#which he's been doing since episode 1

[brionysea]

mike trying to talk to his family about his hobbies/the things he's passionate about and getting shot down

+ bonus (for comparison)

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[cocoabubbelle-newblog]

Rings of Power S2

Spoilers

Arondir: *stabbed*

Me: NOOOOOOOOOO 😭

Adar: *prettified by Nenya and has possibly his conscience restored, his thirst for vengeance cooled down, alludes to an older name, and has VIBES with Galadriel*

Me:…*remembers that Celeborn was supposedly killed off centuries/who-knows-how-long-ago*…wait. WAI-!!

Adar: *also stabbed*

Me: NOOOOOOOOO(dangit there goes my headcanon)OOOOOOOOOOOOOOOO 😭😭

Arondir: *alive actually*

Me: …wait wut

[randomwriteronline]

Pohatu liked the cold.

Pohatu liked the heat too, to some degree.

But he liked the cold better.

Pohatu didn't know if he liked him because he liked the cold, or if he liked the cold because he liked him.

It could have been both; he didn't know.

What Pohatu did know was that he very much did not like the dark.

It hadn't always been like that.

It hadn't always been that bad.

Pohatu could hardly remember much from before he had crashed on Okoto from the sky, but he was certain he hadn't always been so afraid of the dark. He was certain, at some point, to have liked it to some degree: to have gladly traversed it without fear or with greater purpose, and to have associated it at least in part with something friendly, someone nice.

But he could not remember that.

What he could remember was the pitch dark, and a trusted hand clamped around his own tight. Just Pohatu and him, in an endless abyss.

They had both been scared, of course. But they were together.

They would have made it through.

Then suddenly, after ages of wandering in the complete black, the hand had slipped away from Pohatu's grip, never to be found again; and he had cried out for him, over and over, telling him it wasn't the time for jokes like these, and that he thought he didn't like this kind of humor anyways. He had cried out a name he couldn't remember anymore until his voice had turned hoarse, and he had reached out everywhere in the darkness in the hopes of finding that cold palm again: nobody had ever answered.

When Pohatu had stopped calling for him, everything had been quiet.

Quiet, and not cold.

It had always been cold, while he was here.

Always a little bit cold, and it had comforted him.

But now it was only quiet.

Quiet, and not cold.

Pohatu had started being afraid that something, in the dark, had taken him.

Pohatu had started being afraid that something, in the dark, would have taken him too.

"What are you waiting for?" Tahu asked. Pohatu was standing at the entrance of the tunnel, turned towards the hole they'd fallen through instead of following Onua as he lumbered down their only way out. "Do you hear something? Someone following us?"

"Not yet. But I'm staying here," the Toa of Stone replied softly. "I'll cover your back. Keep threats from catching up to you."

"Alone?" his Earth brother's concerned question came from deeper into the darkness.

"You'd never make it like that," Gali argued: "We've managed to handle the obstacles in this city only by working together. Leaving you alone might turn into a death sentence."

"As it almost did for Lewa," Kopaka added. His piqued tone gained an indifferent shrug from the object of his disapproval.

Pohatu stood still: "I can handle it."

"You aren't scared of the dark, are you, now?" Lewa's voice creeped up on his shoulder like a Skull Spider; within it, he could hear a mischievous grin.

He turned around, growling: "Be quiet."

Had he had any less self control, the Toa of Jungle's laugh would have ended abruptly with a fist harder than stone against his teeth.

"He is!" the nimble fighter cackled, a palm over his mask's sockets as though he could not look at his brother without being overwhelmed by the hilarity of the situation: "He truly is scared! Gloomy, fearless Pohatu is scared! This is too much!"

Nowhere near as amused as him, Gali hit him over the head with the blunt end of her trident and almost sent him sprawling on the ground. When she turned towards the Toa of Stone, her eyes told him very clearly that she was not going to entertain any more arguments on whether or not he would be left to hold the defense on his own: "Come along now."

"I said-" Pohatu tried, calling upon every ounce of his stubborness.

"And I said," she stopped him immediately - eroding his futile attempt at imposing himself over her will like a raging river smooths the rocks of its bed into inoffensive pebbles - "That, just to avoid the unsavory possibility of a large swarm of who-knows-what catching you alone here and your heroic sacrifice to keep them at bay leaving us one Toa short, you'll come along now."

Her tone left no room for rebuttals.

With a sigh that sounded more like a growl, her brother turned and followed Onua into the bowels of his element.

"Don't worry," he heard the kind giant reassure him quietly: "We'll keep you safe."

Pohatu would have snarled something much more incredibly nasty at him despite being somewhat aware of his good intentions if he hadn't been so focused on how quickly the light behind them was disappearing the more they walked, and by the time he properly processed the mortifyingly gentle words they were too far along for him to think of any sort of retort amidst his building panic.

It was dark.

Very, very dark.

Almost as dark as back then.

Almost as dark as where he'd lost the hold on that hand.

Pohatu hoped he wasn't heaving loud enough for the others to hear.

If he had turned to look around he would have seen the weak lights of their eyes only barely, not even bright enough to make out anything past the sockets of their masks; but if he had, his own eyes would have given away that he'd moved his head to look somewhere that wasn't simply ahead, and the others would have had no doubts in regards to just how nervous and uneasy he felt at that moment, and he had already decided he had been humiliated enough today to last him the rest of his lifetime, however long that would have been.

So he stared forward, into the dark emptiness that could have stolen him away without a trace at any moment, trying not to breathe too hard, so tense he could have snapped in half.

He needed to think of something else.

Something, anything else.

He thought of him.

Maybe he was here.

Somewhere in the dark.

Maybe, if Pohatu remembered his name and called for him now, loud enough, he would have finally answered.

Maybe he would have rushed over and grabbed his hand, chastising him - where in the name of Jxqx Krf were you? Did you want to scare me like that time in Hl-Txef, while we were looking for your Exr? If you were trying to make me grieve you in front of Qroxdx Lkbtx again, I'm going to freeze you into a cube - taking him away from all of this, away, somewhere cold and comforting and familiar, and Pohatu would have laughed bitterly despite himself and would have screamed that he hadn't let go, you left me there, alone and scared and in the dark, and maybe he would have yelled that everything had been changing so fast and he'd been all he'd had left that was still at least a little solid to hang onto and when he'd left him there he'd been terrified, and if he had changed it had been to be more like him, because nothing used to seem to hurt him and if he'd been anything closer to how cold and steady and rigid he had been then he would have had to survive somehow, no matter what, and then they would have argued more because they had both been so scared and worried, and then they would have made up and they would have gone out in the sun and Pohatu would have seen his face again and remembered him properly.

