#which I am really not qualified to discuss
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evilminji · 1 year ago
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Okay, as I have mentioned, I'm Ace AF. And you know that plot line in kids cartoons where the alien or foreign Warrior Royalty just sort of *violently kicks down door in full armor* "We Will Marry."? I?? Always said:
"Sure!" (#OhThankFUCK!)
Like what do you mean "No"? The powerful, attractive, monarch that is very into you has travel a great distance JUST to marry you! Now you don't have to date! They seem nice! You can skip the whole "trying to find a life partner" awkwardness.
So, Sudden New Fiancee(tm) how we doing this? Blended customs? Two weddings? One in your peoples traditions, one in mine? Should we invite your family? Tell me more about yourself.
God, this solves just... SO MUCH for me? No having to make small talk. No "do they like me?" Or "am I reading the signs here right?" No failed dates! It's positively ideal! AND they announced why they were qualified, in a VERY impressive show of power and prestige, when they arrived! Good lineage AND accomplished!! Very nice.
Don't get why everyone's so upset.
Sure the "we leave at once" thing that usually follows would have to be discussed, but that's what you DO as spouses. Really guys, it's like you think I'm incapable of common sense here.
And you know who probably agrees with me? Damian Wayne.
Hell is other people, INDEED. You expect him to just... randomly go up to people and try Courting them? What do you MEAN it's "creepy" to compile portfolios on eligible individuals of worthy bloodlines? How ELSE is he supposed to know if they are worth attempting to talk too?!
There are BILLIONS of humans on this gods forsaken rock, Richard! Is he supposed to just GUESS? Gamble and hope for LUCK? This is a MARRIAGE not a "best friends club"!
Then? Danny showes up.
Gotham heard her baby talking. Heard her KING being harassed by clearly plotting Observants and power hungry ghosts MANY times his age. Connected some dots. Formed themselves a new OTP.
Danny says "Fuck It". Worst he can say is No. According to Gotham, he is neither Shy not the meek obedient sort. Is in fact, VERY stabby. So if he's not interested he'll no doubt be BRUTALLY clear about that.
So? Danny gets Fright Knight. Go get him a horse. Someone fetch Cujo some armor. He's been told the guy like weapons and animals.
TIME TO BE IMPRESSIVE.
He goes FULL Regalia. Armor of solid night sky. Cape of frost and stardust. Crown like crack in reality itself, through which the cosmos gleam and shift. He gets a horse from the far frozen. They're wooly and carnivorous. Gets THE most impressive sword he can find to wear.
It's gonna be a gift, since he doesn't need it.
He does the whole "rend the skies open" thing. Fan fair and knights. Every title he's ever been given, no matter how embarrassing he find them in reality. And announces his intentions. Declares that ONLY Damian Wayne, aka. Robin, is WORTHY to Marry Him. And (in the traditional Ghost proposal of "either accept or tell me to fuck off" /w violence) Demands Damian accept his offer of Marriage.
Right there.
IN THE WATCHTOWER.
In front of EVERYBODY. And yes, ESPECIALLY the Bats. Who are making glitching, vaguely threatening DEMONIC NOISES. Because? You... you THREATEN the BABY? Death. Ten thousand years DEATH.
People are :O ing and backing away from the visible heatwave of unadulterated FURY being put off by Batman. Danny is nano-second from every bone his ANCESTORS had being reduced to a fine paste.
Then? Damian consider him... considers the sword being thrust in his direction, still held aloft in a steady and armored hand... contemplates those titles for a second...
And goes: "Acceptable. Very well, but I have demands."
N..... Nani the FUCK? Says local Bat-Dad. No??? You are NOT GETTING MARRIED.
Try to stop him. He very obviously IS, according to Damian, the man brought him a kick ass sword and has a giant green dog. Is the king of an ENTIRE REALITY. Yes, he realizes he probably COULD do better... but frankly? This one's cute. But if it upset you so... extended engagement. There. Happy?
NO! Because the JLA Dark are LOSING THEIR SHIT. Damian is still UNDERAGE. We don't even know how OLD this being is! NO MARRIAGE.
Damian is unimpressed. A whole six months? That he's likely already LIVED thanks to various timeloops, temporal shenanigans, and reality warping bits of fuckery? You're reaching.
Just? Marriage Meet Cute.
@hdgnj @ailithnight @the-witchhunter @nerdpoe
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thepersonnamedsam · 1 year ago
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radio
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pairing: the genz!driver x team x 23!grid
summary: some team radios of our beloved genz!driver
warnings: some swearing
note: oh i hope you all will like what i did here, it took me a hot minute, soo, pls don’t be a ghost reader
our genz!driver doesn’t drive for a specific team (pls imagine which ever is your fav), so the colours of the team radio will be violet, bc it’s not used :)
masterlist / taglist
Bahrain 2023
Q2
- „Okay y/n, you made it into Q2! Let’s keep that same pace you had in Q1“
- „Oh did you hear that? Where did Oscar place??“
- „Piastri is out in Q1, P18“
- „Wooh!! Oscar owes me 50 bucks!!! He lost the bet, he lost it! He didn’t think I’d out-qualify him!“
End of Qualifying
- „Good job, y/l/n! Thats P12 for you! Great start of the season“
- „Yeah baby! I’m the new Smooth Operator, Smooth Operator!“
Race
- „Uhm guys, I think there’s something wrong with my car…“
- „What is it, y/n?“
- „I just overtook Charles, how is that even possible?! Wtf guys, am I that fast?“
- „Oh my god, y/n, you had me stressed out here. I really thought you had technical problems for a second“
- „No worries, I’m just faster than a Ferrari“
- „Radio check“
- „It’s a cruel summer!“
- „Tell me, tell me how we finished, how I finished?!“
- „P11 baby!“
- „Uh, yeah, who’s almost in the points?!“
- „YOU!“
Saudi Arabia 2023
FP2
- „Tell me, is Danny here?“
- „Yea, why?“
- „Can you tell him I said hi? Please“
- „Uhm, sure I can, why?“
- „I just promised him yesterday I‘d give him a shoutout from the track, hahaha“
Q1
- „Okay, y/n, let’s get into Q3 today!“
- „Let’s gooooo!“
- „Could you not scream into the coms, please?“
- „WOHOO!“
- „y/n…“
- „Love you“
- „I don’t…“
- „You totally do“
- „I don’t“
- „You dooooo“
Q2
- „P12, good job y/n“
- „Could’ve gone better“
- „It’s a good result, y/n“
- „But still no Q3“
- „Hey, y/n, cheer up, it’s the same result as last race“
- „I thought we improved, I thought I improved“
- „We can still climb up the ladder“
- „As if, I’m not good enough for that many overtakes, I can defend, but that… I don’t know man“
- „Hey hey, listen to me, y/n. You deserve that spot in F1, you’re young and you’re learning with every race, with every test. I know you’ll be champion one day. Maybe not this race, but you’re gonna go far, kid“
- „…“
- „Are you crying, hahaha?“
- „Let me be emotional, dipshit“
- „Oh Lando is gonna have a field day with this, hahaha“
- „Please don’t show that to Lando“
- „Come to the garage first and we can discuss it“
Race
- „Radio check, y/n“
- „Vamos a la playa“
- „Loud and clear…“
- „FUCK, FUCK, FUCK, SHIT, SHIT, DAMN, WHY DOES IT NEVER GO MY WAY?!“
- „Unfortunate events, retire the car, y/n“
- „UNFORTUNATE?! STROLL JUST STOPPED IN THE MIDDLE OF THE ROAD AND I HAD TO BREAK SO HARD NOT TO CRASH INTO HIM THAT I CRASHED INTO THE WALL!“
- „It is what it is“
- „Don’t meme me, I’m mad… haha, okay, thank you“
Australia 2023
Q2
- „Good pace, y/n, let’s keep it that way and we’ll make it into Q3“
- „Alrighty mighty“
- „Cringe“
- „AND THATS P9 FOR YOU“
- „Huh?“
- „P9“
- „I’m into Q3?! Am I really?“
- „Yes! Yes you are!“
Q3
- „Whoop, whoop, that’s the sound of the police“
- „Whoop, whoop, that’s the sound that I need“
- „P10 baby“
- „P10!“
Race
- „Hi y/n, you’re doing really good out there, bring 'em home for me, will ya?“
- „Danny?“
- „Yes?“
- „Hi Danny“
- „Hi, y/n! You’re currently P9, with 0.548s to Piastri“
- „Okay“
- „Let’s push and stay in the points!“
- „YOU‘VE CROSSED THE FINISH LINE AS 7TH!!!“
- „THOSE ARE 6 POINTS, RIGHT?“
- „YES!“
- „It’s all because of Danny!“
- „I’ll gladly let him know“
Miami 2023
Race
- „I- help!“
- „What’s going on? y/n talk to me“
- „I don’t think my break is working“
- „y/n, we are going to retire then, box box“
- „I’ll try for one more lap“
- „No you won’t“
- „I will“
- „I think it’s fine“
- „…“
- „Yea, it’s fine, I can brake normally, hihi, sorry for the worries“
- „You’re a menace, y/n“
Monaco 2023
FP1
- „Monaco baby, the land of pretty people and expensive things, I am home“
- „Why’s that, you’re not from Monaco, y/n“
- „I am pretty and expensive therefore I am home“
Race
- „Radio check, y/n“
- „NOT NOW“
- „Noted“
- „I don’t feel pretty“
