#which is not really a spoiler because we know she is doomed to die from basically Kamala's first POV chapter

[runawaymun]

some very messy loose OC sketches for the sci fi series @the-commonplace-book and I are working on :D Man I just love these guys!

[sebastianswallows]

It's not like any other love | S.S. | Part 1

— PAIRING: dark!Sebastian Sallow x F!MC

— SYNOPSIS: In order to cast an unforgivable curse, you have to mean it. So how does Sebastian make himself want to hurt the girl he’s been harbouring a huge crush on?

— WARNINGS: angst, jealousy, unrequited love (or is it?), hurt/comfort, abstractly violent imagery, suggestive wand-work, and just an unfun time in the catacombs with Sebby and Omi and the MC that’s caught between them.

— WORDCOUNT: 1.3k

— A/N: Not beta read (except by remus-levioso 🙏 tysm) or existing with any sense or purpose. I just wanted to write something for this little troublemaker and I couldn’t stop thinking about how Sebby could hurt MC when he only seems to have positive feelings about her. I started to think about how he could hype himself up to wanting to hurt her, and just went down a rabbit hole of angst. Spoilers for the game, obvi. I hope you enjoy this, my lovelies 💞

“It won’t work unless you really mean it,” said Ominis, or something along those lines… Sebastian was already a wreck of fidgeting and frets as he stood in front of that door of marbled horror, watching from the corner of his eye while his new friend tried to get Ominis to cast the unforgivable. He didn’t want to think that they were doomed to die here, even with Noctua Gaunt’s skeleton beside him — he couldn’t accept it. Sebastian would batter his head against this problem, like he had done with every other one before it, and prevail.

He tapped his foot on the floor and slid a glance to Ominis again. As expected, he was shaking his head “no” and physically distancing himself from the new fifth year. Coward, Sebastian thought before he could stop himself — because it wasn’t fair, he reasoned, to hold it against Ominis after what he’d been through with his family. He promised himself he’d understand his friend, would sympathise, would listen… But what a coward.

“Ominis won’t cast it,” said the girl once she was by his side again. “What do we do now?”

And that’s how it started.

Sebastian was soon placed in the uncomfortable position of having to give free rein to those parts of himself he had, especially as of late, try to restrain. He was striving to be softer, gentler, more understanding — for Anne’s sake if not his own, and Ominis seemed to appreciate it too, and it wouldn’t do to scare off their new friend either. How sad, then, that casting the curse meant that Sebastian had to dig up all those freshly buried feelings that caused him so much regret — and all of them about the girl before him.

He prepared to cast the curse. In his mind, with one quick force of will, memories of recent days were summoned to the surface.

First, he brought up that spark of envy from when she first defeated him, at the duel in Professor Hecat’s class — the twinge of shame as well, because he liked it, because he wasn’t even mad that she had bested him, because she was genuinely better. Better than him? Hatred, jealousy, resentment.

Second, their meeting in the Charms class — which didn’t happen because she sat next to a Gryffindor and why? Why? Did she think him not good enough to sit with?! He’d joked to Ominis about casting Accio on people, certain that his blind friend wouldn’t know who he was looking at, but from Ominis’ suggestive retort — “Well, you’d be using it on clothing to be precise, Sebastian.” — he couldn’t be too sure of that. And how cruel of Ominis, if he said it on purpose, to make him think of summoning the clothes off her, pulling her toward him, landing her naked and helpless, in his arms… Resentment, longing, complete and utter despair.

Third, the Library. After he offered to show her the forbidden section, after he waited for her by the stairs for hours like a lovestruck puppy, after he protected her and took detention for her… all she had to say was “thanks”? He’d never felt so stupid as when he realised he expected far too much for far too little — because the only thing he really had to offer to her was himself, his knowledge, his skills, his sacrifice. Was he just not chivalrous enough? Was he not impressive enough? Was he just not… enough, at all? Despair, shame, crippling self-pity.

But she was enough for him — or so it seemed to his stupid smitten head, his roiling heart, his swirling dreams at night like so many teasing mermaids tucked behind their algae in the lake, like her in her forbidden bedroom up the stairs that slid beneath his feet — after just a couple of duels and a nighttime escapade among his favourite books and a trip to Hogsmeade to the flutter of lacewing flies (and the thumping of trolls). Sebastian couldn’t remember the last time he was so smitten so quickly and he wasn’t even sorry, he gladly shared every secret with her one by one just to see the sparkle in her eyes and would go into the deepest dungeon with her just to show off and he caught himself saying the stupidest most barefaced lies just to see her smile.

But no, she was impressed with Ominis, and his ability to talk to snakes, his sad past, his Undercrof… What a fool. Ominis wouldn’t be the least bit interested, he was too caught up in himself, too distant, too troubled — and in his more humane moments, Sebastian felt sorry for him, which perfectly counterbalanced the moments when he wished he’d been born in Ominis’ stead and had parents that taught him forbidden spells and told him all the time about his great lineage descending straight from Salazar himself. Oh. Of course she’d like Ominis better. Ominis, tragic and handsome and kind, who knew all the darkest curses and a catalogue of hexes and worse, who would rather die than hurt her. Well, Sebastian could do better than that, at least — he’d hurt her eagerly.

She wanted to learn the curse, she said. So he taught her. He showed her the motion, took her cold and clammy hand in his and guided her wand from behind, whispered the curse in her ear until he was satisfied she did it right —

“You need to say it as your wand descends.”

“Now?”

“No, start from higher. Like this, arm bent… Toward me. Closer.”

“Now?”

“Yes. Like cutting through flesh. Strong, forward motion.”

“Like this?”

“Just like that. Perfect, you’re perfect. I love teaching you curses, you’re so good… so good at it. Now, say it as I told you to.”

— and then, once she was ready, Sebastian took his place before her.

For once, Sebastian forgot how he felt about himself, and focused his emotions — mixed and myriad and primal — on her. It was, unsurprisingly, very easy. With the warm and soapy scent from behind her little ear and the tickle of her hair against his lips still fresh, he said it. The curse was tinged with his resentment for her, his jealousy of her, his yearning and hatred and want.

The flash of red moved in such a way as to cleave her open, as if he could, with a bolt of light, break her apart and peel her ribs away one at a time until he could get right to her heart, cup it in his hands, and steal it away.

What a piercing cry she gave, high and frail and consummately feminine. From the side of his senses, Sebastian could tell even Ominis was shaking, there in his corner where he cowered from the act. He could hardly blame his friend, it made his skin shiver too to get her to sound like that, to bring her to her knees, to make her moan and tremble with the aftershocks of pain. He’d admired her before, but now he just desired her — she’d never looked softer, more mortal, more fleeting, her skin drained of all colour as blood rushed away to escape the pain, her bones looking delightfully breakable, her chest heaving with sinking breaths that choked her and strangled her from within and left her dizzy. Sebastian was by her side as soon as the curse was over, equal parts fascinated and contrite, hands burning with the desire to just hold her.

“Are you alright?” he asked.

Part of him hoped more than anything that she was, that she forgave him, that she understood he had to do it. But another part wanted to see her scarred and ruined and at his mercy, his to nurture back to health, his to sustain, his to hold.

She got up before he even got to touch her, his hand left hovering in the air just above where she shoulder had been, and beside them the door of muted screams melted away, revealing the Scriptorium.

[1moreff-creator]

Who do you think will survive the killing game??? ( also if you were already asked this my B )

:D

Hi! Don’t worry, I don’t think I’ve ever talked about it, so I had to give it some thought :p It’s an interesting question, so let’s see!

As a TL;DR, my “most likely,” in order and assuming a standard killing game formula (obviously the amount of survivors could be way different), are Teruko - J - Whit - Rose - Levi

Spoilers up to CH2 EP15

Of course, there’s one character that’s already kinda locked in as a survivor (assuming a more or less standard fangan ending and not an “everyone dies” sorta situation), and that’s Teruko. While there were theories about a possible protag switch post-LGI release, I’ve never found them particularly believable, and I don’t really think they’re very popular anymore.

