Titans #15 Review
Oh my god. Where do I even begin.
To start with my one and only positive: the art is gorgeous. Lucas Meyer is the best artist the Titans have had in ages, and his new Raven design really delivered. I'm so sad that it appears that the artist who'll be taking over for him in #16 is undoing his design changes, I think it's a massive shame. I did appreciate the detail of Raven's white cloak design having rings on her index fingers, but it feels a little pointless without the lore of Azar's rings to back it up.
Now, the negatives: literally everything else about this comic. This comic fails to deliver on an eight issue arc in any kind of satisfying way, has a bizarre and out of character tone, and severely misunderstands the lore of its main villain. They literally defeated Trigon with the power of friendship. Maybe that could work in Teen Titans Go, but in a main timeline DC comic? What?
First, the demon Raven stuff. Gar saying that demon Raven and regular Raven aren't two different people--yeah, obviously. The severe degree of separation between demon Raven and regular Raven has been one of the big issues of this arc, and this conclusion is as unsatisfying as the rest of it. Raven and her demon side being able to talk face to face isn't new, but them being two separate people with separate physical bodies who can operate completely independently of each other--while there is some precident for this, to me it's a very strange writing choice and misses the point of a demon Raven arc.
The original idea of Raven and her demon side was that her demon side is her. It's all the worst instincts she inherited from Trigon locked up and carefully controlled. When Trigon takes control of her and turns her into her demon form, everything she's repressed, both good and bad, is released. Raven still having a soft spot for the Titans in her demon form makes sense; she's still Raven, just corrupted by Trigon into something she isn't. Raven deciding to stop being evil (not that she even really was) and going back to normal from one brief conversation with her teammate does not, and is really anticlimactic.
It's just such a waste of the story's potential. If you don't want to commit to Raven being the villain of the story, don't do a demon Raven arc! It's possible to do a Trigon story without Raven being evil, I don't get why they didn't just do that. None of the drama with Raven being evil was particularly well executed, and all it seemed to do was drag the comic on longer and longer with nothing actually happening, because they were unwilling to make Raven actually do anything villanous.
All that pales in comparison to how they defeated Trigon. I don't think I've ever seen such blatant disregard for previous canon. As Raven, powered up by the other Titans, fights Trigon, Gar narrates as follows:
"I doubt Trigon has ever been in a fight. An actual fight. With someone his own size and power level. Never had to face someone like Nightwing one-on-one. Never tried to stand while being pinned by the power of Donna Troy's will. Never been blasted... with a giant-sized Apokoliptian blast from Cyborg. And never, ever... felt the full force of a Tamaranean hit powered by the stars."
WHAT?
This comic canonically takes place in the same timeline as the New Teen Titans. There are many homages to the New Teen Titans. It has been made very clear that the team started as the New Teen Titans, and then after many, many years of crazy comic book history the team reformed as the Titans of this run.
The first ever Trigon arc that introduces him and Raven as characters takes place in the first six issues of the New Teen Titans, and culminates in Trigon being defeated by the Titans and thrown into an interdimensional prison. I can't stress this enough: literally every single one of the things Gar said have never happened to Trigon happen in that fight. Donna uses her lasso to dampen Trigon's will, in combination with Raven and Arella's empathic abilities. Wally rips a hole through the fabric of reality to throw Trigon into, and Kory and Vic connect their powers to amplify their blasts to throw Trigon into the interdimensional rift. The whole thing is coordinated and managed by Dick Grayson (who was still Robin at the time).
Gar was there when all this happened. There is no reason for him to not know that this happened. The only explanation is Tom Taylor doesn't know, or he doesn't care. This would be disappointing for any comic book run, but it leaves an especially sour taste in my mouth for this to happen in a run that's so built on NTT homages. It's clear that the writing could not care less about the comic it was inspired by.
And then Garth causes Trigon to have a heart attack. Okay, that was just stupid. Admittedly, I did think the page of Raven stabbing Trigon was cool (again, the art is really the only saving grace here), but her saying "Fuck you, Dad"? Seriously? An ongoing problem in this run has been the dialog feeling janky and too much like lines from a generic superhero movie, and this line embodies that very well. I'm not opposed to swearing in comic books, but to me, this is not the right time for it. It doesn't fit the moment, and I think it's quite out of character for Raven, even if the sentiment behind it isn't.
