#when the actors are on a LITERAL ship and winning ship awards and they use them for previews but it never goes anywhere

[soldierandawar]

Being in the trenches with Teen Wolf fandom was not always the best time but sometimes I miss the simplicity of it.

Most of 911fandom doesn’t even know how good we have it.

[matchingbatbites]

"What the fuck did you do?"

Eddie wasn't expecting hostility when he answered Jeff's phone call, his best friend's usual calm demeanor replaced with open annoyance. And yeah, okay, the annoyance itself wasn’t new, but Eddie doesn’t think he’s actually done anything recently to earn it.

"Well-"

"Actually, no. I'll tell you what you did. You retweeted photos of Steve Harrington - internationally beloved heartthrob actor Steve Harrington - along with the caption 'not to sound like a subby slut but GOD I would be his puppy baby boy in a heartbeat'. So I guess the better question is, what the fuck were you thinking, Eddie?"

Eddie's jaw clicks shut because- yeah, he had done that. Had seen those photos of Steve smoking circling the internet and spent god knows how long just staring at them, had curbed the desire to shove his hand down his pants by posting a single thirst tweet about it.

“I was thinking, Jeff, that I'm allowed to post whatever I want to my private fucking twitter, man. I mean it's a free country, isn't a guy allowed to make a horny tweet about a sexy man every now and then?”

“You are, when you actually post it to your private account and not our award winning band's main account.”

No. Oh no. There's no way Eddie actually-

He rips his phone away from his face to open twitter, and realizes two things simultaneously. One, Jeff is right, he had posted it to the band's account. Not on his private, locked, personal account, but on the account that's actually open and free for literally anyone on earth to look at.

The second thing he realizes is that their notifications are currently flooded with responses to Eddie's tweet, somehow racking up into the thousands in the few hours it's been since. 

Jesus Christ.

“Eddie?”

The metalhead jerks back into the moment and put Jeff on speaker so he can scroll through the horde of replies, says “Fuck, I fucked up. Are we gonna have to do damage control on this?”

In the mess is a reply from Gareth's own personal account: @ corrodededdie stop tweeting from the band account challenge 🙄🙄🙄

”Maybe. There hasn't been any type of response from Harrington or his people, but they might ask us to take it down if it blows up too much.“

Eddie hums, thinking they might be too little, too late about it blowing up too much, and flips over to his main account so he can reply to Gareth's little jab appropriately. He isn't surprised to see that he has a couple of new messages, probably from other people wondering just what the fuck Eddie was thinking, but when he goes to check them-

He's never been happier that he turned on messages from followers only, because then he would have missed this, missed Steve Harrington's little profile picture beaming up at him from the screen of his phone, along with a new message request.

”Jeff, I gotta go,” he says, not even realizing he's cut the other man off.

“Eddie, what-

”Harrington messaged me. I'll call you back.“

Eddie doesn't wait for a response as he hangs up on Jeff, and his hands definitely aren't shaking as he opens the message from Steve. And listen- Eddie is a fan of the guy, that much should be obvious. 

Steve had grown in popularity around the same time Corroded Coffin had; he’d gotten some part in a drama film that had skyrocketed him into stardom, and Eddie fell in love the moment he saw that gorgeous face on the silver screen for the first time. He's never had a chance to interact with the guy, has been in the same place a few times but always missed him, like ships passing in the night, but Eddie's been fine with pining from afar, just like every other person on the planet that's even remotely attracted to men.

Besides, even with how popular Corroded Coffin has gotten over the years - a couple of Grammy’s here, a dozen chart topping metal songs there - Eddie doesn’t expect Steve to just. Know who Eddie is.

With all of this in mind, Eddie is expecting some kind of semi-casual request to take the tweet down, that it's not a good look for his image-

Anything other than what Steve actually sent.

'If you're puppy baby boy, does that make me Master? Or Daddy?'

And Eddie- 

Eddie slides down, sinks into his couch cushion as all of the blood in his body suddenly shifts, rushing to fill his dick like it's a fucking race. The phone almost slips out of his hand and he fumbles it briefly before taking a deep breath. 

Is Steve serious? He wouldn't send that if he wasn't serious, right?

This could be it, could be Eddie's one chance to impress Steve, to get his foot in the door of Steve's interest. He bites his lip and types out a reply, something quick that he sends before he can change his mind.

‘I’m open to either, actually. Do you have a preference, sir?’

He doesn’t expect the typing indicator to come up immediately, and just knowing that Steve is somewhere right now, typing out a response to Eddie, is enough to have him nearly vibrating in his seat.

‘I’m partial to Daddy, myself.’

Fuck fuck fuck.

Eddie takes a breath, tries to think of a response that isn’t just ‘Please, Daddy, can I sit on your massive dick that I haven’t been able to stop thinking about since that one indie film you did that just had all of your junk out in the open?’

Steve saves him by sending another message.

‘But maybe we could start with Steve, and possibly dinner? Though I’d be happy to see where things go after that.’

He- What-

Eddie must have stopped breathing, because the next time he takes a breath his lungs burn, his mid races because there’s no way Eddie’s long term celebrity crush just asked him on a date. He sits there long enough that the screen goes dark and he scrambles to turn it back on, sees the message still there, real and unchanged.

There’s no way he can say no to this, to Steve, and his hands shake as he types out a response.

‘Dinner would be great. Just name the time and place, Daddy.’

[raouls-fine-horses]

I went to see From The Rehearsal Room at the Savoy and I compiled notes. Keep in mind I wrote this on the tube on the way back from it so it might be a bit crazy but yk…

- Before the show we went on stage to look round and Hadley and Ramin were there to tune their guitars so they performed Hushabye mountain for us and then the group was taking a picture and Hadley snuck in and photobombed

⁃ They wore matching sockssss and it wasn’t even deliberate

⁃ I cant even remember why he brought it up but once Hadley had a bear on the roof of his apartment and they had to tranquillise it

⁃ He also performed once with a racoon staring at him

⁃ Ramin was singing this really beautiful song and Hadley was in the back with his legs crossed and one elbow resting on the piano and he was chugging water as everyone was crying

⁃ They bashed on people who watched I’m A Celebrity which was kind of funny tbh

⁃ Hadley is a Lord Of The Rings girlie which we love. He’s got that deluxe Lord Of The Rings trilogy swag

⁃ RAMIN SANG TIL I HEAR YOU SING AND THE AUDIENCE SCREAMED THE MINUTE THE CHORDS STARTED

⁃ THEY SANG LILY‘S EYES

⁃ HADLEY FORGOT HIS CHARACTER’S NAME (NEVILLE) AND THEY WENT ON FOR AGES TRYING TO NAME THIS CHARACTER AND THEN HADLEY JUST REFERRED TO THE CHARACTER AS NIGEL

⁃ Hearing Hadley talk about the Pirate Queen was very lovely

⁃ They were talking about the Secret Garden and they asked if it was ‘the’ Secret Garden or just ‘Secret Garden’ then they started using different words instead of ‘the’ and then Hadley started speaking in a northern accent and it was oddly good. I know he’s an actor but have you heard him in the Pirate Queen lmao

⁃ I don’t condone shipping irl people but once you see it live you can’t deny it. My mum literally thought they were husbands

⁃ Ramin sang a song and then afterwards Hadley said how the love just CAME OUT of him for Ramin

⁃ They held handsssss

⁃ After the interval Hadley sang Funny from City Of Angels and oh my golly goodness gracious it was absolutely brilliant. It’s one of my favourite songs ever and aaaaaaaaaa it was so good

⁃ Also Hadley got us to do three part harmony and he started speaking French??? It sounded angelic tho it was so beautiful. I love Just Let Go so so much it was so good with 1000 people singing it in beautiful harmony

⁃ Also the way he taught it: my choir teacher could never

⁃ He’s so patient and dad-like

⁃ Well he is a dad

⁃ A dad I’d like to-

⁃ He didn’t win the dilf awards I can’t finish that sentence

⁃ Just a reminder that I was there for the dilf awards 2022

⁃ Also it’s confirmed that Hadley’s mum calls him Robert which I always wondered about bc his name isn’t actually Hadley

⁃ Also right right right

⁃ Sheytoons turned into Gaytoons bc during the line “this time there’s no way of hiding the way you feel” Ramin got really tense and then he was properly reacting to the song but subtly and I don’t think it was deliberate

⁃ Babygirl this time there’s no way of hiding the way you feel for Hadley Fraser

⁃ RAMIN SINGING WHO ID BE

⁃ AND IT WAS SO GOOD

⁃ AND HADLEY SAID “PETITION FOR RAMIN TO BE THE NEXT SHREK” AND BABYGIRL YOURE SO RIGHT

⁃ Empty chairs at empty tables

⁃ Empty chairs at empty tables

⁃ I am not okie dokie

⁃ It was beautiful

⁃ So so beautiful

⁃ And then when they did the iconic harmonies I started sobbing

⁃ It was too much for my brain to handle

⁃ Then they said they couldn’t leave us on a sad note so they did YOULL BE BACK

⁃ I CANNOT EXPRESS HOW FUCKING BRILLIANT YOULL BE BACK WAS

⁃ So it started with Ramin, all bouncy and funky and stuff

⁃ But then oh my golly goodness gracious Hadley

⁃ He OWNED King George III so so hard

⁃ He did a very posh British accent and acted the living hell out of it

⁃ It was the best thing I’ve ever seen

⁃ And then he stuck one of his legs out in sort of a tango way and was very flamboyant and I’ve seen silly Hadley but I’ve never seen truly campy, flamboyant Hadley and it’s the best kind of Hadley

⁃ Then the whole audience did the da da da da das and it was so neat singing with Ramin and Hadley live

⁃ And they were doing a dancey dance and HADLEY AS KING GEORGE III I BEG, THATS ALL I ASK OF YOU, PLEASE ILL ACTUALLY ENJOY HAMILTON IF HADLEY IS KING GEORGE PLEASEEEEEE

⁃ Then it ended and we did a meet and greet and Hadley asked my name and I said it and Ramin and Hadley both shook my hand and then Hadley recognised me (it’s complicated to explain but basically he once saw a picture of me) and went “oh Maddie!!! It’s so good to see you!” Then he hugged me. Robert Hugh ‘Hadley’ Fraser hugged me. He didn’t do that for anyone else. He opened his arms and said “come here” in a nice way not a creepy way den

⁃ Overall such an insane experience, if you thought either of them were good in recording it’s just even better live. I’ve never heard them sing so well.

If any of you were there watching it please add anything I missed on

[eisforeidolon]

In addition to the very pertinent points above that Castiel was not a protagonist given his screen time and place in the narrative? How his final scene was both only done at the eleventh hour and pointedly left ambiguous as to what type of love he was talking about when a single word could have nailed down the meaning? So therefore it's not definitive canon as to sexuality, and it's debatable how queer a character that's not remotely human (just wearing one as a suit) should even be considered regardless?

I'd like to add a point about the fandom that's demonstrated in the tags of this very post. It literally did not matter what SPN actually did or didn't do, certain fans have been determined to call the characters canonically queer to morally justify their investment in their ship the show for years. If they pretended it could only show the main characters' REAL sexuality through obscure secret potential clues as if it was airing in the 1940s on a big four network and not the GLAAD award-winning CW in the 2000-2010s for reasons? It could totally be made explicit canon ANY MINUTE NOW, so really, it's canon already! Didn't you see how they stood next to each other and made eye contact, ate cake and were lit with "bi lighting"?!? Doesn't matter what was actually explicitly done or said by the characters, they know the secret clues are really there and mean what they want them to mean! Even if the writers or actors didn't intend it, the story was telling itself! Most Canon Most Queer Most Protagonists Ever!!!

No. You keep using those words, I know they don't mean what you're pretending they mean. You got obsessed with a non-canon ship from a show where there was no canon LGBT+ protagonist-level representation intended or provided. That's fine! Consuming media and being in fandom is supposed to be about fun, not posturing. Like what you like, write all the meta and fanfic of what the show could have done that you, personally, would have enjoyed more! It's okay to like flawed canons that aren't the most progressive things ever, it's not a competition! Own it!

Because choosing instead to talk as if literally just writing two characters some people found shippable interacting and throwing out a half-assed ambiguous queerbait to sell merch at the very last possible moment for a supporting character is doing as much for LGBT+ representation as creators putting in the work of pushing for and unambiguously writing clearly LGBT+ protagonists in their canons? Is insulting and backwards AF.

This year, I’m trying to keep track of how many shows I watch where one of the main characters is explicitly LGBT and I’m divided on whether Supernatural should count.

Question: Should Supernatural count as a show with at least one explicitly queer protagonist?

Possible poll options:

- No. I don’t think there’s anything LGBT about Supernatural. (Insane answer)

- No. Even though Cas admits he loves Dean, it’s only in his last episode, and therefore Cas doesn’t count as explicitly queer most of the show, so the show shouldn’t count.

- Yes. Because coming out of the closet doesn’t mean you were straight before, Cas has always been queer, and therefore Supernatural has always (since s4) had queer rep.

- Yes. Throughout the show I considered one or more of the main characters as explicitly queer.

hey anon! just ran a similar poll here that you might be interested in, but i will make this one as well. only including the options anon suggested, but as always feel free to add nuance in the tags :)

[gelatomesomeironqrow]

My Honest review of Kinnporsche Ep 14 and of the series all together.

I highly enjoyed this series, would I say it lived up to the hype? No. It came close but it definitely got overhyped. Did I stop that from letting me enjoy the series? Also no. I'm the type of person who tries their best to let the work speak for itself and not be influenced by everyone else's reviews. So I hope you all can do the same. Enjoy the series for what it is. A gay mafia show. Literally, that is what Kinnporsche is. A mafia story about the heir to the main family and his bodyguard falling in love. The rest of it is either a bonus side story or a "why did they put this in here?" Side story. Not everyone is going to enjoy everything in a series. Will that stop me from watching the series again or recommending it to people who enjoy BL's? No. Because the side stories are there for people who would like that kind of thing. So please people. Just enjoy Kinnporsche and stop worrying about the series finale(?). The actors, film crew, set design, costume design did a phenomenal job and that alone should be applauded.

Moving on, my thoughts and opinions of episode 14.