Maybe something could have pretended to be him.

Maybek, like that, it could have lured him away into the dark.

A horrible choked sound echoed weakly through the tunnel.

By the time the Toa had grouped tighter together against the unseen threat, Pohatu realized it had come from his own mouth.

He did not mention that.

They waited a moment, each with their backs to those of the others; then somebody (he could not tell who, he was too mortified) said: "Let's go," and they all moved again, walking closer to each other. Just in case.

Maybe it was for the better, in the end, because Pohatu inexplicably felt a little more at ease.

It could not be because he was sorrounded by people who cared for his well-being: at least as far as he told himself, he would have rather they'd left him alone back there, because the thought of being coddled like this when he was meant to be a mighty warrior was shaming him all the way down to his bones.

No, he realized with genuine surprise as he wracked his brain to figure this mystery out. It was not the numbers, or the unity; it was the temperature.

It was... Cold.

A gentle cold.

Emitted like one might emit warmth.

From somewhere at his side, near his arm.

Unconsciously, he leaned further into the chill until he softly bumped into a shoulder.

He waited.

Nothing happened.

No cold palm grabbing his hand.

No cold voice chastising him for running off.

Pohatu kept walking, limb brushing against the cold arm at every step, eyes never turning towards it, breathing a little more normally, feeling a little less panicked.

Kopaka had no idea why the Toa of Stone was suddenly so close to him, and he wasn't sure if asking would have gotten himself snarled at or simply knocked out; but through their contact he felt the other's shoulders mellow slightly, heard his footsteps turn a little less stiff as he exhaled softly in what seemed to be relief; so, as he leaned slightly against him without being shoved off, he decided that if his brother needed this at the moment he would not have dreamed of taking it away from him.

His power was a shield, after all, was it not?

And a shield needs not to be asked: it simply protects.

[thetimelordbatgirl]

Shout out to Stef Coburn who in his quest to make it hard to watch An Unearthly Child outside of DVDs and sailing the high seas, ended up getting his racism against the fifteenth doctor dug up by people who found how holy shit he's acting.

[time-is-restored]

fellas that last ted lasso episode. hmm.

listen i'll be real no matter what im gonna be out here gushing abt trent crimm cause he's my special little guy and im obsessed with him, but considering the Literal Paragraphs ive been writing abt all the shit i LIKED about the show, i didn't know how else to process these Less Good emotions than by blurting it all out over like two hours (instead of doing the dishes, lmao).

tldr; s3e2 was such an emotional high point for me, since i really felt like it had something concrete + specific to say about physical violence + social/emotional violence, and how they're BOTH highly valued as masculine ideals. but the episodes since then...

it kind of feels like im watching the result of a long and bloody fight between different writers? writers who, apparently, wanted Very different things from this last season, so now we're getting this. bizarro world mish-mash of two hypothetical shows, where tone + content + themes vary WILDLY and inconsistently from episode to episode - and even scene to scene!

[cw: discussions of sexism + racism, in a doylist context, also s3e5 spoilers]

specifically, i feel really disappointed and hurt that they went that direction with shandy's arc. i understand that we're only half way through the season, and obviously anything could happen between now and then but... really? like, is there some kind of budgeting issue here? we can't afford for there to be more than three (complex, not sexy lamps) women in any given episode? is that why the second jack appears, barbara loses any depth (what happened to that lovely moment of connection with the snow globes????????), and THEN the second SHANDY goes off her head it's. jack time? apparently???? like. this would feel a lot better as a viewer if at this point the show hadn't PRIMED me for jack doing something insanely stupid + cruel for no reason except 'haha Keeley Bad At Her Job'.

like. the first thing we see of shandy fine is her pride in keeley, and genuine appreciation of her hard work and skill. she's CLEARLY not stupid, otherwise why would the rest of her introductory scene be her helping keeley out with filmmaking advice (the extras thing) AND random, life experience shit (knowing how to deal with goat shit)?? she knows her way around a set, and she doesn't make any of the footballers feel judged, even when she's clearly thrown by the clips they're providing her.

so why in the space of like, barely a few weeks, does ALL of that get thrown out the window? 'condoms for balls'??? why are we supposed to just take for granted that she's stupid + overly ambitious (other than the Fucking Obvious!) when the show put NO effort into actually setting that up???? like, if her first scene was her monstrously fucking UP the shoot for keeley, and keeley hired her on pure sympathy then like. sure. whatever. no room for bleeding hearts in business. but that ALSO sucks as a story line for ted lasso, a show that (according to its OWN press releases!) is supposed to be about kindness and human connection and breaking cycles!

it just. it hurts? in a way where its like, i don't believe even a little bit that this was what the writers were aiming for with those scenes, and it frightens me that there could be such a wide gulf between intent and result. especially when bonding about The Shandy Incident is what got keeley and jack together (which i am trying... So hard to feel positive about, because explicitly confirming keeley's bisexuality is amazing, least of all bc it makes her jokes with rebecca feel a lot less mean-spirited on the writers' parts, retroactively)... like how am i supposed to be enjoying their moments together when i feel like the show's whole premise has been betrayed???

and really? the one moment nate gets to feel good in this WHOLE season, it's bc the server at the restaurant who previously could not care if he dropped dead right in front of him showed him some affection + validation?????

like, sure, i GUESS im happy that this random excuse for an arc has lead to a slightly more sympathetic female character existing at least in the PERIPHERY of the show's main storyline, except no im fucking not? i don't care about this fucking restaurant, and even though ive been DESPERATELY trying not to hate jade (even though the writers themselves can't seem to decide if she's Literally Racist or just a depressed service worker) NATE shouldn't care about jade! the ONLY way i can see this being an actually interesting arc for nathan is if its another exploration of his inability to leave behind the things + people that have hurt him, combined with years of conditioning where he's never allowed to express being annoyed/upset at anyone (which richmond!!! contributed to!!!!!! 'if you're mad, count to ten. if that doesn't work, count again'??? cool speedrun tips for resentment ted!). like, an arc where we see that distance away from richmond hasn't helped nate as much as it's removed some of the worst triggers, so a taste of athens ends up in the same awful pit of resentment + loathing as ted did. which nate clearly hates! he doesn't LIKE being that person! he apologised to a PAINTED DOLL of ted!!!! but when he doesn't have the framework or tools or SUPPORT to do anything else...

