#what? you say this hero academy is for me?

[konohamaru-sensei]

dearest @moonamayillu drew me an ultra quick commission sketchpage of my dearest and saddest girl Marin <3

[samipekoe]

omg my friend had a ton of art saved i drew on their laptop back on like 2017-2018 when we were both crazy about bnha

ochako was truly my muse back then...

[soultoken-archived]

american comics are wild, man.

[unboundprompts]

Romantic Prompts

��� a masterpost for writing prompts with romantic themes.

↳ (#) is from my collection of random prompts, (list) contains multiple prompts.

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Unrequited Love, Reluctant Love, Falling Out of Love Prompts:

Unwanted Love (#3)

Not Good for Each Other (#7)

Not Meant to Be (#9)

Questioning the Validity of Romantic Feelings (list)

Character in Love with Someone Who They Think Hates Them (list)

Couple Fell Out of Love (list)

Controlling Childhood Friend in Love with their "Puppet" (list)

Denial of Romantic Feelings (list)

Fake Dating Tropes (list)

Someone Who's Perfect (#152)

Character that Pushes Away the People they Love (list)

Forbidden Romance Dialogue (list)

Requited Love Prompts:

You Would Like That, Wouldn't You? (#31)

Three Good Things (#44)

Trying to Forget You (#45)

The Drawing (#48)

Love Me Today, Love Me Tomorrow (#78)

Anything You Want Me to Be (#78)

Comforting their Lover with Abandonment Issues (list)

Couple Didn't Realize They Were in Love Until Separation (list)

Height Difference Prompts (list)

Subtle Romantic Gestures (list)

Love Confession Prompts:

I Think I'm in Love with You (#51)

Responses to "I Want You" (list)

Responses to "Do You Love Me?" (list)

Responses to "Do You Like Me Too?" (list)

Responses to a Sudden Compliment (list)

Love Confession after an Argument (list)

Being Shocked After a Kiss (list)

Say it to My Face (#131)

Enemies/Rivals to Lovers Prompts:

The Art Thief (#81)

Rivals to Lovers at a Martial Arts Academy (list)

Anxious Character x Careless Character (list)

First Kiss Prompts (list)

One Bed Trope: Morning After Dialogue (list)

Bonding Over Horror Movies and Mystery Books (list)

Blushing Like a Sinner in Chapel (#96)

Rivals Being Shipped Together (list)

Academic Rivals to Lovers (list)

Exes to Lovers Dialogue (list)

Fantasy Tropes Prompts:

Princess x Their Guard (list)

Princess x Knight (list)

Royal Painter x Knight (list)

Prince x Prince (list)

Immortal x Reincarnated Lover (list)

Immortal x Mortal Lover Reborn (list)

Hero x Civilian (list)

Sci-Fi OTP (list)

Witch x Fairy (list)

Ghost x Human (list)

Other Specific Tropes Prompts:

Shy/Easily Embarrassed Character Getting Flustered (list)

Country x City Prompts (list)

Amnesia/Childhood Friends (list)

Sunshine Character x Serious Character (list)

Opposite Couples (ex: Always and Never, War and Peace) (list)

Opposite Couples: Sea and Sky (list)

Sarcastic Aloof x Annoying Hothead (list)

Medic x Soldier (list)

Prisoner x Guard (list)

Book-Loving Couple (list)

Friends to Lovers Road Trip (list)

Cheerleader x Jock (list)

[linkspooky]

SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear. 

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain.  One of these stories fails, and the other succeeds. I will illustrate why under the cut. 

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that. 

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate. 

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.” 

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level.  The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?”  This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story. 

With Great Power… You know the rest. 

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game. 

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA.  The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman. 

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be. 

Now I’m going to drastically oversimplify what a character arc is. 

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth.  The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end. 

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change. 

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending. 

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.”  The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero. 

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters. 

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match. 

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.” 

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person.  Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing. 

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character.  However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others. 

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not. 

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem. 

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero���s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people? 

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities. 

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence. 

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash. 

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else. 

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai. 

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose.  Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used. 

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road. 

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed. 

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes. 

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison. 

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be. 

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others. 

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection. 

Should I save the villain?

Here the answer is "Yes",  because wants to become more like Johan someone who uses their power to help others not just for themselves.  Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering. 

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends. 

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel.  In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim. 

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored. 

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences. 

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored. 

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground.  Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other. 

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy. 

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship. 

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did! 

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today. 

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends. 

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices. 

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card.  Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did. 

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship. 

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out.  The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point. 

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator. 

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki? 

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them.  In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable. 

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore? 

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about. 

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again.  Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits. 

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities. 

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness. 

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless. 

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki. 

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain.  The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him. 

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment. 

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did. 

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character. 

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another. 

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told. 

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog. 

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail. 

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him. 

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good.  As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option. 

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable. 

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too.  However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way. 

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant. 

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point. 

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant. 

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO.  Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger. 

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things. 

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience? 

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live. 

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t. 

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals.  He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable. 

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki. 

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels.  Cobra: You are certainly a talented duelist. But you have one fatal flaw.  Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory.  Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match.  Judai: I...  Cobra: Afraid aren't you? Right now, you have nothing to support you. 

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain.  As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki?  In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend. 

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect. 

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki. 

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent. 

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder. 

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns. 

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life. 

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone. 

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back.  When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way? 

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard. 

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100. 

[blackbirdsblackberries]

"I hate the new hero" is such a brilliant fic idea! I absolutely devoured it. 

 

Especially if we throw in some angst into it. *evil laugh*

Like, what if the harassment was too much that it affected the reader’s other life?

What was at first a way for her to hide her superhero identity.. had now made her doubt her vigilante work?

 

I know the BatBoys won’t act as low to actually physically harass who they thought was a civilian student, no matter how much they hate it, but they’ll definitely make their life worse. Online harassment, endless accusations, fake rumours that caused the reader to be hated by the entire school. 

 

Until one day you had enough. As much as reader love Gotham, wanting to protect it. But you were only a student now.. a teenage with a future to strive for, a future Gotham Academy could no longer provide you. 

 

‘Are these people the ones I risk my life every night for..?’

‘What was the point..’

All kinds of self deprecating dark thoughts swirl inside the mind of the teenage girl. 

 

After some thought, you decided. 

 

“I’m leaving Gotham,” Aranea announces, sharp eyes looking down the streets of the city from the high rooftop. 

 

Red Robin almost lost his cool, a cold shudder went through him at the horrifying revelation. It was so sudden, why are you leaving? Leaving Gotham? Leaving them? Leaving him?

 

His brilliant mind moved at an almost inhuman speed, creating hundreds of possibilities for why you would come to that decision.

 

But he just doesn’t understand. “Why?” He finally let out, his voice so low he was worried you didn’t catch it. 

 

But you did. “I have my reasons.” You sigh, your brows furrowing in distress.

 

Oh, how Tim wished he could kiss your worries away. It kills him to see you so troubled.

 

“Why? Is something wrong?” He urged, his tone sounding desperate. “I swear if Red Hood did something—“

 

“No,” You shook your head, “Nothing’s wrong. At least not with you guys.”

 

“Then what is it?” He eyes you, trying to read you. “Is it your day life? Your life behind the mask?”

 

You didn’t answer, avoiding his gaze. You were too quiet, it was such a strange sight. Your eyes held a certain sadness, your smile gone. It’s killing him.  

 

Your silence gave him all the answers he needed. “Then tell me, tell me who you are. Let us help you.” He begs; he knows he’ll do anything you ask him to, and he knows his family would do the same. 

 

“You know we can’t do that.” You shook your head. 

 

Damn, this is getting too long. Haha.. I’ll stop. But yeah. It’s a brilliant idea. 

 

Imagine how crazy he’ll react if he knew that he was the cause of your worries. He was the one who hurt you. The angst will be delicious. 

STOP YOU'RE ACTUALLY READING MY MIND!!

Not to spoil too much but in future chapters Reader will start to doubt themselves and cracks will show.

Reader may also look elsewhere for places to save. After all, Gotham already has so many heroes, what's one gone?

But they can't let the optimistic sweetheart of a hero go now, can they? You know what they say, you can take the man out of the city but not the city out the man...

Who said that?! 😮‍💨

And for the third paragraph, I absolutely agree! They wouldn't stoop so low as to actually assault Reader. But that doesn't mean they can't misuse the power they have over Gotham (both in their vigilante life and real life).

Though if I were to say one name that I think would get slightly physical (passive aggressively) I would have to say Dick.

Dick is such an emotionally complex character. Damian has learnt from his past and knows better thanks to Bruce, Bruce wouldn't risk anything and would instead just verbally cause harm, Jason doesn't actually resort to violence a lot - he yells, he punches walls, etc but he has never actually hit someone without proper reason/justification, Tim is above violence while a civilian.

The way Dick would do it would be so casual though - a hug too tight, a handshake that "accidentally" breaks a finger, a hard "pat" on the back that makes you spit out whatever you're eating/drinking, small things that don't seem like much.

I also want to state that the Reader is very complex as well with how I write them. Their true personality is cautious, ambitious, kind, sarcastic, kinda cold and loyal but they either display one part too much or too little - kind, loyal and ambitious during hero work is up to 100 while cautious, sarcastic, cold is hidden at 30. Whereas while a civilian they show caution, coldness, sarcasm at 100 with loyalty, kindness and ambition down to 30-40.

