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ryin-silverfish · 6 months ago

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A Guide to the Chinese Underworld (and what it isn't)

As many FSYY and fox posts as there were on my blog, I am actually a huge fan of the Chinese Underworld mythos. Mostly because I was once a morbid little kid that loved reading about the excavations of ancient tombs, and found the statues depicting hellish torture in the Haw Par Villa "super cool".

Apart from the aesthetics, the history of its evolution is also fascinating. Most of us, Chinese or not, only know the most popular version of the Underworld——the "Ten Kings" system, yet that isn't always the case. So today, I'll start off with a short summary of that.

In pre-Qin era, there was already this generic idea of a "Realm of the Dead" called the Yellow Spring, Youdu, or Youming, but we know very little about it.

Then, in the Han dynasty, two ideas start to emerge: 1) the Underworld is a bureaucracy, 2) the God of Mt. Tai ruled over the dead.

This early bureaucracy might not function as an agent of punishment; the main focus was on keeping the dead segregated from the living so they wouldn't bring diseases and misfortune to the latter, as well as using those ghosts to enforce collective punishments upon people for their lineage's wrongdoings while they were still alive.

Post-Han, after Buddhism entered China and took root, its idea of karmic punishments and reincarnation and the figure of King Yama was merged with folk and Daoist ideas of the Underworld bureaucracy, and, came Tang dynasty, resulted in the "Ten Kings" system that first appeared in Dunhuang manuscripts.

It was very rudimentary and far from well-established, as seen in Tang legends, with some adopting the Ten Kings system, some sticking to the Lord of Mt. Tai and some favoring King Yama, and overall little agreements on who's in charge of the Underworld.

But the "Ten Kings" system would become the mainstream version from then onwards, used in Ming vernacular novels and made even more popular by folk religion scrolls like the Jade Records (Yuli Baochao).

As such, most points in the following sections will be based on the fully matured "Ten Kings" system of the Underworld, as seen in the Jade Records and JTTW.

What happens when you die?

(This is a fictionalized walkthrough of the posthumous fate of souls under the "Ten Kings" system. I try to stick to the very broad progression outlined in the Jade Records, but many creative liberties are taken on the details.)

Let's say there's a guy named Xiao Ming, and he had just died of a heart attack. Bummers. What now?

Well, the first thing he saw would be the ghost cops.

There isn't really an unanimous agreement on who these ghost cops are: they may be a pair of ghosts in white and black robes, wearing tall hats (Heibai Wuchang), they may have the heads of farm animals (Ox-Head and Horse-Face), or they can just be generic ghost bureaucrats. For convenience's sake, let's say it was the first scenario.

"Who are you guys and where are you taking me?"

"Glad you asked!" The taller ghost cop, being the cheerful one of the pair, replied. It wasn't very reassuring, considering that his tongue was dangling out of his mouth way further than it should. "I'm the White Impermanence, my sour-looking colleague here is the Black Impermanence, and we are taking you to the City God's office."

This City God, a.k.a. Chenghuang, is just like how it sounds: the divine guardian of a city, who also pulls double duty as the head of the local Dead People Customs Office. They are usually virtuous officials deified posthumously, and in JTTW, they fall under the category of "Ghostly immortals", together with the Earth Gods a.k.a. Tudi.

So Xiao Ming went with the two ghost cops——not like he had much of a choice, made his way through the long queue at the City God's office, and was now standing in front of a gruff old magistrate in traditional robes.

"Name?"

"Wang Xiao Ming."

"Age and birth dates?"

"21, April 16 2003…"

After he was done asking questions, the City God flipped through his ledger, then picked up a brush, ticked off Xiao Ming's name, and told him to go get his pass in the next room. More waiting in a queue. Wonderful.

"I never heard anything about needing a pass to get to the Underworld," the girl in front of Xiao Ming asked the ghost cops, who were standing guard nearby. "Is this a new policy or something?"

"Yeah. In the old days, we'd just drag y'all straight to the Ghost Gate." The ghost cop in black said, then muttered to himself, "Fuckin' paperworks and overpopulation, man…"

(This "Dead People Passport" thing was popularized in the middle-to-late Ming dynasty, as shown by the discovery of such documents inside tombs in southern China. )

(It might have evolved from similar passes to the Western Pure Land in lay Buddhism that recorded their acts of merits. Which, in turn, might be traced back to the "Dead People Belongings List" of Han dynasty, to be shown to Underworld bureaucrats so that no one would take away the dead's private property down there or something.)

Anyways, after he received his pass, Xiao Ming departed together with the rest of the bunch, to be led to the Ghost Gate. It was like the world's most depressing tourist group, where instead of tour guides, you got two ghost cops in funny hats, and the only scenery in sight was the desolation of the Yellow Spring Road.

They weren't the only travellers on the road, though. Xiao Ming noticed other groups moving in the far distance, behind the fog and the flickering ghostfire, led by similar figures in black and white.

It made a lot of sense; realistically, there was no way two ghost cops could fetch hundreds of thousands of dead people all by themselves.

(SEA Tang-ki mediums believed there were multiple Tua Di Ya Peks——Hokkien name for the Black and White Impermanences, working for different Underworld Courts.)

At last, the Ghost Gate stood in front of Xiao Ming, guarded by two towering figures. Normally, they'd be Ox-Head and Horse-Face, like what you see at Haw Par Villa's Underworld entrance.

However, older Han dynasty works like Wang Chong's 论衡·订鬼 also mentioned two gods, Shenshu and Yulei, as guardians of the Ghost Gate, who would use reed ropes to capture malicious ghosts and feed them to tigers, making them possibly the earliest incarnation of "Gate Gods".

So here, they were what Xiao Ming sees, standing side by side like proper doormen, silently watching herds of ghosts being funneled through the entrance.

The place was more crowded than a train station during the CNY Spring Rush; the ghost cops had already said their quick goodbye and left to fetch the next group of dead people, leaving the resident officials of the Underworld proper to maintain order and quell any would-be riots.

Now you started seeing the Ox-Head and Horse-Face guys, poking at unruly ghosts with their pitchforks and dragging away the violent ones in chains. Among their ranks were other monstrous beings, blue-faced yakshas and imps, but also regular dead humans who look 100% done with their jobs, like the lady who stamped Xiao Ming's pass when it was finally his turn.

After this point, Xiao Ming had entered the Underworld proper, and his next destination would be the First Court, led by King Qin'guang. Here, his fate should be decided by what is revealed in the King's magical mirror.

If Xiao Ming was a good guy, or someone who had done an equal amount of good and bad things in life, he'd be sent straight to the Tenth Court for reincarnation. However, if the mirror, while replaying his life events, had displayed more evil deeds than good ones, he'd be sent to one of the 2nd-9th Courts for judgment and then punished inside the Eighteen Hells.

Each of the Ten Kings was also assisted by ghostly judges. Many of them were righteous and just officials in life who had been recruited into the Ten Courts posthumously——Cui Jue from JTTW is one such example, while others were living people working part-time for the Underworld, like how Wei Zheng, Taizong's minister, works part-time for the Celestial Bureaucracy in JTTW.

We decide to be nice to Xiao Ming, so, after reliving some embarrassing childhood incidents and cringy teenage phases in front of a bunch of dead bureaucrats, he was found innocent and sent to the Tenth Court.

The queue here was almost as long as the First Court's, stretching on and on alongside of the banks of the Nai River. King of the Turning Wheel made his judgment without even lifting his head when it was Xiao Ming's turn:

"Path of Humans, male, healthy in body and mind, ordinary family. Next!"

Exiting the Tenth Court building, Xiao Ming saw the Terrace of Forgetfulness, standing tall before six bridges, made of gold, silver, jade, stone, wood, and…some unidentified material. Before he could get a good look at them and the little dots moving across those bridges, he was hurried into the Terrace by the ghostly officials.

Now, both JTTW and the Jade Records mention multiple bridges across the Nai River. In the former, there is 3, and the latter, 6. The bridges made of precious materials are for people who will reincarnate into better lives, as the wealthy, the fortunate, and the divine, while the Naihe Bridge is either the common option or the terribad shitty option.

However, the Naihe Bridge proved to be so iconic, it became THE bridge you walk across to reincarnate in popular legends.

Anyways, back to Xiao Ming. He found himself standing in a giant soup kitchen of sorts, with an old lady at the counter, scooping soup out of her steaming pot and into one cup after another.

This is Mengpo, the amnesia soup granny; according to the Jade Records, she was born in the Western Han era, and a pious cultivator who thought of neither the past nor the future, only knowing that her surname was Meng.

Made into an Underworld god by the Jade Emperor, she cooks a soup of five flavors that will wipe the memory of the dead, making sure they do not remember any of their past lives once they reincarnate.

It tastes awful. Like what you get after pouring corn syrup, coffee, chilli sauce, lemon juice and seawater into the same cup.

Such was Xiao Ming's last thought, as he gulped down the soup, and then he knew no more.

Things you should know about the Chinese Underworld:

1. It's not the Christian Hell.

Rather, the Chinese Underworld functions somewhat like the Purgatory, in that there are a lot of torment, but the torment's not eternal, however long the duration may be. Once you finish your sentence, you get reincarnated as something else, though that "something else" is not a guaranteed good birth.

Other people can also speed up the process via transferring of merits: hiring a priest/monk to chant sutras and perform rituals, for example, or performing good deeds in life in dedication to the dead, or they can pray to a Daoist/Buddhist deity to save their loved ones from a dreadful fate.

Interestingly enough, a thesis paper I read mentions that, whereas Buddhist salvation from the Hells was based on transference of merits——you give monks offerings and pay them to chant sutras, so they can cancel out the sinners' bad karma with good ones, Daoist ideas of salvation tend to involve the priest going down there, sorting it out with the Underworld officials, and taking the dead out of the Hells themselves.

(The paper also stops at the Northern-Southern and Tang dynasties, so the above is likely period-specific.)

2. Nor is it run by evil demons.

Underworld officials are not nice guys and look pretty monstrous and torture the sinful dead, but they are not the embodiment of evil. Rather, the faction as a whole is what I'd call Lawful Neutral, who function on this "An Eye for An Eye" logic, where every harm the sinner caused in life must be returned to them, in order for their karmic debts to be cleansed and move on to their next life.

They can absolutely be corrupt and incompetent and take bribes——Tang dynasty Zhiguai tales and Qing folklore compendiums featured plenty of such cases, but that's a very mundane and human kind of evil, not a cosmic/innate one.

This is just my personal opinion, but if you want to do an "evil" Chinese Underworld? It should be a very bureaucratic evil, whose leaders are bootlickers to the higher-ups, slavedrivers to their rank-and-file workers, and bullies who abuse their power over regular dead people.

Not, y'know, Satan and his infernal legions or conspiring Cthulu cultists.

3. The Ten Kings are not Hades.

Make no mistake, they still have a lot of power over your average dead mortal. But in the grand scheme of things? They are the backwater department of the pantheon, who only show up in JTTW to get pushed around and revive the occasional dead people.

When Taizong made his trip to the Underworld, the Ten Kings greeted him as equals——kings of ghosts to the king of the living. If they see themselves as equal in status to a mortal emperor, then, like any mortal emperors, they are subordinate to the Celestial Host, and the balance of power is not even remotely equal or in their favor.

Also, it isn't said outright, but under the Zhong-Lv classification of immortals JTTW is using, Underworld officials will likely be considered Ghostly immortals, the lowest and weakest of the five types, much like Tudis and Chenghuangs.

Essentially: they are ghosts that are powerful enough to not reincarnate and linger on and on, spirits of pure Yin as opposed to true immortals, who are beings of pure Yang.

It's pretty much the shittiest form of immortality, the result you get when you try to speedrun cultivation (the Zhong-Lv text also made a dig at Buddhist meditation here), and if they don't reincarnate or regain a physical body, there is no chance of progressing any further.

Oh, and fun fact? In the Song dynasty, commoners and literati elites alike believed that virtuous officials in life would get appointed as ghostly officials in death.

However, the latter viewed it as a punishment. Which was strange, considering how they still held the same position and the same amount of authority, just over dead people instead of living ones, so there should be no big losses, right?

Well...it was precisely the "dead people" part that made it a punishment. See, a lot of the power and prestige they had as officials came from the benefits they could bring to their families and kins and native places, as well as the potential wealth and reputation bonuses for themselves.

A job in the Dead People Supreme Court would give them the same workload, but with none of those benefits. Since all the dead people had to reincarnate eventually, they couldn't have a fixed group as their power base, or keep their old familial ties and connections. At most, they could help out an occasional dead relative or two.

Like, working for the Underworld Courts was the kind of deadend (no pun intended) job not even living officials wanted for themselves in the afterlife. That's how hilariously sad and pathetic they are.

4. In JTTW at least, they aren't even the highest authorities of the Underworld.

That would be Bodhisattva Ksitigarbha, who is technically their boss, though he seems to be more of a spiritual leader than someone who is actually involved in running the bureaucracy.

Which makes sense, since he has sworn an oath to not attain Buddhahood until all Hells are empty, and his role is to offer relief and salvation to the suffering souls, not judging and punishing them.

