#which all in all would be the way it would go in canon pretty much

[untitledderplord]

Absolutely no doubt bout Megatron fragging up starscream's processor big time. The sad part is in this one comic where Star actually did get his big ass leadership role, he kinda still stumbled due to the lingering paranoia. He couldn't believe that people actually were looking up to him, and even so, thought Megatron was jus gonna show up again to ruin it.

Legit^^ Starscream would no doubt have big expectations for his own sparklings, and thus plenty room to get annoyed kids aren't behaving in a preset manner. The higher you stand the harder you fall kinda energy.

And the thing on Megatron being /fully aware/ of what he's doing, while Starscream is very much too distanced and disillusioned to comprehend the true impact of his actions a lot of the time is so real.

A machine that pre programs bots to be a certain way is fucked up for real. Kinda makes me think of Armada tho in a way. Cuz the war had been going on for so long, that there were bots and cons just cold constructed into it. Starscream being one of em. Which as he starts to doubt things rlly screws with him. He doesn't feel like he can connect to the other bots in the "right" way /because/ of his Decepticon programming. He later didn't rejoin the bots when offered because he couldn't trust himself to not betray them again. Regardless if that fear was totally warranted because he helped the bots constantly in subtle or bigger ways. The psyche of that whole deal is wild when considering all the factors.

Yeah I know the one ur mentioning and it is indeed hella screwed up in layers. So you'll def need to be prepared for the levels of Star just getting dunked on after already getting hella dunked on

And yeh lol, TFP Starscream found the machinery in a downed ship and just booted it up. His clones got pretty rekt tho, one by bulkhead, one by dreadwing I think, and two by Megatron. Who actually, was hardly even impressed. He was jus like "weow, I bet you ain't even here amongst your canon fodder bich", which star was in fact not there but purely because he didn't have a t-cog at the time, not cowardice. Tfp Megatron is intense.

I just had a huge realisation yesterday and I wanted to share this after going through some pretty horrible stuff over the weekend: Something I've always asked myself ever since getting into G1 Transformers was "why do you like Starscream so much even though he's a narcissistic bully? Why are you, someone who is a victim of narcissistic abuse, taking comfort in a narcissistic character?" Well, I think I finally figured it out. Because Starscream is also a victim of that very same abuse. I mean, he's beaten, called names, bullied, unappreciated, abused, and put through the wringer…and he internalised all that abuse because he knew no other way. He had no one to turn to, and the few bots who did support him, he treated like dirt. Once he had that freedom and power, he abused it and became the very thing that abused him. I have no doubt he was always self-centred, selfish, had a huge ego, etc. before all that but honestly? I think Megatron's abuse caused him to turn out the way he did. I could have turned out that way and it's a little scary, some of the parallels I'm drawing with him.

@ichbinmeltdown wrote a great analysis on Starscream that I want to share here:

"Megatron was abusive as hell to Starscream. He treated him horribly, and I legitimately almost cried a few times watching it. There's an episode called Starscream's Brigade that introduces the Combaticons, and I think that perfectly demonstrates the cycle of abuse. The entire world is against Starscream at pretty much every turn throughout the series, but none more so than Megatron. Every word out of his speech synthesizer to Starscream is to berate him, and he's constantly throwing him around, beating him, even ripping out his speech synthesizer in a scene from a previous episode (Hoist Goes Hollywood, IIRC). His own teammates don't like him, and even his brothers- Skywarp and Thundercracker, going off of the idea they're brothers- just... allow Megatron to abuse him. (Not to get into headcanons here, but I personally believe that Megatron's abuse fractured the Elite Trine's family dynamic. They are still brothers and love each other, but they're all too afraid of Megatron to really... stand up for each other as they did in the past.) And Starscream seemed to just snap in this episode. He treated the Combaticons poorly, and even when teaming up with Shockwave, he subjected him to a lot of the same ridicule and torment that Megatron put him through. He failed to realize Shockwave was the one of the only bots who would give him a chance- and unfortunately lashed out at him, which ruined his chances of Shockwave ever being a true friend and ally to him. Once Starscream had finally gotten a taste of power and not being under another bot's boot, he too became the very thing that he lived in fear of. And that really is how the cycle goes- when you're finally free from abuse, it can be tempting to overcompensate and take back all the power you were robbed of, at any cost whatsoever. Starscream, like D16 in Transformers One, snapped up this opportunity."

And the sad thing is, I've seen this in real life and I've internalised some of the abuse I've dealt with too. I'm not proud of it. Like the Seeker Trine, my own family dynamic has been fractured by similar abuse. I know there's traces of narcissism in my behaviour too, and I'm NOT proud of it. Maybe this is why I can forgive Starscream for being a narc, because I can see a little bit of my own personality/attitude/behaviour in him. Maybe it's because I know where it came from, I get why he acts that way and it's not just random and out of the blue. Maybe it's because--and I know this is a bold statement--I don't think he would do some of the stuff my own family did to me (blah blah blah he's a fictional character).

I didn't mean for this to turn into a long rant, so

TLDR: I finally figured out that part of the reason I love and relate to Starscream so much despite him internalising some of the abuse I went through, is because he was the victim of that same abuse.

[zuppizup]

Rayllum, 10 babies and Xadian family planning

I’m trying to post the next chapter of Dark Alternative, but AO3 is very wonky, so you’re going to be subjected to my rambling thoughts on my new WIP for Work in Progress Wednesday.

So, over my vacation, I’ve been plagued by post-season 7 fanfic ideas. Short fics, obviously. No more than three chapters, as usual.

What’s got me intrigued right now, is how the continent of Xadia, or at least, a select group of people, will manage with living with the knowledge that Aaravos, in some form, is coming back in seven years. How would that affect politics and society, as well as the individual characters and the choices they make knowing that?

The regular folks would struggle to miss that whole eternal darkness and dead creatures thing that happened, but what do they know about exactly what went down?

And what do they know about what’s to come?

You know me, I’m a Rayllum person, so pretty much any fic of mine is a Rayllum fic, and this current idea is focused on how this particular threat affects the next stage of their lives.

Without a doubt, when we last saw Rayllum they were totally committed to each other and are fully ride or die… but how would that devotion relate to their future, in particular, the subject of children?

Now, I’m an angster in my deep dark heart, so while I’m sure many people could conceive of a fic where Rayllum are secure in their ability to defeat Aaravos come round two, that ain’t where my brain was ever going to go.

Rayllum are in love and clearly want a future together. Callum was openly planning a quaint little one in the Silvergrove before they were rudely interrupted by the whole end of the world dealio.

So, where does that leave them now (in my angsty reality anyway)?

In their youth, they both leaned into their more paranoid natures (Rayla leaving without Callum in TTM and Callum getting physical with Soren in season 4), and while they’ve both grown and matured since then, would such a threat as the world ending be enough to bring that paranoia right on back?

Which leaves me with my current fic planning conundrum.

Assuming Rayllum decided to forego the whole having kids thing until Aaravos is imprisoned again, how likely is it that they could plan when to have a family.

I’ve seen people say that the world of The Dragon Prince is in a medieval setting, and so people had children younger then, which, aside from not being the entire story, doesn’t feel like it really applies to a world with magic and dragons, a world that lacks the sexism and gender roles that are also associated with medieval times or other more grounded works set then.

Additionally, looking at canon, I think it could be reasonably argued that some form of birth control is readily available in the setting. In fact, I think it’s likely multiple forms of birth control exist in the world of The Dragon Prince.

From humans to elves, we don’t see large families normally associated with the inability to plan a family via the use of effective birth control. The “largest” family we see are the Sunfire monarchs, with three children. Viren and Lissa had two children only. Sarai may well have had more children had she lived, but Rayla’s parents spent multiple years at the Storm Spire and she remained an only child.

I can’t imagine there’s much in the way of entertainment at the Storm Spire either. Sure, they could abstain or get creative, but oof, hasn’t enough been asked of them?

Even looking at prior generations, we do not see large families. Given the closeness in ages of the siblings we know of, it also seems unlikely to me that children were lost in childbirth or to childhood illnesses.

To me, it seems far more likely that family planning is active in Xadia and would be a tool Callum and Rayla could exercise.

Clearly, no birth control is infallible (or I guess it can be, magic and all) and I assume Miyana’s twins were unplanned.

Personally, I head canon Rayla herself was an oopsie baby in order to further explain the complications of her parents being called away to join the Dragon Guard.

Where am I going with this? I don’t even know anymore.

I suppose, to me, it’s not a foregone conclusion that in seven years Rayllum would have a kid (or indeed multiple). The setting of the world doesn’t imply that it’s particularly difficult to prevent pregnancy. In fact, the small families imply to me that family planning is a cultural norm among elves and humans.

Faced with the imminent threat of Aaravos’ return, would Rayllum plan to start a family? Certainly, people put off having children for far lesser reasons.

We also don’t know how using dark magic, even in that limited capacity, has affected Callum and the potential for him to get possessed again. It was clearly enough to physically mark him, but does that go deeper?

Would imprisoning Aaravos once again result in an inevitable possession?

Not great when Dad gets taken over and abandons the family.

Or worse, Mum has to take him out.

Angsty though!

As usual, I’ll be doing my own thing in my fics, but I’m interested to see where Arc 3 goes with this (optimistically assuming we get it). There are a lot of factors at play to explain why we might see a lot of the characters in a state of stasis. Seven years isn’t that long when you’re facing the world ending, after all. Particularly when you’re likely to play a very active part in trying to stop that returning apocalypse.

So, which way to go? I see the angst potential in both.

On one hand, you’ve got the pain and desperation of protecting your kid from a returned Aaravos, or perhaps worse, a possessed Dad.

But on the other, you’ve got two people who likely want to take the next steps in their lives, but feel the pressure of a ticking bomb haunting them and potentially preventing them from moving forward.

Either way, bring on the pain.