I won't say much more though, again Reader is you guys so their "true" personality is up to you - this is just how they're perceived by people.

[cute-sucker]

birthday boy

[30.3.2024]

note: haha once again this is so self indulgent, but i love it so much so like >>> (please let me know if y'all want a party 2) words: 2k warnings: mentions of drinking, swearing, angst :)

"hey! [name], come 'ere!" a voice yelled after you.

you were putting on your lipgloss, lips puckered and shiny. 

you knew exactly who it was, but you chugged your drink and then kept walking even as you heard the light footsteps of a teenage boy. you couldn't help but roll your eyes, infuriated at the only one and only rafe. 

"i'm not your lap dog, rafe!" you said through gritted teeth, as he reached you. finally, you turned and stopped to see rafe's arrogant face. 

he glanced at your face, his tongue darting out of his mouth to lick his lips. 

it was the bonfire at kildare. the one place where kooks and pogues went to party all night. of course rafe was here, and you were there to have fun and get loose and if he created some sort of problem for you, you'd sack him in the eye. maybe a blossoming blue bruise would look great on his 'perfectly,' simetral face. your brother had taught you to defend yourself in the summer, and you wondered what your nasty hook would do to hid face. 

"make it snappy," you said glaring at him. he looked unfazed, smirking. 

"as lovely as always, aren't you?" he flirted, leaning against the wall. the expensive watch on his wrist glinted in the light. 

"speak." 

finally, he gave up sighing dramatically, looking as if he was going to fess up. though he looked incredibly cocky. 

"come to my birthday party. it's on the 19th" he told you, a mischievous glint in his eyes. the nerve he had! 

you groaned, "no." 

surprise flashed across his face, and then something like challenge flickered in his eyes. 

"but i'm a very good boy," he pouted. 

"could you kindly fuck off?" then you turned around, strutting to your friends. you wanted to say you weren't blushing, as your heart stuttered violently at his voice. 

rafe would be the end of you. 

10 years ago. 

"rafe! where are you?" you called, your 8 year voice squeaking with fear. you felt frantic, your small thudding. rafe and you were inseparable, and in that same fashion you had made him a hand turkey and he hung in his cubby. 

that was true friendship. 

and now he was gone. 

"[name]?" a small voice called. it was rafe hiding near the bushes. 

you ran as fast as your tiny legs could carry you. rafe eyes were pink from crying, and you felt yourself tearing up, as your hands trembled. 

"rafe? what happened?" you asked gasping. he was crouching, his little hands red. 

now he peered up at you with watering eyes. 

"i fell." 

the red welts on his hands and knees bled so properly you cried out in fear. 

"c'mon let's go to ms. asha!" you yelled and held out your sticky hand. he took it, and the two of you hobbled away. 

when you reached your teacher, rafe told her all about your help. he smiled at you, as you found yourself blushing.

"a sticker for your bravery," ms. asha fussed, giving you and rafe two firefighter stickers. 

"did you save him?" benny asked you, her eyes wide with wonder. you pushed from the admiring tone and felt your heart swelter with pride. benny was so smart, and for her to be admiring you...that was everything a kid wanted. 

rafe nodded, rubbing his knee, a sweet smile on his face. 

"yeah," you whispered out, as you puffed out your chest. you were a hero. 

2 years ago. 

you were nervous. it was after 8 years that you were going to go to the same school as benny and rafe. after second grade, your parents took you to europe for your studies. only plans had changed and now here you were in america. 

in america, looking at kildare academy with it's daunting building and high standards. 

"she'll be in good hands," the principal chuckled. your parents smiled, and you wanted to go back tightly holding your mother's hand.

you winced, as your mother slowly unwrapped your fingers from hers. she kneeled to kiss you on the forehead. 

"you'll do great things here. i mean-" then she gave your father an adoring look, "it's where the two of us met." 

then your principal led them away, as your parents waved goodbye. 

here was your future just waiting to be taken. 

the day passed quickly, and it was all going well until english. you'd so far completed all the classes and ate lunch alone. everything was fine.

at least that's what you kept telling yourself. 

yes. oh yes, it was fine that benny had passed without a single glance, or the fact that no one remembered you at all. 

hell, a few girls did remember you though, and they gave you half-hearted hellos. some of the guys eyed you with recognition but the people who mattered...didn't remember you. 

but you still hoped that maybe rafe would remember you, but that was until you realised that rafe was right there, and instead of recognition in his eyes, he looked at you with scrutiny. he'd changed, and you were surprised to realise that he was handsome

his frame had filled out, no longer a wiry little boy, instead he towered over you. he loosely wore his tie, his shirt ticked and a smirk that stayed on his face. his hair was a dirty blonde adorned with golden highlights. 

class began and you stumbled into our seat. the teacher introduced herself, ms. wetherbell and then turned her eye on you. her hand was outstretched in your direction. 

"come here, dear." 

you sat up too quickly almost falling as you did so. you blushed and there was something inside of you that was glad for this call out. maybe now rafe would recognise you. 

"we have a new member joining our class, [name] [last name]." 

you waved awkwardly, painfully smiling. 

then you watched rafe scrunch up his nose, and mutter something under his breath. 

you didn't hear it, yet everyone in the class heard it and started laughing. 

they kept their mocking eyes on you, laughter echoing through the classroom, ms wetherbell caught up quickly enough. 

"what did you say mr. cameron?" she asked coldly, and he smiled innocently. you could feel tears prick your eyes, 

"nothing at all," he mustered sweetly. his eyes followed you again and it was only then he realised who you were.

but it was too late. 

present. 

you lay in your bed now, your silk pink night gown on. you never thought of those memories, ones that reminded all that you had lost with him. after that day he had tried to apologise to you, following you until you told him that none of it mattered. 

you didn't want to hear anything from rafe cameron and that's why you wouldn't give him any of the attention he so badly craved. 

just as you drifted off to sleep, settling your paperback back on your side table, a sudden noise woke you up. it was the sound of a pebble hitting your window. you peeked out the window to check. 

there he was in all of his glory. rafe kneeling on your roof, clearly intoxicated, his eyes full of excitement as he swayed.

"why are you here birthday boy? you hissed mockingly. but as you watched his sway fear pricked your heart. you knew he would fall and break his neck if you didn't pull him into your room. 

he sighed, eyes closed as you roughly guided him into your room.

 "i missed you," he slurred and leaned on you. you tried to calm yourself, and not scream at him. you didn't want your parents to know he was in your room. 

maybe they'd think he was having a secret relationship with you. at that they would be pleased but at night? your mother would kick both of your asses and really? no thanks. you would rather not be grounded. 

"you liar," you whispered out. then you inspected him to make sure he wasn't hurt. he noticed you eyeing you, and gave you a crooked smile. he was always in his element. 

"like what you see?" 

you rolled your eyes, your voice a gasp "you wish."  

it was only then did you realised that he had a busted lip. curious . . . even more curious first dipping drunk out of his party, and now it looked as if he had fought. 

"did you fight someone? where else are you hurt," you asked him slowly. as much as you disliked him you couldn't let him wander around hurt. 

he winked in a drowsy manner. "i won, sweetheart. and just the one here." 

then he lifted his shirt to show a yellowish-blue bruise. it looked so bad you hissed quietly. then you slowly approached him with your cream. 

you peered up at him, round eyes full of worry. 

"may i?" 

he nodded, swallowing deeply. 

you tried to apply the cream as gently as you could. 

he hissed quietly, "a little softer, sweetheart." 

you dropped your hand, realising what you were doing. god, damn it! you looked at him again. drunk rafe, shirtless in your room as you treated him. 

you were crazy! instead of breaking down, you took a deep breath and applied some bandage. 

"why are you here?" you asked coldly. he opened his eyes and you fell still. 

"i told you . . . i missed you." he pouted, and you shook your head ready to get up. goddamn it. just as you going to get up, and tell him to get the fuck out of your room, he stopped you. 

"please don't leave me," his voice cracking, "i'm so tired of everyone leaving me." his hold was tightened on your wrist. instead of inching away from him, your whole body melted into his embrace.

he could make you do anything for him. and yet right now you thought you hated him but you were pressed to his side as he nestled his head in your shoulder. 

"tell me why you left that party," you asked him again, and you felt him touch your hair. he played with it, and you could smell the wine all over him.

"i couldn't take it. i had to be with someone who always cared about me. someone who i-i didn't treat every well," he murmured and you felt yourself recoil only for him to grasp your chin to turn you around to face him.

he sighed, "i'm sorry." 

you watched his eyes flicker with vulnerability. someone every single time this boy sneaked past your defence and broke your hold on reality. 

you got up to walk into your bathroom. 

"i need to change," you muttered, picking stuff from your cabinet.

"please [name]." 

"what, rafe? what do you want from me? i always tried to be your friend, but you didn't want that. what am i supposed to do?" you whispered as you felt your hands tremble at your sides. 

rafe shuddered and then turned to look at you. his eyes were clearer than ever. 

"i like you." he slurred, "i'll treat you like a princess and i have the money," he stumbled after you. 

you felt like screaming. "i don't want that! and you know that." your voice cracked, as you felt your whole body shudder with sadness.