Now, historically...even though Ksitigarbha in early Tang legends was still the savior of the dead, he seemed to be unable to interfere with the judicial process of the Underworld, merely showing up to take people away before they were judged by King Yama.

However, in the mid-Tang apocryphal "Sutra of Bodhisattva Ksitigarbha" (地藏菩萨经), he had evolved into the equal of King Yama, with the power of supervision over his judgements. By the time the Scripture on the Ten Kings came out, in artistic depictions, the Ten Kings had become fully subservient to him.

5. Diyu usually refers to the prison-torture chamber part, not the courthouse, nor is it the entirety of the Underworld.

And for the majority of souls that haven't committed crimes, they'll only see the courthouse part before they are sent to reincarnation. That's why I personally don't like, or use the name Diyu for the Chinese Underworld: I prefer the term Difu ("Earth Mansions"), which encompasses the whole realm better.

Also: even though historical sources like the Scripture on the Ten Kings and Jade Records seem to suggest that the dead were just funneled through this Courthouse-Prison-Reincarnation pipeline with no breaks in between, in practice, that isn't the case.

According to popular folk beliefs, after the dead were done with their trials/sentences, they stayed in the Underworld for a period of time and led regular lives, while functioning as ancestor spirits and receiving offerings.

Which would imply that the Underworld had a civilian district of sorts, populated by regular ghosts, making the whole realm even less of a direct Hell/Purgatory equivalent.

6. It is located in a different realm, but still part of the Six Paths and doesn't exist outside of reality.

In Buddhist cosmology, like the Celestial Realm, the Underworld is part of the Realm of Desires and thus subject to all the woes of samsara.

The pain and misery of the Path of Hell may be the worst and most obvious, but becoming a celestial being isn't the goal of serious Buddhists either: despite all the pleasures and near-infinite lifespan they enjoy, they are not free from samsara and will eventually have to reincarnate.

So if, say, the world is being destroyed at the end of a kalpa, all beings of the Six Paths will perish alongside it, leaving behind a clean slate for the cycle to start anew. The dead won't all end up in the Underworld and face eternal damnation.

7. The Black and White Impermanences would not appear in the Underworld pantheon formally until the Qing dynasty.

The concept that when you die, you get fetched to the Underworld by petty ghost bureaucrats is already well-established in Tang legends, but these were just generic ghost bureaucrats in all sorts of colorful official robes, with yellow being the most common color.

The idea of there being two specific psychopomps in black and white would only become popular in the Qing dynasty. Mengpo is kinda similar: although she existed before the Ming-Qing era as a goddess of wind, venerated by boatmen, her "amnesia soup granny" incarnation came from the Jade Records.

#chinese mythology #chinese folklore #chinese underworld #diyu #chinese religion #cw: death #hell #underworld #journey to the west #I'm lazy so if you want a “work cited” list #just dm me

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ms-demeanor · 21 days ago

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"I'm sorry my evil empire killed your friends but I'm going to keep working to make sure myself and all the other imperials get clean sidewalks and fluffy socks and sandwiches :)"

Let's be honest the only good ending here is the collapse of the USA. I hope for your sake it's relatively quick and bloodless but I hope more that it happens.

What can I say? I am sorry that the evil empire I live in killed your friends. I don't think it should do that. I've been protesting wars since 2003 because I don't think it should do that.

I'm sorry you have it worse than me, and I'm sorry if the things that I'm doing to help people in an area where I can help people don't make your life better. That's rough buddy, but I'm not sure why you're talking to me about it because the things you're doing aren't going to make much of an impact on my day either.

I'm not sure if you're familiar with how US anarchists work, but generally when we talk about handing out hygiene kits and food, it is to unhoused people. If you think that unhoused Americans deserve to be hungry, or don't deserve clean socks or wipes to help prevent debilitating infections because they live in an imperialist nation that bombs people and installs dictators, well, you kind of sound like a piece of shit and it doesn't make me particularly sympathetic to your position.

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fuckyeahdindjarin · 1 year ago

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Butter

Joel Miller x F!Reader

{ Main Masterlist }

Rating: None

Summary: What if Joel doesn't forget to buy himself a cake for his birthday? But by the time he remembers, all the bakeries in his neighbourhood are closed - except yours.

Warnings: No outbreak AU, pure fluff, mentions of baking and food, meet cute, some sexual tension but very mild stuff compared to my other fics, single dad!Joel being a sexy menace, reader has a nickname related to her job, reader has an accent similar to Joel, very lightly edited, not my best work, but I'm in my writing for fun era 💁🏻‍♀️

Word count: 3.6k

Notes: It's here! This was an exercise in speed writing, and just putting words to paper without overthinking anything. I really enjoyed writing this sweet little piece, this is dedicated to @psychedelic-ink who has been the biggest cheerleader for this idea since day one. Happy birthday to our favourite single dad who never lived through a cordyceps outbreak ❤️

September 26, 2003 was supposed to be a good day.

It’s Friday, after all. Not that the weekend is relevant to you anymore, with Saturdays and Sundays being the busiest days for business. But you have a date for once tonight, and you’re determined to enjoy it.

If you can get the goddamn security shutter to close, that is.

Standing on your tiptoes, you pull futilely at the bottom of the metal shutter with both hands, but it refuses to budge. You lament the sweat seeping through the fabric of the nice dress you changed into, the hem reaching almost indecent heights on the back of your thighs where it’s climbed up. And you don’t have to look at your reflection to know that stress has already smudged the edges of the eyeliner you hurriedly painted on as soon as you got the last customer out the door.

You can be forgiven for not noticing the wash of yellow headlights over the windows of the shop front and the sound of rolling tyres as a truck pulls up on the curb outside the bakery, until a gravelly voice pipes up behind you alongside hurried footsteps.

‘Ma’am, please tell me you’re still open.’

You tap on the ‘Closed’ sign through the window without turning around, determined to wrangle the shutter into submission. ‘Bad luck buddy, come back tomorrow. We open at nine sharp.’

‘No I can’t, I’m so sorry, but I need a cake now.’

Curiosity turns your head, and over your shoulder, you find a broad-shouldered man in a dark tshirt and casual jeans standing a respectful four paces away. Under eyebrows sloping downwards in a pleading angle that matches the slant of his moustache, his warm and imploring eyes are on you.

‘I’m sorry, sir, but I really need to go,’ you say. ‘Can you give me a hand?’

‘Look, I’ll do you one better. I’ll fix the shutter for you for free - if you sell me a cake.’

You purse your lips, the prospect of saving on what looks like an inevitable repair bill tempting. ‘You can fix it?’

‘I’m a contractor,’ he replies, reaching into his back pocket to pull out a battered looking wallet. ‘Here’s my card, if you think I’m bluffin’.’

Miller & Associates is printed in bold across the top, and underneath, is presumably his name and cell number. Glancing up at him, you say, ‘Look, Mr. Miller, I really want to help, but I’m late for a date, and I’m all sold out of cakes today -’

‘I’ll take anything you got. Cupcakes, cookies, whatever you have left,’ he cuts in, then apologises in quick succession, one hand rubbing the back of his neck. ‘I’m sorry to be so pushy - I’m not, usually - but I promised my daughter I’d bring something home, and by the time I remembered, this is the only place I could think of. Please.’

You feel the exact moment your resolve crack, and then fold like a goddamn lawn chair. What can you say, this contractor really knows how to work those puppy eyes, and you can never say no to a man who refuses to let their kid down.

Especially when the man looks like this.

Shooting off a text to your date to push back your dinner plans, you nod towards the door. ‘Alright. C’mon in, Mr. Miller.’

‘Nice place you got here,’ he remarks politely, hovering by the entrance as the fluorescent lights flicker on, his manners impeccably southern.

‘You don’t have to flatter me, I’ve already let you in,’ you joke, lips quirking at the way he flusters. ‘But I appreciate it. You been here before?’

When he smiles, you notice the corners of his eyes crinkle charmingly. ‘No, but I know I’ll be comin’ back.’

‘I wasn’t lying when I said I was out of ready-made cakes,’ you tell him, holding the door open to the kitchen so he can come in after you. ‘But I have some cake layers in the fridge so I can put together something fairly quickly.’

He ducks his head in a manner that tells you he’s not used to demanding things, and protests, ‘I don’t want to put you out. I meant it, if you just have some cupcakes or somethin’ -’

‘Listen, you promised your daughter a cake, didn’t you?’ you interrupt.

He shrugs. ‘Well, yeah I did -’

‘I’m guessin’ it’s for a birthday?’

He nods sheepishly. ‘It is.’

‘Well, as a baker, ‘mfraid I can’t let a cakeless birthday happen on my watch, Mr. Miller,’ you insist, opening the fridge door with a flourish. ‘Let’s see what we have here. Cake for three, I assume?’

‘Two, actually.’

Hopefully you’re as discreet as you think you are when your eyes drop to his left hand - his fourth finger is conspicuously ringless.

Interesting.

You hum, considering the mismatched options in your inventory. ‘It’s gonna be a bit of a Frankenstein’s monster of a cake, if you don’t mind. How does chocolate and vanilla layers with cookies and cream frosting sound?’

‘Sounds perfect,’ he answers without skipping a beat. ‘Thank you, ma’am.’

You shake your head, hands full of cake rounds wrapped in cling film as you nudge the fridge close. ‘Please, call me Bri, Mr. Miller.’

‘And you can call me Joel,’ he says in return. ‘Is Bri short for somethin’?’

Laying the cakes on the work surface, you reply, ‘Yeah, Bri for brioche, like the bread. It's a silly nickname.’

The single dad surprises you with a low whistle. ‘Can’t say I saw that comin’.’

You grin. ‘You ain’t seen nothin’ yet, Joel.’

You don’t often have an audience while baking, and you find yourself talking Joel through the steps while you prep everything for assembly.

Swirling a spatula through the tub of buttercream you made earlier that day, you explain, ‘I just need to whip up some of this frosting so that it’s nice and soft for putting the cake together. You wanna help me break up some Oreos so we can make it cookies and cream?’

‘I’m all yours, chef,’ he says, one corner of his mouth curling into a teasing smile that has no business warming the apples of your cheek as it does. ‘Just tell me what to do.’

While your Kitchenaid whirrs to life, whipping air into the buttercream, Joel wields a rolling pin, smashing a generous helping of Oreos into crumbs in a Ziplock bag. The almost exaggerated care with which he moves speaks to inexperience in the kitchen, and you muse that either his kid makes up for it in that department, or they live off takeout.

Eventually, he picks up the bag and looks at you in a question. ‘I think I’m done?’

You smile and tap the lip of the mixing bowl. ‘That’s perfect. Why don’t you tip in the crumbs straight in here?’

Before you can step back to allow him space, Joel’s taken two strides towards you, and his arm brushes your shoulder when he lifts the bag and tilts the contents into the frosting. He’s warm and solid, and damnit, he smells good - like sawdust and sweat.

The thought comes to you unbidden - what a man.

There’s a lull, and only when you feel the weight of eyes on you do you realise that you missed his question.

‘Did you say somethin'?’ you squeak, embarrassed.

‘I said, is this ok?’ he repeats, nodding at the mixing bowl.

You nearly stumble over your words. ‘Yes, yes it’s perfect.’

He watches you closely, a touch of concern in his brown eyes. ‘You ok there, honey?’

‘Yup,’ you chirp, far too cheerfully. ‘Just need to mix it all up now -’

If you had your wits about you, you would stir in the crumbs first and set the machine on low. But this man somehow stole said wits by sheer proximity to you, and you accidentally start the Kitchenaid on high, an indignant yelp escaping you when Oreo dust flies aggressively out of the bowl along with a splatter of white buttercream that lands squarely on the front of your dark knit dress.

‘Oh shit!’ you cry out, frantically turning off the mixer. ‘Shit shit shit!’

Over your panicked mantra, Joel is calmness itself. ‘Hang on, honey, I gotcha.’

He makes a beeline towards the sink, grabbing a tea towel and wets it under the tap with a bit of dishwashing liquid. It all screams competent single dad, and you find yourself staring at his unfairly large hand, mapped with thick veins, holding out the damp towel for you to take.

‘Thanks,’ you stutter self-consciously, the tips of your ears hot while swiping at the stain. ‘That was a rookie mistake. I promise I’m actually a good baker.’

He gives you a wink to put you at ease. ‘Don’t worry, I believe you.’

Starting over, the mixer hums as it gently incorporates the Oreos until the buttercream is a speckled grey and doubled in volume. ‘Looks like it’s ready. You wanna taste, Joel?’

‘Sure,’ he says. ‘D’ya have a spoon or somethin’ for me?’

‘You can use your fingers,’ you reply, and it's too late to take it back.

You feel the back of your neck heating up when he shoots you a meaningful look, just a touch of mischief in the tilt of his lips.

‘Can I, now?’ he teases.

You try a nonchalant shrug that probably comes off as painfully awkward. ‘This batch is just for you, I won’t tell the health inspector if you don’t.’

Joel chuckles, his strong shoulders quaking. And so you watch, shamelessly, as he raises his right hand, index and middle fingers at the ready, before diving into the metal bowl, scooping up a generous dollop of buttercream. There’s a peek of his pink tongue when his plush lips part, and then he sucks his fingers into his mouth with a gratuitously loud moan, Adam’s apple bobbing as he swallows.

