#which is exactly why i feel like i should post it
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queermarzipan · 1 day ago
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OH MY GOD OH MY GOD OH MY GOD
BEST. SURPRISE. EVER.
BTW
I LOVE YOU ASMI I LOVE YOU SO MUCH
SOOIGJLCFGOOOOO
R o b e r t d e n e i r o
R O B E R T D E N E I R O
i'm dying. i'm actually dying
Russel T. Davies
Russel T. Davies
ily asmi
i'm laughing bc this is incredibly obvious to ME but that is EXACTLY THE SAME RHYTHM so i am in fact delighted that you knew that
Yes this is true. Twelve is the lesbian and thirteen is idk pansexual or something idk. some sort of extremely niche microlabel i feel. not 'lesbian'
YOU WOULD THINK WOULDN'T YOU but no the master just really is that much of an ego-full person. he chose the name. like every time lord gets to choose their name and he called himself the master. & honestly there is also some sort of BDSM thing going on where the master REALLY LIKES the doctor using their name. and they're also both firmly in 'I Can Fix Him' territory about each other. fucking hell
MISSY MY FUCKING BELOVED ISTG I'M SO MAD THAT THE ONLY MASTER ARC THAT HAD HER BE LIKE FIXING HERSELF WAS WHILE SHE WAS A WOMAN AND THEY HAD THAT CLEAR DELINEATION THEY MADE BTW 'THE MASTER' AND 'MISSY' & I'M JUST. I LOVE HER. YOU FUCKING GOT ME. W H Y
the fucking bigeneration i was READY TO CRY & then they gave me the BEST GIFT OF ALL FUCKING TIME WHOVIANS EVERYWHERE CHEERED ISTFG
i also fucking sobbed but that's not the point the point is it fixed me
i love how little catherine knows about doctor who. every interview they do where david and catherine are together and something factual about the lore comes up david turns to catherine like "👀😇" i fucking love it
the QPR is the realest thing ever istFG it's so much stronger than stobin it really is and i'm biased towards stobin bc they're my FIRST PLANTONIC SHIP but omg they knocked it out of the park. the doctor 7 donna. forevermore. in the brains of people who have gone insane
THE FUCKING. KILLS HER. FUCK
HE KILLS HER
TO SAVE HER LIFE
BUT HE STILL KILLS HER
AND HE HAS TO CARRY THAT
FUCKING HELLLLLLLLLLL
this is what the 60th anniversary fixed in me btw. this pain. the cracks r still conveniently there & reopen when i put myself back in time within the canon
why would i do that you ask
obviously
i
must
????
pain
donna
</3.
^see. totally reasonable
the original show had shitty effects and so does the new one and everyone loves it. if u genuinely think the shitty effects of dw are something to overcome u r made aware that u r incorrect. we love our ridiculous procreate ass living bin and obviously plastic mickey. go watch avengers if u want GOOD cgi
this is profoundly accurate & also neutral which is smart bc having not watched the show u would ABSOLUTELY not be able to adequately defend your position to avoid having ppl come up to ubto ""explain" why ur wrong.
that said.
tentoo is the best ending rose tyler could have possibly had it tied in with themes in school reunion & impossible planet & family of blood & also fucking army of ghosts & doomsday & no one can ever change my mind. i fucking love it to fucking pieces u can pry the metacrisis from my cold dead hands
HE'S CALLED TENTOO BC HE'S ALSO TEN IT'S A FUCKING PUN IT'S THE BEST PUN EVER I LOVE IT
NuWho is one word & New Who is two words. Expeditiousness is the friend of all. this is the fandom that uses full-on numbers to refer to versions of a character lke the infamous "you can like 11 better than 10" post lmao u expect us to keep two words we could conpress into one??
THE TARDIS SHOULD ABSOLUTELY IMPLEMENT RIBBONS FOR SEATBELTS IF I EVER GET TO WRITE FOR THE SHOW THAT'S MY FIRST FUCKING SUGGESTION. I'M FUCKING LOVING THAT. also the tardis😍😍🩵💙🩵💙💙🩵💙🩵🩵
he does indeed. bridgerton episode
the ninth doctor is sometimes a butch lesbian and sometimes something unknowable & i think it was the unknowable version that was bobbing his head. he fucking rocks also ur absolutely right he has so little rizz. he can get it
truth. nothing more to say
very very queer. nothing more to say
david tennant and catherine tate had SO MUCH FUN during that episode istg i love them so much
the sexuest person is indeed a head. apparently he was supposed to be in a certain story arc & he'd have his head chopped off and that's why he's a head but they couldn't get him. so now we just simply have to assume that he got into a beheading predicament at some point
the Meep's pronoun is the definite article. easy mistake to make. the Meep is always "the Meep". friend shaped because evil subterfuge :,[
.....uh........ idk asmi idk lmao
WAIT OH MY GOD IT'S CASSANDRA YOU'RE TALKING ABOUT CASSANDRA I'M GOING TO EXPLODE THIS IS SO FUCKING FUNNYYYYYY
*strolls into tumblr and falls on my face pretending I haven't been missing for like a month I was out getting the milk hello maggots*
Doctor Who But I've Never Watched It 2.0
For those of you feeling deja vu YES I HAVE MADE POSTS ON DOCTOR WHO BEFORE OKAY but back then I was a young uneducated lad, just a fresh blossom unfucked by tumblr. Now I am surrounded by you lot and by god do y'all love Doctor Who. And I am Educated. My DW virginity is deflowered. All that.
SO HERE WE GO, EVERYTHING ABOUT THIS SHOW I'VE NEVER WATCHED:
The show started in 1963, and then was rebooted in 2005 and the showrunner was... Robert de Neiro? Idk all I know is he gives Pedro Pascal vibes. Like his name. His name is Robert.
There have been 15 Doctors so far. One is a lesbian and it is not Jodie Whittaker, it is actually the 12th doctor.
There's someone called the Master. I don't know what that means, or if it's some kind of BDSM thing, but he has intense sexual tension with the Doctor.
He's also emo and has bleached hair and is kinda babygirl. And is called Missy.
The Doctors all have intense trauma and the 15th Doctor kind of girlbossed it by leaving David Tennant intact when they binary-fissioned.
Donna is a person played by Catherine... Tate? Not Hepburn. And she knows less about Doctor Who than I do. And Donna is in a QPR with the David Doctors (there are two of them).
David Doctor loves Donna very much. And then he kills her. But doesn't kill her. And then they have dinner together with her husband and kid.
The original show had shitty effects. The new show does too, and everyone is happy about this.
Rose is someone the David Doctor is in love with and then she ends up with a human AU of him and he leaves and the fans are very divided and passionate about this.
The human AU is called Tentoo because y'all hate using W's. What the fuck is Tentoo. What is Nuwho. Why isn't it New and Two. Help me.
THERE IS SOMETHING CALLED THE TARDIS, IT IS BIGGER ON THE INSIDE, I HAVE HAD WEIRD DREAMS WHERE IT WAS A FUCKING AUTO-RICKSHAW WITH RIBBONS FOR SEATBELTS, AND IT IS BLUE AND NOT YELLOW BUT IT WAS YELLOW IN MY DREAM. Because of a Drarry fanfic that I misread.
The 15th doctor dances homoerotically with someone during the French Revolution.
The 9th doctor kinda vibes with like his head jiggling idk I've only seen one gif of him.
The 13th doctor keeps forgetting she's in a woman's body.
It is all very gay.
David Tennant's arms are too long.
The sexiest person is a head.
The Meep's pronouns are Meep. Meep is not friend. IF NOT FRIEND THEN WHY FRIEND SHAPED??????
A buttcheek skin talks or something yeah this is all I got.
have at it y'all @robinprinceofchaos @multidimensional-trashcan @wispedvellichor @queermarzipan thanks for the second hand brainrot
*sneaks away under the cover of night* i was never here
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maddy-k-reads-all-day · 2 days ago
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Thinking about the "Do you Feel Safe Tape"
Honestly we should talk about the different reactions to 'who do you trust' a bit more.
Wooly - Wooly seems surprised that you trust him. I couldn't help but think it's partly because we like seem to like Amanda and Amanda hates him. Also considering Amanda doesn't trust him, he probably hasn't had anyone say they trusted him in a very long time and it was probably shocking. Then Amanda tells us she felt that way a long time ago and Wooly looks sad. I've noticed throughout the game that he seems to get sad whenever Amanda talks about not liking him anymore. He gets immediately sad when Amanda says that you have to think about who you can trust, before she even mentions. I think whatever he did to break her trust, he might actually feel really bad about it. (I can point out other moments he's done this too if you want). But what else is interesting is that Amanda trusted Wooly at some point. She didn't hate him from the start, something happened to change their relationship. I can't help but feel it was "recent" considering the events of the first game. Considering both Amanda and Wooly's reactions to Wooly coming back to life, I'd assume Amanda has never hated Wooly enough before to try killing him. When I say recent, I mean possibly during the years that Kate was watching the tapes and talking with Amanda.
Personally, I think both Amanda and Wooly unintentionally played a part in Kate's death and Hameln finding her. Considering Amanda's reactions to us saying "Hameln" I think they might still be monitoring Amanda and Wooly. I think that by interacting very directly with her (saying her name and stuff) could have helped them discover her identity and put her in danger. Which is not directly related to anything in this post (I mean it could be, but I'd need more evidence). That said, it's possible that him getting in the way of them remembering (once they started to gain back their memories) was exactly why she stopped trusting him. . But I think the important takeaway here is she did trust him at some point, and he feels bad that he broke that trust.