The next character that’s basically a survivor already is Min, because if I never accept her death, she will always be alive in my books. /j

Yeah honestly after Teruko my confidence on survivor guesses drops dramatically, since there’s obviously no good way to tell.

Still, one character that particularly stands out to me is J. I have my reasons to believe she might become the primary support character a la Kirigiri, and while that doesn’t guarantee survival, I’d say it ups the chances a bit.

As to why I believe that… well here’s the thing. I’m kinda planning to make a mastermind probability ranking post after CH2 ends, and I’ll talk about my predictions for J in more detail there. As a result, I’d just be repeating myself if I talk about it here. So, I'll give you the quick rundown and leave the more detailed explanation for that post.

Basically, I believe the core theme of DRDT is the concept of “fate” and the possibility of change, where the big climax for Teruko’s character arc in particular (the single most important arc for the narrative, protag privilege) will be rejecting the notion that she’s fated to have bad luck forever. She already talked about it with Xander before he stabbed her, and her primary character foil, David, “covered” Literature Girl Insane. You don’t exactly give that song to a character who is very hopeful for a better future. Even Teruko’s trust issues are born from the belief her bad luck makes betrayal inevitable. And with Ace talking about how he’s “a coward who couldn’t fight his fate” (paraphrased), the connection seems more solid than ever.

J is important in that context because her entire character is sorta designed around the concept of rejecting fate, the thing Teruko needs to “learn to do” as it were. J was born into stardom and fame, born “lucky” (LGI numeral number seven symbolism go brr), but hides it and rejects her birthright down to her secret quote, “Please don’t call me your daughter ever again.” If Charles and Eden are the ones who are trying to get Teruko to trust again, I see J as the one who has the best shot at convincing her that she’s not doomed by the universe itself, giving her the best shot at survival out of any non-protag imo.

Also, silly yet existent argument: the CH1 title screen had Teruko (and Xander), the CH2 had J. Is it possible the survivors will each be featured in one screen? Probably not, but still.

The next one’s Whit. DRDT seems committed to explore its characters as much as possible before they die (which I think we all agree is awesome), and that means those that haven’t been fully explored or developed yet have a higher chance of a late run, thus a higher chance of survival. This applies to J and Rose somewhat, but it applies to Whit especially. I sometimes feel that we know more about Mai Akasaki than we do about Whit, which should tell you something.

Contrast that to Charles, who is absolutely dying sometime soon (imo). Even ignoring the “Charles dead at three” Whit comment from the prologue, Charles’ character arc is a little too complete for me to think it’s likely he stays ‘till the end. After we close out the Elliot subplot (which could easily be in CH3 given Elliot’s MV is already out), killing Charles off would be a good way to really kickstart Whit’s inevitable Breakdown Arc.

Final points to consider about Whit are the fact that luck is mentioned in his character bio, which along with J’s LGI numeral VII and Teruko being Teruko gives him an extra connection to the two survivors I’ve pointed out; and the possibility of him being the mastermind. Again something for the MM post, but put briefly; he’s not a bad mastermind guess, but I think it’s very likely that if he is, he won’t survive, so there’s that.

The next one might be Rose? Recap foil with J, so if the dev wants to explore that to its fullest, Rose will probably make a late run at least. There’s a lot to explore with her character too, but frankly that’s a bit of a moot point; every character in DRDT has a lot to explore.

Even if she’s one of, if not the best pick for mastermind imo, it’s very possible she can be the type of MM to be redeemed and survive alongside the cast. Again, details will probably have to wait for the mastermind post :v Hate to be saying that so much, but understandably given some of the reasoning is similar, a lot of good MM guesses are good survivor guesses.

As for the fifth most likely… well, this is the reason this post took me a week (this and I was busy :v). See, if you’d asked me during the hiatus, I would have said Ace. Obviously, that wouldn’t have aged very well now would it?

The ask was sent a bit after Ep14, and by the time I got some free time to write this, it was already Wednesday and anything I said about Ace or Eden could have very realistically been proven wrong in just a few days, so I decided to hold off until culprit reveal. And now that Ace is looking like the blackened, I’m pretty glad I did.

This does bring up a curious issue of gender balance. In theory, there’s nothing stopping DRDT’s survivor cast from leaning one way or the other, but generally survivor casts do try to keep it as equal as possible. And with three women already listed, even putting Nico here would cause an imbalance. But the thing is… I don’t see almost any of the men surviving?

Hence, Levi. I frankly have no clue where his character is going with the recent reveals and the fact Ace is dying soon; I could just as easily see him as the second CH3 victim (if there are two) or fulfilling “buff character curse” by dying in 4. But… not knowing where someone’s arc is going is kinda the reason Whit is up there, so I’m using the same reasoning. It’s my least confident guess, so yeah. He’d certainly be an interesting survivor at least, I wonder how he’d play off the mastermind in trial 6.

To quickly cover the other characters, I’ll go in order of least likely to survive to most likely. Excusing the dead, of course.

-Ace: He’s technically still alive, but, uh… uh…

-David: If he were to survive, he’d need to go on a near identical arc to Teruko, which is… hard to imagine properly working. He’ll make a late run, probably, but I can’t see him reaching the sixth.

-Charles: Already explained.

-Arturo might be a little too insane to work. It’s hard to imagine a sixth trial with Arturo of all damn people around. Especially if J’s there.

And… those are kinda all the guesses I have for who is (in my belief) 100% dying. I could actually see every other character being a survivor :v

-Veronika runs into the same issue as Arturo; it’d be hard to let the mastermind do MM stuff when this girl’s there simping for them. However, I could see a world where dev keeps her for the psychoanalysis of the MM… kinda. Frankly, she should be in the “no chance” list, but… she’s my favorite alongside Min so let me have hope!-

-Nico has the advantage that they’re the only way to make a cast of 5 survivors perfectly balanced in terms of boys and girls; two of each and Nico. But that’s not very strong. The main issue is that I don’t really know what could happen with them in the remaining chapters that would advance their character to a point they’re a survivor, if that makes sense. Maybe if Rose makes it?

-Hu is weird. From what we’ve seen in the series, she would make a pretty compelling survivor. But… her secret quote…

Hu: I want to pay for what I’ve done. But even then, I still want to live.

Like, that’s the most “blackened” line in history; do you wanna state your victim’s name while you’re at it? Part of me wants to say that’s too obvious and the line will have a different context, but… it’s a secret quote in the source code of her character page. It’s not that obvious to anyone who follows the series more casually.

-Eden: I could see the argument of Eden>Rose (and therefore Eden>Levi as he’s only there due to gender balancing), since our favorite Clockmaker is quite easy to imagine in a final trial setting. The main issue is that… assuming a more or less standard formula, it’d be sorta weird to have someone in the sixth trial who can out-hope speech the protag, and Eden definitely fits that bill. It’s possible she makes it, especially given her involvement in the pre-prologue scene with Xander’s eye, but idk.

Here are a few extra survivor configurations I could see happening! Obviously there’s plenty more, so watch absolutely none of them be right.

Teruko-J-Whit-Eden-Levi/Nico (Teruko MM or dead MM with no “two victims” case)

Teruko-J-Rose/Eden-Levi/Nico (Whit MM)

Teruko-Whit-Rose-Nico (J MM)

Teruko-J-Whit-Hu (Veronika MM)

Teruko-Whit-J-Rose/Eden-Levi-Min?!?! (Min MM)

Teruko-Rose-Eden-Whit-Levi/Nico-Min (Baking Squad Cope!!!)

Teruko-J-Whit-Veronika-Levi/Nico (Why not?)

