#which is exactly the dynamic you prefer to have with me for example even when i obviously didn't do anything wrong to you or to anyone else

[slimyenemy]

like i just can't help it you're out here excusing sexual harassment of all things at me acting like it wasn't what it was calling me names and demonize me over it enable my abusers refuse to literally just socialize with me like you would with anyone else literally never ever admit your mistakes or apologize except for some it is what it is go die nonsense generally don't seem to be that interested in being good or helpful to anyone unless you feel like you need something from them and then you just go like "yeah i want THAT kind of responsibility :D" like WHAT

[shysublimecoffee]

Look this is just an opinion not a fact don't get into such a tussle over a stanger opinion on a book of all things which are meant for entertainment. How I view this doesn't effect you nor do you take it as fact in fact youre free to disagree don't care.

It fucking says a lot about Shen Jiu as a character and the fandom as a whole in fanfics when the majority of them make him in fanfics having a better turn around in his life is always when a respected man is attached to hip usually( Liu Qingge) or acts as a voucher for people to even see him past his shell or his lies about the true reason he goes to the brothel goes out the window because otherwise he's a liar, a no-good and lecher and scum villain and because he's so emotional and volatile people do not respect him as a peakleader at all. He doesn't have a voice like it's telling me he's so female-coded cause ladies knows how dangerous people giving character assassination at your person could do tons of damage to your future prospects in future life and honestly I really like even though the ficwriters don't outright say it cause it subtle how majority every man and person in his life have taken away his autonomy and I find the most egregious example SY not actually giving a fuck about the person of the body he's inhabited and him not emoting at all when he saw the OG being abused and still validating LBG like if even the modern man from another era doesn't give a shit either someone who has to have sensible morals in society and even he doesn't care . This dynamic reflects a lot how society often undermines individuals who don't fit its norms, stripping them of their autonomy and dignity. SJ's struggle for respect and recognition in the story mirrors real-world issues of power and validation.

Everyone prefers SY. I'm not going to act as if I'm better though in real-life same I'd like him more too but his martial siblings barley tried. If they dislike him whatevs, but you guys are not at all suspicious about the 180 change in behavior how the kid he used to hurt and abuse is now being loved and pampered wtf??? Don't you guys owe him that much to investigate.

They could have tried to dig deeper aside from the one time they test him for possession but they didn't because they prefer the new and improved him". It actually so telling how the author chose someone of such a rich and idle pampered background to be transmigrated to the villain who's origin the very opposite of that and yet seemingly integrated himself better and incorporate better relationship with them then SJ.

The cultivation world, as well as the characters within it, reflect deep-seated classist attitudes. SJ's rough background and survival tactics make him an outsider, whereas SY, coming from a more privileged background, can navigate and be accepted more easily.

What does that actually say exactly that someone of a better background get along with the peaklords but not SJ because with our SJ he's a fighter and biter, he plays dirty to win in their eyes, he a lecher every inconceivable things is literally placed onto him just based on their perception of him. Is it that unconsciously they could tell SJ is not of of them or am I looking to deep haha??? The cultivation world is very classist is not news to anyone and that being the exploration in MXTX next book and how WWX background being how he literally met his end because of it says an actually lot how she took the things from this story and incorporate it into her next book.

The entire story had me retrospectively think hard how SJ voice is silent and yet to me at least he stills haunts the narrative because of it then when you get to the reveal about his backstory it makes you fucking think of him as an actual person and not just an object as a vehicle for the main character to just insert himself in because no matter the nature of a person it stills their body.

Like i've seen some fans even reflect this saying it not his fault that he transmigrated or he deserved it's technically his body and that he's a better person than SJ. At first, I agreed but then I took some time to process this. I don't care about SJ actions and his nature if it at the expense of his fucking body. SY can live for many many years but he's not SQQ unless he reincarnated like Airplane like it makes me want to me want to debates about transmigration. SY is his own person an adult with memories he has his own thoughts and feelings so when he transmigrated he took over the manual controls but that doesn't mean he's actually SQQ because he's not he's a pampered millennial.

In Otome Isekai (OI) stories, the original souls often face bad endings, while the transmigrators, who are modern characters inhabiting and thriving in these disliked bodies, desperately try to avoid such fates. They manage to charm the original male leads and are so focused on changing the story's trajectory that they can't accept its original path. This comparison to OI highlights how these characters' actions mirror Shen Yuan's (SY) predicament. The original person's identity and struggles are dismissed for the sake of the new character's journey, leading to the erasure of the original identity.

I don't vibe much with Shen Yuan because he seems very indifferent. The world revolves around him and his bias, much like many other transmigration novels where the MCs are similar. I find it hard to connect with a MC whose actions, even bold, lack a genuine foundation with other characters because they continue to see them not as people but character roles they're supposed to fulfill. He does everything to save himself, not from the sincere intention. His reaction to the death of GXY was cold af.

I don't like transmigration stories for this reason. They're often treated more as reader-inserts for fix-it fanfiction. We rarely learn about the characters' past lives, so we end up thinking of them as the person they transmigrated into, rather than who they were before. All we know of before was he was cyber-bullying and harassing the author and a troll so an asshole, basically.

If you guys don't know about OtomeIsekai basically we have bunch of modern day Koreans jumping into european white women bodies and inhabiting their bodies and living vicariously through them basically wish-fufillment bullshit trash . 9/10 nobody notices because this is a person who is widely disliked and despised and because no-one cared for the OG soul it easier to just go under the radar hell even the MC don't give a shit to so we have another MC that become so beloved in the eyes of the ML and how she bewitched everyone into loving her.

Transmigration is literal horror. " His Present" a short story I read from novel-updates where it literally based on this very concept where his loved ones preferred the imposter ugh made me bawl.

It makes me think about transmigration. Does it truly matter if the person who took over lived much longer than the original soul does that make them "THEM" ? I actually do appreciate SJ backstory being added but like now with transmigration just popping off on internet novels where the concept is everywhere where the original soul is discarded and the new one is celebrated, kinda adds a layer of tragedy and ethical dilemma to the narrative. It questions the validity of the new identity and the consequences of such an erasure. I'm always biased for the OG souls maybe that why a lot of SJ fics make him the character who is most suppressed by his role as scum villain succeed in making him heard to be listened to and mattered.

Imma nap lol this rant was loooong!!!

[cementcornfield]

https://www.tumblr.com/cementcornfield/754280825602932736

Hi new to this fandom and was told this is the Joe’marr blog . I’d love to know your favorite moment between these two and how would you describe this dynamic cause it seems like Ja’Marr don’t play

Hi anon, welcome to the fandom and to joe'marr in general! and lol yes i do definitely post about them a lot!

ja'marr does NOT play, i agree! neither of them do about each other i'd say <3. i've described my perception of their dynamic a few times in asks (and! important to remember it's just my perception because we don't actually know any of these men personally) but here goes way too many words about it below the cut 🫡

differences and similarities

to me, they're two good friends who are seemingly very different, but complement each other well, and are actually very similar on the inside! ja'marr is outwardly more extroverted, warmer and friendlier, while joe isn't cold, necessarily, but he seems to take longer to warm up to people in general; he's never friendly just to be friendly ("he'll walk right by you and not smile" per ja'marr), and, despite recent appearances lol, is more of an introvert. (although honestly, ja'marr recently has said he's starting to prefer staying in playing video games and joe has been more out and about! so it seems like they may be rubbing off on each other!) but at their core they're both stubborn, strong, brave and have an edge to them that i think they've recognized in each other since day 1 (all those fights at LSU practices! a love of taunting!)

taking care of each other

they care about each other a tremendous amount and it seems like they are always trying to take care of each other in their own ways. ja'marr with his (maybe???) buying joe clothes and taking him out and wanting him to live his life (he must be thrilled about France Joe), and always defending him in the press (and on twitter lmao). joe always getting in extra throwing sessions with ja'marr (including and most importantly ja'marr's rookie year when he was struggling and they'd stay after practice getting extra work in), always talking up ja'marr's talent and intelligence and work ethic in the press, and he basically guaranteed him a spot on the team during the 2021 draft.

mind reading - good

they've known each other for 6 (SIX!!) years now and according to both of them they "don't need words" to understand each other at this point. which is maybe my FAVORITE thing to analyze about them lmao. because that's definitely obvious on the field. i don't think i really understood how special their on-the-field connection is (despite announcers and coaches and analysts talking about it constantly!) until i finally started understanding how the game actually works (lol i didn't watch football until 2 years ago and started understanding it even later). like, ja'marr's ability to know when to break out of his route, when to improvise when joe needs him to, and joe's ability to know exactly where ja'marr's going to be??? and all of this is happening in SECONDS while people are actively trying to bring them down through any means possible?? that's such an impossible feat and it's one they pull off all the time! and this translates to off the field for them too. one of my favorite clips ever is ja'marr describing how he can tell how joe's feeling just by how he walks in the building, and that joe can do the same for him. "i know him like the back of my hand, he knows me like the back of his" like??? ok boys! that's some soulmate shit actually!