When he turns to you with a pained expression on his face, maintaining eye contact all the while licking an errant streak of frosting off the side of his middle finger, you gape at him for a whole five seconds before you manage to unstick your tongue from the roof of your mouth.

‘Good?’ you barely manage to squeak.

‘You betcha, honey,’ he declares, then adds, ‘Mind if I double dip?’

He doesn’t mean anything by it, you know it, but a hot flush runs through your body and you swallow thickly. ‘You can do whatever you want, cowboy.’

You don’t think you’re imagining the wicked glint in his answering stare - you’re getting yourself into trouble, and don’t you know it.

Clearing your throat, you attempt to thwart your mind's dangerous descent into the gutter by changing the subject. ‘So, I can do somethin’ really snazzy that I think your daughter would like - do you know what a piñata cake is?’

He shakes his head. ‘Sounds dangerous.’

‘Hardly,’ you chuckle. ‘It’s a cake filled with sprinkles, so when you cut into it, it’s a sprinkles surprise!’

He lets out a playful sigh of relief. ‘As long as there’s no whackin’ involved, it’s good by me.’

You gesture at him to follow you across the room. ‘And here’s the fun part - you get to choose the sprinkles.’

Joel whistles at the reveal of your compulsively organised sprinkles cabinet, each shelf sorted by colour, shape and size. He quips, ‘Is this what the inside of your brain looks like, honey?’

You grin. ‘Pretty much. What’s your daughter’s name?’

‘Sarah.’

‘What colour does Sarah like?’

‘Any and all shades of pink.’

‘I can work with that.’

Now that everything is ready and waiting on the work surface, you pull out a lazy Susan and plonk a cake board on top of it, dusting your hands dramatically. ‘Alright, Joel. Ready for the magic to happen?’

Making himself comfortable next to you, he leans on his elbows, and your eyes are immediately drawn to the way his tshirt stretches and strains over his back. ‘Go ahead, I’m ready to be impressed, honey.’

Filling a piping bag full of the cookies and cream buttercream, you ask, ‘You wanna get your hands dirty?’

He raises his palms in surrender. ‘I’ll leave it to you, I don’t want to make you any more late for your date.’

You’re used to working with much bigger cakes, so this one doesn’t take you long. With a cookie cutter, you carve out a small circle from each cake round, then you stack and fill the layers with buttercream. After loading the shaft in the middle with all manner of pink sprinkles, you stopper the top with the cake cut-outs.

‘How old is Sarah turning today?’ you ask conversationally while you spin the cake around, smoothing on the crumb coat.

Joel looks up, surprised. ‘Oh, it’s my birthday today, not hers. ‘

‘Wait, what?’ you cry, throwing your hands up. ‘I made this cake with Sarah in mind - it will literally be vomiting pink sprinkles!’

‘I’m a girl dad. I like pink,’ shrugs Joel easily.

You huff, using an icing smoother to make sure the buttercream is even all over the cake. ‘I would pop the cake into the freezer to firm up before adding a final layer of frosting if I had the time, but this will have to do.’

‘It looks great,’ Joel assures you as you put the finishing touches to the cake, with buttercream swirls all around the top and a final baptism of sprinkles.

‘There, all done. Lemme box it up for you and this bad boy is ready to go.’

‘Amazin’, thank you so much,’ he grins. ‘Please, lemme do the washin’ up while you’re at it.’

‘Oh, Joel, you can’t,’ you protest, but he’s already grabbed the mixing bowl and all the bits and bobs stained with buttercream. ‘You’re the birthday boy!’

‘Least I can do,’ he shoots back over his shoulder, already halfway to the sink.

‘Well no, you promised to fix the security shutter for me, remember?’ you call after him.

‘Damn, I was hopin’ you’d forgotten about that.’

Joel cleans up with a practised air, humming under his breath as he waits for the water to heat up and the soap to lather. You watch him from the corner of your eye while you secure the cake inside the box, throwing in a birthday candle for good measure. You’ve just tied a nice ribbon around the cardboard box when he puts away everything in the drying rack and wipes his hands dry.

‘Didn’t expect you to be good at that,’ you tease, moving towards the door.

‘Sexist much?’ he jokes, no real bite in his retort. Then by way of explanation, he tells you, ‘I work late, so Sarah usually cooks and I wash up afterwards.’

‘Sounds like you guys make a good team.’

Joel helps with the lights and locks the door, and you stand to one side when he grabs the security shutter and forces it into submission by brute force. You can’t help but stare when the bottom of his tshirt rides up, revealing a soft sliver of belly underneath, his biceps bulging and back rippling as the shutter is finally forced shut in a metallic ripple.

You give him a smile. ‘Well, happy birthday, Joel.’

‘Thanks again for the cake.’ He looks around, as if looking for your car, but the sidewalk is empty except for his truck. ‘How are you gettin’ to your date?’

‘I was just gonna call a taxi.’

‘No, you ain’t,’ he nods towards his ride. ‘C’mon, I’ll give you a lift.’

‘Oh, no, it’s late, and you should be getting back to Sarah -’

‘I spoiled your date, so please, let me,’ he insists, holding the door open on the passenger side. Hop in.’

Joel takes the cake off your hands and puts it in the backseat carefully, putting the seat belt over it while you climb in. Glancing over your shoulder, you see toolboxes and newspapers on the floor, and it smells like paint and wood dust.

‘Sorry it’s a bit messy, occupational hazard,’ he apologises as he straps himself in. ‘So, where are we goin’?’

‘Do you know the steakhouse on Third Street?’

‘Vaguely,’ he replies, pulling smoothly away from the curb. ‘It sounds fancy.’

‘You been?’

‘Nope, I barely have time to go anywhere nowadays. It seems like I’m only ever in bed, or at work, or in my truck.’

You turn to smile at him, admiring the way his his thick fingers around the top of the steering wheel, making it look so small. ‘I feel you. Small business owner, am I right?’

‘I hear ya,’ he shoots you a smile. ‘So - what’s the deal with tonight? First date?’

‘Fourth, actually.’

He wriggles his eyebrows suggestively. ‘Fourth date? You know what happens on a fourth date, honey.’

‘I don’t, actually. Tell me, what happens on a fourth date?’

He blows out his cheeks, and admits, ‘Honestly, I can’t tell ya. I haven’t been on a fourth date since 1991.’

You burst into laughter at his unexpected answer. ‘You’re such a dork, Joel Miller.’

When the truck rumbles to a stop outside the steakhouse ten minutes later, he looks at his watch and announces, ‘Here we are, only fifteen minutes late.’ Squinting through the windshield, he points at a man smoking outside, an impatient frown on his face. ‘That him?’

‘Yeah, that’s him,’ you nod, but you stay put in your seat, in no hurry to make a move.

Joel nods, tapping his tidily trimmed nails on the steering wheel. ‘So I’ll swing ‘round tomorrow after work with my toolbelt? ‘Round six thirty?’

‘A toolbelt? What a sight to look forward to,’ you rib, slowly reaching for the seatbelt and unbuckling it.

‘Hell yeah, it’s got a special clip for my Nokia and all,’ he adds mischievously.

'You must fend off the ladies by the dozen,' you tease.

'Daily,' he answers without skipping a beat.

You probably shouldn’t have, especially not with the guy who you’re supposed to be on a date with glaring daggers at you through the windshield. But there’s something cackling in the air between you and this man you just met not an hour ago, and the way the streetlight filters through the window, backlighting his messy curls and scraggly beard, that has you throwing caution to the proverbial wind.

Impulsively, you lean across the gear shift, your left hand finding purchase on his knee before pressing your lips to the side of his whiskered jaw, your kiss fitting right into that little heart-shaped patch on his beard.

You’re not sure who’s more taken aback, but you don’t have time to find out.

‘Happy birthday, Joel Miller.’

He smiles after you as you hop out of his truck.

You’ve just sold your last cupcake of the day when the bell over the bakery door rings. And sure enough, it’s Joel Miller crossing the threshold, right on the dot at six thirty.

‘Hey, Bri,’ he waves, hovering half-in and half-out of the shop, a slight awkwardness having set in overnight.

But it's ok, you're happy to pick up where you left off. Putting your hands on your waist and a cheeky grin, you quip, ‘Wow, you weren’t kidding about that toolbelt, huh?’

Your chest swells as you watch him thaw with an easy smile, and he banters back, ‘I’m a man of my word, honey. You ok with me gettin’ to work now?’

‘Yes, thank you. I’ll be cleanin’ up back in the kitchen, I’ll join you when I’m done.’

Joel shoots you a thumbs up. ‘Great. I’ll grab the ladder and get right to it.’

When you emerge fifteen minutes later, he’s on the fourth rung of the ladder, tinkering the rolling mechanism with a screwdriver and a studious frown on his brow. He looks like he’s wearing the same thing as yesterday - you can believe that he’s a man who buys the same tshirt in bulk - and he smiles at you when you duck out of the shop.

‘Did Sarah like the cake?’ you ask in casual conversation.

‘She went nuts over the piñata surprise,’ he replies. ‘And the cake was delicious, there were hardly any crumbs left when we were done with it. She says we’re definitely ordering a cake from you for her birthday.’

‘I like the sound of that.’

‘How was your evening?’ he asks, glancing down at you from his perch. ‘Did you find out what happens on a fourth date?’

You let out a dry laugh. ‘Yeah, I did, actually. He dumped me.’

Joel freezes, a scowl darkening his countenance. ‘Oh shit, what? Why?’

You shrug, leaning your weight on the ladder as you look at the ground. ‘I mean, I did show up an hour late in some other guy’s truck. And I guess probably shouldn’t have kissed you on the cheek right in front of him.’

You startle when Joel’s fingers slip under your chin, tilting your head up towards him. ‘It’s all my fault. I’m so sorry.’

‘Honestly, you don’t look that sorry, Joel Miller,’ you joke.

He cocks his head to one side. ‘Well, I can't lie, I think you deserve better than him.’

‘Do you now?’ you prompt. ‘Who do you have in mind?’

Joel peers at you from under long lashes with a half-smile that's almost shy. He dodges your question, and says instead, ‘I didn't mean to ruin your night, let me make it up to you, honey.’

‘How?’

Deftly, he climbs down the ladder, landing squarely on two booted feet, his presence comforting as he looms over you, his eyes warm. ‘Can I buy you dinner?’

‘Like - a date kind of dinner?’

‘Yeah, like a date,’ he nods.

You can’t help the dig. ‘And you were just sayin' you haven’t been on a date since...?’

He flashes you a smirk, and you shiver when his hand brushes your waist. ‘Since 1991. Tough sell, I know - but I thought I’d give it a shot.’

Running a finger along his sharp jawline, softened by the endearingly untidy beard, you have to bite your bottom lip to keep yourself from giving away too wide a grin. ‘Why, I think I have a good feelin’ about you, Joel Miller.’

Catching your wrist in his fingers, he presses a sweet kiss to your knuckles, the rough graze of his stubble chasing goosebumps across your skin as his eyes smile at you. ‘I’ll see you tomorrow then, honey.’

More notes: I hope you enjoyed this sweet little oneshot 🥰 I really leaned into the fluff and I have no regrets. Comments/reblogs/asks are much appreciated as always! I don't have plans for a second part right now, but a smutty follow-up is always a possibility...

The adorable dividers are by @firefly-graphics 👩🏻‍🍳

#joel miller fanfiction #joel miller x you #joel miller x reader #joel miller x f!reader #joel miller x fem!reader #the last of us fanfiction #joel miller imagine #no outbreak au #joel miller oneshot #the last of us oneshot #fuckyeahshorts

2K notes · View notes

wonwoosthetic · 2 years ago

Note

Hi, I was wondering if I could get a Joel x reader pre - outbreak maybe they get in a fight and are giving each other the silent treatment .. I know it’s stupid sorry

Cold Brownies

pairing - pre-outbreak!Joel Miller x female!reader

word count - 6.9k (I got a bit carried away😅)

warnings - a bit of jealousy, fighting, mention of an age gap if you squint, and just a quick mention of smut but nothing explicit, but still very domestic and cute and fluffy ˙ᵕ˙

a/n: aaaaaah, my very first piece about Joel Miller hihi 🤗🫣 and your request was anything BUT stupid!!!! thank you so much for the request! 🤍🤍 I hope you enjoy it ˙ᵕ˙ I loved writing this soooo much, I'm such a sucker for domestic pre-outbreak!Joel😭

series masterlist

2003

“All I’m asking is that you could maybe tone it down a bit, alright?"

You were making your way to the front of the house, Sarah ahead of the two of you with the keys in her hands, ready to open the door, while you were hot on Joel's tracks.

“What- you want me to be rude to them?” He stopped to turn around and glare at you with confusion written across his face. In his right hand, he carried his daughter's bag from the football match you had just come home from, along with the football in his left hold.

“Jesus Christ, Joel!" You threw your hands up in the air in desperation, hoping to bring some sense into his head after noticing this discussion was not going where you had wanted it to go. "No, not rude! I just don’t need to see you all flirty and cute around the single mothers there!”

“They’re not single, Y/N!”

“That makes it even worse!”