Everyone (The only right answer)

Thanks a lot for the ask! Fun to ramble about this series lol.

[amarayys]

EPISODE 13 CHP 2 DRDT SPOILERS.

so. WHAT THE FUCK. Levi has basically no empathy confirmed. He wants to be liked but he doesn't understand what caring about others is like. Ace tells levi to die. Lmao. Also he's so suspicious +He mentions the only person who he ever trusted. WHO NOW??? Eden and Arei doomed yuri. We get Arei and David flashback. Arei's cg looks like sora from sdra2s final cg btw thats just a random thought i had. Arei you can't do this to me. She really said "I'm a piece of shit but so is David so let's fix eachother" AUHSVGDHBJFKL Okay. EDEN. WHAT THE FUCK. EDEN. NOBODY SAW THIS COMING. I WAS SO CONVINCED IT WAS TERUKO BUT IG NOT??? Eden took Xander's eye out. So. Eden's probably a traitor, though it's probably not voluntary - we see her crying as she holds the bloody fork. I'm sorry, but with this, I think Eden culprit and Levi accomplice theory is over. I just don't think it works. Also how in the fuck does Arei know about that. my girl eden getting character development real david lying cause he thinks hes tough shit teruko DEFENDING LEVI??? YALL???? SHES PROJECTING HOW SHE FELT IN CHP 1 ONTO LEVI AND DEFENDING HIM I HATE HER /pos DAVID SNEEZING SPRITE LMAO. okay so all secrets are revealed. Teruko is either lying or mistaken about her secret, cause the look David gives her after it CANNOT be innocent. this does tell us something though - the family one applies to teruko, if shes not lying on purpose. but...what??? Who does family refer to? It cant be her parents, she never knew them. And she barely remembers her brother. Maybe it's the others at the orphanage, or her friends? Also, she feels survivors guilt apparently and wished she died with whoever family is. Somebody give my girl Teruko a break. EVERYONE SMOKES TERUKO FOR NOT KNOWING WTF THE SPINNY THING IS. Fandom cheers as Teruko finally stops getting interrupted and explains the murder method. WHIT AS A DOG HAD ME CACKLING I DID NOT SEE THAT COMING. We see that Teruko's drawing isn't much better than her handwriting (which we get more samples of btw!!!!!!!) Nico's gonna have to explain the murder... maybe the theory that Nico was framed by / helped someone is true, but idk. Teruko's interrogating the shit out of them. So. Culprit? I think realistically, the best options for the culprit are Ace, Rose, and Whit. Maybe Hu, Veronika or Nico if you squint REALLY hard but I doubt it. I think Ace is SUPER suspicious, half because vibes and half because david calling his ass out here

Rose definetly has potential to be the culprit, but idk. im tired leave me alone. WHIT. EVERY SINGLE FUCKING THING YOUVE SAID THIS TRIAL IS SO SUSPICIOUS. YOUVE BEEN THROWING BLAME ONTO LEVI CONSTANTLY. U KNOW ABOUT HANGING SPECIFICS FOR SOME REASON. UR SO SUSPICIOUS UR NOT SUSPICOUS ok thats it unrelated to this post, i made a doc of my live reactions to stuff and here are some things i wrote that i thought were funny

I am tired but this episode was SO good. I'll probably make a more in dept theory/post on it tmr lmao its 1:36 am.

[turnleftonlastlaughtlan]

SPOILERS ARCANE SEASON 2 ACT 2

ok, i am gonna admit it. Jayce did the right thing. Viktor had to die because the hexcore he was in contact with was cursed (as jayce’s says).

What bothers me tho is two things :

First i am still fucking mad at jayce. Do i understand him more? sure. but he did this. if not all he is the one that “saved” the real viktor by fusing him with hexcore, the very thing he sweared to vik to destroy. Viktor lived again, yes, but wasn’t himself for most of it, a puppet unaware of its strings. So so different form the quirky scientist or the determinated zaunite we knew. Jayce cursed Viktor by giving him “a new life” all for his foolishness and selfishness ( he couldn’t handle living a life without his lab partner). He is the perpetrator of what the remains of viktor has to suffer : dying again by the hand of a loved one ( one of the few or the very last remaining). Instead of saving Viktor, leaving him to die like the man he was, with the memory of WHO he really was, he condemned him to even more suffering than his fatal illness bought him.

i know he did it for the famous affection. i don’t care. Jinx didn’t want to kill her family but that doesn’t mean that she didn’t do it.

Second of all, as my favorite character dies again i am incredibly mad at how wonderfully they butchered him. The viktor of season one goes through changes, but he still remains him. The viktor i loved died in the bomb jinx threw at the council. From that point on is just a mere sketch of how he was. We only get a glimpse when he helps vander with “Sky”. His true sweet self. I cannot stress how it infuriates me that we DID NOT and CANNOT grive that man. Because he never really died hasn’t he? Not yet at least. I want closure, i want to be able to say that his story ended how it need to, not because his best friend decided that it was a good idea to fuse him to the thing he despised and then kill him off after he realized just how much he fucked up. Because yeah there wasn’t much of Vik left but is true self still saw Jayce hold the weapon made with the thing they created TOGETHER straight at his heart and shoot.

and he fucking didn’t deserved it. He didn’t want to be fucking jesus for god sake (or jesus sake suit yourself), he just wanted to help his people. His only mistake was experiment on HIMSELF using illegal drugs and without consulting jayce ( that we all know now would have understood). Him literally self harming himself to HOPE for a way out of his pain is his only mistake that resulted in the death of sky. Which was a fucking accident, other then that the man was doomed since birth without cause like a true zaunite. And hell did he paid enough for the death of sky.

i just know for a fact they are gonna revive him again and now that i have processed everything i am PRAYING they don’t. Because if they do it WILL NOT be Viktor, just and even more ugly and butchered imagine of what was is true self. Only to use him like an easy villan for the story.

let the man rest.

And if they do bring him back they better prepare a good ending or a proper goodbye for the true viktor.

[boneempress]

yellowjackets s2 finale spoilers~

I get that a lot of people are upset at the finale for various reasons, one of which is that Misty is the person who did...you know. Putting aside the implications for Natalie's role in the story, I want to talk about Misty because I think it was a crucial turning point for her and I think she had to be the one to do it for her story to progress.

Halfway through season 2, teen Misty learns Crystal is really Kristen and trades this for a secret that she wildly misjudges as being of equal import. Realizing her mistake, she threatens Kristen, who steps back and falls off a cliff. This death both is and isn't her fault; she didn't really mean to kill her, and she didn't actually touch her. It was an accident. She has an out. And, crucially, she gets away with it: no one else is witness to it, Kristen's body has yet to be found.

Fast forward to the hunt, Misty was the one who pulled Natalie back from trying to save Javi. I suspect she probably realized that saving the group's best hunter was the, objectively, most "rational" thing to do for the group, all else aside. (This is the first of multiple times we see Misty steal Natalie away from death before the wilderness finally comes to collect.)

So when Lottie picks Natalie as her successor, and the girls all give their own versions of fealty, Misty's is this incredibly dramatic bow that Nat laughs at. But Misty is dead serious, because I think she is taking this deadly seriously. The wilderness gave her a purpose she never had before so she trapped them all there within it, and Nat is its favorite. Whatever her reasons, I think this is the moment Misty dedicates herself and her life to Nat. It's why she looks so fucking pleased when Natalie shows up in her living room pointing a rifle at her, 25 years later.

Fast forward to Jessica Roberts. Misty tells us that fentanyl is her weapon of choice because it is legal and it looks like an overdose. Moreover, she doesn't just inject Jessica with fentanyl and fake the death afterwards; she injects the cigarettes, and she lets Jessica choose them. Because, after all, those cigarettes would've killed her anyway, a lot slower. So she does what she needs to do, but she still maintains a distance. And she gets away with it.