[taintandviolent]

new tattoo ; Eric Draven x Reader

summary: You’re visiting your friend, Chance, for a new tattoo; a chest piece. While he's working, one of his friends comes over to chill; someone you've never seen before. His name is Eric Draven.

word count & w a r n i n g s: 3.5K | female reader, smut, unprotected sex, kissing, canon divergence/alternate universe (technically), neck kissing, tattoo needle mention, sex in someone else's apartment, hook-ups.

a/n: Shelly doesn't exist in this -- all in the name of reader getting fucked good n' hard. banner by @/strangergraphics!

↓ full fic under cut! ↓ / playlist here / ao3 link here! / I don’t have a taglist anymore, but please turn on post notifications if you’d like to be notified of future fics!

It’s been about an hour since Chance started on your newest tattoo; a beautiful chest piece of a bat, nestled perfectly below your breasts. The room is filled with the hypnotic buzzing of the tattoo gun, and whatever music is playing on his speakers. You tap your fingers on the table beneath you, a staccato rhythm against the smooth leather.

The light is angled over your chest, illuminating the nakedness of your torso for Chance – who is completely unfazed by the lack of clothing. He’s working, and despite doing tattoos out of his apartment, he is ever the professional. You, on the other hand, enjoyed flashing your tits whenever you got the opportunity. You could’ve brought pasties, sure, but why bother? He’s already tattooed spiderwebs around your nipples, it’s not like this is something new.

Knock knock knock. Your eyes move first, but your head follows stiffly, careful not to move your torso too much and cause an error. 

“Do you wanna’ get that…?” You ask. Chance shakes his head. 

“It’s open!” He shouts without pulling his attention from your tattoo. A thrill runs through you; whoever is about to open the door is going to get an eyeful. 

The man that walks through the door stuns you. Literally. It takes everything in you not to let your jaw hang slack like a fool, like a teenage girl who has just seen the hot new guy. He’s tall, easily surpassing six feet, wears a black jeans, and a sheer tank top that allows you to see through the fabric, letting you see all the ink that decorates his toned torso. Your eyes dance over his tattoos, wondering passively which ones Chance did. You recognize his style in quite a few pieces. Your gaze holds a weighted bias; you do love an inked up man. But even if he weren’t, you think your reaction would be the same. 

“What’s up, man?” 

“Nothing,” he says casually, his voice low and smooth. There’s a sadness there, something that you want to reach your fingers into and pull out, but you refrain, watching him quietly as he approaches the couch to your left. 

Chance pauses, pulling the gun from your chest, to introduce you to the nameless friend.  He fist bumps him and nods to you. “This is Eric.” 

“Hi Eric,” you say with an obvious, enticing smile in your voice, extending your hand nonchalantly upwards to him. You don’t seem to shy away from the fact that your tits are just… out, but Eric seems daunted by the visuals – god, is he shy? Your stomach clenches at the thought. The way he’s desperately trying to avoid looking at them is cute, and you feel your smile widen further. You let out a tittering laugh, and push your hand closer to him, urging him to take it.

“It’s okay, they’re kind of unavoidable right now…” you confess, assuring him that any glances won’t be met with a smack across the face. Secretly, you welcome them, wanting his pretty green eyes to trail over every inch of your body until he has it memorized, or can’t resist touching you. Either or. He chuckles, breathily, and takes your hand, giving it a gentle shake. Like the rest of his body, his hand is covered in tattoos, and you can’t help but play with his long fingers as he pulls away. As your hands break apart, you suppress the urge to reach for it again, pulling it back to you. Eric takes his place on the sofa, grabbing a cigarette from the pack that lies on the table. You hear the flick of the lighter, and the familiar scent fills the room.

Chance’s hands return to your chest, laying carefully atop your skin. The hypnotic puncturing of the tattoo needle lulls you into a relaxed state, but every time you look over, Eric’s enchanting green eyes dart away, feigning innocence. He looks at the window, Chance’s bookcase, anything that isn’t you. Each time, you smile, feeling like the butterflies in your stomach are going to rupture through the layers of your skin.

When you finally catch him, his eyes are sweeping along your body, watching as your chest rises and falls with each breath, watching as Chance draws on your skin, creating a permanent piece of artwork to be admired, though you gather that he’d rather admire the artwork that was your body. After painting your form with his gaze, his eyes finally meet yours, and as though by supernatural force, you hold him there, squeezing as tightly as you possibly can. He doesn’t look away, and you blink your eyes slowly, affectionately, like a cat. Eric’s full, pink lips pull up in a crooked smile, and he looks down at his hands, nodding softly. You wonder what he just agreed to in his head. There’s an undeniable draw to him, a pulling sensation deep in your stomach, and you think, with the way his eyes dance over your face, he feels it too. 

Chance interrupts the staring contest going on between the two of you. “Alright, I think we’re finished. There’s a full length mirror in the bathroom.” 

Carefully, you sit up and scurry to said bathroom. There’s a few moments of silence until it’s shattered by a high-pitched squeal; your reaction can be heard throughout the apartment. The bat is hanging perfectly between your breasts, clinging to a crescent moon, and looking so real that it might just flap away at any moment. 

“Chance!” You rush back into the living room, and clap your hand over your mouth for a moment before speaking. “Chance, oh my god, I love it! Thank you so much!” 

“What do you think?” You turn around, bouncing on your heels excitedly. Eric’s pupils dilate, black amongst the green. He watches as your ample cleavage jiggles with your enthused little steps, and makes a fist on his knee. You can see the wheels turning as he coaches himself to focus on the tattoo, to stop staring at your tits and actually comment something useful. 

“It’s really sick, man. Nice work.” 

Chance thanks him with a handshake before tapping the table again. He has a piece of Saniderm on his lap, cut to size and ready to cover up your new ink. Eric watches, knowing the process well. 

Once you’re sealed up, you hop off the table and reach for your shirt and the wad of cash that’s tucked in your pocket. You pass the cash to Chance, and shake out the tank top. Eric almost seems sad to see you get dressed, watching silently as you pull the sheer grey tank top over your head – as though it really covers anything. It’s sheer enough to see the tattoo through, and your nipples are two peaks in the fabric. 

“Hey, I’ll be back. I gotta do a tattoo downtown. You guys gonna chill here?” 

You both exchange a glance, and seeing nothing wrong with that proposal, you shrug. Eric nods his head. “Sure, we’ll hang here.” 

“Cool, cool. I’ll be back in a couple hours.” 

And just like that, you two are alone. The silence hangs heavy between you two, an adolescent awkwardness crackling in the space between your bodies. You clear your throat. He raises his attention to you, brows lifted on his forehead. 

“So… how about a tattoo tour?” 

“A… tattoo tour?” He asks, confused. 

‘Yeah, y’know. I show you mine, you show me yours.” You pause, looking into his eyes, letting the innuendo land as heavy as he allows it to. “What they mean, where we got them, so on and so forth.” 

“I get tattoos because I like them… a lot of mine are just…” 

“I don’t care,” you say, standing up. “I want to see them.” 

He stands up, and you crane your neck to look up at him. Now that you’re next to him, the size difference is staggering. “Holy fuck, you’re tall.” 

He chuckles, and tosses his shirt on the sofa. You mimic the action, tossing your own shirt over to join his. Taking it a step further, you pull your grey sweats down your hips and step out of the circles. You take a step closer, fingers outstretched to touch him. You start at his hairline. 

“Face tattoos... crazy. Commitment is off the charts.” 

Again, he laughs. 

“To someone?” Bold. Your fingers continue their path over his shoulders.

He shakes his head solemnly, fingers trailing over a quote on your forearm. “No. Not to anyone.” 

So he’s single. Good. His hands scan over your tattooed arms, ghosting over the flesh like a nervous lover. His thumb rubs over the tattoo just before the crook of your arm – a portrait of a cat. 

“My cat. She died.”

He furrows his brows, knowing the staggering sensation of loss. You hum, and continue your exploration of his body, digits gently raking over each piece of artwork that decorates his toned physique. Your fingers trail over the giant eye that stares at you from his sternum, trailing over the rays that come off it. You ghost over his biceps and his highly-inked forearms, your fingertips tasting each tattoo. 

Finally, you reach his torso, his abdomen. All taut skin and muscles. He reaches between your breasts, lightly tracing the new addition. It’s still tender and warm underneath the plastic. He smiles.

“Why is good crossed out?”

“Hm?” He looks down. Your finger hovers over the GOOD BOY tattoo.

“Are you not a good boy?” You ask, dropping the pad of your finger to his skin, and outline the words carefully. “Why’s it crossed out?” 

His cock stirs in his jeans at your delicate touch. It doesn’t help that you’re so close to him. “I don’t think I am, no. Not with all the shit I’ve done.”

A laugh tumbles from your lips and your hand trails farther down, caressing the centipede that curves past the waistband of his jeans. You long to go deeper, but in a shocking act of good behavior, you start to let your hand drop to your side. Eric’s large hand catches it at the wrist, encircling it with ease.

“Don’t… stop… please?” 

Your eyes light up with a tantalizing mixture of lust and disbelief. 

“Eric,” you mutter almost tauntingly, tasting his name on your tongue. “I can’t see the rest. You’ve got clothes on…” 

The statement is a weighted one, but it’s also factual; the clothes are impeding you from seeing the inevitable ink that decorates his lower body. His gaze drifts from yours to the couch again, before he takes long, careful steps, dragging you with him. His grip is soft but stern, his fingers circling your wrist like a shackle. 

“Sit with me.” His voice is soft, subdued, barely above a whisper and dripping with an eroticism that you want to wrap yourself in. Instead of pulling him next to you, he pulls you harshly down on top of him. Your legs spread on either side of his hips, straddling him. Between your legs, pressed against the fabric of your jeans is a growing stiffness. You look at your bodies, pressed together and spot the bulge in his jeans, considerably more prominent than before. You laugh through your nose – it’s a giddy chuckle, one that tumbles out of your mouth with an elation behind it. Hearing your laugh, Eric looks up, his brows pulling together. 

