#what-is-performance-metrics

[batsplat]

past performance at the remaining five circuits for both bagnaia and martin

pretty obvious that jorge has had the edge at most of these tracks, with the caveat that this is a very limited sample size. last year pecco was in a position in the championship where it made sense to not risk too much (plus potential aftereffects of the catalunya injury), whereas this year he won't be able to afford that to the same extent. the positive for him is that he emerged from indonesia, a circuit where he has a clear pace deficit, in a marginally strengthened position - the less positive side is you wouldn't necessarily expect him to have an advantage over jorge at these other tracks

the sunday race in motegi last year has the asterisk that it was wet and red-flagged; for what it's worth (not much) practise wouldn't indicate pecco has a massive inherent pace deficit there - but you'd still give the advantage to jorge (cf pecco's horrendous 2022). phillip island last year was the one where jorge made The tyre choice but otherwise had a lot of pace in hand, that one feels like a bit of a toss up given neither has won there in the past (and also a plausible one for both finishing behind marc, maybe even a couple other riders). thailand last year was obviously a martin sweep, but that one did also feature the very tight three way battle in the race between those two and binder until the last lap (bagnaia only got p2 because of binder's track limit violation). again you'd lean martin. sepang feels like a toss up and one where you'd maybe expect bastianini to put in a repeat of last year's performance. valencia is the only one where you'd slightly lean pecco, if the title is still undecided then

overall, given the 21 point deficit and the circuit profiles to come, you'd have to say it's on martin's plate. there's a few more question marks like 'can pecco fix his start problem' and 'how competitive are the other riders' (especially at a track like phillip island) - at this stage a 9 point vs a 5 point swing is pretty substantial. plus ofc there's always stuff like 'hm the weather radar for motegi is looking a bit dubious for saturday'. then there's the obvious question of how both of them hold up mentally - especially given their respective positions in the standings. if the pace differential plays out as you'd expect, jorge can probably afford one more major fuck up and still come out on top, which gives him just about enough margin you'd have to reckon he can weather that storm. and if I were pramac, I'd take pains to ensure nobody tells him as much. pecco obviously can afford a grand total of zero major fuck ups, which traditionally does seem to have a positive impact on his performances. all of which probably means you'd expect them to converge again in the standings by end of the season, but with martin maintaining enough of a buffer to emerge on top. but who knows!

[otterwithaknife]

so upset by the divide in common usage of "agorithm" (weighs stuff by popularity/similarity to what you've engaged with before) vs the actual definition of "algorithm" (a sequence of precise instructions to achieve a result)

[chrollokura]

not to be dramatic but i would rather end it all than go to this meeting

[m4sc4r4]

I’m not going to set a goal to read a certain number of books a year my goal is to read something challenging and interesting that I have to grapple with for a few weeks and that subtly alters my perspective forever. And also life’s not a race and reading isn’t a job. Imagine if we treated other art forms like this: my goal is to look at 1,000 painting this year.

[flimsy-roost]

I realized the other day that the reason I didn't watch much TV as a teenager (and why I'm only now catching up on late aughts/early teens media that I missed), is because I literally didn't understand how to use our TV. My parents got a new system, and it had three remotes with a Venn diagram of functions. If someone left the TV on an unfamiliar mode, I didn't know how to get back to where I wanted to be, so I just stopped watching TV on my own altogether.

I explained all this to my therapist, because I didn't know if this was more related to my then-unnoticed autism, or to my relationship with my parents at the time (we had issues less/unrelated to neurodivergency). She told me something interesting.

In children's autism assessments, a common test is to give them a straightforward task that they cannot reasonably perform, like opening an overtight jar. The "real" test is to see, when they realize that they cannot do it on their own, if they approach a caregiver for help. Children that do not seek help are more likely to be autistic than those that do.

This aligns with the compulsory independence I've noticed to be common in autistic adults, particularly articulated by those with lower support needs and/or who were evaluated later in life. It just genuinely does not occur to us to ask for help, to the point that we abandon many tasks that we could easily perform with minor assistance. I had assumed it was due to a shared common social trauma (ie bad experiences with asking for help in the past), but the fact that this trait is a childhood test metric hints at something deeper.

My therapist told me that the extremely pathologizing main theory is that this has something to do with theory of mind, that is doesn't occur to us that other people may have skills that we do not. I can't speak for my early childhood self, or for all autistic people, but I don't buy this. Even if I'm aware that someone else has knowledge that I do not (as with my parents understanding of our TV), asking for help still doesn't present itself as an option. Why?

My best guess, using only myself as a model, is due to the static wall of a communication barrier. I struggle a lot to make myself understood, to articulate the thing in my brain well enough that it will appear identically (or at least close enough) in somebody else's brain. I need to be actively aware of myself and my audience. I need to know the correct words, the correct sentence structure, and a close-enough tone, cadence, and body language. I need draft scripts to react to possible responses, because if I get caught too off guard, I may need several minutes to construct an appropriate response. In simple day-to-day interactions, I can get by okay. In a few very specific situations, I can excel. When given the opportunity, I can write more clearly than I am ever capable of speaking.

When I'm in a situation where I need help, I don't have many of my components of communication. I don't always know what my audience knows. I don't have sufficient vocabulary to explain what I need. I don't know what information is relevant to convey, and the order in which I should convey it. I don't often understand the degree of help I need, so I can come across inappropriately urgent or overly relaxed. I have no ability to preplan scripts because I don't even know the basic plot of the situation.

I can stumble though with one or two deficiencies, but if I'm missing too much, me and the potential helper become mutually unintelligible. I have learned the limits of what I can expect from myself, and it is conceptualized as a real and physical barrier. I am not a runner, so running a 5k tomorrow does not present itself as an option to me. In the same way, if I have subconscious knowledge that an interaction is beyond my capability, it does not present itself as an option to me. It's the minimum communication requirements that prevent me from asking for help, not anything to do with the concept of help itself.

Maybe. This is the theory of one person. I'm curious if anyone else vibes with this at all.

[harrysfolklore]

casual - ln4

summary: you’re in a situationship with lando norris, one that you know is going to break your heart, but you can’t seem to walk away. wc: 11.7k

folkie radio: i was about to scrap this entire fic bc i just didn’t like they way it was turning out but i finished it 😭 i’m still not really confident about it but i hope you enjoy it. disclaimer: this is angsty !!

MASTERLIST | MY PATREON

You and Lando. Lando and You. An undefined space, more than friends, less than a relationship. You remember it like it was yesterday, though almost a year has passed.

It started innocently enough. As a data analyst and strategist for McLaren, you often found yourself working late nights, poring over race statistics and performance metrics. Lando would sometimes wander into the office, restless after a day of simulations and meetings.

At first, your interactions were purely professional - discussing tire degradation rates or fuel consumption patterns. But gradually, conversations began to drift, getting more personal and personal.

The shift happened subtly. One night, after a particularly grueling race weekend, you were both exhausted, sprawled on the office couch analyzing data. Lando's head drooped onto your shoulder, and for a moment, neither of you moved. The air crackled with tension.

"We shouldn't," you murmured, even as you turned to face him.

"Probably not," Lando agreed, his blue eyes flickering to your lips.

The kiss was inevitable, months of built-up attraction finally finding release. And then came another, and another.

When Lando suggested heading back to his place, you found yourself saying yes without hesitation.

Before you knew it, you were in his apartment, you could feel the tension in the air. Lando stepped closer, his hand cupping your cheek.

"I've been wanting to do this for a while," he murmured, before leaning in to kiss you again.

Clothes were shed as you made your way to his bedroom, falling onto his bed in a tangle of limbs.

The next morning, sunlight streams through unfamiliar curtains, and you blink awake, momentarily disoriented. Lando's sleeping form beside you brings the memories of last night flooding back.

Lando stirs, his blue eyes meeting yours. "Morning," he mumbles, a shy smile playing on his lips. "So... that happened."

You nod, unsure of what to say. "It did."

An awkward silence stretches between you, the weight of the previous night settling in. You would be lying if you said that you didn't enjoy it. You did. You enjoyed it a lot. But you knew the implications of getting close with someone like Lando Norris.

"Look, Iast night was great," finally, Lando speaks. "But my life, my career... it's complicated."

"I understand," you reply, trying to hide the embarrassment on your face, "I mean, we're work colleges after all, it's complicated for me too."

"I'm not saying I regret this," he quickly adds, "I just... I can't offer you something else right now."

You take a deep breath, weighing your options. "So what are you offering?"

"Honestly? I don't know," Lando runs a hand through his tousled hair, "But I'd like to keep seeing you, if you're okay with... not defining things?"

And so begins, your undefined journey with Lando Norris. From that moment, your relationship existed in a grey area. At work, you maintained professionalism, but stolen glances, brushed hands and the way your clothes always ended up in his bedroom floor told a different story.

You know it's not ideal, to have a situationship with Lando Norris. Not when you know you could really fall for him and jeopardize your job. But at the same time, you can't walk away.

You love you job so much, and the fact that you're willing to shut the rest of the world away in order to focus on what you needed to do proved it.

As the Japanese Grand Prix weekend unfolded, you found yourself buried in work. The Suzuka circuit always presented challenges, and you were determined to give the team every advantage possible.

You were so engrossed in your data analysis that you barely noticed Lando enter the temporary office setup. His hand on your shoulder made you jump.

"Christ, Lando! You scared me," you exclaimed, pulling off your headphones.

He grinned, but there was a hint of something else in his eyes. "Come with me," he said, taking your hand and gently pulling you up.

"Lando, I'm in the middle of-"

"It can wait," he insisted, leading you out of the office and towards his driver's room.

Once inside, he closed the door and leaned against it, watching you with an intensity that made your heart race.

"I miss you," he said simply.

You felt a pang of guilt. It had been weeks since you'd had any real time alone together. "I've been busy," you replied, trying to keep your tone light.

"Busy doing what?" Lando raised an eyebrow.

"Coming up with strategies so you can win races, actually," you retorted, a hint of challenge in your voice.

"Oh really? And how's that going?" he stepped closer, a teasing glint in his eye.

"Well, if you'd stop distracting me," you tilted your chin up defiantly, "Maybe I could finish and you'd find out."

Lando chuckled, closing the distance between you. His hands found your waist, pulling you against him. "Maybe I like distracting you," he murmured, his breath warm against your ear.

You shivered involuntarily. "Lando..." you warned, but there was no real resistance in your voice.

"Tell me about these strategies," he said, his lips now trailing along your jawline. "How are you planning to make me faster?"

You struggled to maintain your train of thought as his touch sent sparks through your body. "Well," you managed, "I've been analyzing your cornering speeds and-"

Lando cut you off with a kiss, deep and passionate. When he pulled away, you were both breathless.

"Sorry," he grinned, not looking sorry at all. "You were saying?"

"You're impossible, you know that?"

Before he can even reply, you drag him for another kiss. His fingers tangled in your hair as he pulls you closer, your hands slid under his team shirt, tracing the lean muscles of his back.

When you broke apart, Lando's eyes were dark with desire.

"I thought I was the one who distracted you. Seems like you're just as needy as I am," he smirked, his voice low and teasing.

"Don't flatter yourself, Norris," you felt a blush creep up your cheeks, but matched his playful tone, "I'm just... thorough in my research."

Lando's laugh was warm against your neck as he pressed a kiss there. "Is that what we're calling it now?"

"We're not calling it a relationship, aren't we?" you blurted out before you could even think about it.

Lando's expression softened for a moment, a flicker of something unreadable passing through his eyes. But quickly, his trademark grin returned.

"Well, we're not calling it a relationship," he said, his tone light and teasing, "maybe we should call it a 'performance enhancement program'. You know, for the sake of the team."

You couldn't help but laugh, even as you felt a twinge in your chest at the casual deflection of the relationship topic. "Oh, is that what this is? And here I thought I was just your favorite data analyst."

"Oh, you definitely are," Lando murmured, leaning in for another kiss. "The very best at... analyzing my data."

You rolled your eyes at the innuendo but smiled despite yourself. "As tempting as it is to continue this 'program'," you said, gently pushing him back, "I really do need to get back to work. Those race strategies won't write themselves, you know."

"Fine, fine. Go make me faster on paper. But don't forget, I might need some hands-on analysis later."

"We'll see about that, hotshot," you replied, straightening your clothes and heading for the door. "Focus on your qualifying first."

It's late, well past midnight, when your phone buzzes with a text. You're still up, reviewing data from the day's practice sessions. The message is from Lando, of course.

"Room 507. Now. Please?"

You can't help but smile, imagining the impatience and desire behind those words. You type back:

"Demanding, aren't we? What if I'm busy?"

His reply comes quickly: "Busy with what? I know you're probably still working. Take a break. You deserve it.”

You laugh softly. "I deserve it, huh? Well, when you put it that way..."

"So you're coming?"

You pause, pretending to consider it, even though you both know you're already reaching for your room key. "I suppose I could spare a few minutes."

"There's my girl"

You slip out of your room, heart racing with anticipation. You've done this countless of times before, sneaking out of your hotel room to end up naked in Lando's, but you still felt like a teenage girl every single time.

The hotel corridor is quiet, your footsteps muffled by the plush carpet. You're so focused on reaching Lando's room that you almost collide with someone rounding the corner.

"Whoa, sorry!" You step back, then freeze as you realize it's Oscar, who looks equally surprised.

"Oh, hey. Bit late for a walk, isn't it?"

Your mind races, searching for a plausible excuse. "I, uh... couldn't sleep. Thought I'd grab some ice."

"Ice?" Oscar's brow furrows slightly, "At this hour?"

"Yeah, you know... for my water," you say lamely, cringing at how unconvincing you sound. "Helps me... think better. For work."