With a huff, he turned back around to continue his way into the house. He threw the bag into the corner of the hallway before walking straight ahead past the living room to enter the kitchen. You followed him, closing the front door behind you with a sigh, shaking your head along with it.

It had been evident to you that he wouldn't react to your complaint amazingly, but it was still something you had wanted to bring up after noticing the hungry looks of the women standing by the field. It hadn't been the first time today, and you knew it wouldn't be the last time. And you were tired of just being the side-chick of Joel Miller that would come along on Sundays to cheer on your daughter's football team during their match. Because that's what you felt like. His side-chick. Not his wife. At least not in the eyes of the other mothers.

The two of you were usually known for having little to no fights. You had always been good at communicating, but this time it just seemed to hit you a little deeper and a lot harder.

Once you had caught up with him, your eyes found Tommy sitting at the dining table, munching on what was left of your lunch. Sarah had stopped to stand by one of the chairs right next to him to start a conversation, but they were quickly interrupted by Joel and you.

While you stood in the dining room, your arms crossed, staring at his moving form, he poured himself a cup of probably already cold coffee. “Do you seriously have such little faith in me whenever you see me talking to another woman?” He squinted at you.

Your hands found their way to your hair, brushing it out of your face hastily as you tried to clear your head. “No, God… please, it’s not you that I don’t trust-“

“But those women?! Why?! They just want to talk!” At this point, Tommy and Sarah shared a quick glance, immediately recognizing they shouldn't be in the room with you anymore. They quickly stood up and rushed out, leaving you two in the heated argument that filled the room with anger and tension, as well as frustration and pleads.

You could feel your throat starting to close up, but you swallowed it down, hoping it would buy you some time before you would have to let loose of your emotions. “Because I used to be one of those women that ‘just wants to talk to you’!" You mocked his comment, "And look at where I am now!”

“You gotta be kidding me. You can’t have that little trust in others. OR in me.” Why he wasn't hearing you was still a mystery to you. He used to be so good at communicating.

“It's not that!" You argued, "I just know exactly what these women think of when they come up to you a-and don’t even acknowledge me standing next to you." The emotions started showing earlier than you would've liked to. You had to sniffle, catching Joel's attention as his head shot towards you. He sighed.

“They realise you’re right there, they talk to you just as much.” The man had lowered his voice, hoping a softer tone would make the situation easier. But it wasn't the volume of the discussion that was the problem.

You scuffed, “Yeah, to ask me how you’re doing and if you’ve gotten even more handsome over the last week.”

In any other situation, Joel would've smirked at your statement. Hell, you probably would've delivered it with a proud smirk, knowing exactly that yes, he would in fact get more good-looking with each week passing. You had been trying to convince him of his looks ever since you could remember, for a good four years that you had been together, but there was still a wall in front of him that wouldn't accept any compliment that easily. And that made you all that madder because it seemed like receiving complimenting words from the mothers back at the football field affected him more than yours ever did.

Joel clearly had enough of the scene you were playing out,

"This is getting ridiculous." He raised his hands in defence. “It’s alright, we can talk about this later," walking past you once again to walk into the living room, not finding his daughter nor his brother there, making him wonder where they had gone to.

“No, we can’t.” You fought back, following him with your eyes, only taking a few steps into the other room.

After throwing himself onto the cushioned sofa, he put the mug on the coffee table in front of him. With his hands now free, he was able to lean forward, his elbows resting on his knees he rubbed his eyes with his palms. “Y/N, I really can’t do this right now-“

“You don’t wanna talk about it?" You scoffed, "Fine. Then- Then let’s just not. You’re right. Let’s just pretend this never happened, and I’m overreacting because everything’s fucking fine.” Not wasting another second, you moved your body to the stairs leading to the upper floor.

“Darlin'-“

But you stopped him by shouting down.

“Everything’s fine!”

Everything was in fact not fine. And every single person in the Miller household could tell.

The night before, you were able to avoid your partner most of the time. When Sarah had asked if you'd come to the dining table for dinner, you used work as an excuse to stay in the office corner your husband had built in the garage, sitting at the desk, deep in some documents that you could not concentrate on. Not even for a second.

Before Joel had made his way up to bed, you had already taken a shower and cuddled yourself up into the bed, hiding most of your body under the covers. You weren't asleep when he joined you. But you pretended to be. And it worked. For the entire night, the two of you didn't touch each other, not even with your feet by accident - maybe in your sleep, but how would you have been able to tell.

But still in the morning, while both of you were rushing through the kitchen, getting breakfast, coffee and orange juice ready, while also tugging on your clothing and fixing your hair, moving around the room frantically, you didn't share a word with each other. Not a single one.

Sarah and Tommy eyed you suspiciously from their spots at the dining table. The uncle was slurping on his coffee while the girl had a piece of bacon in her mouth.

"Damn..." the man whispered, receiving a nod from his niece right next to him. "How long has this been going on for?" The silence was something highly unusual for this household. Joel and you were known to be a quite melodic couple. Filling early mornings with chatter and laughter while you tried to brighten up the older man's face, knowing he wasn't the biggest fan of that time of the day. But there you were. Silently moving around each other.

Sarah picked up some eggs with her fork, "Since yesterday. I don't think they've talked through their argument yet," before stuffing her mouth with it.

"You don't say," the man sent her a side-eye, going back to the hot liquid in his mug. "What do you call?" He leaned back.

The girl shrugged, "He did something wrong."

"Well, obviously," Tommy rolled his eyes, "but what?"

"I think it was something about him not realising he's being flirted with and just going along with it because he wants to be nice."

He scoffed, "Idiot..."

"Blind idiot," his niece corrected him, only to get told off by her father.

"Hey," he pointed at her, "Watch your mouth." He didn't have the energy to comment on the other words he had heard coming from them.

Before she was able to say something smart back at him, he continued, "Hurry up eating, I'll be outside in the car." And left the room through the backdoor leading to the garage without another word.

The moment he closed the door, you let out a deep sigh you had held in the entire time the two of you shared a kitchen.

"He'll come back to his senses," the voice of your step-daughter made you walk over to the table, taking a seat in front of your two family members.

The cup of tea in your hands warmed your palm. "I don't know..." you mumbled before bringing the mug up to your lips.

"He's just acting stubborn as fuck," Tommy shook his head.

Sarah gasped, "Don't curse, there are children here." Receiving a subtle chuckle from you.

For a second, you shared a quick moment of silence before you put the mug down, "But am I over-reacting?" You asked them, "Like... am I looking too much into this?" But the shake of their head assured you, making you lean back into the chair with a huff.

"You think I enjoy watching these women gawking over him? It's disgusting. You should be the only one allowed to do that," Sarah explained, tickling a smile out of you.

"Shouldn't you be disgusted by me doing that?"

But she just shrugged, "It's kinda cute," before looking you dead in the eyes, "But don't tell him that."

You chuckled, "I won't. It's not like we're talking to each other these days anyways."

"Look," Tommy had had enough, "Like Sarah said, once Joel gets that stick out of his ass-"

"I never said that."

"Whatever," he jokingly brushed her off, "Once that happens. He'll start apologising. Joel's always been a little oblivious about that stuff. You don’t remember how it was with you?"

"But how?" You wondered, "They're literally undressing him with their eyes!"

"EW, gross!" The young girl exclaimed, making you send her an apologetic smile,

"Sorry..."

"We were taught to be nice and respectful to all kinds of women, Y/N. I don't know what else to tell you," Tommy got up at the sound of his brother's car honking, tapping Sarah on the arm to copy his actions. You watched her disappear back upstairs to grab her backpack while you stood back up to start cleaning the mess that had been left behind from making breakfast.

When you were about to walk past Tommy, his soft grasp on her lower arm stopped you. You looked up to meet his eyes.

"Don't you dare even think that Joel would ever leave you for one of those chicks," he told you quietly, but sternly, "He knows you're way out of his league." His first statement made you smile fondly while the second one made you chuckle and slap his chest.

"Tommy!"

"I'm being serious, Y/N," his hand brushed over the back of your head. He took a few steps back, a smirk still plastered on his lips, "But hey, you know, I still have quite a good amount of friends that would DIE to get to know you."

"Stop it!" You looked around for a cloth to throw at him, doing so once you found a wet one right by the sink. He jumped back, letting it hit the floor, continuing his laughing as he walked towards the back door. "Just saying," he raised his hands, "My brother's an old fuck, you might want to relocate."

You could only shake your head in disbelief, "You're unbelievable, you know that?" Earning yourself a mischievous grin from the younger Miller brother.

You had known Tommy for longer than you had known Joel. You met him at a night out, hitting on one of your friends after you realised that that dude used to be the same guy that had given your parents multiple headaches with that friend group of his in their old restaurant. You remembered them tumbling in some late evenings when you helped out after school, or even just wanted to do your homework in a corner. They pretended to not be drunk, when they definitely were, as best as they could. As much as it annoyed you and your family back then, they did bring a lot of other young people in and within only a few months, you had more visitors than ever. The memory made both of you laugh out loud in the bar and your friendship developed from then on. He even tried setting you up with multiple of his so-called other friends 'that would DIE to get to know you'. But he had failed. HARD. Every single time. His friends were… just not it...

That‘s because you had met his brother, and well... everything fell into place afterwards, leading to you now standing in the kitchen.

"What did you do now?" Sarah wondered, finding the piece of fabric on the floor, glancing at her uncle with her arms crossed.

You shook your head, "Nothing, don't worry about it. He's just trying to be funny."

She rolled her eyes overdramatically, "Ugh... again?" Getting a soft tap on the head from the man in question.

You sent them off with a smile and a goodbye wave, wishing both a good day as they left you alone in the house. All by yourself, along with your thoughts and worries and a good amount of chores to get done.

After Sarah had come back from school, you offered her a serving of the lunch you had prepared on your day off, giving yourself one as well. You sat together by the dining table, chatting about your day while listening to her ranting about her school and her teachers - her English teacher in particular. There was just something she didn't like about that guy.

Before you knew it, the evening had arrived as you got done hoovering the living room, letting yourself fall back into the couch with a heavy breath tumbling from your lips.

The argument from the day before had been haunting you the entire day, draining you of every last bit of energy you had left. You went over everything you had said and all the things you'd want to tell Joel once you were back on speaking terms. And yeah... about that too. How long could the two of you go without talking to each other? You never went longer than a day, so you already broke that record. In all honesty, you didn't want to drag it out for much longer. You hated it. As much as you were still annoyed at your husband and the oblivion he was in, the love and care you felt for him were much stronger than that.

Lost in your thoughts, you didn't notice the young girl coming down the stairs slowly. You only looked up at the sound of the stairs creaking underneath her feet.

"Mom?" She softly called out for you, staying behind the wall while searching for your eyes in the softly dimmed room. It had already gotten dark outside and the only light in the room came from the small lamp on the side table to your right.

"Hm?"

Sarah looked down at her feet, her fingers drawing circles on the wallpaper, "I-ehm... so..." you patiently waited for her to continue, "You know how we have bake sales every now and then at school?"

You scrunched your eyebrows at the random question, "Of course... why?"

Then a sheepish smile made its way to her face, "Weeelll..."

"Well?"

"I may or may not have a bake sale tomorrow morning and need something for it," she quickly spilt out, only daring to look up at the end of her statement.

Your hands immediately came up to hide your face, fingers pinching the bridge of your nose, "Sarah... please tell me you're kidding."

"No...," she hugged herself shyly, "Sorry..." Coming a few steps closer, she stopped next to you, joining you on the sofa, the sly grin still on her face.

You sighed, looking at her, "You know, you're gonna be the death of me, right?" But she just showed you her teeth with a wide smile.

"Well..." you collected your thoughts, "Your dad has the car... and if I go to the store now, it'll be closed when I arrive. So... let's see if Tommy can go get some stuff because we have absolutely nothing in this house." You leaned over to reach for your phone that was laying on top of the coffee table.

"No!" The girl beat you and got a hold of your phone first, holding it tightly to her chest.

You looked at her in confusion, "What?"

"Eh... I- Why uncle Tommy? Dad should be on his way back from work now. It'll be way more practical if he buys it."

With a sigh and a nod, you gave in, "Well then, go on. Call him." But she shook her head. Her hand reached out to hand you back the device.

"Why not?" You wondered, slightly worried about the way she was acting.

"...I don't want him to be mad at me." You wanted to say something, but she continued, "If you call him, he won't get mad."

"Sarah..." another sigh of yours rang through your ears as you blinked at her. But she defeated you. With those goddamn puppy eyes, she inherited from her father, that neither you nor Joel could say no to - you more than him usually, but you were in a vulnerable place, so giving in came easily.

"Pleeaase, mom." The small word still brought a smile to your face - she knew exactly how to get you. You may not have been there her entire life, but for a good important chunk of it, and she appreciated that very much. It was on your wedding day when she asked you if she could call you 'mom' from now on. And it made you cry right at that exact moment.

You snatched the phone out of her hands and shook your head with a soft smile on your lips. She knew just how cute she was. After all, she was a very smart little girl.

You got up from the sofa and made your way over to the kitchen, already clicking on the number you had gotten so familiar with. Only two rings later, the deep voice of your partner erupted,

"Hey, everything okay?" You almost smiled at the concern in his voice. He knew you rarely ever called but prefered to send quick texts.