- „Sucks for you“
- „Man, that’s a shit move“
- „Sucks“
- „Okay y/n, you’re currently P11 with 0.639s behind DeVries, let’s push to P10“
- „DeVries? Nyck is P10? What happened?“
- „I don’t know, let’s just push him off of P10“
- „Harsh“
- „I’m a bad bitch“
- „Fuck that bitch“
- „Great job, y/n P10!“
- „Where is DeVries?“
- „P12“
- „Who overtook him?“
- „Bottas“
- „HAH!“
- „Be nice“
- „Ugh“
Montréal 2023
FP3
- „You are currently P3, I repeat, you are currently placed on P3“
- „Who’s pranking me? Max? Lando?“
- „No one, you ARE P3!“
- „WHAT?!“
- „Let’s take that pace into qualifying“
- „Uhm, yea, definitely“
Q2
- „What’s my time?“
- „1:18.725“
- „And Max‘s?“
- „1:19.092“
- „WHAT?“
- „You are P1, y/n“
- „Are you kidding me?“
- „I would never“
- „Mhm, but really? P1?“
- „I swear to god, P1“
Q3
- „Fuck! Shit! Holy macaroni fucking meatballs! I crashed, I repeat, I crashed“
- „Yea, we saw, retire the car“
Race
- „P7, good job!“
- „Thanks…“
- „Oh and y/n, you’ve been voted driver of the day“
- „Really?“
- „Really“
- „Firstly, I wanna thank the ground, because without it, I wouldn’t be standing here today“
- „That only works if you’re really standing somewhere, y/n, you’re sitting in an F1 car“
- „Then I’d like to thank my F1 car…“
- „I deactivated your coms“
Austria 2023
Sprint Shootout
- „What exactly is a Sprint really?“
- „Oh my god, really y/n?“
- „No… of course not…“
- „Great job, you placed P13“
- „Mhm, thanks… I‘m thirsty“
- „…“
- „Did no one hear me? I want my drink, where is the drink?“
- „You will not have the drink“
- „Oh you waited so long for that, didn’t you?“
- „No…, yes“
- „Kimi is a legend.“
Sprint
- „I don’t like this Sprint thingy“
- „Why?“
- „I don’t know, just because“
- „P15“
- „No good job?“
- „Not today“
- „Understandable“
Race
- „I want to go home, I am tired of this“
- „What?“
- „It’s getting boring with Max always leading and winning“
- „Thats why we need to push as hard as we can“
- „As if I’ll ever overtake Max“
- „One day, y/n, one day“
- „But not today, that’s why I want to go home“
- „You can’t“
- „Loser“
Silverstone 2023
FP2
- „Why do I not see Charles on the grid?“
- „Why do you have time to look at the screen and not see Charles on there?“
- „You should be driving“
- „I am“
- „Clearly not fast enough“
- „Hey, I am faster than you think“
- „You are currently driving with a speed of 156 km/h“
- „How do you know that..?“
- „I am your race engineer, I know everything“
- „Did you know that I just farted, hahaha?“
- „Unfortunately“
- „Hihi“
- „You’re gross“
- „Thank you“
- „Welcome“
Race
- „If Lewis stands on that podium, he owes me a dinner“
- „And if he doesn’t?“
- „I owe him a pity dinner“
- „And if you stand on that podium?“
- „Thats unrealistic, that’s why we didn’t bet on it“
- „True“
- „HEY!“
- „You said it first!“
- „Not a reason for you to call it out!“
- „Women“
- „I heard that“
- „You were supposed to“
- „Less talking, more driving!“
- „Yes boss“
- „Yes boss“
- „Omg, omg, omg, tell me I crossed that line without a single penalty and we don’t get a grid penalty? Please tell me this is true?“
- „YOU ARE P4 Y/N“
- „Am I really?“
- „Yes!“
- „If it weren’t for the safety car you would’ve been P3!“
- „I don’t care! It’s my best result so far!“
- „So near and yet so far“
- „Lew is P3?“
- „Yep“
- „P4 and I get a free dinner from Lew, what a day“
- „Be proud and loud“
- „WOOHOO!!!“
- „Maybe not so loud…“
- „Sorry not sorry“
Hungary 2023
FP1
- „Oh Danny Ric is back on the grid!“
- „Mhm“
- „Aren’t you happy to see my favourite person driving again?“
- „Totally“
- „Be happy!“
- „Okay…“
- „Oh… I just passed Danny“
- „You are on your flying lap, he needs to let you pass..?“
- „Yeah… but he needs a positive experience on his first race back…“
- „HES THE ENEMY“
- „He’s my best friend…“
- „Does he know that?“
- „Uhm, I hope so“
Race
- „Tell Lando he’s doing a great job“
- „Just drive“
- „Okay…“
- „Lando says thank you, by the way“
- „For what?“
- „Just forget it“
- „Okay“
- „Oh, for that! You’re welcome, Landi“
- „It took you 4 laps to realise“
- „My brain is sometimes slow, let me be“
- „I would if I could“
- „Oh how I hate Perez“
- „It’s mutual“
- „Hihi“
- „Radio check“
- „I am so glad that the summer break is right in front of me, just 33 more laps and it’s me chilling on the beach, getting tan and reading good books and you know, that’s how my dream life looks like and…“
- „How can she be so talkative but still be on for a podium? It’s a mystery for me“
- „And Lando and me oh and Danny will go on vacation together. Maybe Lewis will come as well. I want to go to the Maldives but we’ll see. Oh and you know what would be cool? If we really…“
- „Is she still talking? Yep…“
- „I could learn how to surf and eat loads of stuff and just relax“
- „So you finally decided to stop speaking and concentrate on the race? Great job, y/n“
- „Thanks!“
- „Thats P5 for you! What a race to start the summer break“
- „Thank you so much“
- „We’ll see us in 3 weeks!“
- „Byeeeee“
°°°
@ironmaiden1313 , @topguncultleader , @biglittlesecret, @gulabjamooon , @lovelyy-moonlight , @peachyplumsss , @mistrose23 , @copper-boom , @love4lando , @champomiel , @serenityleah , @iloveyou3000morgan , @angelwithoutmywings , @elleeeee21 , @youkissedareaderinthedark , @mikauraur , @thybulleric , @lpab , @fdl305 , @mellowarcadefun , @teti-menchon0604 , @vildetry06 , @bibissparkles , @aurora-maria , @lunnnix , @sya-skies , @Buckywifeyy , @dakotali , @rechtrecht , @noncannonships , @1eclerc16 , @pitlanebabe , @sopheeg , @avengersheart , @thatsadsmallchild , @peachiicherries , @idkiwantchocolatee , @callsign-scully , @mehrmonga , @badbatch-simp24 , @lissyontour , @din0nugs , @elliegrey2803 , @gay-for-victoria-de-angelis , @10vely-yutazen , @daggersquadphantom , @azriel-the-shadowsinger , @i-love-scott-mccall
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saphronethaleph · 6 months ago
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Lizard v Wizard
“Long have I waited for my grandchild to come home…” Palpatine said, then the smile fell off his face. “...you are not my grandchild.”
“Yeah, we swapped jobs,” Finn agreed, shrugging off a backpack and letting it drop to the floor. “Rey said she was having visions about her falling to evil and sitting on the throne of the Sith, and I said that I hadn’t had any of those visions.”
“Your arrogance will be your downfall, boy,” Palpatine informed him. “Either I will destroy you or you will turn to the Dark Side.”
Finn paused, frowning.
“...huh,” he said. “You really do call it that? I guess I owe Rey an apology.”
“Explain yourself,” Palpatine snapped. “What are you talking about?”
“The Dark Side,” Finn explained, stressing the word. “Seriously, you use that language and it’s going to make me think the Force is a bit racist.”
Palpatine sat in complete silence for several seconds, as his brain rebooted.
“I mean, if you were black yourself, I’d maybe buy the idea that it’s meant to be a matter of pride,” Finn went on. “Reclaiming the term, and all that. But then again you have this whole white power thing going on with the stormtroopers, so it’s not that.”
He shrugged. “And then there’s the bit where you blow up planets as a hobby, because that just makes it really obvious that you’re not even trying to pretend any more.”
“I am going to do you the courtesy of ignoring your nonsense,” Palpatine said, icily. “Make your choice. Turn to the Dark Side, or die.”
Finn laughed.
“Wow,” he said. “You’re making that sound like it’s a threat that works.”
Palpatine’s eye twitched.
“I escaped from the First Order and I was on a capital ship when it got hyperspace rammed,” Finn said. “Also, I came here to fight you, which I think qualifies as a particularly elaborate suicide anyway.”
He shrugged, walking around in a half circle. “I would like to survive this, don’t get me wrong, but… like… if I don’t, and you don’t, I actually think that’s an absolute win.”
“I’ve made my decision,” Palpatine said, with an almost glassy calm. “I’m going to kill you now.”
He raised his hand, which spat lightning, and the lightning stabbed out at Finn – and vanished, as it passed over his backpack.
Finn picked the backpack up again. “Huh, they work,” he said. “Lando said it would but I had to take it on trust.”
Palpatine looked at his hands, then tried to blast Finn for a second time. Again the lightning vanished, then both men looked around at the sound of running feet.
“Rey, I hope you’re in here!” Ben said, then skidded to a halt. “Aren’t you the traitor?”
“We call ourselves the Resistance,” Finn answered. “What are you doing here?”
“Running away from a dozen very angry ex-followers!” Ben replied. “I’ve turned back to the Light Side.”
“Huh,” Finn replied. “Away from the Evil Side?”
“It’s called the Dark Side,” Ben corrected.
“We already had this discussion before you turned up, I think the term Dark side is racist,” Finn said, then Palpatine tried to electrocute him again.