like. where is his team? obviously im not expecting the show to start being about a bunch of football players that AREN'T from richmond but? even just a small moment of appreciation? or hell! maybe they hate him! if we could see LITERALLY ANYTHING abt the sport which nathan has dedicated his life to, and how his Actual Coaching style is positively or negatively impacted by the lessons he learned at richmond? this is a show ABOUT football!!!!!

i just. a taste of athens? again? a-fucking-gain?????

and honestly, the worst part is that i REALLY liked the little monologue that nate got to give about how important the restaurant was to him! as much as it showed that nate is still just as passionate + earnestly defensive of the things he loves, it ALSO shows that he 1. spends that energy explaining his passion to people who don't deserve it/won't care, and 2. gets attached to things that really fucking hurt him! and like. i am on my hands and KNEES for that to be the 'point' of this arc but at this point i feel like that's me being naive! but if fucking JADE from fucking ATHENS is the civilising white gf who FINALLY talks nate down from him ~ ignorant, vengeful crusade ~ against the absolute ~ matyrs ~ of goodness at afc richmond, i just. like. what are we even DOING here gang?

i don't know. it hurts that sam's gone from being an almost principal character in s2 to only getting passing lines in s3. it hurts that rebecca's off in her own world, talking to strangers, having life-changing revelations on her own, surrounded by sets we're never going to see again, where every scene she DOES get to spend w one of the richmond members feels hasty and rushed, like the episode wants to get a few characters obligatory appearances out of the way asap. it hurts that all the chekov's guns around zava's arc (jamie's resentment, ted's lack of guidance, dani being 'demoted' + colin being benched) were apparently all just blanks, to be hastily plastered over with one big long speech about... ted wanting everyone to have higher self esteem, or something?

and listen, more the fool me if another episode comes out next week that i completely adore, and i spend like five days singing its praises. im mostly writing this so i can go INTO the next ep without feeling resentful + upset! i'll be STOKED if i was wrong and all of those little details ARE actually important, and these arcs have more to them than this! but for now im just sad and annoyed :(

[britneyshakespeare]

throughout the series of drake and josh it pretty consistently implies that josh nichols is a christian (josh peck is jewish) and in the finale of the series helen (played by yvette nicole brown, not jewish[?]) is portrayed as a practicing jew

[welcometogrouchland]

What if I proposed the analysis that Belos actually has very little internal moral compass and that his veneer of righteousness has always been implied by the writers to be complete fabricated bullshit even before watching and dreaming basically confirms it.

[chooey]

just finished breaking bad

[razzledazzle247]

The only reason Season 4 seems slow is because it immediately follows season 3, which was a whirlwind, but it built up to that! Season 4, in comparison, is showing a time of peace. There is no imminent war or assassination that everyone is running around preparing for, the characters don't even know that the threat is still out there! That's literally why Callum spent most of the season mad at Rayla, because she left and broke his heart for 2 whole ass years (on his birthday!!!!) and it was literally for nothing. The moment they find out that Viren's actually alive and Claudia's still doing the most is when things start to pick up, but season 4 is literally not meant to be the action? It was there to establish how things had changed after the time jump and to further develope the characters and their relationships/motivations.

For all that literally everyone on this app wants shows that don't get cancelled and characters that get properly developed, there's lot of people eager to drop the one series that is literally doing exactly that with no hesitation.

I don’t care what anyone in the fandom says, s4 of TDP is really good and you can fight me on this

[lecsainz]

A headcanon of Percy Jackson x reader daughter of Zeus, where he has been in love since the first day he saw her, and he had also recently arrived at the camp, please

˒ ⌕ SHE IS LIKE THUNDER

parings: percy jackson x zeus!reader

an:I know I disappeared, forgive me 🤧, but picture me writing this at 3 AM, dying of sleepiness after watching the last episode of PJO, AND ANNIE USED THE NICKNAME 😭 THIS EPISODE IS STILL TOO MUCH FOR ME TO PROCESS!!!!

summary: the one where you're a daughter of zeus, exploring your relationship with percy.

( my last work || my last work for riodanverse || go to main masterlist )

You and Percy crossed paths during one of your training sessions. Luke was giving Percy a tour of the camp, and when Percy laid eyes on you, he halted abruptly, as if struck by lightning. For some inexplicable reason, he felt an urgent need to know who you were, as if the gods themselves demanded it.

Percy's eyes widened as he observed you from across the training grounds. "Who's that?" he asked, pointing a finger in your direction. Luke suppressed a chuckle, a mischievous glint in his eyes. "Her? Oh, that's Y/N, daughter of Zeus." Percy squinted, trying to decipher your actions, as you accidentally summoned a small lightning bolt that fizzled out near your feet. His eyebrows shot up in surprise. "Does that happen often?" Luke grinned. "Only when she's particularly excited, which, by the way, is most of the time. You should see her during thunderstorms!" Percy blinked, watching as you waved sheepishly, causing another faint spark to crackle in the air.

You and Percy found common ground in venting about the gods upon his arrival.

"Hey, little thunder, how's it going?" Percy grinned. "Don't call me that," you replied, trying to keep a straight face. "I'm good too, thanks for asking, Lightning Rod," Percy joked, emphasizing his newfound nickname for you.

Attempts at using your powers together proved futile, as water and electricity didn't exactly make for a harmonious combination.

According to Percy, Cabin 3 was way too big for just him, and assuming you felt the same way about Cabin 1, he started a tradition. At 12:00, he'd show up at your cabin, asking to share it, turning into a routine of hosting pajama parties in each other's cabins.

After you discovered that your half-sister, Thalia, had been turned into a pine tree to save her, Percy couldn't resist teasing you about it.