mind reading - bad

BUT on that note, i do think that, ironically, this ability to "read each others' minds" sometimes could lead to miscommunication for them! or at least it could lead to them NOT saying things that maybe they should say out loud. i don't have a lot of concrete examples here (obviously because if they're not saying things to each other they aren't saying them to the press) but there's an interview where ja'marr's talking about his hip injury. and how he "never talked to joe about it" but he "knew in his mind that he'd come back when joe needed him" which ???? what are you talking about ja'marr?? the double mind reading there of a. expecting joe to know that he'll come back when he needs him but also b. expecting himself to know when joe would need him! like! that seems really complicated, you could just, talk to each other? maybe?

ja’marr also said that joe didn’t believe him when he told him that his presence was enough at practice, that joe thought he was joking (i guess it’s not commonplace for ja’marr to come right out and say how important joe is to him and the team! so joe probably wouldn't know what to make of that rare moment of sincerity!)

and i think they aren't talking to each other about contracts (which, fair enough, that's business), but people sure were asking ja'marr about joe's contract anyway (and they're starting to do the same for joe about ja'marr!) and we all remember a lot of ja'marr's comments that came around to bite him lol. and, i have NO proof for this one besides my projections/feelings, but i wonder if joe's worried at all about ja'marr's contract this year. if he's worried that if he doesn't perform, ja'marr won't want to stay. now, ja'marr tells the press (and twitter. and his twitch chat. and his dad.) that he wants to stay with joe, but does joe believe that? has ja'marr ever come out and actually said that to him? or is he expecting joe to just know that?

(oh man i wrote a lot in that section, and i have so little actual evidence, but it's something i love thinking about! i don't want them being too cutesy or perfect tbh. they're flawed! they're men raised in stoic sports culture and honestly i am so sure they suck at communicating. i'm sure they've had misunderstandings. i'm sure they've argued. and that's so important!)

balance

i think another thing i love about their dynamic is that ja'marr is such a good check for joe. if you haven't noticed, joe kind of runs the organization lmao. from day 1 he's been involved in the play calling, drafting, overall culture and philosophy. and that's his right! he is good at all of that! he's The Franchise (worshipped throughout the team, the city, half of the state!) and, in the beginning, i think ja'marr felt that way about joe too. joe led him to a perfect season and a national championship in college and then a super bowl his first year in the league! he himself said, right before the super bowl in 21, "he's like a god to me" which is...just a WILD thing to say about your friend :') like??? the devotion? the loyalty?? okay ja'marr!!

but, then they lose, and ja'marr "coaxes joe out of bed" to go celebrate anyway. he gets to be the one to see joe at his absolute lowest and he's the one to build him back up. and i think that really affected their dynamic from then on, to the point that ja'marr became the only guy to think of joe as an actual human being in the organization. i don't think (until very very recently with zac) that a single person other than ja'marr ever said no to joe (the way joe stayed in that titans game last year despite being hurt, at risk, and losing by so much cemented that for me!) ja'marr was the ONLY ONE to say that joe should sit out as long as he needed to for the calf. the only one not celebrating (in fact, he seemed PISSED) when joe was running around during preseason games despite not being fully healed 😭 the only one saying "come on joe let's go out" instead of just coming to him (and it seems that's finally worked lol) and joe NEEDS that. he needs that desperately! someone who will support him but call him on his shit, someone who sees him as more than just his abilities and wants what's actually best for him!

teasing <3

finally (oh my god this is SO LONG) i really enjoy how playful they are with each other. joe tends to be very Stoic and Serious (not all the time, but it's a tendency) and i think ja'marr is good at bringing him out of that. he's talked about how back at LSU he would joke around with joe and it took him a long time to finally figure out how to make him smile and laugh. and i think that's a skill he's perfected over the years! every mic'ed up between the two of them, we get to hear them tease and mess with each other. "you see that big blue thing over there??" "you couldn't overthrow me and get me in stride?" "my guy you were wide open!" (ja'marr's hands on joe's hips the entire time) "you're looking pretty slow" "be serious" and "he said you underthrew him" "yeah right" and "i ain't gonna lie, you look slow as hell" and "i'll start taking it off for you ja'marr" and "joe swears he's sneaky fast" and "hey man you're so cool!" and on and on and on! i HATE that we've never had a long form interview/podcast with BOTH of them on it because my god i want to know what an actual conversation is like between them. but i think it must be a lot of that. a lot of fond jokes, compliments hidden in teasing; we see them laughing together so often <3 and of course we CAN'T forget the UFC moves they practice on each other :) "we mess around every now and then".

the end

okay i'm stopping myself because oh my god this is so much. anon i'm sorry, you absolutely aren't going to read all of this. but it's been two years and i STILL apparently have so much to say about these two. it's ridiculous. i'm ridiculous. (but so are they!!)

[bird-inacage]

Only Friends: Episode 5 Preview (A walk in Sand's 'Rough & Dusty' World)

I'm really looking forward to where Episode 5 is taking us with Ray and Sand's storyline. This almost feels like the proper start to these two as a 'couple'. Having seen more to Ray last week, we're now getting a better insight into Sand's life, which looks peppered with sweet and spicy moments throughout.

We start with breakfast at Sand's. Can we safely assume this is a morning after scene, which means they slept together again? (How adorable does Ray look whilst he peeks into the kitchen? He's an actual child, I weep).

At the end of Episode 4, Ray seems to have arrived at the conclusion that he's now open to the idea of welcoming Sand into his life, and being more sincere about their (cough) 'friendship'. And with that, he intends to make more of a conscious effort, to show he has taken on board what Sand said.

So Ray suggests they spend the day together, "Can I stay with you? I wanna get to know you better." (A nice parallel to Ray's usual 'stay with me') It's an immediate indication that someone is starting to take you seriously, because they are initiating opportunities to see your world, to understand your perspective - to better appreciate all the things that make you who you are.

So far, Sand has mainly operated in Ray's world when they've crossed paths. Ray knows very little of Sand's life, other than his job as a bar singer. The fact that Ray is taking an active interest is a huge step. This isn't 'I'm paying or begging you to spend time with me' (aka Ray wanting Sand to keep him company), it's 'I want to spend time with you' (I'm keeping you company). That's a very notable distinction.

This request also means that Sand will be leading the day's activities, with Ray following along. That's another role reversal of how their dynamic has played out so far. Ray is the one who dictates what he'd like to do, and he persuades Sand to agree. Giving Sand full control is another example of Ray welcoming his opinion and preferences. It's a sign of moving towards more equality and balance in their relationship.

(How powerful is Sand in the leather jacket? The whole riding a motorbike together screams boyfriend energy).

Try to stay sane folks, because we should also be getting THIS notorious scene. It looks like they're in a changing room but who knows, maybe Sand has a weird privacy corner in his flat? The shirt Ray wears for the rest of the episode is hanging on the wall. We get Sand changing Ray (because his role as Ray's caretaker reigns supreme), and whilst doing so, he goes in for a cheeky fondle.

Sand continues to open Ray's eyes through music at a gig, which is a nice continuation of the lovely scene they shared at the record store. They also return to the go-go bar, where Ray publicly serenades our resident singer?

And we'll bear witness to Sand falling more and more visibly in love by the second. It's just as Mew called it - Ray should be a ray of sunshine and that's exactly the way Sand looks at him. That gaze is full of warmth and awe. Sand is completely aware of Ray's faults and bad habits, because he saw those first and upfront. And yet he sees Ray beaming underneath, despite all those things.

(As a side note to Ray - the superficial attention of many doesn't come close when compared against the all-encompassing attention of just one. Do you see how that man looks at you??)

After a long day out of playing actual boyfriends, they have a quiet, steamy make out session on Sand's balcony. Having had Ray accompany him all day, there's no doubt Sand is even more head over heels now.

If they did indeed sleep together the previous night and were gunning for 2 in a row, I really don't think you can shirk that off as 'friendship' anymore. I don't care how deep or convincing you think your denial is.

Aaaand OH. It was only a matter of time before this inevitably happened. Either Sand would walk in on Boston/Nick wildin', or they would catch him and Ray doing the dirty. My worry is how Boston is going to react, because not only has Top given him the cold shoulder, Ray is swiftly veering off his plan and how he ideally wanted to manipulate the situation. In a desperate bid to clutch at straws, I really hope Boston doesn't try to stir shit up with Sand instead (in regards to that Ray and Mew kiss).