"trust me. please trust me, this will be good. you're so pretty and kind and i can't get enough," he whispered, his scraped hands reaching for you. 

you paced around the room. "stop it! stop it!" you said finally. 

"i can't stop thinking about you and you're the only person i want," he whispered harshly, holding your hand, begging for you to look into his eyes. 

you walked away from him. 

"get out of my room," you yelled, "get the hell out of my room, rafe." 

and as he walked out of that door, your heart begged him to stop. you felt yourself drop-down, tears soaking your nightgown. 

your heart broke into a million pieces when he walked out of that room. 

[minzart]

Blazing eyes

Maleficent x Reader(GN) x Hades . ROR-VKs & You

“professor-” he slams the door close, leaving you alone… you naturally louch yourself to the door and try to pry it open, sadly it won't budge “cursed old fucking man -OPEN! ABRACADABRA! PRESTO! BIBIDBOBIDIBO! COMONNNNNN BITCH-”

“poor thing has lost it” Hook whispers.

“we haven't tried bitch as a pass wold tho” Morgie added in “didn't work, but it would have been so funny if it did”

“OPEN SESSAME!”

“alright alright alright” Uliana gets up from her seat “calm down, we don't bite”

“much” Hades adds and seconds later Maleficent hits his head firmly.

Or... how you got recruited as a new VK and the drama that comes with being friends (and for some more) of the young villains

In a world of princesses, princes, knights, evil fairies and gods you were neither, perhaps one could say you were even less, a commoner, a plebeian with the most average sprinkle of magic yet to set foot in Merlin Academy again. Never a stand out and when your voice was heard it was almost as if the room could swallow it whole for how little it mattered in the grand scheme of things.

What would you be when you graduated? A tug? A squire? Perhaps if lucky an advisor or even a right hand confidant of a big name hero or villain. Maybe just a normal baker, who's to say, after all, the unremarkable have their own gift, destiny, profecies and duty wasn't yours to claim after all, so your life is yours and yours alone to mold, change, waste, thrive and live.

But oh that doesn't mean you can't impact lives, no, rather the opposite, you can be the last straw or the first domino that will never see the finish line but will be remembered as fondly and bitterly as the eyes that saw you last.

And our story starts not by your eyes, but by hers, a young fary sits bored out of her mind in a perfect, dreadful, evening at detention with the fools she calls… allies…. Yes, that felt… correct enough, and with the infant God she could only denominated as a passing interest at best, a boyfriend at worst.

Morgie, being the little snake that he is, can't keep still and out of the woods for long before he starts budging the magical reinforced windows, she won't blame him, after all she herself did the same thing some months ago and now the windows have a reflective spell to “keep students safe”, as if they didn't threw out weaklings out of those even before her… “sneeze incident”, as if she could even make mistakes, that was a purposeful fire breaking breath right into the window's direction and not because Uliana's cologne was too strong that day, absolutely preposterous of principal Merlin to spread that ridiculous rumor about her, she had to curse twice the students to shut their giggles that week all because of that pompous old man.

James had given up cheering for Morgie and now laid back, boots staining the desk shining his golden rook and by his pout being extremely disappointed in his eyeliner not being as sharp as it was 20 minutes ago.

“Uliana~” he called, a melodic tune echoing in the almost empty classroom “dear, scariest witch of the sea, seafoam of my dreams”

“call me that one more time and I'll give your other hand to tictoc as a gift asshole” the leader of this little band of mischief smirked, pointing her little switchblade at him, she sat at the teacher's desk, marking one more tally to their monthly visit and, before being interrupted, curiously checking to see if new marks were made by new potential allies “what do you want?”

“do you have that miraculous eyeliner in you again? I think I missed a spot” the young sea witch rolls her eyes in amusement and one single tentacle leaves her back, the black tube almost reaching Hook's good hand, then it doubled back and threw it in his bad hand's direction, the boy caugh it without much fuss and dangled it in her direction, wiggling his eyebrows in victory.

“much thanks beauty”

“your parents should have named you Narcissus”

“and you should try being a pitcher to this years baseball team”

“you would be too good for them tho” the young God spoke from behind the black fary, playfully passing the same blue flame around his fingers “I saw Jame's fumble a bit this time”

“I didn't fumble anything!”

“yes you did”

“did not”

“did too”

“did-”

The door of the class is slammed open by what Maleficent can smell is the dire's magic, his voice getting closer and closer, Uliana decides to move to the closest chair, not interested in prolonging the tedious lesson with an extra 15 minutes of more lecture.

“I'm again so thankful you could come dear” Merlin's voice echoed inside “it's so hard to find generous students like yourself, always ready to help the ones with the most difficulty”

All teens roll their eyes and look at each other's direction just to confirm that they weren't just hallucinating the most basic and fakest sweet talk to ever exist, and by all means they did experience each “baby's first manipulation” attempt, and they were not as fake sounding as his.

“you are too kind professor” the nervous little laugh gave away whoever they were wasn't as ingenious as half this school seemed to be ”I did say i wanted to try everything once at least in my years resolution papers, and I mean it”

“such admirable dedication to academics I sure hope you pass a little bit of that for this… study… group” the hesitation in Marlin's voice made Morgie snort and fall to the ground, wich made Hook tremble and poke his own eye, which prompted him to swing his hook in ager back, ready to curse the son of Morgana, but his hook went flying off its place hitting Hades’ foot, making the God scream in pain, losing control of the little flame that hit the teacher's desk making if catch fire so bright it flames so wild that a stray one reaches Uliana's pants.

It is in that moment that you and professor Merlin walk in the class, the VKs growling and cursing at each other in the middle of chaos. The professor calmly puts the fire out, as does Uliana, Hook grabs his hook back, Morgie scrambles to go back to his seat, Hades takes a deep breath, hair turning back to it's blue hue and Maleficent holds the biggest ugly laugh she can fell boiling from the deeps of her core.

Your eyes travel slowly through the most infamous trouble makers of this school, from Uliana's defiance, to Hook's flirtatious, Morgie's mischievous, Hades’ unimpressed and Maleficent's cold stare. Taking a deep breath and clenching your bag you turn 180 degrees and start marching out of class, professor Merlin was not so happy with your attitude since he decided to grab your shoulders firmly and smoothly turn you back around.

“today class, a very generous classmate offered to help me supervise you all” Merlin smiles “which is just so great because I'm need for a very important meeting and am already-”

And in that moment you made the biggest mistake you could have made that day, you defied the authority figure right in front of the punks wannabes of Merlin Academy “absolutely not” you dance around his grasp and just didn't bolt out right in that instance because the old man was blocking your path.

“now now” your name falls from his lips as if he's talking to a child “I know you have the good it takes to help those unfortunate individuals”

“I don't have shit!” you could feel all eyes turning to you, the class has your attention.

“language child!”

“I could teach math and potions and curses and counter curses to anyone, but being responsible for a whole class that will harass me to death if I don't let them out was not in our agreement sir“ you try to dance around the sorcerer again.

“watch your tone, those are very heavy accusations”

“yes we would never do something like that” Uliana puts more log to this blazing circus as Morgie tries to hide better the straw and paper balls he just finished doing in broad daylight for all to see.

Merlin cleans his throat, bringing attention back to him as he side eyes the girl “as I was saying, it will only be for some minutes! I'll be back as soon as possible” the headmaster starts to get out of the door still facing the class “I'm sure you can handle them”

“professor-” he slams the door close, leaving you alone… you naturally louch yourself to the door and try to pry it open, sadly it won't budge “cursed old fucking man -OPEN! ABRACADABRA! PRESTO! BIBIDBOBIDIBO! COMONNNNNN BITCH-”

“poor thing has lost it” Hook whispers.

“we haven't tried bitch as a pass wold tho” Morgie added in “didn't work, but it would have been so funny if it did”

“OPEN SESSAME!”

“alright alright alright” Uliana gets up from her seat “calm down, we don't bite”

“much” Hades adds and seconds later Maleficent hits his head firmly.

“we can be civil see” she shows her gang, all… sitting in various degrees of proper but sitting still nonetheless “now what's you name? I didn't catch it seeing some so…”

She looks you up and down, judging from you clothes to your hair to your posture, her month forms a thin line as she thinks in how to describe you ”comum, sticking it to that old man was kinda impressive”

You rest your head in the door, a defeated sigh leaves your lips with your name in it, Uliana tests it a few times and sits in the closest table “you don't happen to have famous parents do you?”

“take a guess” you mumble, choosing to sit down and accept your fate.

“that explains why I don't remember seeing you around here”

“we are in the same classes…”

“I skip those, anyways, so the headmaster is in a meeting? Do you know what class it’s happening in? ”

“why would I know?”

“You two just seemed so close y'know” You roll your eyes, a headache already forming inside your head.

“he got my name wrong but sure whatever makes my life easier, did any of you try breaking the windows?”

“Morgie dear was just about to start biting them” an offended “hey” can be heard in the background as the boy momentarily stops gossiping with his friend.

“do you know if it's a spell? A charm? A ward? We need to get going and I think you would be happy with us gonne too”

“it could be a potion for all that i know”

“you are quite useless aren't you?” her eyes lock with yours, daring you to fight back… you double down.

“you have no idea” you raise your chin and summon your biggest smile “a snail is more useful than I!”