"Right," Oscar says slowly, clearly not buying it but too polite to press further. "Well, don't let me keep you from your... ice-enhanced thinking."

You force a laugh. "Thanks. Goodnight, Oscar."

As you hurry past him, you can feel his curious gaze on your back. You silently pray he doesn't mention this encounter to anyone else on the team.

One of the main reasons why you agreed to mess around with Lando without a label was exactly that, the fear of putting your job at risk. You worked hard for it, and you would never forgive yourself if you lost it due to getting in a relationship with one of the drivers.

Which lead you to getting in a goddamn situationship.

Finally reaching room 507, you knock softly. Lando opens the door almost immediately, pulling you inside with a grin.

"Took you long enough," he teases, his arms wrapping around your waist.

"Yeah, well, I just had to convince your teammate that I'm wandering the halls at 1 AM in search of ice. So thanks for that," you retort, but there's no real annoyance in your voice.

"You ran into Oscar?" Lando's eyes widen, "What did you tell him?"

"That I needed ice. For thinking."

"Ice for thinking?" he bursts out laughing. "That's the best you could come up with?"

"Hey, you try coming up with a believable excuse on the spot!" you protest, swatting his arm playfully.

"Fair enough," Lando concedes, still chuckling. "Now, where were we? I believe you were going to help me with some... performance analysis?"

As Lando leans in, your lips meet in a passionate kiss. The tension that's been building all day finally releases as you melt into his embrace. His hands roam your body, pulling you closer as the kiss deepens.

"I've been thinking about this all day," he murmurs, his voice low and husky.

"Oh really?" you tease, running your fingers through his hair. "I thought you were supposed to be focusing on your lap times."

"Who says I can't do both?"

Lando's lips find your neck, trailing kisses along your jawline. You tilt your head back, a soft sigh escaping your lips. Your hands slide under his t-shirt, tracing his sides.

He guides you towards the bed, your bodies pressed close together. As the back of your knees hit the mattress, you fall back, pulling Lando with you. He hovers over you, his weight supported on his forearms.

"You're beautiful," he whispers, his eyes roaming your face.

You reach up to cup his cheek, drawing him down for another kiss. This one is slower, deeper, filled with unspoken emotions.

As things heat up, clothes start to come off. Lando's shirt is the first to go, followed quickly by yours. Skin meets skin, and the world narrows down to just the two of you, lost in each other's touch.

The night stretches on, filled with whispered words, soft moans, and the rustle of sheets. You can't help but think that this undefined thing with Lando is getting more complicated by the day but you decide that's a problem for future you to worry about.

After an exhausting triple header across three different countries, you finally have a well-deserved two-week break.

The past few races have been grueling, with long nights analyzing data and strategizing for each track. While you love your job, the intense schedule has left you drained. Now back home, you decide it's time to unwind and have some fun with your friends.

It's Friday evening, and you're getting ready for a girls' night out. Usually, you’d spend your Friday with Lando, but this time you were dying for a chance to let loose, dance with your friends and forget about work for a while. 

And maybe, forget about your little situationship, too.

Speak of the devil and he shall appear, they say. Because as if on cue your phone starts buzzing with an incoming FaceTime call. Lando's name flashes on the screen.

You answer, propping the phone up on your dresser. "Hey, Lan," you greet him while still doing your makeup.

"Hey, you," he replies, his eyes widening slightly as he takes in your appearance. "Wow, you look hot. Are you going somewhere?"

You nod, turning back to the mirror to continue applying your eyeshadow. "Yep, heading out tonight. It's been ages since I've had a proper night out."

"Oh," Lando says, his tone curious. "Like, out out? Are you... um, going on a date or something?"

You can't help but smirk a little at his barely concealed interest. "Why, Lando Norris, are you fishing for information?" you tease. "I mean, I could be going on a date. We're not exclusive, after all."

Lando's expression falters for a moment before he catches himself, forcing a casual laugh. "No, no, of course not. I was just, you know, curious. Making conversation and all that."

You watch him in the phone screen, noticing how he's trying to play it cool but failing miserably. His jaw is tense, and he's fidgeting more than usual.

Taking pity on him, you decide to put him out of his misery. "Relax, Lando. It's just girls' night. After that triple header, I need to blow off some steam with my friends."

"Oh, right. Cool, cool," the relief on his face is palpable, "That sounds fun."

"Were you jealous, Norris?" you raise an eyebrow at him.

"Me? Jealous? Nah," he scoffs, but the slight blush creeping up his neck betrays him. "I mean, like you said, we're not... you know."

"Exclusive," you finish for him, feeling a familiar twinge in your chest at the word.

"Right," Lando nods, looking a bit uncomfortable. "Anyway, I hope you have a great time tonight. You deserve it after all the hard work these past few weeks."

"Thanks, Lan. I plan to."

"Call me if you need me to pick you up," Lando assures, making you smile softly. Maybe he actually cares about you, you think.

"Don't worry, I can handle myself."

Just as Lando was expecting, you call him around 2 AM, asking if he could come pick you up from the club.

He doesn’t think twice before he’s getting up, putting a hoodie on and grabbing his keys to leave the house.

His car pulls up outside the club about 15 minutes later. You make your way to the vehicle, sliding into the passenger seat with a giggle.

"Thanks for coming," you say, leaning towards him with a grin.

“Of course, love,” Lando looks you over, a playful smirk on his face. "Looks like someone had fun tonight."

“I did, but I missed you,” you say as he starts driving, you’re not sure if he’ll take you to your place or his, but you don’t want to sleep without him, "Oh! I have to tell you something,"

"Well do tell," he encourages, glancing at you with interest.

"There was this guy at the club," you begin, noticing how Lando's eyebrow quirks up. "He was really handsome, and he was flirting with me."

"Was he now?" Lando asks, his tone light but with an undercurrent of something else.

"Yup," you say, popping the 'p' sound. "I pushed him away. Because even though you might not be my boyfriend, I only want you. No one else."

Lando's lips curl into a pleased smile. "Is that so?" he says, his voice low and teasing. "And here I thought I was just your favorite Uber driver."

You burst into laughter, the sound filling the car. Then, feeling bold, you place your hand on his thigh. "Will you sleep with me tonight?"

Lando doesn't even flinch. Instead, he shoots you a mischievous look. "Just like that? Usually, I at least buy you dinner first."

You groan, moving your hand from his thigh but he quickly catches it and kisses your palm before resting it there again, “Of course I’ll stay with you, baby.”

As you arrive home, Lando helps you inside, his arm steady around your waist. You stumble a bit, giggling as you lean into him.

"Careful there," he says, "Let's get you sorted, shall we?"

He guides you to the kitchen, one hand on the small of your back. You hop onto a barstool, watching as he moves around your kitchen with surprising familiarity.

"Let's get some water in you," he says, filling a large glass. "And maybe some food too. When's the last time you ate?"

You scrunch your nose, trying to remember. "Um... before we went out? I think?"

Lando shakes his head, a fond smile on his face. "No wonder you're in this state. Drink this," he hands you the water, "and I'll make you a sandwich."

You sip the water obediently, watching him as he rummages through your fridge. "You don't have to do all this, you know," you say softly.

"I want to," he looks up at you, his eyes soft. "Let me take care of you, yeah?"

As you finish your water, he slides a plate with a sandwich in front of you. "Eat up, pretty girl. It'll help sober you up."

You take a bite, suddenly realizing how hungry you are. As you eat, Lando leans against the counter, watching you with amusement and something else you can't quite name.

"So," he says casually, "tell me about this handsome guy at the club."

You swallow your bite, looking up at him. "Jealous, Norris?"

"Just curious," he shrugs, a smirk playing at his lips. "You said you pushed him away?"

You nod, setting down the sandwich. "I did. He was nice, but... he wasn't you."

The words hang in the air between you, heavy with implication. Lando's eyes sparkle, but he doesn't say anything.

You slide off the barstool and step closer to him. Your hands find his chest and you lean in, pressing your lips to his. He kisses back, his hands settling on your waist, pulling you closer. The kiss deepens, and you feel a warmth spreading through you that has nothing to do with the alcohol.

But then Lando pulls away gently, resting his forehead against yours. "Let's go to sleep, pretty girl," he says, his voice low and a bit rough. "You need rest."

You pout, your fingers playing with the collar of his shirt. "But I want you," you whisper, leaning in so your lips are inches from his.

"And you can have me," he says softly, cupping your face with one hand. "But right now we're going to sleep."

You start to protest, but he silences you with a gentle kiss on the forehead. "Come on, let's get you to bed."

As he leads you to the bedroom, Lando's mind is in turmoil. He's acutely aware of the growing feelings he has for you - feelings that go far beyond the casual arrangement you've had so far. The way his heart races when you're near, the constant urge to make you smile, the fierce protectiveness he feels - it all points to something deeper, that both thrills and terrifies him.

But with these feelings comes a familiar fear. Commitment has always been hard for him. The demands of his career, the pressure of the public eye, the fear of letting someone down - they all contribute to his hesitation. And yet, as he looks at you now, soft and vulnerable in his arms, he can't help but wonder if you might be worth the risk.

In the bedroom, he helps you change into comfortable sleepwear. As you both lay down, you curl into his side, your head on his chest. The steady beat of his heart is soothing, and you feel yourself starting to drift off.

"Lando?" you ask, your voice sleepy.

"Hmm?" His hand is running through your hair, the gesture comforting.

"Do you push away the beautiful girls that come up to flirt with you? Like I did tonight?"

You feel his chest rise with a deep breath. There's a pause before he answers, "I do," he says softly. "There's only one girl I'm interested in."

You lift your head slightly, trying to look at him through heavy-lidded eyes. "Really? Who's that?"

He chuckles, the sound rumbling in his chest. "I think you know, pretty girl."

You're fighting sleep now, but you're determined to get an answer. "Well, I don't believe you," you mumble, the words slurring together. "Prove it."

Lando opens his mouth to reply, but he realizes you're already asleep, your breathing evening out. He looks down at you, a fond smile on his face. Pressing a gentle kiss to your forehead, he whispers, "Maybe I'll show you soon."

The Hungarian Grand Prix has just concluded, and the atmosphere in the McLaren garage is torn between elation and tension.

Oscar has claimed his first Formula 1 victory, a monumental achievement for him and the team. However, the circumstances of his win have left a bitter taste in Lando's mouth, casting a shadow over what should have been a moment of pure celebration for everyone.

You're standing off to the side, your mind racing. The strategy call wasn't yours directly, but as part of the team, you can't help feeling partly responsible for the decision that affected both drivers.

As Lando storms into the garage, his face like thunder, you brace yourself for the fallout. His usual easy-going demeanor is nowhere to be seen, replaced by a storm of anger and disappointment. You've seen Lando upset before, but this felt different.

"Lando," you start, reaching out to him, your voice soft and tentative.

"Save it," he snaps, his blue eyes flashing with anger as he brushes past you. The coldness in his voice makes you flinch. "I don't want to hear it. Not from you, not from anyone."

For the rest of the day, Lando avoids you like the plague. You take separate flights home so you don't really see him or hear from him after you left the circuit.

Over the next few days, you try reaching out via text, each message more desperate than the last. But they go unanswered, each 'read' receipt another twist of the knife. This isn't like Lando, to shut everyone out so completely. You can't help but wonder if this is about more than just the race.

Finally, unable to bear it any longer, you decide to go to his place. It's a risky move, you know, but the thought of leaving things like this is unbearable. Using the spare key he gave you months ago - a gesture that had felt so significant at the time - you let yourself in.

The apartment is quiet, but not empty. You can feel his presence, sense the tension in the air.

"Lando?" you call out, your voice echoing slightly in the silent space.

You hear movement from his bedroom, and soon enough he emerges, dressed to go out, and freezes when he sees you. His expression hardens, the warmth you're used to seeing in his eyes replaced by a cold, distant look. "What are you doing here?"

"We need to talk, Lando," you say, your voice firm despite the nervous flutter in your stomach. "You can't just shut me out like this. It's not fair, and it's not right."

"I don't have time for this right now," Lando's jaw clenches, his gaze darting away from yours, "I'm heading out."

"Of course you are," you say, unable to keep the bitterness from your voice. "Because going out and partying is so much easier than facing your problems, isn't it?"

His eyes narrow, a spark of anger igniting, "What's that supposed to mean?"

"It means you're running away," you say, taking a step closer. "From the race, from the team, from me. We're all just trying to do our best, Lando. The team made a call, and it worked out for the best. Why can't you see that?"

"Because it wasn't the best for me!" Lando explodes, his composure finally cracking. "Do you have any idea what it's like? To have victory in your grasp and then have it taken away? To be told that you're not good enough, that your teammate is the better choice?"

"That's not what happened, and you know it," you argue back, your own frustration bubbling over. "It was a strategic decision, not a judgment on your abilities. You're letting your ego cloud your judgment."

"My ego?" Lando's laugh is harsh and humorless, "That's rich, coming from someone who's never had to make these kinds of sacrifices."

The words hang in the air between you, sharp and cutting. You take a deep breath, trying to calm the storm of emotions inside you. You's never had an argument like this before.

"Fine," you say finally, your voice quiet but firm. "Go out if that's what you want. But don't call me when you're feeling lonely later tonight. I'm not just some convenient comfort for when you decide you need me."

Something flashes in Lando's eyes – hurt, perhaps, or regret. But it's quickly replaced by a hardness that makes your heart ache.

"Don't worry," he retorts, his voice cold. "I can always find another girl to keep me company. I don't need you for that."

The words hit you like a physical blow, and you take an involuntary step back. The undefined nature of your relationship, once thrilling in its potential, now feels like a weapon being used against you.