“STOP IGNORING ME!” Palpatine shouted.
“I never thought of it that way, but I think it’s meant to be the absence of light, as in starlight?” Ben guessed, as the sound of stampeding Knights of Ren came down the corridor.
Something exploded overhead.
“Huh, Rey must be doing well,” Finn said, ignoring Palpatine. “And, yeah, I can buy that.”
He reached into the backpack. “Blaster or lightsaber?”
“I don’t have a lightsaber and I would really like one,” Ben said, then caught the Skywalker Lightsaber as Finn threw it to him. “Thank you so much.”
Finn retrieved a blaster from the bag as well, then did something that went beep.
“Five,” he said, throwing the bag at Palpatine. “Four. Three.”
Palpatine raised his hand to bat the backpack away, and got hit in the face by it.
For his part, Finn dove to the floor, and Ben did so as well just before Finn’s count hit zero, and a thermal detonator went off.
The explosion did unfortunately kill the ysalamir in the bag, but by then Palpatine was a little bit too dead to take advantage.
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ironunderstands · 4 months ago
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My reaction (or rather rebuttal) to this amazing theory by Lalody’s lore; and how I think it exposes a problem with theory making in general
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Now disclaimer, I would like to start off by saying that this is not an attack on the creator of this video in the slightest. This is a very well researched and thought out theory and I 100% understand why she came to the conclusions she did, even if admittedly I believe they are a bit of a stretch. I also am not here to debunk anything, lore is not my speciality or something I really care about in general, and admittedly I’m not very well versed in it even if I know the basics.
Rather, this post is going to be discussing this theory from a thematic/charaterization perspective, and why I think it’s wrong because of that- as well as how it exposes problems with theory making in general.
This is going to be mostly a stream of consciousness-style rant, and although I recommend you watch that video before reading this (both because it’s a) very good, and b) obviously relevant to the conversation), I’m going to be speaking very generally about the content in it, so you don’t necessarily have to watch it.
Alright, on with my major problem with this theory: ie, never in a million goddamn years would it make THEMATICALLY make for our dear Veritas Ratio to willingly become an aeon
His whole character is about being human and humanity man
Ratio, in essence, is the most human character in Honkai Star Rail, and I don’t mean that literally, as there’s reason to believe he isn’t.
Rather, him (as well as Aventurine and Acheron) are characters that embody the human spirit/what it means to be human.
I could talk about them at length later, but in Ratio’s case, the story makes a point that despite how remarkable his life and achievements are, he is still at his core, human, mundane, and not unique in the face of the universe- that is what makes him INTERESTING.
He objectively has amazing accomplishments- ones which by far qualify him to be a member of the Genius Society- Lalody mentions it herself (and thank god for that).
However, every step Ratio takes, he reaffirms his humanity and mundanity- LITERALLY
He calls himself a Mundanite constantly- hell he made a whole secret society of them, he believes that any person, fool or genius is capable of living their life to the fullest, and he dedicates his time trying to help them rather than chasing the stars himself. Ratio is very self aware, admitting he’s not good with people and can be rather abrasive, admitting he knows how he comes off to others, but refusing to change despite that because that’s who he is. His opening a chest voiceline has him saying that he accepts the material offer it values- like any man would. Never in Ratio’s life has he distanced himself or put himself above others, and the quest introducing him is called the MUNDANE and the Divine for a reason.
At his core, Ratio is no different from any other person and that’s what makes his objective exceptionality meaningful. He’s a character that smacks you in the face with how even the average person can achieve great things in live- that creativity and intelligence aren’t limited to Geniuses- aren’t limited to those acknowledged by Nous, by the divine.
Hell, that’s something I ripped straight out of his first character story because at his core this is who Ratio IS
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He is a rejection of the divine- not an embrace of it
To make Ratio an Aeon would take everything he stands for away, and be a direct spit in the face to how inspiring he is both in universe and for the players.
Making a character whose whole thing is saying “you do not need to be extraordinary to do great things,” and then going “hah psych he’s a god actually and this is unachiveable for normal people, just like every other genius- you know, the people he stands against!” would just suck. It would suck. I don’t have more intelligent words for this other than saying that doing THAT would suck ass.
It’s not that Ratio couldn’t become an Aeon, it’s that he would never WANT to be one. It would be the most tragic thing ever to do to him, and would hurt him in every way possible to do so. Tearing him away from the thing he cares about the most, from what defines him as a person would be worse than killing him off in my opinion, and in universe he would hate that more too.
There’s several reasons why he doesn’t like the Genius Society, and their disconnect from humanity is one of them. Hell, when Screwllum invited him to work together, Ratio instead of centering the project in aeons, chooses to focus on people instead. Screwllum likens them to both ends of the spectrum- with himself and the rest of the Genius’s exploring Divinity, and Ratio Humanity- or rather Mediocrity.
That’s also why me and my Screwllum loving friend believe that in “The Mundane and the Divine,” Ratio is the Mundane and Screwllum the Divine, so to make both of them divine would ruin that dichotomy, and the whole opposites thing he currently has going on with Screwllum, Ruan Mei, and the Genius Society in general.
If he’s an aeon- if he’s divine too, then who is left to be the mundane?
2) Why is he stealing Ruan Mei’s and Acheron’s nachos
If any of our playable characters are going to become an Aeon, it’s her for obvious reasons. From a meta perspective, pulling that same shit twice or robbing Ruan Mei of the plot line she deserves and slapping it onto Ratio is cheap and stupid, especially considering he’s her narrative foil which only again goes to prove that it wouldn’t make sense for him.
As for Acheron, the reason I mention her is because the only Aeon I can actually see Ratio becoming is the Existence- who a) probably already exists b) finding them is her storyline anyways, and if anyone is going to become them, it will be her c) although I absolutely believe Ratio’s personal philosophy is incredibly similar to Acherons, they’d actually have to interact on screen once before it would make sense for that to happen.
Either way, the theory itself is an interesting premise, but there are far better characters to ascribe it to, which leads into my final point.
3) Why the hell would the writers do this?
Just because they can doesn’t mean they should, and from a thematic and character perspective, I have already gone over why if they care to actually do his character justice, they would never ever consider making Ratio an aeon, unless it’s against his will or something.
Which is why I think this video is actually an exemplar of the problem with theory making in all fandoms now a days- ie; people don’t actually stop to consider whether their theories make sense in the story.
And I don’t mean logically. Honestly I’m going to call this the Game Theory Effect because they do it better than anyone- just because something can happen in a story doesn’t mean it should.
The writers could make Ratio an Aeon, they could go “oops it was all a dream” again in Penacony and local astrophysicists could theorize on how I managed to throw a brick at my computer at light speed. They could do literally anything and justify it in the process because HSR is a work of fiction, but that does not mean the story itself would be good.
This is more of a criticism of how people approach storytelling in general, seeing media only for their plots and not for their themes, which is frustrating beyond words, because at least in my opinion, the most interesting parts of stories are their themes. Also, I feel that when debunking theories, people should focus less about the logic behind them, and more about whether they would actually make sense or not to be involved.
Moreover, Lalody’s video raises some very interesting ideas, and it’s caused me to think of a storyline involving similar elements- but in an opposite direction.
What if Ratio was initially Divine- but willingly became Mundane. Maybe it wasn’t willing and he was forced to be this way, but either way, it would make far more sense- and be far more interesting- if we see him reject divinity rather than embracing it.
It’s no secret Ratio’s lore is sort of a black hole at the moment, which is half the reason why so many crazy theories about him exist- we barely know anything about the guy personally. However, I’d liked to see it filled in a way that doesn’t completely demolish his current character, or who he literally is currently, as I rather like Ratio in his present form, and a bait and switch might actually drive me a bit nuts, just saying.
There’s plenty of speculation to be had, especially considering that one Cosmodyssey occurrence that haunts my every waking hour game please explain, but I’d like the hsr community to move away from the “Ratio is super special and extraordinary” direction, because what makes him interesting is the fact that he ISN’T
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sportsthoughts · 1 month ago
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I am sick of Yohe's misery and spent five minutes thinking I wish I had ten nice things to read this morning before realising I could write them myself:
Jarry - who, let's not pretend otherwise, is not my favourite goalie in the NHL - was fantastic at lots of points especially at the start of the game (let's not talk about the bit where he wandered off at the end, we've all gone rouge at the end of a night out haven't we, let's not be judgemental). Do I know what makes a goalie fantastic? Not really. But he made lots of saves and there were many points where I thought we were done for but he came through. He really really tried and God loves a trier and it's also really nice that Ned got a bit of a break. Being a goalie for a special team like ours must be tiring
Nostril boy scored a great goal which is an enormous feat considering he was skating on a line with a Drew O'Connor who's shaved head looks so bad it would frankly throw anyone off their game. I wonder if Sid will now declare the baldness unlucky and send him to Geno's hair man
On that point - Doc admitted that his hair looks terrible - which, yes, I know that isn't exactly a win from a hockey perspective but it's a man showing self awareness which is a rare win for humanity and not to be overlooked. I think Yohe could actually really spice up his journalism by writing a piece on our hair to win ratio
Sid's assist on Raks' goal was gorgeous. Gorgeous!! It wasn't goal 600 but it was a point and a beautiful one AND we got to see him smile
Our powerplay wasn't horrific. Our PK wasn't horrific. At points they looked good! I didn't feel sick watching either and the dash managed to stay mostly sane!