Honestly, for a finale, it was pretty good. A couple of weird story decisions but hey, it is what it is.

So basically I've decided to take this episode with a grain of salt. I'm extremely happy that Kinn and Porsche get to live out their gay mafia dreams together (although neither of them wanted to be in the mafia at all (Kinn's dream was to be a singer, Porsche wanted to open a bar on the beach)) but they decided to change their dream so they could be together and I think that's beautiful.

Kinn saying that there is no more main family and minor family because they are going to become one. Like did the dude seriously propose in the mafiaest/corniest way possible using the mafia family rings?? Because I'm here for it. Porsche being all like "I'm on your side". They are married your honor. I rest my case.

The three brothers in one room at the same time and none of them know how to act brotherly towards one another. Seriously, Kim, I applaud your efforts to be compassionate. Kinn, you get a C- for trying. The awkward hand pat, I just can't. But everyone grieves in their own way.

Speaking of:

He wins the category of: he deserved better, Big being a close second (he lost points when he briefly tried to use homophobia to get Porsche away from Kinn).

More awards: the winner of most badass character:

Detective Kim who doubles as secret agent man by day, musician by night. God he is so pretty to look at and a force to be reckoned with when you come for Porchay.

Speaking of: Most oblivious character award goes to:

Seriously, Porchay, you didnt even know Kim was there? At all? Like the dude was sitting at the bar in the shadows like the secret agent he is but still. You need to gain some self awareness.

Also side note: I dont really ship these two characters together. They lead two very different lives. That being said, would I watch a series starring Porchay fumbling through life trying to be normal with secret agent man Kim trying and often times succeeding in keeping him safe without Porchay ever knowing he was there and just seeing the destruction and chaos Kim leaves behind? Yes. Yes I would.

Moving on: Kinn. Sweetheart. This is what I meant when I said, without Porsche, I fear for the people around Kinn.

The literal next thing this man does is shoot two of the main family's partners (with one bullet) for the suggestion of handing over his ring to his uncle. The man can become unhinged if Porsche is not in his life. So let's all hope to whatever higher being you all pray to, that nothing ever happens to Porsche. God, what was Kinn like before Porsche again? Oh yeah, he was just slightly unhinged but still holding himself together.

Going back to my little awards:

The couple I simultaneously didnt want together but also wanted together goes to: Vegas and Pete.

I love the characters on their own but together they are/were a hot mess.

Like Vegas is clearly a psychopath and while he was verbally and physically abused by his father. He still chose to make horrible decisions. However, the few times he made decisions for other people, ie, helping Porsche (for realsies this time), he was actually helpful and almost kind. The relationship between Vegas and Pete started off with torture and kidnapping. While the show tried to downplay that and turn their relationship into a consensual BDSM relationship. I still can't ignore the book. I havent read it but from what I've heard, it's clearly Stockholm syndrome. And even though they downplayed it. The signs are still there. So for that reason, I didn't want them to be together.

BUT.

Seeing this scene, they can really make this relationship work. They (being Pete and Vegas) can heal together and move past the events from before. Vegas can improve his mental state with Pete's help. Macau can help protect Pete if Vegas slips. I do however, also fear for anyone in Vegas' path if something were to happen to Pete. Because while Kinn might go unhinged, Vegas is already unhinged and will not hesitate to harm the people around him and that includes himself. So before VegasPete shippers jump down my throat. Please note. I do love these two characters and I have hope for their future therapy sessions. I just worry about how they started and how that will most likely effect them for a long time.

Now. For the grain of salt.

I love good story telling and I feel like the book will give me better insight to this particular story direction. But. And I mean this in a "love the series, you all did great sweeties" kind of way. But what the f*** was that?

This story line honestly lost me. I don't get why it was done the way it was done. I think it could have been explained a bit better and perhaps it's a lost in translation kind of thing but. First of all. Their mom is alive. I get that. What I dont get, is "oh she took a bunch of pills and now has amnesia because of it." Like. No. No that is not the reason. Taking pills can mess with you sure, but I've never heard of someone taking pills to off themselves, only having memory loss because of it. Anyways, that isn't my issue with the story. My issue is that throughout the entire series, we get no inclination that Uncle Gun here is obsessed with Porsche's mother. We get "oh by the way, I saw a picture of her on my dad's desk, lol" moment from Vegas, we get that he is abusive towards Vegas and possibly Macau. But never before the last episode do we get, obsessive sexual offender vibes from the man. Every time he is on the screen prior to episode 14, he is calm and composed (unless yelling at Vegas). In episode 14, they take his character and do a 180 degree flip and turn him into "nows my chance to get "revenge"/seize power from my brother"/"You're alive, sobs, I thought you were dead, sobs, come here, I'll protect you" character. So it's like they did a character rewrite/assassination on the guy. Speaking of, Kinn's dad. Seriously? You really think Porsche would have ran and told Gun where his mother was if you had just told him that his mother was alive and due to traumatic events I'm protecting her? No. The guy just wanted to know how his parents died. Why did you have to give him the run around? Why did you have to continue to give him the run around until he quite literally saw his mother alive. You didnt need to tell him that the man who hit his parents is alive and give him the address. You then didnt have to tell him she was dead when he confronted you. Seriously people. Communication is key. Also, for someone who wouldnt shoot his brother at the table, you certainly had no problem shooting him then.

Anyways, her memory loss is due to trauma and not wanting to remember, not the pills. I hope now that she has her children back, she can get her memory back.

So minus that confusing and pointless story direction, I do highly recommend this series to anyone who wants to see gay mafia members find love and ignore the bafflement of that story line. The series is available on IQIYI.

Gelato out.

[pleasereadmeok]

This ‘Wonderland’ Interview to promote A Single Man is a gem.  Matthew Goode is a bit of a handful and swears his way through this interview with his mate Nic Hoult.  It’s very funny.  It’s often quoted (including his description of Colin Firth’s kissing technique!) but it’s difficult to find a clean scan of the whole interview.  This scan (from Natalie/ Fairchilds on ohnotheydidnt) isn’t very clear to read so I did a transcript several years ago - here:-

Wonderland Interview

Based on the 1964 novel by Christopher Isherwood, A Single Man marks the screenwriting and directing debut of fashion icon, Tom Ford.  Having debuted earlier this year at the Venice Film Festival to a standing ovation, the film has continued to impress audiences during screening at the Toronto and London Film Festivals.

Joining lead actor, Colin Firth, on screen are fellow Brits Matthew Goode and Nicholas Hoult who discuss the film, Tom Ford and being British in LA.

ON A SINGLE MAN

Nicholas Hoult: The only time I saw Matthew was when we were getting our spray tans.

Matthew Goode: Which were more regular than we were expecting.  I got on a plane with Colin [Firth] and then literally the moment we arrived, got in the car together, went to the hotel and suddenly – it’s like ten thirty at night – we have to go to Colin’s room where we’re having our spray tans .  Colin Firth is in his pants, I’m in my pants and it stays that way for an hour whilst we wait for this stuff to set.  He’s fucking great.  I love Colin.

We [Nic’ and he] never had a scene together but we were there the whole time.  I was only really fitting in around these guys.  Nic had a damn sight more to do than I did.

NH: No I just did more.

MG: [Laughs] It was a really fun shoot. I mean, maybe I’m looking back with rose tinted spectacles, but …

NH: It was a good fun shoot. Everyone enjoyed it.  I remember the night in Venice after seeing it in front of all those people and just lying in bed thinking ‘that’s something I’m proud of’.

MG: It’s seriously impressive. You watch it and you care and, it doesn’t happen to me a lot, but I watched it and thought ‘I’m in something that doesn’t stink!’.  I’m proud of that.

NH:  That’s a nice feeling when you’ve done something and you can say ‘yeah, proud of that’.

MG:  Fucking hell – sorry to interrupt – but I was reading a magazine or a paper or something the other day and it said “A Single Man obviously being screened and whenever Nic Hoult was on screen there were gasps over his beauty” [laughs]. And I was thinking, fucking Hoult is going to LA and get so laid! [Laughs]. He is going to be turning bush away left right and centre!

NH:  It’s all down to the fake tan again.  That’s where the performance stems for me.

MG:  That is a review!

NH:  Nothing about the acting, right?

MG:  They didn’t review the film.  It just said “I saw it.  I’m going to be reviewing it at some point, but let me tell you there were gasps over Nick Hoult’s beauty!”

ON TOM FORD

MG:  Tom is immediately interesting. If it’s all about someone’s cannon of work then most of the time you wouldn’t work with a first ime director, but if the script is good and you have a chat with them and they know which end is up and which is down, then great.

NH: I didn’t know who Tom was when I met him.

MG: Nick “fashion forward” Hoult!

NH:  I’d gone over to LA got off a plane and had dinner with him.  And I asked him how he’d got into directing and why he was doing this!

MG:  I love that.  Isn’t that great?  And that’s also like Tom.  He’s not the sort of person who is like, ‘well fuck you!’.

NH: He explained very humbly what he had done and I thought OK.  And then I looked him up after dinner and was ‘oh jesus!  He’s actually accomplished quite a lot’ so probably quite a stupid question, but he was very honest and modest and made a great director.

MG: It’s so good.  And so good for Colin.  And Julianne [Moore] is bloody great in it as well.  But the real star of it, it has to be said, is Tom. It silences immediately the people who were going ‘you self indulgent cunt.’  It’s like two massive fingers up to them as it is very, very accomplished.

NH:  It’s very personal to him as well.

MG:  Hugely personal as the main story sort of mirror images the relationship between him and Richard.  There’s a similar age gap.

NH:  He would always say my character is him when he was 18.  He’s connected to every character and he knows them.

MG:  And he wrote the screenplay and it’s starkly different from the book.

NH:  Matthew’s read the book, so –

MG:  That’s right!  I have. It is different.  I am always about the script, really.  But one of the really nice things about being involved is that it is a love poem to Tom’s partner, Richard.

NH:  Tom is very good in the sense that he is an actor’s director and knows what he wants you to do but is very giving to let you go off and explore things and try stuff out.  And you don’t feel too much pressure of failure.

MG:  That’s very true.

NH: ‘Cause the second you’re on set – especially when there’s only 20 days to shoot – to not feel the pressure, that’s a good atmosphere he created.  Something his assistant was saying the other day was that he’s very good at holding his hands up and would admit when he wasn’t sure what he was doing and kept everyone on side and made it a really great team effort.

MG:   I love it when someone’s like that.  It’s so far away from self indulgent as well when someone’s shooting into the 19th hour of the day and the ship isn’t sinking, but there’s a leak and it’s far better to say we do have a leak and I’m trying to sort it out rather than leaning on one side and saying everything is fine.  He is fucking great.

ON COLIN FIRTH

MG:  Colin was great.  I knew he was going to be good.  The moment I read the script, I was like, ‘this is something you haven’t done in a long time’ – just something he could really get his teeth into.   He’s such a subtle actor and it’s been a long time since I can remember him having something that central and serious.

NH:  It was a great moment when we went to the Venice Film Festival and got the message Colin was winning the best actor award.

MG:  I know.  The previous evening we had sat there and we knew it had gone down well because there was a NINE minute standing ovation.  And particularly when you’re not in the film as much as I am, then I feel like a fucking charlatan.  I stood there and am looking down and smiling and embarrassed.  Colin’s quite emotional and I tell you what – four minutes of a standing ovation gets a bit uncomfortable, but NINE?  ‘OK, Colin… fucking move. Let’s go. Let’s leave.’ And he couldn’t tell us that he had won and so he was being shy about it.

NH:  Yeah, he kept it very quiet.

MG:  The moment we found out and we were on the boat we were like ‘What the fuck?  You’ve won and you didn’t tell us!?  And he was like ‘ I know, I didn’t wanna.’  He was humble.

NH:  It was great.  It was a bit of an odd first day like you had in the sense that I had to strip off in front of Colin on my first day.  It sounds a bit seedy when I say ‘strip off in front of him’.

MG:  It does!

NH:  It’s part of the film, I swear!  And it’s handled a lot more tastefully that that might seem, but yeah it was a bit of an odd first day.

MG:  Everyone is going to say ‘oh it’s a gay movie’ which we then counteract with ‘no it’s not, it’s a film about love.’  But there is nudity and a bit of man kissing.  Frankly Colin kisses like a nymphomaniac on death row, but it was a real pleasure!

NH:  He’s got a lot of love!

ON JULIANNE MOORE

MG:  She’s a fucking hero.  She’s lovely. I didn’t have any scenes with her. I mean I’m only in flashback, so all my stuff was with Colin.

NH:  All my stuff is with Colin as well.   The first time I met Julianne was in Venice.

MG:  Yeah, she was probably in the middle of juggling six projects or something, you know, she never stops working.  She came in and shot two scenes, which were about 20 odd minutes of the film, and they did that in two evenings so she was in and out.  I never got a chance to meet her until I was at some party in LA and she is just fantastic.  And she’s married to a guy called Bart Freadlich who is a director in his own right.

NH:  He’s a hero.

MG:  He is actually fabulous!  My girlfriend spent the whole evening calling him Bert instead of Bart and he was like ‘you know, actually I prefer Bert!  Don’t worry about it’.  He’s lovely. They could throw their weight around, but they are actually family people and live in New York – they’re kind of anti Hollywood.

ON THE LIFE OF AN ACTOR

MG: There are a lot of Brits and Aussies at the moment who are working.  I don’t know what that means.  But we never think of ourselves.  When you get off the plane and you’re in America they ask ‘what’s the best thing about being a movie star?’ I am a jobbing actor, they have no idea! They make it sound like I get 500 scripts and am sitting there going through them all. If something comes up and they are stupid enough to give it to us or you love the script and audition but someone of a huge stature can come in and take it like Brad Pitt. Or Judi [Dench] – we’ve been up against each other a couple of times.

NH: I’ve never lost out to Judi yet.

MG: Only in a drinking contest! The vicious alcoholic that she is!

NH: Sam Worthington was telling me when he was in LA someone asked him why there were so many Aussies over there doing so well and his response was that it’s an awful long way to go to fail and not give it your best shot, basically.

MG: Oh. I was expecting some sort of knob gag in there, but yeah.