In season 2, several people have implied to adult Misty that she has serial killer vibes, and it seems to confound her in spite of the multiple deaths she's responsible for (that we've seen.) She goes into a sensory deprivation tank and concludes that she's a "closer" who cleans up messes for her friends - so that she can be useful to them again like she was in the woods - and she will do anything that that entails. She doesn't questions her methods or motives or do even the slightest bit of self-reflection. As horrible as the Crystal incident was for her, a part of her (like Shauna) has always been drawn to violence until it gets too close and personal to her. She was excited when she cut Ben's leg off and when she watched Shauna beat the shit out of Lottie.

So when it comes time for the hunt again, Misty has loaded up a needle with some drug, either phenobarbital or her favorite fentanyl. She will kill if she has to, for the good of the group. When Lisa threatens Nat with a gun she doesn't hesitate and goes in for the kill.

Only, purely by the good will of Natalie for Lisa, Misty misses her target, and she kills her best friend (again) instead, accidentally frames clean and sober Nat for a relapsed drug overdose, the person she pledged fealty to, the person she was willing to die for, the one person in the entire world whose death could possibly make her stop and question herself, wonder if maybe using violence to solve all her problems is a bad thing, if maybe bringing "it" back with her so gleefully was NOT a good thing. Maybe, just maybe, she will start thinking about the dark and terrible secret she hides - the black box she destroyed and doomed all of her friends with. Part of the reason adult Misty is so fun to watch is because of the delusional levels of self-confidence she possesses, and this is the one and only thing that I think could really shake her to her core. Crystal's death got pretty close when she was 17 and had a lot less armor, but Natalie is someone she has been trauma bonded to for 25 years. She gets away with it in the eyes of the law, yet again, but she knows what she did, and that she can never take it back. She has to live with it. She has to live with the worst possible consequence that playing with other people's lives could have for her.

And that's why it had to be Misty.

[megamuscle885-blog]

TW: Suicide mention. Worm Spoilers.

Reprising my Neil Cicierega post from before about how "Mullet with Butterfly Wings" is a skitter/scurry/chitter song.

Crocodile Chop is a Gold Morning song. The lyrics are all very slurred and drunken. She's lurching around. Amy's hands on her as she "Wake(s) up!". "Why'd you leave the keys on the table?" Who's just leaving Amy alone with Taylor. They had to know she was going to do something drastic. Lisa should've, and that's the tragedy isn't it? "Here you go and create another fable." The myth, making Taylor into a weapon. Maybe I'm reading a little too much into it, but this is supposed to be a fun little post anyway, it's not too serious.

Except "I don't think you trust in my self-righteous suicide." is just a dead on, straight between the eyes, punch to the forehead shining example of Taylor Hebert's character in this moment.

The scream for Fathers feels a little bit like Taylor's frustrations with Danny, and maybe a little bit of QA (who is currently in the driver's seat) might be feeling a little forsaken by her father Scion herself in this moment? "Father into your hands I commend my spirit." and the whole section there, is SOAD directly lifting words from Jesus' crucifixion. This one's not a particularly deep take from me, but you can see Jesus' crucifixion as a kind of self-righteous suicide, huh? And Taylor is also putting herself on the line, as usual, and sacrificing any other kind of future she may have had for herself in favor of the greater good, and the unity of humanity. It's a consistent, doomed worldview she's held ever since "Cut Ties, I'm Sorry." entered the picture. She put the Undersiders aside. She spent more time with the Chicago Wards than them, and her time with them wasn't even worth mentioning in the text. She sets them aside too. She trains Golem because they have a shared enemy, but there's nothing else there. There can be nothing else there when she has to go die on the cross, unknowingly, but still. The Simurgh, Contessa and Dinah all conspiring to put her in the right place at the right time.

My read of SOAD's lyrics seem focused on the 'right to die', about how nobody truly deserves to die, but we all will die, but there are some people who are condemned regardless of their circumstances for the method of their death. Serj Tankian brings up his potential for dying in a drug overdose as his example of someone dying in a shameful way, and therefore 'deserving' to die. (This is just me paraphrasing the wikipedia entry I'm not uncovering new ground here lol). There's also the very literal Angel-like being hovering over the battlefield to consider.

Choosing how you go out is more than some people get. Except Taylor doesn't get to choose how she goes out in the end, does she? Taylor doesn't really have a choice here. The Simurgh chooses. Dinah chooses. Contessa chooses. That little static burst as the song fades out to "Transmission" (a little bit where a numbers radio is played interspersed with the introductory rift from David Bowie's Space Oddity) sounds like her turning her head to see Contessa sitting there with her gun in her hand.

All of this is set to Elton John's Crocodile Rock, which I haven't really listened to enough to have thoughts on it. I don't really have any deep takes on his side of the mashup, other than the fact that the piano and Serj's "Die" is pitch shifted to Elton's "laa, la-la-la-la-laa" making it very unsettling.

I've been listening to too much of Neil's music while driving to work and it's starting to mix together with all of the other brain worms, creating intricate mental AMVs, and it shows.

[darkdrin6]

Okay, the spoiler of the "Invasion" mode inspired us to some thoughts about Bi Han/Sareena.

We see Hanzo traveling from timeline to timeline, trying to find one in which his wife will survive. He searches and fails, because events always turn out to be sad. Harumi always dies. Do you know who else always dies? Bi Han. Just think for a moment about how Sareena repeats the path of Hanzo, looking for the one among the many timelines in which her beloved will survive. And even if she finds one, death awaits him anyway. Bi Han is mortal, and even if he is not killed, his life will still end. Sareena is doomed to see him die anyway, but living next to him for several years - the rest of him short mortal life - Sareena is looking for another timeline in which everything is invariably repeated.

Of course, we will never see anything like this in the canon, but we really like the idea of such a tragic love story.

[smylealong]

In the defense of Li SuSu

I've been seeing a lot of hate for Li SuSu. Mostly because people don't like that she is planning to betray Tantai Jin and I get it. We as viewers have grown to love Tantai Jin and everything he represents. His abuse is profound, and to see him happy now is really cathartic. I for one love seeing him happy and being a kickass emperor.

BUT...

I say Li Susu doesn't deserve the hate that is coming her way and I will explain why. Long, spoiler-y post, so kept below the cut.

Let's start with a refresher of what Susu was told before she was sent 500 years back.

So essentially, she has to destroy the evil bone. Tantai Jin is a mortal. Today or thirty years from now, he will die. Whether he dies happy or angry, the evil bone will pretty much ensure that the devil god rises. Thus, SuSu has no choice. She needs to destroy the devil bone. And the way to do it are those 9 spikes thing. But why 300 days, you might ask? Because as the god said...

What I understand from this is, the god's aura will keep the demons at bay for 300 days. After which, the barrier will break. But here, I have an issue. As I understand, the barrier will break, irrespective of whether SuSu destroys the evil bone or not. I can extrapolate what happens if the evil bone isn't destroyed. The demons will answer the call of the evil bone and flock the mortal realm, causing chaos and mayhem. Certainly not a scenario anyone wants. But I don't understand what would happen if the evil bone is destroyed. I'm assuming that it would mean that there would be no one left to herd the demons into one organized killing machine? I wish the makers elaborated on this a little more.

So this is SuSu's mission and justification. She is desperately trying not to let the world go into chaos and not to let the devil god rise, and for very valid reasons, I feel.

The other reason I think SuSu gets a lot of flak is that she keeps seeing the devil god in Tantai Jin. Many people relate to Tantai Jin because bullying is an issue that many have experienced first hand (myself included). We have seen this kind of abuse, be it personally or seen someone we know and love suffer. it's familiar.