Boston, you better steer well clear of our unproblematic couple. Let them be happy without the fuckery that is your mind games.

(Ray's expression cracked me up. He looks completely out of it 'Huh? What's happening? Who dis?' Boy was so consumed in kissing Sand, he forgot who he was).

[kureasblog]

hi friend! i saw the post you made about being discouraged to post a fic on ao3 because it's not the kind of thing that gets popular, and there were a couple things that stood out to me. before i start, i just want to clarify that, as a fellow fic writer, i am reaching out in support and kindness. <3

firstly, what i hear you saying is that your fic is "no fandom" and is populated with original characters. so, is it a fic, or is it simply an original work? if it's an original work, you might have better success on wattpad. i haven't used that platform in years, so things might have changed, but i remember the type of content you're talking about being popular there...

...which leads me to my main point. from what i've seen, social media platforms largely used by youth propels a mindset of 'popular = good' and anything that isn't mainstream isn't worth your time. i'd like to propose a counterpoint using two personal examples. first, one of my favourite fics ever, a tragic romance between two traumatized people, is well over fifty thousand words and only has 98 kudos. second, one of the fics i'm most proud of writing only has 5 kudos. how do these two fics correlate? the first example flips its characters' typical dynamic, knowingly writing something niche; the second was written for a movie that was released twelve years ago, for a pairing with exactly two fics.

knowing full well that neither fic would gain massive traction within their respective fandoms, why did we post them in the first place? because we wanted to share what we loving crafted with the world.

even though neither fic is "popular," why do i still value them? because they were written out of love for the characters, for the craft.

everyone is different; everyone writes for a different reason. this said, writing for kudos, for hits, for bookmarks and subscriptions and comments starts to drain you. i know because i had that mindset when i first started posting fanfic, and after a while of getting lost under the swell of better, bigger, more "popular" stories, i started to forget why i felt wanted to write. i got demoralized. i wanted to stop writing. eventually, i ended up orphaning my account and taking a three year hiatus, at the end of which i rediscovered that i write to feel good. i write to connect with the characters. i write to create the stories i want to read, stories that someone else might want to read too. if it isn't "popular"? no sweat...

...because in the end, whether you're posting "no fandom" or not, what you get out of the experience is personal. don't get discouraged for fear of being unpopular. don't give up because your story isn't what the masses want to read. if your story means something to you, it's worth telling.

<3

Hi!

First of all, thank you so much for taking the time to answer me☺️🤍

I have indeed considered wattpad, thing is the platform isn’t really like it used to be. Tho I’ll still try posting it there and maybe also here on tumblr:)

Like, sometimes it’s disappointing when i’m trying to connect with people through writing, and no one comments or seems interested in my story (especially when it feels like the majority prefers poorly written p0r.n stuff over stories people pour their hearts into) Even just one person enjoying is hugeeee, it’s like they become a friend, but when there’s no feedback (no comment/no kudos) it makes me overthink like, “did they read it and not like it?” it can be really discouraging.

But you’re so right, i do write to create the stories i want to read (i literally start writing fics after searching everywhere for something like I want and not finding it anywhere; and it’s exciting in a way to be the first one!) and maybe someone else will find them and really connect with them, too!:3 so tysm for reminding me😊💞

[nightswithkookmin]

ANOTHER TUKTUK ANALYSIS PT 4

Okay this is more of a discussion. Feel free to join in.

Will keep it brief.

Jungkook is shy. That's not exactly groundbreaking news. What's groundbreaking to me is the why he gets shy and the context within which he acts shy.

Scenario 1: JK walks into a room full of board directors and his cheeks tingles. We can chalk it to his inner koo. Shy at heart from day one. Awkward kid who don't know what to do with himself in a crowd of people.

Right?

But I'd go a little further as to say it's his self awareness and self consciousness rearing it's head. Given the power dynamics between him and this crowd I'd say he's feeling a little judgemental of himself, worried because he has to impress these people while also trying not to say anything stupid or out of touch. He's literally reading the room and adjusting himself to it.

Now typically this is what I think goes on whith him when he has to perform infront of a crowd or in any situation that requires him to put himself up to be judged and to be the center of attraction.

Scenario 2. He walks into a room full screaming fans and he acts shy. Now this time the power dynamics is almost equal. Unless he has reason to believe not eveey one in the audience is a fan, he should feel more at ease perhaps a little nervous but he's not judging himself or worried if he slips he's gonna be judged in this space.

But then suddenly, his cheeks go pink and shy koo rears his head.

Usually I'd assume it's because he's thought of something silly or even naughty and while he finds that amusing his subconscious takes not of just how inappropriate or shameless his thoughts or actions are.

This is usually the case when he is filming an interview and he says something scandalous like preferring sexy outfits to casual fits or admitting he's into something very niched.

His shyness in such instances is usually as a result of him exposing a vulnerable aspect of himself perhaps unwillingly and feeling abit judged about that. He's showing us the real him, his desires no matter how questionable we think it is. Yet it's his truth.

Again this happens when he flirts with a certain member, gets lost in a moment, or when the member expose a truth about him.

So yea, while Koo is naturally a shy boy there's more to him and more to this shyness.

Take his recent shy moment at the premiere for example. It's easy to tell it was probably because he was self conscious about the way he was dressed and particularly that hair do. I wouldn't say he wasn't confident about it, more like he thought it all a big joke. Tae probably teased him about his looks on their way to to carpet and I'd bet he made a few jokes about it himself.

But then, like the goof ball that he is he decides it's not his problem. Yall will have to deal with it.

No biggie.

But I was particularly fascinated by Tae's interactions with him in that moment. I've seen edits of him bumping into Jk and JK asking him what- Korean style. And the interpretation is that kook is shy, Tae clocks that he's shy and bumps into him to check on him.

Now that's sweet and all cos if I had a friend I would want them to cater to me in a time like that. And certainly more so if I was with my girlfriend- I mean boyfriend, just in case Jimin is reading this. Sire for you I'm straight and perpetually single finger hearts.

Tae kook is an interesting duo. I like watching their interactions a lot because I learn more about Kook that way. I like seeing both him and Jimin interact with different people just to see how unique their bond is as a pair.

Plus, Tae kook are great visuals.

As far as aesthetics go, I like seeing Tae with Jin, Tae with Kook and Tae with Jimin or some times Namjoon.

For Kook, I like seeing him with Jimin or Namjoon or Jin.

And for Jimin- honestly I like seeing him with anybody.

That's as far as looks go.

Chemistry wise however it's always going to be Jikook, vmin, minimoni, taejin, yoonmin, Sope, Jin-jimin. Chilee hopemin too💀

Jimin tends to be present with each member such that it renders each of his ships unique. Be it him being a friend and at times dongsaeng to Namjoon or a hyung to Jin.

And while the Maknae is always DEE Maknae of the group, it's interesting to watch him step up and dominate in certain ships.

And I get irritated sometimes when he's constantly babied and taken care of and not allowed to be JUNGKOOK- The man of many a teenagers dreams.

This JUNGKOOK.

The one who takes care of Bam and brushes his teeth, and takes him for a walk, and cooks for him and his friends and holds people's hands and leads them out of the airport.

The cook who puts people to bed and tuck them in and scolds them when they make mistakes and is caring and nurturing.

And it's obvious this side of him pops up more often in certain dynamics than others.

And I know I get ridiculed when I scream about Vmin- but yall just don't get it. One day you will. Jimin caters to Tae. He takes care of Tae and as strong and powerful as Tae is I actually enjoy watching him let his guard down and allowing another person take care of him😔

But I just don't see this in Tae kook. So it's really difficult for me to sing their praise sometimes. I want Jungkook to be his own man and I want Taehyung to be less guarded and broody. Yet Tae is always catering to Jk, babying him- which is not a bad thing really but it is frustrating to watch him give give give when sometimes Jungkook don't even want or care what he gives him.

We heard this man say on Soop how he offered Jk his friendship, for him to treat him like an equal yet Kook insisted on keeping his boundaries with him.

Someone bumps in to you to console you thinking you are feeling nervous and your response is Whuh??

Are you kidding Me?

And their shippers are glamorizing this? Like yall should be concerned💀

It is nice that Jk was posting him on his IG, throwing out invites to members and having him go over to his place. It's nice to see them actively work on their relationship together and maybe as time goes on we will see Kook going to Tae's home, asking him to stay for a chat, cooking for him, checking up on him on the red carpet to make sure he's doing alright too, saying thank you and warming up to him when he takes care of him and not treat him like a bro and friend always taking things for granted and not being fully present with him.