NH: It’s very true. I just got back from LA and every TV series has an English guy in the lead. Joseph Fiennes, Matthew Reece [RHYS]

MG: We’re good. We’re quite good…

N H: I can’t say it’s the training, because I don’t have any.

MG: You’re doing well! You make people gasp! You complete cunt. I hate that!

NH: You’re coming across very eloquent.

MG: That’s very nice of you.  OK, who used to live with Ewan McGregor and Jude Law and he has a TV show? You’re right about that. Though it makes it sound like ‘Oh you’re English.  Have a TV show’.  I’m sure they all have about ten auditions.

NH: I had an interesting day recently when I was at a BBQ and Jimmy Page and Roger Daltrey were there.

MG: Wow!

NH: I sat there and was very quiet because I thought if I speak to them I’ll make a fool of myself so it’s best to keep out of the way and then they can’t have any bad thoughts although they probably didn’t know I was there.  But I knew they were there so it was a good BBQ for me.

MG: I’d love to learn guitar. It’s one of those things I’d love to do. Though it’s not like I don’t have the time…

NH: [Laughs]

MG: I’d like to know all the chords.

NH: It’s difficult to get the fingering right… That’s what she said.

MG: And back to Dame Judi!

NH: [Laughs]

MG: It depends if you have a high action or a low action in terms of the strings.  It hurts. You’ve got to build up the calluses. If you get a low action one that would be easier.

NH:  Are we still talking about women?

MG:  Yes! [Laughs] I remember Billy Crudup got the part in Almost Famous and he had lessons with Peter Frampton but had to have lessons on the side because Peter was like ‘you are fucking terrible’. But that’s one of the nice accidents of the job is you can get training in things. And random travel.

NH: I got to do archery.

MG: You did! That was The Weatherman!

NH: No, for Clash of the Titans. I didn’t use it once.

MG: Oh yes, it was the daughter in The Weatherman.

NH: Yeah man, keep up.

MG: Sorry mate. That’s how pretty you are. I confused you with the female lead.

NH: He’s seen all my work.

MG: I have! I’ve got to learn how to do it. You are a master.  I did a Spanish film and it was all in Spanish [!] – I learnt it phonetically. Jesus, that’s my only skill.  The major skill I picked up is I can pay my rent. The older you get the more you realize there are a lot of people who hate their jobs.  I’m so glad I’m not – ha!  Famous last words! – it does seem to be going OK for now.  But bringing it back to what do you like about acting – to be honest, everything.

ON BRITISH TALENT

MG:  I think there is an element that we’re just so happy to work.  Certainly as for getting into film it was such an accident because I hadn’t worked in front of a camera.  For a while it was like what is the secret code to working on screen?  I have no idea what it is… but even ten films in I’m still sitting here renting and not owning a house.  I think that keeps you grounded.  As opposed to some American actors who are on a hundred thousand dollars doing some TV.

NH:  You don’t get comfortable so you feel you’ve got to keep on striving.

MG: I think we’re overrated. [Laughs].  There is an element over there if you walk into a room of Americans that they’re suddenly like ‘oh fuck they’re British and we’re steeped in tradition.

NH:  It’s odd that Tom got so many English actors for the film – we’re both playing American.

MG:  And Julianne is playing English.

NH:  it’s good he trusts in us to pull of the American accents.

MG:  Yeah, I mean – idiot!  In fairness you’ve done it before and I have done it a couple of times.  But it is odd.   If you think who he probably could have had –

NH:  He probably could have done better than us!

MG:  I’m sure he could have convinced someone with a much higher stature.  I think it was just we were willing to work for free, effectively.  And that’s also what makes Britain great.  We want to work and we want to please the director and often at times, yes we might have strong thoughts on character and script, but we turn up and are like, this is your vision and you are the director and we know where we fit in. Certainly the Brits, I find, we want to be told what to do or how it’s going to work rather than, ‘I’m the fucking star!’ I tend to find we leave our ego at the door. We tend not to pussyfoot around. We all like a drink. We’re steeped in that tradition as well. There’s a certain forbidden thing in America if you drink you’re an alcoholic. No I’m not, and I generally wait until at least half past one.

NH: On weekends. Weekdays, 11.

MG: There is a reason pubs are opened at 11 and it’s because you are allowed to start drinking at that time. Otherwise, they wouldn’t do it! Christ, can you remember back to when – you might not remember, actually. I gasp at your beauty as I try to remember!

NH:[laughs] I’m never going to live this down!

MG:Do you remember when pubs shut on Sundays at, like, 1 for two or three hours? Maybe I’m showing my age now. That is fucking madness. There would be a riot now.

NH:  So basically, we haven’t found a conclusion to what makes Britain great…  You’re a big X Factor fan though, aren’t you?

MG:  My girlfriend loves it.  She’s got me into it.  I mean it’s fucking hilarious.  You literally sit there and you don’t know any of these people but the music comes up and they get selected and you can be in tears and so happy that these people have been selected for the live shows.  I really like the over 25’s this year.  They’re fucking great.

NH:  Matthew Goode on The X Factor!

MG:  ‘He’s very much into the over 25s and what is funny is they are all male’.  But it is great.  But then it’s such a machine.  There is such a turn around.  Sometimes the winner gets completely forgotten and they have no career and then, obviously, sometimes they go shooting up.  But it is great telly!  Saturday night, a couple of beers and The X Factor.

[Pics - My edit of Ben Rayner photos/scan by Natalie Fairchild.] 

[stuckinapatriarchalbullshitland]

Award shows - ɟ

Heeeelloo, my fellow CS 👋🏼

The idea for this post came to me because I recently saw again that some fans still can’t explain some things about the awards, therefore, I’m going to briefly explain the things I’ve read on which they’re still confused about so that maybe I’ll automatically answer some questions you guys have too.

First of all, celebrities, whether they’re actors, singers, models, heirs, fashion mavens, aristocrats, etc., are notified months before they’ve been invited. Usually, the reason why they were invited is written along with the invitation. The reasons obviously vary. They may have been invited because they were nominated for an award, or because, and they may accept or decline, they were asked to present a category or a performance, or to interview someone on the red-carpet or backstage, or to perform, etc., etc. They can also be added as I like to say ‘+1’. But be aware, there’s a difference between being invited as a ‘+1’ and as a guest.

‘Are they not the same thing?’ you’re probably wondering. No, they are not. Being invited as a guest is simply that. A celebrity who invites their partner, or their kid, or one of their parents, or a friend, as indeed their guest. The +1, on the other hand, is a term that I’m using because I don’t think there’s one to describe when a person who is also a celebrity is invited by another one. You know the seats they show us with pictures of celebrities and how some seats next to it lack these pictures? Those seats without pictures belong to the celebrity guests or their team members. If a celebrity invites another one, then next to their picture there will also be that of the celebrity they invited. Aka, the term I’m using in this case: the +1.

I’ll give you an example:

I’m a singer and my fake PR boyfriend has to perform that night, but I don’t, and neither have I been nominated for any awards and therefore not even invited. Also to keep up appearances of our relationship, I get invited as his +1. This means that you’re gonna see my picture next to his in the seats and the cameras will film me for literally two seconds counted during his performance. It also means that my fake boyfriend and I will be wearing matching outfits, that we’ll arrive on the red carpet together, that I’ll have to show unnecessary PDA out of the blue while one of our managers films us to make us more believable and real, and that I’ll have to pretend to be happy to be his arm candy. Do I accept or do I not accept the invitation?

Yeah, of course I do. It’s a great idea actually, both to show people my support as a cheerleader for him, and as publicity. Publicity not only for us as a couple, but also for myself. Our management, and yes, we have the same management, has arranged interviews for me too on the red carpet, so why shouldn’t I accept that? Plus, I want to go. Helloo? We’re talking about an important award show. Not to mention that my girlfriend performs too the same night and has also been nominated for several awards, so it’s just an extra incentive to want to go and be able to support her. Oohh, how foolish of me. I apologize for my forgetfulness. My name is Lauren Jauregui and I’m talking about the American Music Awards 2018.

See what I did there? 😏😏😏

These events are very exclusive and have an invitation list. If you’re a celebrity and you’re not on the list, then it’s very hard for you to be able to attend. But there’s a way, and no, I’m not talking about finding a way to sneak in. The only other way to get there is by taking the place of someone who had been invited and couldn’t attend.

Let’s say you’re a celebrity and you want to go there. Let’s say you want to go because you’ve been out of the spotlight for a long time and want to make a big comeback with a beautiful dress to show yourself off. The first thing you do is call your publicist and see if there are still seats available. Not all celebrities can attend those events despite being invited because they may have other commitments, or they’re out of town, or I don’t know, they’re on tour or something like that. So there’s the possibility that you can have their seat. If there aren’t any, then your publicist themselves may be looking for another way to get you in. Again, for an X reason, the celebrity who was supposed to present an award cannot go, and therefore your publicist manages to get you the invitation as one of the presenters. If none of these options are possible, then.. well, I hope you enjoy the show watched in the living room of your home.

You want another practical example? Okay, okay, babies, I’ll content you 😏

Latin Grammy Awards 2019. Still me, Lauren Jauregui, hi 🙋🏻 🙈 I wasn’t invited. I had no reason to actually be there, except for one…

I didn’t even publicize and say on my social media that I’d have been there. It was so unexpected and awesome for you nuggets, wasn’t it? Well, my girlfriend was invited but she unfortunately couldn’t go due to other commitments. You can imagine how sad she was not only to not being able to attend, but also to not being able to perform with Alejandro who is one of the people in the industry that she loves and admires the most, right? You can imagine her pout and her kicked puppy face for not being able to sing the song she wrote and dedicated to her little sister, can’t you? Well, I couldn’t bear to see her that way, so I told her: ‘Don’t worry, babe. I gotcha. I’ll go for you. I’ll go to represent you’. Also because her team didn’t need to be there, not even to collect the award which I later discovered she won the same evening. Awards, my beautiful chickens, are shipped months after the night they are received.

And so it was. I went with Brenda (my manager). I got dolled up. I did my interviews, even teasing my fans about my new project with Tainy. I sat in my baby’s seat in the front row. THE FRONT ROW. Front rows are reserved for the evening’s award winners. They NEVER put the winners in the back rows because it would take them too long to get to the stage when their name is called otherwise. And I was there, for her. And in addition to enjoying the show, I tried to hold back my happiness, especially since there were cameras everywhere, both during Alejandro’s performance as soon as my love appeared on the screens, and when they won the Record of the Year. I swear I had to get a hold of myself. I had to restrain myself and concentrate on clapping my hands like a normal person and not smiling too big.

*end of the sketch*

As you may have noticed so far, these are the only ways to attend award shows if you are a celebrity. But, just because you’re a celebrity, there’s no guarantee that you get invited. And you certainly cannot show up there with the hope that they’ll let you in without being invited, or nominated, or without a ticket just because you’re ‘someone’. Security kicks your ass out no matter who you are.

Every year, hundreds of celebrities don’t make it onto the invitation list. Keep in mind that the ‘exclusivity’ of these events is also due to the seats. Take as an example precisely the Microsoft Theater in Los Angeles where the AMAs 2018 took place. It has 7,100 seats. These seats are reserved for people in the show’s broadcast network, the telecast’s sponsors, the production team, the accountants, the legal team, the donors, the representatives, the press and media in general, etc., and THEN for the invited celebrities including singers and their teams, so also their publicists, agents, managers, [and not even all of them have a reserved seat; maybe only one of them has it and the rest are backstage or in the dressing room or not really there], etc., actors, and as with singers, their teams, the team of people who worked on the film with them, etc. See how many people and how few seats?

I’m still not 100% sure about this but, Emmy’s, Oscars, Golden Globes, Tony’s, and Grammy’s are the only award shows where the names of the winners aren’t revealed until the envelope is opened live on stage. All the remaining shows? Pfft, it’s all an organized thing. What you see on TV, the reactions ‘Oh my God, did I win? I can’t believe it!’, ‘I really wasn’t expecting that’, they’re all fake. Yes, the emotion for the win is true, but everything else? It’s all bullshit. Winners are notified long, but very long time before that. Indeed, many award shows only invite winners to attend. Haven’t you ever noticed how in some of them the other artists nominated in that same category aren’t even there? If they happened to be there, it’s because it’s very likely that they had won another category, or were there for other reasons, like presenting a performance or whatever.

Aaaand I’m done 😎😝 I think I’ve answered pretty much all the questions I’ve seen on the subject, even though I haven’t seen them here. If you yourselves have questions about this or anything else (even if you want advice on a personal level), as I’ve already said other times, feel free to ask. I’m at your disposal 😊

And thank you, Mari. It has been a while since I’ve done this, but I hope you know that I’m serious every time I thank you. Therefore, thank you once again for virtually letting me into your world and thank you for letting me continue to have little spaces in your blog 🤗🤗🤗

Thanks also to you babies for reading, liking, and re-blogging my occasional posts. But thanks mostly for her. Thanks to those who follow my friend’s blog with the right intentions. That is, with respect and without attacking her. Thanks to those who follow her because you actually like her and the content she posts, and thanks to those who use their brains before asking or submitting something to her. Thanks for real 🙏🏼

I hope you’re all well and that your holidays are continuing with peace and serenity. Stay safe, please. Stay patient. Keep the boat afloat. As usual, always with love, F ❤️

P.S. since I’m currently on vacation for a few more days before having to go back to work, and since I have a little bit more free time, I’m preparing something else for you based on some information that I was able to found out. Stay tuned for the next post 😉 The initials of the title are U and S, so you’ll know when you see it. Byee 😘

___

I was smiling with every word of this submit. Thanks for this clarification, F. It was awesome as usual

[princesssarcastia]

Thoughts on Star Trek AOS? (And do you think Kirk was on Tarsus?)

i have SO MANY THOUGHTS about star trek aos, so buckle up.  brace yourself.

star trek aos is a terrible disaster and i love it SO MUCH.  for me, star trek 2009 is still in that class of unreasonably pleasing movies like the mummy or stardust or jumanji: welcome to the jungle.  what they are isn’t exactly top notch but you love them for being exactly what they are.

star trek aos is a star-studded fucking phenomenal cast of some of the best actors working today, which makes up for the very inconsistent writing and unfortunate low-level current of sexism.

literally where would i be today if chris pine could not make faces Like That. i honestly couldn’t tell you.

overall, I have quite a few bones to pick with JJ Abrams for setting up a star trek universe that is less Wacky Space Utopia adventures with liberal political commentary ranging from unsubtle to im-hitting-you-over-the-head-with-my-opinions-like-they’re-a-brick—

to this kind of overtly militarized action-hero adventure porn where one white man saves the universe from Scary People Who Don’t Look Like Us And Are Crazy.  I also don’t appreciate what they did to Jim Kirk, turning him into this womanizing self-centered bastard who has to be in charge.  I REALLY don’t appreciate the casual misogyny, what with the last of rank stripes for women and the gratuitous sex-ed up scenes and the way that Amanda Grayson gets fridged for man-pain and and and— you get the picture.