Kate: Amanda trusted Kate, and wishes she could still talk to her. Kate was one of the last people who knew Amanda when she was Rebecca. (well, positive relationships at least) Think about it. Sam is MIA. All the other librarians who knew her are DEAD. Any friends she had in school or whatever are definitely full grown adults if they didn't get trapped in the show (idk, like if they were watching it cuz it was their friends show or whatever). Every person we know who knew Amanda is probably dead now. Kate was the last one. Now that she remembers, she keeps saying she wishes she could still talk to Kate whenever we mention her, and Wooly looks like he feels bad. Now that she remembers who she was. Now that she remembers Rebecca, she wants to talk with Kate, maybe the way they used to. That could be why she's so angry with him. Why she tried to kill him AFTER they found Kate died (in the Wooly's birthday tape) but had only hurt him when they realized Riley was watching the tapes and not Kate (in the original in your neighborhood tape). Wooly might've caused her to miss her chance to talk to one of the few people who knew her as Rebecca. That was recent though, I think she lost trust in him over time as he kept blocking her attempts to reach out to Kate
Sam: She says Sam was trusting too, and that can be a mistake. She sounds so sad here, like she is going to cry. I think this confirms that Amanda doesn't hold any malice towards Sam about what happened. She understands that both of them were tricked. So idk, I guess any theories involving Amanda hating Sam for what happened are debunked now?
Hameln: Saying Hameln immediately makes Amanda stop trusting us. Wooly looks scared of Amanda yelling (as always) but I noticed he also looks kind of angry? Offended? Annoyed? I can't really tell cuz the tape gets really blurry. I've seen people say that Wooly doesn't react to the meatman or Hameln, but I think he does it's just more subtle. I don't know what else to say here, the clip goes by so fast.
Meatman: Again, both of them react to this. Amanda immediately gets pissed. And like, reasonably so. I've heard that the game won't let you progress past this point if you do this apparently, so like... the meatman is serious. Wooly looks shocked and then immediately motions at us not to say that. But like, it's a different surprise then when you answer "Wooly" he seems horrified. Like this is a pretty messed up thing to say. I'm not 100% sure what the meatman's deal is but like... both Amanda and Wooly seem to dislike him in the first and second game. Also is it just me or is it kind of odd that they only dislike the butcher? Like, there are variants of him in all the shops in the first game and Wooly and Amanda don't really seem to mind him, but they both don't like being in the butcher's. When only the meatman's buildings appear, Wooly looks pretty concerned, and then really scared when they enter, and asks her to take them someplace else. Amanda has a full-blown meltdown over not wanting to go in and when we enter she screams at us to let her out. I find this scene interesting because I don't think either of them are in control. Wooly is trying to distract her from Kate's death (or at least that's what I think the "something bad happened" means) by going a bit off-script and controlling the story a little. It doesn't seem like he was the one who messed with the stores. Amanda didn't either. What if this was the meatman? Like... punishing them for going off script by like reminding them of his looming presence or whatever? Idk. That whole scene was WEIRD in hindsight. Even though we never enter the butcher shop in the second game, his presence looms over us the entire time. Almost makes me think he's the real one put in their too keep the kids under control. They are both terrified of him after all and he seems to be connected with the surgeon who trapped them in there. Sorry this got a bit on topic but I think I might be getting somewhere.
But let's move on to the answers for the "what scares you" question.
"Amanda" or "you" - Question, has anyone tried Rebecca? I've only seen the answer compilations use "amanda" or "you". Amanda breaks our heart here by being hurt that after all this time we're still afraid of her. Ouch.
Hameln - Amanda gets terrified and says not to bring them up. I think Hameln is definitely watching these tapes.
Meatman - Wooly finally reacts to something, and bro is freaked out. Idk if it's by the mention of the meatman, Amanda's anger or both. Honestly, I have no idea why her anger spells still freak them out. I guess it is pretty scary, but I feel like he should be used to it at this point. Also she can't kill him, so what is he afraid of? He doesn't seem to be worried about being the one who makes her angry anymore, but he still gets freaked out when we do it? Weird. Anyway, I find it interesting that Amanda has spent the whole first game trying to tell us all about what happened, but she draws the line at the meatman and Hameln. Wooly wasn't there to stop her before, and she still didn't want to discuss it. Honestly, it doesn't feel like she's been as eager to tell us much in this game, despite trusting us. I mean she's told us plenty about Sam and Kate, so I don't think it's that she doesn't trust us. I think she doesn't want to remember things about Hameln or the meatman. She wanted to remember who she was, she wanted to remember Sam, she wanted to remember Kate and she wanted to know what happened to her... but somehow she draws the line here. Then we see the glitches of the surgery room and the mouth. I really do agree with the theories that the meatman is connected with the people who put her and Wooly into the show. That said... why is he there? That's what I don't get. I think I might be cooking with my earlier theory though no?
Wooly - Odd. He doesn't even look hurt, just confused. We can clearly see here that Amanda is not at all afraid of Wooly, so like I don't think he's like a Hameln worker. The meatman absolutely is though. We are not hating on the meatman enough guys. DOWN WITH THAT- Anyway.
Actually the whole point of this post was to talk about what Amanda says about how we were a stranger when we met her. I think this is really important to note. Because Amanda knew Kate long before she was Amanda. Possibly before "Amanda the Adventurer" even came to be. Of course Amanda trusted her. But she didn't know Riley. She tells us that she trusts us. This is HUGE. I mean, considering everything Amanda has been through. She barely knows us. She has EVERY DANG REASON not to trust us. Heck, I think that could be what Wooly means when he says she shouldn't talk to strangers. Because "not talking to strangers" doesn't make sense in this context. The viewer is a stranger, but if they didn't ever interact with the viewer they wouldn't have a show so Wooly's comment makes no sense. And yet, despite everything, she trusts us. Wooly looks kinda sad when she says she trusts us, probably because she trusted him once too, now she won't listen to a thing he says.
Then Joanne (I swear to god I got so mad at her in this scene) calls us and Amanda looks kind of sad when she hears that. Then looks really sad when Joanne says "that thing" I think Joanne was referring to the Wooly monster but Amanda doesn't know that. Then the possum appears and they both get really mad at it (and us for letting it mess with them). It's made very clear that both of them genuinely don't know who this guy is. It's funny because usually Amanda is the one asking us to get rid of him but this time it's Wooly.
And then let's talk about how COORDINATED THESE TWO WERE OMG. All it took was a look and a nod and they were already on the same page. If we don't help them, they manage to beat this guy up all on their own and mind you, not a single word is exchanged of a plan, they just work together. They just do it. And they do it so freaking well. Remember my Hameln theory? About how Hameln doesn't want these two on the same team because you know... two kids who can control demons who have every reason to hate Hameln and then there's THIS. When they get along they work so freaking well together. Could you imagine if they both decided to team up with their demons and beat the crap out of Hameln? Is there even a chance to be stood here? Honestly, I was also thinking, I think Hameln picked whoever Wooly is specifically for his avoidant personality, knowing that these two would clash. But clearly they don't have to.
Oh yeah, then they both get pissed AT US. I don't think we've actually seen Wooly get THIS mad at us. Like there was the time in the storybook tape but like he was not this mad. He's like... Amanda level mad here. Then they pick up the possum and throw him in the trash with still very minimal communication and ALL THE COORDINATION.
Then in the version where we do help, Amanda actually agrees with Wooly's sentiment that some strangers CAN be scary. Then without a word they both pick him up and throw him in the trash. BRO THE COORDINATION BETWEEN THESE TWO WHEN THEY WORK TOGETHER IS INSANE I NEED MORE OF IT ITS SO SMOOTH AND PLEASANT TO WATCH. Then Wooly asks if they can go home and Amanda playfully teases him "What are you scared?" Then he kinda makes this face like "yeah kinda" and she's like "c'mon let's go." she sounds a lot less annoyed with his presence then usual. Like still annoyed but also like she's kinda okay with it?
This deserves it's whole entire own post but like... I feel like gradually their relationship has improved over the course of this game. Like Amanda still doesn't trust him, there's still some rough stuff they need to work through, but she's starting to let him in again. Just a little. She's more okay with him being there. And I think people tend to overlook this when they say Wooly is evil. If Wooly was evil, why are they starting to get along again, (I mean they aren't besties again but like it's definitely a start and you can't ignore that.) Shouldn't Amanda continue to hate his guts? Instead she's actually agreed with him on some things, and they've helped each other out a bit. Like I said this is probably going to get it's own post at some point so I'll leave it here for now.
Holy crap did you actually read all this? OMG thanks. I did not realize I wrote so much WOW. BTW, I was watching those "all answers" videos along with a zero-commentary playthrough of the original so like, I'm not pulling this from memory at all.
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cash-legacy · 1 day ago
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SOGUE MAGAZINE, WINTER 2024
The Blood of the Innocent: Judith Ward's Dirty Little Secret
(For the Occultify a Sim challenge in the Occult Simblr Discord)
Nobody will forget the feeling of seeing their childhood favorite movie star twenty years later. The nostalgia of seeing their face, the weird awareness of your own mortality as you take in the new wrinkles and lines. Did she have those kids when she filmed that movie? Were they really that young? I'm older than he was when he filmed that one show... But one Del Sol face has yet to bear the scars of time - the ever-iconic Judith Ward. In our interview, Ward told me exactly how she's stayed just so young and lovely: consensual Vampirism.
Want more? Read the rest of the article below the cut!
