#whether with Mike or with someone else

[liminalgayhorror]

Btw I fucking hate that queer media is so oversaturated with tragedy and misery that people feel comfortable saying that queer joy is “unrealistic” as if that isn’t overtly homophobic. Never mind the fact that the “unrealistic” story in question has multiple portrayals of homophobia and the mental health issues that come from a childhood of being bullied for your sexuality. But no, experiencing happiness even once is too much for queer people to ask for. Having a happy ending and the boy you love loving you back has never happened for a queer person once ever. And you’re an ally—ok.

[scoops-aboy86]

Here’s an out of the ordinary career option for Steve: teppanyaki chef. You know, the guys at Japanese hibachi restaurants that do the whole show of cooking your food right there at a big grill on the table and tossing food into people’s mouths and flipping their cooking implements like it’s no big. 

Inspired largely by the fact that I had teppanyaki earlier this week and the chef, in addition to flipping eggs into his hat and then onto his spatula to break them, was making shrimp fried rice and spelled “I” with the shrimp, “❤️” with the rice, and “U” either the veg and egg. 

Just picture Steve, in the goofy tall hat that does even fewer favors for his hair than the Scoops hat, doing that with the same goofy grin on his face as during the lightsaber handshake bit.

Maybe rockstar Eddie comes in with the band and an entourage one night. He notices Steve making silly faces back and forth with Robin (one of the bartenders or a seating host or something) across the room, and thinks it’s cute. He joins in making silly faces at Steve, who is *delighted* and 100% starts doing it back because usually the customers are too wrapped up in their own lives to notice. 

Robin is a little annoyed that her work buddy has been co-opted for the night, but once she gets a better look at Eddie she just rolls her eyes and laughs under her breath because he is definitely Steve’s type. Then her eyes move a fraction to the left and she notices Corroded Coffin’s manager, Chrissy Cunningham, and immediately goes 😍 for the rest of their stay.

Steve is supposed to spread his attention equally around the table, and he sort of does, but Eddie definitely gets more food tossed in his mouth than anyone else. Maybe he brought a date (possibly a groupie, possibly just someone willing to put out for a celebrity, he’d just sort of shrugged like “okay, sure” when they attached themself to him) for the evening that he’s totally ignoring, because as far as he’s concerned no one else is as interesting as the pretty chef. The date gets visibly more grumpy, which the rest of the band definitely notices, but they all just sort of roll their eyes and sigh because Steve is definitely Eddie’s type, sorry friend, don’t know what to tell ya. Eventually the date gets up saying they’re going to the bathroom, but they take their coat. It takes Eddie, like, half an hour to notice. 

And Steve keeps doing those little flippy things, like with his ice cream scoop and the nail bat, all. The. Time. It’s not even a gimicky restaurant thing, he’s just Like That. He says he can do it with anything and Gareth immediately produces drumsticks (I have never met a drummer who did not have drumsticks on them at all times, often even when another pair has been confiscated), and Steve takes about three seconds to figure out how to twirl them like a pro. Eddie is already removing a ring to propose. Chrissy makes some sort of comment about being in the color guard for marching band (in addition to cheerleading) and speculating whether Steve could spin a saber or rifle and he’s so confident he could do it that Eddie is like, “When is your next break, that could be our honeymoon baby” because he is going to eat this man alive. 

Suffice it to say, Steve ends the night with his dick sucked and within a week he’s gotten Chrissy’s number for Robin, who he’s been talking up incessantly. A month later, he puts Gareth in touch with Will about some sort of artistic commission that Gareth wants, which eventually leads to Will finally ending his pining over Mike streak. 

Steve has to formally apologize to Jeff and Doug for not having any more single friends to introduce them to, but he promises to keep an eye out. In the meantime, have they ever tried Purple Palm Tree Delight? Because he knows a guy…

[thefantastickatinator]

Dropout should hire more trans women.

That said, a couple things about the data set floating around showing disproportionality in casting:

1. 7 of the top 9 (those cast members who appear in over 100 episodes, everyone else has under 70 appearances) are members of the core dimension 20 cast, aka “the intrepid heroes”. This cast has been in 7 of the 22 seasons, with those seasons usually being 20-ish episodes long (the other seasons are between 4-10 episodes long typically). That’s approximately 140 episodes for each of the main intrepid heroes cast members just for these seasons (not including bonus content like live shows). Brian Murphy has appeared 154 times, which means almost all of his appearances were on D20 intrepid heroes campaigns.

2. The other 2 in the top 9 are Sam Reich and Mike Trapp, who are both hosts of long running shows (Game Changer and Um, Actually)

3. 198 of the 317 episodes that noncis “TME” people have appeared in can be attributed to ally Beardsley alone (there is some crossover where for example alex and ally have both appeared in the same episodes). Erika ishii has been in 67 of the 317 noncis “TME” episode appearances i don’t know how much crossover there is between them but i don’t think they’ve been on d20 together so i doubt it’s more than 20. It could be as many as 250 of the 317 episodes that have either erica or ally. Both Erika and ally are majorly skewing the results for the data

4. Over 3/4 of people have no listed gender identity in the spreadsheet - most of them have 1-2 appearances, but a few have 3-4 appearances. I’m pretty sure these people aren’t included in the data at all (some of them i’m p sure are not cis like jiavani and bob the drag queen)

5. The data collector has assigned “tme” and “tma” to various cast members.

TME: transmisogyny exempt

TMA: transmisogyny affected

Now, tranmisogyny can affect trans women, trans femmes, and nonbinary people, and occasionally masculine appearing cis women.

I personally do not believe that an outside person can assign you a label deciding whether or not you experience certain types of oppression- and yet that is what the data collector has done.

I think a more accurate label would be amab/afab, or more honestly- “people i think are amab or have said they are amab and then everyone else”

6. The data does not include many of their newer shows such as Very Important People, Gastronauts, Play it By Ear, and Monet’s Slumber Party, all of which feature trans people (MSP, Gastronauts, and VIP are all hosted by noncis people)

What I think the data more accurately shows:

- Dimension 20 has a “main cast” who have appeared in the majority of episodes

- Dropout has some “regulars” who appear on the majority of their content/shows (sam has referenced multiple times that brennan is one of the first people he calls whenever someone can’t show up for something since he’s nearly always down for anything) - none of these people are trans women

Final thoughts:

I think eliminating “hosts” and the “intrepid heroes” from THIS TYPE of data set would be more appropriate because they massively skew the data when crunching the numbers for dropout shows. Especially since I can tell from the excel sheet that there are shows missing. Examining d20 sidequests and the guests on the other shows will give a more accurate representation of casting. Hosts should be analyzed separately as that’s a different casting process.

Also imagine if we referred to men and women as “misogyny exempt” and “misogyny affected” when doing demographics. Or if someone did a data collection of the number of POC appearances in dropout episodes and sorted it by “racism affected” and “racism exempt” - so weiiiiird

TLDR: the data set has massive issues with its methodology and that should be considered. That doesn’t make what trans women are saying less valid.

In other words: spiders brennan is an outlier and should not have been counted

[willbyersabyss]

It's calling you...

El saw Will in the void when she opened the 1983 gate. He was the one calling to her the whole time.

Brenner told El that the demogorgon was calling her, but what if it wasn't the demogorgon at all... what if it was Will.

The lines are constantly blurred between the demogorgon and Will in s1. Will talks through the lights, the demogorgon comes through the wall. They follow the demogorgon's blood trail, they find Will instead. Will calls Joyce, the demogorgon intercepts. We can never really tell whether it's Will or the “demogorgon.” This blur could carry over to the opening of the gate.

Speaking of phone calls, almost every missed phone call in the show is related to Will in some way. When people try to reach him, they fail. Only when Will calls them does it go through.

I can't even give all of the examples because there are too many, but Will is always associated with phone calls. Will called Joyce in s1, Mike has had multiple missed calls to Will, Nancy tried calling Will in s3, etc. Will has to call, he has to reach out.

When Max calls the Byers, it doesn't just go to voicemail, it's busy. Someone is using the phone despite no one being there. That someone is Will. One of the first scenes we see is Will calling the police, but he doesn't call them, he calls... someone else. Whoever it was, they picked up. But there's no sound other than screeching. Who was screeching? We'll get to that in a bit...

El was called to. The "demogorgon" wanted her. So we have Will who is constantly associated with phone calls, but he's also mixed up with the demogorgon. Why? El answered his call.

The phone call Bob tells Joyce to let go is immediately followed by the lab's lights going haywire, then a door to the Upside Down opens for Will. They also cut to a faucet dripping and a clock going unusually fast. El's void is made of water and there's a clock ticking sound just before she opens the gate. These scenes parallel. The 1983 gate was opened for Will. He was calling out to her, just like the phone.

"All I needed was someone to open the door. And you did that for me without even realizing it." Ok Vecna I'm pretty sure El noticed the giant gate in the wall. So what didn't she realize? El didn't know Will was the one calling to her.

When Mike asked if El saw Will, she flipped the DnD board to the back. We assume she means the Upside Down, but what if that's not what she meant. What if she meant she saw him in the void? The back of the board is pitch black just like her void.

She places Will's character right next to the demogorgon. How does El know that Will is where the demogorgon is? She had to have seen him NEXT TO IT. This is the first time in the story where we see El sensing Will, so why would we assume she saw him in the UD before this point? She hasn't used her tracking power since she opened the gate. There's only one time she could have seen him. When she contacted the demogorgon, there might have been someone else there, lurking behind. Will!

When El puts Will over the walkie, Lucas says this. The name Blackburn means "black stream." The void is black and made of water. Could this be hinting at El tapping into the neighbor of the demogorgon in the void? Mike follows this with "Did that sound like a baby to you? That was Will." Hm that's interesting because we can actually hear Will in the void when El sees the demogorgon for the first time.

Yeah, that's right. You can hear him.

I can only add one video to this post so the number in the corner will align with the text accordingly!

I'm going to sound like a broken record because I've talked about this a few times already, but I think I finally put all the pieces together:

1 - When it cuts to the speaker, you can hear a faint voice come through. This sounds just like Will when he tells El to hurry. So we have a real "Did that sound like a demogorgon to you? That was Will!" moment. If you line up the hurry clip with the speaker video (not pictured), Will starts to disappear in Castle Byers at the exact time El breaks out of the void in the other clip. They're connected.

We don't actually see what's making the noises in the void the first round, we only hear it. What would the reason for this omission be?

I think the moment we see Will in the Upside Down Castle Byers is the beginning of everything. That's when the gate opened.

2 - The scream we hear when El opens the gate is the same scream that breaks Castle Byers. While this is just a demogorgon sound, it's interesting that they used the one that sounds the most human. Especially when this is the least common sound it makes. It has the same cadence and length in both clips!

I would also like to note that this sound has played when a demogorgon wasn’t directly seen. When Nancy emerges from the tree gate, we hear this weird scream too even though the demogorgon clearly wasn’t coming through with her. Gate, scream, invisible demogorgon.

The egg the demogorgon is eating when she touches it is about 20 feet away from Castle Byers. It can't be a coincidence that they placed them so close. They could've had Hopper come across that egg anywhere, why Castle Byers?

Dustin used an egg to test if the deprivation bath was ready. El then found Will in UD Castle Byers using this bath. Eggs are associated with the gate opening, they used an egg just before she finds Will, and THE egg is outside Castle Byers. Will being in Castle Byers is related to the gate opening.

So what if the scream Will hears was the same scream from the gate opening? We don't see a creature on the other side of the blast, just white fog, so can we be sure it was the monster opening the door? Maybe the force of El opening the gate is what broke it. When people disappear from the void, they leave behind the fog we see outside of Castle Byers after the blast. This fog doesn't usually appear in the UD.