SuSu's trauma, while huge, is largely unfamiliar. How many of us can say we have seen people we love and cherish be murdered brutally? It is not something that we relate to, understand on an intimate level, or to be honest, even comprehend. Which is why it's easier to blame SuSu for her choices. But let me give a refresher of what happens if SuSu fails.

THIS is what she's trying to prevent. With the crazy emperor of Sheng gone and with Xiao Lin been shown the error of his ways, as far as SuSu knows, the threat of political unrest in Sheng and Jing has been neutralized. She is unaware of Tantai Minglan being alive. So can't blame her for not foreseeing that problem. For now, she wants to prevent 500 years of brutality. And the way to do that is to destroy the evil bone. That Tantai Jin will either feel completely betrayed or die as a result is a gamble she has to take. She loves him but she is trying to prevent years of misery. The choices she has are impossible. Either she chooses the path of happiness for herself and dooms the world once the mortal Tantai Jin dies. Or she destroys him and saves countless others.

SuSu is not dumb. She isn't being blockheaded. She's just been thrown into a very difficult situation.

[rohanrider3]

2nd prediction for Wind and Truth (via 3 death rattles from Way of Kings)

Potential Stormlight Archives/Cosmere Spoilers below the cut:

TLDR: Kaladin is going to die because he knowingly takes in more stormlight than his body can handle.

Hear me out:

I'm re-reading the Stormlight Archives to prep for Wind and Truth later this year, and there's so much in it about how the light feels like it's a storm raging under his skin, how the power is boundless, and how drained Kaladin always is after pushing through to new powers.

Here's what I think happens: The contest of champions comes up. Odium picks a kid. (Specifically, Adolin and Shallan's kid/Dalinar's grandchild, cuz I think Shallan is going to have become pregnant during the Shadesmar journey cuz time is strange there, and thus she's going to give birth when they get back to Roshar). A more perfect, evil, awful, wrenching choice for Odium's champion? I think NOT. (Referenced death rattle below):

"I hold the suckling child in my hands, a knife at his throat, and know that all who live wish me to let the blade slip. Spill its blood upon the ground, over my hands, and with it gain us further breath to draw. ”

BANG you have both the "suckling child" AND Odium's perfect choice as his champion. Whoever Dalinar chooses as champion (Adolin? Himself? Kaldadin?) is faced with the nightmare of killing a child--that child--to protect the world.

But wait! There's ANOTHER death rattle we have here--oh hey look--"So the night will reign, for the choice of honor is life... ”

I think this shows Honor's champion letting the child live, thus dooming the world to night.

Huh. Night. Like the a really, really intense...High Storm. (plus the Everstorm which together is practically Apocolyptic)

Now if only there was someone who could keep pace with said Nightmare Storm. By flying, perhaps.

But that's not all! Last death rattle links the stormlight (presumably from the Nightmare Storm) to Kaladin and his death:

The death is my life, the strength becomes my weakness, the journey has ended.

"The strength becomes my weakness" sure sounds like stormlight and the intense weakness Kaladin always experiences after he uses a huge amount/pushes himself too far protecting others.

"The journey has ended" sounds like, well...the end of his journey. Journey before destination, one of the first ideals, is all about how you live your life (the journey) before you reach the destination (death).

I think Kaladin's gonna die, you guys. But I think he's gonna die protecting Roshar's people from Odium's victory. In the most Kaladin way possible. (I also think he'll really want NOT to do it. Because if he WANTED to die and GOT to die, then it wouldn't be in keeping with his journey of self-discovery and fighting to stay alive.)

I think Kaladin's going to realize exactly what he needs to do to protect everyone. I think he's going to have to fight the storm across Roshar until it burns out.

And he burns out with it.

[shiroganeryo]

I don't know if you've answered this before but what do you predict will be the ending for DGrayman? I think we all think that Kanda (my boy's got literal death flags everywhere) and Allen will die, but what about everyone else? How will the world be saved?

I really apologize for taking so long to get to this ask, but I've been actually thinking the matter over and over. My answer is probably a little off the chart regarding to the actual question, but this is all I can muster with the current information we have (up to chapter 250). This will be a tad long but I'll try to keep it brief.

But the thing is: it's impossible for me to make a prediction. The beauty in Hoshino's writing is that, while she scatters little details for us to catch and plants seeds very early on, helping us find out certain reveals ahead of time (Allen being the 14th's host, Mana being the Earl; there were very early signs for things like these, things of the sort), knowing such information still isn't enough to give us a definite outline of how the story itself will play out.

That's masterfully done writing right there, and I admire her so because of it; not many shounen/seinen mangaka nowadays can pull this off with the same grace as she does.

Back to your question, much like the majority of the fandom, I believe Kanda will die at the end and there are two reasons for that: one is that it's been hinted at (we could even call it foreshadowing) since Kanda claims he wouldn't be able to die in peace without returning the favor to Allen - not to say he means anything other than "one day I'll die and then I'd take this regret with me to the grave", but we can only get the feeling he has dwelled on the thought (and also possibility) of dying, sooner than expected, especially with the weakened state of his seal.

The other reason is that this would be the most gratifying ending for Kanda, as he would be able to reunite with Alma. He lived his entire life searching for that person and longing to reunite, so that would be the most logical route to take - as well as the best, happiest ending possible for Kanda. After all the horrors the Seconds went through, they both deserve eternal peace.

As for Allen... call me crazy, but I believe there is a chance, albeit slim, that he makes it out alive. I'll need to bring up some things from Chapter 250 to be able to elaborate on this, so here's your warning not to click the Read More if you're avoiding spoilers.

One thing I've observed is that Hoshino plays a lot on word meanings (which unfortunately translation can't convey efficiently) as well as red herrings. Ever since we found out Allen's the 14th's host, he's been considered doomed to get erased so we're playing a clock-ticking game, waiting until that happens.

So it seems that there are only two possibilities: that Allen either gets erased by Nea, or that he dies, sacrificing himself for everyone's sake in the ensuing battle against the Earl that is possibly bound to happen. I can easily picture Allen doing the latter, but the latest chapters gave us something else to consider: Apocryphos' meddling.

We still don't know the full details as to why, but Allen is both deemed as an angel as well as a lamb of sacrifice to the Heart. Something makes me think Apocryphos might be trying to 'craft' the perfect host for the Heart by making use of Allen.

It just aligns with everything we know about Apocryphos as an entity: for someone that is a sentient Innocence whose existence gravitates around the sole purpose of protecting the Heart, why is it so obsessed with a specific accommodator, to the point it even quite literally turned Allen into a blank slate (Nea has confirmed so)?

I'm led to believe Allen is not the Heart, that would be far too easy and predictable. But that's not to say he can't become the Heart. We don't know if the Heart is sentient (all Innocence seem to have sentience to an extent regardless) or if it has an accommodator, and if there is one, if this person isn't out there waiting for the perfect candidate to pass the Heart on to.

This is all just speculation, of course. But it's something that's been on my mind for a while, as I've tried to understand Apocryphos' end goal.

And in the end, if Allen and Nea have become allies due to their shared goal (ending the war and saving Mana), that could also mean that they both die together, as that would be the reunion of Mana and Nea as one, as well as the reunion of Allen with the Mana he so loved.

But then comes in another valuable variable that is Link. It's highly likely that he might sacrifice himself and bring Allen back if he falls, but because of how Atuuda works, that would mean exchanging his own life for Allen's.

There are just a lot of things that could go either way, and that's how Hoshino is so good at keeping us guessing. I often say that I find theorizing anything that goes too far into the future of DGM to be pointless because of how sharply a new, unseen reveal might shift the current scenario.

The latest chapter is building up the expectation that Allen will meet his end soon, especially since the Zoogle Bookstore entered the picture. And that is exactly what's keeping me from being able to predict anything worthy of note; because what they unravel there will very likely be a major game changer not only to Allen but to all involved - which means, by extension, everyone involved in the Holy War.