Or at least, that’s what they tried to do to jim kirk.  and god fucking bless chris pine for being able to make facial expressions, because i firmly believe if pretty much almost anyone else had played Jim Kirk as written by JJ Abrams, that’s exactly what he would have been.

But because of chris pine’s acting, instead, most of the AOS fandom and I realized/decided that this “womanizing” version of jim kirk actually really really hates himself so much, most likely for trauma reasons. 

we took that shit and ran with it and never really stopped.

zachary quinto is also like god tier casting.  unfortunately the writers for the first two movies mostly gave him Anger as a primary motivator, which like, is not exactly how I would interpret Spock at all, but quinto played this Angry Spock so so well.

ZOE SALDANA PLAYS THE LIGHT OF MY LIFE, NYOTA UHURA, PERFECTLY AND THAT’S ALL I’LL HEAR ON THE MATTER.

john cho should be cast in everything ever he’s amazing and I love seeing him.  this man has the range. hikaru sulu is the backbone of this fucking ship.  this man wins the big damn hero award every single movie. 

i still miss living in the same world as anton yelchin. i really, really do.

I also have found family feelings all over these movies, where these baby versions of iconic characters from the sixties are brought together too early to witness too much fucking trauma.  harry potter references aren’t exactly in vogue right now, but there’s this one piece from a—well, actually, its a harry potter reference in an mcu fic i read years ago, now that i think about it, but anyway:

it was something like, there are some things you can’t go through with a person—like that mountain troll in harry potter—without becoming friends for life.  there are some crucibles that will bind you together forever.  and awful as it is, I think Nero and the Vulcan genocide were the AOS crew’s mountain troll.  there’s no going back or separating, after that.

also I feel like there’s a ton of competence porn in this trilogy that i deeply, deeply enjoy.

star trek: 2009 and into darkness are both grimdark male power fantasy bullshit that only accidentally hits all the right buttons for me.  I love them dearly but i know EXACTLY what they are, thank you.

star trek: beyond is a delightful movie with no real plot where our favorite crew are finally Adults With A Modicum Of Common Sense And Stability, instead of Disaster Children Angsting All Over The Place, and they get to save the universe with the power of excellent rock music and friendship. how cool is that?!?  i wanna give simon pegg a high five for making this movie.

on a more meta note, what I find kind of satisfying about these movies is that—for all his many faults that i’m always happy to expound upon—JJ Abrams actually went for it.  He Did That.  He just made his own brand new timeline, killed jim kirk’s dad, then gave him an abusive uncle/step-dad, then literally destroyed one of the founding planets of the Federation, then he, in an iconic fashion, switched Jim and Spock’s places in the infamous “wrath of khan” death scene, so instead Spock gets to watch Jim die. 

and you know what? I can forgive a lot of bullshit for that kind of poetic angsty fanfic plot detail. 

every time uhura says, “an alternate reality,” in star trek 2009 just gives me chills.  every time she says it, you feel the weight of sixty years of history and legacy sitting on these people’s shoulders, the weight of arguably one of the most popular TV shows of all time.

imagine, living in a new world you’re aware isn’t the one that was supposed to be.  imagine that!

oh! and on the question of tarsus:

what I think is probably true irl: JJ Abrams has never thought that far ahead in his life.  correct me if i’m wrong, but hadn’t he.....not even watched star trek.........when he made these movies............like lol i’d bet you this man didn’t even really know Tarsus was a thing.  And even if he did, I don’t think he thought it was part of the new canon he was creating.  AOS is much more self-contained than the serialized universe the original star trek was, so I don’t think that AOS was intended to encompass all those things, like tarsus, that we as a fandom like to obsess over.

what I personally enjoy: i love me some AOS fic that explores the ridiculous amounts of trauma that comes from living through a genocide.  I think that, given we all decided AOS Jim Kirk hates himself, and engages in a shit ton of self-sabotaging and destructive behavior to cope, it’s a reasonable jump to think that at least some of that comes from some survivor’s guilt bullshit from Tarsus.  And honestly, hit me up if you want recs for this, because boy do I have them.  I’ve said it before and I’ll say it again: no one does angst quite like AOS!Jim Kirk.

what I believe wholeheartedly: this is like Schrödinger's Plot Point, okay, it both exists and doesn’t exist simultaneously.  it’s easy to read tarsus into some of jim’s behavior, and it’s easy to read none of it in, and both of those choices are valid.  go with your gut, go with what makes you happy, go with what you think makes sense.  This is where fandom lives, in these little details that fall through the cracks.

anyway WOW did I talk a lot.  those are at least some of my star trek thoughts.  i do have others, but i’ve expounded on them before on this blog, and y’all don’t need me to repeat myself

ask me my thoughts on ______

[kienava]

Hey! I just wanted to say I am super happy about Beauyasha going on that date. I know absolutely nothing about Critical role (like, what even is it? What's going on? No clue.) but you blogging just made me super excited about them ^^

hi! this is my favorite ask i’ve ever gotten because i’ll take any opportunity to talk about beauyasha. they’re possibly my favorite ship. ever. 

critical role is a dungeons & dragons livestream/podcast featuring “a bunch of nerdy ass voice actors” (as they call themselves) playing what started as a home d&d game together. that’s it. it’s the sweetest thing ever. they just hang out with their best friends and play make believe - except they’re basically the best improvisers ever. 

the players are major award-winning voice actors: they’ve played big roles in overwatch, the fire emblem series, world of warcraft, and the last of us among many, many other games and shows. they stream the main show every thursday night on twitch and youtube, and there’s bonus content and interviews also. 

now, be warned, the livestreams are usually around 4 hours long. this is a lot of content to try and get into! i was very afraid when i first thought about watching the show! i got into it exactly the same way, where someone i followed was posting and making art for it and i was like “oh damn i have to watch this huh.” fortunately, some real heroes have compiled supercuts and clips, which i find makes it a lot easier to get into the show in more bite-sized pieces. 

here’s a beauyasha supercut playlist if you’re interested in just watching beau and yasha’s relationship development. i won’t spoil anything else in case you end up getting into the show, but if you have any other questions or just want to chat about the show i am literally always down! enjoy :) 

[supercharmed-forever-mine]

On the rating of 10, how do you rate the writing of each legacies characters, why and who deserves better? What aspects should be improved?

I updated some of the opinion for clarity and also added Finch because I forgot her originally

I'll just make a list and go down it and I'm sorry in advance I love responding but I'm horrible at grammar/punctuation and also I might tend to ramble but I'll try to be as concise as possible. It should also be noted anything I state that might possibly relate to ships is a personal opinion and I have nothing against any ships/characters gay or straight/Good or Evil. However would it be said that I definitely mean more towards the gay/Badass with a Golden heart side of shipping with any fandom.

Hope Mikaelson- As of now I would rate her writing at about a 6. And I only say that because as we know a majority of her characters personality slightly has always but this season especially related to her relationship with Landon. And I wish we would see the Badass Tribrid Hope we've been promised since season 1 I mean sure there are no lack of examples of her bravery and martyrdom. But I am tired of her always feeling down on herself and like she's a cosmic mistake when it has literally been proven by Lizzie's wish in season 1 that their life would be infinitely shittier without her. What they can do to improve it is have her focus on friendship and herself instead of trying to always focus on Landon. She deserves more than just to be a boy obsessed character I mean she's the daughter of Klaus F****** Mikaelson for Pete sakes she literally descends from the most powerful supernatural family ever to exist and is rightfully the most powerful being on the f****** planet.

Note: I found Handon's relationship cutesy in season 1 but now not so much especially since they use him dying as a plot line way too often it just doesn't have the same effect that used to***

Josie Saltzman-As of now I would rate her writing at about an 8. I like how her character at least for a while had her own storyline going off the mystic falls High School plotline and how she lived with delena because it was a good call back for us TVD fans but I think it could have definitely lasted longer than a few episodes. We all know it was just used as a lot device to introduce Ethan as a series regular and as an introduction for her to Finch's character. But overall I feel throughout the seasons she has experienced at least some personal growth as exhibited even in 3x15 where she admitted she has to stop saying sorry especially to Lizzie for not always jumping to do what she needs / she wants all the time. Whereas before Android AU version aside because she literally had to do what she was programmed to do. She has an exhibited that she's starting to do what she needs to do for Josie before others most of the time or she's trying to. And as far as her relationship to Finch well I don't see them being endgame I have no problem with them and I do see Finch being one of her major loves of the series that teaches her whatever lesson she needs that leads her to whoever her endgame love is. With her relationships I will always miss Posie and I wish they could get Lulu back at least just for one episode. Also I feel these last two episodes of the girls being a trio they have a really Been serving Hosie with the looks but also I feel like in general Josie and Hope have been really in f****** tune. In conclusion I just don't know because Kaylee's acting skills and just turning general I would rate a billion she could choke me and I would literally thank her.

Lizzie Saltzman-as of now I would rate her at about a 7. I feel as if she has had great personal growth over the series and hell even this season. I also like hell despite everything in her life especially her eternal struggle with her mental illness she is always trying to do better and not just for herself but mainly for others and some people would say that's not good but I like it because it truly shows what she stated in 1x03 during the gargoyle incident that she never wants to be the bad or evil one. She has all this s*** thrown at her being called broken, being seen as the lesser than sister, and not to mention the absentee parents. Yet through all this she manages to only get stronger especially once she builds a genuine friendship with hope. However what I will say is that I don't like the regression of her friendship with Hope in correlation to her progress of especially her mental illness. And what I mean by that is it's almost been shown that once she had even the seeds of a true friendship with Hope that Hope would never give up on her hell not but like even an episode or two into their newly formed friendship in S1 Hope went to Josie when she Lizzie was on the verge of a bad episode and "sweet" Josie was basically like fuck her she needs to fall on her ass for once and Hope ass was appalled y'all she was like Lizzie can't control her brain chemistry and was so defensive/protective it's like once they got over that hurdle that mainly Josie gave them everything clicked into place and they were almost instant bff's. So for them to do so good in season 2 and then it seems like it showed especially in these last several episodes black magic incident to bring Landon back aside that Lizzie's old issues of resentment and jealousy towards hope are starting to come back and I don't like that because the more Lizzie had A Friend in Hope it seems like the better she got at coping and doing better mentally.(sorry if this has been a confusing several sentences). And no by that I do not mean that Lizzie is mental progress has solely relied on Hope but I do think it has helped significantly for her to have a true friend. Also let it be noted now out of every ship though I should Hosie too HIZZIE is my #1 ship on Legacies two phenomenally beautiful woman also the enemies to friends to lovers trope *chef's kiss*which might be plausible as I always wondered what they meant in the Hosie crush confession scene of season 1 when Josie said that she always went after everybody josie liked hinting that Lizzie might be at least bisexual or maybe that was just what Josie perceived at like 12/13 years old. Also on the note of relationships Mizzie was a cute concept at the beginning but I do love the fact that MG is finally finding himself and standing up for himself but he did also do it and I kind of a******-ish way towards Lizzie. And that's all I can say for her. Actually I could probably write a novel on this women and also Hizzie but I won't lol.

Alaric Saltzman- As of now I would give him a rating of like a 4 . In the last several episodes I think he's been trying to make progress at being a better person but that's about all I can say I'm not an anti. But he definitely will not be winning the father of the year award anytime soon and like many people have pointed out he was a great guardian to Elena and Jeremy so he has the potential in parenting he obviously just ain't using it or lost it over the decades. I don't hate him but I do believe they're doing a discredit towards the better man he was in The vampire Diaries especially at the beginning.

Landon Kirby-His writing is like a 3. He is just there to be arm candy for hope. Until the last couple episodes where he became this for once realistic not optimistic hardened badass he literally brought nothing to The season other than someone for Hope to obsess over. And to be someone that they repeatedly kill for shock value even though it literally shocks no one anymore. I don't hate his character but he doesn't tickle My Fancy as much anymore. His character has a lot of potentialy especially if they ever bring back in his Phoenix side and truly explore it beyond his almost endless ability to revive and being a "Bird Boy" lol. I mean truthfully they're doing him a disservice Aria is a phenomenal actor who could take his character places if they just let him be more than a basic ass plot device. Also can we talk about how gorgeous of a man Aria is especially in these last few episodes looking love it and fine as f***.

As it has become apparent to me I ramble too much and I just don't have the capacity as it is now almost 1:00 in the morning my time to do anymore characters in depth so I will be doing a simple excerpt for the rest now that I have done the main 5 people.

Kaleb Hawkins- His writing is a 8. I do like how he's coming to himself over the years and is a a right hand man to Alaric now instead of being just a uncontrollable vampire(the only hate on this part not towards Kaleb but Alaric is that it shows he will virtually mentor/uplift almost any teen that ain't his own daughters). Though in my opinion he always kind of had a point on some things especially about the hypocrisy of Alaric in season 1 especially on the bmood drinking thing. Him and Mg's relationship is awesome I'm glad they made up in the last episode and our brothers again. Also I was rooting for him and Cleo I think they would be a cute little couple. Also I need his backstory immediately especially after saying to Cleo the last time he was vulnerable he died I need to know how he turned.