"Do you think your dad would turn you into, what, a fountain? Or maybe a cherry blossom tree would suit you?" Percy grinned, enjoying the opportunity to rib you. "Jackson, shut up," you retorted, rolling your eyes at his antics. Later, when Grover and Annabeth intervened, trying to keep you two from frying each other, Percy couldn't resist a parting shot. He had soaked you with water from a nearby forest stream during the mission, leaving you drenched and fueling your desire to electrocute him. "Next time you want to electrocute Percy, make sure I'm not around," Annabeth teased as they separated you, noticing your soaked state. Grover, being the peacekeeper, started singing the song of friendship, encouraging both of you to hug it out and apologize. Percy, however, observed that you were shivering from the cold as you walked. Realizing this, he handed you his jacket, concerned. "You'll catch a cold if you stay wet like this," he said, offering you warmth amidst the chilly aftermath of your water-based altercation.

Since neither you nor Percy admit to having feelings for each other, you find yourselves in constant teasing and banter.

During a mission, you two start a squabble because you want to lead everything, and he just wants to do his thing or isn't paying attention to what you're saying. Grover and Annabeth exchange glances, seeking a way to mediate.

It takes a long time before you muster the courage to admit you have feelings for the son of Poseidon. You decide to confess first because, knowing Percy, it would take ages if you waited for him.

"Percy, I need to talk in case we don't get out of here." "Spark Plug, we're getting out of here; trust me." "I like you, Seaweed Brain." He stands there in shock, mouth hanging open, unable to believe that you like him back.

After Percy managed to confess that he also liked you, you enjoyed teasing him about his stunned reaction. But deep down, you were terrified that he might have said he didn't like you back.

Percy becomes incredibly protective of you.

"Touch her, and you'll be dead."

You love stormy days and spend hours on the beach with Percy because he can control the water, ensuring you both stay dry.

"Isn't it beautiful?" "What, little storm?" You pause, gazing out at the tumultuous sea, the waves crashing against the shore. "It's like the ocean is in harmony with this storm. It's as if they understand each other, finding peace in the chaos." "Maybe," Percy finally responds, a soft smile playing on his lips. "Maybe storms and the sea have a way of finding peace in chaos because they understand that even in the wildest moments, there's a certain kind of order."

You appreciate the profound simplicity of his words, and in that moment, he wraps his arms around you from behind, resting his head on your shoulder. For the first time in a long while, you feel at home

[darkstaria]

Yandere Batfam - Soulmate Soul Animal Au.

Chapter 5:

Chapter 1. Chapter 2. Chapter 3. Chapter 4. Chapter 6.

Sorry for the long weight everyone! I had to binge allll of Stranger Things for a friend's future birthday event and ohhh wow I thought the episodes were gonna be 20 minutes not 40-1hr

Also I suffered a bit of writers block, it happens

But regardless, I hope you all enjoy! ^ ^

(also the taglist has migrated to the bottom of the fic because it's a bit too long now)

----

The office was large, sprawling walls contained by an even bigger ceiling. The faint humming of Tim’s computer provided no reassurance, nor did the soft leather of your seat. It felt as if you could sink right into it, and try to fade away. There was a faint aroma of coffee that lingered around the office, but it gave you no solace. It just reminded you of the mistakes you made, to end up here. The elephant in the room.

Tim’s smile was bright, a warm sun. You were burning.

“It’s.. nice to see you again.” You attempted, words stumbling about on your tongue. You couldn't help it, the mere presence of your soulmate sending anxiety skyrocketing down your spine. Why couldn't he just get to the point?

“I didn't really expect my company and Wayne Enterprises to be working together.” You continued, a fake smile plastered onto your face. “What a nice coincidence!”

“I hope for us to have a successful collaboration.” Tim replies, still smiling. “But enough about the companies, it's been so long since I've seen you, and I didn't have your number to text.”

You laugh in response, a pale imitation of a real laugh. You had hoped to focus on discussing the work you both had to do first, and then escape before any catch up talks were attempted. Unfortunately, it appears that Tim won't let you do any actual work before engaging with him.

Your nails dug into your knees, an attempt to stay calm. Your reply was measured.

“Oh are you sure? Surely it would be better to get work on the collaboration done first, then we’ll have all the time left to chat freely.”

“I wouldn't worry about that, really. We’ve got plenty of time together, and I wouldn't be able to work without knowing how you're doing lately. Since you didn't have the time to text, I presume you've been busy?”

“Ah, right! Yes! Yes I have been, busy that is, you know how it is with work. Endless and all that.” You were frustrated at being pushed into a lie already. Tim was in charge here and he knew it.

“Why don't you give me your number then?” His smile was perfect, as flawless as his manipulation. “That way, when you're too busy to remember to message, I can remind you.”

You frowned. Like he didn't know your number already.

Quickly remembering you had to smile, you gave him your number, watching as he slowly typed it in, then texted. Only when you showed you received his text did he relent.

The ‘meeting’ continued on from there, Tim asking about all your hobbies and passions. Time ticked on, daylight turning to evening. Any attempt from you to redirect the conversation to either himself or work was swiftly dismissed. A small part of you admired his skill, he was playing you like a doll. You knew it, but you had no option but to play along. It was like an older sibling playing pretend with the young sibling. You hated the comparison.

The attention was unnerving. Your only solace was that neither of you had soul animals present currently, which was an absolute miracle.

Actually… what if that isn't a coincidence at all? Could this too have been engineered? Was that even possible?

“So then what’s your opinion on..” The sound of Tim’s voice slammed you back to reality. You quickly focused back in, fearing losing any advantage due to a lack of attention.

Abruptly, an alarm sounded, the noise blazing a path through your eardrums. You jolted in surprise. Tim however, was barely rattled. A frown appeared on his face as he glanced at his phone.

“That was the Arkham Asylum breakout alarm. It's no longer safe to go outside.” With these words Tim got up, walking over to the door and opening it.

“What…?” You mumbled, horrified.

“Stay here.” He commanded, a firm tone in his voice. This was Red Robin. “I’m going to check on the building, don't leave, it isn't safe.”

“Wait! But.. the collaboration.. we didn't..” The words rushed out of your mouth, leaving you feeling like a fool as Tim paused for a moment, to look at you.