Another thing keeping me from theorizing anything more solid is Lavi. As a Bookman, he's a witness to history itself, and his whereabouts/status are extremely relevant to map out an end game. The most popular theory is that he's the one telling Allen's story, as it seems the D. in the title refers to "Dear Gray Man".

I can, however, also see Allen as the potential narrator of this story. As for whomst this Gray Man is, only time will tell.

I could go on and on with this, and not get anywhere near what'll truly happen. It's difficult to reach a conclusion in what will happen at the very end for the aforementioned reasons, but if there's one thing I can say, is that this current universe's loop will be the one to end the Holy War, so the Black Order and the Clan of Noah should cease existing as organizations.

Innocence would very likely cease existing as well, having fulfilled its purpose, so all accommodators would be freed. With the end of the war, also comes peace for the Memory of Noah, freeing its hosts from the millenia-old anguish that bound them to a perpetually-destroying world. That would leave the remaining survivors free to do as they please with their lives, away from the war, at last.

First and foremost, DGM is a story about love and hope, even in the darkest of times, and most fans can resonate with such - it's not rare to hear from a fan how this series has helped them hang on when things were looking rather dim in their personal lives. DGM's story is a tragedy, but a beautiful, bittersweet one, just like real life. Thus while I don't see it having a perfect, neatly sanitized ending, I don't see it having a kind of overly dramatic 'everyone dies and the planet explodes' kind of ending either. It would go against everything Hoshino has built all along, after all.

I apologize if, in the end, this wasn't the kind of answer you were hoping for, especially with how long it got - and I did keep it brief, really! But thanks to you and whoever may be reading until here. ❤️

[professoruber]

Thoughts of Birds of Prey (2023-) #6

Spoilers for Birds of Prey (2023-) #6

So the newest issue of the current Birds of Prey comic has recently come out and I guess since I took the time to make multiple fairly long-ish posts about this run, I should go over my thoughts here.

To sum things up... I thought it okay but also not really too big of a fan by the end of it. I didn't exactly dislike it, but I guess it left me with too many questions and felt a bit too contrived. It was enjoyable enough, but kinda felt like my enjoy-ness of it decreased with each subsequent issue. It wasn't bad, but I guess that's my knee-jerk fresh reaction.

Of course, it still possible that there is more to the story than there is now and that future issues will reveal new information which might clear up some of my issues more, I'll be discussing that as well...

Note again that I am a novice in comics, and Gotham Academy was one of the first I read fully so perhaps I'm biased in that area. But to go over my thoughts for why I kinda feel slightly disappointed in more detail...

What was the point of Meridian?

Warning of future doom, apparently. So as it turns out, the real reason that Barbara wasn't include was because she died eleven times already

(the fact that this was far from Meridian's first attempt was foreshadowed last issue with her noting where the last battle "always is"). So someone is out to get the Birds of Prey, and they're possibly using Future Maps time travel tech to do it.

While this does somewhat answer the question of why Barbara was specifically excluded; still doesn't explain the secrecy.

Like, all these visions of Barbara dying have her in her Batgirl outfit, so couldn't she just have been informed she'd die and asked to oversee the mission as Oracle? Or does that also somehow lead to her death?

Being kept in the loop would also presumably have greatly helped avoid awkward feelings like this. And from what I know of Barbara, her tactical mind is probably more valuable than her martial art skills. But I guess whatever evil time traveller is targeting the BoP would've found a way to get to Babs anyway? (also on a side note; Barbara getting hurt by not being included was at least one thing I kinda predicted. My other, more thougt-out predictions though... well I'll get to those in a bit)

It also confirms that Dinah indeed did not apparently get any explanation for why she had to exclude Barbara until after the mission was complete and.... that feels weird?

Like I said, I'm a novice on comics (although I am now definitely adding more Birds of Prey stuff to my to-read list) so I'm not the biggest expert on these characters. Nevertheless it feels that Black Canary here would've agreed to attack Wonder Woman and her people while excluding Oracle all on the word of a time traveller she's likely never met before (and in the present is a teenager who she's likely never met before either) without even demanding a damn good explanation first.

I guess it was more dramatic from a story perspective for Meridian to reveal this stuff now and set up the next arc. But it still just feels contrived to me. Maybe I'm overlooking/overthinking something though?

Meridian's Motives

So I've gone over a theory before that Meridian was in fact evil and possibly even connected to Megaera. That theory was not confirmed, or overly supported, by this. And it does seem like Meridian is probably on the up-and-up.

Perhaps I'm a tad biased/sunk-cost fallacy right now since I spent a decent amount of time on the theory of Meridian being evil, but still worth noting that this mission ended up Megaera possessing Sin, albeit with Sin in control (and presumably actually in control because Megaera said Sin was in control while Sin used the lasso on her).

There's still quite a few similarities between Meridian and Megaera which are a bit difficult to overlook (you can check out the link I placed above where i went into more detail into that).

Its worth noting as well that Meridian mentioned that whichever evil time traveller is targeting the BoP, they're using her technology most likely. An interesting detail, and one which raises q

Could it be Meridian is hiding something still? All the information we know about the future and her motives comes from her after all.

Or could it be she's being controlled without her knowledge? Or a second Meridian is up and about?

Perhaps it seems like I'm still focusing a disproportionate amount on Meridian, but she still remains the driving force behind all this issues of the narrative which have somewhat hurt my enjoyment and given me questions.

And to repeat what I've said before. Meridian seems like a strange direction for the character of Maps Mizoguchi.

As I've alluded to before, I'm probably quite biased in this area because I've read Gotham Academy years ago before I really got into comics like I have recently and it was one of the first runs I've finished and stuff.

Maps is a character who wants to be Robin. And that's the path which she seems to have been developed upon during her fairly recent return.

Given how still early she is in her storyline of becoming Robin (or some other kind of vigilante) it just still feels like a strange choice for Maps Mizoguchi of all people to show up as a time traveling hero with a persona and skillset which seems in stark contrast to her every prior appearance.

Meridian does not appear to be a martial artist, Maps doesn't appear to be a tech genius. Magic would seem like a more likely 'superpower' than super-tech for Maps considering the more supernatural focus of Gotham Academy.

Maps has been established with a preference for swords while Meridian is only shown fighting using a fancy taser.

Am I thinking too deeply into it? Probably, yes.

But still feels like an overall strange decision to introduce Future Maps in such a manner. Especially when Present Maps has only returned to semi-focus in recent years and still hasn't really developed too much in her own current goals (such as being Robin).

So taking a character who's still in need of a bit more focus and development and then giving them a future persona which is at contrast to their current development chain? Seems odd.

Also at first i just assumed Meridian comes from a post-apocalyptic future which would be retconned out of the timeline by this arc. But Meridian's comments about how she doesn't take time travel lightly and is trying to right the timeline suggests she does not in fact come from a post-apocalyptic timeline.

So does that mean Maps is destined to become Meriden?

Again, this is probably my bias due to Gotham Academy nostalgia. But I'm not sure if I'm too much of a fan of this direction for her.

Especially, as I keep noting, Present Maps has only barely gotten started on working on becoming Robin (or any-kind of vigilante); but Meridian seems to suggest Maps is going to drop her current direction and go in a completely different direction at some point in the future.

Well those of my thoughts I guess. I suppose I'll see how things develop from here.

While I did find the Birds of Prey quite well-drawn so far and fairly enjoyable. All this thoughts I've gone over and the general feeling this arc was a tad contrived has all somewhat mitigated my enjoyment.

[healerelowen]

Okay, so I just finished watching a play-through of Poppy Playtime chapter 3 and um

I have a lot of thoughts/pos

Btw, I don't support MobGames or anything in that nature. I just like the game for the story and cool characters.