Milton Greasley(MG)- His writing is a 9 the season. I say that because he is really came into his own and stopped being the punching bag. Though I think the idea or used to think at least that him and Lizzie would be cute together I am proud of him for standing up to Lizzie finally even though I liked him always being there for her I was tired of him being a fallback for her when it didn't work with whoever however I do think he could have went about the rejection a little bit gentler especially with how he knows of Lizzie's emotional problems. And don't even get me started on Alyssa that was just a disaster that should have never even been brought to fruition her cheating with Jed was probably the best thing that could have happened. I liked his little side adventure with Ethan though I do think they could have wrote it a little better I was sad when he had to compel the memories away like they still could have been friends he just couldn't have known about the supernatural stuff also I'm still not convinced Ethan won't become supernatural later in the series if he stays on. And that's all I have to say on that one love my baby.

Jed Tien-His writing I can't really give a writing I don't think it's horrible but I do think overall they could give him a better plot line as a series regular other than just being used for the comical relief eye candy/mentioning how he's the alpha. Though it was funny the whole pool tournament to decide who was alpha will Finch was just exactly that so bad it was laughable. However I do respect the fact that he even admitted to her that he knew she threw the game and that he is a genuine man of his word and has become better over the series from like this dumb jock stereotype to this genuine dude the Alyssa incident aside. He is a cinnamon roll and I will protect him at all cost.

Ethan- Again as he just became a series regular this season and barely showed up in his premiere season. I will not be rating him in any traditional sense. His writing is not totally horrible I liked his adventures with mg they could have been written better and they still could have let him be MG's friend without supernatural knowledge instead of compelling the friendship completely away. And I am still not convinced he will not become supernatural in some way depending on how long he stays in the series truthfully it's actually almost inevitable unless they go the whole route of making him the Matt/Token Human of the show which I really hope they don't I mean he can stay human but don't make him a supernatural hater.

Cleo-her writing is 10. I say that because she has been a phenomenal character and I've never seen the actress before but she is obviously phenomenal as well. I like her whole connection to Malivore and how it's a legitimate one that seems to be interwoven with the story that's already been presented and add something new. I also like how she tried and really wanted to genuinely be friends with all the characters especially hope but at the same time she was also very realistic and new probably and truthfully the only way for Malivore to be defeated was for Hope to Go full Tribrid and she wasn't above actually trying to murder hope to save herself and just get rid of Malivore which I can't blame her.

Malivore-after the end of season 3 / the first couple episodes of season 4 which were supposed to be the original ending to season 3 I better never hear the name again I am so tired of it this should have ended like at least a season ago at this point it's dragging on. This was supposed to be a monster of the week type of series which is okay me personally I have always appreciated having one big bad of the season and then a couple of minor baddies that get their characters arcs and take a few episodes to defeat or something as like a B or C plot. Point being is that this character and plot line has gotten stiff as can be. To be honest I think half of us aren't even here for plot line anymore we just want to see which of our ships get together.

Finch-I am loving her character and I do think she's cute with Josie. Also I stan anyone who is a sarcastic b**** Queen. I think it's nice how her will backstory was different than the traditional one but also I hated how sad it was like she literally didn't even know what she was doing. Though I will say calling Lizzie the "evil" twin that she can fight me because you don't talk about my blonde cinnamon roll like that is based on one impression from something that was only meant and done out of a good place and Lizzie's heart trying to find out her backstory. But other than that I have no real qualms with this character and it is too early to have a real in-depth analysis/opinion of her.

Thank you for reading this long rant hope I answered your question well enough if not PM me on anything specific.

[themoonispurple7]

When preschool lets out for the day, can a tkker kindly explain what processes of mental gymnastics are involved in ignoring the fact that the soop convo LITERALLY LEFT NO ROOM FOR SPECULATION that they were, or had ever been, more than freinds/brothers? Do these children think Tkk are liars? That Jk is an award winning actor coming for Meryl Streep's wig? All that deceit and obfuscation just to hide the majority preferred and 'bl manga' worthy ship? The crayola is not for sniffing, please.

Yes, all of them who came in my inbox think the conversation was fake and that they are, basically, liars. Which is incredibly disrespectful to the members who they supposedly love and who shared something so personal with us.

[agentnico]

Top 20 Best Movies of the Decade (2010′s)

Now that we have entered the 2020s, it’s time to look back on a decade of movie magic. To emphasise the importance of each year, I’ll balance things out by including two films from each year for my Top 20 list. I’ve tried to pick films that both defined this decade as well as appealed to me personally, so my list will of course, as always, be different from yours, but hopefully, I won’t totally irritate you with my humble choice, which I deem worthy to post online for the public eye to witness.

2010:

INCEPTION - “You’re waiting for a train...” Christopher Nolan unarguably is the most exciting and original directors working today. Each time he releases a movie, its an event. A literal must-see at the cinema. Which is why this isn’t the only film of his you will find on this list. With Inception, Nolan gives us a movie that is both enjoyable and imaginative, rewarding the audience for the attention that it demands. Filled with so much detail that if you miss certain shots, you will completely get lost in confusion of the narrative (as confusing as it already is). It’s intense and complex, with great performances from the likes of Leonardo DiCaprio and Tom Hardy, this movie will leave you lingering for more even after that mysterious ending.

SCOTT PILGRIM VS. THE WORLD -  “You cocky cock! You'll pay for your crimes against humanity!” Once again, another exciting director on this list (oh there are so so many!). Ever since Edgar Wright emerged from the British isles, he’s given us some of the funniest films of the past decade and onwards. His Cornetto Trilogy is a blast, Baby Driver is a blast, Ant-Man was going to be even more of a blast if Marvel allowed Wright to do his magical shenanigans his way, and the upcoming Last Night in Soho will surely be a blast also. With Scott Pilgrim vs. The World Wright creates a meta-clever universe taking inspiration from comic books and video games and filled to the brink with wink-wink-nudge-nudge humour, this is an exciting and very sarcastic over the top endeavor. Also, Brie Larson in this movie.....phew!! And unsurprisingly, its all a blast!

2011:

DRIVE - “I just wanted you to know, just getting to be around you, that was the best thing that ever happened to me.” Drive is more of an elegant exercise in style, and its emotions may be hidden but they run deep. A shamelessly disreputable, stylish, stoic, ultra-violent thriller with amazing stunt work, one of the best opening sequences of any movie this decade and a neon-pumped soundtrack that’s a must-own for all vinyl users, if you still haven’t seen Drive, there’s only one thing you can do. Clue: it’s to go watch Drive.

MISSION: IMPOSSIBLE - GHOST PROTOCOL - “Your mission, should you choose to accept it...” Tom Cruise’s deal with the devil allows him to do some literally impossible stuff, and though I don’t condone his Scientology ways, the man’s stunt work and efforts in his area of expertise are worth all the praise and respect. To be honest, I’m commemorating all three of the Mission Impossible flicks that graced our screen this year (Ghost Protocol, Rogue Nation and Fallout). This franchise is like a game of dodgeball, except that Tom Cruise is the dodgeBALL, being thrown and thrust left and right like nobody cares. Also, with me being Russian, the fact that a movie manages to destroy the Kremlin and then have me not hate the film in the aftermath shows that this film is way too fun to hate.

2012:

DJANGO UNCHAINED - “Gentlemen, you had my curiosity, but now you have my attention.” Quentin Tarantino is one of my favourite directors working today. And Django Unchained happens to be my favourite film of his. The writing for this film is orgasmic (I went there!). The way the actors deliver the lines and the lines of dialogue themselves sound almost poetic to my ears. I can quote so many lines from this darn thing. The cinematography is immaculate. The soundtrack choice is great. The performances, my goodness, the PERFORMANCES!! Jamie Foxx does arguably his career-best work here, but also we have Christoph Waltz and Leonardo DiCaprio both chewing up the scenery, and I’m sure everyone has heard the story involving DiCaprio and the broken glass. Django Unchained is an easy choice on this list for me, and possibly in my Top 10 of all time.

LES MISERABLES - “Do you hear the people sing?” The film that is based on a musical that is based on a book that is based on certain true events. Tom Hooper did an interesting choice of having actors sing live in front of the camera during filming rather than pre-record their voices, and it works to grand effect, though Russell Crowe should have probably been given more singing lessons. The movie is one hell of a way to adapt such a popular stage musical. With an opening shot that emphasises the scale of this picture with a zoom-in towards this big ship during a storm being pulled by these poor prisoners, we are plunged into the despair and conflicts of various characters with adroit narrative thrust so that not a moment feels wasted or redundant. You’d think that a film with hardly any dialogue and an overall reliance on singing wouldn’t be so emotional. Yet, somehow, it works. Also props to Anne Hathaway for winning an Academy Award for being in a film for only 5 MINUTES!!

2013:

THE WOLF OF WALL STREET - “Sell me this pen.” Martin Scorsese’s mad look into Wall Street life is a bombastic caper and running at nearly 3 hours, Scorsese and his editing team manage to keep an astoundingly intoxicating pace that keeps you enthralled and engaged throughout. This one is definitely not for the families, as this R-rated fest is filled with drugs, money, sex and everything you can possibly imagine and paints quite the picture of the rich folks of Wall Street. And the middle of it all a bravura performance from Leonardo DiCaprio. Someone needs to give DiCaprio’s agent a raise, this is Leo’s third appearance on this list and we’re only in 2013!

THE WAY WAY BACK - “I'm afraid I'm going to have to ask you to leave. You're having way too much fun, it's making everyone uncomfortable.” Sometimes a little indie flick is enough to lift a human spirit. Real, fun, uplifting and innocent, The Way Way Back dedicated to anyone who felt awkward or out of place at some point in their life, which, let’s be honest, counts all of us. I’m not afraid to admit that. So stop being a b*** and reveal your sensitive side too! Yes, you, the person reading this. Who else could I possibly be talking to? Myself? Maybe. The Way Way Back though is one of the best feel-good indie films of this decade, with the loveable Steve Carell acting very unloveable and Sam Rockwell Rockwelling himself to charm city! If you’ve missed this one, treat yo’self and check it out.

2014:

THE GRAND BUDAPEST HOTEL - “And?? Where is it? What's it all about dammit don't keep us in suspense this has been a complete f***ing nightmare! Just tell us what the f*** is going on!!!” Easily Wes Anderson’s best in my opinion (I have a friend who would argue Rushmore and The Royal Tenenbaums has the better hand but I think my opinion is more valid because it's me), this movie is a glossy, colorful, whimsical deadpan affair with an energetic turn from Ralph Fiennes as the hotel concierge M. Gustave H. as he and his lobby boy run into various Wes Anderson regulars and deal with murderers, stolen paintings, love affairs, prison breaks, and all kinds of crazy shindigs, but all shown in such a casual Wes Anderson way. This movie is like a slice of cherry pie - damn fine!

INTERSTELLAR - “Murphy’s Law doesn’t mean that something bad will happen. It means that whatever can happen, will happen.” As promised, Christopher Nolan makes another appearance on this list, now with his space time-traveling epic Interstellar, where he takes inspiration from the likes of Kubrick and Tarkovsky to give us, as always, a tad bit confusing adventure with great visuals and an interesting narrative (though it does sometimes get lost in its own way), however, the key thing holding this piece together is the father-daughter relationship with Matthew McConaughey and Mackenzie Foy (and Jessica Chastain) managing to bring so much raw emotion to their respective roles that you can’t help but want to shed a tear. I mean, I haven’t cried for over 14 years, but I remember when I first watched this film, the audience around me was sobbing quite a few times during the duration of this movie. Give it to Nolan to give us the emotional moments!

2015:

MAD MAX: FURY ROAD - “Oh what a day! What a lovely day!!” Easily the best action movie of this decade. Sorry John Wick, neither you or Tom Cruise could defeat this beast. The sheer, limitless invention behind this movie's exhilarating, preposterous chase scenes highlights action filmmaking at its finest. With big monster trucks and a random guitarist rocking-it in the middle of all the action, it’s like a nihilistic version of a Cirque du Soleil show! And it makes Tom Hardy the calmest person on-screen; no idea how it managed that.

STEVE JOBS - “I sat in a garage and invented the future because artists lead and hacks ask for show of hands.” If there is anyone who can make formulaic, mathematical or technological sound fun and exciting, its Aaron Sorkin. The man has a talent for writing screenplays about difficult and complicated topics yet turning them approachable for the casual moviegoer. Pair him with director Danny Boyle, and the result is Steve Jobs, a look at the man behind the phone. Narratively set during three important product launches of Jobs’, we get to see the behind-the-scenes of his relationships with his colleagues and family members, and this character study is one that could have easily fallen into generic biopic tropes, but it holds it’s own right till the credits roll. Also props for showing that Seth Rogen can actually do a serious role. Who would’ve thought that pot-smoking fella had dramatic chops in him?

2016:

NOCTURNAL ANIMALS - “Susan, enjoy the absurdity of our world. It’s a lot less painful. Believe me, our world is a lot less painful than the real world.” Fashion designer Tom Ford does sew his suits well. Apparently, he can also make great films too, with 2009′s A Single Man and with said Nocturnal Animals. This movie is truly incredible and I remember it taking me and my friend by surprise when we first watched it at the cinema. It’s shocking. Horrifying. Depressing. Upsetting. Altogether exhilarating. Being of a fashion background, Tom Ford directs the hell out of this movie, with gorgeous shots and great use of colour as well as managing to masterfully create tension and suspense when necessary. Honestly, I know Tom Ford is probably busy at a department store somewhere, but the guy needs to make another movie. The man has a talent.

LA LA LAND - “Here’s to the ones who dream, foolish as they may seem. Here’s to the hearts that ache; here’s to the mess we make.” Oh, La La Land. Damien Chazelle’s follow-up to the also excellent Whiplash. People who know me well know how much I love this movie. An old-school tour-de-force musical that’s a love letter to jazz and the golden age of Hollywood. The city of stars never looked so good. Featuring catchy original songs, excellent dance choreography (the sequence to the song “Lovely Night” is especially memorable) and a romance tale ten times better than the forsaken The Notebook, La La Land is one special movie. I know many are put off by the film’s not so happy ending, however for me it was the only way this narrative could have ended. 