And then Trigon isn't even dead? What does "Demons don't die. They just fade away." even mean?? Is he dead or not? Will he come back tomorrow or in a thousand years? It's such a strange, confusing letdown of an ending.
I didn't have high hopes for this issue, but it was somehow worse than I could ever have imagined. I'm so glad that this run is getting a new writer. Here's hoping that the coming issues will actually feel like a team book, and that the decades of lore and characterization of these beloved characters will actually be considered during writing.
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Listener who's incoherently crying for literally no reason, receives comfort and cuddles for their troubles (Seth, Alphonse, Lucien)
(HCs)
it's okay to just cry.
Ngl feel like I didn't do Lucien justice-
Looking down at your phone, a sudden wave of sadness washes over you. Sniffing you tried not to cry, why would you be crying for? But a few minutes past and your sobbing into your hands as you sit in your room.
Your boyfriend in the other room comes to you quickly. Sitting by you and then looking you over to see why you would be crying.
"What's wrong? Are you hurt?" Asking, your boyfriend was worried as he held you close. Shaking your head you couldn't explain it. Blabbering incoherently as you gripped your boyfriends arm to hold you closer.
Taking the hint, your boyfriend started gently comforting you and rocking you gently. Looking down at you as you sniff into his neck.
Seth
He understands fully what your going through right now. Seth, is emotional always has been an always will. Sometimes your body just needs to cry.
Holding you closely the brunette laid both of you down so you can relax against him better.
Gently humming to you as he runs his hands up and down your back. Smiling as you slowly stop crying and relax more.
Kissing your head Seth smiles as you look up at him with teary eyes. Makes a joke about how the two of you could be professional criers.
This makes you giggle and lay back on him. Telling him that you felt stupid, he shushes you saying him of all people knows it's just something that happens.
Alphonse
Very confused but is trying his best to comfort you. Thinking of what to distract you with he tells a story for his youth.
Moving you to his lap, Alphonse rocks you as he explains the story. It's about a old lady in the old 'haunted' house, how him and Seth went to investigate it. Only to find a old lady, very much alive and with a big pack of raccoons.
The pinkette snorts at you pausing your crying to give him a weird look. Al shrugs telling you your guess is as good as his to why there was so many raccoons.
Al uses humor to get you to calm down, like how you;d throw cheese on babies that are crying. The confusion makes you stop crying and calm down better.
He feels better that his jokes made you feel better, telling more stories and cracking more jokes as you laugh into his chest trying to breath.
Lucien
Lucien was really confused, bc usually when mortals cry its for a reason. But you trying to explain just made him more confused.
What does he do? The demon explains the way different desserts and foods are made. Like a fucking tutorial you'd look up how to make a cake from scrap.
You were so confused but focused on him talking about how to make a cake. Lowkey interested on how you NEED to measure correctly or it'll go off the rails.
Lucien explaining actually made you hungry for a real one. So still holding you he went to the kitchen, dw Angel your light I can hold and make a cake at the same time.
So he does and like a YouTuber telling you how to make it. Blinking as you laid your head on his shoulder, you smile as Lucien asks you to open the sugar container for him. The red demon was happy as you giggled and helped him.
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50. Writer's preference - "And what if it is not you?"
The barb stung and Arthur turned away as quickly as if she had struck him.
These walks had become something of a tradition between the Prince and former Princess over the rolling weeks. With the out of doors near unpassable, Arthur's mornings had shifted to a shorter indoor practice before dawn, followed by a brief repast and then a stroll through the Orangery with the Lady Aria. Though they still argued as often as they didn't, there was something free and flowing in these conversations -- a strange sense that no subject was off limits...And that every single one was somehow taboo. It was perhaps true that they had each been raised as royalty, but it seemed their worlds could not have been more different.
Today, the subject had fallen to that all-encompassing theme of his life, the most pressing topic in the empire, and the one least likely ever to be openly addressed: Roderick's line of succession. It was an ache in his gut, this, a hill he had run up all his childhood only to find a sheer rockface confronting him. Now, scrambling for footholds in the brutal cliffside, it was a race to the top against those he loved most -- a climb now far too high to risk the drop. It was success or the death of all meaning. But what was he to do? Throw his siblings from the sides? They too held on by meager fingertips and he could not bear to think of them dashed against the teeth of the unforgiving stone so far below.