You scratched the back of your neck, "Hi, yeah... ehm... where are you?"

"Just got into the truck, why?"

"So... Sarah just remembered that she has a bake sale tomorrow," you explained, already hearing the deep sigh, along with a cruse word, coming from him, "But I can't make it to the store in-"

"What do you wanna bake, darlin'? What do you need?" You didn't ignore the way your body reacted to the nickname. You couldn't just let it pass like that. Even after all the years of being with him, his sweet tongue still made you feel like a little college girl. The heat rose up to your cheeks, painting them beautifully red as you ushered around the kitchen.

"Eh... wait a second," you opened the refrigerator, "We have eggs, we... don't have butter, so butter. We should have some flour and sugar. But we'd definitely need chocolate or-"

"What about a brownie mix?"

You perked up, "You really want to send your daughter to a baking sale with brownies from a pre-made mix?"

"Why not," he probably shrugged, "I can guarantee you, sweetheart, no one cares," the engine of the car roared in the background.

Unknowingly, your eyes drifted over the counter to the corner where a picture of the three of you was placed. Taken by Tommy, it showed you and Joel hugging the sweet girl in the middle while her face was covered in cake frosting. It was your, back then, boyfriend's idea to make her laugh, and boy, did he accomplish that. The echoes of her high-pitched giggles still roamed your brain as you were brought back to the day of her birthday party when she had turned 11 years old. Already then, the older Miller brother knew he was going to ask you to marry him one day. Never ever had either one of you been that happy when with another person.

That's when the memory of his proposal speech came back to you. Joel was a big romantic. Whether he wanted to admit it or not. But his plans of the original proposal were thrown out the window when a massive storm surprised the entire city, forcing you to stay inside the comfort of your own home.

Since Sarah was over at Tommy's place after the older man had begged him to do so, you had the house to yourself and you better bet, you made the best out of it. After multiple rounds in each other's embrace, exchanging passion and lust for each other, you found yourself in your bed, on his lap, still not tired of kissing the hell out of him. You were surprised when he stopped you for a second with,

"I have something to ask you," whispering it against your mouth before he leaned back to stretch his arm to get whatever he was looking for out of the drawer of his nightstand. You eyed him suspiciously, your fingers still intertwined behind his neck. You could feel your heart genuinely stop for a second or two when your gaze got stuck on the small red velvet box.

"Joel..." The topic of marriage had come up before, of course. But only because he wanted to make sure that the two of you were on the same page, and after doing that, he just had to find the right time to find a ring and actually propose.

He lifted a hand to stop you, "Just wait. Just for a minute," interlocking your eyes with his as he breathed out, "I had this whole thing planned," he shook his head, "I wanted it to be much more romantic than this. But God... I-I can't wait anymore."

Once his actual speech started, you couldn't help the tears in your eyes to well up. You had heard him say 'I love you' so many times before, but that love confession of his was something you had never ever received before. You felt safe with him. Loved, like no one else. How could you have said no? You knew he was the one for you. The one whose arms you wanted to fall asleep in for the rest of your life, only to wake up in a completely different position due to his restless sleeping habit. You wanted to forever hear Sarah remind him of his terrible eating habits, joining forces with her by making him drink more orange juice. You didn't even think you could live without Tommy barging into the house at the most inconvenient times, disturbing any romantic moment you'd get with your partner. That was the future you so desperately prayed for. And now you were finally going to get it.

You snapped back into the present.

"Have we really become those parents?" A soft chuckle dared to escape your lips, but Joel stole it.

"It had to happen someday."

Forty minutes later, the front door opened, making you look up to the left, only to direct your eyes back on the TV as soon his met yours.

"Hey," he talked quietly, finding Sarah asleep in your lap as he passed you.

"Hi," you greeted him back, the tension suddenly thick in the room. You followed him into the kitchen, careful about putting your daughter's head down gently.

You stopped by the fridge, leaning on it, your gaze travelling along with his moving figure while he put away the groceries he had just bought. Even though you were still not in the mood of talking to him, the words from yesterday still lingering with you, you decided to swallow at least a little bit of your pride.

"Thank you," you cleared your throat softly, "for... getting the stuff." He turned his entire body to look at you, eyes slightly wider than usual, sending you a somewhat subtle surprised facial expression.

"‘Course," he nodded.

"Well then... I'll..." Jesus, when did talking become so hard, "I'll let Sarah know we can start."

Just as you were about to walk back into the living room, the voice of your husband took you back, "No, let her sleep."

You moved towards him, "But she needs them for tomorrow, we-"

"I'll do it. I'll make the brownies," he sighed, finishing putting everything away, and leaving the few ingredients he'd need on the counter.

"Joel, no... that's her responsibility," you ignored his body coming towards you as you tried not to raise your voice, keeping it low since the girl was still asleep.

He placed his hands on your shoulders, only to turn you with a gentle touch, making you face the living room, attention immediately on the little girl. A few seconds of silence passed.

"Look at her," the man whispered into your ear, too close for the current tension that was still between you, "You really want to wake her up?"

You shrugged out of his grasp, "Don't make me the bad guy now," brushing past him into the kitchen.

Joel huffed out a deep breath, slightly shaking his head, "I'll get her upstairs." He didn't wait for a response from you, knowing he wouldn't get one anyway and walked over to pick his daughter up into his arms, carrying her upstairs into her bedroom.

In the meantime, you decided to get to work, reading the instructions on the brownie-mix packaging. You preheated the oven and made sure the eggs weren't too cold before looking for the fitting bowl, which wasn't where it was supposed to be. A sigh fell from your lips. Joel had a habit of putting stuff into new places and not where you had insisted they should be.

"In the cupboard next to the dishwasher," his deep voice suddenly spoke up from behind you, "I forgot where you usually put it."

With a quiet, almost silent 'thanks' you went to grab it before putting it next to the rest of the stuff. Joel was next to you within the blink of an eye, taking the bowl from your grasp.

"I can-"

"Let me," he softly argued back, bringing the eggs closer to him before starting by opening up the brownie mix and pouring the powder into the bowl.

"Joel-" you wanted to talk back, but his hand on top of yours on the counter stopped you,

"I wanna help," he gazed down at you, while you had to look up to meet his eye. It only lasted for a second, before you moved again, on the look for the next thing you'd need: a brownie baking dish. Thankfully, it was where you remembered you had put it.

The two of you worked separately from each other. You, just as much as Joel, were still very aware of the weight on both of your shoulders. The argument was still undiscussed and it was weighing you down. Both of you. The only interaction you shared was putting the baking tin in front of him to pour the batter in.

After you shoved it into the oven, with a quiet "careful" from your partner as he opened the oven door for you, there was no longer any sound that accompanied the silence between you two. Now it was just true stillness. No clinker, no whisk hitting the bowl, or anything else.

Neither one of you wanted to be in this position as you stood opposite of each other, each leaning back on the counter. You wanted to scream to break the tension. Thankfully, Joel took the lead.

"Darlin'," still that soft tone lacing his voice, "I'm-"

"No, Joel-"

"Please," he looked up at you, hoping to meet your eyes, only for you to find the same ones that had begged for you to call him your husband. The same puppy-eyed look. "May I?" He was so gentle, just how you knew him. You nodded, followed by crossing your arms in front of your stomach.

"I'm sorry." He spoke honestly, standing up straighter, "I'm sorry for what I said and... I'm sorry for being a blind idiot."

Your eyes fell down to your feet, running your toes along the wood as a smile crept its way onto your face at the mention of Sarah's choice of words.

"You're not an idiot," the sudden sound of your voice reaching his ear made him take a deep breath. You looked back up at him. "Maybe blind, but not an idiot."

But he shook his head, "No, I am." He started playing with his hands, "But can you blame me?" The scrunch of your eyebrows in confusion made him continue, "For four years, my eyes have only been on you. All I care about is you. And Sarah, of course," he added quickly, making you grin. He smiled at the sight, daring to take a step closer to you, noticing you warming up at his words, "I could not give less of a fuck about those other women. You're the only one that has been occupying my mind. I promise you that." They were small steps, but soon enough, he stopped right in front of you, keeping one foot between you two, and meeting your glassy eyes with his soft ones. "I haven't had to flirt with anyone in forever. How am I supposed to notice it then, when someone else is doing it to me? Especially, when it's not my wife. I don't care. I might continue being nice because that's just the human thing to do, but God... I..." he took a deep breath, taking that last step to be all that much closer to you. He trapped you in between his arms, resting his palms against the counter on either side of you. His left hand came up to cup your cheek, his thumbs gently moving against your skin. "I only have eyes for the most beautiful woman I've ever seen. And I, the lucky bastard that I am, got to marry her." He caught the tear falling from your eye, leaning forward to kiss the wet stain before it could roll down your cheek. But his action just brought more tears into your eyes as your brain ran through the words you had just heard. You couldn't hold back a sniffle.

"Don't make me cry," you tried to free yourself from his grasp, bringing your hands to your face, trying to hide your weeping face from your husband, but he was having none of that, immediately getting a hold of your hands and pulling them down.

"I'm sorry, Gorgeous," Joel replaced your hands with his, wiping away every falling tear while gazing lovingly at you, catching your eyes never leaving his face.

You sniffled again, "I'm sorry, Joel." Both of his hands held onto your face. "I... I trust you with my life, I really do," you tried to speak through your tears, making the corners of his lips curl up, "B-But those women... at the match-"

"It's okay," he leaned forward once again, peppering your cheeks with gentle kisses over and over again, while a small smile appeared on your face at the feeling of his close touch again. "I get it," he kept on holding onto your face, making sure you kept your eyes on him, "I don't trust other men either. I know you're way too good for me. I'm a blind idiot that doesn't deserve you."

You started giggling as you hit his chest, "Stop, no," sniffling one last time when the tears had stopped falling from your eyes.

"No, I am. I realise that now," he assured you, shaking his head, "Jesus... I had to listen to Sarah calling me that like... a dozen times. And that was just on the way to school. Plus I got a big fat scolding from Tommy. He threatened to hook you up with his friends." Joel followed you with laughter after you erupted in giggles from his story, your forehead falling to his chest while your arms came up around his lower torso as his wrapped around your shoulders, keeping you to him as tightly as he possibly could, breathing in the beautiful scent of your hair.

You decided to enjoy a few moments of comfortable silence, staying engulfed in each other's arms before you leaned back a bit to lift your head, making him look down at you. The same smile on his face as it was present on yours.

"No one could ever replace you," you assured him. In the next moment, not giving your husband any time to react, you stood up on your tippy toes and puckered your lips, indicating for him to lean down, which he did without even thinking for a second. It was a natural reaction.

You only gifted him a quick peck before pulling back again.

"I love you, Joel." Followed by another quick kiss.

"I love you so much more, darlin'," he spoke against your lips, his finger tracing down the side of your face.

You squinted your eyes at him, "Mmmm... I don't think that's possible." Your comment made his eyebrows shoot up, "Oh?" He teased you, "You want me to show you that it is in fact possible?"

The not-so-subtle blush was evident on your cheeks as you pressed your lips together, "You know I'd never say no to getting dicked down."

Joel wanted to grin, SO BADLY. But he kept up his act, just staring down at you in confusion. "Getting dicked down? The hell you talkin' about, woman?" Unknowingly, the two of you started gently swaying side to side as he looked around the room, "I was thinkin' 'bout making you a nice dinner, a bit of cuddlin' maybe-"

You pinched his side, getting his attention back to you. He glanced at you with a wicked smile decorating his face. He leaned down closer to you, stopping just as your lips were about to touch, "But I can work with your idea as well.“

You were first down in the kitchen the following morning. Dressed and styled for work, with a pleased look never leaving your face. You felt good again. The invisible weight had clearly been lifted off you as you swiftly moved through the kitchen. The smell of pancakes filled the room when the cute familiar voice of your daughter made you turn around.

"Mornin'."

You smiled as she walked up to you, hugging your side, hiding her still sleepy face in your shoulder, "Good morning, sweetie," you patted her unruly, yet beautiful curly hair.

She went to grab her beloved orange juice from the fridge before settling down at the dining table just like every other morning. Finally, a normal morning again. A comfortable small talk erupted between the two of you as you asked her about the school day she had ahead of herself.

In the middle of it, you brought a plate of pancakes to her, placing it right under her nose, along with a fork and the maple syrup she enjoyed so much. As soon as your back was turned towards her, eyes on the other pancakes sizzling in the pan, the third and final person in the house came down the stairs. You would be able to recognize those heavy footsteps from a mile away.

Joel greeted his daughter first, kissing the top of her head, "Mornin', baby girl." Before he joined you next to the stove, his arm immediately wrapping around you, to turn you towards him, "And a good mornin' to you too, gorgeous," smashing his lips onto yours. Your hand found its way to his cheek while his stopped at your ass.

"Children are present!" Making you lean back with a chuckle, slapping his hand to move from his position.

He turned around to jokingly glare at the girl, "Look away!" To which she just rolled her eyes.

Joel brought you back into his arms, giving you a few more kisses before getting interrupted another time, making him groan and you giggle.