Their dynamic feels awfully one sided. Even when things are going well with them it still feels that way. Tae puts in so much effort, feels open and willing to give. And I see why Tuktukkers tend to hate on Jungkook or why Tae stans don't like him.

Remember when they went nuts because Tae tried to hold his hands at kbs studio and Jk ignored it cos he was I think trying to catch up with Jimin? Brains foggy on the facts a bit but yea. That happened.

Why can't they just understand these two are just friends and Jungkook don't even like Tae like that? He's just not into him. Sorry. Not even a little bit.

This reminds me of the live they did when they were doing arts and crafts and Jungkook's whole body was turned away he was almost out of shot.

Listen, don't think he doesn't know sometimes he's paired with Tae just to please an audience. Don't think he don't know. In fact don't think none of them don't know when they are required to fan service it up.

Most times when he acts like he doesn't want to be there, it's because he doesn't want to be there💀

If all you have for proof of chemistry between them is how Tae acts towards Kook then boy or boy are you in for a rude awakening. Check in with both ship captains if you want to be sane.

Wont lie, as good as they look visually, their interactions can be painful to watch sometimes. And mind you, I'm not being biased here. There was a time I didn't want Jikook to hug each other at all cos it always pissed me off how awkward their hugs were.

Their interactions were so awkward sometimes, Jimin had to literally prompt Kook to act natural around him. Kook used to act as if Jimin was a ticking time bomb and would go off and expose them any minute. These days he is the ticking time bomb Jimin has to watch out for. Totally unhinged.

Kook is not good at faking his feelings. And you see that play out most times in his interactions with Namjoon, Jimin and Taehyung.

I like watching Namjoon nurture and mentor Tae, I like seeing Tae with Yoongi and I like seeing Jimin baby him.

Vmin is not real but at least their affections are mutually reciprocated- most times.

[turtleblogatlast]

okay so just so you know, im literally in love with your prison!leo au, yesterday i spent like over an hour scrolling through the tag and i think i read every post at least twice (more for the comics). its combining ‘prison dimension has permanent effect on leo, and not just mentally’, ‘immortality angst’, ‘object or place having a form of sentience’, AND ‘leo is somehow made significantly younger than his brothers which very much changes their dynamic without him wanting it to’ all into one which is just amazing.

i love how you combined comedy and tragedy very well!! like, for example the idea of leo being mistaken for the youngest brother, than a son, then a GRANDSON, is kinda funny for a second, but when you think about it for more than a couple seconds its also. really tragic. this poor kid may never be able to fully grow up - not only is he likely going to outlive his whole family but hes also permanently in the body of a child, lacking a fully developed brain and maybe never having the full maturity of an adult (at least in path b, until hes able to find a ‘cure’, if ever). its just. so good!!

anyways aldjsldkksld enough of the gushing (i mean i could keep doing it for like two thousand more words, but if i did it would probably devolve into keysmashes at some point from the Grip this au has on my brain). i am curious, what would happen if leo got sick? i know you mentioned that things like a common cold wouldnt really affect him that much, but what about one of those sickness is that leaves you pretty delirious/feverish and can take you out in a matter of a week? (could be a type of mystic sickness or curse as well, where you don’t know if the victim will survive or not and the only option is to wait it out.) what would happen? would they sort of just decide that its better to find a way to temporarily kill him so his body could regenerate as new, or would they try to take care of him and see if they could wait it out, since i imagine it would be the only time he’d really let his family take care of him in that way. thats all assuming his body wouldnt just automatically find a way to heal the separate curse and he’d be well again within an hour (still not fully sure as to how his healing works, sorry!)

anyways, love this au and im going to be obsessed with it for the next Month thanks

[ cw: discussion of murder / discussion of mercy kill / risky behavior implied / ]

Omg I’m

So touched???

Thank you for enjoying my AU so much, it really makes me happy to hear this :’) This whole AU was thought up exactly because of my interest in the concepts you mentioned - particularly the one regarding the Prison Dimension having a permanent and visible effect on Leo.

I know I haven’t updated it in a while, but I am still working on it and have even finished drafting the next comic, I can’t say when I’ll finish it but this ask definitely pushed me to work on it more so thank you so much <3

As for your question- it depends! In most regular illnesses, Leo would get over them very quickly, only experiencing the briefest brush with the symptoms before his body throws it away, if that. If the illness is mystic in nature then things get a little more complicated, as you’re right in that it could potentially end up as an endless loop of the first part of whatever weird sickness he gets. So if the illness is something that instantly affects you in the worst ways, and it’s something you just need to ride out until it leaves…that can potentially be harmful. Of course, it needs to be a powerful illness to bypass the prison’s curse to that extent though. …then again, maybe something would prefer that for him, should it appear beneficial :)

As for whether the fam would decide to just…’reset’ Leo to get rid of the illness…that’s a tough one. It really depends on how long Leo’s been back, and even then, it’s not something they’d just do, it’s hard for them to even imagine really. More likely, a sickly Leo would merely try to find a cure himself in his delirium, and end up ‘reset’ along the way.

I hope my wishy washy answer was enough! And really, thank you so much again for the kind words, they mean a lot :’)

[underestimated-heroine]

sure this has been said before and said better, but we get into dicey territory talking about romantic/sexual preferences--or "types"--a lot of the time because...well firstly, the subject is obviously intensely personal, but also because quite frequently what's happening isn't:

someone has a preference/type

they are hated for it.

but instead:

someone has a preference/type

they go around talking about it in inappropriate settings and in ways that are hurtful; badgering people and even "testing" them (ex. demanding to know if they're "bad" for not liking [x])

people are disgusted, hurt by them, wary of them...and well, yeah, maybe hate them (especially when systemic oppression plays such a significant role in influencing one's "type.")

to me the most revealing element of this is the power dynamics that are almost always at play; people only get away with it safely if they're "type"-badgering one way...and it ain't up. it reminds me of a well-spotted maxim i read about here the other day:

I’m especially interested in how people police each other’s reactions, and how the accumulation of that policing at the individual and societal level leads us to start policing our own, with disastrous results. I’ve said it before and I’ll say it again: The “national pastime” in the USA isn’t baseball, it’s debating exactly how much other people are allowed to react to something that hurts and upsets them. There’s almost a formula in play, where, the more power I have (or assume I have) relative to you, the more I expect you to keep your reactions to the things I do to you to a decorous mumble that I can safely ignore without having to change anything about myself (but also, the louder I will yell about how “dramatic” and “over-sensitive” you are). 

women can tell you they absolutely don't safely get away with saying they prefer certain things in men. no matter how carefully or how long they avoid hurting anyone, giving the truth demanded of them will very likely lead to anger, manipulation tactics, and quite possibly abuse and violence.

trans women not being considered "allowed" to be "picky" is a major vehicle of transmisogynistic abuse. this is how and why so many trans women are preyed on by violent men. "they're just grateful for anything, "they'll do anything to please", "nothing's off limits"...these are common fallback lines of the transmysoginistic predator. a trans woman who defies this by rejecting someone for not being her type, no matter how nicely, is in a very scary position.

we hear white people say they're "not into black people" all the time. not only is it much more commonly said and accepted than when black folks say they don't want to date white people, but white people are incredibly eager to condemn black preferences overall, barging in on discussions which are really intracommunal.

and radfems use "type"-badgering to "prove" the "men" (trans women) who get angry and upset at them for doing this are "violent misogynists", that "maleness" is violence, and to indoctrinate each other. stories of the angry reactions their "type"-badgering got, screenshots from lgbtq+ spaces where people "ganged up on them" for saying they don't date trans women (usually they also said something along the lines of "i can tell when they're trans") are passed around in radfem spaces as Evidence that the Shadow of Maleness is infiltrating womanhood and preying on them...

...yet they're the ones invoking the maxim.

and sure enough, they are not going to cishet male-dominated spaces to do so. they are "type"-badgering specifically in queer/trans-inclusive spaces. functionally, it is nothing more than reactionary maintenance of a power structure which benefits them, and a bid to provide depth to the sense/fear of victimhood they've externalized and phenomenalized (this is a big part of why we say just don't engage.)

these are just a few examples, obviously. the last one is a good chunk of the reason i really made this post. because despite the fact that i'm sure most of us feel all this should go without saying, or can be shortened to "don't be an asshole", i really think it's relevant enough to the conversation about transphobia and exclusionism in leftist & queer spaces that it does need to be addressed, and probably more often.