This announcement comes at a complicated time for Simerica, as anti-Occult sentiments have spread across the nation like wildfire, and public opinion has shifted away from their support. Vampires especially, known for their "inborn" violent tendencies towards ordinary Sims, face a great deal of discrimination in many regions. Some Sims view this as a safety measure, a means of keeping natural killers away from their families. Recent legislation has attempted to make this a national issue, as opposed to a region-specific one, as proposed by senators Victor Feng and Anne Thorne, of San Myshuno and Copperdale respectively. Others sympathize with the Occult cause. Feng and Thorne's bill failed to get the required majority, but it was close. Many Sims on both sides of the political spectrum felt that the vote should have swung one way or another, and celebrities across Simerica have taken to speaking their piece. Judith Ward's, however, may be the most personal - and impactful - of them all. We conducted our interview at Ward's Del Sol house:
WHY NOW? "Now is precisely the right time to speak up about these things. Sims across the nation are wondering what to believe, and who to trust. And they know they can trust me. If being open about what I am convinces even a single Sim to join the cause and protect my people, it will have been worth all the backlash I expect to face." YOU CALLED IT CONSENSUAL VAMPIRISM. EXPLAIN THAT? "It's true that untrained or under-educated Vampires can cause massive harm to populations, especially in small towns. But the solution to that problem isn't punishing them, or stripping them of their resources. We've seen what happens when you do that. It's why we've had this moment of tension in the first place. But when provided the resources needed to survive harmlessly, Vampires are no more dangerous than any other Sim." BUT... "CONSENSUAL?" "I keep a few Sims in my employ. Times are tough, and I pay handsomely. It's in cooperation with a private medical practice, they're thoroughly informed beforehand, and it's all quite sterile and ethical, don't you worry." TELL ME ABOUT YOUR EXPERIENCE WITH VAMPIRISM. "I admit, when I first signed up for it, I had no idea what I was getting myself into. It was frightening. The transformation can be quite painful, particularly in the first few days. I've had some issues with work, too. I have to film daylight scenes in short bursts, or on soundstages. I've lost more than a few roles because of it. But I've got it easy, all things considered. My heart really goes out to all those who don't have such flexibility in their careers."
It's hard to say for certain where Occult politics will lead. Polling is wildly polarized across and within regions, and extremism on both sides is rampant. More and more prominent social figures are taking stances, and Judith Ward certainly won't be the last. Only time will tell which way the political compass will turn. See you next time, LINCOLN BROADSHEET
CelebCrave: Sogue Journalist Fired After Political Tantrum!
"They wildly misrepresented me," complained former Sogue interviewer Lincoln Broadsheet, in a recent Social Bunny post. "I didn't approve the cover or the title... It's incredibly hurtful to see such a prominent magazine ignore my intentions as a writer like this... And they fired me over it. Writers like me get fired for trying to provide the truth, instead of writing for clicks." Read the full Social Bunny thread here: Lincoln Broadsheet @ LBWrites replying to @[...] They wildly misrepresented me and Judith. It was a huge lapse in judgment from Sogue, and their decision to fire me when I protested was irresponsible. 1/8 Lincoln Broadsheet @ LBWrites I didn't approve the cover or the title. My articles are always unbiased, especially when they're about such decisive subjects. It's incredibly hurtful to see such a prominent magazine ignore my intentions as a writer like this. 2/8 Lincoln Broadsheet @ LBWrites I couldn't sit by without speaking out, and they fired me over it. It hurts to see how many Sims don't care about misinformation and biased reporting. These issues are rampant, and writers like me get fired for trying to provide the truth, instead of writing for clicks. 3/8 [...]
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certainwoman · 3 days ago
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I was quite idealistic in my approach to education which is why I got a master’s degree in humanities / social studies. I really did not consider the difficulties in finding employment as something that will happen specifically to me. Also I did not count on university classes contributing to my overall anxiety and self-doubt. At this point, I am quite jaded and would really tell any working class person not to do what I had done (and get a master’s degree that isn’t exactly sought after) and I feel simultaneously awful about this bitterness I acquired within time. I think education overall is wonderful and I wish everyone got to experience gaining knowledge in a field of your choice. However, I do not wish the poverty, disappointment and humiliation that comes after. It is ridiculous to say that I wish I hadn’t followed my dreams.
It isn’t exactly that following my dreams got me to a worse state than I was prior to graduating. It is the fake job listings, the networking, the issues that come with living in a geographically remote area, the humiliation of being a certain age and living with my parents, the feeling that I could have and should have be the one helping my mother who is going through menopause and is in pain. It is also the horrible professors I encountered at university who made me feel afraid of writing, it is the bad relationship I was in that made me feel the smallest that I had ever felt. I am trying to maintain hope. It has been a year and one month of unemployment-post-graduation. Of arguments with my mother. Of job interviews that made me feel hopeful but ultimately did not amount to anything. I tried to seek therapy but all I got was an increase in my medicine dosage. I tried to apply to jobs below my educational level and I got the “overqualified” remarks. I got in contact with people who claimed to be able to help me but it turned out they just wanted the attention. Everything sucks and I feel like I am just drowning. I am supposed to be grateful for my physical health, for having family that did not kick me out, for things not being even worse. I am not living but just merely surviving. How to feel grateful in such a state? If I did not have hope, I would die but how to maintain hope in the face of constant disappointment?
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poppitron360 · 2 days ago
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Theories/Predictions in no particular order:
That box has something important inside. I think you might’ve mentioned Jason’s sketches of Leo, so I suppose that could be it. I predict that that’ll be what made Leo realise he loved Jason Like That
Leo meets his mom in the underworld. There’s gonna have to be a reason why Leo couldn’t bring her back too, unless he does. Idk I’m fixated on EPIC the musical and the Underwold saga is my favourite so I’m picturing something like that.
Idk if this would happen but I really wanna see some Leo/Beckendorf interactions taking place. Maybe Jason got to talking with him in Elysium and they became friends but he’s sad because Beckendorf and Silena remind him so much of Leo and Piper.
Leo talks with Nico and/or Hazel about his underworld trip before going. I don’t know if Nico would be supportive, because he seemed pretty unhappy about Leo coming back from the dead, and he also had this whole thing in botl where he chose not to exchange Daedalus’ life for Bianca’s that everyone including Rick forgot about- but he also brought back Hazel just like how Leo brought back Jason, so…
But Nico posing the argument of “maybe death should not be messed with” might be interesting. Rick kinda tried to do that in canon but then half-arsed it
Going off on a tangent here, but that’s the interpretation that I personally choose to go with, with the whole “Leo coming back was the reason Jason died” thing. Not that he cheated the prophecy, just that he cheated death and Hades or the gods or the fates or whoever (my theory is Nemesis, who’s all about keeping balance) decided as punishment Jason would die- so any sort of repercussions for Leo bringing Jason back (effectively cheating death twice) would be interesting to explore, but I understand if that just makes Plot harder to Plot.
Also some Leo/Hazel interactions- especially after Leo giving up his life to stop Gaea just like Hazel did and being given a second chance (we were robbed of that in TOA). Hazel has experience from the other end of that as Nico basically Orpheus and Eurydice’d her himself.
I feel like Leo blaming himself for Jason’s death might all come spilling out in a big dramatic moment at some point. Either with Piper or Jason or both.
Idk if he’d tell Emmie and Jo about where he’s going but either way I don’t think they’d let him so it’d be interesting to see how you handle that.
Not really a prediction but just… canonically Jason was still in his school uniform when he died… just leaving that there.
Thanatos shows up. Idk how but I think it’d be cool if he shows up.
Once they get out of the underworld, Leo and Jason just start sobbing. Bonus points if that’s the first time they cry together. I hc Jason doesn’t cry very often, so any moments that he does could be very powerful. I’m thinking something along the lines of the book “Lord of The Flies” when they get rescued and all the kids just sort of break down crying, weeping for all of humanity. Something angsty like that.
““Jason was… well, he took it exactly like I expected him to. He was surprised, but he didn’t get angry or anything. He mostly seemed okay. Part of me wonders if maybe…” But whatever Piper had been thinking about, she seemed to decide it wasn’t important.” OOH PIPER’S GAYDAR WAS TINGLING WASN’T IT??
Feel free to use this as inspiration for anything (although I’m running the risk of Telling You How To Write Your Fic which I don’t wanna do). I realise some of this might be way off so I’ll be sitting here with my bingo card when the full fic is posted to see what comes up.
Also English is your THIRD language and your grammar in fics is still better than those to whom it’s their FIRST??!! I tip my hat to thee.
The choiceless hope in grief
Summary: Leo Valdez has lived and died for the gods. Their war has shaped his life since he was a baby. With Gaia defeated, he sort of hopes he can finally rest. He has friends and some semblance of home to return to for the first time since he was eight years old. Just this once, he allows himself to hope the good things might stick.
But the gods aren’t done with them just yet, by the time Leo finds his way back, Jason is gone.
This time, Leo decides he’s done just taking the Fates’ bullshit lying down. If getting his best friend back means striking a deal with the gods and venturing into the Underworld… well, it’s probably not even the most reckless thing he’s ever done.
The caveat of said deal? He has to trust Jason will follow him, or his self-doubt will doom them both.
And after the life he’s lived, Leo is so intricately familiar with self-doubt that he could probably trademark the word.
Or: The only possible way for Orpheus to succeed is if he learns to think of himself as a person worth loving.
Word Count for chapter 1: ~5k
Rating: Teen and Up
So! *claps hands together* I’ve been threatening you guys with my Orpheus Eurydice valgrace fic for a while! Technically I wanted to wait to post this until I’m completely done writing the fic, and I mostly intend to stick to that! I’m only posting this now because I have a minor surgery tomorrow and I’d rather be anxious about fic related things than about the surgery in question. So, take this chapter as a preview of sorts, more to come soon-ish but probably not immediately!
A couple of important notes before we start:
-TW for suicidal ideation. It’s less Leo actually wanting to die and more his canon behavior of “I’m doing something extremely reckless that might succeed but if it doesn’t, my death is an acceptable consequence”, paired with general grief related self-loathing, but if you think you’re not in the right headspace to read about that, come back when you are or at least tread carefully. This fic pics up at the end of The Burning Maze, so especially the beginning is pretty heavy on the grief stuff.
-Since ToA is vaguely canon to this fic, Leo and Calypso are technically dating in the beginning, but they don’t really interact positively as a couple (honestly they don’t interact that much in general) and break up pretty early on. Just be aware in advance that they’re still together for a little bit.
-Fic title is from Talk by Hozier which is maybe a painfully obvious pick but it was too perfect for me not to use it.