"Is that what this is to you?" you ask, your voice barely above a whisper. "Just a convenient arrangement? Someone to warm your bed when you can't find anyone else?"

Lando's expression softens for a moment, regret flickering across his features. But he doesn't take back his words. Instead, he turns away, his hand on the front door.

"You know your way out." And with that, he's out of the door.

A week later, Formula 1 has moved to the iconic Spa-Francorchamps circuit in Belgium. The air is thick with anticipation - not just for the upcoming race, but for the looming summer break that follows.

You've thrown yourself into your work, burying your emotions under a mountain of data analysis and strategy planning. The tension between you and Lando hasn't gone unnoticed by the team, but thankfully, everyone's too focused on the upcoming race to pry.

You haven't spoke to Lando after your argument at his place, and you blocked his number, leaving him unable to contact you.

As you make your way through the paddock, your arms full of printouts and your mind racing with tire degradation calculations, you spot a familiar figure approaching. Lando, clad in his McLaren team shirt, is walking purposefully in your direction. Your heart rate spikes, and you quickly duck into a nearby hospitality area, pretending to be engrossed in conversation with a group of engineers.

This dance continues throughout the day. Lando tries to catch your eye during the team briefing, but you keep your gaze fixed on your tablet. He lingers near your station in the garage, but you find urgent errands that take you elsewhere. It's exhausting, this game of cat and mouse, but you're not ready to face him - not yet.

As the day winds down, you're making your final rounds, double-checking that everything is set for tomorrow's practice sessions. The paddock is quieter now, most team members having retired for the evening.

You're so focused on your checklist that you don't notice the approaching footsteps until it's too late.

"We need to talk," Lando's voice, firm and tinged with frustration, breaks the silence.

You spin around and Lando stands before you, his blue eyes intense and determined. He's changed out of his team shirt into a simple t-shirt and jeans, his hair slightly tousled as if he's been running his hands through it.

"Lando, I-" you begin, but he cuts you off.

"No, don't give me another excuse," he says, stepping closer. "We've been dancing around each other all day. Enough is enough."

Before you can protest, he gently but firmly takes your arm and starts guiding you towards the McLaren motorhome. You could resist, but something in his tone, a note of desperation perhaps, makes you comply.

The motorhome is quiet and dimly lit as Lando leads you inside and up to the second level where the drivers have their private areas. He ushers you into his room, closing the door behind you.

The space is unmistakably Lando's - a gaming setup in one corner, a few personal photos tacked to a board, his race suit hanging neatly on a hook. The familiarity of it all makes your heart ache.

Lando runs a hand through his hair, pacing for a moment before turning to face you.

"I'm sorry," he blurts out, the words tumbling from his lips as if he's afraid he'll lose his nerve if he doesn't say them immediately. "I'm so sorry for how I acted, for what I said. It was awful, and you didn't deserve any of it."

You stand there, arms crossed, trying to maintain your composure even as a lot of emotions overwhelm you. "You were an asshole, Lando," you say quietly.

"I know," he nods, "I was angry and frustrated, but that's no excuse. I took it out on you when you were just trying to help." He takes a step closer, his eyes pleading. "I've been miserable this past week. I missed you so much, and the thought that I might have ruined everything between us… it's been killing me."

Despite your best efforts to stay strong, you feel your resolve weakening. You're weak when it comes to him, and you're pretty sure he knows it.

"I missed you too," you admit softly. "But Lando, we can't keep doing this. We can't just pretend everything's fine and then lash out at each other when things get tough."

"I know, I know," Lando nods eagerly. "I want to do better. I want to be better," he pauses for a moment, his gaze dropping to the floor before meeting your eyes again. "And I didn't go home with anyone that night, by the way,"

You furrow your brow, momentarily confused by the seemingly random statement. Then, like a flash, you remember his cruel words from that night in his house.

As you laid in bed the night of the argument, you couldn't help but wonder if Lando had gone home with someone else, and if that was how it worked when you were not there.

And it hurt more that you ever thought possible.

"Oh," you respond, aiming for nonchalance but not quite hitting the mark. "That's… I mean, you didn't have to tell me that. It's not like we're…"

You trail off, unsure how to finish that sentence. What are you, exactly?

Lando takes a step closer, his blue eyes intense as they lock with yours. "I know I don't have to tell you," he says, his voice low and earnest. "But I want you to know. I only want you to keep me company, not anyone else."

Your heart skips a beat at his words, a warmth spreading through your chest. But almost immediately, a more cynical part of your mind chimes in. He wants you, but he doesn't want to be in a relationship with you. He wants the comfort, the intimacy, but not the commitment.

"Lando, I…" you begin, but the words catch in your throat. You want to ask for clarification, to define what this is between you, but fear holds you back.

Lando seems to sense your inner turmoil. He reaches out, gently taking your hand in his. "I know I messed up," he says softly. "And I know things between us are… complicated. But I mean what I said. You're the only one I want."

You look down at your joined hands, then back up at Lando's face. Despite despite the voice in your head warning you to be careful, you feel yourself giving in. The pull is too strong, the desire to be with him overpowering your rational mind.

"Okay," you whisper, squeezing his hand.

Lando's face breaks into a relieved smile, his eyes lighting up. He pulls you into another embrace, holding you close. You allow yourself to sink into his warmth, pushing your doubts to the back of your mind for now.

When you finally pull apart, Lando's expression is soft, almost reverent. "Are we good?" he asks, a hint of uncertainty in his voice.

You take a deep breath, considering the question. Are you good? There's still so much left unsaid, so many questions unanswered. But looking at Lando, feeling the comfort of his presence, you can't bring yourself to disrupt this moment of peace between you.

"Yes," you say, managing a small smile. "We're good."

The early morning sunlight filters through the curtains of Lando's Monaco apartment. You stir slowly, consciousness creeping in as you become aware of the warm body next to you. Opening your eyes, you're greeted by the sight of Lando's peaceful sleeping face, his features relaxed and vulnerable in a way they rarely are when he's awake.

It's been two weeks since your conversation in the motorhome at Spa, and true to form, you and Lando had fallen back into your familiar rhythm without missing a beat. The race weekend had gone well, with both McLarens finishing in the points, and you'd flown to Monaco with Lando for the first part of the summer break without a second thought.

As you watch Lando sleep, you can't help but feel that being here with him feels right in a way that's hard to describe. You know that this thing between you, whatever it is, is a ticking time bomb if you don't define it soon. But every time you think about approaching the subject, fear holds you back.

So you've chosen to ignore it, to live in this blissful bubble for as long as you can. You tell yourself that you'll deal with it later, after the summer break, after the next race, after the season ends. There's always a reason to put it off.

Lando begins to stir, his eyelids fluttering open. When his gaze focuses on you, a slow, sleepy smile spreads across his face. "Morning, beautiful," he murmurs, his voice husky with sleep.

"Morning," you reply softly, unable to help the smile that mirrors his.

Lando reaches out, his hand cupping your cheek as he leans in for a kiss. It starts soft and sweet, but quickly deepens as he pulls you closer. His other hand trails down your side, leaving goosebumps in its wake. You sigh into the kiss, your own hands exploring the familiar planes of his chest and back.

As things start to heat up, Lando rolls you onto your back, hovering over you. His lips leave yours to trail kisses along your jaw and down your neck. You arch into him, your fingers tangling in his hair.

Just as things are about to progress further, there's a sharp knock at the front door.

"Ignore it," Lando whispers, leaning in to capture your lips again.

You lose yourself in the kiss for a moment before another, more insistent knock breaks through. Lando groans in frustration, dropping his forehead to your shoulder.

"I should probably see who that is," he sighs, reluctantly pulling away.

You watch as he gets out of bed, admiring the view as he pulls on a pair of sweatpants before heading downstairs.

Curious about who could be visiting so early, you decide to follow after a few minutes. You grab Lando's discarded t-shirt from the night before, pulling it on. It falls to mid-thigh, long enough to be decent for a quick peek downstairs.

As you descend the stairs, you hear familiar voices from the entryway. Your heart drops as you recognize the second voice - it's Max Verstappen. Panic sets in as you realize the compromising position you're in, but it's too late. You've already rounded the corner, coming face to face with both drivers.

For a moment, everything freezes. You stand there, a deer caught in headlights, wearing nothing but Lando's shirt. Max's eyes widen in surprise, darting between you and Lando. Lando looks equally shocked, clearly not expecting you to come downstairs.

Mortified, you turn on your heel and bolt back upstairs, your cheeks burning with embarrassment. As you retreat, you hear Max's voice, tinged with amusement and surprise.

"Dude, isn't that one of your strategists?"

You don't hear Lando's response as you shut the bedroom door behind you. This is exactly the kind of situation you'd been afraid of, the reason why leaving things undefined was so dangerous.

Downstairs, the conversation continues.

"Yeah, she is," Lando admits, running a hand through his hair nervously.

"Wow, okay," Max lets out a low whistle, "So… how long has this been going on? Please tell me it's recent and not, like, during the season or something."

Lando hesitates for a moment before answering. "It's… been a while actually. Over a year."

"A YEAR?!" Max exclaims, his voice rising in disbelief. "Lando, mate, are you serious? You've been hooking up with a team member for over a year and nobody knew?"

"It's not just hooking up," Lando defends, though his voice lacks conviction. "It's… complicated."

"Complicated?" Max raises an eyebrow, "Sounds like a disaster waiting to happen if you ask me. Does the team know?"

"No," Lando shakes his head, "And I'd appreciate it if you didn't say anything. It's not affecting our work, so no one needs to know."

"Hey, not my circus, not my monkeys," Max holds up his hands in surrender, "But seriously, Lando, be careful. This kind of thing can blow up in your face if you're not careful."

They exchange a few more words before Max takes his leave, reminding Lando about their plans for later in the week. As soon as the door closes behind Max, Lando bounds up the stairs, taking them two at a time.

He finds you in the bedroom, already dressed in own clothes. You're pacing nervously, chewing on your bottom lip - a habit he knows you fall into when you're anxious.

"Hey," he says softly, approaching you cautiously. "I'm sorry about that. I didn't expect Max to show up unannounced."

You stop pacing, turning to face him. "It's fine," you say, but your voice is tight. "I should go."

"What? No, please don't go," Lando's face falls, "Max won't say anything, I promise. He may be a bit of a prat sometimes, but he can keep a secret."

"I'll just have a walk around the harbor, I'll be back," you say as you grab your phone from the nightstand.

"But why?" Lando asks, a note of panic creeping into his voice. "Is this because Max saw you? I swear, it's not a big deal."

"I'll meet you for lunch, okay? you say softly, avoiding Lando's gaze.

"Okay," he replies simply, not pushing for more.

Without further conversation, you gather your belongings and head for the door. Feeling more conflicted than ever before.

After Max caught you together in Monaco, you stayed a few more days with Lando before reluctantly going back home, and he took on a trip with his family. You don't really see him for the rest of the summer break, until he showed up at your place two weeks before it was time to get back to work.

"So," Lando says as you laid in bed, "ready to go back to being all professional and proper soon, Ms. Strategist?"

"Oh, I'm always professional, Norris. It's you who can't keep your eyes off me during briefings."

"Me? Lando gasps in mock offense, "I'll have you know I'm the picture of focus and concentration."

"Sure," you drawl, "That's why you kept 'accidentally' brushing against me in the garage."

He leans in closer, his voice dropping to a husky whisper. "Can you blame me? You're irresistible when you're talking about tire strategies."

You laugh, pushing him away playfully, trying to ignore the flutter in your stomach at his proximity. "Smooth talker. Is that how you charm all the girls?"

"Nah," he grins, pulling you back towards him. "Just the brilliant, beautiful ones who can calculate pit stop windows in their sleep."

Your breath catches as he nuzzles your neck, his stubble tickling your skin. For a moment, you consider bringing up the conversation you've been avoiding all summer. "Lando," you murmur, "we should probably talk about-"

He silences you with a kiss, deep and passionate. "Or," he says, his eyes dark with desire, "we could make the most of our night."

You know you should resist, that you should have that conversation you've been avoiding. But as Lando's hands start to wander, you find your resolve weakening, as always.

You don't really hear from Lando after that night. He says goodbye after breakfast the following day, and then it's radio silence.

You try not to think too much of it, the break is coming to an end and he has responsibilities and work to go, it's not personal, you try to convince yourself.

But your mind can't help but wander. Is he with someone else? Is he avoiding you? Did you make him upset and you failed to notice?

But you don't dare to bring it up to him. He's not your boyfriend, after all.

The transition back to work after the summer break is jarring. The McLaren Technology Centre buzzes with activity as everyone prepares for the upcoming race. You're immediately swept up in meetings, data analysis, and strategy sessions. Despite working in the same building, you and Lando barely cross paths for days. The few times you do see him from afar, he's always surrounded by engineers or caught up in simulator work.

Finally, the team arrives at Zandvoort Circuit for the Dutch Grand Prix. The atmosphere of the paddock envelops you as you make your way to the McLaren garage, your arms full of strategy documents and your mind racing with last-minute considerations for the race.

As you approach, you spot Lando and Oscar chatting animatedly near the entrance. Your heart does a little flip at the sight of Lando, and you can't help but smile. You've missed him more than you care to admit.

"Morning, boys," you call out, aiming for a casual tone as you near them.

They both turn, matching grins spreading across their faces. "Hey there, stranger," Lando says, his eyes twinkling with that familiar mischief that never fails to make your stomach flutter.

Oscar, ever the gentleman, moves to take some of the papers from your arms. "Let me help you with those. How was your break?"

You smile gratefully, handing him a stack of documents. "Thanks, Oscar. It was lovely, very relaxing. How about yours?"

As Oscar launches into a story about his time back home in Australia and his trip with his girlfriend, you can't help but steal glances at Lando.