"Oooooooh, well don't you two look adorable!" The younger Miller brother exclaimed, entering the house with a wide smile plastered on his face. He took his signature seat next to Sarah, stelling a piece of pancake from her, "Mom and dad getting along again?"

She nodded, "Looks like it."

Your husband wanted to get one more kiss from you, but a plate being shoved into his chest stopped him. He looked down before gazing into your eyes again, "Chocolate chip?"

"Blueberry." Your answer made him look at you with scrunched eyebrows. "Vitamin C," you grinned, giving his cheek one last peck before ushering him out of the kitchen.

You watched the three sitting at the table, smiling at the little family in front of you when you remembered something.

"Oh!" You moved back into the kitchen, snatching the Tupperware box from the counter, and bringing it into the dining room with you. "Here, sweetie, don't forget these."

"Ah, thanks, mom," she smiled at you, taking the box and placing it right next to her.

Tommy eyed the box, "What's that?"

"Brownies," you simply answered, taking a seat on the only other free chair, "We baked them for her last night."

"What are you celebrating?" His question was directed at his niece but you answered him.

"Nothing, her school's having a bake sale." Joel nudged your arm, his fork right in front of you, waiting for you to open your mouth, so he could feed you a piece of his pancakes. You knew better than to say no, remembering all the times you had tried to do that and he'd basically won and made you take the food in one way or another.

The younger brother glanced at you in question, "No, she doesn't?"

"Yes, she does, she forgot and told me yesterday."

But he just shook his head again, taking a quick look at his niece, "No, you don't. I know whenever those bake sales are." As soon as he saw the looks on your and Joel's faces, he quickly continued, "All the pretty teachers are outside during them, and I... you know... just happen to be there coincidentally. Buying them all that stuff from those kids."

You closed your eyes in disbelief, shaking your head, "Jesus..."

The older brother shrugged, "Can't say I'm surprised about that."

Tommy moved his attention towards Sarah again, "So what the heck were you talking about?"

All eyes were on the little girl, giggling in her seat as she leaned back in the chair, the curls on her head bouncing along with her laughs. "Yeah... so ehm... maybe that was a bit of a lie," sending you a sheepish smile.

"What?!" You exclaimed, switching between looking at her and your partner to your right.

She immediately raised her hands, "But you two are talking again!"

"What does that have to do-"

"OOOOOH," Tommy shot up from his seat, engulfing his niece in a tight hug, "You smart little girl, oh I love you," kissing the top of your head multiple times. All while Joel and you sat there, at least sharing the confusion between each other.

Your husband put his fork down, "Are we morons? What am I not getting here?"

His brother grinned at him, walking past him to slap the back of his head, "Your amazing daughter tricked the two of you into talking to each other again," he sang and stopped to stand in between the two of you, throwing his arms around you, pulling you in close, "She got all that smartness from me."

"Sarah!" You couldn't believe your ears. That little 13-year-old girl... you knew she was smart... but damn... Where did she learn how to read people that well?

She smiled, standing up to bring her plate into the kitchen, "It worked though!"

Tommy released you to follow her, finally looking for his mug to get his morning cup of coffee.

The two of you stayed seated, still in disbelief at what you had just found out. You got tricked. Tricked you into putting your guard down and giving into the sweet mouth of your husband. She knows both of you too well.

"That's your kid," you pointed at the girl by the dishwasher while looking at Joel, who grinned at you, his hand now on your thigh.

His other hand wrapped around your finger, pushing it down and pulling you into him. "That's our kid. Our very smart kid," he smiled against your lips, making you do so as well before the soft touch of his mouth against yours sent a tingle through your body once again. You could never get tired of that, that was for sure.

There was the future you had always dreamed of.

joel taglist: @corvusmorte

pedro taglist: @leslieelainetrask

#Joel miller x reader #Joel miller #imagine #imagines #one shot #Pedro pascal #x reader #the last of us #pre-outbreak!Joel x reader #domestic #fluff #pre-outbreak #joel x wife!reader #x wife!reader

6K notes · View notes

n0vazsq · 1 day ago

Text

Pas de Deux | KR7 x Reader

pairing . . . young!kimi raikkonen x ballerina!reader

summary . . . When Kimi falls in love with a ballerina, he's invited into a dance of two (or, a pas de deux)

request . . . kind of?

word count . . . N/A

warnings . . . minimal swearing! story is set in 2024 with the current 2024 grid but kimi pics are from the 2000s!! there wont be a lot of f1 comments so you can feel free to imagine whatever team kimi is in! kimi is like in his early 20s so the reader is 20-24! lets just pretend he was born sometime between 1999 and 2003

faceclaim . . . random ballerinas from pin!

alexavia yaps . . . I LOVE PAS DE DEUX ITS MY FAV CLQSSIC SONG AHHHHHH anyway i hope you guys like thsi!!!!!! i legit dk anything about ballet so IM SO SORRY IF ANYTHING IS WRONG!!

taglist . . . @barcapix (lmk if you want to join the taglist!)

ballerinayn

liked by yourbsf, maxverstappen1, kimiraikkonen and 741k others

ballerinayn loved dancing in monte carlo to my favourite song today! well done to all the other ballerinas and see you in a few weeks! thanks to my amazing friend maxverstappen1 for attending!

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username MOTHER IS BACK!!!!!

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balletdemontecarlo

liked by ballerinayn, yourbsf, ballerina1 and 1.3M others

balletdemontecarlo could you spot the famous ballerinayn in today's pas de deux? 👀

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ballerinayn thank you for letting me perform on this amazing stage! such a great honour!

balletdemontecarlo it was our pleasure to see you perform!

yourbsf that's my best friend right there guys 🥹

ballerinayn i saw you in the crowd and almost broke character from happiness ❤

ballerina1 our swan queen 🦢

ballerinayn you did amazing out there!!

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maxverstappen1 good job y/n!

ballerinayn aww thank you max <33

kimiraikkonen Loved the show. Come to watch a grand prix?

ballerinayn omg kimi!! im such a big fan 🥹🥹 so glad you loved the show!! and ofc ill come to a gp ❤ just contact my team with the details!

kimiraikkonen VIP tickets will be sent shortly after.

username KIMI?? I WAS NOT AWARE OF THIS RIZZ

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ballerinayn

liked by kimiraikkonen, yourbsf, f1wags and 891k others

ballerinayn thank you kimi for inviting me to the monaco grand prix!! really enjoyed it <3 and congrats on the podium! tagged: kimiraikkonen

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kimiraikkonen Glad you enjoyed!

ballerinayn <3

username KIMI SHOWING EMOTIONS?? THE EXCLAMATION MAKR??? THE HEART?? IM DEAD

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kimiraikkonen

liked by ballerinayn, yourbsf, charlesleclerc and 2.3M others

kimiraikkonen Monaco.

click to view all comments

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f1waggossip on it 🫡

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yourbsf 👀

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ballerinayn

liked by yourbsf, maxverstappen1, kimiraikkonen and 822k others

ballerinayn rainy days around monaco with him>>>>>

click to view all comments

username WHOMST

username y/n pleaseeeeeeeeeeeeeeeeeeeee tell us who it is

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maxverstappen1 where was my invite?? lost in the mail??

ballerinayn maxie waxie axie you told me specifically "y/n if you ever invite to third wheel ill chop your arms off and use them as a table stand" so i think you didnt want to come <3

maxverstappen1 i-thats on me

ballerinayn it is it is

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ballerinayn sorry that position is taken by pretty boy xx

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yourbsf 👀👀👀

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yourbsf you

yourbsf and charles

charlesleclerc ?????

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f1wagsss_

liked by waggossip, kimifanpage1, ynnlove82 and 391k others

f1wagsss_ f1 driver kimi raikkonen and ballerina y/n l/n reportedly seen together yesterday. do you think it really is them or is this from a fake source?

click to view all comments

username REAL REAL REAL REAL I WANT IT TO BE REAL PLS BE REAL I BEG FOR IT TO BE REAL

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username i'm so delusional to think that this is real <3

(guys click on the second tweet bc its long so it doesnt show)

wags.international

liked by waggossip, f1wagsss_, teaa.f1 and 791k others

wags.international its official! f1 driver kimi raikkonen and ballerina y/n l/n were spotted on their date night in spain! will they deny or confirm their relationship? only time will tell....

click to view all comments

username why is the caption so mysterious 💀

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username so the hate is deserved?

username VERY deserved

username i see a repeat of 2022 i am going to rage so hard that i become a lawyer and sue them

username the history with gossip page is INSANEEEE

kimiraikkonen

liked by ballerinayn, yourbsf, maxverstappen1 and 3.4M others

kimiraikkonen The girlfriend. Rakastan sinua yli kaiken, kulta ❤ (I love you more than anything, darling) tagged: ballerinayn

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username LMFAOOOO THE CAPTION IS SO KIMI CODED

username SOFT KIMI SOFT KIMI SOFT KIMI I AM SHAKING

ballerinayn love you too <33 mwah mwah

kimiraikkonen 🥰

maxverstappen only y/n can do that to the iceman

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maxverstappen1 ew thats disguisting i didnt need to know that

charlesleclerc she meant NORMAL abilities you dirty thinking slug

ballerinayn lestappen forever this comment has been deleted

maxverstappen1 Y/N?!?!??!?! I SAW THAT

ballerinayn mb?

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ballerinayn IM CRYING I LOVE YOU BOTH SO SO SO MUCH

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username y/n having a meltdown over kimi like girl me too

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yourbsf

liked by ballerinayn, kimiraikkonen, maxverstappen1 and 1.7k others

yourbsf my best friend and her love sick boyfriendtagged: ballerinayn, kimiraikkonen

click to view all comments

yourfriend1 HELP not y/n getting a professienal pic and kimi's being whatever

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yourfriend1 explains the shaky picture

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kimiraikkonen Max.

maxverstappen1 nevermind

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ballerinayn oops sorry?

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ballerinayn

liked by yourbsf, kimiraikkonen, maxverstappen1 and 581k others

yourbsf words could never describe how much I love you. you light up my life in a way nothing else can. every moment with you feels like home, mon ange. forever wouldn’t be enough to express what you mean to me, pretty boy. ❤️ tagged: kimiraikkonen

comments on this post have been limited

maxverstappen1 love you guys even tho i hate third wheeling

ballerinayn thanks maxie <3

charlesleclerc you two are very cute

ballerinayn so are you and alex!!

yourbsf as much as i hated you being taken away from me by a guy, kimi was the right one. i approve of him <3

ballerinayn ilysm <333

ballerina1 if he can do ballet invite for a pas de deux 👀

ballerinayn oh trust me i already taught him everything

kimiraikkonen And nothing ever will ever desrcibe by love for you

ballerinayn i love you so much

kimiraikkonen I love you more. Even more than my drink

ballerinayn <33

kimiraikkonen You're the love of my life, never forget that.

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punkitt-is-here · 1 year ago

Text

Read These Frequently Asked Questions Before You Send An Ask!

Patreon | Ko-Fi | Youtube

Heyo! I get a TON of asks each day, so I'm making this post so that folks know what's already been asked so my followers don't have to see the same stuff over and over, haha.

Hi! I'm Punkitt! I'm a game developer, artist, editor, director, and a bunch of other stuff! I'm working on an RPG called Astral Guard, a platformer called Susan Taxpayer, and I have a couple more fun projects in my pocket like Happup and Super Mario Death Row.

Did you know you look like weird al?

YES jesus fucking christ i get told this every day. if u send me a message in my inbox saying i look like weird al im killing you with like wizard spells and shit.

Why do you have so many hats? Do you know you have that many hats?

ye i like hats. :) free tumblr badges for one pea i like one piece and took as many as i could. free.

Where can I find your art/game development/horsecomix?

Great question! Everything I make that's my own and not a reblog is under "my posts", every bit of art I do is under "my art", any game development I do is under "gamedev", you can find all my MLP art under "mlp, my art" or "horsecomix" for the best stuff. I also have an "animations" tag and a "shitposts" tab. I also properly tag all my asks to be asks and write out the asker's name, so if you don't wanna see those just mute the ask tag.

Do you have a Patreon or a Ko-Fi?

I do have a ko-fi here! I also JUST launched a Patreon, which you can find here :)

What do you use for your art?

I use FireAlpaca and Paint.net for misc. effects!

What are you using to make your games?

I use FireAlpaca do make my assets! Astral Guard, Happup, and any other top-down RPG games I make are all made in RPGMaker 2003. Susan Taxpayer is made in SMBX2 Beta 4, a Mario fangame engine with lua support!

Why are you using a 2-decade-plus engine to make games?

It's fun!

Do you have a sideblog or something for your art?

Not right now! What you see is what you get. I do have a sideblog for Astral Guard though, if you want to follow that game specifically! @astral-guard

Can I make an OC based on your work? ABSOLUTELY!!!!!!! THATS THE COOLEST THING EVER!!!! LET ME KNOW IF YOU DO!!!! I WANNA SEE!!!!

Can I do dubs/redraws of your comics? As long as you credit me! I get a ton of notifs each day, so if you wanna show me (and PLEASE i so do wanna see fun dubs and redraws!!!) tag me or DM me!