You immediately let your facade down, head resting between your closed arms “just leave me be and continue doing whatever it is that you do”

The girl grins in amusement “aren't you spunky, color me impressed” she gets out of your table and lowers herself to your eye level “I see some potential, we could be friends, what do you say?”

“...” for a moment, the young sea witch thinks “hook, line, and sinker” but her expectations are shattered as you point behind her and says “your rescue has arrived”

Turning around she sees her little group of misfits, the ones that were still out there one stacked on top of the other, curse book in hand, they wave excitedly to her and signal for all to move out of the way.

Hades immediately gets up pulling Maleficent with him, and a blast breaks the glass “it wasn't supposed to shatter it!” The caster panics, making their little tower lose balance and fall, hopefully they weren't hurt too badly.

Uliana sighs annoyed, but moves to the window anyway “out we go then! Don't think I forgot about you, I'll be keeping a close eye, and if you change your mind, you can find us it's not that hard” she looks at you as her four tentacles graciously take her down and out of detention.

Hook winks at your direction and jumps out “pleasure meeting you sweet, sorry we couldn't talk longer schemes to make, pranks to pull you know the drill”

“bye!” Morgie waves at you as he also jumps out.

Hades moves to leave, a half wave at your direction as he waits for the horned fae take his hand, Maleficent looks at you up and down, he eyes lock with yours, they glow a neon green and you feel as there are eyes everywhere “see you around”

At least it's only you, the shattered window and deep feeling of dread creeping in your back.

[dilatorywriting]

Heroes vs. Villains : The Staff

Platonic GN!Reader x NRC Staff vs. RSA Staff Word Count: 2.7k

Summary: Woe to the Ramshackle Prefect, being caught up in the drama between the Disney Villains and their respective heroes. NRC Staff Version (Part 1: Crewel and Crowley)

ie. Headmaster Crowley is a nightmare, and Professor Crewel is, well, cruel. And to be perfectly honest, after meeting another dog-loving professor who doesn't treat you like absolute garbage, the Royal Sword Academy is starting to look a lot more appealing.

[PART 1] [PART 2] [PART 3] [PART 4]

‘Sticks and stones may break my bones, but words can never hurt me!’

Crowley had chirped that very sentiment to you ad nauseum, with all the enthusiasm of an old raven eyeing a shiny penny.

“Do you really believe that?” you sniffled, angry, as you sat slumped over in one of his rickety office chairs.

People at this stupid school were mean. And yeah, school yard insults and casual accusations of being the House Wardens’ little bitch were one thing—but these assholes would go right for the throat. All of your insecurities—your fears—all laid out like a nice spread of hors d'oeuvres ready for the picking. You had endured enough sharp barbs for a lifetime, and the fact that your glorious Headmaster and self-proclaimed parental figure kept writing it all off as a ‘learning experience’ was driving you mad.

“Of course I do, dear child!” he beamed. “What sort of educator would I be if I didn’t practice what I preach! Words are but the wind, as they say!”

You nodded, sage, and shot him a smile so sugary sweet it could rot the teeth right out of his skull.

“I wish I’d never met you and I hope that all your feathers fall off one by one,” you chirped. “And I use the ‘Number One Child’ mug you gave me to scoop water out of the toilets when the plumbing fails.”

Crowley’s mouth fell open with a nearly audible clunk, and if he weren’t so wrapped up in all kinds of immoral, black magic, bull-shittery, you would have liked to imagine that maybe that had been the sound of his heart cracking in his stupid, embroidery-covered, chest.  

You popped up from your chair and breezily made your way to the exit. You propped yourself up against the intricate, wooden, frame and clapped your hands together like a bubbly preschool teacher addressing a room full of particularly dull children.  

“I’m glad we could get that out in the open in a completely pain-free way. Words really can’t hurt anyone!”

You managed to slip the door closed just as he started to wail.

.

.

That afternoon you made your way to Professor Crewel’s office, as had become your routine. It was nice. Sometimes you would help him grade papers, sometimes you would just nibble on fancy cookies and listen as he ranted about the incompetence of certain staff members which shall not be named.

Sometimes his dogs were with him in the afternoons—a pair of giant, lithe, wolf-like beasts that were most certainly of a very proud and expensive lineage. Jasper was the black one and Badun the white, and each had a coat so glossy and well-maintained that they could put your own hair care to shame. Badun was enthusiastic, charismatic, and would bound to greet anyone who entered. Jasper was more quiet, reserved, but he was secretly your favorite of the duo. Whenever you stopped in after classes, the shadowy hound would lumber over and rest his giant head in your lap.

“No puppies today?” you called when you were greeted with silence rather than a wave of happy kisses.

“They’re in for their groom,” Crewel mumbled, busy at work with his head bowed over some lab reports or other. Normally he would grouchily correct you that his two precious pooches were adults. Dogs. And should be addressed as such. He must have been really distracted today. Or maybe you were just wearing him down.

You settled into the lovely, plush, chair off to the side that you had long since claimed as your own, and set your bookbag on the floor by your feet with a thump.

After a few minutes of comfortable silence with nothing but the sound of scratching ink over paper to break up the monotony, Professor Crewel dropped his head into his hands with a miserable sort of sigh.

“You should not have spoken to Crowley as you did.”

You blinked, startled. “What?”

“I of all people understand how frustrating the Headmaster’s antics can be,” Crewel continued, firm. “But you are still a student of this Institution—and one in a precarious enough position as it is. So you need to be mindful of your tongue.”

Indignation roiled through your gut, followed by a sharp prick of disquiet that you couldn’t quite place.

“Then he should be mindful to treat me like a student and not some—some pet project,” you huffed, kicking irritably at your patched backpack for want of nothing else to do. “And besides, what’ll he even do? Expel the one person in this entire college who mops up every single one of his messes? And I mean, it’s not like he’s running around the school crying or anything. I wasn’t that mean.”

Crewel pinched the bridge of his nose and you paused, mouth parting in surprise.

“Oh come on, he did not.”

“In the name of preserving our esteemed leader’s dignity I will say no more on the matter,” he grit out, and you fought the urge to immediately whip out your phone to message Ace, and Cater, and every other rabid gossip you could think of.

“Well, maybe he deserved it,” you snipped, crossing your arms stubbornly across your chest. A bit of cautious warmth spread through you and you nervously plucked at one of the loose threads on your uniform sleeve. “And besides,” you mumbled. "He can cry about me calling him a shitty father all he wants. You’ve been way more of a dad to me here than he could ever try to be.”

“I beg your pardon.”

You froze, fingers locking in place around the picked-apart edges of your jacket. The ice in his voice was unfamiliar and entirely unpleasant. It sent a frigid wave of worry curling through your veins. Had you overstepped? You’d thought—You’d just thought—

“I-I mean,” you spluttered. “I only meant that, well… Uhm… You’re really nice to spend time with. A-And, I just…” He made you feel like you were home again. Like even though Ramshackle was empty and cold, that you could still walk into this little office and say ‘I’m back!’ to an actual, real-life person and not just the shadows that lived in your foyer.

“Let me be perfectly clear, Prefect,” he sneered. There was an undercurrent of hostility running so sharply through every word that you were left wondering frantically if you’d unintentionally trampled over a sensitive topic. You hadn’t thought it was a big deal. You just—you just really, really looked up to him. And felt safe with him. And—And—

‘I’m sorry,’ you wanted to say. But instead you just let out an odd kind of choked squeak.

“I have no intention of playing parent to anyone,” he snapped. “Let alone an untrained brat who can’t even be bothered to play civil with the people who do attempt to care for them.”

Ouch.

“R-Right,” you spluttered, swallowing around the burbling lump in your throat and the warmth prickling along your lash line. “O-Of course. I’m sorry for assuming. I—I… uhm…”

‘I’ll just go then.’

But just like with failed apology, those four little syllables just couldn’t seem to make it past your lips either. So instead you just shakily snatched your bag from the floor and bolted from his office, burrowing your stinging cheeks as far into your collar as they would go. The last thing you needed to do was give anyone at this stupid school any more ammunition against you. And ‘Cry Baby Prefect’ sounded like another nasty nickname that would stick to you like gum to a flat-heeled shoe.

It’s fine, you whispered to yourself, voice wobbling far more than you would have liked. Grim hated when you came back smelling like dogs anyways.

.

.

“My goodness, are you alright?”

You blinked, harried, and glanced around yourself properly for what felt like the first time in hours. You were… not on campus anymore. Huh. What a trip. You’d never been so upset that you’d blindly run off into an entire new town before. But you supposed there was a first time for everything. You did remember feeling too nauseous to return to your little hovel for the evening, but you hadn’t really expected your frantic pacing to take you quite this far out of the way.

“Hello? Can you hear me?”

Oh. Someone was talking to you, weren’t they?

Standing in front of you was a tall, lanky, man in a tweed jacket. He was stooped down a bit to make eye contact with you, and those hazel eyes were creased with worry. His blonde hair was pushed half-off his forehead in a style that looked more haphazard than intentional, and the hand he was offering you was littered with splotches of ink. There were patches of white and black dog fur littered across his entire outfit like some horrible fashion statement, and the thought of puppies made your throat tighten up all over again.

“My name is Cliff Rogerson,” he said, steady and kind. “I’m one of the instructors at the Royal Sword Academy. Are you lost? Do you know how to get home from here?”

Do you know how to get home?

You laughed once, manic, and then promptly burst into tears.