“I don’t usually do this,” he confesses. You can tell, he’s worried you’re laughing at him, poking fun at his desperation – which couldn’t be farther from the truth. To remedy that, you lean down and press your mouth against his pouted one, feeling the firmness of his chin against yours. It takes a moment, but eventually, his soft, pink lips relinquish and press back against yours. You nip at his bottom lip, begging for entrance. He grants it, and your tongue swipes along his, teasingly. 

He’s warm against you, the heat comes off his skin in waves. You wrap your arms around his neck and tug your body closer like you’re trying to melt together. His hands find your ribcage and sink downwards, trailing over the curve of your waist, and the gentle flare of your hips. You shudder into his touch, contentedly. His hips twitch up into you, pressing his hardening cock into your heat. 

“Eric,” you breathe into his open mouth. “I think you’re really hot.” 

He nods against your lips, wordlessly agreeing that the feeling is mutual. You inhale his scent as it mingles with your own and pull back, resting your forehead on his. 

“I wanna’ see the rest of your tattoos…” you whisper. Your fingers play with his hair at the nape of his neck, twirling the dark strands gently.

Eric separates from you, just enough to bring his hand up between your bodies, to cup your cheek, completely enveloping it with its size. He looks at you, memorizing all the features of your face. He seems satisfied with whatever he sees, and pulls you back in for a fiery kiss, his tongue slipping out to wrestle with yours. 

Your hands are the ones that are wandering now, finding the button of his jeans. Breaking the kiss to free his cock, you pause to admire it. Framed by a thatch of dark hair, it’s long like the rest of him, and the head already weeps with anticipation. You pull his jeans down his hips and underneath his ass, tugging until they’re pooled at his ankles, over top his combat boots. His legs are heavily tattooed too, but your attention is elsewhere. Greedy to feel the warmth in the palm of your hand, you reach forward, wrapping your fingers around his shaft, your thumb swiping over the tip. Just as you expected; throbbing, velvet warmth. As your thumb spreads the bead of precum down the head, down the length of it, Eric’s breath hitches. 

You look up. 

He’s watching you. Intently. His eyes are locked on your hand as it moves, teasing him. Like he feels your gaze on him, without moving his head, he looks up at you. There’s a deep, deep longing in his eyes, a desperation and a plea to continue… he’s begging without saying a word. He longs for the comfort of pleasure, of knowing someone intimately. You wonder how long it’s been since he’s been with someone, how long his apparent loneliness has consumed him.

Taking a breath, you let go of his dick and straighten up. Your fingertips scrape along your own hips, dipping underneath the elastic of your underwear, catching them on your hand. You continue sliding your hands down your legs, taking your underwear with them. Once you're free of them, Eric’s eyes flicker from tattoo to tattoo, but come to rest on your face, looking deep into your eyes. You suck your bottom lip, catching it between your teeth and return to the couch, straddling him once more. Tenderly, he kisses a heated line from your neck down to your breasts. His lips press against one of the aching, swollen peaks before drawing it into his mouth, his tongue swirling around your sensitive nipple. You look down, watching him and let out a particularly pornographic whimper. It feels so fucking good… he’s so attentive.

You’re on your knees, but he’s big enough to reach you, even there. Eric’s dick twitches against your aching center, twitches up between your folds. You whimper, nodding, granting him whatever permission he needs. It’s enough, because he reaches down, taking himself into his hand, and after a few strokes, he lines it up with your wet slit. He kisses you as he pushes himself into you, as though it lessens the shock of his thick cock as it breaches your slick heat. Your jaw comes down, poised in a silent scream as he splits you open, finding comfort within your clenching walls. 

He jerks his hips once, burying himself all the way inside. A deep, throaty groan erupts between you two, and you wrap yourself around him tight, supporting yourself on his neck. You raise yourself off his cock slowly, feeling the slick tug as it slides out. Your walls clench around it like they’re desperately trying to pull it back in, and you grant them their wish, slamming yourself back down on his cock with a high-pitched whine. You find a quick rhythm of bouncing on his cock, and Eric tenses underneath you, his cock twitching deep inside you.

“Fuck,” he mutters. “Oh my god.” 

You nod, already breathless. Though you’re in control of the speed, his cock is bullying, and the tip kisses your cervix every time you lower down onto it. Your breaths are replaced by moans as you ride him, bouncing on his length with reckless abandon. 

Mid-movement, Eric suddenly grips your hips tight, freezing you in place. You look down at him, pupils blown wide with lust, but perplexed. He’s focused on your cunt with his debauched expression; slack-jacked and heavy lidded with lust. He bucks his hips up hard, slamming into you with a renewed fervor. You jerk forward, collapsing into his shoulder. Silently, you thank god for the music that’s cutting the heavy sound of his hips as they slam against you and the wet squelch of your cunt as it swallows him whole, otherwise, you’d be almost embarrassed. You hold yourself up on your knees, letting Eric do the work. 

“Fuck yeah, baby… you feel so fuckin’ good…” he growls, one hand slithering around to grip the firmness of your ass. He kneads the soft, pliable flesh with his massive hand, pulling a desperate, whimpering moan from your lips. He feels so good. Your senses are consumed with him; the way he looks at you, hungrily, deeply, like he’s trying to unravel you from the inside out. The way he smells, cologne, the faint lingering scent of cigarettes, and the heady mix of mutual sex and sweat as he continues his assault on your dripping cunt. The way he feels, fucking into you with an insatiable hunger, like he’s trying to get deeper than he actually can. Everything about him is consuming you and you quickly feel yourself growing obsessed with him. 

The coil in your stomach winds tight around itself, a building pressure deep in your core. Your breaths are ragged, broken with pleasurable whines and moans, as he buries himself inside you over and over again. 

“Fuck, Eric… fuck, don’t stop… don’t you dare stop…! Shit!” 

His hand abandons its place on your cheek and comes to rest between your legs. His middle and ring finger slide down to your entrance, feeling his own cock as it slides in and out; slick and coated in mutual arousal. He grits his teeth, bringing some of the slickness around to your clit, where he encircles it with tight movements with his thumb. Electricity courses through your veins, and you shudder at the explosion of white, hot  heat on your cunt, your eyelids fluttering shut in bliss. 

You feel his muscles draw up tight as he slams into you with one final, hard thrust. His cock twitches as he releases, pumping his essence deep inside your cunt. You feel it flood you and leak out the sides, running down your thighs and dripping heavily onto his. Languidly, Eric thrusts his cock up into you, feeling every clench, fucking the cum back up into you as it dribbles out. The feeling of that paired with his ministrations on your cunt makes you come. Hard. You let out a deafening moan as your spasming walls clamp down on his cock, milking it as your own orgasm washes over you. You seize up, back arching with pleasure, nails digging into his shoulders, leaving red, indented crescent moons amongst the ink. 

“Fuck m-me… oh my god…. Oh my god, Eric!” 

Eric’s chest heaves as he catches his breath, still coming down off the high of the fuck. Sweat glistens on his forehead and chest, and you run your hands along the length of his torso, scraping your nails against the skin. 

“That was fuckin’ amazing,” he pants, his hands coming to rest atop your thighs. His cock softens inside you, and you almost don’t want to move. But… this isn’t your apartment and while Chase has seen your tits, he hasn’t seen you fully naked and it’s going to stay that way. 

You lift up, letting Eric’s heavy, flaccid cock fall from your cunt. You wince as you straighten up, backing off the couch carefully. Your lips are spread in a delighted smile, watching Eric as you dress yourself, pulling your clothes back onto your sweaty, fucked out body. Eric reaches down to pull his jeans back up, tucking himself into the confines of the fabric. 

You plop down next to him, laughing lightly. “That was really great. I don’t think I’ve gotten fucked like that in a long time. Maybe ever.” 

“Ever?” 

“Ever.”

By the time Chance gets home, you’re both asleep on the small sofa, back to chest, and Eric’s arm wrapped sleepily around your waist. Chance knows what’s happened, but he doesn’t mention it when you wake up.

[mollywog]

What are your thoughts on Possibility of Peeta in Canon feeling guilt over a perception that he forced Katniss into the Star crossed lovers?

Oooo -Thank you for giving me an opportunity to talk about this.

One of Peeta’s main survival tactics is his ability to read people and situations…. And he’s pretty good at it (which probably was helpful to him far before the arena with a volatile mother but that’s maybe more the stuff of HCs so moving on)

With that in mind:

One of the first things Peeta says to Katniss upon her discovering him in the arena is:

"Lean down a minute first," he says. "Need to tell you something." I lean over and put my good ear to his lips, which tickle as he whispers. "Remember, we're madly in love, so it's all right to kiss me anytime you feel like it."

Even in his fevered state, Peeta is aware that this is an act (at least on Katniss’s side)

Later - when he’s trying to convince Katniss not to go to the feast and she claims that she isn’t, he says:

"You're such a bad liar, Katniss. I don't know how you've survived this long." He begins to mimic me. "I knew that goat would be a little gold mine. You're a little cooler though. Of course, I'm not going." He shakes his head. "Never gamble at cards. You'll lose your last coin," he says.

‘I knew that goat would be a little gold mine. You're a little cooler though. Of course, I'm not going.’ -> all moments he (accurately) clocked where Katniss wasn’t being 100% honest if not outright lying

The ‘I don’t know how you’ve survived this long’ part is particularly interesting to me but I digress.

So then fast forward to after the feast where Katniss risked her life to save him:

"No! Just don't, Katniss!" His grip tightens, hurting my hand, and there's real anger in his voice. "Don't die for me. You won't be doing me any favors. All right?"

I'm startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. "Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren't the only one who ... who worries about ... what it would be like if ..."

I fumble. I'm not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen back home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread

"If what, Katniss?" he says softly.

I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I'm feeling, it's no one's business but mine.