He looks good - tanned and relaxed, with a hint of stubble that you know from experience feels delightfully rough against your skin. You quickly push that thought aside, reminding yourself of where you are.

"Oh, that reminds me," Oscar says suddenly, turning to Lando with a sly grin. "How did that lunch go the other day? With Emma?"

You feel your body tense involuntarily. Lunch? Emma? Who's Emma?

Lando's eyes widen slightly, and he shoots a quick glance your way before looking back at Oscar. "Oh, uh, it was fine. Just a casual thing, you know."

But Oscar, oblivious to the sudden tension, presses on. "Come on, mate, don't be modest. Emma told Lily it went really well. Said you two really hit it off."

You feel as if all the air has been sucked out of your lungs. The documents in your arms suddenly feel impossibly heavy.

Lando runs a hand through his hair, a nervous habit you've come to recognize. "It wasn't… I mean, it was just lunch, Oscar. Don't make a big deal out of it."

"I'm just saying," Oscar continues, still grinning, "she seems really into you. Might be worth giving it a shot, yeah? It's about time you settled down with someone nice."

You can't bear to hear any more. "I should get these to the engineers," you mutter, already turning away. "See you guys later."

As you walk away, you hear Lando call out your name, but you don't stop. You can't stop. If you stop, you might fall apart right there in the middle of the paddock.

You make it to the back of the garage before you hear rapid footsteps behind you. "Hey, wait up," Lando's voice comes from behind you, slightly out of breath.

You turn slowly, trying to school your features into a neutral expression. "What is it, Lando? I'm kind of busy."

He looks at you, his eyes searching your face. "About what Oscar said… it's not what you think."

"What do I think, Lando?" you raise an eyebrow, fighting to keep your voice steady. "We never defined what this is, remember? You're free to have lunch with whoever you want."

"It was just a favor for Oscar," Lando steps closer, lowering his voice. "His girlfriend's friend is new in town, and they asked if I'd show her around. That's all it was, I swear."

You want to believe him. God, how you want to believe him. But the memory of those blissful days during the summer break, followed by days of silence and now this… it's too much.

"Look, Lando," you say, hating how your voice wavers slightly, "we both knew this couldn't last. We have jobs to do, careers to think about. Maybe… maybe this is for the best."

"What? No, that's not…" Lando starts, reaching for your arm, but you step back.

"I really need to get these to the engineers," you say, gesturing with the documents still clutched to your chest like a shield. "We should both focus on the race this weekend. That's what we're here for, right?"

Without waiting for a response, you turn and walk away, your vision blurring slightly as you blink back tears. You can feel Lando's gaze boring into your back, but you don't turn around. You can't.

As you round the corner, out of sight from the main garage, you lean against the wall for a moment, taking deep breaths to compose yourself. The rational part of your brain knows you're overreacting, that you should hear Lando out. But the emotional part, the part that's been dreading this moment since this situationship began, is in full fight or flight mode.

With one final deep breath, you push off the wall and head towards the engineering room, burying your personal turmoil beneath layers of race strategy and tire calculations. Lando Norris was consuming every part of you.

The tension between you and Lando remains palpable throughout the race weekend. You both maintain focused on your jobs, but there's a hint that something is not right with you.

The truth is, your situation with Lando has been consuming you for weeks now. What started as a casual arrangement has grown into something much deeper, at least for you.

The more time you spend with Lando, the harder you fall for him. And it's terrifying. Being casual isn't enough anymore; it hasn't been for a while. You've reached a point where you don't think you can continue this way. The pain of loving him in secret, of always being on the edge of something more but never quite reaching it, is becoming unbearable. You need clarity, commitment - or you need to walk away before you lose yourself completely.

To make matters more complicated, Lando wins the race at Zandvoort, securing his second victory of the season—one he had been craving since Miami. Your heart breaks even more as you realize you can't even celebrate this moment with him properly. Watching him on the podium, champagne in hand and pure joy radiating from his face, you feel like crying right there.

You want to run to him, throw yourself into his arms and celebrate with him, tell him how proud you feel and how much he deserves this. But you can't, not until whatever is going on between you gets sorted out.

It's not until after the race, when the celebrations cool down and the team begins to pack up, that Lando finally corners you in a quiet moment.

"Can we talk?" he asks, his voice low and urgent. "Please?"

You hesitate, glancing around the garage. Most of the team is busy with post-race duties, paying you no attention. With a sigh, you nod and follow Lando to a more secluded area behind the motorhome.

"First of all, congratulations on the win. You really deserve it," you say as soon as you're alone, trying to keep your voice steady.

Lando gives you a bittersweet smile. "Thanks, but that's not what occupies my mind right now," he replies, his eyes searching yours with an intensity that makes your heart race, "I don't understand what happened back there. Why won't you believe me about Oscar's friend?"

You cross your arms, a defensive posture you're all too aware of. "It's not just about her, Lando. It's… everything."

"What do you mean, everything?" he asks, brow furrowed.

"I mean this whole situation," you take a deep breath, trying to organize your thoughts, "I thought I could handle it, but…"

"But what?" Lando steps closer, his voice softening, "Talk to me, please."

"But it's getting harder," you admit, your voice barely above a whisper. "Every time I see you with someone else, every time we have to pretend there's nothing between us, it hurts a little more."

Lando reaches for your hand, and this time you don't pull away. "You're the only one I want," he says earnestly. "You have to know that."

You let out a humorless laugh, shaking your head. "You always say that, Lando. But you still won't fully commit to me. It's hard to believe it when you won't put a label on us, when you go out with other women-"

"That wasn't a date," Lando interrupts, a hint of frustration creeping into his voice. "I told you, it was just a favor for Oscar."

"I know, I know," you say, pulling your hand away and running it through your hair. "But that's not the point. The point is, I don't know where I stand with you. We've been doing this dance for over a year now, and I still don't know what we are to each other."

"I thought you were okay with this. With us staying without a label. You agreed to keep things casual."

"I was okay with it," you turn away, blinking back tears. "But it's not enough anymore. At least, not for me."

There's a long moment of silence. When you turn back, Lando is staring at the ground, his hands shoved deep in his pockets.

"What are you saying?" he asks finally, his voice small.

"I'm saying that I can't do this anymore, Lando," you say firmly, "I want more. I need more."

"We agreed it was too complicted," Lando looks up at you, his eyes wide and vulnerable, "That we couldn't be in a relationship."

"I know what we agreed," you say, your voice cracking slightly. "But feelings change. People change. I've changed, Lando. And I can't keep putting my heart on hold for a someday that might never come."

Lando steps forward, reaching for you again. "Please, don't do this. We can figure it out. I'll try to be more open about us. We can tell our friends."

You shake your head, cutting him off. "It's not just about telling people, Lando. It's about commitment. It's about knowing that when I go home at night, I'm not just someone in your bed. It's about building a future together, not just living for the moment."

"I don't know if I can give you that. Not right now," Lando's face falls. "My career is at a great point, and-"

"And mine isn't?" you interrupt, a flash of anger cutting through your sadness. "Do you think I'm not risking just as much as you are? If not more? But I'm willing to take that risk because what we have… what we could have… it's worth it to me."

You watch as emotions play across Lando's face - confusion, fear, longing. Finally, he speaks, his voice barely audible. "I don't want to lose you."

Your heart aches, but you stand your ground. "Then give me a reason to stay, Lando. Show me that I'm more than just a convenient distraction between races."

Lando opens his mouth to respond, but you hold up a hand to stop him. "Don't answer now. Think about it. Really think about what you want. Because I can't keep going on like this. It's not fair to either of us."

With that, you turn and walk away, leaving Lando standing alone behind the motorhome. As you make your way back to the garage, you can feel the weight of unshed tears burning behind your eyes. But you don't let them fall. Not here, not now.

You've laid your cards on the table. Now it's up to Lando to decide what he's willing to do with them.

The Monza race weekend flies by in a whirlwind of noise and action. You keep yourself busy, diving deep into numbers and race plans to avoid thinking about your feelings. It's easier to focus on tire strategies and pit stop timings than to deal with the ache in your chest every time you see Lando.

When you do have to talk to Lando, you both act normal and professional. But there's a tension in the air between you, like a tight rubber band ready to snap. You catch others giving you worried looks sometimes, and it makes you feel even more on edge.

Lando has not given you any kind of response to your talk in Zandvoort, and it's been just a week, but you feel like you know his answer. He's not willing to give you what you ask for. And it hurts, more than you can say.

As Sunday night gets closer, whispers of Carlos Sainz's birthday celebration begin to circulate through the paddock. You know Lando will definitely go - he and Carlos are really close friends. A small part of you wishes you could go too. You imagine laughing with your coworkers, having a drink, and forgetting about all the drama for a while.

But then you think about seeing Lando there. You picture having to smile and act like everything's fine when it's not. The thought of making awkward small talk with him, or worse, seeing him chatting happily with someone else, makes your stomach churn. It feels like too much to handle right now.

In the end, the thought of facing Lando and all those people is just too much. You decide to skip the party, even though a part of you feels guilty and a bit left out. But the relief you feel at making this decision tells you it's the right choice for now.

As the sun begins to set after the race and everyone gets ready for the party, you retreat to your hotel room. You order room service – a plate of pasta that you barely touch – and settle in for a quiet evening alone. You try to lose yourself in a book, but the words blur on the page, your mind constantly wandering to thoughts of Lando. Is he at the party now? Is he having fun? Is he thinking of you at all?

Meanwhile, at Carlos' birthday celebration, Lando finds himself struggling to enjoy the party. He mingles half-heartedly, his laugh a beat too late, his smile not quite reaching his eyes. He can't help but scan the room periodically, hoping against hope that you might have changed your mind and decided to come.

Max, observant as ever and knowing his friend too well, notices Lando's distraction and pulls him aside.

"You alright, mate?" Max asks, "You look like you'd rather be anywhere but here."

Lando sighs, running a hand through his hair. "Is it that obvious?"

Max nods, taking a sip of his drink. "Want to talk about it?"

For a moment, Lando considers brushing it off, but the weight of the past week suddenly feels too heavy to bear alone. "It's about her," he admits quietly.

Max doesn't need to ask who 'her' is. By now he knows the situation his friend is caught up in, "Trouble in paradise?" he asks.

"More like paradise lost," Lando lets out a humorless laugh, "I think I really messed up, Max. I was so worried about keeping things casual, about not complicating our working relationship, that I didn't realize how fucked up the whole thing was."

"So what are you going to do about it?" Max asks.

Lando looks around the room, at the laughing faces and clinking glasses, and suddenly feels very out of place. "I don't know. I just know I can't be here right now. Not when things are like this between us."

"Then go," he says simply. "Go find her. Talk to her. Life's too short for regrets, especially in our line of work."

Lando looks at Max, a hint of his usual playful smile returning despite the situation. "When did you become so wise, Verstappen? Did all those championship trophies finally knock some sense into you?"

"Someone has to be the voice of reason around here," Max rolls his eyes, but there's a fond smile on his face, "Now go on, get out of here before Carlos finds you and makes you stay, I'll distract him."

"Thanks, Max. I owe you one," Lando chuckles, patting his back.

"You owe me several, but who's counting?" Max grins, clapping Lando on the shoulder. "Now go get your girl."

With a newfound sense of purpose, Lando slips out of the party. His heart pounds as he makes his way to your hotel, not even sure if you would want to talk to him.

When he's finally standing in front of you door, he knocks softly, hope and fear warring in his chest as he waits for you to answer.

You're curled up on the bed, still trying and failing to focus on your book, when you hear the knock. Confused, you glance at the clock - it's barely past 10 PM. The party should still be in full swing. Who could be at your door?

As you pad over to the door and peer through the peephole, your breath catches in your throat. It's Lando, looking slightly disheveled, his hands shoved deep in his pockets.

You hesitate, your hand on the doorknob. Part of you wants to fling the door open and throw yourself into his arms. But another part, the part that's been hurt and confused for the past week, holds you back.

Taking a deep breath to steady yourself, you slowly open the door, trying to keep your expression neutral despite the emotions inside you.

"Lando?" you say, trying to sound calm even though your heart is racing. "What are you doing here? I thought you'd be at Carlos' party."

Lando looks a bit messy, like he rushed over. He shifts from foot to foot, looking nervous. "I was," he says. "But I couldn't stay. Not when you weren't there."

You lean against the doorframe, crossing your arms. You're trying to protect yourself, even though you want to believe him. "You left your best friend's birthday party early because of me?"

Lando nods, looking right at you. His eyes are so intense it makes your heart beat even faster. "Can I come in? I think we need to talk."

You hesitate for a moment. You're scared of getting hurt again, but you also really want to hear what he has to say, even if it breaks your heart. Finally, you step back and let him in.

As he passes by, you catch a whiff of his cologne mixed with the faint scent of the paddock - a combination that's uniquely Lando and achingly familiar.

Lando walks into the room, running a hand through his hair. "I've been doing a lot of thinking this past week," he begins, turning to face you. "About us."

Your heart starts to race, but you force yourself to remain calm. "And?" you prompt, when he doesn't continue.

"And you were right. About everything," Lando takes a deep breath, "I've been so focused on not complicating things, that I didn't realize how much I was hurting you.”

"Lando, I-"

"Please, let me finish," Lando interrupts you softly, "The truth is, I've been scared. Terrified, actually. Of commitment, of letting someone in completely, of potentially damaging our careers if things went wrong. But this past week without you… it's been hell", he takes a step closer to you, his voice dropping to a near whisper. "I've dated before, had relationships, but nothing has ever felt like this. What we have… it's different. Special. And I've been an idiot for not seeing it sooner."