Most people don't sense El when she reaches out to them in the void, but Will did. He was reaching out to her. When El opens the gate, Will was already in Castle Byers in the UD. There's time shenanigans here. Time doesn't really flow how it should in the void. El was able to see a pregnant Terry in there before she was swept into her memory loop. Time also is weird in the UD. It wouldn't be crazy for El to be able to open the mother gate after Will got kidnapped in a weird paradox way.

3 - Coming back to phone call weirdness for a second, Will hears screeching over the phone. This may be a stretch, but it kind of sounds like a distorted version of El's screams when she opens the gate? Then Will's phone call was interrupted by the creature unlatching the door. So when Will's call goes through, a door opens. And he's met with the answer to his most fateful call. He hears El screeching as she opens the gate because that was the result of him reaching out.

In their respective universes, both Will and the demogorgon destroy Castle Byers. So that's another mix up between the two. If Will really was the one calling out to El before she opened the gate, his destruction of Castle Byers is not only a physical representation of how he inadvertently destroyed it, but also an emotional representation. Will accidentally created his own kidnapping by asking El to open the gate. He created the trauma that led to his childhood destruction. The rod imagery at the end of this scene proves that.

Another possible reach, but we know that it was raining the night Castle Byers was built and the night Will destroyed it. If El's journey through the watery void also indirectly caused the destruction and creation of the UD Castle Byers, there's more water connections there. The UD isn't just mirroring visuals, but scenarios too.

When Hopper inspects the remains of Castle Byers, he finds a lion plushie. El was cuddling a lion plushie when Brenner told her she was going to make contact with whatever was calling her. The lion causes Hopper to flashback to Sara and El was in a flashback when we see her with her lion. So what if UD Castle Byers is a "flashback" to when the gate opened?

Just before UD Castle Byers was destroyed, Will was singing Should I Stay or Should I Go. While these were not the lines he was singing, the song makes references to time weirdness. "I'll be here till the end of time" implies that Will is stuck in a time loop when he's in the UD. This song being sung during this scene may hint at its significance in the time loop.

Then there's lines alluding to kneeling in a black void with something on your back. Interesting how the demogorgon was crouched down in the void when El touched its back.

Speaking of kneeling, El approaches Billy in the void the exact same way she does the demogorgon. Billy, who is literally named William. I'm telling you the Will demogorgon mix up never ends. Billy makes himself disappear the same way Will does in the void scene. Oh and when El is looking for the source in Billy's mindscape, the song "William" plays. Very subtle (sarcasm). Will is the source.

Ok but how did the gate open?

Will died.

In s4, we find out that gates can be created by killing people. We also find out that music can open gates in the mind. Interesting how both of those things happen to Will around the UD Castle Byers scene. Will was singing to himself, then he got taken to the library where he died.

The big boy gates all meet at that library where there's a giant clock. Will was the fifth and final sacrifice. But wait! The original gate opened at the lab, not the library. Perhaps Will died twice... once at Castle Byers for a split second, then again at the library. The Castle Byers death opened mother gate, but the library death had delayed effects.

Or Will didn't die twice and it was just a joint effort between El and Will.

El and Will have opened a gate together before. Every time El contacted Will up to this point, it didn't open a gate. Only when Will reached out himself did a gate open. We're right back to Will being the one calling out. He had to try for it to work.

Will was on the brink of death in Castle Byers. Maybe he wanted a gate to open right then and there so he could be saved. But time had different plans. So when Will called out to El in the void, she answered, and they opened the gate together, not knowing that this actually causes his suffering rather than heal it.

In s2 when they figure out that Will spelled out "close gate," the phone rings. They rip the phone off the wall. Another missed call associated with the gate. But this time, it was Will telling them to close it. He had to tell them to ignore the call. They destroy the call, they close the gate.

It's also possible that Will's call for help was manipulated by Vecna. Maybe Vecna showed El the demogorgon to hide his true intentions. Will has something Vecna needs to open the gate. Not to make everything about Will's mind theory, but if the UD is Will's mindscape, it could explain why Will’s call for help resulted in a gate. Max's call for help through music opened a gate to her mind. So is it really that far off to say that Will's did the same?

Alright lets get a run down of the timeline:

El reaches out to Will in Castle Byers, Will tells El to hurry. This aligns with the first call El hears in the void.

A bit later, El revisits the call, assuming it was the demogorgon. In a startled scramble, she accidentally makes contact with Will who was on the brink of death about 20 feet away. Their joint energy opens the gate and destroys Castle Byers.

This energy attracts whatever took Will to the library. Will is kidnapped once more and dies. This joins the gates in 1986?

We know that the scene of Will getting taken from Castle Byers to the library is the opening scene of s5. Both s3 and s4 begin with a gate opening. Wouldn't it be fitting for the s5 opener to be the gate that started it all?

[xoxo-sarah]

Hello my love I have a request for a reader who is like best friends Stevie and you know he’s a caretaker of the group, so she kind of is too anyways she is the caretaker always the mom of the group and everything but he can pick up on some signs that maybe she doesn’t wanna always take care of everybody else like maybe she wants to be taken care of, and he slowly starts doing things for her. But maybe she is reluctant to accept the help so she kinda gets snippy at him queue a frustrated, love confession from Stevie to her. Ends happy because my life is in shambles and I need a happy ending.

Distant

↝a/n: thank you for requesting. I hope you enjoy! 🩷

↝pairing: Steve Harrington x female!reader

|| Disclaimer: I do not own Steve Harrington, or any character from Stranger Things. I only own y/n and any characters I create with my own brain. ||

↝⎙ 12.20.24

Steve had always been the caretaker of the group. Whether it was driving the kids around or making sure everyone was safe, he was the go-to guy. But there was someone else who shared this role with him—his best friend, you. You were the “mom” of the group, always looking out for everyone and making sure things were in order.

You had become close to the kids shortly after Steve had. Dustin liked you, liked how Steve acted when you were around. It was also fun for Dustin to pick at Steve when you weren't around; talking about how Steve would blush when you looked at him. You never seemed to notice, though.

It wasn't unusual for you and Steve to be attached at the hip. You pretty much thought as one. One followed after the other. So it was natural when you took the group of kids under your wing. You would do anything for them. That was evident when you had a stern talking-to with a group of kids that were messing with Dustin's group at school. You had spent countless nights making and bringing them food when they were busy playing DND. You always made sure they had a ride home. Or, if they needed to go somewhere, you were the first to call. It became a habit to pick Steve up on the way, if he wasn't already with you when you got the call.

It was fun, spending time with them. They were funny and nice, a contrast to other kids their age.

But, all the times playing “mom” could be tiring. It seemed like every time you got the call, you would drop everything. They needed you, why would you decline?

It was one specific night when you had finally had enough.

Dustin kicked Lucas' feet out of the way, walking toward the phone. He knew your number by heart. Honestly, it's a surprise the number hadn't worn off from how much he typed it in. The phone rang…and rang. Usually, you would've picked up by now. Dustin turned, looking at the clock. 2:37 pm. You were off work today. You typically answer. Plucking the phone back into the base, Dustin turned, eyebrows furrowed. “She didn't answer.”

“How are we supposed to get to the arcade?” Mike sat up straighter, kicking himself for breaking the chain on his bike. Nancy was at Jonathan's, and his parents were out with Holly.

“Call Steve.” Lucas looked at Dustin like that was the obvious answer.

Nodding, Dustin turned back to the phone.

“She didn't answer my call either.”

Steve sighed, turning down the familiar street. The other kids were squashed in the back of Steve's car as Dustin sat in the passenger seat. The kid was quick to tell Steve about his worries. Sure, you just didn't answer the house phone. But that wasn't like you. If you had missed it, you always called back. Or called from Steve's house phone.

“Maybe she isn't home.” Mike watched the trees out the window. Truthfully, he just wanted to go to the arcade. He had a high score to beat. Yours, specifically.

Pulling into your driveway, Steve unbuckled, before getting out. Your car was parked in front of his. “I'll ask if she wants to come with.”

Steve practically skipped to the door, knocking and waiting. It took a few moments before you opened the door. “Hey,” Steve took in your appearance. You looked tired, sleep clumped at the corners of your eyes, eye bags apparent. “Uh, the kids were wondering if you wanted to come with us to the arcade.” He used his thumb to point behind him, where the kids were watching.

“Um,” You opened your mouth, looking at the kids, before furrowing your brows. “You know, I actually have to catch up on some sleep.”

“Oh, okay. Dustin was worried about you. You didn't answer his calls or mine.”

“Yeah,” I have a life outside of you and the kids. I don't have to constantly drop everything to play pretend and do their parents job. “I was asleep.” You weren't going to tell him about how you listened as the phone rang, not daring to even get up from the couch.

“alright, just wanted to check up on you.” Steve turned, not wanting to leave, but feeling like you wanted him to.

You smiled, “thanks, and sorry. Enjoy dealing with those hooligans all by yourself.”

Steve laughed, before you closed the door.

~

Days passed, and it was always the same answer. You had other stuff to do. Until Steve came to visit you at work. He saw you through the window, laughing with a coworker. You looked like you. He missed it.

“I'm having a little get-together at my house tonight. You should come. Food, board games, movies. Everything you love.” Steve smiled, begging you with his eyes.

For some reason, you couldn't say no this time around.

As you all gathered at Steve's house for a movie night, he noticed something different about you. You seemed a bit more tired, your smile a little less bright. You were still taking care of everyone, getting everyone snacks, making sure everyone liked the movie before it was put in, but Steve could see the weariness in your eyes.

You didn't pay attention to the movie, mind elsewhere.

“What's going on?” Steve had asked, after everyone was asleep, and you helped clean up.

“What do you mean?”

You didn't meet his eyes, instead focusing on grabbing the candy wrappers and throwing them away.

“You're distant. You don't answer the phone anymore. Did I do something? Did one of them do something?”

“No.” You sighed, “No one did anything. I just…I'm tired. I don't want to be the caretaker all the time.”

Steve slowly nodded, letting you know he was actually listening.

“I mean, I've had to drop so many things just to take them somewhere or pick them up. I have my own life, you know. I have a job so I can pay bills. If I wanted to be a mom, I would have kids myself.” You hated how that made you sound. You felt selfish for wanting time for yourself, but it's just how it is. They're not your kids, you're not their mom. You're a young adult that has to live life without the constant burden of children.

“You don't have to. I'll talk to them-”

“No. Don't do that. It's fine.”

“It's obviously not fine. You're having to ignore us just to get some free time. I'll talk to them.”

You dropped the trash bag, looking up at him. “I said no. It's not that big of a deal.” You huffed, moving around the living room toward the door.

Steve watched as you grabbed your stuff and left.

He knew first hand how it was to be the caretaker of the group. He found it easier to do with you by his side. But obviously, it wasn't like that for you.

Maybe you wanted someone to take care of you for a change.

Steve started doing little things for you. He'd stop by your house to bring you snacks without you asking. He brought you flowers once, claiming it was from him and the kids, for burdening you. Steve tried to do stuff for you, but you were reluctant to accept his help. You'd always been the one to take care of others, and it was challenging to let someone else do that for you. Sometimes, you'd even get snippy with him, telling him you could handle it yourself.

~

You finally came around again- not as much as before, but you didn't decline their calls anymore.

One night, after a particularly long day, Steve found you in his kitchen, cleaning up after everyone else had left. He walked over and took the dish from your hand.

“Steve, I can do it,” you said, your voice tinged with frustration.

“Why won't you let me help you?” he asked, his tone equally frustrated.

“Because I don't need your help!” you snapped back, but your voice cracked, betraying your true feelings.

Steve put the dish down and turned to you, his eyes filled with concern. “You don't always have to be the strong one, you know. It's okay to let someone else take care of you for once.”

You looked at him, tears welling up in your eyes. “But what if I don't know how to let go?”

Steve stepped closer, gently cupping your face in his hands. “Then let me show you,” he whispered. “Because I love you, and I want to be there for you, just like you've always been there for everyone else.”