[villainsandvictimsalliance]

how do you write the league of villians what are things to pay attention to when writeing them like with dialouge and gestures and stuff

Uhhhh, to be honest what I do is try to reread the manga a lot or write down certain chapters that help me with the characterization. Maybe another list would do it? Idk idk, I'm terrible with trying to explain myself today ejdndnjf. Let's try anyway.

Tips on what to pay attention to when writing the League of Villains:

1) You need to understand that the League is very individualistic.

If you compare the League of Villains to other teams like the Meta Liberation Army, then you will find out that the League really values their personal freedom and the ability to do as they please.

They have strong personalities that clash all the time, but they also know how to act together because they have a common goal. You need to be careful with those, because it's like handling the little threads of a puppet to make him walk in a certain direction.

Dabi tends to like working alone, but he always comes back when the LOV needs him. Twice is not very good in solo missions, but he's a real overkiller when he has someone he wants to protect or take care of. Mr. Compress doesn't like big fights and prefers to stick to subtle roles— he's the wild card of the team. Spinner is often in the support role, while Toga is the one with more secret missions among them. As the leader, Tomura is the main show and the most direct attacker.

I often try to categorize their dynamics and study how Horikoshi uses them in the manga.

2) Pay attention to how their backstories dictate how they see the world around them and how they interact with it.

A good characterization comes from knowing the character, understanding how they came to be and how they can grow. I suggest that you reread the manga and ask a lot of questions.

One of the best examples is Dabi. I've seen him depicted as this cool suave character, when in truth his very awkward!

There are several moments in the manga when a LOV member pointed out his low self-esteem or tried to comfort him over it. Toga said that he was running away because his fire couldn't hurt Gigantomachia, while Twice tried to cheer him up during the attack to the summer camp. He dances like a little kid when he gets excited and couldn't recruit one (1) good new member, the only one being a traitor. He's also very very dramatic, "falling from a second floor widow as I destroy a building" dramatic, which would be super aloof if it wasn't for Toga noticing that he did that to cheer her up after Twice died.

Another example is the difference between Dabi and Spinner:

Even when they are both Stain fanboys, they differ on what is a pro-hero and who gets to become one. Spinner is more idealistic, being a civilian kid that still has hope. Dabi is way more cynical, given that he knows by experience the inside workings of the Hero Society 'cause his dad was a pro-hero. On the other hand, Spinner suffered from a type of discrimination no one else in the League could understand.

They do not see the world the same way, so they won't react to it the same way either.

3) You don't want to turn them into a stereotype instead of the multifaceted characters they are.

I find that fandom spaces are deadly scared of making a character ooc or scared of turning them into a stereotype. I personslly think it's kinda silly to expect fan creations to be exactly like the main source.

Characters are defined by maaaany things like their past, their environment or the setting of the story, the current arcs, the message that the author wants to communicate, etc. They'll be different in each story, but the goal is not to write them to the point they are unrecognizable

If you're afraid of writing the LOV shallow or making them feel alien, remember: the most important part is to figure out the core of the character, aka those traits that cannot change under any circumstances or you'd be writing an original character.

Once you have those traits, you should focus on consistent writing. Every action must have an explanation, an origin. Create your own guidelines and stick to them.

For example, in my I Don't Dance au, Tomura leans into his "Tomura" persona for a healthier reason, but he still does it. AFO didn't force the identify change on him, instead Tomura took it as an artistic name to distant himself from the Shimura tragedy. While Tomura is still a shield for Tenko to hide behind, just like in the manga, giving him an artistic way to express his sorrow and guilt instead of a destructive quirk and the worst mentor figure ever— well, it gave me an excuse to make Tomura just as unwell, but a lot more sane and in control of his emotions.

He might be a bit ooc, but that's expected of an alternative universe where I changed a lot of his past! The important thing is that he's still a menace and that his issues are the same, just treated differently.

4) Like when you're learning a new language, you will have to exaggerate before you learn how to control their personal "accents".

Remember the essential traits I mentioned? One of them is the way they talk!!!!!

Try to think about the level of education they had, who were their friends, the socioeconomic status of their families, what jobs they worked in, what series they watch... Of course, you can ignore this and try to write them all on a basic vocabulary. This really depends on how deep you want to dive in the characterization.

You know that Dabi is really rude and that he grew up in a wealthy family. However, he'd try to hide his upbringing so as not to make others question him. You can write him talking more in the street style and maybe make him slip and add a witty comment from time to time.

Toga has a very kawaii talk. It's exaggerated when she's on beast mode. Like Dabi, Toga is pretending because she wants the world to perceive her as a little girl and not a monster. When Toga feels more comfortable she is kinda childish, but something closer to her age. She is more calm, more sober with her words.

This applies to the gestures too!

Spinner would try to act cooler because he wants to look like Stain, but he's a nervous wreck. You can write him as someone who tries to flex with his giant sword, while screams the most nerd stuff ever to exist.

In serious moments, Twice is able to look fully present, less divided; on the day to day he jumps from grumpy to childish with little worry. He's movement is probably clearer when in a fight and his words are more severe.

Mr. Compress acts like a coward, but when the time comes he's not afraid of the spotlight. He is not one to talk a lot. Theatric gestures like fixing his coat, his hat or his gloves are unique of him.

An exercise is to make them all say the same dialogue or do the same gesture, exploring how different can they perform under the same circumstances.

5) Know your limits as a writer or know when you want to explore / expand your range.

As a writer, you must know where you are, where you want to go and what you want to do. Or at least realize you don't know and that it's a new adventure for you!

Sometimes you'll have to write that fanfic and let it be for a while. You can reread it later and ask yourself what can be improved. Art is a process of failing and failing and taking notes of those failures, so you can get better.

Another good exercise is to read a lot of fics and study them. If you think a fic has good characterization, try to pinpoint what gives you that feeling. Be critical. Overanalyze. Complain on your own if you need to.

Instead of expecting it to be perfect on the first try, imagine you're building a stair. One step will not take you there. Work with one character at the time or with only one aspect, maybe the dialogues only. Focus on a part and then you can continue with others.

I'm aware of how general and vague I'm being, but I don't have specific rules for writing the League of Villains. I try to do the same thing I'd do with any other characters. So....

Hope this works for you too <3

[miloscat]

[Review] Sonic Rivals 2 (PSP)

Does Rivals 2 really rival Rivals 1?

Almost exactly a year after Rivals, Backbone produced a sequel. Given the quick turnaround you can't expect too much has changed—we still have a 2.5D race-based platformer—but they've done a good job stuffing new features and content into the package this time around. Is the new stuff a worthy addition though?

First I'll address the general refinements. Characters' signature moves are no longer at the whim of the rotating pickups, but given their own button and a dedicated meter that fills by collecting rings. This is a great change that adds dynamism to play, and makes character choices more meaningful. The action feels faster paced, with shortened windows to execute vaulting moves, for example. Presentation is a little more slick and the card collecting more transparently tied to your accomplishments (although they don't factor into the plot anymore). Weapon use has a little more depth as it's possible to avoid hits, and stage gimmicks get more involved at times. All these tweaks make for a stronger game experience, but I did feel like the bot players were harder, and story levels took me more retries on average... especially when playing as the characters with weaker abilities.

So the headline feature is the new playable characters. Added to the prior game's roster of Sonic, Shadow, Silver, Knuckles, and Metal are Tails, Rouge, and for some reason Espio. They bring new abilities of varied usefulness; Tails's flight is rarely helpful and Espio's merely makes you disappear from the level progress bar, but Rouge's homing bat missile is great. Apart from these powers, everyone plays identically. Story mode is still split into four perspectives as the roster of eight pair up... you can pick either character within a pair but I think this only changes which order you play out events within a zone, while each character still has a separate campaign progress. It's an odd choice.

The story follows its predecessor's example of constant misunderstandings and miscommunications as an excuse for the characters to get into petty conflicts. It also reuses the "Nega disguising himself as Eggman" plot device, although this time Eggman has an actual role in the plot. Not content to rip off its own prequel, Rivals 2 steals shamelessly from Sonic 06, as it culminates in a city of the future devastated by a raging beast of elemental fire whose name is taken from Islamic folklore, Iblis Ifrit! At least this game doesn't completely erase itself from history. Anyway, more characters means more interactions and this time the cutscenes—while still just text boxes and portraits visually—are all nicely fully voiced.

A new world map screen helps to contextualise things well and the new environments are just as nice and colourful as they were in Rivals 1. Among the race levels and boss fights (whose quality is on par with the prior entry's) are new level types. Some just have you run through a level solo against the clock or trying to collect rings or Chao; not very satisfying. Others are head-to-head battles in small arenas, and despite pushing them hard in the story mode I feel like these are a dud. Even with the standard multiplayer-type variants of deathmatch, capture the Chao, bomb tag, etc. these always seemed a drag when they came up in the campaigns. It's a shame that all these attempts at adding new things to do end up not as fun as the core gameplay.