“Don't worry.” He smiled, the weight of it bearing down upon you. You felt small. “You can just come in tomorrow, I'm sure your company won't mind.” With the final word said, Tim closed the door, presumably rushing off to become Red Robin. The click of the door felt like a dismissal, a scolding. A reminder to stay in your place.

Once again, you were trapped.

You clenched your fists. He wanted you to stay here, in his territory. You didn't doubt that Wayne Enterprises had amazing security, probably some of the best considering the identities of the owners. This was likely the third most safe place in Gotham, with the first and second places going to Batman’s base and Wayne Manor.

But… you haven't learned anything yet. All that time spent with him and somehow he hadn't brought up that singular, obvious fact. There was no way he didn't know, not with the way he was acting. And yet, he hadn't brought it up. Why?

What was he getting out of this?

Was he hoping that if you assumed he didn't know then you could easily be monitored? Was he just gathering information before acting? Where was the rest of the vigilantes in this?

Your head was spinning, going in circles. You couldn't understand him, you couldn't understand any of them. Why choose to be vigilantes, knowing the costs that life endures? Why were you tied to them, when you were so against a fundamental part of their existence?

You couldn't understand this at all. How could this be the basis of a soulmate bond?

You were… opposites.

You felt the telltale beat of an oncoming headache. For your own sanity, you decided to fold the incoming soulmate crisis into a small cavity of your brain to panic about later.

Fact One: There was an ongoing Arkham Asylum breakout, everyone is either being attacked, hiding away or escaping the city.

Fact Two: Batman and all his partners are going to be occupied for at least several hours if not a day.

Fact Three: You were going to take advantage of this.

It was the perfect time. All your soulmates were occupied, so none of them would be able to pay any attention to you. Red Robin might know your identity, and so the other vigilantes may know as well.

That didn't need to matter. They may have the information, but information itself is useless, if they are unable to act.

Right now, any Gothamite that isn't involved with rogues is either hiding or escaping. You could join the escapes, and get out of Gotham in the rush.

You didn't have to stay here, to play the role of a caged bird. You could escape, before they even got a chance.

You had to try.

You suppressed a shaky sigh, getting up and walking to the door. You tried the door handle.

Locked.

Uh oh. You tried it again, and then a few more times after that, shaking the door eventually in your desperation. Oh come on! You desperately thought to yourself. The one time you finally got the perfect chance and it's being ruined by a locked door.

Wait. You glanced at the small window in the door, the beginnings of an idea sprouting in your head. You glance over at Tim’s desk, noticing a small paper weight. You smile.

Lifting the paperweight, you judge the weight to be enough. Holding it up, you get into position to throw.

Wait.. the door has a keyhole, not a sliding chain, you realize, almost too late.

Ah.

Well that would have been embarrassing.

Sadly, you place the paperweight back down. There goes that idea.

But that wasn't the only door in the office, there was another one, the one that the shouting voice left out of. You approach the door, trying the doorknob.

Click!

It opens! Giving a small laugh, you advance through the door and out into the halls of Wayne Enterprises, a jubilant smile on your face. Whoever was shouting at Tim earlier, you almost wanted to thank them.

You avoid the elevators, instead picking stairs, as you presumed they may also be in lockdown. It didn't take you too long to get down to the ground floor, since the main walking areas were now barren of people.

The ground floor had some unfortunate news to offer you though. The once wildly open doors had now been locked down and barred, an iron wall between you and freedom.

Although, maybe there was some other way, you thought, eyeing the anxious security guards patrolling the front entrance.

Pulling out of your hiding spot, you approach the guards, making to time your steps, making noise to not scare them. You really didn't want to get shot before you had even left the safety of the building.

“P-please help me!” You stuttered, trembling with tears in your eyes. The guards jolted in surprise, turning to face you. They were expecting threats from the outside, not the inside.

“I need to get home, I can't stay here.” You sobbed, the guards pausing in confusion. They didn't know what to do with you.

“What’s wrong?” A sympathetic guard asked, patting you gently on the back. You almost felt bad.

“I need to go home!” You repeated, tone frantic.

A disgruntled guard stepped up to you. “Look, no one can leave right now. Company policy. It isn't safe, there's been an Arkham breakout. Just sit tight, and whatever’s waiting for you at home will be there when you get back.”

“N-no…” You mumbled. “You don't understand.. I have.. I have a cat, waiting for me.” You glance up, watching the expressions on their faces. They seem unmoved. “A-and my child!” You cry out, realizing you needed a better lie.

“A child?” The disgruntled guard repeated, sounding a little more sympathetic, but clearly not convinced. He eyed you up and down, evidentially thinking you looked a little too young.

“They're so little, but my cat likes to take care of them and I needed the money so, so I left them at home alone today. But recently they're been figuring out how to open doors and if anything happened to them I don't know what I’d d-” Your frantic lie is cut off, the disgruntled guard laying a hand on your shoulder.

“Alright listen. None of us can escort you, we're here on the job.”

You nodded, feeling exuberation rush through you.

“But if anything happened, run right back here, alright?”

You nodded again, fighting a smile on your face. The guards unlocked the doors, watching you dash out with frowns on their tired faces.

They were obvious to the beaming smirk on yours.

Nights in Gotham are by nature a little terrifying, but they're nothing compared to an Arkham breakout night. Shadows crawled up alleyways, the smell of booze and smoke lingering in a way it never could on normal nights. The terror was so pungent in the air, you could almost taste it. It was on the tip of your tongue.

Every so often you'd hear a scream, and you'd walk a little faster. Ideally you would have committed to the stealth route, but you had wasted enough time already.

Your house was on the way to the bus station, so you could easily pop in, grab essentials, and get out. You wouldn't lie, you were nervous. Every so often you’d feel your knees lose strength, and you'd have to fight with your body to regain the strength to stand.

But at this point it was either the horror of whatever your soulmates had in store for you, or the horrors of Arkham night. You'd already picked your poison, now it was time to swallow.

You took a breath in, then out, and continued walking. You were almost there.

The streets of Gotham stretched on endlessly, a cacophony of fear.

Just a bit longer.

A gunshot sounded nearby, the noise blasting through your eardrum.

Almost there.

The hum of a van's engine rushed through the night, haunting laughter echoing through the road.

You could see your house!