Can I use your art as a PFP? Sure! Just credit me somewhere. :D

Are you the one who trapped her coworkers in a room and made them listen to TF2 lore?

Yep! Everyone had a blast actually. :]

Did you make that comic where Fluttershy eats the weed brownie/Rainbow Dash has a male living space/someone has a cutie mark that says they'll kill Ronald Reagan?

Yep! That's me.

Where are you in MLP right now?

Currently just finished Season 7! Haven't watched the movie yet.

Have you watched Equestria Girls?

Yep! Thought it was super cute. I watched up to Rainbow Rocks and plan on watching more.

What's your opinion on MLP so far?

I love it! I think it's cute. I really don't agree that there was some sort of huge quality drop after season 2 or whatever.

What do you think of G5?

Not my style! I don't really like either animation types and it just seems like I'm not in the audience anymore. That's totally chill, but it just doesn't grab me!

Have you watched any other MLP stuff from previous generations?

Nope! But I did see a compilation called Minty Being Autistic for Six Minutes Straight that I loved. she's perfect.

Favorite pony?

Don't got one, I love all the Mane Six a LOT, but I'm particularly fond of Fluttershy, Applejack, and Rarity!

Favorite episode/season?

I'm so bad at picking favorites! But any season past Season 1 I have a blast with because I feel like it's just more my style. I don't have a favorite episode, but the most recent one I can remember LOVING is the one where Starlight bottles up her emotions because it was REALLY funny.

Do you like Pony.mov?

Nope! And stop saying my stuff reminds you of it, it's a lil annoying!

Have you watched the Mentally Advanced Series/Friendship is Witchcraft/Other fandom vids?

Probably not! My interaction with the MLP fandom prior to last year was pretty minimal, so I'm making my way through the show first!

What do you think of Fallout: Equestria?

I think it's super weird but really fun because of that. I've never properly read any of it but it's very fascinating to me.

Are you transgender?

Yep! I go by she/her, I'm a trans woman. Have been for many years, but I only recently came out online!

Are you a lesbian?

Nah, I'm bisexual!

Can I commission you?

Yeah! I only have my commissions available on my Ko-Fi at certain times though, so keep an eye out! I usually announce slots being open at least 12 hours beforehand. Slots are usually first come first serve, but we'll see.

Can I use your art as a Discord emote?

Yeah man i'm not scouring every discord on the planet to find stickers of my work. i think it owns if people take my stuff and make it stupid injoke emotes between friends that makes me very happy.

Can I send you an ask inquiring about gender dysphoria?

I feel like this is beyond my capabilities of advice! I'm actually very comfortable with my body and I have been for many years, so I don't know if I can give any good or helpful advice on that front. Apologies, but there are many resources out there where you can ask about those things if you look for them, like Discord channels!

Favorite Color?

I'm a sucker for blue!

Favorite coffee?

Can't drink coffee, my stomach is cringe.

Favorite tea?

I'm lame and can't drink most tea but I love this one orange-flavored tea a lot. I also LOVE ice tea.

Can I say you're horsegender/punkittgender/a little gender goblin void thing?

Well, I can't stop you, but I'm kind of beyond that phase now! I really am a boring ol' plain she/her girl, and I like it that way. It's not much, but it's honest gender.

What's your favorite game series?

Mother, Kingdom Hearts, Mario, and I USED to say Fallout, but I found out I'm really only a big Fallout New Vegas fan.

Favorite game from those?

Mother 3 is one of my fave games of all time! I love KHII, and I'm tied for SMB3 and SMW. Also Fallout New Vegas fucks hard.

Any other favs?

Bug Fables, SLARPG, and TF2!

Favorite Movie?

Everything Everywhere All At Once, no question.

Oh, are you going to college?

Yep! I'm a film/theater major.

Do you have a YouTube channel?

Yeah! Click right here for it, I stream there and upload footage of my games/animations/my film projects + other stuff.

What is that little orange creature I see?

That's bweenop, my little persona that I use when I'm feeling a little scrunkly.

Do you have a ponysona?

Yep! Her name is Star Magnolia, you can search her on the blog to see art of her.

When will Susan Taxpayer/Astral Guard/etc. be out?

No clue! I take things slow, that's just how I am.

How do you work on so many things at once?

I make small, satisfying amounts of progress! I never try to complete one giant thing all at once, I just like doing small bursts of fun stuff. I got ADHD, so I learn to work with it.

Did you know you look like Weird Al?

Im going to run you over with a clown car watch out

WHY do you work on so many things at once?

Fun! I like learning, I like making cool stuff, and I like showing it to people :)

Do you need any help with your projects?

Potentially! I'll probably put out a post asking for help if I need it.

If you could be a horse, would you?

You kidding me? Several ton beasts with the frailty of a sickly Victorian boy; my clumsy ass would never survive.

Are you some sort of...furry?

yeag

Why do you reblog so much?

Brother I LOVE posting. that's just how it is.

Fav music artists?

It changes literally ALL the time but I will recommend ANYTHING by Vylet Pony, its music is incredible and probably the reason I'm a weird niche microcelebrity now.

Why are you like this?

theater kid + having a lot of fun on the internet makes you a bit silly hehe hoo

SUSAN TAXPAYER QUESTIONS

Is it out? Not yet! But hopefully sometime in the next year. I dunno! I take things at my own pace and keep stuff fun. :)

What are you using to make it? SMBX2! It's a free fangame engine for Mario episodes, but it's incredibly versatile and has a wonderful community, so I decided to make Susan Taxpayer in it.

Is there a demo? You betcha! You can find it right here. I'll also probably put it up on my itch.io.

How do I install it? I made a post here about how to run the SAGE '23 demo!

#FAQ #my posts #punkitt FAQ #announcement

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astrolynnworld · 11 months ago

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warmhearted reveals

pairing: matt x reader

summary: you tell matt that you’re pregnant

warnings: fluff! love, romance, confessions, reassurance.

word count: 656

i prepared a nice dinner for when matt comes home so i can tell him the big news.

i can’t tell if he’ll be excited, shocked, or anxious. this is a big step in our lives, and i just hope he supports it

we have talked about wanting kids in the past, but we haven’t discussed goal, time, or plan.

i anticipate his arrival at the door as i let the food simmer on the stove for a little longer.

“baby? i’m home” matt says as he walks in through the front door

i go to greet him with a kiss and hug

“someone’s in a good mood today” he smiles as he sets down his stuff into the nearby office room

“you hungry? i made your favorite!” i gleefully share as he follows me to the kitchen

“duh!” he joking says, “it smells so good bae”

i prepare a plate for him before we sit across the dinner table

“how was work today?” i question

“it was great actually..”

“really? how so?” i follow up

“sucks to say but, one of the head managers of the inquiries office had gotten fired today because he violated one of the company policies, right?” he starts

“mhm” i acknowledge

“so they needed someone to take his job, and the head boss had put in a good word for me because he sees my progress in the job and says that i’ve been working hard for the last few months now.” he continues

“oh my god!! really? that’s so good baby. so what’s gonna happen?” i further ask

“well. today they had discussed it over a board meeting and went over some of my latest work to decide if i would be a good fit on the team and .. they all agreed.”

“BABY!!! that’s such great news oh my godd!! i’m so happy for you!! so you basically got promoted to the higher ups of the office right?” i proudly support

“yeah! and they’re raising my pay my 50%” he shares

“i’m so so happy for you matt!! great news all around. more money to go towards us and the baby!!” i quickly slip out

“what?” he questions

a smile plasters across my face

“i’m pregnant baby.”

he pauses and looks quickly takes a glance down at my stomach

“a- are you serious?” he anxiously stutters out

i nod my head slowly as i start to tear up

he comes around the table and kneels in front of me

“you’re not joking baby?” he says as the tears start to well up in his eyes

i shake my head no as i chuckle softly; tears starting to fall down my cheeks

he takes my hand and stands me up before embracing me into his own

“baby. we’re having a kid” he says as he tries to process his shock

“you’re pregnant with my baby right now, princess” he says as he pulls back from me

i see the tears starting to drip his face

“i can’t believe this baby. you’re really not lying to me?” he questions one more time

i grab his face and start to wipe his tears, “you’re gonna be a father, matt”

he lets his face fall into my hands as he brings his forehead to mine

“i can’t believe i’m about to start a family with you baby. it’s all i’ve ever dreamed of, since we were teenagers” he confesses

“i just can’t believe you’re really mine.” he says before kissing my forehead, “all mine.”

“i love you so so so so much, matt.” i speak out

“i love you so much more baby.” he kisses my lips, “both of you” he says as places his hand on my stomach

“why don’t you hop into bed, i’ll clean up dinner. there’s so many plans we have to discuss” he eagerly says

i laugh at his enthusiasm as i head back to the bedroom.

———————————————————————- taglist: @lenna-77 @cutiepatootie36273 @secret-sturniolo @sturns-blog @sturniolo-2003 @mayaaatok @sturnswrites @mattsleftnipple03 @mattybswife @tropicasturn @princessbetsy123-blog <333

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peterparkersnose · 1 year ago

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Hairspray

pairing: Joel Miller x fem!reader

word count: 1.7k

warnings: pregnancy, before the outbreak, established relationship with joel, sarah is a little snitch, denial, age gap (not really specified), descriptions of childbirth, money insecurity, 2003 references

a/n this was too good to give up. lets pretend that the outbreak never happened and the miller’s got to live happily ever after :)

summary Sarah finds Y/N’s hidden pregnancy tests

masterlist

join the tag list

read time: 6 mins 14 seconds

The phone was new. Joel had installed it a few weeks ago. No more cord! Your opposite hand felt awkward not having something to fidget with while your sister told you the horror stories of her giving birth. Something Mandy had brought up numerous times after confiding in her that you were pregnant.

It was your first; you were in your mid-20s. War was happening overseas, the world seemed to be going to shit. What a perfect time to bring a child into the world, huh? Your husband would be ecstatic, you just knew it. But the mere thought of something growing inside of you made you sick. “And then the feet came out instead! Ripped me open like-” You jumped a little. Facing the front door, you didn’t hear your husband come in from the back. His hands wrapped around your stomach as your shoulders pressed against his chest as your sister went on about telling you how her third kid cost her sixteen stitches.

A sharp gasp came from your mouth. “Are you alright? Is it the baby?” your sister yelled from the phone. Panicked, you quickly said your goodbyes to your older sister, assuring her everything was alright. You decided to give in to the kisses Joel was placing on your neck.

“What was she going on about now? Babies? Please tell me she’s not having another one.” Joel groaned. “Nope. Nine was enough for her,” you sarcastically answered. Four nieces and five nephews were enough for you to handle. Sarah enjoyed having kids her age to play with, but Uncle Joel was getting a bit too old for the rough play the younger ones enjoyed.

“What time is it?” you asked him, grabbing at his wrist. His hands were placed on your stomach almost like he knew. His watch read a little before three. “Sarah?” you asked him, swaying with him slowly. “Tommy’s coming over and we’re going to go work on a job,” he sighed.

“Again? Joel-”

“I’m sorry, It’s a quick one. Just a little steel door frame and I’ll be home late for dinner. I promise,” he said, kissing you on the cheek. You would need more cash once the baby came.

“I’ll go get her.” you sighed, but not in an angry way. You loved your stepdaughter more than anything in the world. You have known her since she was a small girl and have gotten along with her since the day you met her. She is going to be the best big sister.

Joel handed you the truck keys. Tommy’s car beeped in the driveway. “Give Tommy my love,” you called to Joel as you heard the screen door shut. --- A mainstream pop song quietly played in the truck as you waited in line at Sarah’s middle school. Parents were eager to leave and the San Antonio traffic was bound to be crazy on a Friday afternoon. You spotted your curly-haired stepdaughter as she left the school doors with some friends. You recognized a few from the sleepover she had last week. “Do you have any hairspray?” she asked, throwing her backpack in the back seat. “Yes?”

“Perfect.” Sarah responded. “May I ask why?” “Tiffany and Ashley gave me the recipe for a new oobleck!”

Sarah excitedly waved a loose-leaf piece of paper with a sparky pink gel pen scribbled all over the paper in her stepmom's face. “Hairspray is the main ingredient,” she explained, going over all the ingredients she needed. You smiled to yourself, carefully exiting the middle school parking lot as Sarah rambled about her day.

Sarah burst into the house, setting her backpack down and heading straight towards the kitchen. “Do we have any… flour?” she asked, reading off her list. “Red jar, babes.” you stated the obvious. The flour had been in there for years. “And the hairspray?” She asked. You sat down on the couch, fatigued by what you assumed was your pregnancy. Rubbing your temples, you replied, “Under my sink.”

Sarah burst into the bathroom, whipping open the cabinet door under your sink. In her excitement, the jolting movement of the door opening vaulted the zip-loc bag of pregnancy tests you had taped to the top of the cabinet out on the floor. Confused at first, she held up one of the blue sticks. Then she got it. “Y/N?” she yelled from the bathroom. Sarah was old enough to know what these were, and what two lines meant. Once she realized she was holding a stick of what you peed on, she threw it back in the pile of the rest of them sprawled out on the floor.

Sighing, you kicked your feet back on the ground. You had just gotten comfortable when Sarah called for you.