At least the soundtrack is a step up, catchier and more exciting. The exception is the addition of a key vocal track, which only plays on the title screen and oddly in level one. It stands out, and not in the good way that His World stood out in 06. This sums up Rivals 2 in a nutshell: the core is enhanced and refined, but its new additions and ideas are a real mixed bag. This leaves Rivals 1 as a purer if rougher experience, which I prefer. Unfortunately Backbone didn't get another chance with Sonic as a couple of years later after a flurry of acquisitions and mergers this particular studio was closed down. There wouldn't be another Western-made platformer in the series until Boom seven years later... well, unless you count Unleashed for mobile phones, Jump, Jump 2, Jump Pro, Jump Fever, Dash, the Sonic CD remake, Sonic for Didj... you know what, never mind.

[omegapheromone]

Dear Misce Folk, do you like the flavour of your own scent?

It's time for another misce poll, inspired by the fact that I found peach-flavoured monster ultra at the nearby store and it made me think about how it's sort of interesting that I absolutely love anything and everything peach-flavoured, which is also the base note of my own scent, and I started wondering if liking similar flavours to one's own scent is a common thing for misce folk.

It may be hard to interpret this question if you have a scent that isn't exactly a flavour, if your scent has multiple notes/layers, or is otherwise complex. Here are some examples on how to interpret this poll:

Viable example: your scent is vanilla. Answer the question as "Do you like vanilla-flavoured things?"

Viable example: your scent is equal parts wood smoke and coffee. Answer the question as "do you like foods with a smoky aroma" OR as "do you like coffee and/or coffee-flavoured things?" (Whichever you like)

Viable example: your scent is old books with a side note of whiskey and a very, very faint hint of sea salt. Answer the question as "do you like whiskey, whiskey-flavoured things, and/or foods/drinks that contain whiskey as a flavouring?" (Answer based on the strongest "edible" thing that is a part of your scent)

Viable example: your scent is cigarettes and old leather. Answer the question as "do you like the taste of cigarettes?/do you smoke cigarettes?" (Technically, cigarettes are not eaten, but they are consumed as a flavour in some sense, so they can be counted as somewhat of an exception to the rule. Also no judgement whether you do smoke or not.)

Viable example: your scent is lavender. Answer the question as "do you like lavender tea and/or other lavender-flavoured things?" (It's not a common food flavour, and is more associated with scented items such as candles or soaps, but it does exist as a fairly common flavour of tea. Answer based on this. For other floral type scents, try to figure out if they are often used as flavourings in things- cherry blossoms are often during the spring season, for example, but lily-of-the-valleys aren't, especially since they're poisonous.)

NOT VIABLE: your scent is earth after the rain. While you can technically lick the ground after it rains, you're not going to find it as a flavouring for actual foodstuffs meant to be eaten and enjoyed. Novelty items such as "beanboozled jelly beans" which are meant to taste like inedible things DO NOT count. Please pick the first option ("my scent can't be a flavour")

With that out of the way finally, here's the actual poll;

Feel free to elaborate in the notes! I'm curious to know if this is a common experience for misce folk.

[delistravaganza]

I swear I relate to everything you have written about the enemies to lovers trope and lesbians.

it’s not even about lesbian representation, at least in fandom, of course that’s important but it’s not the point here, it’s about having wlw stories that are as...complex? Messed up? Intricated? as straight or even (in more recent years) mlm romantic storylines are allowed to be. I feel like I am constantly hungry of complicate stories with lesbian or bisexuals female characters involved in messy relationship. But almost every popolar ship that I meet on fandom or tv shows either is watered down, made all soft and sweet and not threatening and so not complicate enough to be appealing. (or in the fews that are not like that in the original media they get made in this way by the fandom- it’s so unnerving). it seems to me that’s it is either “tragic dead lesbian” or “soft sapphic story all is sweet uwu”. As someone who love stories with romance only when the romance is very complicated and not necessarily healthy and full of ambivalent feelings (don’t judge me as you said it’s just a matter of preference ashahaha) I sometimes read slash (mlm) fanfiction on ao3 that feature very complicate and not necessarily healthy dynamics and I go damn I wish that there was a fanfiction exactly like this but with two women instead of two men.

I get this 1000%. To be fair, I don't think it's just the wlw couples being UwUified in recent films and shows, this happens to all queer representation because of the pressure to create "good rep". To some extent, it's even happening with straight pairings because people are more aware now of sexism and what it really means to consent, though everyone still seems to be willing to let this knowledge fly off if teh guy iz HOT.

But there seems to be a particular issue with writing f/f interactions that are manipulative, dark or somehow more adult, not necessarily meaning sex but rather a more nuanced portrayal of the relationship. Whereas all the straight toxic romances went to specific (and thriving) genres such as "dark romance" (which at least seems to be more self-conscious as the Reylo fic I mentioned before), and we get glorious epics of m/m fanfiction stories (and books that feel like fanfiction), it sometimes seems like the women characters are treated as little girls.

Even in a dark, creepy, cannibalistic, adult-oriented show such as Yellowjackets, I found myself more interested in the hypothetical Jackie/Shauna pairing because oh boy that was complex! than in the actual lesbian pairings involving Tai, who is a great and somewhat nuanced character except when it comes to her (sanitized) relationships. Is it really just me favoring problematic and unhealthy dynamics or is there some truth to this? (It may be me.) Is Tai a bit tamed down because she's gay AND black?

Also, to be completely fair, I think that I have more expectations when it comes to wlw plots, maybe because I subconsciously think of them as more "me" than the others. I've read a lot about how women use slash to slip away from the narrative and write more freely, and the fact is - I've read a lot of trash when it comes to m/m. And I definitely don't remember it with the resentment I save for f/f media like First Kill ("you fucking set out to be everything I wanted and turned out to be a pile of dog shit!").

I have also read extremely interesting books featuring f/f dynamics on the latest years, which I could post here instead of whining à la Louis de Pointe du Lac, but the fact is that these books already set out to be a work of literary merit and weren't written to dwell on the romance or possible romance itself. I'm not even counting MBF here as I read it a while back for the first time, but it could be an example - I don't know, but it definitely wasn't written with UwUification in mind. I'm still thrilled at how much the marketing DID and DOES UwUify our girls and their relationship. Sometimes the marketing is like: Wouldn't you just love to have such a special friendship like these two? Uhhh what? No, thank you, I had my share of that shit?!?

Oh, and also - I'm not even sure it comes down to self-identification either. I said I identify with Catradora, but the fact is I don't necessarily identify with either Catra or Adora. I just identified with their feelings, and I felt empathy for them, and I worried and I suffered and I felt frustrated and I so, so, so hungered and feared for their fights and God, you should really check this one out because it's really on the edge between UwU and dark, and I think it's this mixture what made it work in today's world. It seemed to appeal to both parts of me - the one who lowkey wants the positive, young-and-healthy-oriented rep she didn't have as a teen, and the more prevalent one who prefers angst and twisted things. And yes, it's a cartoon. A cartoon did what many real, adult-oriented shows and books couldn't do with me.

But Catradora probably also worked because we, the audience, were purposefully kept in the dark about them, so we got to experience their story as it developed and without any clear expectation as what the end would be (compared to: here's your wlw romance of the day! Ship them! Hope they don't die!), something I'm sure you wouldn't be able to achieve now that all the info is out there.

Anyway, I'm rambling now and already taking too much time off work. But I find this topic fascinating. If anyone else wants to join in the conversation or point me somewhere that isn't Buffy/Faith or Catradora or Villanelle or Nicky/Lorna (YES I STILL SHIP THEM AND WILL ALWAYS DO) or our Neapolitan toxic friends, please do. And as always, nice talking to you. <3

---

P.D.: Here's a long video analysis that I really liked that tackles why "good" LGBT representation is boring (not wlw representation exclusively).

[flowwochair]

Sorry if you have received this question before (and no need to answer publicly or even at all if you don't feel like it; that's my usual disclaimer 😊).

So I know you're a big Bessières-Murat shipper, that's why I hope you may be able to help me out. I've read several times (in English publications, as far as I can remember) that Murat and Bessières indeed were close friends. Have you come across anything that supports this assumption? Because I've been looking and so far I've come up with nothing except Bessières being a witness ("cousin") at Murat's wedding. Which is far from unusual for Bessie. The list of correspondence in the French Archives only seems to have official military documents they exchanged - but no less than 22 letters "of predominantly private nature" (sic!) Bessières received from Eugène de Beauharnais. And considering Murat and Eugène were not exactly best friends...