You beamed, a smile lighting up your face, as you practically skipped up to the entrance. You reached into your bag to withdraw your keys.

You had just retrieved them when a crowbar smashed into your head.

----

Wow umh, please pray for reader guys, this is NOT going well for them. Who do you think that was?

Me writing shenanigans for this chapter:

I just really feel like reader should smash open this window, let's do it. Wait. They wouldn't have doors that work like that. so reader sadly puts the heavy object down :(

Also me: yeah so reader lies here and it's an absolute mess

Also also me: rip reader that's a lotta head trauma omg

Sorry for the lack of soul animals this chapter :(( there's a reason I swear

The next chapter is definitely gonna be a bit insane, for sure! The soul animals return then anddd in droves!

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If I missed anyone out im super sorry! I generally check the replies for the current chapter and messages for people that want to be tagged, so it's possible for people to slip by

Just remind me again and I'll be sure to add you! (This also goes for if I misspell you accidentally, which also happens cuz I type them all manually)

For some reason I couldnt tag anymore people until I put a random space in-between the tags, so that's apparently a thing. If anyone has any ideas why, I'm listening

[dashiellqvverty]

id forgotten a lot of details about black sails bc thats how i am with tv shows (and also i watched seasons 3 and 4 a couple episodes at a time over a long period of time) but something really fucking shitty im only being reminded of as im rewatching the first episode of season 3 is how the audience is meant to empathize with enslaved people specifically through the eyes of a white man

[bloodsbane]

so i really liked this part in the snack/sorbet episode, and since i've been in a Think About Dunmeshi mood the last couple days, i've been trying to interrogate why this little moment caught my attention (besides the fact it's cute and appealing animation-wise - i especially like the movement of chilchuck pulling his head back up and gesturing with his hand afterwards)

i guess the short answer is it's a nice moment between chilchuck and laios. like, to me, it's an oddly... not vulnerable position, but maybe more open for chilchuck? it's a couple things: the POV shot emphasizes the fact that he has to tilt his head up and back to look at laios because of the height difference, and i know it's been shown (mostly in bonus material i think) that laios tries to be careful about how he interacts with chilchuck because chilchuck doesn't like feeling infantilized for his size (like laios not obviously bending/kneeling down to hug him, as an example). like, chilchuck could've still turned his head while looking up, or even walked backwards to look at laios, but he does this instead.

then there's the fact laios is gently pushing chilchuck forward. it's a small thing, but i know pushing can feel... well, pushy, maybe patronizing or rude in some cases, depending on the context and who's doing it, yknow what i mean? but chilchuck doesn't appear to mind. and this last part is probably mostly a me thing, but i think there's a certain amount of trust being demonstrated here, because chilchuck is 1) letting laios guide him, 2) trusting laios enough to not look where he's going for a second, which 3) idk about you but i find the act of walking forward while looking up mildly disorienting

i get this is probably mostly me looking into things a bit more than i need to! but still, i've always really liked the moments where chilchuck demonstrates that he does see laios as their team leader, and generally trusts laios well enough, even if he might prefer laios behave differently and sometimes decides he needs to be pushed to understand/confront certain things. their relationship dynamic is a particular one, kinda subtle, but there's a degree of respect and trust that i just enjoy seeing!

[sage-nebula]

This has been spinning around in my head since I watched season 2 arc 1, and I can't refrain from putting it down to post anymore.

In season 1, Jayce and Viktor get into a fight when Viktor evades the blockade to go speak to Singed in Zaun. During their fight, Jayce snaps at Viktor that he didn't know that Viktor's friend was from the undercity, and when Viktor asks why that matters, Jayce says the above: [people from the undercity] are dangerous (earlier he had also said, "there are people down there who seem hell-bent on destroying us!"). That's when Viktor grows cold, reminding Jayce that he is from the undercity, and even after Jayce apologizes, Viktor knocks his hand away, choosing to stand up on his own.

In season 2, chembarons hired by Ambessa (though no one knows that at the time) attack the memorial for the dead council members. In the aftermath, Caitlyn calls them animals. Notably, Vi shows no reaction at all to this; she doesn't so much as flinch at Caitlyn's word choice. Instead, while she does downplay what happened to an extent ("they wanted the spectacle, they're trying to scare you"), what's notable is that she separates herself from the people of Zaun. This is especially notable when she tells Caitlyn to call off the invasion, because of the risk it poses for those not from Zaun:

"Down there, you'll be on their terms."

Viktor seems to have pride in the fact that he is from Zaun. He has love for his home. As difficult as life was there, as much as the pollution led to his illness and disability, he has no shame that he's from Zaun and he still sees value and has love for the people there. This is why, when Jayce writes the Zaunites off as "dangerous", Viktor grows cold. He is no different from them, in his mind; if they're dangerous, then so is he.

Vi is . . . different.

In season 1 arc 1, Vi expresses to Vander that she has bought into and believes that those in Piltover are more than those in Zaun:

Now, here, Vi is still grouping herself in with the rest of Zaun. But there is a level of self-hatred (and hatred for one's home) that we don't see in Viktor. Viktor doesn't see himself as lesser than those in Piltover. He doesn't see the Zaunites as lesser than those in Piltover. Vi, however, does. She states this as if it is a fact. And while she loved her family, and has parts of Zaun that she likes (e.g. Jericho's food), it's worth noting that at the end of season 1 episode 1, she isn't telling Powder that they'll liberate Zaun, or fight for Zaun, or anything like that. Instead?

"This city's gonna respect us." This city. Not our city. Here is the first moment we see in which Vi puts some separation between herself and the rest of Zaun. She wants to make them respect her (and Powder). Even if she's less than those in Piltover, she still sees an opportunity for herself to be above those in Zaun.

All of this is to say that, when she has no reaction to Caitlyn calling Zaunites "animals", when she refers to them as "they," when she refers to Zaun as "their terms" . . . ultimately, it isn't too surprising. Vi represents a type of person who does exist in marginalized groups: the self-hating type, who hate others in their group for "drawing aggression" or "negative attention."

Think about queer people, for instance, who hate those who are flamboyant or open about who they are and who they love. The ones who think, "If we just assimilate more, be less of a bother, be less obnoxious, then the queerphobes will accept us." Obviously, other queer people find this type of person extremely frustrating, sometimes even infuriating, because we know that it doesn't matter what we do or how we act; bigots will never accept us.