"That's exactly the kind of topic Haymitch told me to steer clear of," I say evasively, although Haymitch never said anything of the kind. In fact, he's probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.

"Then I'll just have to fill in the blanks myself," he says, and moves in to me.

In this moment Katniss inwardly acknowledges that she has real feeling beyond the act and Peeta, again, reads those feelings correctly.

This is the turning point for him.

So, then imagine his surprise on the train tracks (and all the self doubt):

"It was all for the Games," Peeta says. "How you acted."

"Not all of it," I say, tightly holding on to my flowers.

"Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says.

(Just picture Peeta replaying the games in his head and trying to figure out where he missed the tell.)

We often joke about Peeta being oblivious to Katniss’s feelings for him in Catching Fire, but really: He’s been burned by ‘misinterpreting’ her before and he’s trying not to make the same ‘mistake’ again.

In a way

“You love me. Real or not real?

Is a remnant of that doubt.

Anyways - back you your original question:

There wasn't a single person in Panem expecting the Gamemakers to allow for two winners prior to the rule change... 73 years of one Victor: It's unprecedented.

The star-crossed lovers strategy, under normal game circumstances,

Benefits them both. The romance makes them both fan favorites to sponsors. But, at the end of the day, there can only be one Victor. So when one were to die, public sympathy would swing sponsors towards the broken hearted other.

Relied very little on Katniss; she didn't have to opportunity to state her feelings for Peeta to the audience after the interview and in the arena, up until the rule change, she barely saw him. Had he died before the (unprecedented) rule change, there wouldn’t be much for her to do but appear sad. The star-crossed lover but is eventually just a sound bite.

No one could have predicted that both Katniss and Peeta would be crowned victors and have to maintain the strategy indefinitely.

So yes, on top of believing he mistook Katniss’s feelings for him in the arena, he then discovered they’d have to maintain the pretense of lovers for the rest of their lives… I’m sure he felt all sorts of miserable ways about that.

[zombeebunnie]

HI! I LOVE YOUR GAME, I LOVE YOUR GAME I SWEAR<33 I hope they continue like this 🫂

Now I have a few questions:

Are you going to see more days?

What would Noah do if we were someone who is constantly hugging and leaning on someone's shoulder? (Simply put, a person who loves physical contact, loves to feel someone's warmth)

Does Noah prefer sweet or spicy?

Would Noah match us a set of clothes/pajamas? (something like a cow's pajamas maybe?)

(I'm using translator, so I apologize if you don't (I'm using translator, so I apologize if you don't understand 😭)

Firstly, thank you so much I really appreciate it! I am enjoying the process so far and hope I can continue working on it when I can! :,]

Lore time:

Q. Are you going to see more days?

A: I was originally aiming for there to be 5 days in total when it comes to the full game. When you enter the cabin, Day 3 starts and then you have to make certain choices to possibly make it all the way to Day 7.* In the very very old script that's not canon anymore, there was only one route and I wrote all the way to Day 5(?) before I stopped using it. Right now, I'm still going through everything since there's more than one route currently so we'll see.

Q. What would Noah do if we were someone who loves physical contact?

A: Noah would be more approachable about it if the player(Y/N) told him. It's not that he wouldn't mind it but this is a gesture he wouldn't expect, at least for a while. He'd need time to adjust since from his perspective, you were gone for two and a half days so he doesn't fully trust you. He would try to be engaging through small gestures and would probably start off with a few boundaries but with trust being established, he'd eventually warm up to the company and solace being shared.

Q. Does Noah prefer sweet or spicy?

A: Noah loves spicy food and there's hints to this in the [Extended Demo], it might be pretty vague though. I'm still going through the script which mentions this and making it a little more obvious based on your choices. Fun fact: As far as sweet goes, Candy corn is Noah's favorite candy, he prefers chocolate pieces of candy over sweet candy. Here's the post this comes from. :P

Q. Would Noah match with us in a set of clothes/pajamas?

A: Yes! Noah finds the idea of couple themed fits endearing. Fun fact: I had some old concept sketches from Halloween/Fall I wanted to finish up that were matching couple Halloween costumes etc. and I think one pajama set doodle but I ran out of time since I was very busy during spooky month. :,]

[gosecretscribbles]

Stanuary 2025 Week 2: Wanted

Ford tries to get juice for Stanley, who is still recovering from heatstroke. He's got no money and no way to get it, though, so he resorts to stealing.

Slight trigger warning for nongraphic attacks on Ford for his six fingers. In one scene, someone throws things at him and he gets hit in the head. Injuries are minor and nongraphic, generally on par with canon violence.

AO3 link

Stan had a massive headache the rest of the day and into the next. And he kept shivering. That made Ford nervous. Shouldn’t he have stopped by now?"

“’M not sh-shivering,” Stan grumbled into his pillow. “G’roff.”

“You’re all gross,” Ford said, hand pressed against his twin’s forehead. “And you’re sweating again.”

Stan turned enough to open one eye. “Juice?” he asked hopefully.

“Of course! Hydration! Be right back!”

He ran downstairs. He’d given Stan the rest of the rather questionable orange juice last night. But maybe he’d missed something? He combed through the refrigerator. There was a head of lettuce slowly turning to soup at the back, but that was it.

Wait – vegetables! That was basically the same as fruit, right? So if he got some canned vegetable broth that was practically the same thing! Ford went to the pantry, grabbed a can, and cracked it open. He poured it into a cup and sniffed it.

“Hmm…it’s still missing something. Oh, I got it! Juice is sweet!”

He had to climb up on the counter to reach it, but he got into the baking cupboard. He wasn’t sure how much sugar would dissolve in a cup of broth, but Stan had a pretty big sweet tooth. So maybe two or three tablespoons? Heating the broth would increase solubility, but hot juice sounded gross and that’s what he was trying to make. So he added the sugar cold. He stirred it a lot to help dissolve it and then hurried back to their room. He poked the back of Stan’s head a few times.

“Ow – cut it – out!”

“Juice!” Ford said proudly, holding out the cup.

Stan felt for it with his eyes closed and Ford put it in his hand. Stan gulped down at least half of it before he spat it out, coughing. He dropped the cup and leaped back to avoid the splatter on the floor.

“Hey!” he yelped.

“Guh! Ugh, what is that?! Are you actually trying to kill me?”

“It’s just vegetable juice! I added sugar and everything!”

Stan groaned and flopped back onto his pillow. “Zombie juice. You made zombie juice. I’m a zombie now.”

“Quit being dramatic,” Sixer said, halfway between upset and annoyed. Fruits and veggies were in the same food group! So vegetable juice was the same thing! Except it had smelled weird. And Stan really was sweating a lot. “Can’t you just drink water?”

Stan mumbled into his pillow.

“Okay, okay! I’ll – I’ll go get juice, okay? Don’t die or I’m stealing all your toffee peanuts.”

Stan didn’t even move. Which was fine! He was asleep and definitely not dead or a zombie. Ford pushed at the pillow to check, and when he wasn’t sure, he held his glasses in front of Stan’s face. They fogged up. So there! Alive! Sort of! Did zombies breathe? They had to exhale to make noises, so they had to breathe, which meant Stan could maybe technically be turning into a zombie.

Juice. He just needed some juice and they’d be fine!

Except that Ma was out on the boardwalk doing her fortune telling, and Pa was guarding the register. Ford checked all the usual spots for loose change – Ma’s makeup drawer, the couch cushions, the key dish. Three cents and a claw from Shanklin. (Was he fighting the trash mutant rats again?) School was over for the day, and anyway they only got juice on Fridays. He couldn’t run to school and beg for an extra carton.

Ford paced the kitchen, thinking hard. He couldn’t buy juice. He couldn’t beg for it. It wasn’t something he could borrow. All their neighbors hated them too much for him to ask.

Should he…steal it?

The thought was terrifying. Stan stole stuff all the time, but he was Stan. Ford was Ford. He was already a freak and that got him in trouble enough. That time with the pitchforks, or the astrologer, or the tourist… He didn’t do anything and people hated him. How much worse would it be if he really did do something wrong?

But Stan was practically dead on the beach yesterday! He could be turning into a zombie right now!

He took a shaky breath. Fine. One! He’d steal one bottle of juice. That was it. He’d wear his aviator jacket and hide it underneath. Stan stole all the time! How hard could it be?

Pretty hard, as it turned out. He tried the general store two blocks away, but he’d barely stepped inside before the cashier made him and chased him out with a broom. He thought maybe it was because he looked like Stanley. So the next store he tried, he gave the clerk a friendly wave with all six fingers.

That…hadn’t ended well.

He hid his hands at the next place. He was a good two miles from home, almost at the library, and the store he picked was pretty big. He wasn’t sure if he should just walk in or sneak over to the juices, but the cashier started following him, and the cashier was big.

Ford tried to steal anyway but his shaking hands dropped the bottle as soon as he’d picked it up. The cashier chased him out, this time shouting “YOU HIDING A THIRTEENTH FINGER, FREAK? YOU FREAK! JINX! WEIRDO!”

Ford stopped around the corner and dry-heaved into a dumpster. He’d been gone for at least an hour. His legs were shaking and his hands were clammy. His stomach hurt. He couldn’t do it. He couldn’t steal and he couldn’t save Stan and his brother was going to turn into a zombie. Zombies were cool, but not if it was Stan.

He wiped at his nose and started dragging his feet back home. His jacket was so hot. Maybe he’d get heat stroke too, and he’d make more zombie juice. Then at least he and Stan could be zombies together.

He took a different street back, and this time he saw a small shop he’d missed before. Hardly a surprise. The building was practically a shack, and the bin of lemons out front was half-swarmed with flies. Ford almost kept going. Then, through the dirty window, he saw an icebox full of juice against one wall.

One more, he thought to himself. He squeezed both hands into fists and headed over. A broken bell made an abortive clink as he stepped inside.

“Back again?”