All our young guys were pretty good! And hey!! We have young guys!! Young guys playing on our team!! Let us not be ungrateful for what we have. Do I squint at their numbers on my grainy livestream and say who is that? What line is that? Where did you come from? Yes, but change is sometimes good and they lower our average age by like ten years
Geno showed so much energy towards the end of the game. I know he didn't do much but my gosh he really tried! He clearly had the legs. I don't like to dwell on it but at some points last season he just looked slow and tired not quite there and last night he looked hungry for it! He's been so great this season. I could make a point about the motivational powers of the stache here but i'm not Rossi so i'll leave the RPF to those better qualified
Also, Geno's line started the game! We rarely get to see him being broody on the ice during the anthems so that was a lovely treat.
For my fellow stachefuckers, the sidstache (and rustache and others) are all going strong. How long will they survive? I'm not sure. But we've made it 20 days with our beautiful slugs intact and that's so much better than last year. We have so many pictures! So many gifs. So many clips of the stache being discussed! Movember 2024 has not disappointed
Finally, it was a Hockey Fights Cancer night! There were some lovely stories and it was so moving to see survivors celebrating at the game. I think this is where Sid would say something nice about hockey being more than a game and having the power to unite people and include them in a community and give hope and inspire and and and. So insert that here. I think he's right.
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friendlyneighborhoodamara · 2 months ago
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Can't sleep so I'm gonna talk about Akane Tendo's reputation among fans. It's no secret I'm an Akane fan, and I'm glad that the fandom seems to be kinder to her today than in the past. In light of this, I'd like to address some of the common arguments people make or used to make against her.
For reference, a significant chunk of the humor in Ranma 1/2 involves Ranma, often intentionally, pissing Akane off, to the point that she hits him really, really hard. This is a pretty common comedic trope in shonen anime prior to like...I wanna say the 2010s? (I never watched Naruto since it looked bad but I am pretty sure that's Sakura and Naruto's dynamic.) Anyways, while I joined the fandom recently, I have learned that when the show came over to America in the early 90s, Akane was SUPER controversial for treating Ranma like this, with her critics calling her a violent domestic abuser and misandrist, and her reputation has only really recovered recently.
Now, if the "girl character beats up boy character in fit of rage" trope is something that isn't your taste in comedy, then it's not your taste in comedy. However, it's important to keep in mind qualifiers for Akane's behavior. Akane at the start of the series has been harassed by boys at her school who want to beat her up and force her to date them, leading to her having a justifiably poor perception of men and boys. Her hating boys and seeing the worst in them is very different from a man hating women due to patriarchal expectations, and even then she treats boys who are nice to her like Ryoga well.
Honestly, the only area where her dislike of boys gets kinda like morally problematic in my view is if you interpret Ranma as a trans girl: while I joked in an earlier post that Akane is a TERF, one could argue that, albeit unintentionally, Akane's negative reaction to seeing Ranma naked in her bathtub (even if accidentally) and then calling him/her a pervert plays on transphobic rhetoric against letting trans women use the women's restrooms like we're supposed to. (Humorously, most of the people mad at Akane seem to be, ah...not exactly fond of trans!Ranma headcanons, but I digress.) If other trans girls or our allies don't find the slapstick funny for that reason, fair enough, but I don't feel bothered by it given how most of the time Ranma gets hit it's for being legitimately rude and again the violence is very unrealistic.
Admittedly, if Ranma 1/2 had a more serious tone and grounded level of violence, Akane hitting Ranma would be abusive. But in the series, martial artists can walk off stuff like being crushed by a boulder, so Akane beating Ranma up by kicking him/her 50 feet into the sky because she thought he/she was trying to feel her up is not so much like domestic abuse and more akin to a wife giving her husband a light dope slap. Remember, much of the violence in this series is basically just that of a Tom and Jerry cartoon, albeit with an early Dragon Ball aesthetic. Furthermore, Ranma - as much as I love him/her as a character - is usually the instigator, with the wiki even having a list of the cruel nicknames he/she gives her, so it's not as if her actions are unwarranted:
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There is, per some people, a gendered component to this discussion, that if the genders were flipped, this wouldn't be funny since Ranma doesn't hit Akane. Now, firstly, if you're a man and a 35-year-old anime not having a boy beat up a girl enough is your worst experience with "sexism", well...get over it. Secondly, in terms of wider media, men commit violence against women that is framed for laughs all the time (ex.: Miroku in Inuyasha, another Rumiko Takahashi series, is a male character where his running gag involves him groping women, which is a more realistic form of violence than anything Akane dishes out), so the notion that it's only women who hurt men in media for laughs is untrue. Thirdly, the notion that hitting Ranma is viewed as okay because "he's a boy" is dubious since he does canonically turn into a girl and Akane hits Ranma regardless of gende, and despite his claims to the contrary he/she doesn't really hate being a girl as much as he/she claims. As a concession, I will note that especially in the past some writers can be reluctant to show slapstick against women, but this is more due to internalized misogyny and viewing women as weak and needing protection. Personally, even assuming that Akane was a boy and Ranma was wholly a girl, I'd have no problem with the slapstick since it's clearly goofy and unrealistic.
Anyways, I'd like to conclude by saying (1) I am glad that I joined the fandom at a time when Akane is being perceived more and more fairly as a flawed but generally pretty nice and hilarious character who has a good deal of pathos despite the clearly slapstick-y nature of the series, and (2) thanks for reading this long, very sincere post.
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randomwords247 · 2 years ago
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hecking same and also you're right
For example like Sans is like. A skeleton. He is literally bones. Tumblr sexymans are not all about conventional attractiveness or appearance. It's about the personality, the quirks, the vibes.
There are like a bunch of ppl in the mcyt sexyman poll who do not have sexyman vibes, or who are getting through becuz ppl like/dislike them or their competition.
The poll isn't about favourites or having your blorbo win it's about who is more tumblrsexyman. People are voting their favourites even if they are not a sexyman and are thus polluting the poll >:(
Rant: The mcytblr sexyman poll is overrun by voters who have no idea what a Tumblr sexyman represents. They think it's a beauty contest, or they just pick their favorite. A third of the nominees don't even belong in this competition in the first place. If my favorite sexymen were losing that'd be one thing but they're losing to popular mcyters who aren't even sexymen.
I am far too invested in this but it's too late for me now.
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queer-ragnelle · 12 days ago
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hi! i apologize if this is outside your ballpark. i recently came across a post about how religion appears in bbc's merlin and it got me thinking about religion in arthurian legend in general. i was wondering if you have any thoughts on the topic? what religions do the characters follow and how does it impact their lives? i know most of the 'cast' is christian but even then medieval christianity is different enough from modern christianity that i constantly feel like i'm missing some nuance/context when i read arthuriana. do other religions feature (such as judaism, islam, pagan spirituality) and are there any essays on it or books where that's explored? thank you for all you do and have a great day!
Hello!
So I’m definitely no religious scholar of any kind. Yet I somehow managed to write an obscenely long post in reply. I've provided copious amounts of literature on everything I'm discussing here, so I encourage anyone who sees this to read what's provided and form their own opinion. Although my reply is based on the Medieval stories I've read and quoted as well as the essays and books of people far more qualified than I am, it's still my own interpretation, and shouldn't be taken as the final word on this highly complex subject. If anyone finds something here I've gotten wrong, please don't hesitate to educate me otherwise and point me in a direction to learn more!
Without further ado...
The first thing anyone looking into this needs to understand is [most of] the Arthurian stories we have were drafted or documented by Christians, oftentimes monks (ie, people very devoted to their religion). Even the texts like the Mabinogion or The Welsh Triads, which contains no Christianity, wasn’t written down until the 12th century after the oral tradition had passed through the Christianizing of Britain. Not to mention translation bias, an oft overlooked factor. For example, French characters Lancelot and Galahad were retroactively added to The Welsh Triads to bring the Triads more in line with the widely popular French narrative. Translator Rachael Bromwich has excellent footnotes regarding this in the file I shared above. So just keep that in mind while reading/researching this subject.
More generally speaking, while some characters themselves aren’t Christian, such as Muslim Palomides or the occasional Jewish character, the texts are [mostly] from an overtly Islamphobic and antisemitic viewpoint. The depictions of religion in Medieval Arthuriana should never be taken as an indication of how things “really were,” either in the time it’s meant to take place (ie, the 5th-6th centuries when the Saxons were colonizing Britain) or the time/place it was written in (ie Chrétien de Troyes wrote from his own 12th century Breton perspective). Point being, it’s all very biased. Perception heavily depends on the place and year things were written and translated. If you're ever unsure which translation of a text will best suit your needs, whether that means accuracy, readability, or containing more robust footnotes, don't hesitate to ask.
That being said, the differences you’re touching on regarding Medieval versus Modern Christianity sometimes stems from Christian Mysticism, which was a prevalent theology in the Middle Ages and still exists today (albeit to a lesser degree). Some contemporary sources on this would be:
The Confessions by Saint Augustine of Hippo
The City of God by Saint Augustine of Hippo
The Book of Divine Works by Saint Hildegard von Bingen
The Letters of Hildegard von Bingen Volume I by Saint Hildegard von Bingen
The Letters of Hildegard von Bingen Volume II by Saint Hildegard von Bingen
The Book of Margery Kempe by Margery Kempe.
Now the thing with Christianity in history and Arthuriana is that the lines between orthodox practice and the mystical was blurred. On an episode about charms, the Medieval Podcast (also available on any podcasting platform like Spotify) explains how people bought and used charms all the time, even within their Christian practice. To them, it was a part of their worship. They may have chanted some words over a sick friend while anointing certain parts of the body in the hopes it would aid in healing. Depending on the time and place, this may or may not have been openly discussed for fear of repercussions or accusations of blasphemy, but it was common enough for historians to have gathered a multitude of examples preserved in spell books. To a desperate Medieval Christian, one of these charms occupied a similar place to Pray the Rosary or Hail Marys in hopes of boosting the success of their endeavor.