“Oh, dear,” he sighed, his heavy brow furrowing low with concern, and patted you consolingly on the shoulder. “Oh, dear.”

You were herded into a nearby café and directed into one of the quiet, corner, booths. The lights were soft and fuzzy in here, and the pleasant warmth of fresh pastries brushed gingerly along your frayed nerves. Mister Rogerson pressed a steaming mug of hot chocolate into your hands, and placed a delicately wrapped muffin off to the side of it. It was a tempting offering, and you decided to unbury your head from your hands long enough to partake.

“So how did you end up out here, if you don’t mind me asking?”

“I’m a student at Night Raven,” you mumbled into your cocoa.

You could tell he was doing his best not to look shocked, which was at least a dozen steps above the way the rest of your stupid school would just gawk at you in outright consternation.

“Forgive me,” he smiled, gentling his apprehension into something that was more polite curiosity that anything. “But you don’t really seem like one of their usual pupils.”

So you explained your situation—the Mirror, and the magiclessness, and the homelessness. You talked about your friends, and your new demon cat/evil baby, and how much you missed stupid things like good shower pressure and fuzzy socks. Mister Rogerson listened to all of it with an attentive sort of sympathy that you hadn’t seen since, well, probably since you were dropped face-first into a school full of burgeoning war criminals.  

“That sounds like a time and a half,” he said once you’d finally tired yourself out. “I’m sorry you’ve had to go through all that.”

You picked at your muffin. It was ridiculously fluffy and eating it felt like pulling bits and pieces out of a cloud. A very, very delicious cloud.

“Forgive me for saying so,” he hummed, pensive. “But your situation doesn’t sound particularly safe.”

You laughed. “That’s one word for it.”

Mister Rogerson frowned, another twitch of that uneasy worry playing across his face. He ruffled around in his jacket pocket for a moment and pulled out a neat, cream colored, business card.

“It may be overstepping of me to offer, but at the same time I do think as an educator it’s my duty to try and help every student that I can,” he smiled, kind. It crinkled the skin around his eyes. “The RSA is not overly far from Night Raven College. If you ever want to stop by—if you ever need an ear to listen, or just a space to get away from it all—my door will always be open to you.”

You took the little piece of paper carefully, like it was something precious. There were swirls of colorful music notes splattered across the backdrop of it—raucous bursts of neons that were as endearing as they were ugly.

‘Tacky,’ spat a too-familiar voice in the back of your head. ‘What sort of statement was this lowlife trying to make?‘ You could practically feel the phantom distaste emanating from wherever a certain two-toned professor had camped out for the evening.

Probably at home, you thought bitterly. Because he has a home, right? And you are not at all upset that you will never be welcomed into it. And that you will probably never get to cuddle his puppies ever again. Nope. Not at all.

You swallowed the little burst of unpleasantness that accompanied the train of thought, and pocketed the card with a smile.

“Thank you. I’ll definitely have to take you up on that.”

.

.

.

Divus Crewel was many things, and unfortunately, being as cruel as his namesake was often one of them. He glanced back to the clock ticking on his wall for what was perhaps the dozenth time that hour. You hadn’t been by since his—ah—outburst a few weeks prior.

He had perhaps reacted a bit more unpleasantly than he normally would have. You’d just… caught him off guard was all. It was a bold declaration you’d made, and what? Had you really expected him to be overjoyed by the idea of forced parenthood? To swoon over the notion that someone had decided to latch onto him and his perfectly pressed suit like a leech despite the fact that he was so obviously thriving in his life of solitude?

And it wasn’t that he expected you to take his biting comments lying down. Oh no. You were fierce, and determined, and were most likely on your way here to bang down his door demanding recompenses for all your suffering. There was a tray of those too-expensive cookies you liked tucked away in his top drawer. Just in case you did show up and throw one of your tantrums, and he needed something quick to pacify you. That… That was all.

But each day that he waited for you to sneak back into his office was another spent in quiet solitude. Badun had taken to whining at the door and Jasper hardly got up from his bed at all—just tucked his black nose into his equally black paws and stared straight into Crewel’s soul. Like he was judging him.

He caught himself glancing at the clock again and forcibly turned back to his work.

This was ridiculous. You were ridiculous. And stubborn. And so, very, danger prone. Had something happened maybe? Was that why you’d disappeared—because you’d gotten caught up in some sort of trouble again?

Tick. Tick. Tick. Tick—

He looked back at the clock.

Tick. Tick. Tick—

His office door flew open with a BANG and he swiveled in his chair, ready to chastise you for making such a ridiculous entrance. Instead, he ended up nearly nose-to-nose with a weeping Dire Crowley. The man wailed into his clawed hands, looking very much like he might accidentally stab himself in the eye all the while.

“HOW AM I SUCH A FAILURE OF A PARENT?!” he bawled. “WHAT COULD I HAVE DONE TO PREVENT THIS?!”

“What?” Crewel gaped, head spinning. “What’s happened?”

Crowley let out another inhuman squawk and shoved a piece of parchment into the alchemist’s crimson-gloved hands. It was torn at the top, likely from where it’d been pinned to something before the raving Headmaster had swiped it. Crewel read over the familiar script with narrowed eyes, something unpleasant twisting in his belly.

‘The Ramshackle Prefect kindly sends their regards, but unfortunately has other commitments for this evening. Please contact Professor Cliff Rogerson of the RSA music department in case of an emergency.’

“MY BABY LEFT ME!” Crowley sobbed, nearly inconsolable. “WHO’S GOING TO DO MY TAXES NOW?!”

The leather of Crewel’s gloves groaned in protest as his hands tightened into fists—his nails biting into his palm even through the sturdy material.  

“What do we even do?” the old crow lamented, sounding so genuinely crestfallen it was almost unnerving.

Jasper and Badun circled their master’s ankles wearily, eyes bright and lips twitching with nervous whines.

“I think,” Crewel grit out, the note crumpling between his fingers, “that it’s well past time that we have a chat with the Prefect about the importance of personal safety. And of the consequences of running off with strangers.”

.

.

.

[galedekarios]

gale as a professor at blackstaff academy

i have to say that at first i wasn't too sold on the (then still fanon) idea of a professor ending because of gale's own prior anecdote about being irked by his previous students and their inadequacies.

i thought it might not be a good fit for him as far as professions go.

but reading the epilogue files, i have come around on it.

i think it's just one more way in which he's really grown into himself, become content with who he was in the past, the mistakes he made and what he has learned from them, and the person he wants to be in the future:

Player: You? A teacher? I'd hardly say you set the best example for impressionable young wizards... Gale: I think it makes perfect sense. devnote: Surprised you wouldn't recognise this, a tiny bit offended you don't trust him to do this Gale: Who better to warn of the perils of misusing magic than someone who was once only a wayward sneeze away from destroying a mid-sized settlement? devnote: playing up to his past a bit, you can imagine this is how he acts with his students Tara the Tressym: Don't remind me of those terrible times, Mr Dekarios. My blood pressure has only just recovered.

a few more cute banters & things we learn about gale and his new teaching position:

tara swipes at students who fall asleep in gale's classes, which he himself doesn't mind. he, too, slept through some of them (like his calishite lessons):

Player: Perhaps that's a good thing. I'm sure they're far better students than I was... Gale: Ah, so you still remember our little lesson? devnote: A little bit bashful, it was a vulnerable moment for him Gale: 'Teaching' you was hardly an effort at all. Not like my present cohort of apprentices. devnote: Complimentary, pulling the thought back to the teaching element after getting lost in the memory of the moment Gale: They try their best, of course - when they can manage to stay awake. devnote: Not upset by this - he slept through his fair share of classes as a student Tara the Tressym: The cheek of them! Nothing a well-placed swipe from Tara can't fix, though.

2. gale offered to teach more subjects than illusion via simulacra:

Player: Only a professor? With your expertise, I'd have thought you could teach every kind of magic going... Gale: I did offer, as a matter of fact. devnote: Secretly glad the player thinks so highly of him Gale: However, the Blackstaff insisted I couldn't teach every subject, nor could the simulacra of myself I offered to create for that purpose. devnote: Reluctantly accepts that this was the right decision Gale: So, I've settled for teaching the art of illusion. Magic to confound the senses, to render the impossible into reality, and to allow expression of that most magical attribute of all - imagination. devnote: Selling it a bit - he wants to make sure you appreciate how cool this is

3. gale has told his students about the player's adventures and will invite a player to be a guest lecturer:

Player: I found the love of my life. I'd say I'm pretty happy. Gale: And I couldn't be happier for you. A fitting reward for the sacrifices you made in getting here. Gale: I've told my students plenty of tales about our escapades. You're something of a hero to them, you know. Gale: I'd be delighted to introduce you to my current cohort - as a guest lecturer, perhaps? I'm sure they'd have plenty of questions for you. Player: It would be my pleasure. Gale: Excellent. I knew you wouldn't be able to resist the allure of sharing your expertise. Gale: Of course you'll be most welcome to stay with me in my tower- Tara the Tressym: Ahem. Gale: My apologies, Tara. That would be our tower.