Your breath catches in your throat as Lando continues, his words coming faster now, as if he's afraid he'll lose his nerve if he doesn't get them all out. "I kept telling myself that keeping things casual was the smart thing to do. That it was protecting both of us. But all I've done is push you away and make you doubt how much you mean to me."

He runs a hand through his hair, a gesture you've seen him do countless times when he's nervous or frustrated. "The truth is, I'm crazy about you. I think about you all the time. When something good happens, you're the first person I want to tell. When something goes wrong, you're the one I want to turn to. And it scares the hell out of me because I've never felt this way about anyone before."

Your heart is pounding so hard you're sure Lando must be able to hear it. You want to speak, to tell him how much his words mean to you, but you can see he's not finished yet.

"I know I've messed up. I know I've hurt you by not being clear about my feelings, by not giving you the commitment you deserve. And I'm so, so sorry for that," Lando's voice cracks slightly, and you can see the sincerity in his eyes. "But if you're willing to give me another chance, I want to do this right. No more hiding, no more pretending we're just casual. I want to be with you, properly. I want to tell our friends, take you on proper dates. I want everything."

He takes another step closer, close enough now that you can feel the warmth radiating from his body. "I can't promise it'll be easy. Our careers, the media attention, the travel - it's all going to be complicated. But I'm willing to fight for this, for us, if you are."

You stand there, momentarily stunned by Lando's words. Your mind is racing, trying to process everything he's just said. You've dreamed of hearing something like this from him for so long, but now that it's happening, you find yourself almost paralyzed.

Taking a shaky breath, you finally find your voice. "Lando, I… I don't know what to say. This is everything I've wanted to hear from you, but I'm scared too. What if we try this and it doesn't work out? What if we end up ruining our friendship, our work relationship?"

Lando's hand finally makes contact with your cheek, his touch impossibly gentle. "Those are all valid fears," he says softly. "And I'd be lying if I said I wasn't worried about the same things. But I think what we have is worth the risk. Don't you?"

You lean into his touch, your eyes closing for a moment as you savor the feeling. When you open them again, you see Lando looking at you with such tenderness it makes your heart ache.

"I do," you whisper. "I really do. But Lando, I need you to be sure, if we do this, I need all of you. No more half measures, no more hiding."

Lando nods, his thumb gently caressing your cheek. "I'm sure. I want all of you, and I want to give you all of me in return."

The sincerity in his voice, the look in his eyes - it's everything you've been longing for. Unable to resist any longer, you close the distance between you and press your lips to Lando's. The kiss is soft at first, tentative, as if you're both afraid this moment might shatter. But then Lando's arms wrap around you, pulling you closer, and the kiss deepens.

It's not your first kiss, not by a long shot, but it feels different this time. There's a promise in this kiss, a commitment that wasn't there before.

You pour all your pent-up emotions - the longing, the frustration, the love you've been holding back. Lando responds with equal passion, one hand tangling in your hair while the other presses against the small of your back.

When you finally break apart, Lando rests his forehead against yours, a smile playing on his lips.

"I've missed you so much," he murmurs. The relief and happiness that flood Lando's face are beautiful to see.

"I've missed you too," you admit. "More than I wanted to admit, even to myself."

Lando's hands start to wander, tracing patterns on your back that make you shiver, you melt at his touch, but then your mind starts racing again.

"Where do we go from here, Lan?" you ask, your voice barely above a whisper.

Lando takes a moment to consider your question, his hands still gently caressing your back. He pulls back slightly to look into your eyes, his expression a mix of tenderness and determination.

"Well," he starts, a small smile playing on his lips, "I think we take it one step at a time. We don't need to rush anything, but we also don't need to hide anymore."

You nod, encouraging him to continue.

"First things first," Lando says, his voice growing more confident, "I want to take you on a proper date. No sneaking around, no pretending we're just colleagues grabbing a quick bite. I want to take you somewhere nice, hold your hand in public, and not care who sees us."

The thought makes your heart flutter. "I'd like that," you reply softly.

You wrap your arms around him, feeling a sense of peace settle over you. For the first time in a long while, you feel truly happy and hopeful about the future.

"So," Lando says after a moment, a hint of mischief in his voice, "since I left Carlos' party early to come here... does that mean I get to stay the night?"

You laugh, playfully swatting his arm. "Cheeky," you tease, but there's no real accusation in your voice. Instead, you lean in and kiss him.

As the kiss intensifies, you both start moving towards the bed, hands roaming and clothes starting to come off. This time, there's no holding back, no pretending this is just a casual thing. Every touch, every kiss is infused with the promise of something lasting.

Two weeks later, you're in Baku for the Azerbaijan Grand Prix.

You're in the McLaren garage, eyes fixed on your tablet as you analyze the latest telemetry data. The familiar sounds of mechanics working and engineers discussing strategy fill the air, but you're completely focused on your task.

Suddenly, you sense a pair of eyes on you. Without turning, a smile tugs at your lips. You know exactly who it is.

"See something you like?" you ask playfully, still not looking up from your work.

You hear a low chuckle, then feel a warm presence behind you. "Just admiring my girlfriend," Lando's voice is soft, meant only for your ears.

He wraps an arm around your waist, pulling you gently against him. His lips brush your shoulder in a tender kiss that sends a shiver down your spine.

The past fortnight has been a whirlwind of emotions and adjustments. True to his word, Lando has taken you on proper dates and you've made your relationship official. You still feel giddy every time Lando calls you his girlfriend, a fact that hasn't escaped his notice. He seems to take particular joy in introducing you as such, his eyes always seeking out your reaction.

"How's the data looking?" he says, giving you a quick squeeze.

"Pretty good, actually," you turn back to your tablet, but remain in his loose embrace. "Your last practice session showed some promising improvements in sector two."

"That's my girl," Lando murmurs, pride evident in his voice. "Always making me look good."

You chuckle, elbowing him gently. "You do that all on your own, superstar. I just provide the numbers."

You turn in Lando's arms, facing him with a soft smile. The garage bustles around you, but in this moment, it feels like you're in your own little bubble.

"You know," you say, your voice low, "I never thought I'd be standing here like this with you. In the middle of the garage, no less."

Lando's eyes crinkle as he grins, his hands resting comfortably on your waist. "Having second thoughts?" he teases.

"Not at all," you shake your head, your smile widening. "It's just different. Good different."

"The best kind of different," Lando agrees, echoing his words from that night in your hotel room.

"I should probably get back to work," you say reluctantly, not making any move to step away.

Lando nods, but doesn't loosen his hold on you. "Probably," he agrees, a mischievous glint in his eye. "But first…"

He leans in, pressing a quick but tender kiss to your lips. It's brief, mindful of your surroundings, but filled with promise.

As he pulls back, you can't help but laugh softly. "You're incorrigible, you know that?"

"You love it," Lando grins, finally releasing you from his embrace.

"I do," you admit, your heart full. "Now go on, superstar. You've got a car to drive soon."

As you watch him blow you a kiss which made you throw your head back in laughter as he left, your heart feels full.

You and Lando. Lando and You. Finally, together.

[mylordshesacactus]

While we're on the subject:

Everyone understands that Shadowheart's early-game bitchiness is a terrified, performative coping mechanism too, right?

Like.

She was raised in a cult. She has a shock collar. She has a shock collar built into her hand, that her goddess uses to remotely torture her whenever she even thinks something that's vaguely out of line. Not rebellious, not resentful, not disrespectful--just not what Shar personally wants her to be thinking.

Of course she goes out of her way to be vocally, egregiously disrespectful to Selune--to be absolutely pathologically diehard about the Sharran propaganda, even though the things she's saying about Sharran beliefs directly contradict her actual approval metrics. It is pathological. She is regularly tortured for not doing that. You SEE her be regularly tortured for not doing that.

She doesn't even know what she believes. Like, genuinely--Minthara's not wrong, Shadowheart very literally doesn't know who she is or why she supposedly believes these things that don't actually match up with what does or does not feel right to her. She can't remember! Her evil goddess stole her memories! She's scared! She's clinging to what very little she knows!

And the more you push her on that--the harder you pressure her, the more confrontational you get in moments where she's already confused and overwhelmed, well. She reacts like a very realistic cult victim--she doubles down on what she's been told, because she's been conditioned to believe that those things make her safe.

Whereas if you don't enable her--you don't have to be cool with her casually going "oh yeah we torture people", you can push back when it matters, but. If you don't enable her, but also don't make her feel like she's under siege--if you listen when she tells you she doesn't want to talk about it yet, if you give her the time and space she wants, you respect her privacy, you back off when her voice and demeanor are obviously becoming scared and defensive--

If you, frankly, treat her like an actual cult victim, don't let her draw you into a debate, just consistently model acceptance and compassion--she blooms like a goddamn night orchid.

[prokopetz]

I think a lot of the skepticism and derision toward the idea of "gifted kid burnout" stems from the fact that a lot of folks have no idea what the gifted track in most high schools actually looks like; they've got this mental image, possibly informed by popular media depictions, of "gifted kids" as a privileged group of students who get to go on extra field trips, monopolise the teachers' attention in class, and constantly be told how special they are, but who are otherwise treated identically to all the other kids.

In practice, the gifted track in most high schools – most North American high schools, at any rate – has the same problem as any other educational program: the need to adhere to published metrics. These programs exist for the benefit of students only insofar as those benefits can empirically be measured, which leads to several common outcomes:

Students on the gifted track being afforded fewer choices regarding elective classes – often to the extent of having no choices at all – in order to stream the highest-performing students into the subjects that are most valuable in terms of boosting institutional metrics.

Students on the gifted tracking receiving restricted access to educational resources such as tutoring because it's perceived as a waste of funding. In many cases, gifted students are not only denied access to tutoring, but expected to serve as volunteer tutors and teaching assistants themselves, effectively becoming a source of unpaid educational labour for the schools they attend.

Students on the gifted track being assigned considerably more homework, often literally doubling their workload in an environment where homework loads are already routinely high enough that kids have difficulty finding time to eat and sleep, simply because you get more measurable academic performance data that way.

The upshot is that the gifted track is often less about fun perks and constant praise, and more about receiving less freedom, fewer resources, and heavier workloads than one's peers, getting strong-armed into providing unpaid labour to the school on top of it, and constantly being told one should be grateful for it – and that's without touching on the fact that the unspoken secondary purpose of many gifted programs is to serve as a quarantine for all the neurodivergent kids the school couldn't find an excuse to institutionalise or expel.

Like, shit, there's a reason kids on the gifted track exhibit elevated rates of alcoholism and substance abuse compared to general student populations. That doesn't arise in a vacuum!

(To be clear, I'm not saying that people graduating from high school and immediately having an existential crisis upon realising they're not special after all isn't a thing that happens, but in my experience that's more usually something that happens to the kids who were on the football team, and reframing it as a nerd culture thing is really weird.)

[lady-raziel]

It's time...we're edging the sleep

Link to the full pdf document HERE (includes links)

What This Is:

A collaborative, grassroots initiative for fans of Markiplier and The Edge of Sleep to promote the newly released TV show on Amazon Prime Video to raise awareness and generate attention that will drive supporters and casual viewers alike to watch the show.

Why This Exists:

Fans of the hit podcast and followers of Markiplier (Mark Fischbach) have been anticipating the TV adaptation for years since it was announced in 2021 and have been waiting to watch the show since then. However, after radio silence since nearly after filming completed, the long-awaited show is now being dropped on Amazon Prime early—before any official promotion starts.

Many fans disagree with the confusing treatment of an adaptation they have been wanting to watch for years, the haphazard amount of pre-release promotion for the show, and the increasingly high benchmarks of instant success placed on creative material, regardless of origin, that challenges the ability of new ideas and stories to thrive and grow.

This collection of suggested guiding materials is intended to serve as a starting point for fans and advocates in taking matters into our own hands and promoting the show we want to succeed, to open doors for future creative projects for all sorts of innovators, and to bring attention to the current challenging creative environment that stifles new projects before they have a chance to shine.

CRITICAL TAKEAWAY (if you read nothing else):

Stream The Edge of Sleep on Amazon Prime Video if you can and TALK ABOUT THE SHOW. Talk about it and anything else covered in this guide as much as you can, because every bit of chatter matters in allowing this project to succeed.

(More info on steps you can take to help under the page break, or check out the full doc linked above for everything!)

Most Important Steps To Take:

Stream The Edge of Sleep on Amazon Prime Video, as well as add it to your watchlist and like the show on the platform to enhance performance metrics.

The full pdf document has information later on detailing how to access Amazon Prime Video as well as information on low-cost pricing and deals for gaining access to Prime Video, and how to use “Watch Party” mode to stream with others.

You can “like” the show even if you don’t have Prime Video and just have a basic Amazon account! Even small metrics like this impact both the front and backend impressions viewed by corporate employees.

Use the hashtags #TheEdgeofSleep and #TheEdgeofSleeponPrime on social media sites where hashtags are applicable in sharing material about the show. Share or make anything you can—memes, art, discussions of the story, pictures, edits, or even just posts saying you’re watching the show. Truly, it all matters and helps!

It’s important to use both tags or at the very least, the second one indicating the streaming platform. It identifies WHAT the show is and WHERE to find it, which is helpful information for those stumbling across The Edge of Sleep for the first time. Additionally, using the name of the platform frequently attracts attention for Prime Video, which can reflect back positively on the show in the eyes of the company if The Edge of Sleep is the source of the discussion.

Although it can be laborious to type out “The Edge of Sleep” every time and thus impulse says to abbreviate in both discussion and hashtags to “TEOS/teos,” this can hinder effectiveness as it is not a recognizable acronym to non-fans and might impact the potential of the full “The Edge of Sleep” title to trend on any social platform.