So in a similar vein, that concept is sometimes stretched for the sake of an Arthurian story. What you end up with are characters like Merlin, supposedly half-demon, but baptized, therefore his purified magic and prophesizing is considered "Christian;" Morgan le Fay, raised in a nunnery, yet learned necromancy from the holy sisters; and Gawain, who obtained his sun powers, as well as his name, from the hermit that baptized him. At least, so it goes in the Vulgate.
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In a way, these people are not magical through their own power, but channeling the divine with the help of their Christian education in order to bestow those benefits, often health, strength, or prosperity related, onto others. (You'll see a lot of real life examples in the contemporary sources I linked above.) Vulgate editor Norris J. Lacy and his translation team left a footnote on the Gawain passage explaining the history of the Gawain/Gwalchmai character that lead me to theorize that this passage might be an attempt by Anonymous to maintain those heightened magical powers while offering a palatable Christian explanation for it.
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A similar phenomenon can be seen in Sir Gawain and the Green Knight, the characters are staunchly Christian, and yet the presence of a green-skinned knight astride a green horse who can survive a beheading is seen as marvelous, even miraculous, rather than monstrous. As Larissa Tracy explains in the essay Shifting Skin Passing as Human Passing as Fay, although the Green Knight is Othered by the court, he's not so Othered as to be held entirely apart. He's "tallest of men" and "half a giant." He is still one of the "in" crowd at least a little bit. So while his green coloring shocks the court, and calls to mind Otherworldly fay, in a way similar to the Lady of the Lake or other such beings, the Green Knight isn't viewed as an enemy of the crown so much as a chance for the court to prove its virtue. In the end, this Green Knight was indeed a man, Sir Bertilak, transformed by Morgan le Fay to take on the monstrous visage, and was indeed "one of them" all along. In this way, concepts which seem magical (read: Pagan) to the modern reader remain steeped in Christian ideals. This extends to Gawain's pentacle shield as well, sometimes misconstrued with a similar Pagan symbol, which the poem outright states represents the five virtues of knighthood or even the five wounds of Jesus Christ. Then again, Rhonda Knight's essay All Dressed Up With Someplace to Go: Regional Identity argues the opposite point, that there is indeed a divide. Knight asserts that the poet has intentionally heightened the dichotomy of insider/outsider, particularly as it relates to the Anglo-Welsh border between Sir Bertilak's Wirral and King Arthur's London Camelot. It's quite plain from the moment the Green Knight enters the scene there's a stark split between the two cultures, whether that be interpreted as the people of Wales and the people of England, or the Otherworld associated with Wales and the dominance of Christianity.
But anyway enough about Christians. Let's talk about my friend Sir Palomides and Islam.
A brief recap for anyone who's unfamiliar with Sir Palomides, he's a Muslim knight, referred to in the Medieval Christian tongue as a "Saracen," who vows to convert to Christianity for the sake of marrying Isolde, but curiously hasn't yet. His father, Esclabor, and both of his younger brothers, Segwarides and Safir, have already converted. Palomides is continuously ostracized for his religion/appearance throughout the narrative and considered lesser than Tristan. This is pretty much always the roles they play. Sometimes Palomides is treated with extreme cruelty, such as in the Post-Vulgate, where Galahad forces him to convert to Christianity at sword point, only for Palomides to be murdered shortly afterward by Gawain once his narrative purpose, ie successful conversion, has been fulfilled.
For this break down, I'm ignoring that portrayal of Palomides as well as the Prose Tristan because they suffer from the issues I already outlined regarding Medieval Christian's malicious depiction of non-Christians. And I hate them</3 We'll be turning our attention to Le Morte d'Arthur by Sir Thomas Malory instead as Palomides is slightly more nuanced there. (Very slightly. "The Good Saracen Sir Palomides" is a loaded sentiment, but Malory was a Medieval Englishman imprisoned for his crimes and writing through his madness. We work with what we have.) The copy I linked is translated by Dr. Dorsey Armstrong, not only because it's very good, but because she authored one of the essays I'll be sharing on the subject. She also has a 24 part lecture series on Arthuriana that I highly recommend.
In Le Morte d'Arthur, and the earlier published La Tavola Ritonda as well as Byelorussian Tristan, Palomides is treated a teensy bit better. In most versions of the story, Palomides misses an appointment to duel with Tristan out of cowardice or dishonor. But Malory has written a scenario in which Palomides missed the appointment not out of subservience to Tristan, but because he was jailed elsewhere and couldn't physically make it. He still gets his ass kicked by Tristan, but Malory's change shifts implicational blame of Palomides to circumstantial blame of his situation which serves to create a more sympathetic character. So while Tristan's perception of events remains the same, Palomides is given a narrative excuse which maintains his honor and integrity in the mind of the reader. Yet as Dr. Dorsey Armstrong points out in her essay, Postcolonial Palomides, after Tristan discovers Palomides suffering a bout of grief-induced madness, Palomides's ability to communicate breaks down, and Tristan is unable to understand him. Palomides occupies a space that his fellow "Saracen" knights, such as Priamus of Tuscany, don't. He's Othered by everyone in the narrative yet gains renown among the Christian knights in part because of his extreme desire to join the Round Table, while resisting the necessity to conform to a religious order and community which does not otherwise accept him. Unlike his father and brothers, Palomides seems more aware of, and resistant to, the predatory systems which dictate their conditional acceptance.
Race as a concept did not exist in the Medieval world, rather it was intrinsically tied to religion. That said, colorism was always present. "Saracen" is a term used to refer to Arab people, but according to Hamed Suliman Abuthawabeh, the etymology of the word itself stems from the color brown, ie referential of skin tone. As it relates to fiction... Ever wonder why the Holy Land of the Middle East in Arthurian Legend, where Galahad, Perceval, and Bors seek the grail, is called "Sarras?" Now you know. This concept is not limited to Middle Eastern characters either. Black people in Medieval stories are referred to as "Moorish," ie from the "Moorlands." To that end, ever wonder why Aglovale's half-Black son is named "Morien?" Or how about Parzival's half-Black brother Feirefiz, who's described as having a mixture of "white and black skin," half his father's "fair country Anjou," half his mother's "heathen land Zassamank" with a face two-toned "as a magpie." (Author Wolfram von Eschenbach and translator Jessie Weston's words, not mine).
The fact is non-white, non-Christian characters are often reduced to their skin color, not only in what labels are applied to them as people, but their religions and falsified homelands as well. The cost of a modicum of respect is total assimilation. It's all or nothing for these characters, and even then, it's not a guarantee. Aside from the especially harrowing treatment of Palomides in the Post-Vulgate, this concept appears yet again in the poem The Turk and Sir Gawain, in which Gawain continuously oscillates between foe and friend with an unnamed Turkish knight, only to conclude the story by violently converting this individual through beheading. The Turkish knight is reborn, now Christian, and at last gains a name and identity, Sir Gromer. The expectation put on Pagan knights is so great they must submit to their white comrades and allow them to, literally, kill their former selves to be worthy of personhood in Christendom.
The same can be said of Jewish characters in Arthurian Legend. They're not often the focal point, but they do pop up from time to time. In La Tavola Ritonda, there's Dialantes the Jewish giant, as well as the beautiful Hebrew damsel of Aigua della Spina, who's curiously married to a Christian knight. Then of course there's the rampant antisemitism in Chrétien de Troyes's Perceval, as well as the continuations, which blame "the treacherous Jews" for killing Christ, while also casting Joseph of Arimathea as a Christian knight who brought the Holy Grail to Britain. Furthermore in The History of the Grail portion of the Vulgate, Joe is said to have "converted to the faith of Jesus Christ" while keeping it secret for fear that "the Jews would have killed him." Tons of revisionism happening. The bulk of the Vulgate makes little to no mention of Jewish people, good or bad, as it's mostly tied to the grail story. That said, when it does come up again in The Death of Arthur, it's a slippery slope into every other prejudice, as the term has become synonymous with evil, particularly as it relates to women.
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I couldn't possibly outline the entirety of Medieval Christianity's relationship with other religions in a single tumblr post. Here's a link to my huge folder about Race & Religion in the Middle Ages. The essays and books there discuss this subject in a general sense but there's a sub-folder with Arthurian specific essays to learn more about Palomides, Priamus, Gromer, Morien, Feirefiz, and other characters or texts that touch on race/religion.
Despite all of the above, it's not all bad. Sometimes an author was anti-racist toward the non-Christian characters, yet limited by their time. (Think how Herman Melville portrayed Polynesian Queequeg in Moby Dick, positively, but used phrenology to compliment the shape of his skull by comparing him to that of white people. Not up to modern standards, but an attempt at progressive for its time nonetheless.) Looking at Dutch Arthuriana, while Morien's name is an insensitive indication of his unnamed "Moorish" mother, the only characters in the story who treat Morien poorly, such as the boatmen who refuse to ferry him, are openly condemned, even threatened, by the Knights of the Round Table, including Gareth.
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I don't know what to call this writing technique, but it's used (and sometimes underutilized...) today. Essentially, as a means to indicate to the reader that the views of the antagonistic (in this case, xenophobic and anti-Black) character isn't shared by the author, they include another character who refutes and combats the negative behavior and who accepts the oppressed party as they are. However rare, it does happen in Medieval texts.