Your breath hitched at his words, “You… you love me?”

“Yes,” Steve said, his voice firm and sincere. “I love you, and I want to take care of you. So please, let me.”

You felt a weight lift off your shoulders as you finally allowed yourself to lean into his embrace. “Okay,” you whispered, your voice soft and full of relief. “Okay.”

Steve smiled, pressing a gentle kiss to your forehead. “We'll figure it out together,” he said. “One step at a time.”

As the days passed, Steve made it his mission to show you that it was okay to let someone else be there for you. He'd surprise you with your favorite coffee in the morning, leave little notes of encouragement on your bedside table before he leaves at night, and always be there with a listening ear when you needed to vent. Slowly, but surely, you began to let your guard down and accept his help.

~

One Saturday afternoon, Steve took you to a quiet spot by the lake. The sun was setting, casting a golden glow over the water. You sat together on a blanket, watching the ducks swim by.

“Thank you,” you said softly, breaking the comfortable silence.

“For what?” Steve asked, looking at you with a gentle smile.

“For everything,” you replied. “For being there for me, for showing me that it's okay to lean on someone else.”

Steve reached out and took your hand in his. “You don't have to thank me,” he said. “I care about you, and I want to be there for you. Always.”

You leaned your head on his shoulder, feeling a sense of peace and contentment that you hadn't felt in a long time. “I love you, Steve,” you whispered.

“I love you too,” he replied, pressing a kiss to the top of your head. “And I'm not going anywhere.”

As the sun dipped below the horizon, you knew that you had finally found someone who would always be there for you, no matter what. And for the first time in a long while, you felt like everything was going to be okay.

•2021-2024 by xoxo-sarah on Tumblr•

•My work is not to be translated, copied, modified, and/or reposted on any other site without my permission. [I don't give permission!]

[stop-talking]

Sweet Dreams

Mike Schmidt x fem reader

2.1k words Tags: 18+, fem reader, somnophilia, free use, head (reader receiving), pre-established relationship, morning sex, pussy sniffing, edging sorta?, fingering, p in v, unprotected sex, creampie <3 ─────────────────── ⋆⋅☆⋅⋆ Mike Schmidt is used to his sleep being interrupted. Whether it be nightmares, the annoying screech of an alarm, or even his own sister, he can't ever seem to catch a break when it comes to sleeping.

What he's not used to, however, is waking up to someone else in his bed. Someone else… shaking him? No, that's not right. What are you doing?

He finally opens his tired eyes, twisting to look over his shoulder and catch a glimpse of you as you cling to his back. His breathing slows, and the memories of last night flood back all at once. Right. He has a girlfriend now. Mike isn't sure he's ever going to get used to that.

"What is it, hun?" He asks, absentmindedly patting the leg you've thrown over him as you continue to lightly shake him awake.

When there's no response, he frowns, squinting at you in an attempt to make out your face in the dimly lit room.

Shit, are you… asleep? The realization hits him like a ton of bricks, and suddenly the "shaking" makes a lot more sense. You're not trying to wake him up. You aren't even awake yourself. You're fucking grinding on him in your sleep.

Mike lets out a guttural groan at the thought, closing his eyes and giving the plush skin of your thigh a squeeze as you continue to desperately hump his leg.

Fuck. He swears he can feel how wet you are even through your panties.

For a minute, he just lies there with his hand on you, letting you cling to him from behind and rock your core against his leg. Should he wake you? Or stay still and let you use him to get off? He only hopes you're dreaming about his cock. And shit, that thought has him stiffening in his boxers.

Past conversations flicker through his mind, and a shiver runs down his spine at the memory of you nipping at his neck and softly begging him to do the very thing he's trying to hold himself back from. Fucking you while you're asleep? It just seems... wrong.

Then again, you'd been not-so-subtly hinting to him that you wanted to try it for practically your whole relationship. Mike's face goes red hot as your words echo in his mind.

You all but begged him to fuck you in your sleep, dirty fantasies whispered in his ear during the heat of the moment more times than he could count. Mike knew very well you'd do almost anything for him.

And, well, if you're dreaming about him, he can't very well leave you hanging, can he? You deserve the real deal. It's his job to make sure you're satisfied, isn't it?

With a deep breath, Mike gently pries you from his body. A gentle nudge has you on your back, allowing him to peel away the blankets and get a better look at your sleeping form. The first few rays of morning sun peek through the blinds, highlighting your figure in a soft warm glow.

You're so pretty like this. Mike can't help but sit up and admire you, watching you squirm and whine on his bed. He absentmindedly rubs at his hardening cock through his shorts, grinding the heel of his hand against his length. He can't help himself, he knows it should be YOU getting off right now, but this view is just too good.

Not good enough. His other hand tugs at your panties, slowly, gently, trying his best not to wake you.

No, he's sure now that you need to stay asleep. You deserve to rest, to be taken care of. There's no reason to wake you.

He loses all interest in his own pleasure once your panties come off- going dizzy at the sight of you dripping on his sheets. Holy shit. THAT wet for him? How long had you been teasing yourself in your unconscious state before he'd finally woken up?

Fuck. Doesn't matter. He quietly lowers himself into position, struggling to go slow in an attempt not to wake you. Strong arms wrap around your thighs, spreading you open so his tongue can do the heavy lifting.

He wants to taste you, but can't resist the urge to smell you first. His eyes flutter shut as his nose buries between your folds, just barely nudging your clit as he inhales deeply.

Even with just the barest flicker of contact to your sensitive spot, your thighs start to tense in his arms. It was clear you wanted this, needed this, needed him.

"You're fuckin' lucky to have me," he whispers, the words getting lost in the soft wet licking sounds as he begins to lap at your wet pussy. You taste so familiar, so warm, like home. He closes his eyes and gets lost in you, groaning into your core as your taste and smell overwhelm his senses.

You may not be awake to instruct him, to guide him with a fistful of his hair like usual, but Mike's sure his performance is more than adequate as you start to lightly buck your hips against his face.

A quick glance up at you tells him you're still asleep, if only barely so. He gently circles your clit with his tongue, preening over the small hum it earns from you.

Your eyes dart rapidly under your eyelids, almost fluttering open as Mike's tongue movements grow more rapid. Fuck, you'd better be dreaming about him.

Mike knows he should finish you off. Put you out of your misery. His poor girl, who knows how long that pathetic attempt to get off on his leg had lasted? Still, he doesn't want this to end so soon.

Something about having you under his control, knowing he could make you cum at any moment, was just so delicious. Mercy be damned, he was going to enjoy this. Play with his pretty little toy till you wake up or gush all over his face. Whichever came first.

Gingerly, still scared to wake you, he prods at your entrance with a thick middle finger. It slides in perfectly, your pussy greedily taking what's offered. For a few moments, Mike just pulls away and stares, hypnotized by the way you perfectly swallow each thrust of his hand.

Usually, you'd be mumbling some kind of praise or thanks right now. Always so grateful when he ate you out, like it was an inconvenience, a favor, something that put you in his debt. Maybe if you could see just how hard his cock was, you'd realize the truth.

Mike enjoyed this just as much as, (if not more than) you.

The throbbing in his boxers made that painfully obvious to Mike as he latched onto your clit, giving it the faintest teasing tug with his lips. Your cunt clenched around his finger in response, hard. That close still, huh? He'd have to be careful.

He focused his attention inside. Quick, shallow thrusts of his hand had your walls fluttering around his finger in a way that made his dick jealous. Before you could tip over the edge, Mike took his hand away, groaning at the strand of slick that still connected his finger to your cunt. Like you didn't want to let him go.

Are you even asleep at this point? Mike spares a glance up at your face as he licks every trace of your taste off his hand. Somehow, you still seemed to be unconscious, through everything. He could imagine you faking it, pretending to be helpless knowing he'd do all the work for you. And he would, too. Mike would always take care of his pretty girl.

Still, he has to know for sure. It takes a little maneuvering, but in a few moments he's positioned over you, using all his willpower not to grind his stiff bulge into your pussy.

"Gonna fuck you, princess," he whispers, lips ghosting against the shell of your ear as he plants a quick kiss to the side of your head. No response.

Mike decides to push his luck even further, hiking your legs up on his shoulders and folding you over into an absolutely filthy mating press. He was so worked up from teasing you he couldn't even be bothered to fully kick off his underwear, simply pulling it down around his thighs as he lined himself up with your entrance. His poor cock was red-tipped and leaking precum that soaked him down to the base. A perfect match for your own soaked pussy.

It takes an embarrassingly short amount of time for him to finish. You started creaming around his cock after just a few shallow thrusts, pussy convulsing and milking every drop of cum from him. Mike swears he saw your eyes flutter open for a moment as your orgasm hit, shallow breaths and small whimpers music to his ears as he rode out the high.

As his pulse settled and dick softened, Mike melted into the bed next to you. He wasn't going to worry about clean up yet, not wanting to waste this time with you. No, he'd just throw a blanket over you both and worry about it later. Out of sight, out of mind.

Part of him couldn't believe you were still fucking sleeping after all his effort. Maybe he'd been working you too hard lately, or maybe you'd just built a tolerance over the months of sharing a bed with him. You may have mentioned his tendency to toss and turn in his sleep a few times. Oops. Was he that bad?

Mike wraps a strong arm around your torso, picking you up and guiding you to rest on his chest, no longer worried about the possibility of waking you. He drifted back off to sleep holding you in his arms, whispering a quick "thank you, baby".

・○・・・・・・○・・・・・・○・・・・・・○・

When you finally wake up a couple hours later, Mike just smiles and nods as you tell him about the "wet dream" you had. He's content to lay there with you all morning, stroking your hair and listening to you babble into his chest.

"It felt so real, Mikey. You don't understand." You sigh longingly, tilting your head and focusing sleepy eyes on his.

Mike got the hint from your bedroom eyes alone. The pleading little pout was definitely overkill. Any other morning, he would have fallen victim right away, eagerly scrambling to undress you and lay claim to that perfect body.

However, with earlier satisfaction to tide him over, he had time to tease.

"Oh? I wouldn't understand?" he asked, cocking an eyebrow.

"No!" you insist, shaking your head vehemently. "I don't think I've ever had a dream that strong. I... I think I might have actually..."

Mike just chuckles as you squirm in his arms, eyes going glassy and glazed over as you recall the vivid dream.

"Why are you so damn smug, Michael?" Your demeaner shifts in an instant, playfully nipping at his neck in mock anger. "It was dream Mike who made me cum. You're just lying here like a lump."

He scoffs and grabs at your wrist, pulling away the accusatory finger jabbing into his chest. "You sure about that sweetheart? Didn't you go to bed with panties on?"

For a moment, you just freeze. Mike watches the gears turn in your head as you make the connection, his smile only growing more smug. He had been wondering how long it'd take for you to notice his cum dripping down your thighs.

"Mike! You... you didn't..." gasping, you scan his face for any sign of dishonesty. Was this really happening? Did he really use you while you were asleep?

The chuckle that slips through his lips solidifies it for you, and suddenly you're very aware of just how bare your lower half is. That bastard.

Not that you didn't want it, oh the contrary. This was a dream. Literally. But the fact he'd let you gush over your wet dream to him in detail? Without telling you the truth?

Oh, that deserved punishment.

"Why didn't you tell me?" you squeal, sitting up and slamming a pillow onto his face with both hands.

Finally, Mike can't hold back anymore, and laughs. A true, genuine laugh that you only get to hear in rare moments of joy like this. Even muffled as it is through the pillow, it makes you smile.

He lets you feel like you're in control for all of sixty seconds, only using half his strength to push back against you as you smother him triumphantly.

In one quick, decisive swoop, Mike ends the little play wrestling match by flipping you over. He's on top of you now, forehead pressed against yours as he whispers mere centimeters from your lips.

"M'not letting you sleep through round two, sweetheart."