2017:

BLADE RUNNER 2049 - “We’re all just looking out for something real.” Similarly to Nolan, Denis Villeneuve is proving to be one of the most exciting directors working today. He’s the man behind such films as *deep breath* Prisoners, Enemy, Sicario, Arrival and Blade Runner 2049. And those have all been done within the last decade. The man constantly makes quality movies of various genres, though lately, he has been leaning more towards science fiction, which is a-okay in my books, since as Blade Runner 2049 proves, he can turn science into fiction like butter on bread. A sequel made 30 years after Ridley Scott’s classic, this visually breathtaking piece is arguably even better than its predecessor with many moments giving you the “wow wow wow wow wow WOW!” factor, and when Ryan Gosling and Harrison Ford are both on-screen they are dynamite. Forget the new Star Wars film (that’s right, I'm throwing shade there), Blade Runner is where it’s at!

PHANTOM THREAD - “The tea is going out. The interruption is staying right here with me.” The supposed last Daniel Day-Lewis film, as he has now apparently retired from acting, but let’s be honest, nothing stops him from simply unretiring at any point. Exhibit A - Joe Pesci. However, like Pesci, if he comes back I’ll only be happy. He’s one of acting greats of our time, and his collaborations will director Paul Thomas Anderson bring out some of his best roles. Phantom Thread is a marvel of a movie. No, I don’t mean that’s its part of the Marvel Cinematic Universe, I mean as in it can fill one with wonder and astonishment. Phantom Thread is PTA’s Gothic dark fairy-tale romance film, which expertly planned shots and scenes where every word of the dialogue counts. There is no wasted moment. And as the film transpires to its dark and unsettling climax, one begins to realize that this, THIS, is what filmmaking is about. Telling an engrossing story in an interesting way with crisp-clear shots and off-the-chart acting at play, with great costume design on display, although the latter is unsurprising due to a major aspect of the movie revolving around fashion.

2018:

MANDY -  “You ripped ma shirt!! You ripped maaa shiirrt!!” An acquired taste for sure, however, Mandy is indeed something truly special. From first glance, this film might seem like nothing out of the ordinary, especially from the point of view of the plot. Its the usual revenge flick. However director Panos Cosmatos’ vision and how he presents it is so much more unique. And what’s not love in this film? There’s something for everyone! It’s artsy and slow enough for the critics, hip and metal for the nonchalant, gory and violent for the hardcore genre fanatics and of course the Nic-Cage-rage factor is present for the fans of the actor. Alright, it may not be a family film, but this one is worth a watch. The whole thing is bound together by this psychedelic otherworldly environment, with the whole movie conceived in this dark, unsettlingly beautiful yet horror-filled aura that might stray people away, as it might be just too different for them, however, if you are looking for something different to watch, take mandy. I mean, watch Mandy!

A STAR IS BORN - “Music is essentially 12 notes between any octave. Twelve notes and the octave repeats. It’s the same story told over and over. All the artist can offer the world is how they see those 12 notes.” The film that began all the rumours surrounding Bradley Cooper’s and Lady Gaga’s affair. People, heads up, they are actors! They were putting on a performance! Jeez. That being said, I totally ship them. Nuff’ said. The film though? Yes, it’s good. Some country-style music, romance blooming, Gaga can apparently act, people sing about shallows for some reason...all together works for a pretty decent motion picture. Also, the fact that Bradley Cooper wrote, directed, produced and starred in this gives me so much respect for the guy. He poured his heart and soul into this. And Lady Gaga absolutely shines!

2019:

PAIN & GLORY -  “Writing is like drawing but with letters.” Director Pedro Almodovar semi-autobiographical film takes a close look at how one deals with acceptance, being forgotten, symptoms of depression and generally all fairly negative attributes, but delivered in such an honest and profound way that there is a strange lightness that emerges from it all. Antonio Banderas is uncannily vulnerable in the lead role, delivering such an earnest performance that shows a man that is filled with melancholic regret who seeks his own form of redemption. This movie is a thing of beauty.

PARASITE - “You know what kind of plan never fails? No plan at all. If you make a plan, life never works out that way.” Parasite is easily the most original and surprising films of 2019, and possibly the decade, managing to subvert expectations and blend together so many different genres so naturally. To spoil any narrative element of this movie would be a sin, like this one in particular works best when not knowing anything about it. This movie comes to us from Bong Joon-Ho, a South Korean director behind such films as The Host, Memories of Murder, Okja, and Snowpiercer. It’s nice to see the awards ceremonies giving him the proper recognition finally. He deserves it.

That sums up my Top 20 Best Movies of the Decade list. Of course, there are so many other great films that came out in these 10 years, such as Whiplash, When Marnie Was There, Paterson, Silence, Kubo and the Two Strings, The Nice Guys...I can go on forever. Cinema is a constant ever-growing medium, and it is fascinating to see how it changes through the years, in some ways improving and in some parts not so much. In any case, I look forward towards a new decade of, hopefully, great movies, however, let’s be honest, for all these great films there’s always a Norm of the North, a Scout’s Guide to the Zombie Apocalypse or frickin’ Cats. But let’s hope those will be kept to a minimum. In any case, bring on the 2020s!

[introvertguide]

High Noon (1952); AFI #27

Our next film up for review is the not-so-standard western, High Noon, starring Gary Cooper and Grace Kelly. The movie was nominated for seven Academy Awards and took home four trophies for Best Actor, Best Editing, Best Music, and Best Song. Westerns at the time were generally focused on the flawless hero who everybody loves and the citizens that band together to fight the bad guy. The good guys were all good and the bad guys were all bad. This is not the case with current film and it was one of the few Westerns nominated for Best Director, Best Picture, and Best Writing (although these were the awards that the movie did not win). It is a genre film that completely went against type. I really want to continue but I realize that now is the time to go through the plot, so let us first give the warning...

SPOILER ALERT!!! I AM GOING TO SPOIL THE WHOLE MOVIE AND IT IS WELL WORTH SEEING SO DON’T READ FURTHER UNTIL YOU WATCH ON YOUR OWN!!! IT IS ONLY 85 MINUTES LONG SO GIVE IT A CHANCE!!! IT IS VERY WORTH YOUR TIME TO SEE WITHOUT IT BEING SPOILED!!!!

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Remember that the film has a run time of 85 minutes and this is the amount of time that passes in the movie. With this in mind, there will be no “meanwhile” or “while that was happening...” in this review. Everything is shown that matters and assume that time is passing for everyone in town whether or not they are on screen.

Three men meet outside Hadleyville, a small town in the New Mexico Territory, are gathered and ride over to the train station to wait for a train. The scene switches to the retirement and wedding of Marshal Will Kane (Gary Cooper), newly married to Amy Fowler (Grace Kelly), as he kisses his bride and turns in his badge and gun. The happy couple will soon depart for a new life to raise a family and run a store in another town. However, word arrives that Frank Miller, a vicious outlaw whom Kane sent to jail, has been released and will arrive on the noon train. Miller's gang—his younger brother Ben (Sheb Wooley), Jack Colby (Lee Van Cleef), and Jim Pierce (Robert Wilke)—are the three men awaiting his arrival at the train station. It is not directly stated by the three men, but it is clear that Miller intends to exact revenge since Kane put him in jail previously. A glance at the clock shows it is 10:45. This is especially a problem since the new marshal won’t arrive until the next day and Kane doesn’t want to leave the town with no protection.

Amy is a devout Quaker and pacifist so the solution is simple—leave town before Miller arrives. They actually start out in their buggy, but Kane turns around and takes them both back to the jailhouse because Kane insists on facing Miller and his men. "They're making me run", he tells her. "I've never run from anybody before." At this point, it is assumed that Kane will get his deputies and form a posse to face Miller. He is the beloved retiring lawman and the town had banded together before to put the man in jail in the first place. Amy gives Kane an ultimatum saying she is leaving on the noon train whether he joins her or not. Kane says he has to stay so they basically split up literally minutes after being married by the Justice of the Peace. 

Kane finds one man that immediately volunteers and then goes to the deputy Harvey Pell (Lloyd Bridges). Pell won’t help unless Kane puts in a good word and actually quits because he believes that Kane didn’t promote him to Marshall because of some old grudge over a woman. Kane denies even knowing about the relationship and Pell turns in his star and quits. Another person that Kane thought would help is Judge Percy Mettrick (Otto Kruger), who he finds packing up to get out of town because he doesn’t believe he will survive. The judge is the one who actually sentenced Miller, and believes the outlaw will want him dead.

Further dialogue reveals that Will Kane had stolen the lover of Frank Miller, a Mexican women named Helen Ramirez (Katy Jurado), and this was what prompted Miller to go wild and convinced the town to have him arrested. Kane is no longer with Ramirez and was not aware that she had been sleeping with the deputy. All together, it seems like Kane is not that great of a guy and that Miller has a legitimate grudge with him. The whole town knows this and some of them want Miller to kill Kane, so nobody will help him and he is again encouraged to leave. One friend named Sam Fuller hides in his house and has his wife cover for him. The old marshal is played by freaking Lon Chaney and he won’t help because he notes that members of law enforcement die and nobody really cares. Nobody at the church will help and even the one guy who volunteered backs out because he realizes it will be a slaughter. The only person who openly offers to help is a young boy, but Kane rejects that help and tells the boy to go home.

All this happens and is taking up the time before the noon train. Helen realizes that one of the men she loved will die and the lack of town support upsets her. Amy goes up to meet Helen and the two decide that they will go on the noon train together. Ramirez says she would stay with Kane and not abandon him, but Amy tells her own story of tragedy (she watched her father and brother die in a shoot out). 

Deputy Pell again expresses his anger at not being named the new marshal and so he corners Kane in the horse stables and demands that he be made made the marshal and Kane ride out of town. Their conversation becomes an argument, and then a fist fight. Kane finally knocks his former deputy senseless. Forlorn, Kane returns to his office to write out his will as the clock hits high noon.

Frank Miller (Ian MacDonald) arrives on the noon train and his group of men are waiting for him with a gun belt. Helen and Amy get on the train as the outlaws ride into town. There is a very famous overhead shot which shows Kane all alone in the streets with a genuine look of fear, assuming that all of his friends have deserted him and he is about to die. The gang walks into town and starts shooting at Kane, which Amy hears from the train and she decides to go back and help. Kane is able to gun down Ben Miller and Colby but is wounded and hides in the stable. He escapes by hanging on to a fleeing horse but is again cornered by the outlaws at the jailhouse. Amy runs into town and takes a gun from one of the bodies and hides. She is able to sneak up and shoot Pierce from behind. Frank Miller sees this and takes her hostage to call out Kane. The marshal comes out and Amy scratches at Miller to let her go and Kane gets the opportunity to gun down Frank Miller.

Kane helps his bride to her feet and they embrace. As the townspeople emerge and cluster around him, Kane throws his marshal's star in the dirt, glares at the crowd, and departs with Amy on their wagon.

-------------------------------------------------------------------------

I keep harping on about how this was not like any standard western of the time and I should probably explain more clearly now that the plot is known. Movies at the time focused on the American marshal as a pseudo superhero. They were honest and always on the side of good, they could ride horses and outshoot any outlaw, everybody loved them except bad guys, and women swooned in their wake. They also tended to be ruggedly handsome, tough as nails, and fearless. The antagonist, on the other hand, was completely wrong and had bad moral character. These bad guys mistreated women, disobeyed the law on purpose, stole, robbed, cheated, and had ugly scars. They traveled in groups in an attempt to intimidate people, but they were no match for the single good guy. But this movie changed everything.

An old marshal who just retired to marry a much younger woman sticks around town to fight a man whom he convicted to die. This villain had an issue with the old marshal because the lawman had stolen his woman. The deputy won’t stand with the retired marshal after being passed over for the job opening and many of the town members won’t help because they think the marshal should leave and let the new marshal deal with the problem. The marshal is scared and alone when he takes on the villains and it is his young bride who actually comes to his aid while he cowers in the jailhouse. At the end, the marshal throws his star on the ground and leaves without saying anything else. 

All members of the cast need to be commend on acting against character type because the general sense of fear at what was coming explained the realistic choice of most of the town running away. It is almost comical when all of the villains are dead and the entire town comes pouring into the streets and it is obvious that there were more than enough men to make a posse and easily protect the town. But the only person that came to help when it counted was a female 20-year-old pacifist Quaker. 

It has been noted by directors and film critics that this was not a very strong performance by Grace Kelly, especially when next to veteran Mexican actress Katy Jurado. Alfred Hitchcock later noted that she played a very meek part for such a strong role, but saw something in her (likely her blond hair and good looks) and gave her a much more fitting part when he cast her for Dial M for Murder, Rear Window, and To Catch a Thief. 

I could not find the film on any of the subscription services when I was looking to watch it so I had the DVD shipped through Netflix. This is a good way to go because I got to watch some DVD extras and learned that everybody and their dad was attached to the making of this film. The cinematographer was Floyd Crosby, the father of rock/folk singer David Crosby. The Deputy was played by Lloyd Bridges, who had two young children on set, Beau and Jeff Bridges. According to the extras, Beau was actually in the barn loft watching during the fight between Kane and his deputy. The singer of the theme song was country musician Tex Ritter, father of actor John Ritter. A very rich history of Hollywood royalty in this single movie.

Many of the actors and writers involved in the film were concerned that they were going to get black listed for being part of this production. It was the early 50s and the Red Scare was at its height in the United States. Many actors and screenwriters were being publicly prosecuted for committing acts against America, and any movie that did not actively promote patriotism was in danger of being accused of being communist. It was a bad time for Westerns that were innovative or went against the norm, which partially explains complaints that many films in the genre during the 50s were the same. This film that depicted a lawman sticking to what he believed in and finding all his friends shunning him was interpreted by some as promoting communism or attacking McCarthyism. Director Zinnemann did say he had all this on his mind during the filming and would consider it an allegory for the Hollywood blacklisting, but that was not necessarily the point from the start.

So should this movie be on the AFI 100? Absolutely! It is part of the most American of genres at a focal point in the country’s history, yet flies in the face of all the standards of that genre. Despite this, it still was nominated for a bunch of awards and highly acclaimed by liberal and conservative leaning viewers alike. The movie is full of Old Hollywood greatness as far as the stars and the crew. The AFI list was created for innovative Americana like this. Would I recommend it? Absolutely! Just the innovate shots and the use of real time alone makes for a great watch. The story is great and the acting is great. There are few movies on the AFI list with pacing this good and it is a very easy film to watch and enjoy. Highly recommend.