4. his students find him somewhat intimidating due to his backstory with mystra and the orb:

Gale: Well, that was quite lovely. I'm glad you're as pleased to see me as I am you. Gale: I have to say, I'm quite grateful to just be 'Gale' for the evening. Gale: I fear my students find me somewhat intimidating, due to my erm, explosive former reputation. I seem to put the fear of the gods into them. devnote: He plays up to his reputations a bit, so he isn't overly surprised Gale: Or the fear of Mystra, to be more specific. Gale: I surrendered the Crown of Karsus to her, as I told you I would. And in return, she cured me of the orb at last. Gale: Even now, I struggle to put the feeling into words. It was like exhaling for the first time, after holding my breath for so very long. Gale: Of course, I haven't clarified with my students that the orb is no longer a threat. The legend of my explosive capabilities is an excellent means of controlling a classroom. Too good, if anything.

5. he wants to teach his students that there is fun in studying magic:

Gale: I spend most of my time trying to convince them how much fun the study of magic can be, but it'd be easier to crack a smile on an intellect devourer than some of my pupils... devnote: Despairing a little, doesn't understand why they aren't all as passionate as he was Player: Or on a mind flayer, perhaps... Gale: Smiling may no longer come easy to you, but I've seen how your tentacles twitch at my jokes. Even the ones I'm not entirely certain I was trying to make... devnote: Last sentence a tiny bit self-conscious, aware that people sometimes find him ridiculous. Gale: Still, I hoped my students might be a little more open to the playful side of such magic.

anyhow, i hope this was insightful to someone! 🖤

[konohamaru-sensei]

Nisi Fandomtober Day 3: MARIN

[brittle-doughie]

Can we get a evil Y/N cookie attempting to corrupt White Lily? I have a starter story if that's alright.

The silver domain was filled with merriment and the sugary smell of sweets. In honor of White Lily Cookie taking up the role that Elder Fairy cookie had left behind, The fairy cookies insisted on celebrating. White Lily Cookie was against the idea first Y/N cookie promise to be by her side during the event...And yet, they seem to be absent. Not wanting to disturb the fairies party, White Lily Cookie excused herself to try and locate her closest confidant, clenching her staff tightly as her anxieties let her small quest.

Finding herself wandering the silver the Faerie Library, White Lily Cookie sees a familiar silhouette sitting in a nearby chair and begins to beam almost immediately. She calls out your name while running over to you, but her steps quickly slow as she feels something twisted in the air.

You speaking before White Lily Cookie has the opportunity to ask what's wrong, sympathetic eyes focusing on you as you speak.

Y/N Cookie: “Do you believe freedom is a good thing, White Lily Cookie?” You say in a ominous tone, one that White Lily Cookie rarely ever hears from you, continuing to stare out of a nearby window.

White Lily Cookie: “Huh? of course, Y/N Cookie! Freedom is what allows cookies to be who they are! It allows them to love and create, as well as discover brand new things.” White Lily Cookie's answer was somewhat hesitant, but still filled with as much conviction as it had been the first day she had received her soul jam.

Y/N Cookie “is that truly what you believe? The ultimate conclusion you've come to despite everything you've done?” A slither of malice lingered on those words

White Lily was taking aback at this strange hostility, But before she could begin to question it you continue.

Y/N Cookie: “The haunted blueberry academy, The deal with the legendary red dragon and...Dark enchantress herself. The more and more stories I hear, the more I question if freedom is really a virtue...and not a curse”

White lily Cookie: “Y/N Cookie...I had no idea you felt such a way. You had always been so supportive...I never thought you had such thoughts" her words had begin to shake, So she took in a breath before continuing. "I've done...Many unforgivable things, But the light of freedom allows me to try and repent for my mista-”

Y/N Cookie: “Enough already! All you ancients "heroes" ever do is rely on your virtues, But where is that led you!? All you've done with your "freedom" is destroying!.....How can I trust you, let alone be at your side when everything around you crumbles away?”

Each word was like a sharp knight penetrating White Lily Cookie's heart. She had these thoughts hundreds of times, But have a cookie so close to you say it with such...Hatred. whatever words white Lily may have wanted to use to defend herself, dissolved away in a soggy clump of despair...Could this be his doing?

You finally get up from your seat, the sudden action causing White lily to flinch. You begin to approach the anxious ancient, causing her to step back a few steps as you close the gap and only leave a few feet between the two of you. The damage that your words had done were visible on her face, trying her best not to cry at such heinous words from the cookie she had gotten so close to...You find it strange that you can feel sympathy for a cookie with such godly might, This is the only way to make it to your solution.

Y/N Cookie: “The light of freedom has proven itself to be far too dangerous...I might have a solution” her face of mystery turns to Confucian and you take this as your cue to continue. “Freedom allows cookies like dark enchantress and the beasts to do horrific deeds, for cake monsters to consume other cookies...And for evil to run wild.....But what if...We use the power of your soul jam to establish order?”

White Lily's eyes widen with terror...How could the cookie closest to White Lily suggest such a horrid thing? Taking freedom away from anyone, regardless of how evil they were was...monstrous. This simply had to be the work of Shadow Milk Cookie! M-Maybe she didn't seal the tree as well as she thought she did.

But White Lily will come to a very conflicting realization that, no, Shadow Milk Cookie had no involvement with her cherished friend and their way of thinking, you had simply seen way too many bad things happening to cookies around you in this bid to obtain the power of Soul Jam.

Hollyberry and Dark Cacao Cookie were right, y’know? Wars have started because of Soul Jam and far too many tragedies have occurred to get these “little stones”.

You know White Lily Cookie, you know that she ultimately wants the cookies of the land to be safe and without worry. So can she not see that this plan to bring order with the power of her Soul Jam could ultimately be beneficial in the long term.

White Lily Cookie is free to not consider you her friend anymore or even tell the others about what you’ve said. You stand firm in your beliefs, and nothing was going to change that.

Much to White Lily Cookie’s sorrow. She would hate to have to leave behind a friend she’s known for a long time…

She wishes there was another way. Another way that didn’t involve controlling others, yet also a way to still have you as her friend…

She doesn’t know what to do…

[dark-fics-4-you]

In crocodile tears, would coryo pretend to be some hero or something when he gets reader some medical help or like calls for help for her because I know reader would have to go get some medical help for her injuries, like would he say he found her like that and just stays by her side and quietly whisper to her that he can and will get away with his crime and will do much worse to keep his goodboy™️ image up

Or would he just leave her there to let her think about what he said and what he's done and like kinda talks to someone else about his victory and then they walk back towards reader and find her all fucked out and traumatized and coryo just acts all surprised and asks the other person to go get help while he 'takes care' of her before like the authorities or like the ambulance and tells her to stay silent and to just play along so that he could find some way to fix his mess

And if he does find some way to frame someone else for what he did to reader, would reader's parents thank him over and over again and like pressure reader to invite him over or something (y'know just so that coryo can see how similarly they grew up or something, also how furious would he be if he found out that maybe reader is actually just 'better' than him)

Sorry this was kinda long and scrambled up but I've been thinking about crocodile tears all day and I'm geeking out over your fics omg 😭

Please don’t apologize for how long it is, I loooove detailed asks <333

Crocodile Tears drabble

cw: noncon oral m!recieving, noncon kissing, gaslighting, manipulation, physical abuse

I think Coriolanus would 100% try to play himself off as the hero. This is the same night that his mentee won the Hunger Games. Everyone is already celebrating him, and then he reports that he not only found Reader, but that he helped ward off her attacker??? He would eat that attention right the fuck up.

Of course before this happened he would set the record straight with you, maybe he’d do it while he was pushing his cock deep into the back of your throat. “You’re not going to- fuck- you’re not going to tell anyone that this happened, do you understand?”

You looked up at him through teary eyes as his hand wrapped around your throat, urging you to slide your lips up and down his length faster. He couldn’t contain his groans as he watched the saliva drip down the corners of your mouth as you sloppily took all of his cock.

His voice was breathy, and his eyes were fixed on watching you. A far cry from the classmate he had admired many times before tonight, now you looked a mess, lips puffy and eyes red and tear filled. Coriolanus loved how pathetic you looked now. He wondered if you would ever dare to talk back to him again.

“If you ever tell anyone about tonight or about what happened during the Games, I swear to god Y/N, I will fuck you so hard that you’ll be begging me to treat you as nice as I did tonight,” he sneered at you and your stomach turned at his threat.

For a moment, Coriolanus really wanted to cum all over your face. He imagined forcing you to leave the building with his sticky seed dripping down your face and tits, he wanted you to feel humiliated as you walked past all of your classmates.

He knew that the rumors would spread like wildfire, your reputation would be ruined. On top of your friends either witnessing it firsthand, all of your professors would find out no doubt.

However, much more appealing was the idea of Coriolanus coming to your aid, of him saving you from an unknown attacker. If the entire Academy already thought he was a victor, why stop now?

After he came down your throat and forced you to swallow it all, you were surprised when he hurriedly pulled your clothes back on to your limp body, before dressing himself as well.

You were still too dazed to protest when he pulled you up, wrapping an arm around your waist and walking towards the party.

You felt so out of it, and your memory after leaving the control room was spotty, but you remembered seeing concerned classmates and hearing Coriolanus explain that he had rescued you from an attacker and that you needed medical attention.

You also didn’t miss all of your classmates thank Coryo for saving you.

Don’t think for a second that he would leave your side, opting to ride in the ambulance with you, identifying himself as “Y/N’s boyfriend,” and holding your hand the entire way. The EMT’s thought he was whispering words of encouragement and that your panicked look was only due to your injuries and the trauma from the night, but it was actually because of the threats he was calmly hissing into your ear.