He looked up. A bored teenager leaned over the counter, chin in her hand, short hair curling around her ears. It looked like she’d been doodling on her arm in black pen. She looked kind of like a pirate queen that way. She just needed the hat and bandana.

But what did she mean, ‘back?’ It was his first time in here. “I didn’t –”

“Murphy put your picture on the wall.”

She pointed. To the left of the door was a board so covered in layers of flyers and notices, so thick that the stratification had to be decades old. Ford was pretty sure he saw a clipping in the corner about the election of Franklin D. Roosevelt. Featuring most prominently were several copies of hand-written wanted posters, his brother’s face drawn at the top.

“That’s not me,” Ford said, spreading his hands. “See?”

She glanced over and looked mildly interested. “Huh. You a thief, too?”

“Um – I’m not Stan.”

“Not what I asked.”

This conversation was not going as expected. Everyone else had looked at his hands and booted him, loot and all. He hadn’t thought of a back up lie. What had been his plan that morning, again? Stuff it in his jacket when the cashier wasn’t looking? But she was really looking at him now. He’d showed her his hands and everything.

What do I do? What would Stan do?!

She saw him panicking and smirked. “Jacket,” she said, pointing to it. “On a summer day? Might as well strap a billboard on your forehead, dweeb. Get lost.”

“I’m not…Stan’s the…”

“And you’re not?” she retorted. “A freak can still be a thief. You can be two things at once. In case certain people hadn’t noticed.” She shot an annoyed glance over her shoulder. There was a doorway with an ‘Employees Only’ sign next to it.

“Are you two things at once?” he asked, curious. His eyes lit up. “Oh, wait, are you a supernatural creature in human disguise? Are you a changeling? Are you a selkie?!”

“Weirdo.” The word didn’t hurt the way she said it. She almost sounded impressed. “You’re the knucklehead’s twin, yeah? Why’re you stealing stuff?”

“He got heatstroke. I wanted juice. And I’m not stealing!”

“Yet,” she said, just as flat as before. But this time her eyes looked like Ma’s when she was about to pull a fast one. “Just juice, huh?”

That sounded like an offer. “…Aspirin?” he tried.

“Over there. Be quick.”

He hurried. Acetylsalicylic acid was good. Or should he get acetaminophen? Both? Ibuprofen? That one needed food with it, though, and Stan hadn’t wanted anything to eat. Acetaminophen didn’t require any food. That one, then. He grabbed the smallest bottle, put the others back, and –

“What’s he doing here?”

A heavyset man stepped out of the back room. There was a scarred gash across his chin and his forearms bulged with corded muscle. Ford opened his mouth and almost said something until he caught the stone-cold look in the man’s eyes. He backed up so fast he tripped. The three medicines went flying from his hands. The man shifted, stepping around the counter, and Ford scrambled back. The man’s hands curled into fists. His eyes flashed just like Pa’s glasses.

“You squirming piece of vermin –”

“HEY!”

The girl jumped up like she’d just noticed what was happening. She pole-vaulted over the counter, skirt and all, and began pulling the nearest merchandise out of the icebox. “You – little – sneak!” she shrieked, hurling products at him. Some of it hit Ford’s face and he yelped. He tried to get up, run, and block his glasses all at the same time.

“That’s right!” she shouted. “Get out, Stan! GET! OUT!”

He got. And he was nearly at the door before he realized what she was throwing. He doubled back to scoop up two bottles of juice. Another one bounced hard off his forehead. He grabbed it on the rebound and shot for the door. The man sounded like he’d figured out something wasn’t right. He heard shouting, and there was a whooshing in Ford’s ears like the man had made a grab for him. But he was already out the door and down the street. His heart pounded in his ears and he didn’t dare look back.

He ran until he was a block from home. He walked the rest of the way. There was a nasty stitch in both lungs, but he didn’t care. He did it! He had juice!

When he got home, he let himself in and hurried up the stairs. “Stan! Stanley! I got it!”

Stan was in the exact same position Ford had left him in. Ford checked that he was breathing it his glasses. Foggy, good. “Hurry up, Stan! You gotta drink it so you won’t become a zombie!”

Stan blinked up at him. “…Huh?”

“Juice.” He smooshed the bottle against Stan’s mouth. Stan gave a weird grunt-shriek and shoved him. Ford batted him back with his other hand. “What are these, limp noodles? You’re zombifying already! Hurry!”

“Okay, geez.” Stan took the juice and squinted. Apple juice. Stan made a face and pulled the cap off. He drank. And kept drinking until he’d finished it. He exhaled sharply, looking more awake.

Ford cheered. “It worked! You’re not a zombie!”

Stan scoffed and flopped back down. “’Course I’m not. Did Crampy beat you up again or something? You got a big ol’ bruise.”

“Nope,” Ford said proudly. “I stole it.”

Stan’s eyes went wide. “No. No way! Really?!”

Ford grinned and wagged the bottle. “You may have ten sticky fingers, but I’ve got twelve! Also the cashier helped, a little. She knew I was stealing but left me alone until a guy came out the back. I hadn’t even grabbed the juice yet. I got some of what she threw. She had a wicked arm, Stan, you shoulda seen it!”

“Rusty’s Local?” Stan asked, and smirked when Ford nodded. “Yeah. She’s a weirdo. Gonna play sports.”

“She’d win. How much have you stolen there, exactly? You had a wanted poster!”

Stan gasped so hard he choked on the juice. “W-wanted? I gotta see it.”

He tried to get up, but his legs were as weak as his arms. Ford hauled him back to bed, lest he once again become a zombie. Stan resorted to begging Ford for a replica. “Please? Pretty please? C’moooon, I bet you can draw it waaaay better!”

“I could, actually,” Ford mused. “Okay, hold still. I’ll get some paper.”

It took about five minutes and another jar of juice. Stan finished it much more slowly this time, in between suggestions about embellishments. Ford ignored most of them, but agreed to adding a mustache and a pirate hat. He remembered everything under the picture, too. He completed the poster just as he was done with his juice.

“Tada!” he said, and turned it around.

Stan leaned forward slowly. Ford put out a hand in case Stan was actually falling over. Stan leaned against it a little too heavily, but there were almost literally stars in his eyes.

“I’m wanted,” Stan whispered. “Ford, look! I’m wanted! People would pay money for me and everything, look!”

Ford rolled his eyes. “I know, dumb-dumb, I drew it myself.”

“I’m putting it up on our wall!”

They put it up with a few bits of tape and a used wad of gum. Ford had to admit, it didn’t look half-bad next to his poster of The Lost World.

By now his forehead had gotten sore, and he was tired. It had been a really long day. They set the last bottle of juice on Stan’s nightstand. Then Ford crawled into bed. He wanted to stay awake, just in case Stan became a zombie after all. But he was tired from running and Stan wasn’t shivering anymore. He made a mental note to record Stan’s partial zombification, for science purposes. Then he closed his eyes and snuggled in for a nap.

week 1

[gamingblur103s]

my thoughts on neo the world ends with you

long but probably not very good to read. spoilers and allat

i have to admit that i have a knee-jerk resentment towards a lot of the twewy franchise outside of the original game. every port and remake and reimagining of the original is simply worse off because something fundamental about what made the original experience so fantastic is removed. granted, this is often out of necessity for it no longer being a DS game, and from a business perspective, something like the anime adaptation only makes sense when a sequel is coming out practically immediately after the anime ends. still, in regards to these rereleases, i can easily see them as things that only add to the franchise rather than remove from them. the mobile port, despite screwing with the art style and the gameplay, added new music that is on par with the original game's score. the anime adaptation, despite its truncation, occasional mischaracterization, and format the story was not made for, looks pretty great and is still fun enough to be an effective recap, which was its precise purpose. it is much harder to say the same for final remix.

final remix is a port of a port; it maintains the streamlined and exponentially less engaging gameplay of the mobile version. granted, it comes with new pins which work well enough with this new base, but that doesn't change the problems i have with these fundamentals. to make up for that (as well as bridge the gap between it and neo), final remix comes with "a new day": a continuation of the story that is necessary to experience in order to understand neo.

to be blunt, a new day is where my previously mentioned resentment began. the story it tries to tell is so emphatic on its mystery that it foregoes any actual depth. as something that is expressly being tacked onto the original story rather than its own entity, its poor quality leads to directly detracting from that story.

the reaper's game (for og twewy at least) was meant to act as a symbolic prison for neku that colored every bit of his progress. yes, his character development is fairly blatant, but if anything, it benefits from that. the framing of the reaper's game actually makes the arc more grounded in how arduous it is, in how it was so much longer than neku could have ever expected, in how it hurt in all the ways he was scared it would.

it's all perfectly embodied by the fact neku is still wearing his headphones when the original game ends on the sublime emotional note of him taking them off. it's careless storytelling, to such an extent that it colors everything that came before it as the last canonical events we get to see, made all the worse by how it (and consequently, the game) ends with Neku dying. again. the only thing that keeps me from being completely outraged at the comical disregard of his arc is that it at least doesn't take away his emotional development.

there's also the iffy characterization overall, once again to serve a mystery the plot cannot afford to answer the larger reaching implications of. mind you, there's nothing outright OFFENSIVE about its portrayals (i actually think fake joshua is the best example of characterization in the whole thing; it's fun to show what a character is by what they aren't), but it's all just so vapid. forgive me for being smarmy enough to use an antimetabole, but when you go through a whole-ass video game that has its plot function in service to its characters, playing such a blatant sequel-bait that has its characters serving the IDEA of a plot feels like a disservice to those characters. if there's a connection to be felt, it's not indicated or made stronger by what happens here; it's all for the sake of hype.