[jacnaylor]

romance book recs!!

romance is my feel good genre, and it’s also usually somewhat easier to read during stressful times, so here’s a list of some books that are either romance or have a romance element i feel like mentioning.

(EDIT: I STAYED UP TILL 2 AM DOING THIS HELP. this is why some of the comments. don’t make any fucking sense.)

romance books and authors:

CONTEMPORARY:

1. The Bromance bookclub series by Lyssa Kay Adams (A group of men form a bookclub dedicated to romance books in order to understand women, improve their relationships and become better men. It’s funny, cute, and all about dismantling toxic masculinity one romance book at a time)

2. Mariana Zapata books (The queen of slowburn romance. The only book I’ve read by her is ‘Under Locke’, but ‘From Lukov with love’ and ‘Kulti’ have rave reviews. There is so much build up and SO much sexual tension with a great pay off)

3. Milly Johnson books (A uk author whose books are primarily set in the north, these are total feel good books. Not so much graphic and more romantic, but her characters are great and her plot lines really hook you in.)

4. The Unhoneymooners by Christina Lauren (Super cute, quick enemies-to-lovers story about a bridesmaid who has to go on a honeymoon with the best man when the bride and groom get food poisoning. Obviously this means the holy of holies: fake relationship!)

5. Well met by Jen De Luca (Oh my gosh! Super fun, the characters are just wonderful especially our heroine. A hate-to-love romance set at a renaissance fair! All about overcoming the limits you set on yourself and rethinking your first impressions.)

6. Katherine Center books (My personal favourites are ‘How to walk away’ about a woman who falls for her PT after a near fatal plane crash. And ‘Happiness for beginners’ about a woman taking part in a wilderness trail with her brothers annoying best friend. She writes such great plots and you really feel all the emotions!)

7. Mhairi Mcfarlane books (my personal favourites are ‘Here’s looking at you’ about a woman who comes face to face with her high school bully years later - only he doesn’t recognize her. And he’s not awful? Don’t worry. I know how that synopsis sounds. He’s not excused his actions, but you also understand how he’s grown and changed. It definitely gets you in the feels though. As does ‘You had me at hello’ Which is about a couple from university meeting again years later. God this woman can write angst and yearning!!)

8. A part of me by Anouska Knight (On the same day she and her husband have been accepted into the adoption process, their marriage implodes. This has such a cute romance which follows hate-to friends- to love and it’s v funny)

9. Southern Eclectic series by Molly harper (Just as it sounds. Southern small town romance with a great, quirky cast of characters)

10. Maggie’s man by Lisa Gardner (writing as Alicia Scott) (An escaped convict kidnaps a woman from the courthouse to act as his hostage whilst he tries to prove his innocence. Surprisingly funny and warm. Maggie as a heroine is an absolute joy. They’re sort of chaotic together and it’s a wild ride.)

11. The Mister by E.L James (LISTEN OK - SIT BACK DOWN - It’s not winning awards but it’s actually decent! I was skeptical, but I will admit I was won over. I mean parts are cheesy but it’s so addictive. Basically a rich man falls for his cleaning lady - but it’s also about the yearning. It’s also quite action packed as there’s danger, drama and a chase across europe to get the girl.)

12. RECENT Colleen Hoover (Now, you may enjoy older CH books. Personally I find them very problematic. Now I’ve really enjoyed her recent books though. Especially ‘Without Merit’ and ‘It ends with us’ and ‘Regretting you’. High angst, high drama, dark topics for all of her books. But you can tell she’s matured with her writing. She isn’t for everyone but they’re addictive, fast paced reads.

13. The Austenland duology by Shannon Hale (You might have seen the Austenland movie - The cutest, cheesiest, sweetest, campiest movie ever. Well there’s a book! It’s about women who go on a holiday and live their own Jane Austen story with actors. The first book leans towards Pride and Prejudice and Mansfield park. The second book is more Northanger abbey and Emma.

14. Brigid Kemmerer contemporaries (She is an auto-buy author for me, especially her contemporaries. She writes the best teenage characters, the best teenage boys I’ve ever read about. Her characters are real, she writes about kids trying their best, struggling, and being good, and kind, and the world not being kind to them. Usually the books have a pov from both the female and male love interest. I would rec any of them tbh. ‘Letters to the lost’ comes before it’s companion novel ‘More than we can tell’. I loved ‘Call it what you want’ with has modern Robin Hood elements!!!! seriously she is my favourite YA contemporary author.

15. Sophie Kinsella books (If you haven’t picked up her stand alone novels then what are you doing???? she is the queen!!!! Personal favourites are ‘Can you keep a secret’ and ‘I’ve got your number)

16. A quiet kind of thunder by Sara Barnard (I love her ok. Her books are short and sweet but she packs a punch. TBH these aren’t primarily romance, they’re more just about teenage girls but this one has a good romance element so I’m putting it on here. It’s about Steffi, a selective mute who sometimes communicates with basic sign language who is assigned to look after the new boy at school Rhys, who is deaf.)

17. Meet me at the museum by Anne Youngson (GORGEOUS! moving, tender. A lonely housewifes strikes up a correspondence with a widowed museum curator in Denmark. Oh gosh. I just love this one. It’s about friendship, love, grief, second chances, the choices we make. Seriously love this one and it’s not that long.)

FANTASY:

1. Sorcery of thorns by Margaret Rogerson (Elisabeth has grown up in the great library, protecting grimoires with powers and fearing sorcerers. When a dangerous grimoire is released, she’s forced to team up with an enigmatic sorcerer and his demonic servant in order to save the world.)

2. Sky in the deep duology by Adrienne Young (A viking inspired story about a warrior who is captured by the tribe she is at war with. Such good tension and it’s also got a lot of action. Battle couple romance! Mutual respect! Hate to love!)

3. The Rose Garden by Susanna Kearsley (I’ve reread this book once but will end up reading it again. It’s a time travel romance about a woman staying in cornwall dealing with the death of her sister who is transported back and forth to the 17th century. It’s a favourite. The romance is wonderful but the stakes are really high too. I also love ‘Belleweather’ by the same author)

4. An ember in the ashes series by Sabaa Tahir (Oh god, the romance. THE ROMANCE! it’s so much. The angst, the pining, the longing. The first book follows Laia, part of a slave class in a roman inspired world. She begins spying in the top military academy and meets Elias, a reluctant soldier. This is a proper fantasy series with only the first three books out, but it’s so great.)

5. Alias Hook by Lisa Jensen (Let me just copy the blurb ok: “Meet Captain James Benjamin Hook, a witty, educated Restoration-era privateer cursed to play villain to a pack of malicious little boys in a pointless war that never ends. But everything changes when Stella Parrish, a forbidden grown woman, dreams her way to the Neverland in defiance of Pan's rules.” I MEAN COME ON. a gorgeous adult fairytale with love and redemption at the center.

6. The Mediator series by Meg Cabot (Obviously Meg Cabot is the most iconic and we stan. But this series is my absolute favourite by her. About Suze Simon, a kickass, no nonsense mediator - Someone who helps ghosts move on to the other side. Sometimes by force. She has to move house and ends up sharing her room with a 100 year old hot ghost named Jesse. The tension. The angst. THE BANTER!!!!)

7. House of Earth and Blood by Sara J Maas (a half fae half mortal girl tries to solve a murder with the help of a fallen angel. It’s a LONG book, but for me personally it flew by. It’s a big new fantasy world but the romance has a great build. Overcoming grief! Being normal together! Being in danger together! THE UST! the characters are so good. I ahven’t been this impressed by a new series for a while)

8. Cursebreakers series by Brigid Kemmerer (yep, she gets another mention. This one is a beauty and the best retelling about a man forced to relive the same season over and over, becoming a literal beat, until a girl from our world can break the curse. The second book, following secondary characters, is my fave so far. But both feature kickass ladies and those small romantic moments BK is so good at)

9. A court of thorns and roses series by Sara J Maas (a fae inspired beauty and the beast retelling. The only time you support a ship switch. Also the secondary ships are getting their own books and oh my god. I’m so excited.)

HISTORICAL/CLASSICS/MILLS AND BOON

1. Jane Austen (The original rom com queen, obviously. Pride and prejudice and Emma are faves. Also I have a major soft spot for the alwayc chaotic and underrated Northanger Abbey)

2. North and South by Elizabeth Gaskell (Actually might be my favourite classic ever. Often described at an industrial p&p. Margaret, from the south, comes face to face with the harsh reality of the world when she moves up north and comes face to face with a brooding millowner. There’s obviously a lot more nuance than that but. THE PINING!!!!!! THE MISCOMMUNICATION! THE DRAMA!)

3. The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer (You might have seen the film. Please also read the book. Told entirely in letters. The sharp witted author Juliet Ashton falls in love with Guernsey and it’s characters whilst researching what happened there during the war. Funny, moving and romantic.)

4. The Veronica Speedwell series by Deanna Raybourn (A butterfly hunter foils her own kidnap and is paired together with a reclusive natural historian. They solve mysteries together. They can’t admit they wanna sleep together. The tension.......unbearable. See also the Julia Grey mysteries by the same author)

5. The warrior knight and the widow by Ella Matthews (So last year I discovered Mills and Boon and I have no shame about it whatsoever. This is a medieval beauty and the beast retelling about a woman being escorted to her fathers estate by an enigmatic and scarred knight. She’s hoping to convince her father to let her steward her own lands, and of course trying not to fall for her escort.)

6. The bareknuckle bastards series by Sarah Maclean (A badass, brooding trio of siblings who rule the underbelly of Covent Garden fall for smart, beautiful women. Opposites attract, Good girl/bad boy, strong women, banter. Super fun historical romance)

7. Redeeming the reclusive earl by Virginia Heath (I just read this and it was seriously cute!!!! And book where the hero blushes even once is a good book in my opinion. Basically aspiring antiquarian named Effie barrels into the life of a new earl - who really just wants to be left alone to be grumpy and sad and disfigured. ALONE. But Effie wants to dig on his land. And she won’t take no for an answer. She also talks A LOT.

8. A family for the widowed governess by Ann Lethbridge (Technically this is part of a series but you don’t need to read them in order and this is the best one. A widow who is being blackmailed accepts a governess post. She can’t tell her employer about the blackmail especially when she starts falling for him.)

9. The bedlam stacks by Natasha Pulley (I read watchmaker and didn’t like it but you might like it. This one also FEAUTRES A M/M ROMANCE. I know this list was super straight im sorry. Anyway this is about a botanist falling in love with a priest in the jungle.

10. The wilderness series by Sara Donati (Think outlander without the time travel and also not set in scotland. Basically Last of the Mohicans fanfiction about Hawkeye’s grown up son. An english woman moves to america when her father promises she can be a school teacher there. Little does she know he actually has plans to marry her off. Things get more complicated when she falls for Nathaniel Bonner, a white man raised native american and who’s daughter and extended family is Native American. Like outlander there’s romance, adventure, history. But unlike the outlander books the love interest is a decent guy (i say as if i don’t love the tv show)

STUFF THAT REALLY ISN’T ROMANCE AT ALL. BUT I SHIP A SHIP.

1. The Lacey Flint series by Sharon Bolton (Lacey Flint is a police officer who becomes involved in the hunt to catch a Jack the ripper copycat. There actually is a strong romantic element with the other lead police officer.)

2. The last hours duology by Minette Walters. A novel about the black death and a closed estate lead by a woman who’s trying to protect her people. There’s also a kind of murder mystery. But she also has a close relationship to one of the surfs that I got super invested in.

3. The Strike series by J.k Rowling (I know we don’t stan anymore but. This series about  PI and his assistant slowly growing closer? Becoming best friends and partners? Not acknowledging any feelings for each other?

[plasmavamp]

[cracks knuckles, breaks hands]

aight fam here’s the official catch-up post to whatthefuck lolita’s been up to in the sims 4 (and continuing from where i left off in my DU posts lol)

featuring Nasier, Caleb and Morgyn ~

[ nasier belongs to my bestie, Mav @mavesathesimblr​ !! ]

caleb and nas actually started dating early on in college ! nothing crazy happened uwu that yall know of lol, but yeah. spent 4 years as dorm roommates. around year 4 morgyn came to visit caleb a couple of times and hung out with the boys ^^ Nas and Caleb stayed in-dorm for the last winterfest (and other holidays) of college. caleb graduated a bit before nas did lol

the boys moved to strangerville shortly after graduation!! caleb lowkey isnt a fan of the neighbors but he knows how they get lol. morgyn moved in with them not too long afterwards ^^ 

(third pic is an edit i might post late btw)

morgyn was in a kinda-relationship with caleb before he went to college, btw. kinda meaning they knew each other and and might have had feelings. well, with the feelings still present and the three of them having some type of chemistry, it was agreed for the three of them to date together ^^ Caleb hasn’t decided how he feels about drinking human blood but, he’s trying lol. His plasma trees are bountiful but Nas is being a good bf and just wants to help his bro out. Also, Lilith came to beat up Caleb for ignoring her texts and calls and invites all the damn time (she lowkey harassed him but she just wanted to check on him lol)

Caleb’s been leveling up his vampire abilities basically; he’s already a grandmaster but he still had shit to learn tbh. Morgyn developed a garden in the back and decided it was a good idea to have a cowplant. The cowplant was adorable (but it ate morgyn and nas twice lol). Also, Morgyn and Nas got closer and decided to become boyfriends as well rather than sharing Caleb uwu ~

speaking of trying human blood out, Morgyn started volunteering to help Caleb out with that. Turns out he temporarily borrows their magic lol.

the boys have jobs btw! Nasier is a marine biologist (using his college degree for good use), Caleb went into acting, and Morgyn is a scientist! (still cant believe Caleb’s very first acting gig [shown] was him being Mario. Its funny bc Caleb’s italian lol, but the gig was the vlad straud handyman gig lmao)

caleb’s early acting gigs were lowkey lame but my favorites were the handyman and pirate gigs tbh o: but here’s a few of his early parts lol. (He started straightening his hair again by the time he was in the apocalyptic movie!)

they also adopted some pets! Tod is a fox, Sparky is the cat—you can see more of Sparky here c: He’s Morgyn’s familiar hehe. [casually inserts “Fox & the Hound” ref for Tod and Nas lol]

Morgyn literally is best friends with the damn aliens. These pics are 3 different occasions, and they got abducted six times so far u.u thankfully morgyn is unable to bring any aliens back with them fjhgjhff

Nasier had leveled up to 10 in his career already and basically was making bank at this point. Caleb won his first award for the apocalypse movie!! and Morgyn was hard at work and building all of the things o:

After winning his award, Caleb hit career level 10 as an actor and had his acting skill leveled up as well, so he stepped away and went into the medical career (thanks to Mav for the suggestion lmfao). Before starting his new job, the boys went on vacation to Granite Falls. Caleb was moody one day, it thunderstormed the next day (caleb and nas got spooked but morgyn deadass stayed outside to watch the weather). Overall they had fun hehe.

some time had past, caleb and morgyn bumped up in their careers (while Nas just chills out with his job but uses some of his vacay time to stay home lol).