Share the show with anyone and everyone you think would like it, offline and in person. A personal recommendation will always be more impactful than any ad—everyone is an “influencer” to someone! Also, be sure to rate the show or add it to your watchlist anywhere you can—including on Amazon Prime Video itself through the like function on the show page, as well as on third-party sites like IMDB or TV Guide.

Not sure how to recommend the show to someone? The brief synopsis, “fast facts,” and “pitch” suggestions in the HELPFUL REFERENCE section of the full pdf document might help, along with thoughts of enthusiasm for the show, original podcast, or any of Mark’s other projects mixed in!

Sites like IMDB allow you to rate shows and films for free, even if you haven’t gotten the chance to watch them yet.

Most Important Thing To Remember:

JUST HAVE FUN!!! This is about promoting the show we’ve waited for and want to succeed, opening the door for more projects we want to see, but also just about getting together as a community and making cool stuff!

Again, you can find all this info and more resources in the full Strategy doc linked here. Go forth and sleedge △

[centrally-unplanned]

Academic History YouTuber Premodernist released video recently on "State Flag" discourse, and flag discourse more wildly, that I thought was pretty good! I agreed with 50% of it. For those who don't know, there is a longstanding movement in the vexillology community to push for more simplified flag designs, and they hate the state flags of the US as their antithesis; a movement that catapulted into the internet mainstream when YouTuber CGPGrey released a video riffing on that debate and grading all the state flag designs.

That video is great by the way (it's hilarious, CGP Grey is just very talented as a performer), and the biggest thing Premodernist is wrong about is that the state flags do suck. But what he gets right is that the so-called "principles" briefly referred to in the video are themselves pretty weak; some are fine but others do not hold up to much scrutiny. The state flags largely suck for the boring reason that they just suck; they are shitty designs and often repeat each other in a domain where "standing out" is the point. Like what the fuck Montana:

This is something a 5th grader whips up in PowerPoint for a class presentation. Helvetica Bold?? "Mandated by law in 1985" yeah I didn't need Wikipedia tell me this decision dates to the 80's.

But that is boring and subjective, right? You can't just say they suck. So you had to make a theory about it - and I won't go into too much detail but it generally boils down to:

Make it simple, "something a child could draw"

Make it "distinct at a distance", since it is a flag you are supposed to see it at a distance

Three colors or fewer

No words on flags

Which I think you can get the philosophy for. These principles, which CGP Grey outlines, actually come from the work of Ted Kaye, who is a big figure in the aforementioned flag reform movement and the focus of most of the video. As part of the original CGP Grey video I just rolled with that, but I did remember him showing Utah's newly designed flag at the end which embodied these principles, and uh:

This is kind of mid? Like it doesn't suck, but it looks like a corporate redesign of a hockey team logo or something. A bit of a red flag (hah) if your front-and-center case is weak.

Anyway this is what Premodernist digs into in the video. The stuff I agreed with the most are the parts where he just ???? at some of these rules. "No finicky bits", a "child must draw it", "distinct at a distance"? None of these actually track for say this one:

A child drawing the US flag does not draw 50 stars and 13 stripes unless they are a budding librarian; you absolutely cannot tell if this flag has 50 stars on it from a distance, and that level of detail is clearly some kind of finicky. Of course your response is "okay sure but still, I can tell what the flag is from a distance, I can't count the 50 stars but I get the gist". But that is true for almost all flags!

It's a fern and a peace pipe and a brown thing and the word "Oklahoma" below it, you absolutely, 100%, will be able to tell what this flag is at a distance. You don't need to count the leaves to get the general shape, and when you think about it, it is actually kind of silly anyone would claim otherwise. There just isn't any need to appreciate the tiny details on a flag to understand whose flag it is. (the only valid critique here is that everything should be bigger - too much dead space)

Not to mention the "see from a distance" thing even being a metric. That isn't how you encounter flags most often today? Maybe in the 19th century on a battlefield that was (and even then you had battle standards), but it isn't now. You see it in textbooks, on your computer screen, as an icon for a football game team, right next to you in a government office. Why privilege distance? You just made that up as a value. 99% of "flag consumption" is not seeing it at a distance.

The "only use ~3 colors thing" is the funniest, you can just argue this with...no? No you don't. You don't. What? No. You can...you can just use more colors? Here is an example from the "manual" Ted Kaye wrote on the subject:

And the 5 bands on the chinese flag are fine! They are not "hard to look at" or whatever. Also, I am screenshotting a tiny corner of a youtube video, this image is like 240p, and I can tell its a dragon - and that isn't even the color point it is trying to make, dude just deviates off into another critique. Meanwhile the Amsterdam flag looks like a traffic warning sign. Chinese flag needs to not have the white stripe connect into the white seal background, that is an error, but otherwise I prefer it.

It is annoying how many of the state flags are a blue banners with a round seal in the middle. That does make them hard to distinguish from each other. But that isn't a problem with seal-on-blue, that is just a collective action problem! Flag-reform-favourite the tricolor can run into this too - here are the flags of the Netherlands and Luxembourg:

Like one of your needs to go home and change, that is ridiculous. Though if you had a complex seal in the middle that might avoid this problem! Funny that.

Even the "no words on a flag" argument, which I am more sympathetic to, doesn't hold up too well because too often you find yourself going "unless it is good" which just isn't a rule. The Iranian flag is the stand-out he mentions:

The middle crest is a stylized rendition of the name Allah, and the cursive lining on the tricolor bands are text as well - God Is Great, 22 times, marking the anniversary date of the Islamic Revolution. Stylistically beautiful, also words on a flag. The state flags just didn't try to do anything artistic.

I think the best point Premodernism mentions is a sort of stylistic unity Kaye & Co are pursuing above all else - everything sacrificed for corporate minimalism. Kaye's book will say it respects history and symbols should be meaningful, but then hates any symbols that require complexity. He singles out Turkmenistan as an ugly flag for example:

And as I said I only 50% disagree sometimes, I do think there is a complexity limit, and this flag goes over it, that is too detailed. Though the main reason this flag is bad is the weird choice to not put the banner at the edge, and have the crescent just...float off center? If it was this:

Two seconds in paint, already better, you can play with it. But anyway, you can say the symbols are too complex, but if you also say you care about historical meaning? Turkmenistan is a nation of traditional semi-nomadic tribes, who populated the Silk Road and made textiles as their ultimate expression of art. These carpet guls are traditional symbols used in those carpets that represent the five major tribes that compose the country. You can't just invent new symbols that have equal meaning to these, right? Like you can try if you want, sure, new symbols become meaningful all the time. But a rule that says "all art from before 1950 is tossed in the dumpster because it wouldn't pass muster as a Pepsi logo" is a weird rule to adopt if you say you value historical meaning. Turkmenistan does not have to look like France, and it is weird to want every national symbol to be aesthetically coherent to each other. Let 100 flags bloom! It is certainly "distinct at a distance" lol.

Anyway that is enough summarizing of a YouTube video - as I mentioned, he actually likes the state flags, I don't, I do think you have to balance a lot of this with just "general design principles". Never have your name on a flag in Helvetica Bold, amazing I had to write that one down for you. But a lot of these flag-specific rules derived from Kaye's work I often see bandied about are silly, and I was glad to see someone point that out.

[tainbocuailnge]

a lot of arknights gameplay discussion is built on certain assumptions about how people (are supposed to) play arknights, often without being aware that these assumptions are being made, and thus the common gamepress (rip)/reddit assessments of whether an operator is good or bad will be assessing their suitability for a style of play that is not remotely universal, but is still assumed to be universal, because it is the playstyle of the people who are writing these assessments.

this post is not about which playstyle is better, but rather about the way people talk about operator design and viability. if your way of playing arknights aligns with the assumptions that redditors often have about how to play arknights, then their advice is very useful, they are usually correct in their assessment of how suitable an operator is to that particular playstyle. it's also a single player game and how anyone else plays it has no bearing on what I'm doing myself, so in that sense it doesn't really matter to me that redditors talk about arknights in a way that doesn't align with how I play arknights.

I think reddit-style discussion is keeping a lot of players from experimenting and discovering that they actually like a different way of playing arknights more though, because they're caught in the idea that if this is how people talk about arknights, then that must be the right way to play arknights. I also think it causes a lot of players to view a lot of units in a bad light, or rather, they are assessing these operators by metrics that the operator is not trying to meet.

lucilla is often called a bad or poorly designed unit because her debuffs only affect regular enemies instead of the elites that would usually be the main threat. however, the debuffs she applies are very potent when they apply, so when her conditions are met she performs exactly as intended. in gamemodes where regular enemies can grow really bulky like IS or CC or SSS, or maps featuring bulky enemies that nonetheless are not categorised as elites like sarkaz wither aegis, lucilla successfully achieves her intended purpose of outperforming existing hexers in specific scenarios (her fragile can reach the highest value in the game and its only condition is whether the enemy is elite or not) without being a direct upgrade (the rest can actually debuff elites). not many players value what lucilla offers, but if you like engaging with and working around map and operator gimmicks, lucilla is a good operator for you.

wisadel is good at instantly clearing whole sections of the map, which is something many players value, but if you don't /want/ to instantly clear whole sections of the map because you want to actually engage with the map mechanics, she is not a good operator. she performs just as well as lucilla at her intended role, the difference is that wisadel's intended role aligns with the redditor assumption of how to play arknights while lucilla's doesn't. this friction between the assumed way of playing and the way many people actually play was highly visible during the icebreaker games, where a lot of players started bringing aak just to get rid of the other guy's wisadel so that she couldn't blow up the map before they got to actually play it.

"is this operator good" is a question that includes many unspoken metrics, including ones that the person asking might not actually want to judge an operator by. it can be a useful shorthand to speed up discussion of where and how one might want to use an operator, but it is only useful if these unspoken metrics are actually consistent between all participants of the discussion, which in practise is rarely the case. someone who is talking about how one might use lucilla doesn't want to hear that gnosis is better or that it'd be easier to just blow everyone up with wisadel, and someone who is looking for easy to use broadly applicable operators doesn't really want to hear that lucilla is actually really good in specific situations.

the more nicheknights I play and watch, the more I come to doubt how useful it is to talk about operators as being "good" or "bad" to begin with. across all of arknights there is not a single operator that is objectively unuseable. I would also argue that nearly every operator is capable of doing what they're intended to do. every operator has a combination of qualities that is completely unique to them, which means every operator can be in a strategy that relies on that specific operator's qualities to succeed. u-official was specifically designed to be as useless as possible as a joke, and high-level challenge players have still found various uses for a 3dp ranged unit that doesn't attack + doesn't take up deployment slots + can stun enemies + can temporarily make allies stop blocking.

exploiting the unique qualities of operators that are often overlooked for easier to use alternatives is the core principle of nicheknights. the fewer options you have and the more you try to cut down on the amount of operators used, the more each individual operator's unique qualities will shine. just earlier today I saw a clear that used a combination of the aspd debuff inflicted by zaaro and the fact that manual deactivation skills will cancel attack animations to delay mr. nothing's attacks long enough that every attack he does will trigger his stun talent, largely preventing zaaro from doing anything.

arknights also has immense variety in map and enemy design, so use cases for operators often dismissed as too niche to bother actually occur fairly often. every single chapter and story event introduces both new map mechanics and new enemies that make use of those mechanics. often the less straightforward a unit is, the more ways they have of interacting with these mechanics to open up potential new strategies. even without any self-imposed challenges, different gamemodes all have various restrictions and opportunities that make certain operator qualities more or less desirable, and the combination of collectibles and risks you pick in IS or CC can completely change how you approach each map. in RA you can straight up build the map yourself to be as beneficial to your operator of choice as possible.

beehunter's high attack speed but low damage made her fairly unremarkable until the game introduced hitcount-based mechanics. corroserum is rarely built because ifrit had been in the game so long already by the time of his release and he's not ifrit, but just the past month there have been two separate maps where a large amount of silenceable enemies approach the blue box in a straight line for him to trivialise. warmy is arguably the most difficult to use unit in global right now because the only way to inflict the burn status that her s2 capitalises on is using her s1, but now there's path of life letting just anyone inflict burn so she's free to use s2 anyway. if the situation where your gimmick unit of choice can shine doesn't exist yet it will be created sooner or later, because these units were created to have their gimmicks exploited.

arknights is a highly varied strategy game that offers many different ways to engage with its mechanics, including some ways to not actually engage with the mechanics and just explode everything instead. the game offers these options so exploding everything isn't the wrong way to play arknights, but the game also offers many other options so it's not the right way to play arknights either, it's just one of the many ways available. an operator that seems way too gimmicky or specialised to see much general use is not poorly designed, they are designed for a particular playstyle that simply differs from the playstyle that is assumed in a lot of operator discussion. units like lucilla or tsukinogi or leto aren't meant for players who ask "when would I ever use this when I have far easier options", they're meant for players who ask "what strategy would allow this combination of qualities to shine".

this is the issue at the root of why a lot of perfectly serviceable operators get stamped as being bad, and also the answer to the question of why arknights would be releasing these bad operators in the first place. crownslayer is a bad unit for the type of player that want to kill everything as fast as possible, but she's great for players who like gimmicks and weird interactions. many recent 5* are bad units for powergamers because they're trying to not to intrude on their existing subclass colleagues by doing something more conditional instead, or they're experiments for new subclasses that don't have an immediate obvious use case. many times throughout the game's history a new operator has been dismissed as bad only to turn out to be very powerful if you play them the way they're designed to, like dorothy, gnosis, ebenholz, and even specter alter.

all of which is to say, operator discussion would be a lot more useful to everyone involved if it talked about what situations would make the best use of the operator's abilities, rather than whether the operator is Good according a metric that is rarely even properly specified.