If you have more examples of private relations between Murat and Bessières, I would love to learn about them!

Thank you in advance! 💝

AAAAA I SAW THIS ASK THIS MORNING BUT FORGOT TO ANSWER I AM SO SORRY!!! I know that Murat and Bessières met when they were in school (College of Saint-Michel at Cahors) then went on to serve in the same guard (Constitutional Guard). It would seem to me that Murat initiated the friendship, although I have seen someone people say that it was Bessières so on that I am uncertain, but Murat seems to have been the one usually dragging Bessières around with him. One of the biggest factors contributing to this sort of historical blurriness regarding their relationship is the fact Bessières had a whole LOT of his personal letters burnt by his own command shortly before he died, likely including a lot of his correspondence with Murat. Regarding his friendship with Eugène, given Murat's nature and attitude, I feel like if that truly made him uncomfortable/paranoid he would have dropped Bessières immediately and/or taken a passive-aggressive or straight up hostile attitude with him which he does not seem to have taken from what I know; this could either mean that maybe he didn't view this friendship as a threat or he cared too much about Bessières to drop him (which is the cute option that I prefer bgdhjhdfjdf). I know a couple of rumour-style stories of Murat begging Bessières to drop out with him, or Murat convincing Bessières to sneak out with him at night when they were in school but these are just stories from somewhat unreliable sources regardless of how much I'd love to believe them TwT. I mainly ship them because I love their dynamic, especially stemming back from when they met where Bessières was the perfect golden boy and Murat was the unpredictable chaotic little fuzzball. I also love their relationship stemming back so far to the point they made such a genuine connection, when they met again in Italy Murat seemed to still hold the same affection for Bessières. I also have never read about Bessières resenting Murat on any personal level, even after his betrayal, if anything Bessières seemed to become even more miserable after Napoleon essentially blacklisted Murat, but this might be my biased reading of it since there were a lot of other factors making Bessières miserable at that time (600k of debt, post-Russian campaign, lots of comrade deaths, etc.). I hope some of this info helped, some of it is listed in their wikis actually! I have a messy scrambled time with my sources so if I find deeper ones I'll lyk TwT. TLDR; i am the crazy bessimu person i love bessimu so much bcuz theyre adorable childhood friends who seemed to never stop caring about each other.

[iniziare]

DAV Spoilers. Or at least, my "general game opinions". I'll be vague in terms of the game's conclusion, so you don't have to worry about spoilers. Though unless you've finished most of the game (roughly halfway act 2, or just around part 10 in terms of Steam achievements), not all of this will make sense to you. But in short: I like it, I like it a lot.

First off, I need to be honest and say that I went into Veilguard as an absolute critic with the expectation that as a fan of the older games and their lore, I was going to rip into it. After all the news of the team crumbling, I simply lost all faith. But worst of all, I was going to do so while potentially not even playing the game. But in all of my rationality, I always say that one only ever has a right to judge something, after having given it enough of a fair chance. So that's what I did (and admittedly, I had some hype simmering in my heart to see the ending of a story that had become very dear to me), and I don't regret it. Dragon Age: Veilguard, in my opinion, is deserving of praise, and is unworthy of the bad reviews it's gotten. Alright, this is only part of my opinion— but it got a little ramble-y, so forgive me.

Rook. I thought that it was going to be impossible to get me hooked on another protagonist, especially in today's society where people seem to prefer a 'make your own' approach, as opposed to my personal preference of a pre-written character. For instance, I always had a clear preference for Hawke vs. the Warden and/or Inquisitor, but that's just me— I don't like 'creating' my character when I play, I simply want to be told an established story (AC Valhalla is an example of a massive dislike for me). But again, I'm aware that this comes down to preference. Now, I was afraid that Rook would be an even blanker canvas, but I was pleasantly surprised to learn differently. Rook is incredibly reminiscent to me of Hawke, without being a copy in whatsoever way. I'm delighted to have the sarcastic option back (and as many, I loved that it was reacted to by Solas), as it really adds some wonderful personality into the mix. To add to that, I love that it's Rook who is the 'comical relief' without being actually outright comical to a point where it's too much, which would then risk taking away from the weight of the story. Bioware chose a perfect balance here. Outside of that, I very much appreciate the backstory options. My first playthrough had me picking the Crows out of curiosity and as an ode to an old favorite's origins (hi, Zevran), and it was very fun. I enjoyed the consistent mentions and references of the tales of her past after I'd chosen them, and I find enjoyment knowing that even the small details change a bit, such as the verbal reactions to the ziplines. I also was very happy to see her interact well with Solas, because that was another big concern of mine, as I was very worried that there might have been a decision made to add in any sort of flirtations (despite knowing Weekes likely wouldn't go there, based on Solas' foundation). Rook and Solas' dynamic is one I very thoroughly enjoy in exactly the form it was presented in. Up until the very end of the story, she stayed consistent with my choices, and had me seated here with blurry emotional vision on occasion. And while those who know me know that I can get very emotional over details in games, it isn't actually that easy to get me there initially. But good job, Bioware, Rook is a worthy, and wonderful addition to your lineup of protagonists. Good job.

Solas. God, the consistency of his character in this and DAI has driven me wild to the extent of a rabid dog. It is so good, I'm wildly impressed. If there was ever a character that I could give up all of my other characters for, I genuinely think it would be Solas. He is incredible. I was thrilled to see the connection to Mythal more properly addressed, and while I know that there's many firm opinions out there on this dynamic (my own write-up will be incoming), it was made clear that their dynamic was always one of utmost fundamental importance, at least to Solas and his motivations. That's my big thing, Mythal's perspective aside, I think that it was imperative that we learned just why Mythal was such a 'final transgression' and catalyst for all of his actions (though don't worry, this isn't me taking away his accountability). And from a personal point of view, while Solas' origins were hinted at already in DAI, it was nice to see it confirmed that he, and the others, indeed originated as spirits. And in that, it is good to have learned how he became 'twisted' from his nature as a spirit of wisdom, to one of pride. I think that's fundamental to his character, and I also greatly enjoy the elaboration on some of Cole's lines in DAI about Solas, and who we now know for sure was Mythal: 'He did not want a body. But she asked him to come. He left a scar when he burned her off his face.' A lot of things hit vastly differently now, when you look back and you realize you have confirmed answers finally in the palm of your hand. I thoroughly questioned Mythal when I went for her essence, reloading multiple times as to ensure that I got as much lore as I could. And I hurt, especially since the end of the game. As I said, I won't spoil, but the ending has left me emotionally scarred in more ways than I could ever explain. That interaction, that emotional release was everything to me, and it was good to see it, even if I could barely see my screen anymore at one point. Weekes did Solas justice in so many ways, and while I initially had a little bit of a peeve at a decision in the game towards the end, my rationality had kicked in, and it was a logical decision. I'm happy, I think, if that's the right word that I can use for this. Also, seeing the scene from the trailer was so good, I screamed at my screen. I just, I'm in total and utter love with this man.

Dragon Keep/choices. Let me actually get to my point of criticism, but know I'm approaching this rationally, and not emotionally. I need Bioware to confirm their canon within these games, and if they officially want to let go of the 'decisions that we once made', then just say it and state it somewhere. Tell us what the decisions are. But that aside, I do want to play light devil's advocate, because I think that it's important. Since the revelation about Morrigan in specific, I've been caught in the push and pull of 'does this make sense for her character', and I think that it's so easy to say 'no, it doesn't' when thinking of DAO, but we're not coming from DAO. We're coming from DAI (after numerous years of development for multiple characters), where Morrigan had already shown a pressing interest in something that held a high risk of her getting possessed by Mythal just like her mother. Despite this, and despite her arc in DAO, she wants to drink from the Well of Sorrows. 'But there was no choice, for Corypheus was going to destroy Thedas', the Inquisitor was an option the entire time. No, what I actually am personally of the opinion of (although I'm waiting on my Morrigan expert to finish playing, for I am not an excessively thorough one yet), is that Morrigan was, and remained hell-bent on obtaining knowledge/power, it has been part of her arc for a long time, and even the threat of possession didn't dissuade her from the possibility of obtaining an unusual amount of it in an unparalleled rare form. That isn't, in my opinion, bad or lazy writing, that is consistent and shows a character flaw that I don't think is often addressed with 'protagonists' enough most of the time: greed. I want flaws that make it much more difficult for me to feel inclined to agree with those that call her the Indiana Jones of Thedas, for she is a brilliant character— but a character with flaws. Now do I think, since having watched the ending, that her presence was also a plot device for Mythal in one way or another? Possibly, but that's merely a side addition in my opinion. I just find it too easy to simply go 'it's bad writing', because while I could agree, it also means you then have to condemn Morrigan for the exact same reason back in DAI, which I don't think is something that's fair to do. An argument could be made that Veilguard has lost most of its original team of writers (including David Gaider himself) and so they took liberties, but that same argument can't be made for DAI. Gaider created this franchise, he had intentions for characters, and arcs, and he ultimately is the one who decided when something was good to go. And on top of that, he wrote and created an amazing franchise, and he earned my trust because he did that. And so I trust that the presence of Morrigan in DAI was logical, which I did think it was— it showed flaws that I craved to see outside of her arc in DAO. And I think having seen DAI, that Veilguard isn't unrealistic for her. And as to why this isn't a 'full possession' as it was with Flemeth, I think the key for that is realizing that she obtained it alongside that headpiece where Mythal was killed by Solas. Because what we also know, in that little scene— and it took me a rewatch of it, but Flemeth/Mythal left part of herself in that Eluvian at the beginning of the scene. I would bet that's what Morrigan possesses now, since Solas himself is the one who 'absorbed' the part of Mythal that had fully possessed Flemeth. Does this match with what Morrigan says? Not exactly, but I don't think that she's a reliable narrator.