Last but not least, I'd be remiss to omit the Hebrew King Artus from this discussion. It's an incomplete story, but sets out to retell the Arthurian Legend from a Jewish standpoint. All the characters are Jewish and all religious allusions that were once Christian have been rewritten as Jewish. It has a thorough analysis by the translator and tons of footnotes to indicate the Jewish references throughout the text.
Regarding religion in modern Arthuriana like BBC Merlin, Druids aren't actually present in the Legends, with the one and only exception being The Adventure of Melóra and Orlando, which does refer to Merlin as a Druid! There's also the connection made between Merlin and Stonehenge in The History of the King's of Britain by Geoffrey of Monmouth; the word "Druid" is not used, but Merlin describes his own ability to manipulate the stones as "mystical." One has to remember that Druids didn't write down their own history, as it was their way to memorize religious practices and not document anything. All we know about them comes from outside sources, such as Greeks and Romans as well as Christian missionaries come to convert them. As Christianity took hold and figures like Saint Patrick "drove the snakes [Druids] out of Ireland," much of that history was either lost or purposefully maligned. Did the Druids actually participate in human sacrifice? Who knows! Bearing that in mind, we must acknowledge the influence of the several revivals of Druidism and recent boom in Neopaganism; a lot of popular interpretations of Arthurian Legend are just that, the creator's interpretation, and not necessarily indicative of what the historical people would have been doing. To learn more about that, there's Druids: A Very Short Introduction by Barry Cunliffe which I found helpful.
When it comes to Merlin, or Myrddin Wyllt, his character is potentially based on a few different people who really existed, but there isn't a name given to whatever religion they practiced in anything I've read. While the time period did have clearly delineated religions such as Christianity, Judaism, Zoroastrianism (and then Islam), Mithraism, Druidism, etc, there were just as many people who prayed to Jesus Christ while simultaneously leaving out offerings for the local spirits. Most religions come with regional differences, various sects, or shift gradually over time. Saint Patrick himself is said to have had a "fluid identity," as his autobiographical work The Confessions paints him in a fairly positive light as a peaceful missionary, while Dr. Janina Ramirez indicates in her book The Private Life of Saints that other sources characterize Saint Patrick as an aggressor. Some scholars even believe Saint Patrick may have been two different people, combined over the centuries, similarly to Myrddin Wyllt. Modern Arthurian books and shows really lean into a dichotomy between Christianity and the "Old Religion" for the sake of entertainment. But bouts of unrest weren't as fantastical nor made up of two wholly separate, well-defined teams.
Wow this got long. I think we'll leave it at that. I hope that answers your questions! Take care!
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scoatneyhall · 7 months ago
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WILD. Was anyone else aware that the Ted Lasso team has gone in and made post-production edits on season 3 episodes, sometime in the last year?
I've been rewatching the finale in advance of the one year anniversary of it airing, and straight off, I noticed that the points total on the graphic looked different to how I remembered it - a much closer race. It stuck out because I remembered being annoyed that they didn't celebrate the moment Richmond got confirmed for the Champions League, as the gap was big enough for it to have happened a while ago, offscreen. I still have a screencap from when the episode aired:
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However, the current copy on Apple has an updated graphic, making the post-production graphic in line with the numbers on the actual physical whiteboard prop and the script mentioning the win streak. See here:
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The corrected copy makes Richmond's points match the whiteboard, but it also puts the teams in 3rd to 5th place much closer to them points-total wise, meaning that now, in the current version of the episode, Richmond only qualified for the UCL in "Mom City," making it make more sense that the start of 3.12 is the first time it gets discussed. Would have been nice to mention that stake in the City match commentary during 3.11, but I genuinely am shocked that they went back in and edited the already-published episodes to clean up the post-production errors. For the record, here's the whiteboard as of 3.08: W10, D9, L6.
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Just in case anyone cares, the order of those results was - 1 draw against Chelsea, 6 wins with Zava, 1 loss against West Ham, the rest of the draws and losses occurring between 3.05 and the loss against Arsenal in 3.07, and then the 4 wins mentioned at the start of 3.08. By the start of 3.12, it's mentioned they are on a 16 game win streak, so that's 22 wins overall, 9 draws, 6 losses, going into the final weekend, hence the updated graphic.
I like that they went in and fixed it - no idea when in the past 12 months that occured - but I also kind of can't believe they bothered? Then again, I can't believe the mistake was made in the first place, as they were so specific with details in the prior seasons, so maybe they couldn't live with it being wrong.
I know there were rumours about a ton of issues in terms of getting these episodes posted in time - right down to the wire, still fixing the edit on the airdate - and it's clear that these details were not checked and confirmed by the poor people in post who were not working off the show bible that lives in the writers heads. I don't blame them at all, I blame the people who got the edit to them late, but it did annoy me during the season a LOT. The maths wasn't mathing, and as we know this is a show that has been careful with dates and timelines and stuff like that.
Anyway! The point is, a) this post about my UCL qualification fantasies is now moot, and b) I went back and checked another post production error that had REALLY pissed me off, which was the dates of texts in Ted's phone in 3.04. Phone dates have always given us the timeline quite strictly before - it's how @belmottetower and I started the timeline in our primer, with Ted arriving in London on January 6, 2020 and then following the football seasons from there to place the season 3 finale in May 2022 - but in 3.04, all the cute texts we see to all the characters in his phone were badly misdated, placing the timeline further in the future. This caused arguments or misunderstandings, at the time about the actual timeline of the show, but it seems this was another detail the producers really wanted to fix and tighten up, as they've gone back and had it edited.
It's weird, because the texts Ted was actually going back to - the messages from Doctor Jacob - were dated correctly as late 2019, and there's even a little easter egg in the form of a US rideshare notification picking him up to go to the airport in America, on 5 January 2020. (Even the area code, 316, is apparently correct to Kansas.) That's all correct even in the original version of the episode, but somehow we then skip a year and place his most recent texts, as of 3.04, in late October 2022, when they should only be in late September or early October 2021. (I found this post on Reddit that screenshotted his phone at the time.) Examples:
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I had to go back and check this, and sure enough, it's been edited to reflect the established timeline - they didn't just redate the year on each message, they also changed a bunch of the chats to be more recent - so rather than dates, his most recent chats with Henry, the Coaches, etc are from "Yesterday," then the first dated texts are in very late September 2021. This matches up pretty perfectly with where they are in a typical Premier League season - they REALLY cleaned it up. Further back, they do just switch the years on the dates, so he still got a picture from Sassy last Valentines Day, and his last one-on-one contact with Jamie is still set before the events of Wembley in 2.08 (FA Cup semi finals are in April, so a few weeks after the March 2021 date on Jamie's chat.)
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My brain is itching because I swear there was a screen of Nate and Ted's text chat at some point too? With Ted reaching out about his new job, on a date that deeply did not work with the timeline? But maybe I imagined it. There's no record of Nate's number in his phone at all now, and the texts date back to before Nate left, so I guess in this version of events, Ted deleted Nate's number and message history.
Anyway, I'm aware that basically no one is going to care about this, but I suspect that the three people who will actually care will REALLY FUCKING CARE. Has anyone else noticed it? Does anyone know when it may have happened? Does anyone know what else might have been changed or fixed? I love details and I love the fact that there is no longer conflicting data about what football seasons the show is covering - it's mid 19/20 to the end of 21/22, end of story - but what a fucking mess the production of season 3 must have been, to end up at this point!
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antisemitism-101 · 1 month ago
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Welcome and FAQ
I'm so excited that you want to learn more about antisemitism and how to fight it! Thank you. Here are a few questions I've been asked while setting up this blog; I figured it would be worth putting them all in one place.
Why make this blog?
Often, growing up Jewish means growing up with intensive training in identifying antisemitism.  Even our religious holidays frequently boil down to "They tried to kill us and failed!  LET'S EAT ABOUT IT."  
The upside of that is, we learn from a very early age how to be safe.  What to watch out for, what escape plans to make.  The downside?  A lot of kind, thoughtful people who care about social justice, who want to help, didn't get that training. They didn't have to.  And us trainees failed to realize our training wasn't common knowledge.  That training gap leaves lots of room for bad actors to promote dangerous misinformation and antisemitic tropes.
I want to reduce that wiggle room.  To share knowledge with people who want to learn but are afraid to ask.  To help people understand why so many of us feel hurt and alone.  To identify language with antisemitic implications that are harder to see.   And I want to help the helpers.  I know there are a lot of you.
Who are you, and what makes you qualified to do this?
I am a Reform Jewish woman from the United States (Not A Zionist, Free Palestine, just to get that out of the way.)  My biggest credential, honestly, is my adorable mother-in-law.  She's a deeply curious woman with no sense of what an appropriate question is.  She's also lived in rural Texas without internet access for decades, and I was the first Jewish person she ever met.  Thanks to her, I have so many years of practice answering really painful good faith questions about Judaism.
The second person helping with this blog is a dear friend, a Zionist, and pro-Israel, and I've been arguing with him about Palestine more or less nonstop since October 7. I figure anything we two can agree on about antisemitism is probably broadly applicable.
Why are you blogging about this instead of about Gaza?
I don't believe being one more person blogging about Gaza is going to make a meaningful difference in the lives of Palestinians; I've currently focused my activism there on donating to aid organizations like Islamic Relief USA, which I encourage you to also do, and calling my elected officials.
In my experience, a lot fewer people are discussing antisemitism, for a lot of reasons.  I feel like largely people are afraid discussing antisemitism means ignoring the nightmarish suffering of Palestinians.  I know we have enough compassion in our hearts to support people in two marginalized groups.  And since I can discuss antisemitism in a knowledgeable, warm, and level-headed way, I feel like it's my obligation to right now.