[artsarasp]

Sorry to ask for worldbuilding stuff, but for your System AU, since it’s offering missions and the first reward was 10% account reestablishment, what sorts of rewards has it been offering on subsequent missions? How many missions has LQG gone through by the time of MQF’s first mission? And considering he keeps getting them, does LQG keep ending up in the Water Prison?

(Just thinking that all the missions go forward, even though it would be really fun to hit YQY with a mission going back some time!)

The system keeps rewarding the peak lords with various percentages of sqq's account restoration, however, the percentages are not set and vary based on how "well" they perform in their mission.

This is frustrating because they do not understand the metrics the system uses to calculate their reward. From their perspective, the system is just dangling sqq's release in front of them to taunt them, but the system gives the reward based on how "optimal" he deems that plotline and how likely it is to push for that one forward.

LQG has been giving the best results because as the system said, he's a very proactive character and pushes the plot forward, but he doesn't always end up in the Water Prison. The system keeps going "what if?" with these missions, giving them different scenarios to act out to see how they react. It probably switched some of the scenarios around too, see how yqy reacts to what he previously gave to lqg and stuff. Maybe even a co-op mission idk, system is trying stuff out and i left it nebulous on purpose. The system tho wouldn't give any missions about the past, because its trying to fix the plot going forward and it can't fix what already happened.

[monkey-wrench-series]

One month on; The future of Monkey wrench as a fully animated indie series.

It’s been exactly one month since Ep 3 of Monkey was released to the public, and as the ever want to be as transparent as possible with indie production it’s time we sat down and had a very important discussion on the future of the series…

So, as we said above, one month has passed from the public release of episode 3, and everything hinges on how well it does.

Below are the metrics for it on Youtube;

Our hope was to have ep 3 hit 500k in two weeks. After 31 days we’re still under 470k views, ad rev as you can see is pitiful and engagement has evaporated. Maybe we set our hopes a little too high?

It’s not all doom and gloom though, this is the first ep to get this many views in this amount of time. Our patreon support has grown by 1/3 after the ep came out and our Scratch & Scritch plushies did ok, see images below;

So as of now, we have enough money for voices, sound and music for episode 4. Voice recording begins next week and I hope to start the animatic for the ep sometime after.

As for the animation portion of production… things are looking a little tricky.

As you should know, animation, especially frame by frame stuff like we do, it’s obscenely time intensive and expensive. For ep 3 we had a rough animation rate of $20.83 per 1 second of animation and the same for clean up with very minimal edits and redos.

Seeing the recent animation pay discourse has honestly shaken us up pretty bad, we had no idea how pitiful our pay had been compared to other indies and we in no way want to exploit anyone for their work on the series.

With both Ash and I putting everything we had saved in Eps 1, 2 and 3 and seeing how below average they’ve all performed and with how little we can afford to pay our animators, on top of burning myself out horrifically doing 3 eps in a row, we’ve sadly had to come to the conclusion that full animation for this series is no longer financially possible at our current support level.

That does not mean we’re stopping production, however.

There are two possible routes we can take;

Route 1; Animatic hybrid.

Over the past week and a half I managed to solo out 5 minutes and 15 seconds of animatic keyframe animation for our recently released outtakes video.

At our current support level I can do the animatic keyframe route for most of the mundane stuff in an ep, and then go into full animation for the ‘good bits’, that way we can pay our animators an actual decent wage. Over time if our support grows we can return to full animation.

Route 2: Kickstart ep 4 for $100k

We have thought about doing a kickstarter type thing to get the $100,000 we’d need for the animation portion of the ep. We want to pay our animators properly for their time and skill and this would be the best route to go if we want to have ep 4 fully animated.

However with our current viewership and engagement with eps 1, 2 and 3 I’m not sure we could hit a goal of $100,000 in the 30 days we need.

Is it a risk worth taking?

What would we do for rewards?

Physical rewards would take money away from animation production and things like animated rewards would take time away from myself working on the ep.

That’s pretty much where my mind has been at the past few days. I’d love to hear your input and thoughts on how you would like us to proceed.

[thetravelingtyper]

Our Shattered Heart (Part 1) (GN! 'Heart' Reader x Taskforce 141)

After an injury and recovery, the men of the force find themselves acting a little differently towards you.

Inspired by the Smiths and Cage the Elephant.

Warnings: a building falls, use of song lyrics, protective 141

Part 2, Part 2.25, Part 2.50, Masterlist

SO I POPPED OFF at like 1 am with three shots of brandy lmao

The strings of a bass echoed into the open night. Electric steps, iron bridges, the river. Central town spinning away into the flurry of the night. You were running from phantoms, what had you done but cried into the night? Your phone long since turned off you were afraid to return to the safe house. Made up as a civilian you blend smoothly in, but the oppressive nature of their stares made your eyes water so you took your chance and bailed. 

Even in your distress, you admired London proper. You wipe your tears and stop your swift walk. You could hear music? There was a well-lit area a dozen or so yards, (Metric Sergaent) You frown as your Lieutenant’s voice echos in your head naturally. You grit your teeth. Nothing you did was right. In training he’d catch every little mistake, poking out your weaknesses without telling you how to better your stance.

What of Soap and Gaz? Your fellow Sargents and supposed friends. One moment they had your back then after your injury they joined Ghost. Soap would pull you aside and scold you for using your ‘bad leg’ or your hits were too low or high. Gaz just commented after you healed up against you even serving. It took three weeks for you to have enough.

You turn on your phone to check the time, and it rings with a skull icon, you answer it as you can pick up the music. 

“Fucking hell Sergeant where are you.”

“Doesn't matter Ghost, Fuck off”.

“Wait, Lo-”

You hang out and toss your phone into the river. You smirk, a sense of relief flooding your tense body. What had your valiant captain done about your concerns? Immediate relocation to a safe house for surveillance, with said team. Nothing of “I’ll talk with Simon” No you got the “You could be a liability so let us have three grown-ass men babysit you in the middle of the city.” You went to protest but he shushed you with a disappointed look that made you reel back. 

You weren't British, maybe you didn't meet his standards. He's the one who requested an outside operative all those months ago. You performed top of your class and threw your body and heart into the job working your way into being the face of the team. It was you whom they sent to comfort those who lost loved ones as collateral. Everything changed when you broke orders to save a child.

--

“Heart, Ghost, Soap Clear Out Now! That is a direct order!”

The building rumbled and air support had’nt arrived. You had about a minute until the whole place collapsed. 

“Affirmiative, Sergeants move out!” 

Ghost ushered you in front of him and Soap was already running through the dust to get out. But as you turned to run you caught movement.

“Ghost there is someone in there!” You try to trace the movement but Ghosts gloved hand yanked you back as he started towards the entrance. 

“No Heart-”

You gasped, there was a girl pinned under rumble! Your instincts take over and you shove out of his gasp with more strength then you ever though you could muster, Ghost stumbles and you book it back as he yells after you.

“GHOST, HEART OUT NOW THE BUILDING IS COMING DOWN!”

He had no choice but to leave you as you threw yourself over the girl. There was a loud rumble then black. 

You huff, odviously you had survived and the little girl you pulled out from the rubble survived as well. After the dust cleared the next day, you had lugged a beam off her and you and hobbled her out to seek medical attention. Once the mission had finished Price and the others had rushed back to find empty rubble, it was a joyous mother who led the foreigners back to their Heart. And there you were, in some small village a hero treated to the best they could. All you could offer despite the pain of your leg was a small smile towards to girl who clung to you like a baby. 

Soap had about given out before he rushed you with curses, poking and prodding like a mother hen. Gaz laughed, a wholehearted sound like melted caramel and quipped about surviving the sky falling. It was Price and Ghost who were not too keen, but you had a back up. The leaders of the village, who’s daughter and grandaughter you had saved, had what turned out to be excellent intel that you handed to Price with a smirk on your face. 

“Fucking Hell.” Was all you gotten from Ghost and his head in his hands with a deep sigh. 

--

What you didn't realize was how big of a deal it was to the Captain and Ghost. Once you got back to base and were put on a 3 month leave was when things soured. You were able to use connections in the village to work intel, something Laswell was grateful for, But Ghost  took this personally, giving you almost a disapproving sneer when he would see you out of bed. Price was silent. No yelling, no scolding just silent. Some storm brewed and once you fully healed and went back to training it seemed Ghost tainted Soap. The Scot became overbearing, making less hurtful comments. A Gaz, once level headed, turned into Price’s little shadow, you could tell from their glances they were communicating. 

After  three weeks of being stationed with them, fully healed mind you, you had enough of walking on egg shells, being the subject of Ghost’s anger and Gaz’s twists and turns. You didn’t snap until Soap had risen his voice after your pacing. 

“ENOUGH HEART.”

It caught Ghost and Gaz off guard in the small apartment as you turned wide-eyed. His eyes were stormy, set off by something you couldn’t identify.

“Johnny-”

“No LT. They need to learn their place”

Your hackles rose, you tried to calm the rage, how dare he?

“And whats that MacTavish? You four have been acting like I’ve been a virus since the day I came back! I worked my ass off to help you and this is how you asses repay me? Im not a fucking toddler you can drag around.”

Gaz went to speak but the glare you shoot him is venemous,

“No you don’t get say anything Kyle. You’ll  just go running back to Price and prolong this little ‘vacation’ Im sick of being treated like a child.”

“Sergeant” 

“Oh rich from you LT” You feel your nerves bristle as Ghost steps forward in challenge. Despite him towering over you, you bite back 

“You can take your Sergeant and Stuff it. You have acted like an asshole through these past 4 months and I’m sick of it! You three are grown ass men acting like children. Run back to Price and bully someone else I'm sick of this shit.”

And with that you grabbed your bag and stormed off, disappearing into streets of London the three men stunned at your outburst.

---

You enter the lit area to find a band and civilians listening to, was that the Smith’s? You relax to the familiar music. The main singer is a handsome man, dark eyes raking the crown with a calm smile before you lock eyes and he winks. Unexpecting, you blush and turn into the crowd. He begins to sing with a voice of silver and honey.

Take me out tonight

Where there's music and there's people

And they're young and alive

Driving in your car

I never, never want to go home

Because I haven't got one

Anymore

There is a little irony as you take a seat at the bar. Over the past two years, before your four odd months the taskforce had become home to you. You settled in quite fine, either bickering along side Soap, joining with Ghost or helping Price and Gaz with their reports. Seeing your personal skills Laswell insisted on you staying.

She smiles when you enter in under the arms of Gaz and Soap. 

“Hey kid, good to see you. 

You nod at here before Price enters, he passes you three a look before ushering the three of you out of the office.

“Come on you two, the parents gotta meet now.”

You giggle as Price rolls his eye as you turn you catch a knowing look from Laswell to Price and as you head out the door, but being dragged to lunch, you miss the fond look he shoots you. 

You order a bourbon neat, as you take a sip the chill of the night hits a little deeper and you frown behind your glass watching couples get up to dance. You remember that mission with a fond sigh, the bourbon reminding you of your tall and often mysterious Lieutenant.

Take me out tonight

Because I want to see people 

And I want to see life

Driving in your car

Oh, please don't drop me home

Because it's not my home, it's their home

And I'm welcome no more

You tilt your head down, that mission oh. Something in your chest ached.

You entered the room in a shuffle, the trails of your outfit not what you were used to, but a mission like this called for finery. You stumble but pale hand’s catch your arm and tucks it in under his. You turn to the perpetrator but find dark eyes quietly regarding yours and you jump.

“Ghost!”

“Call me Simon at this point Heart”

You manage a quiet yes sir. He watches you with softer eyes before there is laughing down the hallway. 

“He’s a lucky bastard is what he is, getting to take Heart all dolled up.”

Johnny’s voice has your eyes rolling. After a few months of your service the Scot had accepted you with open arms, and the flirting, my god the pick up lines. You sigh fondly into your drink.

“I mean you could just ask them-Lt! You’re early.”

Simon doesn’t offer more then a raised brow as he and Soap meet eyes and Soap turns away. 

“Kyle please can you help me with this,” You lift the tails of your outfit in a huff. 

The man chuckles and nods, it was his idea anyway. His dark eyes meet yours with soft smile that makes you swoon. He offer you a hand and you go to take it but find resistance. 

“Simon?”

“Hurry Love. We ship out in 10.” And with that he lets you go. Kyle’s hand is warm and rough and he twirls you to adjust the back of your outfit. Soap turns to Simon, 

“The mask?” 

And to your surprise, Simon looks to you and nods before slowly removing the balaclava. Soap and Gaz seemed unfazed but you were surprised. A year in you had yet to see more then his lips from a smoke or a drink, but the soft blond hair and scars found you staring at him. He watches you but when you meet his eyes you give him a soft encouraging smile. And his lips quirk up as Soap fusses with his mic and collar. Simon just grumbles at him and you laugh, a chiming sound that has all the men smiling. 

You peer back through the crowd, how long had it been since you’d been out? You tip back the the rest of your bourbon and set the glass down feeling the sting. Fuck it. You drop your back and relax into the seat, the singer’s eyes meeting your with a smile as he continues to sing. You sway in your seat to the music. 

And if a double-decker bus

Crashes into us

To die by your side

Is such a heavenly way to die

And if a ten ton truck

Kills the both of us

To die by your side

Well, the pleasure, the privilege is mine

You and Soap tumble together, hitting the ground before rolling. The impact steals the breath from your lungs as you grasp at him making sure he was alive.

“Never though i’d get ye like this Heart.”

You sigh, he was fine, despite just saving his ass. He rolls over so his weight isn’t on you more then it needed to be. You are sitting almost on his hips, he grins at you cockily with a raised brow.

“Stuff it Johnny, I just saved your ass.”