[maxgicalgirl]

I don’t know if this is a new thing in fandom or just a Twitter thing or what, but I do not understand how people are so invested in specific sexual dynamics for your ship that you can’t even engage in the ship in non-sexual means if the fanart/fanfiction is made by someone who prefers the opposite sexual dynamic.

My assumption is that the person thinks it affects the dynamic of the ship even outside of sex ? Like if they ship Character A/Character B where Character A is the “top” then that character acts more “masculine” or “dominant” while Character B acts more “feminine” or “submissive.” And then if you prefer the reverse, then the characters roles in the relationship are reversed.

I’m not sure if this is an asexual thing for me, but for me even if I prefer a certain dynamic when I’m reading smut for example, engaging with the people who prefer the opposite dynamic outside of that sexual context does not change the way the characters act for me ???? Like if you read/watch/play/listen to the source text the characters come from, the characters’ personality are there in the text canonically ? That’s what they’re like ? Their personality doesn’t change if you’re picturing them in the bedroom ? And isn’t it kind of regressive to think that one character has to be the “man” and one character has to be the “woman” regardless of whether the two characters have the same gender ?

Like I saw someone on Twitter selling dolls but they said they only wanted Character A/Character B shippers to buy the dolls and not Character B/Character A shippers because they preferred a certain dynamic. The dolls are clothed and look exactly like they do in the source material. Unless I am going around changing the dolls to be naked and posing them in a certain way and then posting pictures of them online, you would never know which dynamic between the characters I prefer. What is the point then of limiting who can get the dolls when we all like the same characters and just engage with them differently in a personal sense ?

And even if the artist or writer is writing smut or drawing sexual art that depicts the dynamic I don’t necessarily prefer, I don’t make a big deal about it and it doesn’t bother me or ruin my day. If I’m feeling generous at the time I may still read/look at it, and if I’m really not feeling it that day, I’ll click away. Literally this applies to like 10% of the engagement I do that is sexual in nature, and I’d be missing out on so much content if I really let someone’s smut preferences affect the way I view a drawing or smth.

Genuinely I don’t understand it. I don’t remember fandoms being like that in the 2010s, but then again, I spent a lot of my time on Tumblr and have only recently started to look at stuff on Twitter because of fanartists migrating for more traction and the like.

It’s weird growing up and seeing fandom as a method of engagement change before my eyes lol

[evakuality]

4 years of Druck s3 - week 7

Things of note in this episode:

1.  This is probably my favourite episode and so this is likely to be lengthy!

2.  I really love how this conversation with Hans differs from the og.  In a lot of ways I prefer this one, unlike the one in episode 5.  In this, first, Matteo says ‘if it makes you happy’ he’ll call him his guru and I love that change in the dynamic.  Plus, I really do love that Hans is attuned enough to religion that he takes Matteo into church to have this conversation (and so Matteo’s mother does in a way see him in church that day).  I think it’s very important that a lot of Matteo’s issues about all this stem from religion and so taking him into a place of religion to demystify it is so important.  Also, Hans’s advice about David isn’t that he’s probably playing Matteo (as Eskild suggests to Isak), but that he’s probably not out and needs time and respect for that or to be left alone.  It resonates in a different way, and the fact that this religious breakthrough happens at Easter is a really lovely touch.  Plus we get the whole bit about Matteo’s mother, and he’s able to come to terms with her and her issues in a way that leaves him much calmer and more at peace.  Compare the above picture to this one from the start of the episode:

This earlier Matteo was so sad and he was at seas and all confused.  But at least he knew that going to Hans would help - and was able to do it even when Hans had been so upset with him before.  And kudos to Hans for seeing past all that and recognising that Matteo genuinely does need a gay guru and being that person for him.  This conversation has done exactly what Matteo needed it to and he’s so much happier and more at ease both with the David thing and with his mother.  

3.  Speaking of religion, this whole bit with Amira is a) so lovely and b) so important.  After their previous discussion, this has needed to be addressed and she does it in such a gracious way - which he returns.  I do think that without the chat with Hans he may have been less keen to hear what Islam thinks about homosexuality but together these two conversations have really helped him unpack some of his prejudices about religion, and he is far more willing and able to open up to hi9s mother with the hope that she won’t reject him.  I absolutely love that ‘for Easter’ Amira’s family has made some food to share, thus showing Matteo that religion can be open and accepting of other faiths, cultures and lifestyles.  Amira doesn’t just tell him she and her religion accept him, she shows him and it’s very powerful.  Even if her bringing outside food into a cafe worries me, since you’re absolutely not allowed to do it here.

4.  I really love the colours in this episode - they’re so much warmer and more cheerful than the previous ones.  Partly that’s because this was Easter and the colours work really well for that time of year.  But also because Matteo is starting to warm up and open up into his new self.  I am, once again, so impressed by the way light and colour is used in this show.  It’s just soooo goooooood.

I also love how much Carlos has grown - Kiki has such strong views and she wants everyone to agree with them.  In a lot of her life, people just don’t (I imagine Zoe must be such a stress for her, for example), but Carlos, who has been shown as a bit of a lad and quite ignorant and occasionally offensive, has taken it all on board and you can see it in the way he acts and the things he says now.  He enjoys his new knowledge and certainly has a lot of sensitivity to people and their relationships.  He’s the one who knew things were off with Matteo and Sara, and he’s the one who moves to listen actively to Matteo here and who says things he hopes are supportive and encouraging.

5.  Sara.  This poor kid.  We see here the culmination of everything that’s been going wrong in her life and it must have been so hard seeing Matteo in the midst of all this.  But I like to think that she feels lighter and happier after this is done.  We do know what she reaches out to Leonie after Matteo suggests that talking to people helps.  If we compare this picture of her to the way she was shown in s1 and even 2, she’s so diminished, shot from above and looks so weak and vulnerable.  Even compared to the social media post she made wearing this exact outfit, she looks different.  But it’s maybe like a wound being lanced - like Matteo she was trying to put up a facade, live a fake life in that earlier post.  But now she’s able to be real and yeah that hurts but it’s better and they will both be able to move on and be happier more authentic people in the aftermath.

6.  Speaking of hurting - Matteo makes so much great progress this episode and he’s able to become a happier and more settled person.  But at the core is this boy who misses the boy he thought he was creating something nice with.  He told Hans he ‘can’t believe’ that David doesn’t want him and I think that makes this even harder.  The pictures and videos David sends are sending him mixed messages.  On one hand, he’s keeping up the contact and trying to maintain something with Matteo - on the other, this stuff is all ‘it’s not you it’s me’ ‘in a different life we’d be in Detroit’ etc etc.  There’s no hint that things can be ‘real’ between them in this life and so Matteo keeps having these small moments of sadness throughout the episode.

7.  And so that’s why this whole part is tinged with a melancholy.  Unlike in other versions, there’s no passion here, no ‘throwing caution to the wind’ or anything.  Instead it’s so gentle and cautious, so fragile.  There’s a sigh of relief that David is here, but neither of them is at ease.  Of course, we start to understand David’s thing the next day.  But even here it’s so clear why Matteo feels the way he does - everything since David told him he’s not into him has been such a rollercoaster that it’s not possible for him to throw caution to the wind.  He’s felt so much sadness and heartbreak about David even this week that he can’t allow himself to fully dive into this moment.  And of course we’re left with this shot of David’s face and we get to see that he’s not happy either.  It’s a long long few hours til the next morning and David’s secret!