Arthur's jaw clenched. He kept her pace, but he no longer looked at her as she spoke; heard her only as if from a great distance. What was there to say? Yet, her last words burned, searing like vinegar in his cuts, and he turned sharply towards her, a rush sounding in his head.
"What? You favor someone else?" he demanded, all effort at bluster or calm stripped away. Surprise seemed to register in his face and, pressing his eyes shut, he shook his head, realizing she meant this only as rhetoric and, with a look of defeat, he sighed; shook his head. "How should I know? It would be the end for me."
He didn't look at her, now, gaze straying upwards towards the gently nodding trees, branches heavy and sagging with fruit. He thought of the tart-sweet of them, tawny and opening with a kind of crack. Fibrous chambers of juice attended the tiny seeds at the center and this, then, was life. Even trees limned their children with sweet cushions against the harsh reality of the world around them. When he laughed, it was a bitter sound.
Sighing, Arthur shook his head. "Aria, I--" but he stopped. He'd not said her name so baldly before and he gestured, helpless, voice trapped within his throat.
Her eyes were dark: not mere chocolate, but something else as if the sea had leaked into them and tossed against stormy shores within her mind. Her face was set, but he could not read it. He searched for something written there, something designed for him to read: he wanted it. He knew the message he wished to read. A very simple message. He wanted to read it again and again, see it roiling within the storm of her eyes. But there was nothing. She was no harbor. She was, perhaps, another deathly drop.
Aria lifted her chin. "Go on."
"I don't know what will happen if my father chooses someone else any more than you do. But I do know I will be a threat to whoever is chosen, simply for having been in the running, and..."
And if it were Edmund who were selected, whom Arthur regarded as the most likely alternative, he would not expect to long outlive his father -- or even his father's choice. Enemies of the House of Calainon had a way of disappearing. Arthur was not altogether certain they even lifted a finger: they were witches, after all. Likely, all they needed do was wish for a thing, and their dark magic did the rest. Edmund might not wish him gone, perhaps...but Amira would not hesitate. He could not help but think that would make for a horrible ending, all the demons of hell rising at her command. His would be a silent end, he had no doubt, yet he knew, too, that if it were by Amira's hand, he would die howling.
If Aria had said something else, Arthur had not heard it. At last, she said: "And what if the Emperor doesn't choose? What happens to us all, then?"
Arthur stopped short, and Aria beside him. "Then it'd be war."
He walked out without another word.
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Lightning, water, and fire! Like forever before the plot starts. By the time the plot starts, the lightning and fire deities have been subjected to punishment by the two gods that picked them.
Oh (the fire deity) is first to be punished. They basically decide that since they're going to live for a long time, gotta set some long time goals! And they opt to be the wrath of the gods since most of the other deities are too 'soft' in their opinion. So Oh just. Smites humans. This isn't really a /good/ thing and in their defense mentally, they do it to help Ymber since he's the softest of them all. So their punishment by the gods is to be split in two, effectively halving the power of one into two. (Now they are in a male and a female body and use both male and female pronouns apart since they together make they but apart it feels weird to be they. But prior to the split they use they/them. Also the split bodies go by the names Ohiwe and Ohime.)
Fulj is the second to be punished. She falls in love with a mortal woman and that is a crime according to the gods. Mortals and immortals are not to be together and it will only bring suffering to both sides. So her punishment is her memories of the woman are stripped and her body basically broken to the point she can't remain physical all the time.
Ymber, unfortunately, is the one who blames himself for the discoveries and punishments. If he had only tried to restrain Oh more then maybe they would have chilled out and stopped before being punished. If he had only tried to persuade Fulj to not continue seeing the mortal woman so often perhaps she wouldn't have been punished. So he's just increasing the guilt on his shoulders every day that he remains unpunished since the elder gods have both laid down to rest. They can't enforce their laws anymore and none of the deities are keen on harming one another at this point. They just want to continue existing in peace.
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