“Aye and I gotta thank you for it.”

And in a sudden sweep he pulled himself up and presses a soft kiss to the side of your lips.

“Thank you Love.”

Your face lifts a little at the memory and your heart skips a beat. Your eyes close an you bask in the warmth of the crowd. Following that moment the taskforce changed.

Take me out tonight

Take me anywhere, I don't care

I don't care, I don't care

And in the darkened underpass

I thought, "Oh God, my chance has come at last"

But then a strange fear gripped me 

And I just couldn't ask

You hop off the stool and head into the crowd, heart aching for comfort and the hands of others. 

First it was soap, falling into your shadow, after the kiss your heightened senses saw his eyes on you everywhere. With other soldiers? One of the members of 141 was there, or he was, hands across his chest, standing guard. 

You were training with members of KorTac. The largest fellow, König had taken a keen interest in you due to your language skills and you found a calming friend in the man. Masked like your Simon you felt more comfortable with him. So when he had you pinned you squirmed and broke free. 

“Good”

His voice is soft, pale eyes meeting yours as you roll up onto your feet. You run at him before he can get up, but he shoots up and grabs you with a little yelp escaping from your mouth as you are then thrown a few feet onto the soft mat. You roll onto your back, the breath knocked out of you and the ceiling spinning slightly. 

“That’s enough!” 

Garrick’s sharp voice surprises you as his form appears in your settling vision. He’s quick to kneel down and check you out.

“I’m fine Kyle, just a bit of the rough and tumble.”

His soft lips frown disapprovingly,

“I don’t like you wrestling with him.”

He helps you up and you see König’s form looking out for you. You give him a small wave.

“Sorry Schatz” The nickname pauses you as you stand, Kyle’s arm around you guarding. 

You blush a little and smile at the tall man before a gruff ‘Sergeant’ calls from the edge of the room. You find Ghost leaning against the wall, arms crossed, glaring at König before he calls you to him. You nod a little dumbfounded and before you can pull out of Kyle’s grasp the man presses a kiss to the side of your head. Then lets you stumble into the waiting grasp of the Lieutenant. 

You shake off the memory and your heart murmurs, but you ignore the hurt. For one night you were free from the confusion and rejection from your team. The crowd, seemingly sensing this welcomed you into their sway. A few single ladies sidled up you with wide smiles and pulled you into their group. You knew how to dance, you learned young, this skill pulled you into some interesting missions. As you sway with the ladies you recollect as the singer watches you. 

Take me out tonight

Oh, take me anywhere, I don't care

I don't care, I don't care

Driving in your car

I never, never want to go home

Because I haven't got one, la-di-dum

Oh, I haven't got one

Oh, oh

Simon’s arms were steady around you, Price’s voice in your ear letting you know about the target. You had gone undercover as a couple to infiltrate a drug smugging ring. The leader was hosting a gala at a large mansion in the mountains. And seeing as Kyle and Johnny were on a mission that left you three on your own. You nod silently to Price. Simon pulls you closer and then spins you out on your heels. 

“Who knew you could dance?” 

You quip up at him, but he only nods, umber eyes taking in your form. You looked breathtaking and it stole the words from his lips.

FIrst Johnny then Kyle. You wondered as you looked up at Simon, handsome as ever in a dark black suit. 

“Are you ok Simon?”

He hums, the sound deep in his chest, then in a moment he pulls you flush against him.

“Target on the move lovebirds.”

Price’s voice sound in your ears in a chuckle. 

“RIght Captain.”

You sigh but Simon pauses in his movement, and you look up at him in confusion, you call his name but he just stares at you. 

“We need to move Lt.”

Nothing, but his hand raising from your side to your face as he leans down and kisses you. After a few seconds he pulls a way and finishes with a 

“Affirmative.”

Before leading your frozen self away. 

You lose yourself in the music for a moment, rotating partners in innocent sways, just treasuring being lost in the moment, But this song of course must end.

And if a double-decker bus

Crashes into us

To die by your side

Is such a heavenly way to die

And if a ten ton truck

Kills the both of us

To die by your side

Well, the pleasure, the privilege is mine

The voice is much closer and you soon find yourself face to face with the mysterious singer. He smiles as he sings and it reminds you of the final piece of the puzzle.

Price had fallen asleep at his desk, again. You sigh fondly and set a cup of warm lady earl grey aside. You move over to him as he mutters something in his sleep. You felt bad waking him but you knew you needed to before he slumped over.

“Captain”

Nothing, even as you call it 3 times. Finally desperate,

“Johnathan Price!”

He shoots awake, eyes darting around tensely before he finds you and softened immediately.

“You can’t be doing that to a man love.”

“You were falling asleep again, how many times do I need to get on you about that Cap? “

The man regards you and chuckles before he sees the tea. You notice this and turn to grab and hand it to him. When you you turn back around the man is standing regarding you. The moment then feels intimate and you flush a little, stepping back.

“Sorry I’ll just leav-”

“No love it's fine, and please if it's just us call me John.” 

He reaches for the tea taking a sip while his ocean eyes watch you. There is something there and you can sense it. After nearly two years of serving under him you grew to know him pretty well, there was fondness in his gaze for all his soldiers. But this was something softer.

“John, I…”

He finishes the cup and sets it down, listening wholly to you and you find the attention has your heart stammering.

“The others have-”

“I know love.”

There it is again and you find yourself pausing as John leans forward, taking your hand in his, rubbing comforting circles into.

“What do I do?”

“Up to you love. I am here for you regardless. You need to get some sleep.”

With this he presses a soft kiss to the palm of your hand and lets you go.

The next day your deployed to the small village and the following four months are hell. 

You shake off the feeling. After your injury they treated you like a child, like a burden to be kept locked away. You sigh, pausing, feeling alone in the middle of everybody again. 

Oh, there is a light and it never goes out

There is a light and it never goes out

There is a light and it never goes out

There is a light and it never goes out

There is a light and it never goes out

There is a light and it never goes out

There is a light and it never goes out

There is a light and it never goes out

The singer finishes with a frown. The crowd cheers then standard music plays and the moment is broken. The singer passes the mic to his member then turns to your pondering self. 

“Are you alright Love?”

His voice is soft and he stands a respectable distance away. One of the members of his band takes the mic and begins with Heaven knows I'm miserable now, continuing the Smiths theme. You almost want to laugh a smile lighting up your face at past (bad very bad) Karaoke attempts with Soap and Gaz. 

“There’s a smile.” He smile down at you and offers a hand, you take it introducing yourself. He raises a hand to the crowd and your new girl friends cheer you on as you allow the stranger to pull you into a dance. 

The next hour passes with another drink with your new friends and opening up about yourself. Nothing about missions nor sensitive information, but finding yourself in a strange position with the four men of the 141. A little looser you describe them all with a few giggles in response as you recount their crazy tactics. It was nice and you settled into the easy arm of the singer. His arm laid only on the back of your chair but under the watchful eyes of the girl group you got comfortable. At the end of the hour, approaching 3 in the morning the singer was called back on to stage. 

A new base line and you swooned as something a bit more American played. The singer nodded his acceptance to the bassist and began to sing. 

Sun went down, sun went down over Pompeii

On both sides, the vow was broken

Oh my my, I'm the one, tryin' to hide this damage done

One day, all our secrets will be spoken

He looked at you and gave a wink and the girls cheered as you threw back a beer. Fuck it. You allowed them to pull you into the ever thriving crowd. Your group drew into the heart of the crowd right up in front of the stage.

As we slow danced, I became your statue frozen

Times I wonder, are we just a puff of smoke? Yeah

Underneath this bed of ashes, still withholding everything

Like we were never close

The singer surprised you and under a breath he hopped down from the stage to join the crowd. He approached you with a sway and a open offered hand. You looked into his eyes with a twinkle in yours. The girls cheering you on, you took his hand and swung into the music.

Don't you worry, baby, no sense tryin' to change it

I'ma strike these matches, never had control

I'm ready to let go, no, was I foolin' myself?

I'ma spread these ashes, never had control

I'm ready, I'm ready

I'm ready to let go

Here you were free to experience life, a break from the bullets, free from the heated stares of the 141. Well, at least for a while. You would go back eventually, you bag had enough supplies for a few days. As you spun in the singers free arms flashes of green, blue and brown spun through your vision. You were a little under but still alert, but with the music you let it all go. 

Sun went down, sun went down over Pompeii

On holy ground, our vows were broken

We met up, we broke bread, I was blue, your dress was red

Ain't it strange? We both knew this day was comin'

As we slow danced, I became your statue frozen

Times I wonder, are we just a puff of smoke? Yeah

Underneath this bed of ashes, still withholding everything

Like we were never close

He pulled you closer in then, even if for a fleeting moment you felt your heart skip a beat. His eyes were obsidian, reflecting the lights like stars and he sings until he’s breathless. You wondered for a moment what could happen. 

Don't you worry, baby, no sense tryin' to change it

I'ma strike these matches, never had control

I'm ready to let go, no, was I foolin' myself?

I'ma spread these ashes, never had control

I'm ready, I'm ready

I'm ready to let go

But as you dance the more of alert of the ladies elbows another, her head tilting subtly towards the entrance of the outdoor bar, where a familiar new set of men appeared. The girl went towards getting you but her friend stopped her as four sets of eyes found you then split up. She sent the girls a look.

Let’s see what happens.

Meanwhile you know the song is finishing and you find yourself taking the hand of the singer and he pulled you into a light embrace and spun you out as he finished breathlessly

Don't you worry, baby, no sense tryin' to change it

I'ma strike these matches, never had control

I'm ready to let go, no, was I foolin' myself?

I'ma spread these ashes, never had control

I'm ready, I'm ready

I'm ready to let go

He stops with a hum as the music continues for a few paces then goes out with the cheering of the crowd. You spin on the pads of your feet with a whooping feeling light in your chest, but you then bump into someone. But before you can apologize you are turned around in their arms and your breath hitches as Simon is staring down at you with dark eyes. It is then you sense another presence behind you and between you and the singer (whose hands are up in surrender) is Johnny.

The sounds of the band drown out with the depths of Simon’s eyes. There is too much there for you to comprehend. His sudden appearance breaks up the alcohol burning in your system and you stand up straighter. Emotions swirl underneath his balaclava, that alone a straight giveaway to his identity. There is anger yes, that much is evident, but you see the stinging presence of worry and something much deeper you dare not name. You turn your head away, the weight of the emotion pulling your heart back from the sky.

The singer shifted looking a little concerned, but Soap was a wide wall of muscle and kept himself close enough to brush your back from within Simon’s arms. The girls however outnumbered the men and give you a knowing look, you nod and they pull the singer away as he nods. You see Soap loosen immediately before turning and forcing your eyes into his.

Stormy blue oceans, the depth of which scare you as he nods to Simon towards the empty bar. You sigh and force yourself to loosen in Simon’s arms. He passes you to Soap and the men pull you gently to the bar where you are especially ashamed to see not only Kyle with your stuff, but a in the corner of the venue, out of noting eyes was John. Gaz with your bag, drew towards you and the four of you reached the awaiting Captain.  

Johnny stood at your right, Kyle moving to your left and Simon towering over you like a vengeful wraith, and Johnny still had not let you go. You move to pull your arm from his, but he gives you a stern look, something of a overprotective mastiff. 

“MacTavish”

“Captain-”

“Johnny.”

Simon’s deep voice rumbles from behind. Johnny hands trace down yours slowly before he takes your hand with a sigh, the tension finally releasing as his pinky takes yours in a final embrace before he finally lets go of you. He huffs and turns away in a slight pout that warms your heart and you find yourself taking his pinky back with yours. It’s a small show but the way his eyes light up behind the worry makes your heart melt. The other men trace the action, Kyle’s eyes meeting Price’s in silent communication. You all stand for a moment longer, not daring to speak, but when the wind causes you to shiver, alcohol in your system reddening your cheeks, its the weight of Simon against your back that surprises you, his arms, minding Soap’s hand, come under yours and wrap around you, his warmth melting into yours.

“‘Were worried Dove.” He leans down over you until his chin rests in top of your head and you can feel the rumble of his voice in your soul. It’s Kyle that speaks next.

“That was one of the stupidest things you’ve ever done Love.” The man frowns, but his eyes move back to the singer and the group of girls, then he eyes you again sharply.

“What if something had happened?”

Its hard to move with Simon's weight on you but you shot Kyle a withering look.

“Nothing happened, I happened to be having fun.”

“But he had his arms-”

“Kyle”

John’s voice finally speaks up and the man turns away to glower at the crowd, then he reaches a hand for your free one and meets your eyes. There you see a storm of concern, a deep fondness and a bit of protectiveness. 

“We need to talk Love, about the past months.” John takes command again, something deep in his soul calm again seeing his team together. But there was time in the morning to talk. He could see the exhaustion of the day creeping into as did the other men.

“In the morning, John” SImon’s voice rumbles feeling your form sway.

“Right Simon” he nods but before turning John steps forward and presses a kiss to your forehead. The action jolting your heart awake and leaving you flushed. 

“John?”

“It’s ok sweetheart, sleep, we’ll get you home.”

With that he turns as Kyle and Johnny reluctantly release your hands. This leaves you and Simon as the men wait.

“Si-?” You are suddenly lifted, strong arms finding your back and under your knees to lift you bridal style. You look up at him with wide eyes and he chuckles,

“I think I like the sound of that Love.”

And with a final turn to the crowd you manage a wave to the girls and the singer who shoots you a wink that causes a huff from simon before the man turns to follow the others.

Time to go home and as they walk, joking amongst each other with Simon’s soft voice luring you to sleep, You feel the loving eyes of the four men on you as you fall asleep. 

---- 

End Part One!

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