─────────────────── ⋆⋅☆⋅⋆

Reminder that you should follow me on @stop-talking-vtwo if you only want to be updated for new fic drops and not my shitposts <3

masterlist

[ikeuki]

four-letter word / 니키

( pairing ) nishimura riki x fem!reader ✶ highschool au, one-sided enemies to ??? ; fluff/crack, cursing — ( wordcount ) ?

ᯓ★ ikueki’s note. based off of tom’s monologue in ‘500 days of summer’ when talking about “hating” summer! this fic is from my old stranger things acc: @scwheeler (IT IS MY OLD ACC / MY WRITING) it was for mike wheeler originally…!

synopsis. riki can’t figure out his feelings towards you; he thinks he hates you but is it really hatred if he can’t get you out of his mind?

nishimura riki hates you.

he stared from across the classroom, watching you with crossed legs and back straight. you tapped your number two pencil on the wooden desk repeatedly, making a quiet yet annoying sound. it bothered him so much, only adding to the mental list of things he hated about you.

rather than staring now he was glaring. but he sat behind you and a couple rows over which meant you didn’t even notice. continuing to annoy him without a single thought.

he pressed down his pencil into his notebook until the lead snapped, making him also snap out of this trance. he looked down at his empty paper with a dark lead circle in the middle. he ripped out the sheet and crumpled it up, debating whether to throw it at your head or into the trash can.

he probably had a better chance shooting it at your head than landing it in the trash can according to his sports record but he refrained because your hair looked nice neat.

riki wasn’t suddenly choosing to be sympathetic or anything but he wasn’t a complete asshole.

or he thought of himself not to be. it must’ve taken you all morning for those bouncy curls and he knows how mad his sisters get when riki occupies the bathroom for more than thirty minutes before school. so he kept the crumpled paper and shoved it in his backpack, agreeing he’d either throw it to your head another day or throwing it away at the end of class.

“mr. nishimura—! i asked you a question, what is the answer to the question on the board?” the teacher asked in a stern tone, hands on his hips and trying to get riki’s unbothered attention.

riki quickly looked away from you, hoping you didn’t see him staring straight at the back of your head. you turned around from your seat to look at him as did the rest of the class.

he was out of it—a little preoccupied with thinking about something else, more of someone else.

his paper was blank. other than the crumpled up one he just shoved in his backpack. did he have notes on that page?before he could mutter an excuse or guess and pray to the gods he was right, a hand rose up in front of him.

it was yours…?

your arm popped up and attracted the teachers attention. “yes, ms. y/l/n?” he asked, now trailing his burning eyes away from riki and softening them towards you. unbelievable.

“if riki can’t answer it, i’d gladly do it myself,” you replied softly.

you didn’t speak in a sarcastic or rude manner. riki almost wished you did so then he would have a reason to hate you. but your tone was sincere like you wanted to help him.

“sure that would be great, go ahead,” the teacher proceeded and let you come up to the board. you took your notebook with you, it was covered in bright stickers and shiny gems matching your appearance.

riki watched as you sat up from your desk, the school uniform clinging to your body to fit your slight curves. he could’ve sworn the uniform’s skirt was shorter than you had on.

wait what—! why was he looking at your body or your uniform, nevertheless your existence…!

you picked up the small white chalk and wrote down your answer, copying your equation from your notebook. the class watched but riki observed. he thought about how you saved his ass from getting yelled at the teacher. why? after finishing the equation, you went to return to your seat. but before sitting down, your eyes met riki’s, flashing a quick smile.

in the brief moment, riki looked at you stunned. you didn’t wait for his reaction though and turned back to the teacher’s lecture. he shook his head, whatever. he hated you.

——

i hate her crooked teeth.

——

if he hates you so much, why was he up at three in the morning still thinking about your stupid smile. your pearly white teeth almost blinding him in the middle of math class.

his eyebrows knitted together and his eyes pierced through the ceiling of his bedroom. what was your problem? you didn’t do this to any other person in the school? you left everyone else alone—his classmates, his friends, his enemies—so why did you chose him? was this a punishment?

riki groaned and flipped to his side to face his bedside table, looking at the alarm clock reading 4:27 now. he spent almost four hours just thinking about you and it infuriated him. he liked girls before, girls in his class, girls on the tv, girls in his favorite movies. but he never stayed up thinking about him until this late hour.

also, he liked those girls! they were pretty and hot! he didn’t find you attractive or anything, so what made you so different?

was it your smile? it wasn’t even that nice! he’s seen better smiles in the newspaper and he could say his mom has a better one. yet you were the only thing on his mind and riki couldn’t stand the feeling.

he turned left and right, trying to find a comfortable position to sleep but it was no help. by the time, his eyelids were finally about to shut, they were disturbed by the bright light of the sun coming up. he hated you so much.

——

i hate her 1960’s haircut.

——

the next day at school, riki slung his backpack over his shoulder and waited at his friend’s locker. he agreed to meet heeseung before soccer practice afterschool and it wasn’t the first time the older boy was running late. riki didn’t mind all that much. if anything it meant an excuse to be late for practice, especially since heeseung was the coach’s nephew.

the only unfortunate thing about going to his locker was that yours was right next to it.

he managed to avoid bumping into you almost everyday. weirdly enough he tracked down your exact schedule with classes, meet up with friends, and when you needed your mid day snacks to get through the day.

heeseung commented on it one time, saying his uncalled “hatred” for you seemed more and more like a crush instead. riki almost blow a fuse right then and there in the middle of the soccer field. heeseung hasn’t mentioned it ever since.

unlucky for riki, you were quite an unpredictable person. most of the time you were walking with your usual friends, stopping by your locker to get your bio and calc textbooks. but on the rare occasions you were alone, you spent the entire passing period leaning against the metal wall texting away on your little phone.

this forced riki to hide behind the corner, peering over from time to time like a creep to wait for you to leave. he was even late once or twice just going to his locker at you finally left when the bell rang.

when his teacher asked why his eyes slowly trailed to you, who stared back at him innocently. unknown that you were the reason why he was late and got detention, for the fourth time now.

he could only shut up and take the yellow slip from his teacher. sliding into his desk in the back and staring out into the window in annoyance. why did he need to avoid you?

today was worse. worse than riki could ever imagine. he headed for his locker after fifth period and watched as you walked down the hall to your cheer practice as you always did afterschool. again, a little weird how much riki knew about you. anyways. he hurried to his locker and put in the code, opening it quickly. he grabbed a couple of his textbooks needed for homework and his soccer bag.

as soon as he closed the locker door, he almost had a heart attack. you were standing right there with you back facing him looking into a small magnetic mirror attached to the door of your locker.

you were applying another layer of strawberry chapstick, the one you carried everywhere and put on during first period, third period, and right after lunch by your locker.

so he was definitely surprised to see you standing right in front of him, puckering your lips and looking into the mirror. completely oblivious of riki standing behind you with a shocked expression saying ‘what the fuck!’ you didn’t even notice him staring at you for a full on five minutes.

riki would never admit it but you weren’t such an eye sore as he tried to convince himself all last night.

you were actually nice to look at. well-rounded and cute features that complimented your face. your hair was right in front of his face, the fruity fresh scents of strawberry and peach shampoo filling up his senses. without him even knowing, riki’s frown turned into a small smile.

your perfectly formed curls with a white headband, all sitting nicely on your shoulders made you look like a character from a 60’s cartoon. they moved side to side as you checked yourself out in the mirror, putting riki into a trance. but he snapped out of it as you put the cap back on of your chapstick, signaling him to return to his main goal: get to practice on-time.

he kept his eyes forward and tried to play it cool. walking down the hall, he just prayed you didn’t catch him ogling you for the past ten minutes.

unfortunately, by the time he got to the field, the coach had already started warm-ups and without the excuse of heeseung’s presence, riki only earned the team four extra laps to run. which no one was happy to do. god—how much he hated you right now.

——

i hate her knobby knees.

——

heeseung informed riki that the whole soccer team was required to attend the school’s pep rally as a part of the athletics committee. wanting to spend his friday night off doing better things (aka playing video games in heeseung’s basement until four a.m.), he continuously urged his friend to sneak out.

“what if we just slip out during the principal’s speech?” riki suggested to an unamused heeseung who already accepted his fate.

“if we get caught—our asses are DONE FOR. my uncle’s gonna kill us and definitely tell my mom.” heeseung seemed dead serious about refusing riki’s request, leaving the younger boy to only sit on the bleachers and wait for the soccer team to be announced.

after what felt like hours of speeches and addresses by the principal, teachers, and staff, a bunch of school-color, short uniforms filled the gym. it was the school’s cheerleaders, girls and boys all wearing color coordinated uniforms with scarily happy smiles plastered on their faces.

a single face stood out to riki. one that’s been distracting him in class, keeping him up at night, and keeping him in the hallways. his eyes immediately fell upon you, disregarding the other twenty girls and guys wearing the same outfit. you were the only one that caught his eye and he couldn’t tell why. was it cause of the locker interaction earlier today?

you were skipping in with a cute grin on your face, those stupid pearly whites blinding riki once again. you had pom pom in your hands, waving your arms in the air and saying hi to the crowd.

you didn’t spare riki a glance even once, unintentionally of course—how could you see him in a sea of hundreds of students! but he didn’t mind. at least it meant he could stare at you the entire time the cheerleaders introduction was happening.

what surprised riki was that you walked to the center as everyone got into formation. you were center stage. your smile was warm and lit up an entire room, the entire crowd beginning to feed into every word you said. when you said “go—!” they said “—team!”

then music suddenly started to play and the cheerleaders started a routine. one that you guys probably practiced a million times before. riki could see the nervousness in your face, hiding behind that smile you held so proudly.

he noticed your knees, you had skin tone band-aids all over them. underneath were obviously bruises, cuts, maybe even scars. people might’ve thought they were ugly but riki couldn’t help looking at them.

not like he was a sadist or anything but the bruises made you look more real. like you weren’t just another carbon copy of these cheerleaders who had perfect lives and appearances like the girls surrounding you.

you were different. something about you gave riki a hint that there was more to you than being a shallow popular girl.

you wouldn’t make fun of the so-called losers with the jocks behind the science building during lunch, their cheerleadering girlfriends joining in just because they can. or disregard the entire meaning of attending school to just dance in a tight outfit and fluffy pom poms in front of the entire school.

no, you were nowhere near those areas during lunch, riki saw you spending the time in the classroom, taking a nap to catch some extra z’s before the last two classes of the day or listening to music and researching choreography for the cheerleaders. in class, you always participated. you paid attention and studied, even helping the other struggling students in your free time.

maybe it was the way you helped him yesterday morning, answering his question and cutting off the teacher’s potential wrath. or you simply smiling at him the moment after.

either way, he found himself clapping for you after you finished your dance, enjoying your performance and rather disappointed to find it so short. heeseung was confused, wasn’t riki just giving suggestions on how to sneak out of here five minutes ago? now he was smiling and clapping like his own girlfriend was out there dancing in front of the crowd?

why did you make riki feel this weird? this good feeling he had whenever he saw you? he had to force himself to hate you to avoid his true feelings from spilling out.

and then, riki realized what the indescribable feeling—that takes over him as a whole every moment he lays his eyes on you—really was. he didn’t hate you.

he hated how you made him feel.

[freelancearsonist]

Won't You Suffer for the Angels to Fly?

➔ Joel Miller x fem!Reader - 2k

➔ Joel finds religion in the last place he expected to--a preacher's daughter.