i'm rambling, but hopefully that embodies my emotions going into neo comprehensively enough. i couldn't help but see a new day as utterly counterintuitive, and as a result, i had my typical territorial nature for my favorite things cranked up to twelve. i couldn't even fully trust the original staff with this game. for a while, i couldn't shake the feeling that the franchise of twewy outside the original game tarnished my experience with it. i did everything i could to convince myself to go full "death of the author": everything that isn't the original game simply isn't canon. but that didn't feel right to me, so i still kept this deep curiosity in me. then, about two and a half years after its release, i started up neo and spent my winter break exclusively on playing it through to the end (college made it so if i didn't finish it then, i'd have to wait till the summer).

this FINALLY leads me to my thoughts on the game this post is supposed to be about.

in a word, neo feels derivative. mind you, that's by no means the full story. for certain aspects, that description is either deeply unfair or outright untrue; for others, it's frankly generous. holistically, however, it feels like a continuation of what twewy had to offer, when it could've been an evolution. this by itself would make it worse than the original, but then there are times where it can't even accomplish that much.

on that note: the presentation.

og twewy didn't just have a fantastic style, but phenomenal direction. it was a multi-pronged refutation of the idea of "style over substance". the pause menu alone is so informative, yet so digestible because of its adherence to the game's style, what with its inspired choice of music and cute lil thumbnails for all the menus you can navigate to from there. there's also accounting for what players will most often check the menu for and an effort to make such features particularly accessible. the shining examples of this are dedicating nearly all of the top screen to the map and the fact that all the combat options aside from the pins (your level, partner behavior, game difficulty) are available on that screen, rather than hidden in another menu. hell, credit where it's due, the rereleases' version of this menu are all just as good; the attempt to depixelize the visuals makes it look a little too much like a gacha game for my liking, but absolutely nothing about it was changed in such a way that it becomes harder to navigate

in general, i think ui/ux design is way more important in games than it's given credit for, though that's undoubtedly changed in recent times. it's always been listed as a separate career from other graphic design jobs, and rightfully so, but for games especially, it can't be stressed enough how much they make or break a game's flow and "vibe". fact of the matter is, a significant chunk of a player's time is going to be spent in menus no matter what. i'm sure there's exceptions to this, but all i can think of is very primitive examples like pong which obviously don't apply to what i mean. as a result, making those menus feel fun and/or natural to use elevates the entire experience in ways even the most diligent game developers might not realize. an article from gamesradar has a translated quote from persona 5 director katsura hashino which really emboldened my feelings on the topic

"In Japan, UI design is often handled by new employees. ... Top level designers are usually in charge of characters and background graphics, with the UI being secondary. I think that’s a mistake. That’s why Atlus' UI designers are paid so well."

(side note: as great as the menus in p3r mostly are, the change for the in-battle menu from the revolver chamber is criminal. i know they still kinda have it, but i still prefer what the original did)

with all that said: neo twewy has three pause menus.

the first menu, which i will call the main menu, is where most of the options that relate to gameplay are. your current objective, social network (no jesse eisenberg in sight), equipment, map, and collectible progress. each of those five things i mentioned are their own menu within this menu, except for equipment which is actually two menus in threads and pins (to be fair, just like twewy).

the second menu, which i’ll call the pause menu, has all the shit that give off system setting vibes. saving, loading, going to the title screen, volume control, subtitles (always yes), voice track (we’ll get to that), the works. worth noting that this menu has absolutely no style to it. it is laughably barebones. sauceless, if you will.

the third menu, which i’ll call the combat menu, has all the combat options twewy had at the bottom of its main menu. this menu is also pretty lacking in sauce, though i suppose there’s only so much that could be done without it feeling obtrusive.

an insane person would argue this is a good translation of the immediate access in twewy’s ui. this division means less navigation is needed for certain option and it makes clutter a non-issue (in theory). while i’m sure this is true for some, for me, it became a consistent headache which would often undermine what i think are its design goals. the main menu’s subdivisions are a good example, but i actually didn’t have too much of a problem with it since switching between the menus was fairly snappy. the pin menu, however, was COMICALLY clunky. it becomes far too difficult to navigate your list as soon as week 2 starts. neo is a home console game, so there is zero need for a single pin to take up THAT much space on the screen, especially when that same pin at a different level of progress is listed separately, effectively doubling the amount of shit you have to sift through. the attempts at giving me shortcuts and filters ended up only confusing me. by the end, i resorted to exclusively consulting the full list every time, because even if it was tedious as all hell, at least i understood it and could eventually memorize the positions of things.

granted, it’s not all bad. you can actually access the combat menu while you’re in the main menu, so you can experiment with your level and view the drop rates in the noisepedia simultaneously. this version of the map, while it takes extra steps to access, also has features twewy’s map did not, namely the ability to see the kinds of noises that spawn in an area. you can even zoom in and out! for some reason!

these undeniable improvements are not only things twewy did not have, but in some cases (i.e. the map's new features) couldn’t have. however, it’s still missing the forest for the trees; the fundamental flow is still so disjointed that these features feel like a bandage on a tumor. i fully concede this next complaint is at least partially on me, but i cannot tell you the number of times i pressed the button for the wrong menu. because each menu has important shit that i need frequent access to, my muscle memory for the “i need menu things” neurons are always confused. if i’m not wasting time by going to the wrong menu, i’m wasting time by hesitating on pressing any button in case i’m wrong.

i’m being cruel here to an extent, and i acknowledge that. in isolation, these problems aren’t even a fraction as damning as i make them out to be, but when it’s something repeatedly experienced throughout the entire game, i cannot ignore how i dread having to interact with these menus and how they color my experience. granted, you could argue these complaints refute my thesis statement on neo being derivative. it may have failed, but is this not neo trying something new? to that, i would make the distinction that this is not a case of neo evolving, but rather, simply adapting.

allow me to branch back out to the more general subject of the game’s presentation.

i am by absolutely no means going to be calling the presentation of neo bad. that might be shocking to hear after me going so hard on the ui of all things, but i'm not an idiot. the soundtrack is a delight ("the beginning of a happy life" is genuinely, no bullshit, honest to god one of my favorite vg songs i have ever heard), the visuals are never any worse than ok (fret's design is by FAR my favorite, but i also liked shoka, rindo (mainly just his mask continuing the theme of neku's "hear no evil" with "speak no evil"), and susukichi), and when the two combine, it consistently achieves a familiar vibe throughout.

VERY familiar.

again, the presentation of neo is not bad. i would go so far as to call it good overall. but i genuinely struggle to think of any way it substantially iterates on what twewy has to offer. from where i'm standing, it feels like a complete copy-paste (with one exception that i swear i will get to soon cuz this is now like my third time alluding to it).

it's a bit of a mainstream example, but when you look at something like final fantasy, there's a clear throughline in the presentation of pretty much the entire series. even at its most vibrant and cutesy, there's this particular breed of gothic or sci-fi or—and i truly do not mean this disparagingly—edgy you can feel in the foundation of a final fantasy game. conversely, even at its darkest, final fantasy has its own brand of whimsy and bombast in chocobos or summons or the bajillion leitmotifs throughout the franchise. through it all, final fantasy has maintained a strong fundamental identity, but has managed to express it in a myriad of ways that, rather than dilute said identity, only bolster and refine its spirit.

i use final fantasy specifically because of its similarities to twewy. granted, these similarities are largely surface-level, but that's also kinda my point. final fantasy as a franchise achieves the variety it does through acknowledging what is fundamental to it and innovating off of that. by contrast, twewy (the franchise, not the game) is afraid to change its spirit and seeks purely to preserve it. because of that, the only way you could really differentiate twewy (the game, not the franchise) and neo at a glance is because of the hardware they are on. acquiescing to the merciless march of time, rather than embracing it.

that's why i still think my complaints about the ui ultimately fall back on the critiques of neo being derivative. while the problems with the ui in isolation seem like the developers trying something new, when you look at neo holistically, it is so clearly just an attempt at merely adapting, and sometimes it feels like neo fails even on that level. it isn't even innovation by necessity; every change feels like a sacrifice more than anything.

and on that note: gameplay.

i would say i generally enjoyed playing neo. the overworld exploration is very bog-standard, but i still appreciate it. remind is cute (it and telewarp's mechanics are obviously scripted but successfully "feel" cool to use) and dive fights are cool. i didn't mind the lack of fast travel, and in fact ADORED beat's soundsurf. having it add to your groove makes so much sense it hurts, and i love what it does to the music. but all of this is kinda window dressing when compared to the combat.

i'm sure my utter obsession with rpg (especially traditional rpg) gameplay aids my love of neo's combat, but i think most people can appreciate the gameplay loop. assigning party members to specific buttons is an undeniably fun concept. the hyper-customization of the combat is also something to be admired (to an extent); i'm sure i'm not particularly special for this, but i adore any opportunity to play a game "my way". the pin list is a teensy bit bloated with repeated ideas but with a higher number and/or different and somewhat arbitrary "element", but i sincerely love it overall. with how diverse the ideas are, there's a shocking few that i would consider objectively worse than the others. for example, the strength of the game's combo system "groove" means that a pin having a lower power doesn't actually make it necessarily worse, since less damage per attack allows for longer combos, which allows for more liberal and consistent use of the special moves unlocked by reaching the 100%, 200%, and 300% thresholds. inversely, as a compulsive grinder, the game's progression felt fairly natural even when i was pretty blatantly overprepared. fights are incredibly busy, and the boss fights especially are designed so that a single mistake can become a slippery slope of punishment. i died fairly frequently, particularly from getting too big for my britches and taking on a reduction chain i just couldn't handle. thus, fights never felt thoughtless the whole way through, which i was frankly REALLY impressed by.

i would accredit each of these compliments (or a stronger version of them) to twewy (to the point where i'm strongly tempted to derail this whole thing into how much i fucking love twewy's gameplay), but to its credit, neo does take different ways to get there in a lot of cases. to be doubly fair, though, as i've previously stated, these different approaches feel like they needed to happen rather than resulting from a distinct and passionate vision. to be TRIPLY fair, though, what's here has so much polish and depth that there was clearly some kind of passion present. my mind made a strong connection to kingdom hearts; i am not a big kh fan, so that is either indicative of just how similar neo and kh are (that someone like me could point it out) or how ignorant i am to action rpgs (accusing neo of being similar when it's really not). i'm open to either option.