Chapter 1: Leo and Piper have an extended sleepover
It wasn’t a discussion between Leo and Piper whether or not to go to Jason’s funeral. They came to the decision that they wouldn’t silently—or as silently as one could come to an agreement when all parties involved were sobbing.
Maybe it should have been a discussion. There was a part of Leo that worried he’d regret this later—his refusal to take this chance to say goodbye and let himself grieve.
But Leo remembered his mother’s funeral. Remembered the way his aunt Rosa had looked at him like she knew his mother’s death had been his fault. Leo couldn’t stand the thought of people looking at him like that again.
He also didn’t remember his mother’s funeral bringing him any sense of closure or comfort. He’d stood at her grave, afterwards, just as desperate and afraid and utterly inconsolable as he’d been before the funeral, except it had suddenly felt sickeningly final. The wound it had torn in his soul had kept bleeding for years, and the scars would stay forever. He didn’t need any of Apollo’s shitty oracles to know Jason’s death would be exactly the same.
At this point, Leo was pretty sure his sanity was being held together by a combination of jokes and a truly questionable amount of duct tape.
Beyond all that, though, Camp Jupiter was a battlefield right now. It would continue to be a battlefield for the foreseeable future.
Leo wasn’t a coward. It wasn’t that he didn’t want to go back and help. But one of his best friends was already in a box, and there was no way in hell he’d risk the other.
With how tightly Piper was clinging to him, maybe she was thinking the same thing. 
For all his big talk about dragon escorts, Festus did most of the actual escorting on his own, occasionally torching what Leo hoped were monsters and not random public monuments. Leo, for his part, spent most of the journey crammed into the backseat of the car next to Piper, sandwiched between her and a bunch of moving boxes that seemed determined to flatten him into a Leo-shaped pancake whenever they took a sharp turn.
He’d spent so long thinking about seeing her and Jason again. 
He’d talked Calypso’s ear off about them the whole journey, to the point where it had clearly started to annoy her. He’d thought about various ridiculous entrances he could make, and the fact that he’d probably get yelled at, but he’d also thought about sitting together by the campfire, sharing nachos. He’d thought about Jason hugging him so fiercely that he couldn’t breathe, and Piper cussing him out while she held him, making him promise never to do anything that reckless again.
Now Piper was actually holding him, and Leo couldn’t feel anything. There was a numbness in his chest. He wasn’t sure he had it in him to ever feel happiness again. Hell, even if he did, what was the fucking point? Every time anything even remotely good happened in his life, it got ripped away from him again.
They didn’t talk a whole lot for most of the drive. They cried until it felt like they couldn’t anymore, clinging to each other like desperate children.
Even if they’d wanted to talk about what had happened, Piper’s dad was right there, and despite the Mist usually working overtime for them, having him overhear seemed like a gamble. Or, well, maybe that was what Leo told himself. Maybe he just wasn't sure he was ready to hear it all. He still felt like he couldn’t think. He was overwhelmed to hell and couldn’t stop fidgeting.
Several hours into the trip, his stomach started grumbling. Piper dug through the bag at her feet and offered him one of her PB&J sandwiches, but Leo couldn’t eat. He hadn’t skipped a meal in forever—he’d been homeless and unsure when he’d even get access to the next meal enough times that it had been all but tattooed into his skull that he couldn’t afford to—but he couldn’t even think about eating without feeling sick. He thought about Jason. He thought about the state he’d left Camp Jupiter in and the fact that they hadn’t even been able to give the dead their proper funeral rites.
Had Leo’s help made any difference at all? Had anything he’d done in his life changed things even slightly?
Leo knew the Fates had intended for it to be fire that fell—for him to burn in a bright, hot blaze and turn himself to charcoal. But he’d refused to stay dead like a good little pawn, and now Jason was gone, and it was all his fault.
He wasn’t sure how Piper could even look at him right now, but he was beyond grateful that she was holding onto him as tightly as she did. It was the only reason he didn’t fall to pieces completely. The cog at the heart of Leo’s machine had broken in a way that made it utterly beyond repair, and now it felt like a matter of time before the whole thing came apart. Piper holding him was the only reason his remaining pieces were still functioning. 
It should have been impossible for Leo to fall asleep under these circumstances, but he’d been traveling for hours and fighting before then and he’d cried out his remaining energy, so eventually, the world started to fade around him, reduced to just the sound of Piper’s breaths, until finally, those went, too.
~~~~
It would have been kinder, maybe, if Leo had dreamed up some shitty visions promising violent death and/or the end of the world. That would have been business as usual. 
Instead, he dreamed of his time on the Argo II—of one of those early nights when the different groups were still getting to know each other, having a brief moment to breathe between their ridiculous tasks and saving the world. 
It had seemed reasonable to catch each other up on what had happened on their end. Percy, Hazel and Frank had talked about rescuing Thanatos, and Piper, Jason and Leo had told them what had happened with Hera in turn. 
This would have been a boring intel conversation at best, seeing as Leo had been there for all of their part, but they’d grabbed snacks and sat on cushions on the floor and made it a whole bonding activity. Jason had been wedged between Piper and Leo, and they’d taken turns storytelling. 
And Jason had bragged. So much. But he hadn’t even had the decency to brag about himself like a normal human being. Instead, he’d talked about how capable Piper and Leo had been, somehow managing to make Leo sound like the coolest person he’d ever met. Which was ridiculous, considering he’d met everyone else on their team.
And sure, Leo made it sound like he thought he was amazing all the time, but he was exaggerating, which everyone, himself included, knew. 
Jason didn’t seem to have gotten the memo, though. He had one arm wrapped around Leo the whole evening, and he got all starry-eyed when he talked. 
“Leo took on three Cyclopes by himself. Three!”
“Dude, stop!” Leo had laughed, shaking his head. “I know I’m incredible and you’re blessed to be friends with me and stuff, but you weren’t even conscious for that part.”
“Still happened, though.” Jason had beamed at him. “You’re amazing, dude. I would have died about fifteen times on that mission if it hadn’t been for you. You guys should’ve seen him.”
It would have been easier if Leo had thought Jason was just trying to talk him up to the others to make them more willing to trust him after how badly he’d messed up in New Rome, but Jason wasn’t the type. He’d looked like he honestly believed every single word he was saying.
So, of course, Leo had refused to seriously deal with any of the things that made him feel.
“Sorry, Pipes, but I’m pretty sure your boyfriend is in love with me. It’s the fire powers, I’m afraid. I’m just too hot to resist,” Leo had joked instead, and Piper had untangled herself from Jason’s other side to throw Doritos at Leo, and everything had been right in the universe.
~~~~
Waking up from that, blearily blinking himself awake in the car full of moving boxes and remembering… that was a worse punch in the gut than waking up from most nightmares had been. And Leo should know. He’d had so many of those over the years that he was basically a certified nightmare expert at this point.
Leo wanted to go back in time and spend forever in that one evening, living it over and over and over again until the Fates or a temporal paradox or something eventually killed him. He wanted to hold on to what they’d been back then—the three of them together and happy and whole,back before they’d realized what the prophecy really meant. 
He wanted to stay wrapped in Jason’s arm and hear him laugh at whatever stupid joke Leo came up with while he and Piper threw snacks at each other like ten year olds. He wanted to believe he could actually be the person Jason was bragging about—this invincible hero that could do just about anything and saved people’s lives.
But Leo had never been that hero. Even his sacrifice had been the selfish decision of a coward who wasn’t ready to die just yet. Jason had been their Superman. The guy who could fly and threw lightning and saved people from falling to their deaths. Jason had been the hero. And ultimately, that had been what killed him.
Leo wasn’t exactly sure what he planned to do once they got to Oklahoma. He should have been heading back to the Waystation, to give Calypso the normal life he’d promised. But he wasn’t thinking about Calypso, or the Waystation, and the thought of a normal life had gone out of the window the second he’d seen the coffin. Besides, the Waystation would mean people asking questions, wanting to know about his mission and asking him to talk about his feelings, and he didn’t want that.
The only thing Leo really wanted to do right now was not think. 
By the time they got to the house, it was so late that cross-country dragon flight seemed inadvisable for visibility reasons alone, so Leo agreed to stay the night. Festus nuzzled him for a bit, got a fuel snack from the canister Leo had brought and then folded down into his million pound suitcase form for the night.
It took a little under two hours to carry all the boxes inside, which was an annoying amount of time to be carrying boxes but seemed like an absurdly short amount to move the contents of an entire life.
They spent some time in search of the necessities that needed to be unpacked, but the house was still furnished and also had running water and electricity as of a few days ago, so it wasn’t that bad.
While Piper went in search of some ancient camping gear so Leo wouldn’t have to sleep on the floor—this seemed silly to him, the floor was far from the worst place he’d ever slept—Leo asked Piper’s dad if he could help with dinner. 
Tristan looked relieved at his offer, actually. He’d been staring at the assorted vegetables with a slightly lost expression, trying to hack at one of the zucchinis with a butter knife. It seemed like he was trying to remember how cooking worked and had just discovered he had absolutely no idea. 
Considering how long he’d been an insanely rich guy with a personal cook, Leo guessed that actually might have been a pretty accurate read on the situation. 
“You might want to try a sharper knife,” Leo suggested, which made Piper’s dad look absolutely mortified. “Try not to chop off any of your fingers, though. I think Piper’s been traumatized enough for one week.”
The words were out of his mouth before Leo could think to stop them. Tristan didn’t laugh, but at least it didn’t seem like he’d be tossing Leo out of the house over this. Maybe he realized people sometimes said stupid shit when they were grieving. Maybe Piper had just warned him in advance that Leo was like this sometimes.
Tristan just went to find a different knife, which would have maybe been concerning if he hadn’t gone back to hacking at the vegetables a moment later.
“Well, at least this one is actually cutting through the zucchinis. That’s already an improvement.”
“Yeah, I’m basically a cooking expert,” Leo said with a grin, only half-joking. He went to peel and chop up the carrots, and was done with those and about half the mushrooms by the time the poor zucchini had been hacked to bits.