How do you decide whether a question is in good faith?
That's a good question!  The unsatisfying answer is: it's entirely subjective.  But my definition of 'good faith' is generous, so don't be afraid to ask something because you feel like I won't like it.   
Can I ask general questions about Judaism here?
Try it! If the questions aren't related to antisemitism at all, I reserve the right to not publish them, but a lot of antisemitism comes from a misunderstanding of Jewish culture and tradition. If you want a Judaism 101 blog too, feel welcome to suggest it.
Is there a good place to find Antisemitism 202 content on Tumblr?
I'm glad you asked! My favorite two Tumblr bloggers who write on the subject (from very different angles) are:
@edenfenixblogs, who writes eloquently about common Jewish experiences and promotes both Jewish-Muslim solidarity and Israeli-Palestinian Solidarity. This post about the relationship between Judaism, trauma, and the desire to be a light in the world feels like it came straight from my heart.
@historicity-was-already-taken, who is a Holocaust scholar by profession. Obviously she writes mostly about the Holocaust and academia, but branches out into current events sometimes. I've linked her 101 post on antisemitic tropes to watch out for to multiple friends.
(Hi, both of you! I doubt you know me, I've just been an occasional commenter, but I'm a fan. If you don't want to appear on this list, please feel welcome to ping me and I'll remove you.)
What is that icon?
It's a dreidel, which is a children's toy used to celebrate a Jewish holiday, Chanukah. I wanted to pick something friendly and recognizably Jewish to USians like me.
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kelpstheshifter · 10 days ago
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All of Kelpie's possibly controversial shifting opinions and why shifting isn't "working" for you
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I've been in the shifting community for almost four to five years now (it's insane), and I feel this makes me qualified enough to share a few shifting-centered opinions I've formed over the years. In no way, shape, or form am I saying you have to agree with these, nor does it matter to me if you don't. I hope you can agree with at least a handful of them, though.
Firstly, shifting without effort is much harder than shifting with effort. I'm not saying shifting without effort is impossible—this would be contradictory, since the times I have shifted were either low effort or accidental—but what I am saying is that putting in extra effort makes seeing results so much more likely. I can count on my hands and toes the number of times I’ve genuinely laid down and attempted to shift since I found out about shifting. For the past four-ish years, lying down and doing the "intention" method has gotten me three or four mini-shifts and one full shift. I bet that if I had taken the time to put all my energy and thought into actually shifting, I could have reached the hundreds by now. So, if you've been doing the same thing for years, there's a good chance that’s why shifting isn’t "working" for you. To sum up this point: If you want results and want them consistently, put in the effort. If you’re okay with your results being irregular and inconsistent, that’s fine too.
This is a very hot take within the shifting community, but I don’t like the idea of getting rid of the label "mini-shifts." This is for two reasons: the whole "you’re always shifting" mindset and the usefulness of the term itself. The idea that there’s no such thing as a mini-shift constantly comes up when I discuss my shifting experiences, but the term "mini-shift" is extremely helpful in describing the differences between my shifts to my DRs. Yes, a mini-shift is still a shift, but keeping the term helps distinguish between the two because they are super different experiences. The term simply refers to the shift itself being a miniature event and is strictly about the time spent there.
This is often paired with the "you’re always shifting" mindset, which I don’t agree with. If you’re using this phrase to mean "every attempt shifts you to a reality where you’re closer," then yes, a hundred percent. However, I don’t believe in the idea that going to a store and choosing an apple over an orange means you’ve shifted to the "apple reality" instead of the reality where you chose an orange. I understand where this concept is supposed to lead, but it’s not something I believe in. If you do, though, that’s okay.
Now, onto race changing. Even if I tried from the depths of my soul—reached all the way down and rearranged stuff—I could not find a single care to give about this subject (same with age changing, but I’ll get to that later). As a WOC, I do not care what race you are in your desired reality. End of story. It doesn’t affect me if you change your race in your DR, and I don’t have the energy to tell you that you shouldn’t. At the end of the day, no one from this reality is in that reality with you. Am I Black here? Yes. Will I remain Black here? Yes. Is there a reality where I’m not? Probably. Will I go there? No. But that’s just because I wouldn’t feel comfortable changing my race in my DR. This isn’t to say I’m pro-race changing or anything, but if that’s what you want to do in a reality I have no access to, go nuts, buddy.
Now, age changing. I do not care if someone ages themselves up. If you’re aging yourself up from 14 to 29, go ahead. I’m not your mother, and everything you do in your desired reality is your decision to make. On the flip side, if you’re aging yourself down from, say, 31 to 17 to be in your favorite show as a teenager, like The Vampire Diaries, this seems to be the more controversial aspect within the shifting community. In my humble opinion, it really shouldn’t be. You can be any age you want in YOUR reality. It’s a hundred percent up to you to decide how you customize your avatar in your DR.
Lastly, "gatekeeping" S/Os. It is a hundred percent okay to feel jealous when someone is also shifting for your significant other. Personally, I hate when people are shifting for one of my boyfriends, so when I see content like that, the creator is swiftly blocked. I don’t understand why this became such a giant argument within different shifting communities, especially shifting Discords. You do not have to interact with people you don’t want to. So, if someone is shifting for your partner, BLOCK THEM. On the other hand, going onto someone’s page and commenting or messaging them that they are "your partner" is weird and extremely embarrassing.
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progg · 2 months ago
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Chapter 402 Thoughts
Here are my thoughts on Chapter 402 of Hunter x Hunter, “Letter”.
Salkov
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Salkov has been able to use Nen since birth. Given the discussion in the previous chapter, this all but confirms that he is one of the “strong curse sacrifices” and Beyond’s son.
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Halkenburg’s Illness
On Day 10, Balsamilco describes his plan to poison Halkenburg.
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At 8:50 AM on Day 11, Melody reveals that Halkenburg has fallen ill. This could be the result of Balsamilco’s poison.
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The Plan to Assassinate Luzurus
Kacho discusses assassinating Luzurus with a disturbing lack of empathy.
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I felt a bit uncomfortable reading this!
Melody doesn’t flinch, though she expressed discomfort with assassination in Chapter 400. 
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Another relevant scene is Oito’s reaction to Momoze’s death in Chapter 368, where she criticizes Babimayna and Kurapika for their lack of empathy in the Succession War.
Despite the grisly discussion about assassinating Luzurus, the prince is portrayed mostly positively in this chapter. He is absolved of blame for Fugetsu’s condition and shows sympathy for Kacho’s death.
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In Chapter 362, Nasubi claims Spirit Beasts “cannot directly attack” other people with Spirit Beasts. However, the traps laid by his Spirit Beast may qualify as “indirect attacks”. It’s unclear.
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Luzurus also expressed admirable views on rehabilitation to Basho in Chapter 366. Meanwhile, Kaiser is planning to make it look like he overdosed, which—when you think about it—is extremely dark.
On a side note, it seems Kacho was successful in convincing Fugetsu that everyone else mistakenly thinks she is dead—a plan she laid out in Chapter 400:
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Covering Up the Truth
In my previous breakdown, I mentioned how I often reference the seemingly unimportant panel of Cheadle talking about the Silent Revolution. Another panel I bring up a lot is this one with Steiner and the IPA Director:
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This panel sets up a major theme in the Succession Arc about valuing peace over truth. There are undoubtedly strategic reasons for keeping Luzurus and Halkenburg’s deaths under wraps, but I still believe the Succession War is going to eventually be completely covered up. Kaiser and Balsamilco’s plans echo this theme, as well as Kacho’s plan to conceal her death from Fugetsu.
Benjamin and Balsamilco
I once saw someone liken Benjamin’s character to the phrase “a ship with no compass gets lost at sea.” I think this is a pretty good description of what will happen to Benjamin. Benjamin, while powerful, is heavily reliant on others to steer him in the right direction. Balsamilco says as much:
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In this chapter, we receive yet another reminder of how the soldiers around Benjamin elevate him. Kaiser believes he was only able to extract information from Benjamin because Balsamilco wasn’t present.
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Kacho’s Letter
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The contents of Kacho’s letter (really Kaiser’s) seem extremely important. We get some description about the contents from Luzurus and Melody.
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Summarized:
Benjamin has some kind of secret that Luzurus thinks will ‘milk his tears’ and buy Fugetsu’s protection.
Luzurus and Tserriednich are ‘snakes’ and have ‘dirt’ (we already knew this, to an extent).
There is something that Halkenburg can ‘use’ (possibly to exonerate himself).
There is a secret regarding Halkenburg’s birth (I don’t think it's being Beyond’s child).
More information that shakes up the Succession itself (this could include Zhang Lei’s parentage)
It seem each prince’s letter contained different information, while Halkenburg’s and Kurapika’s contained all of it.
Basho
The dark spirits following Fugetsu flee at the sight of Benjamin and his Spirit Beast.
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In a cool moment, the spirits also flee from Basho.
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This could be because of the good luck charm, but I think it may also be a testament to Basho’s strength and character.
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goddessxeffect · 2 months ago
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Hello I want to shift to a parallel reality but I find it really hard because I feel powerless and being in this reality makes me sick in my stomach because I am extremely unhappy with myself and my circumstances and whenever I connect with my dr self I feel really happy and free. But it’s just I keep waking up and i have been trying to shift for 1 year while affirming during the day. What should I do??
I have never, not once, talked about shifting. How could I be qualified to answer your question. This is a serious question: How did you find my blog when the only concept I’ve been discussing since the beginning is non-duality? But since words or concepts are irrelevant anyway, I will answer your question honestly.