the hyper-customization also feels like a double-edged sword, in that there is virtually no difference in how each of the six party members play. making your party members distinct from a gameplay perspective is INCREDIBLY important, because it's such an effective tool of storytelling. for better or worse, how a character performs during gameplay will directly influence how a player will view that character holistically. if, either by pure luck or bad game design, a character underperforms, a player is inclined to view that character less fondly. while neo's method of little if any distinction seemingly circumvents this slight dice roll, it closes off a unique opportunity entirely and settles for something that feels a little bland. mind you, this doesn't change anything about what i liked about the game's customization and customization as a whole. i do believe, generally, that the more customization the better, but that can't be an excuse to homogenize the party members.

none of how the game handles levelling up and stats really helps this. yes, characters will have different tastes in terms of food (leading to potential bonuses on top of the stat increases that food already does), and some clothes will have secondary benefits exclusive to certain party members, but it's not nearly enough.

i'm tempted to say that the solution to this would be to find a better balance, and that is still true on a fundamental level, but i also don't think making party members distinct and customization are mutually exclusive, or even necessarily things that mitigate the capacity for the other. if you want to go as extreme as what neo attempts, then yes, a focus on customization will undermine uniqueness, but there's also ways to let them heighten the other. in twewy's case, the dynamism of neku's gameplay vs the static "gimmicks" of his partners spoke not only to the personalities of each character individually, but also of neku's relationship with those partners and with people as a whole. more contemporary and popular examples of this would be pokemon (especially nowadays with nature mints and streamlined ev training) and persona (especially 5 royal).

the latter of the examples i bring up is an interesting one to me: taking advantage of a protagonist who is a canonical blank-slate (not to say joker or any persona protag from 3 onward has no personality, just that they are wild cards) to let them fit whatever mold the player wants. it's a big indicator of what i mean when i say that customization and uniqueness can coexist, because in this case, they're two almost completely separate spheres that manage to function without overpowering the other. when they DO interact, such as with the intended evolution of the mc's personas or the customization allowed for non-mc party members, it only enhances what it touches.

i should stress, despite these critiques, that i think neo's gameplay is good. i had fun with it. there are aspects of it, such as its pin selection, that i found memorably impressive. but i want to stress why i stick so strongly by my thesis—that neo is derivative—even for its best aspects.

and on that note: the story.

let's get the big thing i've been alluding to out of the way: i ADORE neo's localization. i really, truly, sincerely think there wasn't a single time in the entire game where i felt some piece of dialogue was awkward, and that is not only a compliment for the localizers, but for the writers as well. don't get me wrong, i could sometimes notice that things were localized, but that realization never jarred me. rather, it made me that much more confident about what that piece of dialogue could tell me about the character saying it, the situation they're in, and/or their relationship(s) to whom they're talking to.

i won't act like it's absolutely perfect, of course. however, my complaints come from failures to achieve the goal of localization, rather than with the innate nature of the practice. for example, probably my biggest hang-up on it is that it undersells a lot of the sentiment when shiki and neku finally reunite, though the voice acting is partly responsible for that (likely moreso the voice direction rather than the actors themselves, but i can't say for sure).

back on the positives, i do find the english voice acting pretty good. miranda parkin as nagi is my personal highlight; her performance reminds me a LOT of erica lindbeck's futaba sakura, and you should absolutely look into her work on her youtube channel "ParkinArt" when you get the chance, because she is superbly talented. shoutouts also go to xander mobus as kubo (i struggle to think of a sleazier voice) and pretty much every returning va.

in general, i am pretty massively defensive of localization and localizers; whole lotta people who don't know shit spouting, well, shit. to be fair, i'm not much better, but at least i'm on the side of the people who do this shit for a living. and i'm also on the side which appreciates those people for the work they do, because i can't help but feel like it's really fuckin hard. you're not just translating the literal words, but finding ways to synthesize it to maintain the SPIRIT. This short video by "Jehtt" about the opening line of Sonic Adventure is an excellent example of what I'm talking about.

as for the content getting localized itself, final remix (and specifically a new day) made it clear that whatever sequel comes out, it's going to be some kind of direct continuation of what's been established, rather than a self-contained story in the same universe or something along those lines. personally, i would've preferred the latter if a twewy sequel HAD to exist, and to its credit, my favorite things about neo twewy's story tend to be the things which THEORETICALLY make it stand on its own. obviously, your enjoyment is enhanced if you play the first game, but there's enough in neo to make it possible for someone who doesn't to still understand it.

for example, new characters are fun, even if occasionally half-baked. i'll get the riff-raff out of the way: the shinjuku reapers felt like goofy personifications of gimmicks that served their purposes well enough, coco is a bit less annoying this time, tsumugi is hilariously half-baked after being hyped up as much as she was, hazuki... exists, and i struggled to see any of the other team leaders as more than an impetus for other characters (though i am DEEPLY grateful kanon isn't as bad as she could've been). speaking of which, how about those characters?

my favorites were nagi and fret; i see their concepts as a bit tropey, but executed well all the same. the ways their arcs intertwine were surprisingly compelling; nagi's dislike of fret wasn't just a weird gag, but an inevitability of fret's compulsion to put up a front and nagi's keen perception and hatred of "fake" people. once nagi learns why fret puts up this act as he makes an effort to move past that instinct, they start bonding almost immediately as she tells him more about her inner workings and that she'll take care not to be so judgmental thanks to his influence. the reveal that she got fret on elegant strategy after the events of the game made me smile way more than the game trying to get me to like rindo and shoka as a couple ever did.

on that note, i could take or leave rindo as a protagonist, and in general, my interest in the shinjuku reapers (especially shoka) waned as they became more significant. that's not BECAUSE of their significance, mind you, simply that they ended up disappointing me in one way or the other (with the possible exception of kaie who was just kind of a silly little guy). it comes back, yet again, to my thesis on this game failing to meaningfully iterate. i understand and agree that there's a lot of value in establishing parallels between characters, even if the plots of their stories are disconnected. i would go so far as to say it's ideal to make a sequel expand on the subtext of what's been established like that, as long as it and what's new bolster each other. in the case of rindo, i struggle to appreciate things about him that aren’t some extension of neku when he was a protagonist. i found his arc about making his own decisions sudden and a bit inexplicable, especially with how blatantly it was stated. felt like a case of saying a character was having a specific arc without actually giving them that arc.

as for shoka, i do like her more than rindo. in fact, it’s her relationship with him that made me lose interest; it felt like all the things that endeared me to her, like her relationships with the other shinjuku reapers and her brand of snark, got pushed to the side in favor of said relationship. it dominated everything else about her character in a way it felt like it just didn’t with rindo. granted, this could just be because he’s the protagonist, and her “snark” is a surface level reason to like her. however, i don’t find that first concession to be an adequate excuse, and it was precisely her personality that got me interested in the character to begin with, only for it to feel discarded (albeit probably not completely, i’m sure there’s a cute lil moment or two i’m forgetting). considering shoka’s love of gatto nero and shiki’s presence in the game, i imagine the parallels between the two have to be somewhat intentional, including with their relationships to their respective mc. like with rindo, these parallels make it hard for me to appreciate the character, but unlike rindo, shoka’s parallels seem to actively oust the things unique to her, as opposed to rindo’s leaving little opportunity for appreciable distinction to begin with. again, i ultimately prefer shoka, as tis better to have loved and lost than to have never loved at all.

that just leaves the three elephants in the room/party: all of them are returning characters. two of them are characters you played as in twewy.

i do want to make it clear that even at my most territorial, i don't think i was ever completely against the idea of there being returning characters; if anything, my ideal twewy sequel would actually feature characters like joshua or hanekoma more prevalently than they were here. rather, much like most things, it comes down to how you implement them, and neo does so in a way that pretty blatantly relies on them. even that isn’t a necessarily a bad thing, but remember what i said about this story attempting to stand on its own?

what shocks me about their sheer prevalence is that very little of it feels necessary. i don’t get the feeling that any of the og gang were needed to make this story work on a thematic level (as happy as a lot of their scenes together made me), and in fact, as i alluded to with rindo and shoka, it actually seems to impede or dampen a lot of what the game is trying to go for. i see it as perhaps the single most blatant example of my thesis statement. neo plays with the concept of a self-contained story, but is unable to let go of what's already there, innovate enough on the franchise and original game’s core, and pull through with something standalone, because it seems generally unwilling to embrace change, and consequently, key aspects of creativity and what makes a good sequel. i understand if others don’t share this opinion, but to me, it really feels like neo only changes when it has to, and that reflects in the changes it makes as well as the ones it doesn't.

and on that note: the conclusion.

sorry this feels so disparate. i definitely wouldn't call neo a bad game, and in fact, i think given some time, i can comfortably call it good. plus, i can, after some difficulty and deliberation, say it and even final remix's existence only add to og twewy. impulsive territorialism be damned, it makes me happy to see stories and characters i love be added on to like this. the aspects i consider bad, even if they might be fundamental, are not enough for me to avoid embracing and appreciating the good. my silly little headcanons are not “threatened” by things like final remix, even if it felt like they would be in the moment. it is still possible to imagine all my favorite characters living happily ever after with each other, even that cunt with the mop for hair joshua, and if anything, certain scenes in neo only add to those delusions. i may have complained about them, and i do stand by those complaints, but i cannot deny how much i love them in isolation. i think the only thing that could've made me hate them is mischaracterization, but the only instance of that which stuck out to me (neku and shiki reuniting) seems to be a translation issue, and the real sentiment of the scene aligns far more strongly with my views of the characters.

that said, i'm still definitely disappointed by it all. neo's derivative spirit felt very pervasive to me the whole way through, and by the end, i felt a strong urge to replay twewy. that's not a necessarily bad instinct to have after playing a sequel, because it's the idea of "wanting more". it is, however, bad in this case, because it was a mix of that and the idea of "wanting better". i wanted to play something where these good ideas were new, or better yet, something where the new ideas were good. as it stands, i'm left the slightest bit hollow; just enough to be noteworthy, but i still feel like a dick for bringing it up.

i'm happy i played this game. i may very well play it again in the future. there's aspects of it i like to the point of loving. and yet, i hesitate to say i like it.

my feelings on this game continue to be jumbled, even after all this. still, writing a lot of it out definitely helped, and it was really fun to make! thank you oh so very much for reading; i hope you enjoyed it!

oh, and i would rather rip my dick off than play scramble slam again-

[nururu]

I always find it funny that zo/sans will be like: oh I hate these problematic ideas that come out of one piece fans :(

And then two seconds later: I want zoro and sanji to be in an abusive relationship where sanji fucks zoro dry and raw and calls him a faggot and theres no love and no affection and zoros just being used as a hole and an outlet and afterwards sanji is even more angry and abusive bc he has so much internalized homophobia it's hard for him. Idc how it effects zoro, but my poor baby sanji needs to figure himself out and zoro can take massive amounts of abuse so its okay :)

[seaglassdinosaur]

I know we collectively agree that Hiccup isn’t romantically inclined, and his getting married and having kids didn’t make sense in the epilogue, but consider: Hiccup getting married for political reasons.