➔ Rated MA for pure blasphemy. a lot of religious imagery and defiling of holy places--please read at your own risk. unprotected p in v sex, creampie, squirting, fingering (f receiving), corruption kink, HEFTY age gap (r is early 20s [unspecified], joel is 56), reader uses feminine pronouns and has female anatomy [please let me know if i missed anything at all :)]

➔ this is for my mid to plus!sized readers :) you're beautiful and valid and i love you. this was written in basically one sitting after i binged mike flanagan's midnight mass in one night. thank you to my lovelies @ramblers-lets-get-ramblin and @shakespeareanwannabe for talking me through this <3 title is from "heaven only knows" by bob moses

The Bible teaches–at least according to what Joel was able to gleam from the Easter service–that everything happens for a reason. That every pelting raindrop in its descent from the sky, even before it lands heavy and dark in his hair or soaks the lush green landscape of Jackson, has a purpose.

He’s struggled a lot with purpose ever since hearing that existential crisis-inspiring sermon that Tommy had dragged him to. 

In the preacher’s defense, it went over well with everyone else. So many people are lost nowadays, adrift in a world that doesn’t seem to have space for them. They need that hope, that reassurance that they’re here for a reason. That they’ve survived hell on earth not out of luck, but out of purpose. He pulled out the big gun that everyone needed to hear on one of the two days a year that everyone in Jackson has their ears open to him. It was tactful, and Joel has to acknowledge that. Your father is clever, if not cunning.

It’s a trait that you’ve learned directly from him, whether purposeful or not. But you sat right in the front row and nodded along to every word, accepting without thought or conflict that purpose is in every action, every reaction, every change of tide and every gust of wind.

And if everything has a purpose, your purpose must be to torture him.

You never have anything but a smile on your face for Joel. Joel, a man older than your own father, a man whose hands have broken every commandment that you hold so dear. A man that should know better than to let you get under his skin and infect his dreams.

He wonders what it would be like to hold someone so perfectly untainted in hands that have killed and destroyed and sinned. Hands that are strong, hands that are experienced, hands that are greedy. He’s certain he could teach you all about greed. He could make you beg, plead, sob for more and more and more until the only thought remaining in your pretty little head is how much you want to take from him. Until you become a glutton at the altar of his generosity.

And oh, how generous he could be once he had you begging. Minding your manners and asking nicely for what you need, of course, but he would never deny you anything you asked of him.

“Can I help you with that, Mr. Miller?” He hadn’t even noticed he was struggling–and he wouldn’t be, really, if he wasn’t so distracted. Putting new legs on a pew isn’t the issue after all; it’s the fact that you’re sitting there on the stairs that lead up to the altar and absentmindedly swinging your legs as if you’re taunting him. As if you understand that his resolve is slipping with every passing second he’s alone in this room with you. 

“Joel.”

“Hmm?” You shift your posture to lean closer, and that skirt that’s already way too short to be worn by the pastor’s daughter, in a house of God of all places, rides just a little further up your deliciously full thighs. 

How is he expected to work, to keep his mind on the job, when all he wants is to know what those thighs might feel like wrapped around his head?

He clears his throat and adjusts “You can call me Joel, sweetheart.”

He sees it, then. It’s so subtle, but it’s not imagined. You squirm at the pet name, at the raspy drawl of his voice, and it changes everything for him.

He sees in his mind the sweet girl, barely out of her teens, who sits in the front pew with a Bible in her lap. He sees the girl who sings so sweetly to the tune of every hymn. He sees the girl who’s so shy that she blushes every time she catches his gaze.

And then he sees everything underneath the act. He sees the girl who’s bold enough to wear a bright red dress to the Easter service. He sees the girl who makes eye contact with him across the dining hall every night to watch the way he reacts to her lips wrapped so tantalizingly smoothly around her spoon. He sees the girl who knew he would be alone in the chapel today–the girl who wore an easily accessible skirt just for the occasion.

You bookmark the page you’re on and set down the book you were reading, eyes fixated on him all the while. “Is there something I can help with, Joel?”

There certainly is, and it’s not the pew he’s supposed to be repairing.

He remembers, vaguely, hearing something about how God spares guilt from sinners when sin is necessary. It must be necessary to teach you a lesson, then–as you stride over and kneel beside him, your eyes heavy with anticipation and lashes fluttering, he doesn’t feel an ounce of guilt.

“Hasn’t your daddy taught you not to dress like this?” He takes the hem of your skirt idly in his hand, rubs the silky fabric between his thumb and forefinger. He’s not touching you, not really, but his hand is so achingly close. An inch or two, and he’d feel your warmth–those plush thighs that God created to rule over Joel Miller’s mind, body, and soul; ‘til death does he finally know peace, amen.

You shake your head and even manage to seem smug as you say, “No. He just teaches everyone else to resist temptation.”

“I’ve never been much good at that,” he murmurs.

He thinks that you know that. He thinks that you’re his crucible, his most important moral trial–that maybe, if he can turn you away now, he’s a good man.

Joel Miller is not a good man. His kiss is crushing. It’s hellfire, it’s brimstone, it’s everything you’ve been taught to fear your entire life. You melt into it so prettily, accepting your damnation with parted lips and eager eyes. A wanton moan gets caught in your throat when his hand slips further up your skirt. 

No panties–in a place of worship, no less. He should bend you over his knee for this transgression, make sure you understand how filthy you are. But there’s hardly time for that now, not when he’s even more desperate than you are. And you are desperate–dripping down his fingers into the palm of his hand as your teeth leave perfect little indents in the plush skin of your bottom lip.

His free hand grips your chin firmly, guiding your eyes to his. He wants to see your depravity, the flickering embers of lust in your eyes as you come on his fingers and cry out for salvation from the all-consuming pleasure.

“Oh my God–”

His hand tightens around your jaw just the slightest bit in warning. “No, baby. You moan my name when I’m touchin’ you.”

And you do–thighs trembling, eyes watering, you cry out his name like a prayer as your cunt pulses and squeezes around his willing fingers.

There’s an unpracticed tremble to your hand as you reach to work open his belt, and it makes his cock throb under the confining material of his jeans.

You want every inch of his skin pressed against yours, so desperate for it that you’re nearly in tears when he pulls your fingers away from the buttons on his shirt. He’s not foolish–no one steps foot into this place during the week, but he knows better than to tempt God’s sense of humor. This has to be quick and contained, and you know it too; you picked your little skirt for exactly that reason.

He catches a glimpse of your glistening need as you settle over his thighs, and once again he battles to resist temptation. He whispers in your ear as you settle your chest against his and grind that fluttering, sensitive cunt along his length–promises himself more than you, really, that he’ll bury his face in your folds and drink from you next time. Next time–the promise makes you clench impossibly hard around nothing.

His eyes have never been quite as heavy as they are when you start to sink that dripping heat down his cock. Head tipped back, throat exposed, completely at your mercy. He has to force himself to look up at you–to worship the goddess enshrined on his altar, all his for the taking.

You bite into your lip nearly hard enough to draw blood as your hips settle against his, completely overwhelmed by the burning stretch of his size. He’s a challenge, certainly, but one that you are determined to overcome. 

“Easy, baby girl,” he grumbles as you start to rock against him before you’re truly accommodated. His hands rest heavy on your hips–not anchoring, but encouraging. As wrong–as depraved–as this may be, he wants you to enjoy it without pain. “That’s right, nice and slow.”

It doesn’t stay that way, though; the desperation mounts to a boiling point until you’re bouncing fervently in his lap. It’s delicious, the way the thick head of him drags against something deep and sensitive within you. He guides you when your thighs start to burn, grip tightening enough to leave forbidden bruises in the soft flesh of your hips. His mouth presses to yours, breathing the oxygen straight from your lungs as he presses his hips up. There’s nothing you can do but take it, pliant in his hold, head rolling back to accommodate the wet drag of his mouth and the tickling scratch of his beard against your throat.

He feels it before you do–a subtle flutter as your cunt tries sucking him in even deeper. And maybe, if he was a good man, he’d lean away from it and have mercy on you. But he’s not a good man–he’s a greedy, wanton, desperate man. He angles his hips and thrusts as hard as he can, shoving you into your release with force.

You overflow with it; gushing over him like a flood, staining his hastily pushed down jeans and the floorboards beneath.

He pushes you onto your back like you’re weightless, adrenaline coursing as he starts to slam into you. It’s not polite or sweet or loving–he fucks into you and empties himself like an animal. He growls deep in his throat as his cock pulses within you, instructing you to “take it, baby girl” as if you’d consider anything less. 

You don’t know where your release ends and his begins. All you know is his weight on top of you, his mouth on your jaw, the collective breathless pants that fill the room as you both come down together.

You’re not sure how long it is before he pulls out of your warmth with an actual whine, breath heavy against your neck where his face is so comfortably nestled.

And you start to laugh, because you wish you’d worn panties after all–you don’t know how you’re going to get home with the mess of cum that’s dripping down the curve of your ass.

He even chuckles with you, until he tears his eyes away from your blissed face and sees the cross hanging heavy on the far wall.

“Th-that…” he gulps. “That can’t happen again.”

“It can,” you assure him, and he supposes you’re right.

You keep your head down and your eyes to yourself on Sunday, even as you spot the barely-noticeable stain on the hardwood floor next to the newly-repaired pew on the right side of the aisle. It’s so faint that no one would notice it unless they were looking for it, but it’s glaringly obvious to you. You should be ashamed; you should be begging for forgiveness. But then you meet Joel’s watchful eyes, and the shame washes away. How can you feel guilty over an act of worship?

THE END

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[rodolfoparras]

SO I JUST GOT OUT OF THE FNAF MOVIE

mike is Most definitely a man who whimpers

he buries his head into the pillow, soft sobbing because he hasn't felt this good in so long while you softly stroke his cock and/or finger him while whispering praises into his ear

-🌷

Ok but hear me out…

Brat!mike who loves to rile you up with his mouth and will only ever shut up once you shove your cock down his throat, forcing him to keep you inside his mouth for as long as possible, til his jaw aches, throat burns and there’s a puddle of drool on the floor. Another way to shut him up is to grip his throat while he rides your cock, you’ll watch the stubbornness bled away from his eyes and get replaced with desperation as he furiously taps at your thigh.

Brat!mike who likes it rough, whether it be having little to no prep, blowjobs that will have tears spilling down his cheeks and face turning visibly red or til it feels like he’s being speared onto your dick, will even let you put mascara and lipstick on him just so that he can visibly see how you’ve ruined him

Brat!Mike who’ll prevent any noises from escaping his lips as you’re fucking him. Even with ropes of cum painted all over his stomach and hole all puffy and red he still won’t tell you how good you’re making him feel. You can even have him tied up while holding a vibrator against his dick and he’ll still manage to stay silent as a mouse, which only manages to drive you crazy

Brat! Mike who’ll purposely stop while in the middle of giving you a blow job or while riding you just to tease, only for you to yank at his hair or hips and shove him back down onto your dick

Brat!mike who loves to rile you up just so that you can have heated make up sex, will even go as far as to moan the name of someone else while you got your fingers or cock buried inside him, wont stop with his little act til you’ve fucked him so dumb he can no longer speak or think

Brat!mike who’s alright with being denied orgasms but loses his mind at being denied a kiss, you’ll have him whining and whimpering within seconds to put your lips on his.

[hawkinsschoolcounselor]

Mike declaring his "love" for El is what Henry has been waiting for.

Will, the well-intentioned selfless idiot that he is, has accidentally set in motion Henry's best chance to finally achieve his goals of...world domination? What exactly is he after, anyway?

El was on her way to becoming a stronger person. She faced her demons. She accepted her past mistakes that led to Henry's massacre, confronted Dr. Brenner and rejected his manipulations once and for all, and stopped seeing herself as Mike's idealized superhero girlfriend. It seemed that she was set to move past all of her biggest insecurities, which would allow her to face Henry without any mental weaknesses for him to exploit.

Then Will saw Mike moping about El. He couldn't handle Mike talking badly about himself. He wanted to let Mike know how he sees him, but, of course, he felt it wouldn't mean anything coming from him. So, he put El's name on everything, not even noticing how Mike's initial excited reaction at seeing the painting was dulled at Will crediting El with it. Nevertheless, Mike was overcome with emotion at someone seeing him exactly the way he always wished he would be seen. And, because of Will, he thinks it's how El sees him.

