Me and my bestie- @stargazinglesbian -were talking abt the trans tim drake agenda and we had the funniest thought ever
Ok so y'all know how jason todd has like. Massive. Man tits. We decided that tim was 100% convinced jason was also a trans guy except he didn't bind which was really funny
But we also thought like what if he was stalking jason to try and figure out if he's trans and he sees jason buy (or steal) testosterone but in reality he was getting it for a trans crime alley kid which was so awesome
And then on PowerPoint nights tim just pulls out "top ten reasons jason is trans and just lying to fuck with me" because there are so many signs and he does not believe jason is cis. Like one of his slides is a photo of jason in his robin days where he's like dressed up as a woman (jason liked to cross dress when he went on undercover missions)
Before he found out Sheila was Jason's mom he thought that her grave was like his metaphorical deadname and the grave was like a symbol of his pre-transition self dying or whatever and he thought Sheila was Jason's deadname yknwo what I mean
I just think Tim is paranoid and trans.
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Just an idea
What about yuu with a paradox pokemon becuase of the whole thing about being from different worlds
ooh, I hadn't thought about that, but I like it! like, I think Grim fills the role of Yuu's pokemon (or vice-versa) (somehow) but I kind of love the idea that he's some kind of far-removed Paradox or alternate-timeline version of another pokemon or something. honestly, there would probably be a lot of theories about what exactly he is! mostly it involves throwing a lot of pokeballs at him and seeing what happens.
also just for fun I want to make him slightly more pokemon-proportioned:
(he would still have to be the one who actually battles though)
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okay I've finished making my big spreadsheet of how mp100 characters refer to each other! some thoughts on this under the cut because it got long
the Kageyama brothers are very polite in how they refer to people. their parents must have really instilled etiquette into them bc no one else is as consistent about using polite honorifics/titles as they are. the only people Mob doesn't give an honorific/title are his brother and Dimple, and the only people Ritsu doesn't give an honorific are Dimple and Shou, who he just calls "Suzuki"
Reigen, on the other hand, is pretty inconsistent and casual with his use of honorifics. he says "Mob-kun" a couple times and "Ritsu-kun" once, but usually they're just Mob and Ritsu (or "Mob's brother" lmao). the only honorific he consistently uses is "Tome-chan"
it's infrequent, but both Reigen and Dimple refer to Mob as "my boy" at some point :') he's their boy!
Ritsu doesn't refer to the Awakening Lab kids at all until he asks their names after being kidnapped lmao the only exception is when he calls out to the older Shiratori brother after the younger one is taken away and he calls him "Shiratori-kun." considering the fact that after asking their names, he refers to both of them as Daichi-kun and Kaito-kun, I think there was absolutely a moment when everyone was freaking out about the Shiratori brothers where he was like "ohhhhh that's his name"
also he switches from "Onigawara-san" to "Onigawara-senpai" when he realizes he's friends with his brother lmao fakeass
even though Mob starts calling Teru "Hanazawa-kun" as soon as they exchange names, Teru doesn't give him the honorific until they decide to raid Claw together. I guess that's the point when he decides they're friendly enough for it? he calls Ritsu "brother-kun" as soon as he realizes they're related and never refers to him by his actual name
everyone calls Teru some variation on his nickname EXCEPT Mob and Dimple. Dimple actually only calls him "brat" and "that guy" for a while until he managed to track him down again during the alleyway incident, which I realized is because he was exorcised before learning Teru's name lskdjflkdsf from the Seventh Division arc onwards, he just calls him "Hanazawa"
I love that Dimple tries to refer to the brothers with cutesy nicknames and both of them are like "if you do that again I'm killing you all the way dead" and he's like "understood." and then refers to them by given name from then on lmao
Teru refers to Dimple as "Dimple-kun" and Tome calls him "Dimple-chan," both of which are SO funny to me because he's way older than them. rude as hell, this evil spirit deserves no respect
Shou doesn't use honorifics or titles for ANYONE. Ritsu is just Ritsu, the Ultimate 5 are all their last names, his dad is just Pops. he also exclusively refers to Mob as "Ritsu's brother" dkfjldskfj
Serizawa alternates between "Shigeo-kun" and "Kageyama-kun" with no real rhyme or reason to it. just seems to depend on his mood I guess
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So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?
Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.
So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.
The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!
And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.
He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,
and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!
I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.
And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.
And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.
And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.
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hello! do u draw the maps and diagrams in the backgrounds on ur art by urself or do u use pre existing images or smth :0?
(like the map in ur most recent gaz work)
Haha, hell no! I could never have the patience or skill for that 🙆♀️ Most of my backgrounds for the latest COD art have been collage work. So for the Gaz one--I found a bunch of images through google and rearranged them how I wanted through mostly trial and error. yeah, if I had to draw a whole map of London by hand..💀
All these ones have backgrounds made through collage:
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