I understand your pain and deep desire to change your reality. Haven’t we all been there? I wish someone had told me, right from the start, what I am about to tell you.
Sadly, you’ll never be able to change your reality or shift elsewhere. Precisely because there is nothing to change called "your reality" or "circumstances." What you call reality is simply not what it seems. Just like your DR is not something tangible. The good news is that they are the same! You’ve been dreaming up a nightmare and now feel stuck in it, not realizing it for what it is – a dream!
If you are ready to hear this message and not blindly search for validation or desires, please read the following:
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k-martins · 10 months ago
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I saw a video these days about jujutsu and I saw something that I never realized that Megumi is not a good person because he is willing to do anything for his sister, which makes him selfish and that he only saves those who he "deems" to be a good person and who qualify as a good person for him. his morality is very black and white just like geto. There's a line from him that is very realistic, especially today in the manga, that sorcerers are not heroes, an example saturo gojo.
YES!!! Megumi's morality is something very well constructed in the series and it's something I really like about his character because it contrasts with Yuji's objective, which generates that discussion in the reform school.
One thing that catches my attention in Akutami-sensei's writing is that he is constantly distorting our vision of what is good and what is bad. Being selfish, for example, is typically seen as a bad thing. but it was Megumi's selfish way of thinking that made him save Yuji in the beginning, even though the "right" thing was to exorcise him because of Sukuna. the same way with Tsumiki. Megumi selfishly decided to stay with Gojo to protect her and then selfishly put her safety first when she started culling games.
selfishness is something very present in jjk's characters.
Nobara is selfish, Maki is selfish, Yuta is selfish, Gojo is and encourages selfishness. That's why they are not heroes, since heroes are driven by altruistic and pure interests, but Jujutsu sorcerers who are nothing more than Gears (yes, it was Megumi who presented what would later be Yuji's most depressing thought, but I will write separately about this later).
but being selfish is good! being selfish makes these characters save other people!
on the other hand, we have love which is treated as a curse in jjk. Because Gojo loved Geto he couldn't bury him body which made Kenjaku's plan easier, because Megumi loved Tsumiki he didn't see that she wasn't his real sister, because Yuji has an altruistic and empathetic love he feels responsible for things that are beyond its protective capacity.
I would have liked to have seen a more verbal confrontation of ideas between Yuta and Sukuna in this regard. they both have very different views on love, so it would have been cool to see them talking about it (I think the closest we came to this discussion was in Sukuna and Hajime's conversation).
Now regarding Geto/Megumi, I don't think their beliefs are very similar. At the beginning of the hidden inventory, Geto shows a thought more similar to Yuji's, about "protecting the weakest since I am the strongest" and as the story progresses we see his purpose being shattered due to an accumulation of events. Rika's death, depression, post-traumatic stress, Haibara's death. All of this causes him to accumulate a hatred for non-sorcerers, which is given carte blanche to flourish when Yuki talks to him.
a parallel that I draw a lot between Geto/Yuji is that they both reached the same conclusion after accepting their role: they need to wipe out a certain species for the world to be at peace. But I'll delve deeper into that later lol.
Well, in short, I don't think being selfish is a completely bad thing, any more than having a lot of empathy is a good thing. and Megumi needs to start thinking more selfishly, as Satoru taught him, in order to evolve as a sorcerer and a person. he's spent his life choosing to save other people above himself (something he and Yuji both share), so it's time to embrace selfishness (Yuji too)
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absintheandtextbooks · 6 months ago
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Ok so I haven’t posted like a proper potentially controversial deep dive here but I need to say some things about this season of Bridgerton. Before I do here are some qualifiers
1. I am not plus size but I am on the chubby end and wear typically a size large.
2. I come from a long line of people who are plus size
3. I think every comment about Nicola’s weight besides the ones she chose to make without pressure to make them are just simply not our business and pretty shitty
4. I want this to be a discussion this is not a hill I need to die on but I think peoples opinions can change and two things can be true.
Ok here we go buckle up
I was incredibly excited when I saw that the new season of Bridgerton was going to have Polin. It actually is what got me to start watching it in the first place, however I noticed a couple things with “the discourse” happening around the show.
Firstly, people were really excited to see a larger actress as a romantic lead which I agree is fantastic! The second is that these same people were very vocal about the height difference between the two of them. In fact how “tiny” she was in comparison was brought up a lot. I’m sure if this post has stumbled across your page a bunch of those did too.
Like some of the comment pieces on the above Forbes article mention, the media seems to have an allergy to “mixed weight” relationships when the woman is heavier-set or bigger in general than the man. What we talk about less is that height is also a factor. Society doesn’t just want women to be thin, it wasn’t them to be small.
I don’t mean to write about this in a “the tall girl movie from Netflix cringe way” but I think there is a nuanced discussion to be had about how we want women to take up less space and how femininity is tied to being small and delicate.
To me, a 5’ 6” ish queer person I’ve been taller than a lot of girls I’m friends with and a bunch of the men and enby or trans people I know. That, personally, has always made me feel bigger and ganglier and less feminine than the other femme presenting people I’m around. I get automatically stuck in a different category. Gaining weight, however, intensified this feeling. It feels as if I am perceived differently because of the combination of these two factors not just each on their own. Everything around us says it’s ok to be tall if you’re super thin and it’s ok (but less ok than being tall and thin) to be bigger if you’re short and dainty. It feels very conciliatory and condescending like a woman can’t take up space if she wants to be loved.
In Bridgerton, the conversations circling Nicola’s weight and height like vultures prey on this idea. It’s not acceptable just because she’s not sample size and that should be normal but because she’s little next to him even when she’s bigger. She can be a romantic lead because the man they show her to be in a relationship with is still bigger and stronger in different ways.
This also puts pressure on masc presenting people too. They need to be taller and often bigger to be accepted as “masculine or manly” which is its own problem I don’t feel as qualified to write about.
I’m sure this has its own complications for people who are non-binary or trans but I just needed to get this out there because it’s been BUGGING me.
Cheers,
Absinthe
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centrally-unplanned · 6 months ago
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To share another thought on the Folding Ideas video I Don't Know James Rolfe from my last post, while I enjoyed it a ton I do think its core "meta" element fails to reach the heights it could. It is never made that explicit so I am making a subjective read here, but essentially while most of the content of the video is textually about James Rolfe, there are dozens of moments where Dan performs actions that mimic or parallel James, culminating in his own parodic angry video game review as the finale. The idea is something of a "there but for the grace of god I go" point, that perhaps all youtubers, and Dan specifically, are too close for comfort to Rolfe's reality of limited creative options and a hostile fanbase clinging to the past .
But I can't really say for sure! Because he is very adverse to making this concrete enough for the audience.
At times the visual parallels are incredibly direct. There is one moment, where Dan is explaining the real skill and craft of being an internet clown on demand, where he mimics Rolfe's style of rant to explain it while projected AVGN videos that were looping in the background flash over his own body:
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And it really works, the meaning shines through; it is a moment you can see back through time where the idea for this shot was, spiritually, the impetus for the film, that this idea must have come to him and he built the essay around making it happen.
Other visual parallels are less explicit; when the parody sequence starts, Dan - who has built a 1/12th scale recreation of the Rolfe's "video game basement" aka studio set in order to "understand" him like normal people do - represents himself in that room via a tiny hand puppet
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Which is cute if, like probably most people, know him as the guy who makes videos about NFTs or Qanon. But close to a decade ago, when he was first making ~20 minute media analysis takes, he represented himself on screen with a wooden puppet like this:
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It is even like the same color, I am confident this is intentional, it is saying "yeah this could have been an alt version of me; I was not so far from this".
All these symbols function to make the emotional impact; but an emotional impact in service of...what? So in the essay he discusses the film Wavelength, a 1967 avant garde film that is almost entirely composed of filming the side of a room with minimal camera movement while actions occur around it. It is a movie that never gives you a meaning, and therefore you must project meaning into it, bring yourself to the table. That makes sense for Wavelength, and the aggressive cinematography of I Don't Know James Rolfe - which is stellar to be clear - is making the film out to be sort of its own personal Wavelength for YouTube.
But then we go back to that text, which is over an hour of Dan directly talking to the camera about a real person. It is incredibly concrete and detailed, with explicit points being made over and over. And through what those explicit points reveal... I don't think Dan Olsen is like James Rolfe! Does he have an hostile fanbase trapped in nostalgia? Do people acuse him of being cucked by his bitch wife? He has evolved as a filmmaker, intensely so, he does things completely differently than Rolfe does and completely differently from how he himself used to. He doesn't have a shitty biography that self-outs his own creative narcissism, he isn't obsessed with remaking his own childhood films - I am pretty sure as a kid he had never heard of NFTs, they didn't really exist! The final line of the film is "maybe you aren't a filmmaker either" - but idk, Dan, I kinda think you are! If documentarians can be filmmakers you have to qualify.
Now I'm not a fool, I understand that the film could be suggesting these are differences of degrees and not kind; that Dan is equally "trapped in the room" making vlogs for the net, just with more outward trappings of success. But, in the ruthless specificity and detail of his treatment of Rolfe...this film cannot be Wavelength. I am not capable of forging my own meaning from the pieces, he connected way too many of them. This is the trap of avant-garde; you are tempted to help the audience, but once you try to answer some of the questions, it forces the hand of the rest, they all have to fit into that schema. And the film is just too coy with Dan's own parallel life for me to figure the schema out. I make my guesses and I lack confidence in them, they feel "contradicted" by the text.
More detail would have been the easier path; less detail and more symbolic expression would have been the harder path. But right now the balance is just a bit too out of whack for it to come fully together.
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