It remains curious that Mike and El never had an emotional conversation after they reunited. Yes, there was initially no time for that since they had to get back on the road to escape Sullivan. However, even with their need to plan what they needed to do to save Max, they could have talked. They were in that van fairly long considering it was daytime when El was rescued and night when they reached Surfer Boy Pizza. Perhaps they didn't want to talk in front of everyone else, though that didn't stop Will. They didn't really get a chance at that until everyone else was preparing for El's saltwater bath.

What may well have been a gentle breakup or, at the very least, an honest conversation about their relationship issues, instead was interrupted by Argyle. Indeed, Mike seemed eager to goof off with his blackout glasses and then seemed nervous when El took his hands with that "we need to talk" look. That conversation was their only chance to have a real talk, but they had no chance, and El was soon in the pizza freezer trying to save Max.

This brings us to the second part of Will's well-intentioned mistake. El is in danger. Henry managed to get the upper hand. El appeared to be dying. In an effort to give her strength, Will prompts Mike to talk to her. He's the heart. Mike had been hesitating, but he tells her he loves her. It's a bit unclear just what sort of effect this had on El, whether it helped or distracted her. However, she does eventually steel herself and, seeing that Max was about to be killed, summons the strength to fight back. Max is partially saved, but we never see Mike and El talk afterwards.

El is naturally rattled by Max's fate. She lost, and Max suffered for it. However, she makes no apparent attempts to find comfort or reassurance in Mike. Aside from the hospital room, she was quiet, going off on her own. The strong, determined, self-assured young woman she was growing into has fallen back into insecurity.

Meanwhile, Will has sacrificed his greatest desire for what he thinks will give Mike and El happiness. That will be Henry's opportunity.

Make no mistake: Henry knows that Will loves Mike. He had Will integrated into the hive mind. Brain scans showed that Will's mind was almost entirely taken over. He knows Will's every secret, and he also knows that Mike was the one who finally broke through to him in the shed. Mike trusts Will completely, and Will is able to sense Henry's presence.

Mike is the fly in the ointment, the spanner in the works. He's been far more of a problem for Henry than he even realizes. Mike is a problem for him. Will is a problem for him. Mike and Will together would be an even bigger problem.

In order to win, Henry needs three things to happen. First, isolate El. She is the only one who is capable of facing him one-on-one. She is stronger when she has something to fight for, something driving her to overcome the odds. If she doubts herself, he has a chance. He needs to take away her support system by either killing them or separating her from them.

Second, Mike needs to be taken out of the picture. Will was right. Mike is the leader, the heart. He knows how to rally an group of ordinary kids, now teens, to do things that should be well out of their abilities. Mike is caring, brave, and intelligent, but also very insecure. If he can get Mike doubting himself, then he won't be able to support El, Will, or anyone else.

Finally, Will has always been special to Henry. We don't yet know why, exactly, but Henry targeted Will from the start. Even after Will was rescued, Henry tried again a year later to bring Will into his control. It could be that he hates losing that much, or it could be that Will has some yet to be revealed asset that Henry needs. Their mental connection, at the very least, is a huge liability for Henry, but it has also been an asset for him in the past.

It seems to reason that any plan of Henry's needs to address these three, and I think it fits with what we know so far.

El seems to largely be isolated. She's apparently in hiding, which is likely since she's essentially a fugitive from the government. This would eventually take its toll on anyone, but El is also a teenager with a lifetime of trauma. She saw her best friend die. She has to hide from hostile forces while trying to protect the world from literal monsters. Over time, the stress could make her snap. Henry just has to keep her busy and away from the others.

We know that Holly is targeted by Henry, and Karen may end up in the hospital with severe injuries. This could very well be a calculated plan by Henry to get Mike out of the way. Killing Mike would probably enrage El to the point of her becoming too big of a threat, and it would also make it difficult to bring Will back under his control. Instead, he can target Mike's family to sow enough doubt in him to force him out of the picture. At the very least, he can distract Mike from being able to support the others if he's worried about his family, instead.

This would leave Will vulnerable, as well. We have reason to believe that Will has flashbacks/visions, possibly right away in episode 1. It's reasonable to think that the others could worry about Will being a spy for Henry again. Mike would trust him, but the others might think it'd be safer for Will to be away from the action, so Henry would be unable to use him. Rejection is a fear of Will's, not only from Mike, but in general. He wouldn't take it well if his friends saw him as a tool of the enemy. If Mike were to be too caught up in his own head to reassure Will, or, worse, start to see reason to doubt Will, himself, then Will could fall into a downward spiral. Will loves Mike. Needs him. Any rejection from Mike is painful to him. He may try to pretend that he's moved on, but feelings like those don't just go away. This would give Henry an opportunity to tempt him or outright possess him again.

Of course, we know that Henry will ultimately lose. This is all just how I feel he will try to attack what I see as his biggest obstacles to victory. Any thoughts?

[teambyler]

Mike was saying "I love you" to Will

Most people see Mike's monologue and think of it as "proof" that he and El are an endgame couple, but it's actually one of the strongest hints of a Byler conclusion.

Because Mike was saying "I love you" to Will.

Sounds crazy? Of course! He was speaking directly to El, after all. What the hell am I talking about?

Some have focused on contradictions and other issues with what Mike says, including listing El's superpowers instead of the full person she wants to be loved for being. Plus he had to do it (and was pushed by Will), or else El and their friends in Hawkins might have died. It does seem like El sensed something off in what he said, which would explain why she hardly talked to him afterward. But I actually disagree about Mike's "I love you" being a total lie. In the official script it's written that it had a positive effect on El (although the way it was ultimately shot and edited made it more ambiguous). (I got this screencap from a TikTok video):

And so, in the van, Will DID make Mike love El. Mike MIGHT have wondered whether Will was talking about himself too, but one thing he was convinced of was that that El loved him because "he's the heart." Feeling like she loved him for who he was made him love her. I think it's more accurate to say that, while Mike's monologue may have had issues, he DID feel something genuine... BUT the logic of events leads more toward a BYLER conclusion than away from one.

The problem for Mike and El is that Mike was saying "I love you" to the idea of El that WILL put in his head:

Will said that El felt like a mistake, and that Mike made her feel like she was better for being different. She was terrified of losing him and so that's why she pushed him away.

So Mike came out of that conversation with new feelings for El: he thought that SHE needed HIM to love her, not because of "dumb luck," but because of his unique qualities. Who HE is helps her be a superhero.

But El's journey in Season 4 was to LEAVE Mike to "be a superhero." When she left a note for Mike, she tellingly signed it "From El." When she realized he couldn't say he loved her, she chose to let go of their romantic relationship. Her journey in Season 4 was about finding who she was independently from others in her life (most importantly her "papa" Dr. Brenner). El went through her own journey that REQUIRED separating from Mike.

By the time they reunite, she has grown. Instead of Mike coming up with the plan (like so many times before), EL came up with the piggyback plan. While she was piggybacking, Mike said "I love you" -- but having her self-image rely on how Mike sees her was something she was moving away from.

She had felt like a monster. What liberated her from feeling that was NOT Mike and not an elusive "normal life" (with a relationship) -- let alone something as token and symbolic as saying "I love you." She had to realize this on her own:

There were clues in Mike's monologue for her to pick up on that he wasn't fully telling the truth, first and foremost him saying that he "knew, in that moment, that I loved you." (He couldn't have, when he was openly scheming in s1 to get her sent away, possibly to a mental hospital, loud enough for her to hear.)

But Mike DID love El when he said "I love you." Mike saw someone who desperately needed him, someone whom MIKE was a hero to and not just the other away around.

That person he was thinking of, of course, was WILL.

It wasn't like it was news to Mike that El needed his love: El confronted him earlier in the season for not saying he loved her. We all saw that El's heartbreak didn't convince Mike that he loved El.

Ironically, it was WILL'S heartbreak, HIS emotions, and HIS words that did. And Mike felt something real this time, because it came from WILL.

Will's words affected Mike deeply. Deep down, Mike wants to be someone's hero. He's the leader; he's "the heart." When dealing with a superhero like El, he can admire and love her, sure... but does it make MIKE feel loved for who HE is? Does a romantic relationship with El COMPLETE him? Mike doesn't want to be a discount Lois Lane. He wants be loved because who HE is makes him THEIR hero, too.

Mike has always been bullied, misunderstood, and angry. He rambled just before Will's speech about being "some random nerd" and feeling like he didn't deserve El. He felt inadequate, and this affected him ("leader Mike" recedes when he's in a relationship with El, and comes forward when someone -- usually Will -- needs him). Will's point "You make them feel better because they're different" doesn't just describe El + Will; this is what Mike is looking for, too.

Being "some random nerd" is part of why Will loves him so much. Will's painting was the perfect gift; Will knows and understands his best friend better than anyone. The D&D theme was a tribute to Mike the nerd -- he sees everything he is, the "good" and the "bad" -- AND he sees the hero and the leader. WILL's love for WHO MIKE IS made him feel like he's a good person.

(Here's an angelwithnightmares video that shows this about Mike exactly)

Mike's journey in s4 was him rediscovering that he is a hero. And this required separating from El and hearing this from Will. Will said that he's the leader of the group: "You keep the party together." And earlier in the season he reminded Mike "you guys saved me" (with a proud "I did, didn't I" reaction from Mike that was super cute lol).

Will's love gave Mike the strength to be a hero again. Mike pretty much used Will's words in his monologue to El. Two scenes at the end of Season 4 foreshadowed "leader Mike" coming back; his speech to El, and his "We will" shoulder grab with Will. Whatever issues there were in his monologue, this was THE callback to "leader Mike" of s1 and s2. He didn't help El beat Vecna, but he helped them survive. Mike spoke of his genuine platonic love for El, while thinking it was romantic love. And it was WILL's romantic love that helped him be this hero, to say "I love you" to the person he thought made him feel that way, who as it turns out was WILL.

So we'll have a final season where there is this hugest of loose ends when it comes to Byler: Mike will somehow realize that Will in the van was describing himself and not El. Mike will realize that the first time he felt romantic love, was because of Will, and that Will more than anyone helps him be the hero he wants to be. (It's the perfect formula, writing-wise, to make a closeted boy confused about his romantic feelings!)

AND Mike will learn that Will sacrificed his own happiness for him and El. How does that NOT lead to Mike loving Will even more than he already does?

Finn Wolfhard himself said about the van scene:

How is he this clueless right now? What with the Will scene... I remember asking the Duffers, "Why would he not know all this?" And they were like, "Don't worry, kid, it'll pay off in the end."

I think it will.

-teambyler

[apomaro-mellow]

The Road to You 2

Part 1

As far as Doug, Jeff, and Gareth knew, Eddie was simply running from the police and Jason’s mob. The less they knew about monsters he had faced, the better. They visited him in the hospital once they had heard where he was. All three were surprised to see that Steve Harrington was in the room. They were even more surprised to find that this was a regular thing from Eddie’s uncle. Then they learned from Dustin that apparently Steve had been with Eddie during all of this. 

It made a solid rock of guilt settle in their stomachs. Jeff was the only one who had said anything outright to Eddie about it though.

“I wish you hadn’t been alone”, Jeff had said.

“I wasn’t alone”, Eddie replied. “I had a whole party with me.”

Jeff scoffed. “I love Dustin, but the rest of them? Especially Steve?”

“Steve was…”, Eddie chuckled. “He was the MVP, man.”

“Not the way Henderson says it. If you let him tell the story, you saved the whole world.”

Eddie smiled. “Let’s call it a team effort.”

It was an odd new status quo to get used to. But there wasn’t much to do about it but getting used to it. Anytime they wanted to visit Eddie, Steve seemed to be there. Eventually, someone had to say something about it. And that someone was Gareth. 