“You and Piper went to school together, right?” Tristan asked after a while of them quietly chopping vegetables for the casserole, trying to make sense of things with information he didn’t have and that, judging from past evidence, probably would have made his skull crack. “You and her and Jason.”
“Yeah. We went to Wilderness school together.” Leo winced, trying not to think too hard of Jason while also trying to remember the lies they’d already told Piper’s dad. At this rate, he was pretty worried his own skull would crack, too. “Then all three of us switched to a different school. Then I was gone for a while.”
Tristan nodded like this made perfect sense, though he mostly seemed lost in thought. That was a little rude, in Leo’s opinion. If he went through all that effort to remember their elaborate setup of lies, the least Piper’s dad could do was appreciate it!
“I’m glad you’re here now, with everything that’s happened. Piper was really upset when you left,” Tristan said, still with that faraway look in his eyes. “The last few months were hard for her. Between the move and the breakup, she really could have used a friend.”
Leo promptly lost all rights to make fun of Piper’s dad and his vegetable chopping skills because at the word ‘breakup’, the knife slipped and he nearly sliced off two of his fingers.
“Fuck! Ow!” he said eloquently, trying to avoid bleeding all over the cutting board in his attempt to get to the sink. “Jason and Piper broke up?”
The question sounded absurd even to his own ears. Why would Jason and Piper break up? They’d been happy together.
Surely, Piper’s dad had to be talking about something else.
To Leo’s shock, Tristan nodded.
“A while ago, yes,” he said, but he didn’t go into details—possibly because Leo was bleeding all over the sink. “We should bandage that. Do you think you need stitches?”
“No, the cuts aren’t that deep,” Leo decided, turning on the faucet and holding his bleeding hand under the stream of cold water. Maybe he should have been more concerned about the injury, but his mind was still whirring at the thought of his best friends breaking up. Unfortunately, the cold water stung like hell. He hissed with pain. “Sorry for making your kitchen look like a crime scene right after moving in. Usually, I at least have the decency to wait a day or two.”
Because the house was a small, cozy place and Leo had not had the decency to curse quietly, Piper appeared in the doorway a moment later, an alarmed expression on her face.
“What happened?”
“I’ve been bested by a stupid potato,” Leo cursed, holding up his bleeding hand and wiggling his fingers for emphasis. He figured out immediately that this was a mistake. “Ow.”
“Stop that, dumbass!” Piper cursed, moving to stand beside him. “Sink was the right call, but you need to use soap or the cuts could get infected. Dad, any chance we have gauze lying around somewhere?”
Tristan didn’t seem to question why his daughter had immediately jumped into emergency medical treatment mode. He just abandoned the cutting board and headed for the front door.
“Not exactly sure what box our regular medical supplies are in, but I’ll get the first aid kit from the car. I’ll be right back.”
“Do we have to do the soap?” Leo whined, because fuck, that stung, but Piper nodded with a scary expression on her face, so he complied. “How do you even know this stuff? Are we sure you’re not secretly an Apollo kid?”
“I know this stuff because I’m friends with a bunch of morons who have zero sense of self-preservation,” Piper cursed, gritting her teeth. “You shouldn’t be around knives when you’re this distracted.”
“I can usually cook just fine when I’m distracted. Your dad was the one who told me you and Jason broke up in the middle of this stupid potato,” Leo said defensively. “Is that the Mist messing with him?”
That was the only explanation his mind had supplied so far that made any sense to him.
Piper shook her head. “We really did break up. That was a few months ago.”
Leo felt his jaw hit the floor. 
“What the hell happened? You were together for ages. I thought- you always seemed so happy.”
“I know, but-” Piper broke off abruptly when her dad came back inside with the first aid kit. Demigod stuff, then?
Leo’s mind was racing. The breakup was a completely stupid thing to focus on, considering everything that had happened in the last few days. He knew that.
But it was easier to try and make sense of this than it was to try and make sense of the fact that Jason was gone and he’d never get to see him again.
“Is it alright if we do this somewhere else?” Piper asked her dad, taking the first aid kit from him.
“Of course. It might be easier to patch him up when you’re both sitting down, anyway.” He turned towards Leo. “Thank you for your help, but I think I can take it from here.”
Leo sent a silent prayer to whichever deity was responsible for protecting vegetables—Demeter, probably?—and gave what he hoped was an encouraging thumbs up with his uninjured hand before he followed Piper into the hallway to presumably be reprimanded some more.
~~~~ They ended up sitting on an old bed that looked like it had lived a long, miserable life and was excited for retirement, but the wooden frame thankfully didn’t break down under the weight of the new mattress or the additional weight of them sitting on said mattress. Piper explained that this had been her dad’s room when he’d lived here as a child, and that it would probably become her room now. Then she went very quiet and focused on bandaging his hand, clearly avoiding looking at him.
“It wasn’t because of me, was it?” Leo asked. The thought made him feel ill. “Please tell me it wasn’t something like, I don’t know, you two being unable to stand being around each other after what happened to me. I think I’d actually have to blow myself up again if it was.”
He tried to make it sound like a joke, but it didn’t feel like one at all. The thought that he'd managed to ruin his best friends’ relationship on top of everything else made it hard to breathe.
When Piper shook her head, it felt like a whole boulder was lifted off his shoulders.
“I actually think we would have broken up sooner if you hadn’t gone missing. We leaned on each other a lot after you disappeared. It wasn’t until we realized we wouldn’t find you and things started to settle down a little that I had time to think. And when I did…” Her voice went very quiet, and she still didn’t look up at him. “I realized I wasn’t happy in the relationship. I don’t think I ever was.”
“How did I not know that?” Leo wondered quietly. “I just… you two seemed happy to me. What kind of garbage best friend am I?”
Piper shook her head. “It isn’t your fault. I was telling myself I was happy for a long time. It’s almost- sometimes I wonder if I was charmspeaking myself. That maybe I kept saying I was in love with Jason until I convinced myself I actually was. And with Hera and my mom setting it up… I love-” her voice caught in her throat, and Leo felt like maybe he needed to throw up, “-loved Jason, but not like that.”
“Pipes, I’m really sorry.” Leo squeezed her shoulder. “That sounds like it was super hard for both of you.” Leo felt awful about the fact that he hadn’t even been around to comfort either of them, but it wasn’t like he could fix it now. It was just another item on Leo’s unending list of epic screwups he’d never be able to make up for.
“Jason was… well, he took it exactly like I expected him to. He was surprised, but he didn’t get angry or anything. He mostly seemed okay. Part of me wonders if maybe…” But whatever Piper had been thinking about, she seemed to decide it wasn’t important. “It was hard to get a proper read on him, and as nice as he was about it, things were still super awkward after. I'm terrified he died thinking I didn’t care about him.”
And then she was tearing up again, and Leo thought he would shatter if she cried. 
“He knew you cared,” he said as earnestly as he could manage, pulling Piper to his chest again. “You love way too annoyingly for him not to have known. Hell, even I know you love me, and we both know I’m a fucking nightmare when it comes to this stuff.”
“I missed you so much,” she whispered, wrapping her arms around his back like it was the easiest thing in the world.
“Oh, I’m about to make you regret saying that,” Leo said, forcing himself to smile. “I’ll bring it up each and every time you say you find something I do annoying.”
“You’re annoying as hell, but you’re still my best friend.” He could feel her tears dripping onto his shoulder, and he knew that would make him start up again too. “I don’t know how I’d do this without you.”
And well, passing away from dehydration after crying too much would be a really lame way to die the second time, but everything was just too much right now, so if that was how he went, Leo wasn’t sure anyone could blame him.
~~~~
For the next couple of weeks, Leo stayed.
Helping Piper and her dad unpack was the perfect way to keep himself occupied and not have to think. Usually, a mundane task like this probably would have driven Leo nuts. But right now, it was a bit of a godsend—if not literally, at least figuratively. Being productive was always so much easier when it was done in order to avoid something you wanted to do even less. There was a reason his spaces in the foster homes had only ever been tidy when he had exams coming up.
He helped cook, too, and Piper’s dad became increasingly less garbage at it the longer this went on—like muscle memory was finally kicking in after years of disuse.
It was mostly good—listening to Piper reminisce about trips she’d taken with her dad and where she’d gotten the weird variety of items she kept in her room. When they weren’t unpacking, Leo and Piper played video games or watched movies or explored the area. Twice, during the night, they took Festus on a little flight to a nearby fast food place. Finding a parking spot was a bit of a nightmare, unfortunately. Leo would submit a complaint about their inability to accommodate celestial bronze dragons the first chance he got.
The first time they tried hiking—Leo didn’t even like hiking, he’d spent enough time outside for several lifetimes, why did he do this to himself—they got hopelessly lost in the woods, and of course, due to demigod bullshit, neither of them had brought a phone, so Google Maps wasn’t an option. It was probably for the better. The last thing that situation needed on top of them being lost was a monster attack. 
They were already jokingly planning out their new life in the woods when, thankfully, a girl their age came to their rescue.
“A human being! Thank the gods. The squirrels weren’t talking to us,” Leo greeted her, which had Piper shout “Please ignore Leo!” loudly from the branches of the tree she’d been climbing.
The girl lifted her head, spotted Piper and promptly burst out laughing.
“What in the world are you doing up there?” 
“Trying to get a better vantage point,” Piper sighed, making her way back down the tree. “We’re hopelessly lost.”
“Well, nice to meet you, hopelessly lost. I’m Shel,” the girl said, still grinning. Leo decided immediately that he liked her.
Piper had almost made it back down when she somehow missed a branch and fell the rest of the way. In comedic movie fashion, Shel moved before Leo had the chance to and caught her mid-tumble. “That was a bit of a dramatic way to get my attention, but you’re cute, so I’ll allow it.”