“Remember, you didn’t recognize the guy and you didn’t get a good look at him,” he raised an eyebrow and leered over you, “right?”

You nodded, trying not to attract any attention.

“And you don’t even want to press charges, right?” He purred in your ear, hand snaking to the back of your neck and clamping down. You tensed when you felt him grip the back of you neck harder, trying to get a small reaction from you that only he would notice. “Better to just try to move past all of this.”

When you finally arrived at the hospital and got wheeled to a room, you were greeted by your parents immediately, who tearfully attempted to talk with you.

You had only just opened your mouth to speak when Coriolanus interrupted you, “I’m sorry Mr. and Mrs. Y/L/N, she’s not in any condition to be talking right now.”

“And just who the hell are you?” Your father demanded of the unfamiliar blond.

“I’m Coriolanus Snow, I saved your daughter tonight,” his head was held high and when he started recounting his twisted version of the events that had occurred tonight, only you could have spotted the devilish gleam in his eyes. “She’s lucky I got there when I did,” he concluded, “I just can’t imagine what might have happened to my Y/N…”

“Wait, what do you mean by ‘my Y/N?’” Your mother asked, looking up at Coriolanus incredulously.

“Well, I wish I was telling you under better circumstances, but,” he cleared his throat, pretending to be embarrassed, “Y/N and I have been dating since the day of our tribute assignments.”

When your parents immediately changed their tone and began heaping thanks and praises onto ‘your boyfriend,’ the man who had just raped you so brutally, he had sent you to the hospital, you felt like you could be sick, and the nausea swirling in your stomach had you reaching for the trash can by your bed and hurling the remains of what was left in your stomach into the bucket.

Coriolanus dotted on you, rubbing your back and whispering words of encouragement loud enough that your family could hear. His faux concern for you was so sickening, you would have thrown up again if you had anything left in your system.

You were in the hospital for 2 excruciating days, and several of your classmates came to visit, all of them bringing flowers or candy or other gifts, but you never got a moment alone with them because Coriolanus stayed by your side the entire time.

When your nosey peers asked you or Coriolanus to recount what had happened, Coriolanus would shut them down, insisting that neither of you wanted to talk about it for your sake.

And while it was true that you weren’t anywhere near being able to talk about what happened that night, that didn’t mean that you wanted him literally at your bedside and never leaving you alone with anyone, not even your family.

If they asked for time alone with you, his grip on your hand would tighten and you knew you had no choice but to tell them that you wanted him to stay in your room, “Mother, I- I just want him here right now, I would feel too anxious if he left.”

They always obliged, never forgetting to thank Coriolanus any chance they got, and by the time you were discharged and you thought you were finally going to have a moment alone to breathe, you were feeling more than ready for some space away from the horrible man.

However, to your horror, you realized that your family had taken what you had said in the hospital after being coerced by Coriolanus too literally.

When he followed you to the car, you thought he was just saying goodbye until he climbed into the backseat with you and you gawked at him before looking over at your parents.

“Oh yeah, we forgot to mention,” your mother warmly replied, “Coriolanus offered to come to our apartment for a few days to help take care of you. We figured it would be good, considering how much he helps your anxiety.”

You felt your stomach drop, a pit of anger and disappointment blossomed in your gut and it took everything in you to force yourself to smile and thank your parents.

Coriolanus’ hand squeezed yours and you tried your best not to cry.

After you arrived at the apartment, Coriolanus helped you out of the car, making you lean on him for support as he helped you to the entrance to the building.

The blond was taken aback by the street you lived on. It was just a couple blocks away from his, and he had walked past these apartments many times, completely unaware that you lived here. It was a modest apartment building, honestly not much better than the one Coriolanus lived in.

But how could this be? Wasn’t your family wealthy at least? As he made his way up the stairs, supporting your weight as you leaned against him with his arm firm around your waist, he couldn’t help but compare all of the similarities to his own apartment.

Hell, if anything your apartment may have been a tad smaller than the Snow’s, although yours was much tidier.

It was around dinnertime when you had arrived and you had just wanted to take a nap before eating, but instead you were treated to some excruciating alone time with Coriolanus, during which he lay in your bed next to you, holding your stiff, nervous body close to him and running his hands over the goosebumps that decorated your skin. Your breath caught every time he paused over one of the bruises that he had left on you, and you winced when he would press the pads of his fingers onto them, silently threatening you.

It felt surreal laying in your bedroom, the place that was supposed to be your safe space, with Coriolanus, knowing that he could overpower you and fuck you at any moment if he wanted. And that fear was exactly why you didn’t try to get away.

You winced when his soft lips came to your bruised neck and he kissed and sucked at the tender skin. The way he had one of your hands pinned, fingers digging in to your sore wrist, reminded you of the first night he assaulted you and you tried to blink away the tears forming in your eyes as panic rose in your chest.

“Relax, Y/N,” Coriolanus whispered against your throat between sloppily nipping at your skin. “I’m not going to do anything to you tonight, baby. Gonna wait till you’re all healed up so you can feel every fucking inch of my cock dragging along your walls.”

You let out a quiet sound at his words, but it was hard to tell if it was a sob or a moan and Coriolanus felt his cock throbbing against the material of his pants.

“Although,” he thought aloud, looking down on you and admiring your pretty, plump lips, which were glistening, wet with a mix of saliva and your tears, “maybe I should give you a reminder of what I could do to you if you decided to feel brave and blab about that night, hm?”

You fearfully shook your head and you were about to protest when your mother knocked on your door, letting you know that dinner was ready.

You looked to Coriolanus and he nodded with annoyance after a few moments of hesitation, allowing you to respond, “Okay! Thank you, we’ll be there in a minute.”

He sighed in frustration but got up and began pulling his shirt back on before he glanced over at your teary eyes and messy hair.

“Clean yourself up in the bathroom, you look pathetic,” he ordered and you ran some cold water on your face to try to make the puffiness go down.

When he was satisfied with your appearance, you dressed, trying to swallow your discomfort before you left the room, but when you sat down at the table with your parents for dinner, you still couldn’t believe how it felt to be eating family dinner with that man.

As Coriolanus regaled your parents with stories from the Academy and lies about how you had started dating, you realized that tears had begun falling past your waterline again.

And no one at the table noticed or said anything about it.

[rwby-encrusted-blog]

Ruby: Oh, hey! I recognize that! that's "I'm the righteous hand of God!" That's such good-

Jaune: It's "Hell's Coming With Me."

Ruby: What?

Jaune: That's the name of the song. "Hell's Coming with Me" by Poor Man's Poison.

Ruby: ...

Jaune: What? Did you only ever hear that clip on Tik-Tok? Did you never care to hear the whole thing?

Jaune: Do you know what it's like for someone to walk up to you say "Hey, Are you listening to that Tik-Tok song?" even though you listened to it years before those kids got their hand on it - and don't even bother to look for the source? They just take the clip and run?

Ruby: *Trained her whole life to be a Huntress, managed to get into an academy* Yeah I'd say I've felt something similar.

Jaune: *Cheated his way in "to be a Hero" ... Really?

Ruby: ... yeah.

[beccarodeupontheafternoontrain]

Guest in the Relationship part 2

Damian Wayne x reader

Words: 1789

Summary: Damian keeps forgetting about your dates and this night is the final straw

Warnings: unedited, angst?

Part 1

I hope you guys enjoy the second and final part - I tried my best. Any criticism is welcomed as are any ideas for further stories :)

Worried was an understatement. I hadn't heard from Damian in a week. Jon hadn't heard from Damian in a week. None of your mutual friends had heard from Damian in a week.

Monday morning I walked into Gotham Academy expecting to see Damian in his normal seat next to mine. It would be awkward, I still wasn't sure what I wanted to say to him or what I wanted to do about the situation. He'd been lying to me for years both as Damian and as Robin and I had every right to be angry about it. Eventually we would talk - how the conversation would end depended on if I was hurt by his lying or angry. What I hadn't expected was for him to not show up at all.

I was too stubborn to text him. He'd been active on his social media, so I knew he wasn't dead, he just didn't want to see me. I could understand why, I hadn't been the most reasonable when he revealed his secret identity to me. However, my apprehension over his disappearance was growing. I was walking around with a knife in gut every time I entered a classroom and he wasn't also in it.

Robin had also been missing. The Gazette's headlines questioning why he'd gone into hiding. I think I might just be the only person who knew the real reason the bird hero wasn't aiding Batman the past few nights.

I'd finally given in to my anxiety. After pacing outside the front steps for far too long, so long that Alfred definitely knew I was there and was just being polite by waiting for me to announce my arrival - I pressed the doorbell to Wayne Manor. I needed to find out for myself if Damian was okay and I needed to talk to him about our situation. As much as I preferred to wrap myself in his clothes and cuddle my wolf, pretending everything was okay with the world. I couldn't do that anymore. Mostly because his hoodie had stopped smelling like him.