“So can we talk about how weird this is?”, Gareth said, in between snacking on chips.

“Look, I get it”, Eddie said. “But if you knew him like I knew him…” He shook his head and smiled. “Harrington’s actually kind of a dork. He’s not…” Eddie was about to say Steve wasn’t like he was in high school, but that wasn’t true. Eddie didn’t truly know Steve back then. It took the end of the world for him to see him as he was. “He’s not what I thought he was. He’s cool. Case in point, he got me this tape recorder”, Eddie gestured to it, sitting on the floor.

“What for?”, Gareth asked.

“Song ideas. One great thing about near death experiences - inspiration”, Eddie grinned. He had felt inspired since he’d awakened. But one of the not-so-great things about near death experiences was losing control over your body, even if it wasn’t permanent. Eddie had been unable to write down his ideas. He couldn’t even doodle. Dustin was the one to bring up recording his voice. But it was Steve that bought it for him.

“Can’t believe you got me this. Wait. Am I dying? Do I only have three months? Oh say it isn’t so, Steve!”

“Yeah, yeah just don’t make me regret it”, Steve rolled his eyes.

Now whenever the feeling struck Eddie, he could record them, whether it was lyrics or a hummed melody. He was slowly regaining his fine motor skills, so it would happen someday. But for now, this helped.

-----------------------

Mike, Will, and Dustin started clearing their stuff, packing it away. Eddie blinked, then he looked at the clock and just barely held back a sigh. Visiting hours were just about up.

“You nerds got any plans tonight?”, he asked conversationally. 

“Yeah, we’re having a movie night at Mike’s”, Will said.

Eddie knew who was included when they said ‘we’. Their whole crew usually turned up to these things. And that included Steve. Eddie found himself almost wishing he could go. What was Steve like when he watched movies? It was odd but he wanted to know. He got the next best thing though - talking about it with him the next day.

“Of course, Dustin thinks he could totally beat the Thing”, Steve said, legs crossed, magazine over his lap.

Eddie snorted and rolled his eyes. “Didn’t he raise one of those monsters in his turtle tank?”

“Exactly! Everyone else had to remind him too.”

“Do you think you could figure it out?”, Eddie asked.

“I guessed who it was and was right every time. I’m pretty much an expert on the Thing”, Steve said.

“It’s pretty crazy how it got MacReady so early.”

“....What are you talking about? MacReady wasn’t a Thing.”

---------------------

Doug heard shouting from Eddie’s room and it didn’t raise any alarms until he realized it was Steve Harrington’s voice he was hearing. He picked up the pace and thrust the door open, only to see Steve pacing around Eddie’s bed, gesturing wildly.

“It was Childs! It was goddamn Childs!”

“It got MacReady when he was leaving that message!”, Eddie shouted, arms moving stiffly but still conveying his frustration.

But Doug knew when Eddie was arguing, versus when he was debating. Eddie argued when he felt he was in the right and someone was trying to tell him he was wrong. His temper would rise, his voice would start cracking, and he looked almost mean enough to scare small children. But sometimes Eddie liked to argue for the fun of it. Debating. He’d still get loud, but there was no irritation in his voice. And he smiled. Like he was doing at Steve right now.

Steve looked frustrated but wasn’t backing down. If Doug didn’t know any better, he’d say that Harrington was enjoying himself too. 

----------------------

Eddie wasn’t better, but he was well enough to be discharged at last. Solid foods were no longer off limits. He could stand for short periods of time. And his mobility had improved. And there was also the fact that he’d been cleared of all charges. Eddie had grown sick of that room in all this time. The same plain ceilings, floors, and walls. But now that he was being pushed towards the exit in a wheelchair, he felt nervous.

Wayne put a hand on his shoulder. He knew his uncle could sense his apprehension. If it were anyone else, Eddie would hate how they were able to see right through him. But he knew Wayne would never use it against him.

“Ready to go back out into the world?”

Eddie took a deep breath before nodding. Wayne brought him outside. And there was Steve. Leaning against his uncle’s car. Suddenly the outside world didn’t seem as scary. Eddie tried tamping that feeling down but it won out and bubbled up when Steve saw them and smiled.

“Hey.”

“Hey.”

“So uh, your uncle asked me to come and take your chair in my car. Said his didn’t have enough room and with your van totaled…”

“Harrington’s moving service, you’ve really diversified.”

“Shut up”, Steve smiled.

Steve took the chair and put it in his car once Eddie was situated in Wayne’s. They took off then, but Eddie was confused to see them pull up to Steve’s house and not the little place Wayne had gotten for his troubles. But Eddie figured it out when he saw a small face (possibly Erica’s) in the corner of a window. She disappeared, presumably to tell the others that they had arrived. It was the best surprise-not-surprise party ever thrown for him. 

The party lasted hours and at times Eddie felt overwhelmed. He didn’t think there were enough people in his life that cared this much. And he certainly never thought police chief Hopper would ever attend a party in his honor. It reminded him that he still had to learn about his part in all of this. Eddie had learned bits and pieces here and there, but it was hard to really string the story together like that. He’d save that for later though. Right now, he could use some air. He asked Wayne to wheel him outside and he sat by the pool. He lit up and was able to get a few drags in before Steve came out to join him.

“Here to lecture me at Buckley’s behest?”, Eddie teased.

“No, I’m here to bum one off you”, Steve said. He pulled up a lawn chair right next to him. Eddie handed a cigarette to Steve, then his lighter. Eddie averted his eyes, pretending to be interested in the treeline. For some reason, watching Steve felt like too much right now.

“God what I would do for some weed”, Steve breathed out.

“You and me both”, Eddie said, bringing the cigarette to his lips. “But Rick’s still in jail. And my stash went through the Earth’s crust.”

“Shit, don’t remind me. I could use the weed for that too.”

“...The memories?”, Eddie ventured to ask.

Steve lied back on the chair, eyes to the sky. “Don’t you wish you could forget? Even just a while?”

“Yeah. Yeah of course I do. Shit the nightmares I get…” Eddie’s hand went to his side. Sometimes he still felt the teeth in him. There were nights where he swore there was a hole that went through his stomach. He’d wake up in a sweat, afraid to touch and find that his hands went all the way through. “Does it ever get easier?”

“I don’t know”, Steve answered honestly. “Never gone that long without the next crisis.”

Eddie didn’t know how to feel. There seemed to be this finality with things but also everyone still seemed on edge. Like it was the end but…was it? Even Eddie felt like that was too good to be true. But the thought of having to deal with this all over again before a full year had even passed… Eddie didn’t want this to happen again in ten years, let alone ten months.

“What if it’s really over?”

Steve blew smoke out of his mouth before replying. “I don’t know.”

Eddie let that hang in the air. Because he didn’t know either. Every single plan, idea, and dream he had back in March seemed like nothing now. 

“Your agenda’s open then. Good”, Eddie nodded.

“Good?”, Steve raised a brow.

“Yeah. It means you can be my manservant now that I’m discharged. It’s gonna be a lot of work, but I think you’re up to it.”

“I don’t come cheap, Munson.”

“Rick’s not my only plug”, Eddie winked.

“Deal.”

Part 3

[boyfriendsmalec]

The Duffers always knew Will was gay, it was in his character description before Stranger Things was even picked up by Netflix. And as indicated from the Season 2 script at the Snowball dance it was clear Will had a crush on Mike. Why would the build-up of Will loving Mike be thought of so early on, if not for it to come to some kind of fruition?

This is not a slowburn rejection arc. If Mike wasn't intended to be Will's love interest there would be talks from Noah or other cast members about "Will getting over Mike" in Season 5 or the cast or crew would tease something about Will getting a love interest, but there hasn't been any of that. In fact the only discussion at all of Will having a "love interest" in Season 5 has come from leakers.

Noah only ever said back after Season 4 aired (before Season 5 was filmed or they'd read the scripts) that he wanted Will to have a happy ending whether it be with "Mike or someone else." This makes it clear Noah only views Will being happy if he's in a romantic relationship in the end of the series (Will's journey isn't just about acceptance, it's about finding love too).

But since season 5 has filmed and wrapped Noah has only ever supported Byler, and never indicated Will would find romance with someone else. And don't forget how happy Noah said he is about Will's ending. He's really emphasized how thrilled he is about his character's ending (compare this to Millie who has said she was kinda back-and-forth on her thoughts while filming the final season).

[eringobragh420]

➔ Pairing — Randy Orton ❤︎ f!Reader (past Miz ❤︎ f!Reader) ➔ Summary — Takes place in late 2010. Randy’s had feelings for Kelly Kelly’s cousin, a new interviewer for WWE, but she’s been dating The Miz. Following their breakup, and a monumental cash in on a random episode of Monday Night Raw, Randy doesn’t want to pretend anymore. ➔ Word Count — 1.8k ➔ Warnings — None ➔ Taglist — If you'd like to be added, please click here! ➔ Requested By — Anonymous. Hope you enjoy! (I also had to take a few liberties with the idea to make it work, so I hope that’s okay.) ➔ Support — Buy me a coffee! ☕ ➔ MASTERLIST

She stood waiting patiently as the hair and makeup artists put their final touches on her camera-ready face. She clutched the microphone with the iconic WWE logo, a company she’d never dreamed of working for, her palm still sweaty even after nearly a year working here. She was becoming more and more comfortable with each passing week, and less and less depressed about the break up with Mike. And she wondered, like everyone else, why she’d even been depressed in the first place, considering the asshole had cheated on her. She looked up toward the ceiling as the makeup artist applied some last minute touch ups to her eyeliner. She couldn’t thank her cousin, Kelly, enough for getting her foot in the proverbial door, but she would surely hold a grudge against her for the foreseeable future for also introducing her to the Miz.

She heard a familiar voice nearby and her heart began to gallop. Why couldn’t Randy Orton have been the one to sit next to her and her cousin in catering on her first day instead of Mike? Not that anything would have happened between them necessarily, but if he’d been sitting there, maybe Mike wouldn’t have stopped, introduced himself and laid those baby blue eyes on her. Oh well, none of it mattered now. The only thing weighing on her shoulders was conducting this interview as professionally as possible. When she was finally able to look straight ahead again, she spotted the WWE Champion headed toward her in all his six foot five inch, 250 pound magnificence. He wore his trunks, and his tanned, sculpted body had already been lubed up to accentuate those muscles. The title was slung over his shoulder proudly, just where she and everyone else expected it to be after the upcoming match with Wade Barrett.

Peeling her eyes away from Randy, she went over the questions she was supposed to ask him once the interview started. There wasn’t much room for improv or interpretation, not with Vince around, so their interaction had already been laid out in front of her in black and white. She anticipated no issues. And when she anticipated no issues, in her experience, that’s usually when the issues arose. She turned the page of her script, and a pair of black boots stepped into her line of sight. She could smell him—cleanliness mixed with whatever he’d doused his body in to make it glisten. Her gaze rose from his boots to his dense thighs, to his trunks and a bulge she instantly looked away from, only to land on his six pack. She then followed those muscles outward to the tattoos on his arms, his well-defined biceps. His chest was ample and solid, half covered by the sparkling title belt, and she wasn’t sure she’d make it out of this interview with dry panties.

This wasn’t the first time she’d conversed with Randy, on camera or otherwise, but there seemed to be an aura of unrealized tension between them. Was he simply in his head trying to prepare for the match? Was he somehow unhappy with her work? Would he rather have had someone else ask the questions? He’d always been cordial to her, joking, and sometimes she thought he might have been flirting with her, but then she realized she was her and he was Randy and no way would he ever be interested in her, especially with all the gorgeous Divas running around half-naked.

Oh well, she thought, whether he likes it or not, the show must go on. She handed her script and notes to a nearby producer as she was told the time they had left before the commercial was over and they were live again. 