But what we should understand, and extend compassion for, is that self-hating marginalized people are that way because it's a defense mechanism -- a survival mechanism, really. They can't square why bigots hate them, so they reach for any kind of explanation they can find, even if that explanation ultimately blames others in their own group and does more harm than good. Not to mention that hating yourself for who you are is often a result of long-term, systemic abuse -- the exact same kind of abuse that comes from living under an oppressive regime that murdered your parents and will assault you at any given opportunity, even for something as petty as your little sister miming shooting them with finger guns.

Vi says that she, "grew up knowing [she] was less than them." This is extraordinarily damaging to the psyche, and Vi's self-hatred -- and the extension of that hatred toward Zaun, not wanting to save them but wanting to make them respect her -- is a trauma response to that. One that Viktor, obviously, doesn't share (and neither does Ekko, or Jinx) -- but everyone reacts to trauma differently.

The point is, we saw shades of this already in Vi's childhood; her statement that she's less than topsiders, but that she wants those in the undercity to respect her. So when Caitlyn calls the Zaunites animals, Vi doesn't flinch. She agrees. And she speaks of them as separate from her, because Caitlyn has already designated her as one of the good ones (reinforced to her by what Maddie told her Caitlyn said right before the memorial), and because, well, those who attacked the memorial did do something horrible. And maybe if they wouldn't do that, and maybe if Jinx hadn't blown up the council building -- maybe if they were better behaved -- then the enforcers wouldn't have to invade and do what they were about to do, now would they? Those in Zaun -- or at least those in Zaun who decided to strike against Piltover -- brought it on themselves, so Vi isn't with them. She's with Caitlyn, and is okay with referring to them as animals.

It's interesting to think about.

[emo-batboy]

Battinson on SNL

Idk how popular Saturday Night Live is outside of the US so there will be some links for context. That said, as a New Jersey native, I think Battinson would totally watch the show. And since he's a celebrity...👀

SO

To promote WE’s newest charity fund, Alfred signs Bruce up to be a guest host on SNL (à la this post) The announcement is made, and everyone’s like “oh this is going to be a disaster. That man can’t even hold eye contact or speak a full sentence without crying.”

But oh, that’s why it’s so funny.

Now, hear me out. Bruce’s strengths are displayed best when he’s himself. That’s why he’s so popular in Gotham. That’s why the internet calls him Relatable TM and a Disaster (Affectionate) and “Poor Little Meow Meow.” It’s his ✨ essence ✨

But he tends to get overwhelmed or self-conscious onstage, right? Because he can’t be Himself himself if he has time to overthink something. So after a few meetings with Bruce, the writers of SNL figure out the perfect way to keep Bruce from getting anxious.

They decide to load this episode with as many skits where Bruce plays different caricature-like versions of himself as possible. The objective? Make him break character and laugh so he doesn’t overthink. And if he breaks character, he’ll still technically be in character because he’s playing himself, you know? Genius.

So that’s how they go about structuring the show. During the few days they have to write, they decide to take everything about Bruce’s public image and either ramp it up to 11 or turn it on its head.

He speaks quietly? Turn it into a running gag. He dresses in all black? Make him emo. He tips well? Add that in too. He’s “depressed” and “sad?” Literally, all he does on screen is laugh and break character. What’s not to love?

Of course, Bruce also gets to decide what skits are in each episode as well. (Refer to this if you have no idea how SNL works.) He loves the idea, though, and he has a surprisingly dark sense of humor which bleeds into some of the sketches. They add in a few skits without him, and they’ve got their lineup.

It’s the wildest episode of the season. Here are the highlights:

OPENING MONOLOGUE

It’s the big night, everyone’s excited to see Bruce Wayne hosting a live sketch comedy show with no idea how it will turn out.

To begin his monologue, Bruce walks on, opens his mouth to start talking, and immediately two cast members appear as stagehands to set up six microphones in front of him. He is already struggling to keep himself together.

Bruce: “You may be wondering why I’m host- Cast Member: *adds one more tiny microphone to his chest* Bruce: “You may be wondering why I’m hosting tonight.”

It’s working. The audience loves it.

Halfway through, Kate McKinnon comes out in a dark cloak with a chalice. “Your sustenance, my lord.” *sees camera* “Oh. Sorry. Carry on.” And she shambles off. Bruce has to take a second before continuing.

Bruce knows when (most of) the jokes come. It’s literally on the cue cards, but he still falls into a fit of giggles.

There are a few more gags, including Lex Luthor peeking out from behind the band set-up, all teasing the show to come.

Overall, an amazing way to set the tone for the episode. Expectations have been set. Then the skits begin!

(Oh but before I forget: During every single live skit with Bruce, the writers have scheduled for one of the cast members to run in dressed as a stagehand and put an extra mic on him. They do not tell him when it will happen.)

SKIT #1

Between the monologue and the first skit, he has to do a really fast quick change, but to everyone’s surprise, Bruce is a natural. (Huh, wonder why.)

The skit is called Gotham PTA Meeting. We open in a meeting room full of stereotypical PTA moms setting down baked goods and gossiping. And apparently, there is a new PTA member attending today 👀

Right as the meeting starts, he enters. Bruce walks in wearing the most emo get-up imaginable. He’s got a Nirvana shirt, a comical amount of eyeliner, black skinny jeans, chain accessories, metal rings, AND a clip-in extension to give him fringe.

Someone immediately runs in and puts another mic on him.

PTA Mom: “Oh, Bruce! You made it! Did you bring a snack?” Bruce: “I brought lemon bars.” PTA Mom: “Why are they black?” Bruce: “They match my soul…they’re also vegan.”

He talks like a moody teenager. HE CONSTANTLY has to brush the fringe off to the side to read the cue cards. And because there’s so much eyeliner and he’s sweating a bit from the lights, it starts running everywhere.

PTA Mom: “Bruce, you’re a little quiet. What are your thoughts on increasing the school lunch budget?” Bruce: *eyeliner dripping down his chin* “I think it’s a great idea.”

SKIT #2

For a pre-filmed skit, they bring back the Chad character with Pete Davidson.