When Caleb and Morgyn had a few days off together, Nas used his vacay time and spent the days with them...and in those days, the three decided to get married. The three visited in three different places and collectively proposed; Nas asked Morgyn in Sulani; Nas asked Caleb on Sixam when Morgyn had finally built the wormhole generator; and Caleb asked Morgyn in the realm ♥

After having 3 beautiful weddings with their close friends and family as the guests, they are honeymooning in Selvadorada—and that’s where I’m at in my game now c:

I have a looooooooooooooooooooooooooooooooooooooooooooot of pictures from this save oml. Most of them are taken with some flare and reshade, some are just screenshots of dumbassery, some are posed with ship aesthetics, some are [ahem] taken with ww lol. But overall, I have spent a solid in-game year in this save 👀👀👀 and i’m nowhere near finished with it hehe. Caleb, Morgyn and Nas have had quite an adventure of bs that I’ve mentioned and PLENTY more that i didn’t wanna ramble on about, but they’ve got a whole life of marriage and more for them :] and I’m excited.

I’m sorry that I keep forgetting to like, actually post shit lol, and I’m sorry this is a halfass attempt to catch everyone up. Only my friends know what’s all been happening through screenshot spam and streaming lol. But it’s been fun. 

I’m gonna go play some more, but I wanted to finally sit and share what’s been up with my game since putting Bloodborn on a hiatus lol. I’ll probably post more once the boys are out of their honeymoon phase uwu ~ 

[letterboxd]

The Package.

As the bonkers genre thrill-ride Shadow in the Cloud blasts into the new year, writer and director Roseanne Liang unpacks her love of Terminator 2, watching Chloë Grace Moretz’s face for hours, and the life lesson she learned from Crouching Tiger, Hidden Dragon’s Cheng Pei-Pei.

Roseanne Liang’s TIFF Midnight Madness winner Shadow in the Cloud landed with a blast of fresh genre energy on VOD platforms on New Year’s Day. It’s A-class action in a B-grade body, cramming plenty into its taut 83 minutes, including: a top-secret package, a freakish gremlin, a hostile bunch of Air Force dudes, outrageous stunts, dogfights and a fake wartime PSA that feels remarkably real.

Throughout, the camera is focused mostly on one face—Chloë Grace Moretz’s, playing British flight officer Maude Garrett—as she tackles all of the above from a claustrophobic ball turret hanging under a B-17 Flying Fortress, on a classified mission over the Pacific Ocean during World War II.

While the film’s tonal swings are confusing to some, schlock enthusiasts and genre lovers on Letterboxd have embraced the film’s intentionally outlandish sensibility, which “makes excellent use of its genre mash to create an unpredictable, guilty pleasure,” says Mirza. Fajar writes that “it felt like the people involved in this project knew how ridiculous it is and gave a hundred and ten percent to make it work. Someday, it will become a cult classic.” Mawbey agrees: “It really goes off the rails in all the best ways during the final third, and the last couple of shots are just perfect.”

Chloë Grace Moretz and her top-secret package in ‘Shadow in the Cloud’.

To most of the world, Liang is a so-called “emerging” director, when in fact, the mother-of-two, born in New Zealand to Chinese parents, has been at this game for the past two decades. She has helmed a documentary and a romantic drama, both based on her own marriage; a 2008 short called Take 3, which preceded Hollywood’s current conversation about representation and harassment; and Do No Harm, the splatter-tastic 2017 short in which her technical chops and fluid feel for action were on full display, and, as recorded in multiple Letterboxd reviews, established her as one to watch.

Do No Harm scored Liang valuable Hollywood representation, whereupon producer Brian Kavanaugh-Jones brought Shadow in the Cloud to her, thinking she might connect with the material. “It did connect with me on a level that is very personal,” Liang tells me. “As a woman of color, as a mother who juggles a lot.” She says Kavanaugh-Jones then went through the process of removing original writer Max Landis from the project. “He felt that Max was not a good fit for this project, or for how we like to run things. We like to be respectful and courteous and kind to each other…”

In several interviews, Liang has said she’s comfortable with film lovers choosing not to watch Shadow in the Cloud based on Landis’s early involvement. What she’s not comfortable with is her own contribution—and that of her cast and crew—being erased. While WGA rules have his name attached firmly to the project, the credit belies the reality: his thin script, reportedly stretched out to 70 pages by using a larger-than-usual font, was expanded and deepened by Liang and her collaborators.

Writer-director Roseanne Liang. / Photo by Dean O’Gorman

That team includes editor Tom Eagles, Oscar nominated for Jojo Rabbit, actor Nick Robinson (the titular Simon in Love, Simon) and Beulah Koale, a star of the Hawaii Five-Oh series. The opening newsreel was created by award-winning New Zealand animation studio Mukpuddy, after a small test audience got weirded out by the sight of a gremlin in a war film, despite well-documented WWI and WWII gremlin mythology. It’s an unnecessary but happy addition. The cartoon style was inspired by Private Snafu, a series of WWII educational cartoons scripted by none other than Dr. Seuss and directed by Looney Tunes legend Chuck Jones.

But the film ultimately hangs on Chloë Grace Moretz, who overcame cabin fever to drive home an adrenaline rush of screen craft, in which the very limits of what’s humanly possible in mid-air are tested (in ways, it must be said, that wouldn’t be questioned if it were Tom Cruise in the role). Liang would often send directions to Moretz’s ball turret via text, while her cast members delivered live dialogue from an off-set shipping container rigged with microphones. “I just never got sick of Chloë’s face and I’ve watched her hundreds, if not thousands of times. You feel her, you are her, she just engages you in a way that a huge fighting scene might not, if it’s not designed well. Giant empty spectacle is less interesting than one person in one spot, sometimes.”

Ambitious and nerdy about film in equal measure, it’s clear there’s much more to come from Liang, and I’m interested in what her most valuable lesson has been so far. Turns out, it’s a great story involving Chinese veteran Cheng Pei-Pei (Come Drink With Me’s Golden Swallow, and Crouching Tiger, Hidden Dragon’s Jade Fox), whose film training includes a tradition of remaining on set throughout filming.

Roseanne Liang on the set of ‘Shadow in the Cloud’.

That meant that, during filming of Liang’s My Wedding and Other Secrets, Cheng would stay on set when she wasn’t required. “In New Zealand, trailers are a luxury,” Liang explains. “I said ‘Don’t you want to go to the trailer that we arranged for you?’ ‘No, I just want to sit and watch.’ ‘Why do you want to watch it, you’ve seen it hundreds of times!’ And she said ‘I learn something new every time’. To Pei-Pei, the secret of life is constant education and curiosity and learning. Movies are her work and her craft and her life, and she never gets bored. If I can be like her, that’s the life, right?”

Speaking of which, it’s time we put Liang through our Life in Film interrogation.

What’s the film that made you want to become a filmmaker? Terminator 2: Judgment Day is the movie that is at the top of the mountain that I’m climbing. To me it’s the perfect blend of spectacle, action design, smarts and heart. It poses the theory that if a robot can learn the value of humanity then maybe there’s hope for the ships that are us. That’s perennial, and possibly even more pertinent today. It holds a very special place in my heart, along with Aliens, Mad Max: Fury Road, Die Hard, La Femme Nikita and Léon: The Professional.

What’s your earliest memory of watching a film? I have a cassette tape that my dad made for my grandma in 1981 (he’d send tapes back to his mother in Hong Kong). I was three years old and he had just taken us to see The Empire Strikes Back in the cinema. And he can’t talk to my grandma because I’m just going on and on about R2-D2. I will not shut up about R2-D2 and he’s like, “Yes, yes I’m trying to talk to your grandmother,” and I’m like, “But Dad! Dad! R2-D2!” So it’s actually an archive, but it’s become my memory.

What’s the most romantic film you’ve ever seen? Eternal Sunshine of the Spotless Mind. It’s not the sexiest, but it’s the most romantic. That last scene, those last words where she goes “But you’re gonna be like this forever and I’m gonna be like this forever…” and he just goes “okay”. That to me is one of the most romantic scenes I’ve ever seen. It is a perfect movie.

And the scariest? If it’s a horror movie, the most scared I’ve been is The Ring. I was watching it on a VHS and I was lying on a beanbag on the floor and I was paralyzed with fear. I couldn’t move, because I felt that if I moved she’d see me! Also, American Psycho just came to me this year. I caught the twentieth anniversary of that movie, which is a terrifying film, and again, possibly more relevant now than when it was made. The scariest film that’s not a horror is Joker. It scared me how much I liked it. When I came out of the movie, I was like, “I’m scared because I kind of love it, but it’s horrible. It’s so irresponsible. I don’t wanna like this movie but goddamn, I feel it.” Like, I wanted to go on the streets and rage. In a way we’re all the Joker, we’re all the Batman. That duality, that yin and yang, is inside everyone of us. It’s universal.

What is the film that slays you every time, leaving you in a heap of tears? This is a classic one, the opening sequence of Up. The first ten minutes of Up just destroy me every time. I also saw Soul a couple of days ago and I was with the whole family and I, just, if I wasn’t with the whole family I would have been ugly-sobbing. I had a real ache in my throat after the movie because I was trying to stop [myself] from sobbing.

Tell me your favorite coming-of-age film, the film that first gave you ‘teenage feelings’? Pump Up the Volume. Christian Slater! Off the back of Pump Up the Volume, I fancied myself as a prophet and wrote a theater piece called Lemmings. Obviously the main character was a person who could see through the façade, and everyone else was following norms. “No one understands me, I’m a prophet!” So clearly I have this shitty, Joker-style megalomaniac inside of me. It was the worst play, and I don’t know why my teachers agreed for us to do a staging of it!

Christian Slater and Samantha Mathis in ‘Pump Up the Volume’ (1990).

Is there a film that you and your family love to rewatch? We’ve tried to impose our taste on our children, but they’re too young. We showed them The Princess Bride—they didn’t get it. We literally showed our babies Star Wars in their cribs. That’s how obsessive Star Wars fans we were.

Name a director and/or writer that you deeply admire for their use of the artform. I have a slightly weird answer for this. Can I just give love to Every Frame a Painting by Tony Zhou and Taylor Ramos? They are my film school. I was thinking of my love of Edgar Wright, but then I thought of their video essay on Edgar Wright and how to film comedy, and his essay on Jackie Chan and the rhythm of action and then their essay on the Coen Brothers and Shot Reverse Shot. I must have watched that 30 times ahead of the TV show that I’m making now. I started out in editorial and Tony Zhou is an editor and he talks about when to make the cut: it’s an instinct, it’s a feeling, it’s a rhythm. I realized the one thing in common that I could mention about all the films I’ve loved is Every Frame a Painting. It’s their love of movies that comes bubbling out of every single essay that they made that I just wanna shout out at this part of my career.

Were there any crucial films that you turned to in your development for Shadow in the Cloud? Indiana Jones was something that Chloë brought up—she likes the spiffiness and the humor of Indiana Jones. Sarah Connor was our touchstone for the female character. For one-person-in-one-space type stories, I watched Locke quite a lot, to figure out how they shaped tension and story and [kept] us on the edge of our seats when it’s only one person in one space. In terms of superheroes, I came back to Aliens. Not Alien. Aliens. You know, there are two types of people in this world—people who prefer Alien over Aliens, and people who prefer Aliens over Alien. But actually I think I vacillate for different reasons.

Can there be a third type of person, who thinks they’re both great, but Alien³, just, no? Maybe that’s the best group to be in. We don’t need to fight about this, we can love both of them! I was having an argument with James Wan’s company about this, because there’s a rift inside the company of people who prefer Alien over Aliens.

Okay, program a triple feature with your film as one of the three. I don’t know. Ask Ant Timpson!

I’ll ask Ant Timpson. [We did, and he replied: “Well, one has to be the Twilight Zone episode with William Shatner: Nightmare at 20,000 Feet. And then either Life (2017) or Altitude (2010).”]

Thank you Ant! I used to go to his all-nighters as a university student. He is the king of programming things.

Jake Gyllenhaal in ‘Life’ (2017).

It’s strange that we never met at one of his events! Ant would make me dress up in strange outfits and do weird skits between films. (For those who don’t know, Timpson ran the Incredibly Strange Film Festival for many years—now part of the New Zealand International Film Festival—and still runs an annual 24-Hour Movie Marathon.) So what’s a film from those events that sticks in your head as the perfect genre experience with a crowd? It was a movie about a man protecting a woman who was the girlfriend of a mafia boss: A Bittersweet Life. Not only does it have one of the sexiest Korean actors, sorry, not to objectify, but also I actually screenshot a lot of that film for pitch documents. And, do you remember a crazy Japanese movie where someone’s sitting on the floor with a clear umbrella and a woman is lactating milk? Visitor Q by Takashi Miike. I remember just how fucking crazy that was.

Finally, what was the best film you saw in 2020? I haven’t seen Nomadland yet, so keep in mind that I haven’t seen all the films this year. I have three: The Invisible Man, which I thought was just amazing. I thought [writer-director] Leigh Whannell did such a great job. The Half of It by Alice Wu, a quiet movie that I simply just adored. And then the last movie I saw at the cinema was Promising Young Woman. The hype is real.

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‘Shadow in the Cloud’ is available in select theaters and on video on demand now.