Alfred opened the door practically immediately and said my name, he'd definitely been waiting since I arrived 20 minutes ago. "How may I help you?" His voice was as always, polite and soft, I hoped this meant Damian didn't hate me as much as I feared. "I'm here to see Damian." Alfred opened the door wider for me to enter, still not sign of hostility upon his face. "Master Damian is in the music room." I thanked Alfred and headed towards the music room. I knew exactly where it was. It was my second favourite room in Wayne Manor, the first obviously being the library with its mass amount of books. The music room was on the same corridor as Damian's room, it had dark wood floors like the rest of the house with matching wood panelling covering the wall half way and green Victorian style wallpaper covering the rest. In front of the window lived a grand piano, which I had never seen played and throughout the room is an abundance of instruments, ranging from a drum kit to a harp. I found Damian in the corner of the room playing Clair de Lune on his violin, facing away from the sofa that had been placed in here just for me to watch Damian practice. Keeping my steps as quiet as possible I settled down in my usual spot, wrapping my blanket around myself. The Manor was always fairly cold due to its size so Damian had started to keep blankets around the house in rooms we frequented to avoid me catching a chill.

Damian was beautiful when he played violin. If I had any artistic abilities, drawing Damian playing his violin would probably take up the majority of my sketches. The way he played his violin was a dance, it was so practiced and so precise, but he looked so free while doing it. Playing the violin was when Damian was at his calmest. Especially when I curled up on the sofa and watched him play for hours, Damian once said that was when he was happiest.

Part of me was glad Damian had been so focused on his music that he hadn't heard me come in, but the other part knew I couldn't just sit here in silence, I had to make my presence known and get this conversation over with. I waited till he played the last note before I called his name. He spun around so quickly it was almost comical, my name a whisper on his lips. "Hi." I said, an awkward smile on my face. The plan of everything I was supposed to say to the boy in front of me now vanished from my head. "Hi." He replied while scratching the back of his neck, he always does that when he's unsure of something. I take a deep breath before saying "you haven't been at school and neither Jon nor I had heard from you, I just wanted to see if you were okay." Damien looked away from me before responding "I'm okay." I rolled my eyes, did this boy ever tell me the truth? "Damien" I said more angrily than I intended "I need you to tell me the truth for once." He opened his lips to defend himself, but I cut him off. "Sit down so we can talk properly."

My body ached at the distance he placed between us by sitting on the opposite side of the sofa. Damian looked at me terrified, like he was scared I would hurt him. I really hoped this conversation wouldn’t go there. I cleared my throat “I’m not sure where to start” my hands begin to look more interesting than Damian’s face for the first time since I’ve known him. “I guess I just want to know why you lied.” A long sigh escaped him “I couldn’t tell you my identity because I need to protect you, knowing that I’m Robin puts both of us at risk, but especially you.” I looked at my boyfriend, or I assumed still was, in disbelief. He thought I was mad about him not telling me he was Robin? Sure, it stung a little that he hadn’t told me sooner, but I understood why. “I don’t care that you didn’t tell me you were Robin, I want to know why you came to me as Robin, pretended like you didn’t know who I was and have kept that act up for years.” Damian isn’t one for showing his emotions, not to other people at least, but how stunned he was painted his face. He stumbled over the beginning of his sentence, so I butted in again. “Me knowing you’re Robin also doesn’t make up for all the missed dates and unanswered texts, even if you’re a superhero I deserve the bare minimum.” This just causes Damian to act even more panicked, the back of his neck being scratched raw. He takes a deep breath and then another before he spoke. “I’m sorry.” I finally look up at his face. “I never intended to hurt you in this way, or any way at all. When I was on patrol I can’t help but spend extra time in your area, I need to ensure you’re safe. Your safety is my priority, the idea of anything happening to you-” Damian’s hands form fists while his jaw clenches as he glances at the healing cut on my neck from my attacker. I can’t help but place a reassuring hand atop his. “Whenever I see you when I’m Robin” he continues “I can’t hold myself back from talking to you. I just want to spend all of my time in your presence, even if it is as Robin. I know it was wrong to pretend I was someone else, but I just couldn’t help myself from you.” I nod my head “okay.”

Damian smiles at me, hesitantly. “Okay?” He manoeuvres our hands so he’s now holding mine. His green eyes carry so much hope “does this mean we’re going to be okay?” I have to remove my hands from his, the smile vanishes as does the hope in his eyes. “Not just yet.” I say “just because you’ve apologised for lying to me doesn’t expunge your lying nor does it remove how you’ve made me feel so alone and unwanted throughout this relationship.” Damian looked like a kicked puppy. “I don’t know how to make you feel that I love you. Knowing you don’t feel how much I care for you and want you in my life physically pains me.” He cups my cheeks and makes me look at him in the eyes. “I love you Habibti. I love you so much and I don’t know how to make any of this up to you, but I will figure it out. I do not want to lose you.” I can feel the burn behind my eyes as they become glossy. “I don’t want to lose you either, but I also don’t know how we can get past this if I continue to feel like you don’t want me around.” Damian nods his head as he deliberates his next words, his thumb starts drawing circles on my cheek. “How about you tell me what you need from me, how do you want me to show you that I love you?”

So we do, we sit on the sofa in the music room, nothing but our voices creating a melody discussing what we need from each other. For Damian to tell me the truth about why he’s late to one of our dates and visit me when he’s on patrol. For me to tell Damian whenever I feel slightly unsure of his feelings so he can reassure me and not hide if I’m feeling upset from him. Before visiting the manor today I was unsure how this conversation would go. I didn’t know if this would be the last time we would speak or if the argument would spiral out of control. It was going to tough, I was dating a superhero after all, but at least now we had a plan, a plan which made me hopeful for our future together.

During our conversation I’d ended up in Damian’s lap, head in the crook of his neck, breathing in his scent. The mix of rosin from his violin and the jasmine of his shampoo was so calming to me, it was sending me to sleep. An I love you left my lips, a promise being made with Damian as he repeated it to me, kissing my temple, sealing our promise.

We were going to be okay.

[pilot-boi]

Pilot, I know you primarily bully Jaune. But would you mind having a go at Papa Arc talking to the Vacuo mural?

Orion Arc is not a hero, even though his son always thought he was. He’s just a man who loves his family and tries his best to do right by them.

So it’s more than a little strange standing there, in front of a mural of his own son’s face. His boy immortalized and honored in ways Orion could never dream of.

His son looks like a stranger.

“Mr. Branwen thought it might help to talk to ya.” Orion’s hand brushes over the palm prints of countless children, all paying their respect to his boy. “Don’t see much point, ain’t gonna bring you back.”

His son watches him, all quiet confidence and bravery. A true warrior, a hero. Where is his brash anxious son who begged to join the Huntsman Academies? How much of his son did he lose when Jaune finally left home? Somewhere along the way his boy grew into a man and he wasn’t there to help him.

“Your uh…” He clears his throat. “Your mother misses you.” And it sounds pathetic even as he says it. Even in front of a facsimile of his son he can’t say what he needs to.

“She was beside herself when you didn’t come back from Haven.” So was he, even more so than his wife. Orion paced the house for days, worry driving him to throw himself into work, into anything that would take his mind off the attack and the fate of his boy. “We were so relieved to hear from Saph about you and your friends.”

His friends. A group of seven that from all accounts Jaune grew closer to than even his sisters. Orion glances up at the others in the mural. Four of which fell alongside his boy, and the other three were left grieving.

Ren, Nora, and Oscar, he remembers them being called. He never thought he’d see his grief echoed in faces so young.

“As soon as we saw the broadcast, your mother was packin’ our bags.” Orion chuckles. “You shoulda seen her, she was fixin’ to march up to the General herself and teach him a lesson. If I ever wondered where you got your fire, I got my answer.”

His face falls, crumpling like paper. “And I triedta douse that fire.” How many times did he tell Jaune it was okay if he failed? How many times did he refuse to train him? How many times did he let his fear guide him to crush his son’s dreams?

“When you walked into the livin’ room with your transcripts in hand sayin’ you were gonna be a Huntsman whether I wanted it or not, why…” His eyes are stinging. If there’s anything his son inherited from him, it’s his tendency for emotions to live near the surface. “Why that was the proudest day of my life.”

He’d never been more proud. Never. His boy standing there with those papers clutched in his fist, and a defiant look on his face. “I won’t let you down.” Jaune had said.

You could never let me down. It’s what he should’ve said. Why didn’t he just say it?

Orion scrubs the heel of his hand into his eyes. It does nothing to stop the flow of tears. “Did I ever once tell ya how proud I am of you?” His voice is cracking and hitching, but if he stops talking now Orion knows he’ll never start again.

“You’re so brave and you don’t quit when things get tough. I saw how hurt you were after the Fall of Beacon, but you just got right back on that horse.” His baby boy, the most caring and most stubborn of all his children. Strapping the family sword back onto his hip because “Somebody has to, dad.”

Letters where it’s clear his boy isn’t saying half the trouble, but he’s saying enough that they know what trouble is. Hearing about the attack on Haven, a week and a half of terror. Saphron sending word that Jaune made it to Argus.

And then nothing. Nothing until the broadcast from Miss Rose.

Packing in a whirlwind, sending the girls to stay with Saphron. Renting the first available airship to Vacuo and contending with his wife’s motion sickness. By the time they got there, they were met halfway by a near armada.

But no Jaune.

Orion’s hand rests on Jaune’s painted cheek. A child’s hand against the larger-than-life hero his boy grew into when he wasn’t there.

Did he ever tell his son how much he loves him?

“Come back to us,” Orion begs, no longer trying to stem the flow of tears. Why bother? His son isn’t here to see them.