It’s 2 am, and Chad is working at a 24hr drug store in Gotham. He’s reading Twilight (the book is upside down) when the lights begin to flicker.

He turns around and tries the light switch, turns back around, and JUMPSCARE it’s Bruce dressed as Edward from Twilight.

Yes, he IS sparkly.

Bruce is awkwardly holding a bunch of items, all concerning. He plops down a few knives, several raw meats, Sudafed. Chad: “Oh hey.” Bruce: O_O “I’d like to check out please.” Chad: “Lit.”

Chad’s “No Fucks Given” energy and Bruce’s “Please Do Not Perceive Me” energy clash like titans. The whole skit centers around it.

Bruce: *sweating bullets* “Oh. You’re reading Twilight?” Chad: “Just the title.” Bruce: *throws the book through the window at lightning speed* “It’s not very good. You should probably read something else.” Chad: *shrugs* “Okay.”

Chad: “ID?” Bruce: “ID? For what?” Chad: “Sudafed.” Bruce: “Oh. I don’t really need that, actually.” Chad: “Already scanned it.” Bruce: “Haha. Of course.” *awkwardly produces a scroll from his pocket that says Bruce Wayne DOB: 1901* Chad: “Okay.”

Bruce checks out, Chad picks up a porno mag or something, and we see Bruce turn into a bat and fly off through the window behind him.

SKIT #3

The next skit they have is Celebrity Family Feud: Billionaires Edition. Again, Bruce plays himself, but he’s more of a background character. Instead, the skit makes fun of billionaires as a whole.

Bruce’s team consists of Kylie Jenner, Lex Luthor, and Oliver Queen. So just imagine three Lucille Bluths standing beside one another. 

Bruce’s bit? He just keeps handing cash to Steve Harvey every time he breathes in his direction.

Host: "We got the richest man in the world: Bruce Wayne!" Bruce: *hands him a roll of cash* Host: "Oh, what’s this for?" Bruce: "It’s your tip. I always tip." Host: "Oh, Mr. Wayne, you don’t usually tip the show host. I’m also a millionaire myself." Lex Luthor: *snatches it* "Well, if you’re not going to use it, I will…for charity, of course." Host: "Uh huh, whatever helps you sleep at night."

Just a ton of fun quips, the usual.

At some point, Harvey says, “That’s batty.” Bruce: *ducks* “Where?!” Host: “Oh, I don’t mean Batman. He’s not here.” Bruce: “You don’t know that.”

This time, the mic bit is a bit different.

Host: “We asked 100 billionaires: How much does a loaf of bread cost? Top three answers are on the board.” Bruce: *hits buzzer* Host: Bruce, your answer is? Cast Member: *runs in with a megaphone and holds it in front of Bruce* Bruce: “TEN DOLLARS?”

Board dings! That was the #1 answer

Brucie Wayne for the win

SKIT #4

Next is a skit that dares to ask Gotham, “Why would anyone live here?”

The skit begins with someone opening a press conference for Wayne Enterprises. “And now presenting: Bruce Wayne!” Bruce walks in…

But it’s not him. Instead, it’s one of the cast members dressed in a black suit with horribly gelled brown hair.

Everyone in the audience is wondering where the actual Bruce is before another cast member runs onstage crying, “Help! Help! I’ve just been robbed! Somebody call Batman!”

A mini version of the bat-signal lights up…

We hear some generic hero music play…

And there he is: Bruce Wayne dressed in a horribly cheap Batman costume

(They got the cowl ALL wrong btw)

Bruce puts his hands on his hips in a weird superhero pose. Bruce: “I’m Batm-” Cast Member: *runs out to attach another mic to his costume* Bruce: “….I’m Batman!”

Cue all of the gags and digs against Batman. The fake Bruce faints then starts crying under a table. Someone calls Batman a furry. Bruce is barely keeping it together the whole time. Lord help him, but he asked for it. He approved the skit.

Bruce: “Looks like a job for my bat taser!” Cast Member: “Isn’t that just a taser with a bat on it?” Bruce: *whispers* “You shut your mouth.”

He saves the day, the police take the thief into custody, then Batman myStErioUsly disappears. Bruce: “Look over there!” *runs off* Cast Member: “Oh my gooood, how did he do that?”

CLOSING SEGMENT

Finally, they have the Weekend Update where Bruce comes on as himself for the final time.

Since they got his permission, the writers switch out some of Bruce’s jokes last minute. (Think Bill Hader’s Stefon which notoriously caused him to break character because the writers would mess with his cue cards.)

News Anchor: “Here to promote his newest humanitarian project: Bruce Wayne!” “Mr. Wayne, what a pleasure to see you today.” Bruce: “Thank you. This is probably the longest I’ve been out of the house.” News Anchor: “Since the Riddler catastrophe?” Bruce: “Since ever.”

News Anchor: “So Mr. Wayne! Before you make your announcement, any life updates?” Bruce: “Yes, actually. Just a few days ago, I adopted five- *starts losing it* five more children.” News Anchor: “Wow, really? So you have eight kids now.” Bruce: “Uh huh. *tears streaming down his face* One more orphan and I get the tenth one free.”

News Anchor: “So where can people find you online?” Bruce: “Well, I don’t have social media because I’m afraid of people, but sometimes I’m on Twitter.” News Anchor: “What about a phone call?” Bruce: “Oh no, phone calls- *giggle* phone calls give me fainting spells.”

It’s a great way of finishing the show, with the most genuine version of Bruce. Then, he gets to what’s really important!

News Anchor: “So if they can’t reach you on social media or on the phone, what else can our viewers do, Mr. Wayne?” Bruce: “They can donate to the Wayne Foundation’s newest charity called The Arts Initiative. It funds programs for the arts in underdeveloped school districts nationwide. I’ve already donated $30 million, and I’ve pledged to match every dollar donated within the next week.”

And that’s what he’s here for :) They share a link for where and how to donate. The anchors praise him for his charity, which he deflects because he can definitely afford this, and the 90-minute broadcast is over.

The camera pans away with the whole cast waving goodbye, and Bruce is seen keeling over with laughter.

Along with some of the other skits, these four specifically go viral. WE raises a fuck ton of money, and everyone loves Bruce.

THE END

LOVE YOU ALL!! Let me know what you think :D