“So,” Randy spoke, voice deep and quiet, not interested in having the rest of the world hear their conversation. She looked at him, thinking for sure he wasn’t speaking to her, and so she looked behind her, finding nobody there. She turned back to Randy, he was smirking, and she felt her cheeks ignite. “I’m talkin’ to you,” he assured her. “How are you?”

“Oh,” she stammered, swallowing thickly. “I’m good, thanks. How are you?”

“I’m great,” he replied, nodding at the belt over his shoulder, “but I meant more like … how are you? I heard you and Miz broke up.”

She gaped up at him, eyes round and drying quick. It was true, everyone knew―not that she’d been the one to tell anybody, no, that had been Mike. The man was actually proud he’d cheated, blaming it on her and telling anyone who would listen how terrible of a lay she’d been, so naturally he’d had to seek out other women to satisfy his physical needs. Or some dumb shit. The last thing she wanted to do while in the company of Randy Orton was think about Mike or talk about Mike.

“Of course you did,” she sighed. “Honestly, I really don’t wanna talk about it—”

“Oh, I don’t either,” Randy cut her off. The producer warned them they had thirty seconds before they were to go live. “Just wanted to be sure you’re okay.” 

Her head tilted, and after a moment she smiled. “I’m okay,” she replied softly. “You’re actually the first person to say that, aside from Kelly. So thank you. It means a lot.”

Randy massaged the back of his neck, and were his cheeks tinged in pink? “Yeah, well, uh,” he stammered, and she hid her grin behind the microphone. “Miz is an ass. You deserve better.”

Her gaze dropped to the floor momentarily as her body waged a Great War with her mind. Her body wanted to fling itself at Randy in the hopes that he’d catch her, dip her, and kiss her, like they did in the old movies. Her mind screamed that she was a moron and if she did throw herself at him, it would likely end badly, both with Randy and the WWE. It was a quick battle, her mind coming out victorious when she convinced her body that the man was probably just being polite, and there was no double meaning behind you deserve better, no matter how bad she wanted there to be.

“That’s really sweet,” she resigned to say. “I appreciate it. Maybe someday I’ll meet a guy as charming as you are.” Although Mike had been quite charming in the beginning, he was more of a creepy charming, in that he would say something cute, but finish it with something dirty.

“Actually—” Randy started, but he was cut off by the producer with another warning about time. 

The interviewer and interviewee both checked themselves for anything out of place, and Randy readjusted the title on his shoulder before they were given the countdown from ten. When the camera went live, she forgot all about Mike and even the sweet thing Randy had said to her, as she focused on remembering the questions and her proper responses and reactions. But Randy was different. She wasn’t sure if anyone else noticed, but he seemed to hold her gaze for longer than he normally would when replying to her interrogation. He even reached out and touched her arm a few times during the segment, and she had to steel herself to keep from actually, physically, literally swooning. 

It had been so long since a man had handled her so softly, and that’s why her reaction had been overdramatic, she reasoned. He was just a nice guy, trying to make her feel better. Nothing more, nothing less, she thought, just as she sent the broadcast back to Michael Cole, Jerry Lawler, and the newest commentator to the team: CM Punk.

“So, listen,” Randy started.

“Sorry, we have another quick segment to film,” the producer interrupted.

The interviewer turned to Randy. “Thanks again,” she said. “Have a good match. Kick Barrett’s ass.” 

She was whisked away to another room backstage, and it was in this room, after taping the segment and toward the end of the show, where she would watch on the hanging television as the members of Wade’s faction, Nexus, attacked Randy as he was headed to the ring for their title match. She was all but biting her nails through the contest, which already saw the Viper at a disadvantage, and her heart stopped when John Cena interfered, consequently allowing Randy to RKO Barrett and retain the title. She jumped from the uncomfortable couch, clapping, and her heels clicked as she jumped up and down.

Sensing a presence and noticing something out of the corner of her eye, she glanced through the opened door to the hallway. Mike stood there in full gear, Money in the Bank Briefcase in hand, and his entire body was trembling. His once crystal clear eyes were now overcome with absolute abhorrence, and she tried to do some quick mathematics to see if she’d have enough time to close and lock the door before he could get inside. Hearing the commentators erupt on the television, she impulsively looked to see what was going on. Nexus was again battering Randy, and her body deflated as fear overwhelmed her. She remembered Mike. Looking back to the hallway, she found it empty.

“Mike!” she yelled, running into the hallway, but it was too late. She took her heels off so she could jog a little faster, taking a different route than Mike had to get to the ring. She stood in the background, powerless, as Mike cashed in, as Randy received a skull crushing finale, as Randy was pinned, and as Mike became the new WWE Champion.

Back in Gorilla, she waited, bouncing from one bare foot to the other, as Randy carefully made his way in her direction. Mike, however, came through the curtain first, brandishing the title and that stupid, shit-eating grin on his face.

“What do you think about that?” he taunted, shoving the belt in her face. “Huh? Who’s the man now? I got—”

A fist came out of nowhere, clocking Mike right in the temple, and he toppled to the floor, landing on the belt. She barely had time to look from the mess of Mike on the floor to who owned the face before Randy was wrapping his hand around the back of her head and pulling her lips to his. He was sweaty and bloody, skin the temperature of lava, and he was huge and imposing, but his kiss was soothing and adoring. Her arms snuck around his neck as she returned the gesture in kind, although her kiss might have been a little more desperate. She felt his lips curve into a smile just before he wrapped one arm around her waist, hoisting her into the air, and she threw her legs around him before she fell back to the floor. They separated to catch their breath, foreheads pressed together.

Replying to Mike’s earlier question, Randy rumbled, “I’m the man,” and kissed her again as she giggled.

[miwiheroes]

Dropping Byler Evidence Every (Other) Day Until Season 5

. ݁₊ ⊹ . ݁˖ . Day 36: Byler's Common Romantic Tropes . ݁₊ ⊹ . ݁˖ .

There are many many times where I get asked what is your favourite byler proof or what is the most convincing byler proof. I could talk about light and imagery and symbolism but y'know what's even more convincing and simple to me? The fact that Byler literally has these extremely common romantic tropes attached to it, but nobody seems to notice because they're two boys. It cannot be a coincidence that they have all these different tropes attached to them -- its clearly planned out to help the pairing's romance come to fruition, otherwise it would make no sense.

1. Playing Cyrano

Definition: Traditionally in film, to "play Cyrano" is to have a more physically attractive person (Person A) hit on the object of their desire (Person C), but the words that are winning them over are being fed to Person A by someone else who is in love with Person C and knows them better (Person B). In every case, Person C originally falls in love with Person A because of the words they say, but upon finding out who really said those things, they end up falling in love with Person B. Some examples include Cyrano De Bergerac of course, Friends, Modern Family (though it's played as a joke), Back To The Future.

This is literally the painting plot, but it's not played out in the exact same way, though it's similar. Will (Person B) is obviously in love with Mike (Person C) but doesn't feel he can actually tell him those things because he doesn't think it will make him happy. This is a misbelief.

Now, technically, having Will refer to his feelings as El's feelings (Person A) is not the same as the original Cyrano trope. However, Will believes that he is helping both Mike's self-esteem and Mike and El's relationship by doing this, as he thinks that is what they both want. This is obviously an extremely selfless act. Now, these words obviously make Mike feel like he can finally say "I love you" to El, because Will reminds him of them right before the confession. So in S4, we have part 1 of the "pay-off" to this trope.

If we follow along with the trope, then hopefully, Mike will find out that those words are really coming from Will, he will actually fall in love (or realise he's in love) with Will, all because he's always been touched by those words. He'd also be touched by the selflessness of the act, and this selflessness usually inspires some loving feelings in Person C toward Person B.

So if Mike looks like he's falling in love with Will here, it because he literally is, he just has no idea yet.

2. First Girl Wins

Definition: Commonly in romantic plot lines, the first girl introduced — either overall or as a potential love interest — has a very good chance of ending up with the protagonist. She's often presented as someone who knows the protagonist better, stays in love with the protagonist despite his obvious non-reciprocation, etc. The First Girl will rarely be the first one to confess her feelings or admit them. In fact, she's much more likely to be the one who does it last. The logic behind this is that she's the one whom the main character loves (even if he doesn't realise it himself), if she showed him romantic affection, then he would immediately choose her.

Will being in love with Mike is literally the classic 'I know you better than she does' trope but it's gay. There are so many times in S4 especially where Will is presented to have a better understanding of Mike than El and the audience is supposed to feel bad for him. For example, when he's the one Mike goes to about all his problems, and when Will judges whether they should go to the movies based on Mike's body language. The viewers are supposed to feel frustrated that Mike isn't seeing what is right in front of him.

Having Will be in love with Mike from the beginning and having their first scene together literally show that Will can't lie to him, and that he's selfless, is insane to me. What would not make sense is for all this to happen, for Will to be presented as such an ideal match for Mike, just for him to be used as a tool in their relationship. As if that's a reward.

There is a reason that the writers haven't shown Will make any real moves toward Mike -- they're saving it for the climax of the show, aka when Mike ends up 'choosing' Will.

3. The Promise

Definition: When characters call a "promise" into the spotlight as something that can never ever be broken, this always backfires for the character that says so or the characters involved in the promise. (The most famous example of this I can think of is literally in Tangled lmao) This can backfire in a number of ways, but the most common are: the promise was never going to pan out, the promise would end up hurting the protagonist or sacrificing them, the promise will start out as something good but end up trapping them.

I've touched on this trope much more in this post, but as a summary, basically in this scene above, Mike draws attention to the definiton of a promise as "something that you can't break. Ever." This immediately dooms Mileven for me. It's clear that Mike is going to make some huge promise about their relationship to El and this is either going to hurt Mike or it will trap both of them in something that they feel far too invested in to go back on. Which is exactly what happens.

Mike promises to go to the Snow Ball with El. He says those words when she seemingly is about to die (in S1). This promise does not pan out because she 'dies'. UNTIL season 2, when the Snow Ball actually happens. Which means this promise can only happen in the other sense: it is trapping the protagonist. But Mike isn't just promising to go to the Snow Ball with El, no, he's promising to be with her, keep her safe etc. What he thinks is keeping her safe so that he won't lose her is by being in a relationship with her.

I really recommend the post I linked, because it goes way more into depth, but yeah. Insane parallels happen.

4. Interruptions

Definition: I'm sure you can safely assume what this is, but this is when two characters seemingly have a romantic interaction and seem to be building up to something intimate, but something out of their control stops both characters from doing this. This interruption is often paired with both characters looking embarrassed/ acknowledging the interruption to further romantic tension. These moments are made with the intention for the climax of the romantic plot to seem more satisfying.

This happens to so many ST couples after romantic moments, including Lumax and Jancy, but this happens to Byler in S4 four times. Yes, you heard me right. Four TIMES. They really really wanted us to make sure we see them as romantic didn't they?

Pictured above, Mike and Will both have a slightly flirtatious moment before they get interrupted by Jonathan who they are shown to swing their heads around and look at.

After Byler have an intimate moment of gazing into each other's eyes, they get shocked and gasp because they hear something outside the house that could possibly interrupt them.

On top of the car in the desert, after Will says something that might imply that he has a 'truth' that Mike won't like, Argyle interrupts them, showing a shot of Mike and Will stopping looking at each other.

In Hopper's cabin, after Mike grabs Will's shoulder and reassures him, they hear people outside and there is a shot of Mike's hand still on Will's shoulder before they look at each other one more time and leave the couch.

I mean this trope is as literal as it gets. In the script of the "cool, cool" scene, it literally says "this intimate moment is interrupted". HELLO???

Anyway, as I said before, you don't accidentally write this many commonly used tropes into a story without the characters actually doing something about it. There are also even more other common tropes that I didn't talk about here because it is not worth going into for a whole post (these include the holding hands trope, the selfless confession trope etc,). Basically, I just can't believe they would do all this for no reason. It also makes no sense for this to be done for queerbait purposes. Writing Byler this way is no easy way out.

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.