“Oh yeah, Piper’s got a bit of a thing with falling for people that way,” Leo commented, and Piper gave him her most murderous look while she got back on her feet.
“You guys need help getting back?”
“Please, yes,” Piper said immediately. “It turns out we’re both garbage with maps.”
“Maybe you just need a tour guide next time,” Shel suggested, winking at Piper, whose face turned scarlet. Leo wasn’t even mad about being the third wheel for once. He’d give her so much shit about this later.
And he did. And then Piper properly came out to him—no label or anything, mostly as extremely confused but sure she liked girls, which also made a few additional pieces click into place regarding her breakup with Jason. She ended her anxiety-riddled explanation by thanking Leo for being so normal and annoying about all this. 
Which was how Leo realized he’d apparently never told Piper he was bi.
Or maybe he had, and it had gotten lost along with their other memories of Wilderness. Stupid memory-stealing babysitters.
Well, at least they got to hug about it now. 
~~~~
It was strange how normal some days felt when nothing would ever truly be normal again. When in every moment Leo and Piper spent together, the gaping hole that had been ripped into their trio was so blatantly obvious.
The benefit and problem of this friendship was that Leo and Piper were both experts at not talking about things they were struggling with. 
This wasn’t exactly news. From what little Leo did remember of Wilderness School, they’d spent months not talking about his mom, or about the fact that Piper’s dad kept canceling their weekend plans. They’d both known there were things left unsaid, but as long as they’d been able to cheer each other up, that hadn’t really mattered. It made sense, honestly. Put two people who hadn’t had a shoulder to cry on for ages in a room together and see what happens!
Right now, this meant they were expertly ignoring the box of belongings Piper had picked up from Jason’s school. It had been pushed so far under the bed during that first night that it was no longer visible, and neither of them made any effort to move it out of its new home since. They ignored the topic of Jason, period, until it inevitably hit them in the face again. 
It was mostly dumb shit that set them off. Piper automatically reaching for vanilla ice cream at the grocery store because it was Jason’s favorite—seriously, who in their right mind even liked vanilla ice cream?
Sometimes, Leo would make a joke and burst into tears instead of laughing because he knew it would have cracked Jason up. They found old photos unpacking. One time, Piper’s dad suggested they make tacos and they started simultaneously bawling their eyes out.
Leo had spent a long time exactly like this—pretending everything was normal and okay when it wasn’t either of those things until he inevitably broke down. Then he’d started to actually feel sort of okay whenever he was with Jason and Piper. Now, he was sure he would spend the rest of his life pretending.
His appetite was too used to being stuck in survival mode for him to bow to nausea for long, so he went back to eating properly after a few days. He still cried himself to sleep most nights. He kept dreaming about Jason. The memories wrapped themselves around him like a safety blanket that he knew would get ripped away again in the morning. He always woke up feeling empty. Sometimes, he wished he could just go to sleep and never wake up again.
But other than that, it was mostly good.
Then demigod communications went back up, and everything went to hell.
———
Chapter notes:
Fun fact! I originally planned for this chapter (as well as the next few chapters) to just be backstory in my head and for me to maybe do a flashback or two. Unfortunately for me, Piper McLean waltzed into the room and refused to leave.
I do actually think the fic works better this way, but it will take a second to get to the plot! Hopefully you’ll enjoy the whole journey :)
I may not be able to have Leo and Piper go to Jason’s funeral without seriously messing with the plot of Tyrant’s Tomb, but I could at least pick the most evil reason possible for them not to go!
Side note: I sort of forgot that Hedge and Mellie were supposed to be here according to TBM, but by the time I remembered I already had this chapter written out and, as someone who cannot be bothered to figure out how to write them, I decided to just leave it. ToA is vaguely canon to this universe, but only for the most part. Some details are inaccurate, and I think that’s okay.
Anyway, thank you so much for reading! Comments and reblogs super, super appreciated as always!!
List of people that at some point asked to be tagged when I post this: @poppitron360 @ginnyluna @keefessketchbook (feel free to comment if you want to get taken off or be put on the tag list for future chapters!)
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puniyo · 17 hours ago
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The Quest for the Ring Power in Jack & Joker (points at Jack specifically)
Disclaimer: I haven’t watched episode 10 yet (I’m so dreading it) but this is based on the spoilers and also on the events of the plot so far.
Jack & Joker is definitely one of the best series (whether you want to call it BL is your choice), if not the best one, that came out this year. The production costs must have been really high because the different settings, wardrobe, props, editing, music, all this is a proper package of very high quality. The cast is superb and War should definitely receive an award for his portrayal as Joke. I will not delve into the cast much because this category itself deserves another separate post so today I will focus on:
The Quest for POWER in the series
Disclaimer #2: Power can be defined as the ability to direct or influence the behavior of others or the course of events. I’m using POWER in the broadest sense and not specifically targeted at some aspect. You might link power with being “dominant” and feel free to do so, but I don’t want to put any further labels on power so that I won’t mistakenly describe something I’m not totally familiar with.
Out of all the possible themes related to J&J – family relationships, poverty in society/community, greed (and the importance of money in one’s life), the ambiguous line of what constitutes crime – POWER is one of the ones that is flexed in almost every episode and woven so intricately into the plot that it almost feels masked by everything else.
Taking our golden triangle – Jack, Joke and Boss – these three characters are linked with power in different ways. I dare to say that Jack and Boss are parallel to each other and quite similar in their (challenging) quest for power. Our trump card is Joke, unlike his deck card name Joker, who, on the contrary, relinquishes easily the power that he gets.   
For those who think that Jack and Boss have nothing to do with each other, hear me out. First, both Jack and Boss had their innocent, puppy moments of having their hair down and covering their foreheads – okay, this is irrelevant but it kind of creates a nice “why do you insist on having the same hairstyle as I do?” moment.
Fine, I’ll be serious now. Jack and Boss are in a boss (couldn’t he have chosen another name – although people address him as Alice in some episodes) and subordinate relationship, so there is an automatic power imbalance here. Jack is a debt collector for Boss, who in turn has to obey to the Four Horseman of the Apocalypse (I’ll just call them 4H).  They are both under someone’s rule and they both don’t like because (1) they lose their freedom and (2) they lose control (whether total or partial). Somehow, Boss could be an older version of Jack if he (Jack) had lost all his support.
Let’s talk about Boss/Alice. We have no idea about his background except that he had a wife that he loved dearly and left him with a diamond necklace. We are given no idea why she died but I like to think it is because of the 4H, which makes his hatred for them multiply. He has Arun but from their (lack) of interactions, we can assume that Arun never lived up to his expectations and he too never gave himself the chance to truly nurture Arun. So Boss has lost the only ground he could have to keep him sane and sensible. A lot of people online are questioning how one single ring can mean so much to him and it is exactly because that little golden accessory is synonym to power.
People are too used to power being displayed by use of violence or charismatic speeches, but have they thought why we still have monarchies nowadays? How did kings and emperors in the past used to stay in power? From conquering land and improving their vassals’ lives? If so, then what is the point of lineage? What are these chosen people by the heavens? People are inherently superstitious and like to use external entities to justify views of the world which they don’t understand. Being a leader requires exerting power but not everyone knows how to properly exert it. Many don’t even have the courage to do so. Because with power, there comes consequences and responsibilities. A ring, no matter how simple it is, is a symbol of power and grants people this additional belief and bravery that they need to stay in power. It is as if just by wearing the ring, they would imbue power in their veins.
Could Boss have hired Carbon or other people before to do his dirty work? Definitely yes. Could Boss have revolted and gone against the 4H? Also yes. Did he have the courage to do so? No really. Just an aside here that I think the name Alice suits him well. Alice as in Alice in Wonderland, he too is trying to escape the rabbit hole, albeit this time it’s not really a rabbit but four horses.
Now turning to Jack. Jack has enjoyed being in power since episode 1. Jack is a black belt in taekwondo and is seen to be able to defeat other members in his club. Jack is also the breadwinner for his family (our beloved A-ma). Power doesn’t mean being almighty. Power for Jack is the ability to control his decisions and not be subjugated by others. Losing the opportunity to join the national team is a major power cut. Having to lower down his head to Carbon is a major blow to him as well. When he starts working for Boss, regardless of whether he is willing or not, he is a debt collector and that is naturally a job associated with power over others. He has the power to enact violence but he chooses kindness instead – to help others pay their debts. It’s a choice he made. His choice, his power to do so. Even though he lacks higher formal education, Jack is a teacher figure in the community and that is also a job associated with power (though we often call it influence). His interactions with Joke, inside or outside the bedroom, are fully charged with power – taking the initiative, neck grabs, feisty remarks, a few punches and kicks, (empty) threats. Even in the joint heist with Arun and Hope, he’s the one to take the lead when Arun can’t come up with excuses to get the group into the auction. We see Jack out of his element when he loses control – having to please Rose and Boss, being reprimanded by A-ma, or when Joke refuses to give up his share of power (more on this later).
Now (how many times have I said ‘now’ in this post), the major difference between Jack and Boss is that Jack’s support system is very much present in his life. He has A-ma, bless her soul, she is the major anchor for his kindness; then the people in the community. Even as a debt collector, we can see that the people are fond of him and respect him. His “subordinates” too listen to him instead of being scared of him (see Hope as an example). Besides this grounding system, we have Joke, who is the one to feed Jack with power. If A-ma is an anchor for Jack, Joke can be considered a source. That’s why in this last episode, without the community and Joke (he has Joke, but not the idealized, crime-free Joke in his head), Jack is on his way to the descend to madness.
Joke, Joke, Joke. I don’t even know where to start to write my ode to him. He is my favorite character, not just because it’s War portraying him (but let’s be honest, War is having the time of his life with him and his acting really shines through), but because Joke feels very real – decently arrogant, smart and witty, scheming when he needs to, devoted to his found family – Joke can make me adore him even more because you can see how much he cares about others. About Jack. And he does this by relinquishing the power he obtains.