Rant under the cut + Spoiler warning

My first thought is I love this chapter. I do enjoy the story telling while still being able to add more horrifying visuals that still are realistic in the world of the game. Especially with the whole 'dream hallucination' thing, which allows them to get creative.

Second, CatNap is so cool. I think he only says one line of dialogue and it's pretty hit or miss depending on whether or not you're listening. But that's why I liked Huggy Wuggy so much as an antagonist in Chapter 1. Huggy doesn't say a single word yet still manages to be perceived as threatening. CatNap is similar, in which he doesn't say much because he doesn't need to. Also purple cat, cool heckin design.

Another thing I like about CatNap is that people knew he was going to be the antagonist, he was always seen as a threat prior to the release of Chapter 3, but in the moment of seeing him in action, it pulls the rug from right under you. And I think that's really neat and it does a lot to establish how terrifying CatNap actually is.

Who the heck is Ollie. I mean, I don't hate him, and the name does ring a bell. But I'm not sure if I can recall an Ollie anywhere in the Poppy Playtime story pre-Chapter 3. Maybe it was in Project playtime somewhere and I missed it. But yeah, mysterious character I guess.

Umm, didn't really like Miss Delight that much. I mean, she works in the narrative of having a school at the PlayCare and the whole Bigger Bodies Initiative and what not. But I feel like she could've been more provoked or maybe get a little more of her character. Though there is more than one according to the tape showing The Hour of Joy, so that's probably the reason. It's fine I guess, I just want to see less filler characters going forward, if any at all. Some fleshing out of formerly introduced characters would be interesting.

Dogday, man. It honestly makes me feel so bad for him. Like, from what we can gather from what he says, the Smiling Critters all collectively agreed that the Prototype wasn't really okay with them. And CatNap, seeing that as protest, either did what he did to Dogday or potentially worse to them, or even maybe just straight up killed them. And that's so sad to think about. Also his whole bit actually unnerved me quite a bit. Usually I'm not disturbed with stuff from Poppy playtime (i.e what happened to Mommy Long Legs in Chapter 2), but that was the first time I got an uncomfortable feeling in my stomach.

One hell of a final fight holy shit. CatNap just going full out truly shows that he knows what he's doing, he knows who you are, and we don't have any other mention that CatNap has done that with any other Playtime Co. employee. It's very deliberate, and I like it. Also his death is brutal. All of them are, and Dogday definitely got the worst of it, but holy shit man. Looks like Huggy, if he is dead, got a more merciful death.

I mean, yeah he fell after hitting a bunch of pipes, but also we don't know if he's dead or not. Mommy Long Legs had a pretty gruesome death, being grinded up alive by a machine while knowing that if you die you'll become a part of presumably the Prototype is quite the troublesome death. I already talked about Dogday and how disturbed I was with his technical death. CatNap's was surprising, because it wasn't an 'if he was going to die', it was a 'how he was going to die'. And um, yeah being electrocuted, set ablaze, burnt to a crisp then stabbed in through the mouth by the Prototype will do it. Though I would like to see more of CatNap and Mommy Long Legs in future chapters, they're definitely my favorites.

Kissy Missy, oh my lord. The sounds of her screams from above the lift was so upsetting. I love Kissy Missy, please don't let her be doomed by the narrative please I'm begging I can't take the emotional turmoil.

Those are most of my main thoughts, though I will say more if people want to hear me talk about Poppy Playtime some more.

[vestaclinicpod]

Audio Drama Sunday - 10th September ✨

Happy Audio Drama Sunday! What a week of listening! These shows have snuck into my home and forcefully knocked off my socks. 🧦💥

Big Spoilers!!

🌲@hellofromthehallowoods (132) SPOILERS! OooOOOOHH My GOd. This is why HFTH is one of the absolute best shows out there. I thought (assumed) two things about the narrative here. One was that Walt was, truly, dead and his death (and staying dead) was what heightened the risk of everyone else dying - not everyone comes back! The show has also done a beautiful job of showing how the actions of a kind person can be their legacy and cause little ripples long after they’re gone. But, it would seem, I’m getting my favourite character back 😭 even only to make it hurt more when he goes off into the sky doom whirlpool. I sobbed like a fucking baby when I realised Daphne was there too. The other thing I thought I understood was that Riot wasn’t going to die. I don’t know why. She was just the first character we met and the final girl energy is outrageous. I don’t know if I can cope with hearing Clara and everyone find her body. Or, god, Olivier 😭. Help. 

Oh, there was just so much going on in this episode. Polly and Yaretzi being incredible as always and Jacob Wicker giving his mother the HARD TRUTH. (And then having a little arson as a treat) PLEASE, if you’re not listening to Hello From the Hallowoods, you really, really need to!! 

📻 @monstrousagonies (111) FINALE 😭 What a lovely, lovely, perfect end to one of the most lovely, lovely, perfect shows. I hope Hero and the rest of the Monstrous Agonies team are SO proud of the show and the community they’ve created. I don’t know what I’m going to do without it! 

Also, I thought I’d share my favourite line this episode (minus the bit about cuddles) because ✊🏳️‍🌈🏳️‍⚧️

🌒 Moonbase Theta Out @monkeymanproductions I listened to the finale again this week because I’m still so sad that it’s over! The show has so many beautiful messages that are prominent in this ep: supporting one another and activism is still possible across distance and, even though it might seem overwhelming, even small actions can help big problems. And Alex and Roger 😭 I don’t think any of us ever imagined them going back to Earth, but the reality is still 😭 “Now I’m with you. That’s all I wanted.” 😭😭😭 AND THEIR NEBULA 😭😭. Please go listen to MTO!! 

🧛‍♂️ @re-dracula I absolutely love to hate this part of the book! Even the fantastic voice acting is NOT distracting me from the fact that you cannot just be transfusing blood willy nilly!! Have a meme: 

 💫 Wolf 359 (51) Petition for the rest of the show to be UFOverview / The Hephaestus Files. That was fun!!

🥾@doyoucopypod (8) I love stories which tell the same events form another perspective, it’s so fun!! It’s all very peculiar, these oblique references to something listening in and nearly going too far . . . I need more pieces for my puzzle!!! 

Another week, another missed opportunity to listen to KILL FM. I really need to rectify that! Hope everyone has a really lovely week! 

[vacantgodling]

Pure/Citra, Reed/Twilightsorrow, and Charissa/Altair please!!

(I mean I also want to know everything about what Saith is up to but that felt like too many for one ask 👀)

~ @void-botanist

thank you for the ask!!! ;3;

PURE / CITRA (status: kinda a crackship but they definitely become friends i just haven't decided if i want them to kiss yet or not)

pure is clear's younger brother and the youngest of the brightendale's and he has a super tumultuous relationship with both clear and vanity. pure really buys into the eros-superiority "we need to focus our efforts on argos" energy and is honestly like dion but brattier?? also has no sense of self preservation yet he's not half as talented a hunter as his sister vanity, let alone even a fraction powerful as clear. he has a huge inferiority complex and craves validation and acceptance. citra is on the opposite end of things. he's the cousin of moira and san and while he's not a bad hunter, he definitely isn't the strongest. however, he comes at life with a better attitude (nature/nurture is huge lmao) and seeks to learn and wants to become better and harbors no ill will towards people better than him. the two of them meet and initially clash because pure can be really condescending and brazen while citra is more mild-mannered like clear which immediately pisses pure off (he hates clear with a passion. cuz he's san but worse LMAO). however, citra never takes anything personally and is the first person who really sees that pure is lashing out because he's hurt. they have a very small angry x tall chill vibe about them. citra always makes pure apologize when he goes too far and citra's influence helps pure patch up some of his shittier relationships like with vanity and clear lol. so, i think they could work. PLUS i think it would be hilarious if san and clear ended up cousins via marriage PFF.

