autistic tbh—so well but it gives me so much hope for twp)

for example, autistic people (this is obviously not all autistic people as all autistic people are different but i'm just listing the signs i've seen in ty in qoaad) when they're grieving might show their grief gradually in more subtle ways by hurting themselves, emotionally or physically, which ty does do:

"The only person he was unkind to, Kit thought, was himself."

and we also see in gotsm that ty is continuously punishing himself because he is still grieving. livvy is simultaneously there and dead, and ty has to live with both the grief of her death and the guilt of her being stuck as a ghost.

there's also the fact that kit observes that ty starts keeping secrets and doing things alone, which is also common when trying to process emotions that haven’t fully caught up yet:

“In the past days, though, since Julian and Emma had woken up, Ty had been harder to find. If he was working on something, he hadn’t included Kit in it—a thought that hurt with surprising intensity.”

like. ty is pulling away because he is trying to process everything that’s happening. him excluding kit is very likely a symptom of some kind of delayed grief because it’s very unlike him to exclude kit from anything, as we can see when he says multiple times outright that he doesn’t want to do things without kit.

just because it’s more subtle than breaking down into tears doesn’t mean that he doesn’t feel it at all. it’s more likely that he simply feels too much and is shutting down because of it.

and of course his grief is gonna be subtle when he hasn’t even accepted and processed the fact that she’s dead yet.

and yes, he cried when kit told him he wished he’d never met him but that is so different because there was no room for denial. kit told him that word for word, the processing wasn’t delayed this time because there wasn’t really that much to process.

ty truly believed right away that his only friend wished he had never known him, and when livvy died he didn’t accept that she was dead. those things are different and pitting them against each other is weird.

so, onto the second argument/misconception i’ve seen that:

“ty clearly loves kit because he cried when they argued and it’s hard for autistic people to cry.”

this is a misconception stemming from the stereotype that autistic people are emotionless. yes, some autistic people might have a harder time crying because of shutdowns etc. but generalizing it to it’s hard for autistic people to cry is just wrong, especially because this has never been implied about ty in the text.

in fact, it’s the opposite:

“Ty heard everything twice as loud and fast as everyone else. The headphones and the music, Kit sensed, were a buffer: They deadened not just other noises, but also feelings that would otherwise be too intense. They protected him from hurt.

He couldn’t help but wonder what it would be like to live so intensely, to feel things so much, to have the world sway into and out of too-bright colors and too-bright noises. When every sound and feeling was jacked up to eleven, it only made sense to calm yourself by concentrating all your energy on something small that you could master—a mass of pipe cleaners to unravel, the pebbled surface of a glass between your fingers.”

so implying that it’s harder for ty to either cry or feel sad is just wrong. kit notes that “every sound and feeling was jacked up to eleven”, and this includes ty’s grief. him not crying when livvy died has nothing to do with how much he may or may not be feeling and everything to do with how delayed his processing was.

and the third complaint of ty is frustrating because he didn’t react when kit told him he loved him.

first of all, i don’t know if it’s my autistic ass not understanding allistic people but is it not normal to be in shock when someone tells you they love you in the middle of a necromancy ritual???

and second of all, this scene from city of heavenly fire where julian says “i know it’s hard to understand, ty, but we love you” like it’s supposed to explain their actions and ty reacts like this:

Ty looked at him blankly. He knew what “I love you” meant, and he knew it was good, but he didn’t understand why it was an explanation for anything.”

ty looking at kit blankly in surprise in qoaad is not him “not reacting”, it’s him trying to process 1) what that has to do with anything and 2) why that would be an explanation or an argument as to why ty should stop the ritual.

(it is probably also partly because ty thought kit had feelings for livvy at this point but that’s just speculation so i won’t get into it now)

to kit, this was probably his way of saying that because he loves him, ty can stop the ritual and kit will help him with the aftermath.

to ty, kit’s confession made no sense in that moment because why would kit loving him mean that he should stop the ritual? and this was most likely also the moment when his grief was really starting to kick in, so that just adds to it.

yeah idk if anyone made it to the end but as you can tell, i have a lot to say and i’m tired of people romanticizing ty’s grief.

[therealkaidertrash21]

Ok, this is the essay I've been talking about, defending kaider. Keep in mind that I'm 15 and English is not my first language, so I might've said something wrong. Also, this is veeery formal because that's what I was taught to do.

Like in all fandoms and all canon and non-canon pairings, kaider sometimes receives comments regarding their dynamic saying that it is not a good ship, that it is not well written, or that they do not go well together. Everyone is entitled to their own opinion, however, there are several good arguments against this position.

Firstly, the main aspect that is often criticized about kaider is how quickly the characters "fell in love" and it is often referred as "instalove" even though, if it is carefully analyzed, it becomes obvious that this is not true at all.

Kai, Cinder's love interest, develops a romantic interest in her since their first meeting, this is a fact. But it does not mean it was instalove. Because instalove is love at first sight, when a character thinks the other is their soulmate and wants to be with them forever after only taking a glance at them. However, this is not what happens with kaider. Kai is interested in Cinder and asks her out multiple times but he is not in love, it is very obvious he is just a teenager who has a crush on a girl. This is not rare in real life. This is not unrealistic at all.

In addition, it is impossible to say Cinder's feelings are anything similar to instalove. She doesn't instantly develop feelings for the prince. At the beginning of the story, she does think about him and is interested in him, but her feelings are not particularly strong or obvious yet (partly because she is repressing them).

Secondly, another aspect that is often used to say kaider is a bad pairing, from Cinder's side, is that she is a "not like other girls" character, when she technically is not. This is almost a separate subject, but in essence: Cinder does not say she is not like other girls as a way to put herself above them and denigrate them, she does this because she is insecure, as a way to place herself below them.

Finally, often people criticize this pairing because they think Cinder would be unhappy if she married Kai, because she never wanted to be queen. But the reasons why Cinder did not want to be royalty are not simple. There are many reasons: 1. Cinder does not want to fail her people, 2. she thinks she will not be accepted by the citizens, 3. She desires anonymity. None of these reasons are actually about ruling a country, and once she overcomes these things they would not affect her.

Some might also argue that since she was queen, and then abdicated, she doesn't want to rule. But the reason for her abdication is mostly about her political position. She believes a monarchy is bad for Luna, since monarchs can easily manipulate their citizens (which they have done before). That is the true reason for her abdication. And even after her abdication, she still dedicated her life to politics as an ambassador, which she was not obligated to do.

In conclusion, even though kaider might seem badly written sometimes, this is not true. It is deeper than what it seems. The characters are complex, the reasons why they act in certain ways are very complex as well, as they would be in a real world scenario. Everyone has the right to have their own opinion, but it is good to analyze deeper, rather than only retaining a first impression or a superficial analysis.

also, credits to @impossiblesuitcase because I based most of the sixth paragraph on their post about a similar topic.