The series starts with him stealing an exam and falsifying an offer letter. Being a thief and con-artist (the persona Joker), Joke holds a lot of power and knows how to manipulate it in order to get what he wants and get people to react the way he wants. However, we also get to know that Joker steals from the rich to give to the poor, a sort of modern Robin Hood. This already indicates that he is willing to give away his power so that others can benefit from it. Later, Joke himself admits that stealing is the only thing he knows to do. Let us rephrase this to “giving my power to others is the only thing I can do”. Let’s see more examples of this: Joke willingly confesses his crimes to police to clear his name; Joke lowers himself to apologize to his parents (that first kowtow, damn, as an Asian myself, that really spoke volumes, and then the chive dumplings); Jokes steals a ring twice (and gives them away twice as well) to free Jack from a fate that eats away his power; Joke allows a glass bottle to be broken on his head so that he can save Tattoo and Hoy; Joke concedes to Jack both times when playing the bottle game; I will not comment on the lovemaking since I haven’t watched it yet but that would be enough for another post.
Joke is given power countless times throughout the series and relinquishes it just as easily. But by doing so, he is not being a sacrificial lamb or a tragic hero. It just makes him all the more likeable because each time he relinquishes power, it leads to a chain of consequences, some beyond his control, that makes us get a glimpse (more of a stare) at his flaws. And a flawed character is the best kind of character. At the end of the day, aren’t we all flawed?
Now that Jack has started descending to madness, this would be an ending that I would love to see (no matter how cliché it is):
There were guns on the promotional posters before so it’s time to recover them.
Jack has too much chaotic power in him and he has no sufficient ground to control it.
Jack will want to kill Boss and Carbon (as we all do).
Joke will not allow Jack to do so, because killing means destroying the last ounce of kindness in Jack and truly break him.
Jack, though, will get his hand on that gun, and aim that the two gentlemen above.
Joke comes on time to defend them from the shot (yes, you heard me, not because he’s working for them or being taken hostage, but because that is the only way to save Jack).
Jack fires (bang!!)
The bullet hits Joke, right on the shoulder where the “J” of hearts is.
(I think I rather write a fic instead of daydreaming)
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donuqx-art · 2 days ago
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hi!! could u tell me abt picture perfect?? mostly how would they have met… omg the gays …. They are SOO cute btw i havent said much about them but theyre in my top ships :3
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this silly chart should be able to explain most of my vision for them,,
ok so honestly Im still not sure how exactly they would meet,, maybe MINCY ends up witnessing BASIL getting bullied by some other kids and she somehow ends up standing up for him with the courage she received from KEL and SUNNY during the summer, the bullies scramble before things get nastier maybe,, they end up walking to BASIL‘S house to have POLLY help them patch up the wounds his bullies inflicted on him maybe?? idk,, I just think they’d meet post true end and eventually end up kinda?? friends,, problem is that BASIL doesn’t really want to get attached to MINCY because of his abandonment issues plus she’d kinda remind him of SUNNY and he’d feel like a heartless monster for using her as a rebound while MINCY isn’t sure if BASIL considers her as a friend either due to her having trust issues of some sort maybe,, so they both label their relationship as acquaintances so their first interactions are a bit awkward at first but eventually they get closer and they both end up developing some sort of understanding for one another,,
BASIL eventually sees MINCY as her own person and ends up admiring her passion and her patient, open-minded and somewhat eccentric nature while MINCY loosens up a bit more around BASIL and open up to him more,, they end up trusting eachother and open up to eachother‘s problems and hardships but decide to overcome them together,, hence why BASIL ends up assigning MINCY the clematis flower in my hc as this flower can represent the state of aspiring to reach higher places and overcoming obstacles ( which also comes from the name clematis in ancient greek κληματίς : clēmatís, ("a climbing plant") from κλήμα : klḗma – 'twig, sprout, tendril') and are considered flowers of travel,,
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Overall this ship is about two quiet and shy outcasts who find comfort, understanding and solace in eachother‘s presence and to me this ship is mostly about healing (mostly on BASIL’S part), acceptance of vulnerability and reaching for the stars so to speak,,
I feel like once they both get closer they’d be seen as shy, reserved and well-mannered to everyone else but when it’s these two only they would become a lot more playfully snarky and sassy at eachother and generally a lot more peculiar,,
Im not the best at explaining things cuz the most you can get from are incoherent sobbing but I hope you can see the vision somehow ^^;;
Thank you for coming to my ted talk :33
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all-thestories-aretrue · 2 years ago
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There are many jokes floating around the shadowgast nation about the nature of Caleb and Essek's relationship (eggplants and winky faces abound), and most of them are good natured and perhaps true (eventually or at some point). I find most of them entertaining and sweet, but some of what I have stumbled across post-reunion have highlighted that it's only a joke up to a certain point to me.
Please keep in mind that everything in this post is my opinion and my opinion only. I'm not asking that anyone agree with me. This post is mainly for me because I felt like I needed to make it.
I have seen several comments/posts/tags in many different places talking about Essek and Caleb and that scene in the reunion, and describing it as horny or saying they can't keep their hands off each other or following up that conversation with sexual intimacy. I know a lot of these comments or conversations are not malicious or ill-intentioned, and I understand that people are excited for the first new content in nearly 2 years.
But, one thing I have appreciated about Critical Role is the variety of sexuality and genders represented, including various asexual and aromantic identities. Essek is confirmed by Matt on Twitter to be demi (romantic or sexual is unclear to me so it could be taken as either. If anyone has any other sources I would greatly appreciate them). As someone who identifies as aspec, I deeply appreciate the representation that Critical Role has given me.
The shadowgast scene in the reunion was not sexual to me. It's only been six months since the end of c2, which granted, I have not completed yet. As of this writing, I am in the middle of episode 133. Whatever is going on between Caleb and Essek is still very new, especially for two people who thought they would never have love. An aspect of being demi is that it takes time and closenes and a strong emotional bond for romantic and/or sexual feelings to develop. Six months, to me, feels like an incredibly short time for those feelings to take root for Essek even if he is on the path of developing them.
Seeing people make light of Essek's sexual attraction or feelings for Caleb or treat them as common place or casual, even innocuously, has made me feel as though this aspect of Essek really is ignored or forgotten about sometimes. Not by everyone nor, I would even doubt, the majority. Maybe not intentionally or maliciously or maybe it's a lack of understanding about demisexuality or aspec identities.
This is a feeling I have had for a while, and I mean this about nothing in particular but rather a sum of the parts I have encountered over the months.
In addition, I think Essek's sexuality can be overshadowed by how sexual Caleb can be/is. He makes comments throughout the entirety of the campaign that directly or indirectly reveal his sexuality, and that part is clearly important to him, even if he has not acted on it in a very long time.
I am not saying that Essek is NOT sexually attracted to Caleb or that their relationship does not involve sex at some point or at the time of that scene. I do think, at the very least, that Caleb and Essek would have a conversation about it as some point, and I find it likely it would turn sexual. At the very least, Caleb is attracted to Essek. Liam has confirmed that. I would guess those feelings are a combination of romantic, sexual, platonic, etc.
But I cannot imagine, and again this is my opinion, that feeling sexual attraction or acting on it for the perhaps first or second, maybe third time, is not a life-altering moment for him, let alone acting on it. From what see of his character, he's extrmely gaurded, extremely lonely, extremely shameful. Showing his emotions and attraction to Caleb, or to anyone really, is an extreme show of trust and vulnerability, and I don't think it should be taken lightly.
Treating it, at least in those early months, as though it is common or casual, something taken for granted, feels, to me, as though it undermines the importance and gravity of Essek's feelings, whatever they may be. Further, it undermines aspec identities, relegating them to sidelines if it is even acknowledged at all. I feel as though a lot of the jokes ignore Essek's demisexuality and how integral it is to how he builds relationships and interacts with people.
As someone who is aspec, I find it disheartening to see these sort of jokes and offhand comments being circulated about a character who is confirmed, canon aspec whose identity centers on deep bonds that take time to develop. Applying sexual under/overtones to scene where a small chaste kiss and an innocent pet name are shared feels like, in a way, a forced sexualization of a new, developing relationship that may never turn sexual.
There is such little aspec representation in media, and Critical Role does a fantastic job of showcasing a variety of aspec identities which is so, so rare. To turn around and have the fandom ignore or disregard these identities (intentional or not) that the cast and crew work hard to incorporate feels bad. It makes me feel as though I still have to fight for my identity to be seen and understood by people who, theoretically, support and want to understand and respect various identities, who claim to love Essek and Caleb and their relationship. It hurts.
I have spent a lot of time convincing myself that I and my sexuality belong in the queer community, that I deserve to have a voice, that I deserve to be respected and heard. With my feelings about Essek and his demisexuality, I didn't feel right standing by any longer and remaining silent when these portrayals were bothering me.
I am not asking anyone to change their opinions, to agree with me, to change the fic they write, the art they draw. The Critical Role fandom is beautiful and amazing and absolutely incredible. I have met so many kind, caring, wonderful people since joining. It's an experience unlike any other. But, I needed to make this post for me and anyone else who was feeling like me.
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I don't exactly disagree but I feel it's important to note a fundamental difference.
I grew up around conservatives. It's why I'm always defending them despite not really being one. Most of my family is conservative. Most of the conservatives in this country are moderates and I firmly believe that the people being assholes towards sex workers are different from, and in MUCH smaller numbers than the reverse.
I've watched the left from within the left for years. The amount of cruel people on the left, and this is important, are WILLING to commit acts of cruelty are much greater in number. And I bring it back to a point I made long time ago. The difference between a liberal racist and a conservative racist is in his they treat you. A conservative racist will fix your tire in the pouring rain, give you the shirt of his back, then yell, "git out of hrr boy". A liberal racist will pretend that they support you, protect you from anything bad you do, until you don't agree with them. Then they become very antifa like and start the violence and hateful slurs and rhetoric.