REED / TWILIGHTSORROW (status: doomed friendship)

these are some of my history of terrae ocs so spoilers aren't a thing since this happened long before canon. honestly, the best explanation would be if you read this long post about the progression from twilight -> twilightsorrow -> EFFE. if reed would've lived longer, he would've been able to really teach twilightsorrow humanity and tbh their relationship is kind of a very historical mirror of the bad end for evondra/arian (that kind of happens but doesn't happen to them, its complicated). reed is such a good, funloving soul and i think it would honestly be cute to have an au where they got to meet when TS was still just twilight and before the day of fissures bc he'd absolutely serenade her outside of her balcony window and make her embarrassed lol. anyway tcol is actually quite more melancholic than i like to let on LMAO--

CHARISSA / ALTAIR (status: canon!)

god the two of them have been through hell and back together and they're literally boss ass "you can't die for me because i will drag you back to life and kill you myself" vibes. their full backstory is very spoiler territory however, so unless y'all want the spoilers (which i'm always happy to give lmao) i can't say TOO much about what they've kind of been through together, however charissa's family is obsessed with altair and they are demanding to know when they will get together and provide them children and altair thinks this is the funniest shit in the world and proposes to her solely to piss her off when she takes him to introduce him to her family. they're very much a couple who never explicitly says they're together but then they buy a house, matching rings, move in together and are basically married in every sense of the word. charissa is more likely to deny it than altair lmao. they also turn everything into a competition and charissa is most likely to instigate but altair never backs down pff.

[igneouswyvern]

I wouldn't normally be making a post like this but I'm having major withdrawals after having completed Nier Automata and I need to process it somehow so here I am

MAJOR spoilers for all three chapters of Nier Automata under the cut, seriously if you have any slight intention of playing the game do not read

Some of the game's major themes are loss and hopelessness, but the thing I find most interesting is the game's emphasis on partnership, usually just with two people but it occasionally features more than that.

The first time we see this partnership in action is with Adam and Eve right in the very first chapter. And it makes sense. Their namesakes are literally from the story involving the Christian god creating Eve for Adam, the two becoming "one flesh," and essentially being linked up for life. And in the game it is no different. Adam imparts his knowledge onto Eve, and he also "plays with" him. They're shown as two sides of the same coin from the second time you fight them. They're linked. They're inseparable. Imagine what were to happen if something did cause them to be separated? Well, when 2B kills Adam, Eve flies into a blind rage. He can't think. He can't see straight. All he can think to do is to destroy the entire world. And realistically, from his perspective, it makes sense. Adam was his world. Adam was the reason he went on, the driving force to keep him going. Without Adam, who was he? What would he do with himself? His only options were to kill himself, or to kill everyone else. Revenge is a reason to keep going. So he chose revenge.

And at first this seems absurd and childish, but we see this immediately mirrored in the third chapter with 2B and 9S. 2B's death unfortunately comes right after 9S learns that the humans are extinct and everything he's been fighting for is a lie. But it's okay, because as long as he's fighting side-by-side with 2B everything will be okay, won't it? And then he witnesses 2B die, and his entire world is shattered. His response is understandable, really. He has nothing left to live for. He could kill himself, or he could kill everyone else. Revenge gave him a reason to keep going. So he made his goal to destroy every last machine that did this to 2B, and then kill A2, the android who ultimately dealt the final blow to her. It doesn't matter what her reasons were. It only matters that she's dead. And what will 9S do once he accomplishes this goal? Who knows. He certainly doesn't care. And then, at the very end of the final chapter, A2 reveals the truth to 9S. She reveals that 9S was always destined to learn the secret about YoRHa. And she reveals that the only reason he was paired up with 2B was because 2B was destined to kill him once he got too close to the information. They weren't joined by some red string of fate wishing them good fortune. But they weren't joined by accident either. They were joined so that one could kill the other. They were doomed from the start. How foolish of 9S to get so attached.

We don't learn much about A2 in the game proper (unless I missed side lore, which is entirely possible). But it's pretty clear from the hints we picked up that she too had a friend in YoRHa who died. This is presumably why she left YoRHa--why keep fighting for them anyway? Her friend is dead and there's nothing left. A2 too chooses the path of revenge, but somewhere along the way she keeps her sanity, separating her from Eve and 9S. Yet her ways are seemingly aimless. The best explanation she can provide for her intentions to 042 is to kill every last machine lifeform, yet she doesn't really have a plan for accomplishing this at all. Throughout her quest, she wanders aimlessly, going to the desert because of a goliath signal 042 detected, then going to the Resistance Camp because she damaged her fuel part, then going to Pascal's village for the part, and finally wandering into the tower because 042 told her it had been opened. What is she really living for anyway? I doubt she can really say for sure herself.

Speaking of the Pods, these two are also connected. They begin connected by 2B and 9S's connection, but once 2B dies, they shouldn't have any reason to be connected anymore. And yet they still are, sharing data routinely and coming to conclusions. And thus, they continue to be bound, this time by 9S and A2, although it is imperative that they do not come into contact with one another in this instance, because A2 and 9S are highly hostile to one another. And through all the AI nonsense, Pods 042 and 153 do form a bond unrelated to their androids. It makes you wonder what might happen if one were to die.

The theme continues with Devola and Popola. Designed to be twin androids, their sisterly connection is unmatched. They would not be able to keep going without the other. They were ostracized, hated, and attacked, but it doesn't matter, because they had each other. In the end, they both die for the sake of letting 9S enter the tower. 153 points out that one could have survived, but they stayed together and both perished. 9S shuts her down, because he knows exactly why they wished to stay together. Perhaps he wishes he too had died with 2B.

Pascal is one of the few characters to not feature a pair. His duty is rather to the entire village. He imparts knowledge to the children and teaches them how to be peaceful, how to survive. He would risk everything to save even one member of the village. So imagine his despair when the battle is over and he finds that every last one of the children killed themselves out of fear, fear that he taught them. They were his reason to keep on living, and they're dead because of him. He immediately recognizes that he can't live with this reality. He asks A2 to either kill him or delete his memories, because he just can't go on.

While barely relevant to the plot at all, both 2B and 9S's operators show a desire to form a partnership. 2B's operator asks a fellow operator out, and is devastated when she is rejected. 9S's operator expresses a strong desire to start a family. Both missed out on this opportunity.

The commander doesn't come in a pair, but she too is linked up with other individuals. When all of YoRHa is going down, she rejects the chance to escape. What is the purpose of going on when everything you've ever worked for is crashing down around you? Without her soldiers at YoRHa, she has nothing left to live for. She goes down with the ship.

The theme goes even deeper when you look at the side quests. Rescuing the machine's younger sister. Protecting the mother machine's son. Helping a resistance member recover her memories about a deceased loved one. Confirming another resistance member's loved one is dead. Following the wandering couple and helping them survive together. The android who repaired a fallen YoRHa member and pretended he was his own son, because he needed to take care of another person to have a reason to go on. The pair of YoRHa betrayers, one becoming enraged when the other dies, and the captain coming to avenge them both.

The boss of the amusement park, doing anything she can to get the attention of the male machine lifeform, desperate to form a partnership, destroying herself to please him.

The machines in the forest rallying themselves to protect, and then to get revenge for, their king.

Perhaps what really makes both androids and machines human is their need for connection. They can't go on without connection. They will do anything they can to find one other person that they can rely and codepend on. One person that they can protect at all costs. One person they can focus on to strive to keep going. If they have that, they can do anything. But take that away...and what's left is despair and hopelessness. The world can be bleak and desolate and utterly hopeless, but as long as you've got your Person, there's always a reason to keep going. But on the other hand, the world can be beautiful and full of life, but if you don't have a Person, you don't have anything.

This game deals with a lot of themes, but I think the social aspect of the characters in the story is what hit me the hardest.

This got...long...if a single human being has read this, thanks for coming to my TED talk I guess