It’s a marriage of alliance, which is recognized both by him and his partner, and they enter it without expectations of romantic involvement. Since they’re now married, they live in the same castle, spend time together, and Hiccup finds he really likes his spouse. They’re funny, get along with his friends, and has the same interests and values. They both probably speak multiple languages. She understands why Hiccup is so dedicated to making the Wilderwest better, and holds similar views. She’s a good politician (her job after all, was to be an ambassador). Hiccup likes spending time with them, and the feeling is mutual. They’re not in love, they have their own lives, but they’re dedicated to each other and eventually decide to raise children. They teach their kids how to train hawks and hunt with dragons, riding, history, the Languages, and all the necessary skills of their world. They’re not in love and they’re happy together.

[charmac]

i don't think people hcing charlie as transfem are trying to dismiss the transmasc charlie hc! i think it's more of a projection thing for a lot of people, since i know at least a few of the main people who enjoy the headcanon are transfem themselves!! i don't think you have much to worry about in terms of people dismissing the tmasc or other genderqueer charlie hc anyways, since it's already much more popular! i think you're perhaps being a bit too critical.

I've literally never said anything like this at all, I think you've either misinterpreted something else I've said or have the wrong blog.

All of my Charlie gender-based posts or reblogs I've stated/tagged that I think any interpretation of Charlie's gender can make sense, be it transmasculine, transfeminine, nonbinary, agender, whatever you want.

I am one of the ~3 blogs that has access to The Bathroom Problem script and who posted and pointed out that you can make out/slightly hear the Joyce cuts in the episode itself. I would not have excitedly shared that for open-interpretation if I was "worried" people are "dismissing" transmasc Charlie headcanons. (Which, again, I've literally never said, but in any case, I believe it's valid for anyone to dismiss a headcanon they don't agree with, fandom is a sandbox.)

What I personally don't care for are genderbends and, almost by extension, analysis/meta on canon scenes that rename/re-gender the characters with no basis (or, one that comes off wrong). Both topics I've literally never publicly spoken out against here, nor have I said anything bad/negative to everyone who personally enjoys these things, so there is no way for me to possibly be "too critical" in that regard. I keep most of my opinions to myself and my close mutuals, almost exactly for what you're saying: I personally don't want to harsh or dismiss anyone's headcanons.

I have never said, and have never meant to imply, that anyone interpreting Charlie as transfem is attempting to dismiss anyone else's headcanon (which again would be a non issue to me anyway).

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[upsidedowngrass]

erm... so this is awkward

[acorrespondence]

@freekicks Oh man I have lots; so many that I’m making this a new post so I don’t clog up that poor person’s replies with 50 messages, haha! Basically, it’s an expansion on the idea that everyone has headcanons/canon details that are absolutely integral to their enjoyment of the story and any transformative works based on it (hard), and headcanons/canon details that they’re fond of but could still get pretty much unaltered enjoyment out of a fic that contradicts them (soft). Obviously all these are just opinions and what I get out of the story isn’t and shouldn’t have to be the same as what anyone else gets out of it.

One thing that sort of falls in the middle of the headcanon/canon divide is Raylan’s age when his mother died. The show contradicts itself on this point several times, and so it’s sort of fungible. I personally find the idea that Raylan’s mother died when he was very young, like younger than Loretta, while it may serve the parallels between them, to be much less compelling than the idea that she died later. It’s just so much more… boring for a character whose mother died when he was ten or so to have a gross misrepresentation of who she was as a person in his mental image of her. It’s much more compelling to me if he held onto that despite direct evidence to the contrary that he was old enough to understand. Of course he’d forget the hatchet story if it happened when he was eight. If it happened when he was eighteen, that opens up a much realer possibility that he just straight up repressed it, which is fascinating. Also, I don’t think it makes sense if he grew up with Helen in the house for the second half of his life there. To me that doesn’t really jive with their current relationship. (And on a less story-driven note, I am fascinated by the idea that, if Raylan’s mother died when he was thirty, he might not have attended her funeral. Because part of him knew it would challenge the version of her he had to remember in order to maintain his black and white perception of the world.)

Obviously, the mine and what it represents is a necessary component (though the time and place less so—my Old Guard au places them in the miners’ strikes of the 30s, and I’ve read a wonderful fic where the mine in question was on a different planet entirely. However, it does have to be placed in Harlan, or whatever approximation of Harlan fits the broader setting). The boys and their relationships with their daddies is another nonnegotiable for me. Specifically, the way they grew up; different times and causes of death for Bo and Arlo can work just as well. If Raylan and Boyd don’t meet until they’re established adults, that immediately kills my interest. Their rich history is so integral to why I’m drawn to the ship in the first place. It’s a hard sell for me to have Boyd leave or Raylan stay directly after the mine, but I’ve been known to make an exception if the story is compelling enough and doesn’t sacrifice characterization.

I think Boyd’s criminal history is important, though the nature of it less so. And even more important is the fact that Boyd never really makes it big as a criminal—making him some kind of fief lord of crime makes him much less interesting to me. His plans only succeed inasmuch as he always manages to survive their unraveling. I think it’s important that he’s spent time incarcerated. I’m not a huge fan of stories where they meet again outside of Harlan and never go back, it takes away the central tension between them and the place that made them that Raylan so struggles with and Boyd embraces so wholly, which for me is a really interesting part of their relationship, this dichotomy. I also don’t care for stories that give them a ton of good friends outside each other, or casual friends who actually know them and hang out with them—they’re too big of assholes for that. Of course, this doesn’t include the characters they’re close with in canon; I love Raylan and Rachel’s friendship, in particular, and their understanding of each other despite their vast superficial differences is fascinating. I guess I should say instead that I don’t buy either of them having typical friendships, period. They’re just too weird and fucked up for that. They trauma bonded at nineteen and it continues to be one of the most important relationships in either of their lives. Winona puts up with Raylan’s relational weirdness for love; no one is doing that for their drinking buddy. So they may have close friendships, but they don’t look the way you’d expect.

I’d never make their relationship uncomplicatedly sweet and unfraught, or sand down the kind of feral edges of it, and I don’t think they’d be much for traditional PDA—I just love the way in canon the physical (and otherwise) manifestations of their intimacy are so outside of what’s expected from buddies OR lovers. In the same vein, I don’t love it when Raylan goes crazy with the terms of endearment, because he doesn’t use them much with his love interests in canon. I have him use them with the girls in heavy heart more as verbal tics he picked up after spending too much time around Boyd, who LOVES to use them, plus I think he models at least some of his displays of parental affection after Helen, who canonically calls him “honey”. I’m fine with Boyd throwing endearments around liberally; I just don’t do it in my own fics because I love the way in canon he twists Raylan’s name itself into almost an endearment. He just can’t stop saying it every other sentence, so why would he give up the chance to say it by replacing it with another word? Plus, it fits in with how weird they are about each other in general.

More broadly, I have never really enjoyed full aus (based on any story) that don’t try to approximate at least the broader beats of place and history from canon, but I really really love stories that manage it. I respect authors who can sort of map canon onto a completely different stage, like the space au mentioned above, so much. I hope that I manage that at least somewhat with catching bullets.

That’s all the big ones I can think of at the moment, though I’m sure there’s more I’ve forgotten (most of the rest fall more under ic-ness vs ooc-ness, which is harder to articulate; “what makes them themselves?” is a much more difficult question). Ultimately, I think probably a lot of these come across through cross-referencing both of my WIPs—basically, if it shows up in both, there’s a very good chance it’s a nonnegotiable for me, and if it changes between the two, then I can obviously live without it.

[hecatesbroom]

Apparently, today's brainrot of choice is a Golden Girls Sound of Music AU where Rose is Maria, Dorothy's the Captain, and Blanche is the Baroness, only that one scene where the Baroness visits Maria in her bedroom ends very differently & they end up in a polycule

[spamtoon]

(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)

Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...

Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!

(She gets close, and squints her eyes.)

I know what you are.

Farewell, now!

(She then leaves the way she came from.)

(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)

And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...

(She looks down, continuing to laugh nervously.)

You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?

I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.

(The giggling resumes, lasting far shorter this time.)

Your brother's a piece of fucking barp, by the way

(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)

Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.

WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.

Oh i'm so fucking screwed. What kind of bitch gets filament fever

[a-person-on-the-internet]

After reading the notes:

I get the idea that jimmy experiencing A Consequence For His Actions sounds like it would be a good ending AU, but… let’s be honest this wouldn’t fix anything. It’ll make it worse.

What if...

What would happen if they had changed places?...