This post election cycle after leftists have and liberals have been primed with "project 2025" and, "Trump is a danger to this country and is super ultra Hitler" fear mongering, if this country divides more, it won't be the shit heads and trolls on the right doing it. It will be the violent "moral" busybodies on the left. I mean look at this shit-
Yes. People should be scared. But let's be honest about who they should be scared of and why.
This entire post election cycle as a black person has basically been me going into blogs of people I once respected (or at least thought were pretty decent) and tripping over the 800 different slurs they’ve clearly been dying to call me but couldn’t until now :(
If the 2024 Political Cycle taught me nothing else, it's that people -- no matter the political leaning, no matter the side of the poverty level, no matter the orientation -- have just been opting for a window to embrace cruelty.
Because, hell, ever since we got the results, people have just been rushing to show their assholes.
From people spamming online sex-workers with shite like 'Lol, say goodbye to your birth-control, stupid bitch', people trying to "clap-back" at merch/plushie artists worrying about how the incoming administration's severe misunderstanding of tariffs is going to affect their income, people proudly letting the slurs fly for minorities who voted for Trump.
And before anyone says anything, I'm not out here trying to say 'oh, if we just come together and Kumbaya, we can save the country'. People are scared, people have every right to be scared.
Because, really, the worst thing that's going to come out of the next few years isn't even going to be from the White House or the Supreme Court. It's going to be the everyday person taking the new administration as a window to be cruel.
Because, let's call a spade a spade, if American citizens did have more sense of community, did have something resembling mercy for their neighbors, no amount of political strongarming would matter for shit. Because a government's power is supposed to come from its citizens; not the other way around.
However, those in power have been successful at making the American populace forget about that and that's why we're in the situation we're in now.
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puppyeared · 5 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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haljordns · 5 months ago
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You don’t actually have to share the ‘bad’ parts of your regression btw. It’s okay to create a space to appreciate the good parts of your regression without dishing out your trauma to strangers on the internet.
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oceanwithouthermoon · 9 months ago
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people who dislike saiki kusuo i need to pick and prod at ur brain. whats going on in there?
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flowerakatsuka · 5 months ago
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i can't believe that a show who's main bread & butter is masturbation jokes really has me like
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icewindandboringhorror · 1 month ago
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I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently
#facebook always does that 'here's a post from this day 8 years ago' thing. and I see old comments interacting#with people and it's so like.. OOOOO~~ where are they now?? what's going on? how much have they changed as people?#how much are they the same? this is fascinating. i should contact them!!' but then it's like... take that to it's logical conclusion though#you would contact them and then IF they even responded it would take you 80 years to respond and then they would#think there was something wrong or that you were trying to be insulting or something. To contact anyone I need to include an 85 page#disclaimer of all of my social issues & mental illness things. 'If i take 3 weeks to reply I promise it has nothing to do with u' etc lol#THIS is why more people need to be into phone calls/voice calls/some form of audio real time communication/etc.#I think one of the main things that's hard about messaging through text for me is it's so unscheduled and open ended#(plus it takes forever if you're talking about anything in detail and gets very long very quickly)#because like you can send a message and then just get a reply whenever. and then you're expected to reply back whenever#so it's like you never know when the response will come or when a new obligation to reply can come up? so it's like this sudden thing with#no outline?? if that makes sense. whereas a phone call is very like 'hello let's schedule a call from 10am - 2pm on thursday'. And you know#EXACTLY when the interaction will start and EXACTLY when it will end and you can plan around it in your schedule easily.#I have the reverse thing of a lot of people (how people don't pick up phone calls/hate calls/only text)#I would literally talk on the phone with a stranger. I would have a discord voice chat with someone I barely know.#if someone I hardly even remember from elementary school asked to have a voice call with me out of nowhere I would do it.#but if a stranger MESSAGED me?? or someone I barely know sent me a TEXT or something?? I will never reply probably#It's just too vague and weird. and you can't read voice tone over text. and the interaction could last forever with no clear end#point and etc. etc. But a call is like. set. established. clear boundaries. you can read the flow of conversation better. rapport. etc. etc#I get that I guess people feel more anonymous or distanced over text?? but you can have fake phone numbers on the computer. or do like disc#rd calls. or zoom without a camera or etc. etc. Also the distance that's present in text is BAD distance because it just means that tone is#not conveyed properly and you will never truly get a sense of the person's conversational vibe or mannerisms or how well you really click.#ANYWAY ghgjh...... I'm so so so interested in concepts of like.. How did that one kid I used to talk to in elementary school#but then they moved away in 5th grade - how did they end up? what are they doing now?? etc. etc. Like despite the severe social anhedonia#and general lack of connection with others I'm just really fascinated in like.. idk. the human development of it all and like#the concept of how we're actually a million different people through the course of our lives ever evolving in different iterations and etc.#PLUS again. i love nostalgia. sometimes old peple you know might remember a shared memory or can tell you about something you forgot#or etc. like it's SUCH A COOL THING in CONCEPT but I am too socially inept generally speaking lol. which people I still talk to today are#familiar with my 'phone call once every few months' communication style. but strangers would just be like... wtf. And I don't blame them#Sure I literally cannot change the physical health + brain issues i have - but also I know enough to not put others through that lol
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thedrotter · 6 months ago
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as a little treat i am sharing with you little Aya doodles I've done over the last few days to unwind ww just little expressions based on lines in-game because those are always fun to draw. nothing too special just biscuit
it's Aya because upon doing bizarrely throughout playthroughs of the game for still unspecified project purposes I've gained a soft spot for her she's my daughter now my mental tier list on my favorite characters is so confusing right now
#re:kinder#fanart#aya re:kinder#aya hibino#i state shes my daughter NOW because before i didnt pay too big of a mind to her#but honestly in each different playthrough of this game i gain new appreciation for each character#because fun fact ryou was my favorite character at first just because he seemed nice and was a healer and was nice#second playthrough brought in rei and shunsuke in my mind because they ate it up wirh their roles in the story#meanwhile as time passed yuuichi started to grow on me as i realized he was a little too relatable BASICALLY THINGS LIKE THAT#and spoilers for the unspecified project mentioned in the text just because i feel like it#i also did this because having a transcript of every line just spurred me on becquse of how easy it made things#its much more fun to start doing these kind of line based doodles when you dont have to manually go througj hours of gameplay to find stuff#so just being ablr to ctrl f through a document made me very glad HEUEHEHEBEHR#im still working on it it needs proofreading and polishing on some sides but overall it should be here soon i hope#if anyones interested in it do let me know HUEHEHEBRB i will post it regardless but it would be nice to know if anyone is interested#ANYWAY#as to why Aya seems to have a purse when her sprite doesnt its because her equipment mentions her carrying a yellow pouch#its meant to be that!!!#she looks very goofy with it on made me giggle ngl#(as in. amusement)#it adds more interest to her visual design so its nice to have it there im glad its there#OH YEAH SOME COMMENTARY ON ONE OF HER LINES HERE THAT REALLY PIQUED MY INTEREST#if sayaka dies and shes there to see it (thus. you chose to bring her with you) she has this line#where it implies that shes afraid of dying which makes things sad when she's suicidal#she already states i think her desire is more to disappear than to die exactly but even then it's quite sad#like even if she wants to disappear with how gloomy she's feeling and all the things going around with her parents#shes just a little girl who doesn't want to die😭😭#it really adds a sense of realism to how depression is tackled in game at least for me#that when one is depressed and suicidal a lot of the time it's the wish for this state of suffering to end rather than to actually die#SUCH A GOOD CHARACTER ITS ONE OF THE THINGS THAT UPPED MY APPRECIATION FOR HER
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solradguy · 1 year ago
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Whenever I see someone being transphobic on twt in a bridget thread i reply with three pictures of my mains: ky kiske from ac+r, ky kiske from rev 2, and ky kiske from strive.
it self selects for people who actually play the game. it’s canon that he’ll fight off transphobes with the blade. and if they actually played guilty gear they’d get the underlining messages
While it can be really funny to bully these guys back, please keep in mind that nothing you can say or do to these people will hurt them or waste as much of their time as what they say will stick with you or waste your time. It might be funny to send them a bunch of Ky pictures, but what they're doing is laughing that the only response the people they hate can give them is sending a bunch of pictures of anime boys.
The only thing that works is blocking them. They've turned being an asshole into a recreational sport and getting any sort of response in return is a victory for them.
#asks#Unfortunately I was an asshole on the internet once (not a vicious transphobe just a basic internet asshole)#I know exactly how these people function because I was there once...#When you don't take the person you're arguing with seriously it's very easy to laugh at every single thing they do#Which is what these guys are doing. It doesn't matter how well thought out the counter argument is. They don't care and they won't care#All you can hope for is that they're young and they grow out of it (I did)#I feel bad for them because I think about what led to me being like that decades ago. Are they going through the same thing?#I was like that because I was in a hopeless situation and hated myself and hated everyone else#People arguing back just proved my point that everything sucked and my hate was justified#It's an awful feedback loop. People being kind to me felt disingenuous. Why should they be kind? I hated them. They had no reason to be nic#I had to get to a point where I was willing to help myself crawl out of that pit before I let anyone else even get near me emotionally#I still remember the day when I realized I was being a fucked up little shit to everyone lol#Early June 2011. It was sunny with no clouds and there was a cool breeze. I was listening to In This Moment and I realized#'What the hell am I doing? Do I want to be like this forever? Get your shit together man'#It was a slow process from there but I did get out of it. Slowly. Very slowly.#There's a lot I did that I regret and can't ever apologize for because it was so long ago and the names and faces are gone now#Apologizing at this point would be selfish and only for my benefit anyway. I can only hope that what I did didn't hurt people permanently#Anyway. I've never talked about this on here before because it's the kinda shit that gets put on callout posts out of context#So. I am laying my naked soul bare and raw for the sake of underlining my original point: Internet trolls don't care
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