“Hm?” you asked, causally walking into your bedroom. Your tired state seemed to do a complete 180 when you saw Sarah on the ground with your tests. You froze, unsure of what to say to her. Rapidly blinking your eyes a few times to stop tears, you realized that there was no going back from this. Without a single word spoken you crouched down, collected the pregnancy test strips, and put them back in the bag. Seeing the loose pieces of tape, you used them to adhere the bag back where it was. You handed Sarah the red printed bottle of your hairspray.

“Do you want to talk about it?” you asked cautiously, sitting at the edge of the bathtub. “A-are they yours?” she anxiously asked. A small laugh came from you. “Yes,” you smiled. “I’m going to be a sister?” she asked you. You shook your head yes.

“Does Dad know?”

The world seemed to blur a bit when she asked that. You could feel your heartbeat increase at the thought. “No. Not yet.” “What!” Sarah gasped. “How long have you known?” “About three weeks.” “Three weeks!” Sarah yelled, throwing her hands in the air. “It’s difficult to… come to terms sometimes,” you said, trying to come up with the best way to explain this to Sarah. “You have to tell him. Tonight!” Sarah exclaimed.

You hated to admit that she was right.

“I don’t know Sarah, he’s out on a job with your Uncle and…” “I will call him. Try me.”

You looked at her, unsure of her new aggressive demeanor. She was always a natural leader. “Sarah, this is serious.”

“I know.” she said simply, exiting the bathroom. You followed her, watching her like a hawk for the rest of the night. And the rest of the night consisted of you making dinner, ravioli. Sarah was in the kitchen and made her ooblek and when that was done she finished her homework.

You sighed when the clock rang eight. He was more than late for supper. Sarah was asleep in your lap, the mindless cartoons played on. You watched them, trying to calm your anxious mind.

You heard Tommy’s truck pull into the driveway and saw its headlights as he left the driveway. Sarah stirred a bit, but a simple smoothing of her hair soothed her back to sleep. Joel quietly made his way into the house, only noticing the two of you when he locked the door.

“I’m sorry,” he whispered. You shrugged. Joel sat down next to you. “How is she? Is her homework done?”

“Yup.” you said coldly. “Look Y/N, I’m sorry I was late but the hardware store was out of the screws we needed and Tommy’s car was having an issue so we had to stop and get some-”

You couldn’t listen to Joel’s rambling any longer. You frankly didn’t care about some damn screws. It had to be done, and it had to be done now. Sarah was right, he deserved to know.

“I’m pregnant.”

Joel’s ramblings ended. A moment of silence lasted between the two of you. “Really?” he asked, a tiny awkward squeak coming from his voice at the end. “Mhm. Sarah found the tests. Under the sink, taped to the top of the cabinet if you want to see for yourself.”

Joel sat. “Huh,” he said, getting up from the couch and heading into the shared bathroom you guys had. He came back a moment later, his face was white as a sheet of paper.

“Can we financially do this?” you whispered, knowing Sarah was well faking her sleep and listening. Joel shrugged, plopping back down next to you. He knew this was a big issue and it would have to be discussed later. They were doing well, but Joel knew firsthand a baby on a small income was expensive. “I’m happy, if you couldn’t tell.” he said, a little bit of hope rang in his tone. “I could. My reaction was the same.” you assured him. You rested your head on his shoulder. “Everything will be okay.” he said, entwining his fingers with yours. “How long have you known?”

You seethed. “Don’t kill me.” “Maybe,” he said flirtatiously. You loved when he still flirted with you, even though you had been together forever and you were his wife. “Three weeks.”

He sighed audibly. “How far along are you?” “Don’t kill me.” you reiterated. “I have no clue. I haven't even been to a doctor yet, Mandy’s horror stories are traumatizing enough.”

“We’re making an appointment first thing tomorrow,” he assured you. You shook your head in agreement.

“Does she know?” he whispered, looking down at his daughter. He was so excited to be able to give Sarah a sibling. His bond with Tommy was unmatchable. Even though there would be a significant age gap between them, he still loved his little brother like no other. Even if they were six years apart, they were close. “She’s the one who found the tests.” you quietly chuckled, reminding Joel of what you said earlier. “She was threatening to call you at work and ‘expose me’,” you told Joel. He rolled his eyes. “Jeez, that damn kid.” he smiled, giving Sarah’s fluffy hair a pat just like you did moments before. He brought his hand back to yours and moved the back of your hand up to his lips and kissed it. “I love you,”

“I love you too,”

“And our little family.” you added. “Yes, and our little family.” Joel confirmed.

(if this story was spaced weirdly, apologies)- tag list

@dani5216 @uwiuwi @alohastyles-x @mandoloriancookie @maddieinnit0 @alexxavicry @scoliobean @avengersfan25 @nyotamalfoy @milly-louise @mxtokko @undeniableadrenaline @evyiione @qualitypudding @jmillerswife @kittenlittle24

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trippinsorrows · 4 months ago

Text

give me a reason + one

authors note: welp. here i am, once again. granted, i'm a bit excited about this one, as it's a unique storyline, at least not as cliched as maybe 'ltye' or 'with me'. trope is essentially age gap x best friends brother x second chance romance x something else that'll be revealed by the end of this chapter and my own creative flairs.

the age gap between mariella and joe is four years, and nothing romantic happened between them until she was in her twenties. just putting that out there now. ari don't do that grooming shit.

their story will be told in a mixture of flashbacks and present day. how they ended up where they are now will eventually be revealed, but until then, it's expected that ya'll are confused.

words: 9k

song inspo: just give me a reason by p!nk and nate ruess

warnings: angst and fluff

if i tag anyone and you don't want to be tagged, please let me know!

taglist: @annfg8 @whatdoeseverybodywant @sayyestoheav3nn @cyberdejos2 @prettybitxhnica @shayaaaaaaa

Summer, 2003

“Ladies, next week officially starts the beginning of the rest of our lives. No longer will we be lowly 8th graders. No, we will be official high schoolers! Next week is a new beginning, a new era, a new decade of wonderful, fabulous, life changing—”

“Baby girl, do you want a hot dog or a burger?”

Mariella releases the loudest, most exaggerated sigh known to mankind that is possible for a 14-year-old. She turns from where she was pacing across the stones that line around her family’s pool. Sure enough, her 6’3 father stands before her with his spatula in hand, wearing his apron gifted to him for Father’s Day a couple years back. He’s using his free hand to shield his face from the blaring sun.

“Daddy! I was in the middle of a monologue!”

Byron Holmes looks as disinterested as the tone of his voice. “Ella, you always talking. How am I supposed to know the difference?”

This time, it’s a dramatic gasp that's evoked instead of the previous one born from irritation. “I resent you saying that, father!”

“I’m sure you do, now do you want a hot dog or burger?”

Mariella might quite possibly be the most dramatic person to walk the earth, but the promise of one of her dad’s famous grilled burgers is too good to turn down. She can turn her strong feelings at being interrupted into a song at a later date and time.

Defeated, unable to overpower the desire for good food, she murmurs, “burger, please.”

“Thank you.” Byron Sr. shakes his head. Getting an answer from the prisoners is easier than getting one from his youngest sometimes. He then sets his gaze on her audience. “What about you girls?”

Promise Rose is the first to answer, that usual nervous smile on her face as she adjusts her thick rimmed glasses. “A hot dog, please, Mr. Holmes.”

Byron nods, committing her request to memory. He then turns to the other, already knowing what he’s in for. “Iris?”

Her hazel eyes that are obscured by the heavy set of eyeliner land on him with icy indifference. “I refuse to participate in the travesty and continued slaughter of the innocent just for the selfish pleasure and satisfaction of the greedy carnivorous species that occupies this stolen land.”

Byron releases a heavy sigh. It’s always something with this one. “Is that a yes or no, Iris?”

Iris lifts her chin, answering just as coldly, “I’ll just take the bread.”

Relieved and eager to be away from the only fourteen-year-old who could unnerve him, even with his twenty plus years as a prison warden, he walks away, mumbling to himself, “I swear something is wrong with that child….”

Returned to the previous topic at hand, Mariella plops down on the pool chaise across from her two best friends since third grade. “Now where were we before I was so rudely interrupted?”

“The inevitable extinction of mankind.”

“Surviving high school.”

Mariella rolls her eyes. It can so difficult sometimes to get her two polar opposite besties on the same page.

“We just have to make sure we do everything perfect.”

Promise Rose chews nervously on the corner of her lip and criss crosses her legs over each other. She looks between the two of them, anxiety growing by the second. “Ella is right. With BJ and Joe graduating this year, we’ve gotta make sure we elevate our social status or else we’re dead meat.”

Confused, Mariella asks, “what do you mean?” She then adds, “our social status is fine.”

Promise Rose looks over at an uninterested Iris. “Help here?”

“I refuse to subscribe to the patriarchy of social hierarchies.”

“Oh geez.” She should have known better. Iris refuses to get hip with anything if it’s not sticking a finger to the man. “Ella, it’s only because of your brother and Joe that we haven’t been bullied out of school. We are literally only semi-popular because of association. Without the guys, we’re nerds.”

Mariella would have preferred an actual dirty, jagged edge dagger be shoved into her chest. “We are not nerds!”

“Ella, you’re weird. I’m scared of everything. And Iris contemplates murder every hour on the hour.”

Iris shrugs, pushing her Kaleidoscope colored hair over her tanned shoulder. “Only on exceptionally bad days.”

“I rest my case.”

Mariella isn’t beyond consideration of alternative perspectives. She takes Promise Rose words to heart, trying her best to see it objectively.

She’s also not above admitting that having her brother and Joe look out for her over the years has only been beneficial. Even with them being out of middle school for almost four years now, their popularity has existed since damn near elementary school. Them and her twins sisters, Everly and Olivia, really. But especially Byron and Joe, mostly because of their standing as football players, two of the best on every team they’ve been on. Because of that, there’s not a soul in town who doesn’t know her as BJ’s little sister and Joe’s adopted little sister.

She’s always seen that as protecting her from guys messing with her but never associated it with social status.

And just as she’s undergoing a life changing realization, the creak of the side gate snatches her attention, revealing the two people who can clear all this up for her.

“BJ!”

Mariella untangles her legs from off the pool chair and jogs over to her brother and Joe.

“Damn, not even home for five minutes, and you already sweating me.”

Glaring, she shoves on his chest, muttering, “you’re such a dick sometimes.”

“Aye, watch your math. You too young to be cussing.”

She ignores him. With his 18th birthday right around the corner, Byron Jr., BJ as everyone calls him, has been on some weird power, superiority trip.

Mariella redirects her focus to Joe, accepting his side hug. “Whassup, Ri.”

Mariella has a variety of nicknames. Her parents bounce back and forth between Mariella and Ella, mostly everyone else calls her Ella, but with Joe, she’s just Ri.

It’s kind of an unspoken rule that only he can call her that.

Joseph Anoa’i.

Mariella can’t think of a time Joe wasn’t in her life. Not only does he and his equally large family live just a few doors down, he’s played football with BJ since they were six-years-old, before she was old enough to know what football even was. An almost quiet, level headed balance to her sometimes hot headed biological brother, Joe is Mariella’s big brother from another mother. Hes has always looked out for her just as much as BJ, if not more.

He’s essentially been informally adopted by her family as BJ’s brother for life.

“Hey, Joe.” Separating from him, she turns back toward the two of them. “Okay, I have a question, and it’s imperative you provide me with the raw, honest truth.”

Joe seems at least somewhat interested, but BJ is the one to make the smart comment. “Make it quick. I’m hungry. Practice was brutal.”

A brief brow lift from Joe is confirmation BJ isn’t exaggerating, so in a moment of rarity, Mariella bypasses all of the theatrics and skips right to the point. “Am I a nerd?”

Mariella expects contemplation, some level of astonishment that she could even fix her mouth to ask such a thing. Instead, she’s met with her brother shrugging with a simple, “of course, you are.”

Mouth ajar, hand to her chest, she asks, “what?”

“Come on, Ella, you know you’re kinda weird. Be talking to yourself and stuff.”

“It’s a sign of genius, thank you very much.”

“It’s a sign of weirdness.” She crosses her arms over her chest as a sign of unspoken protest. “If you wasn’t my little sister, I’d probably bully your nerdy ass.”

Completely done with the young man she once considered brother, Mariella looks over at Joe to see he’s on his phone. Probably texting his latest girlfriend of the week. Latisha, or something like that. He seems to cycle through girls faster than BJ. “Joe?”

He lifts his gaze from his phone, and Mariella readies to remind him of the initial question when he answers. “You’re just you, Ri. That’s all that matters.”

She’s not sure why she expected more. Joe can be of so few words at times. She just wishes this wasn’t one of those times.

“While I do not agree with the expressed opinions, I appreciate the candor.” Chin lifted, she bids them farewell. “I will leave you be now.” Mariella can briefly overhear Joe saying something about Latisha, but it’s pushed away, outweighed by this new shocking piece of information.

In walking back over to her best friends and future members of her team when she’s a world famous singer, Mariella is unsurprised to find Promise Rose sitting on the edge of her seat while Iris simply glares at nothing and no one.

Promise Rose is the first to speak, asking with all of the anxiety she carries on a daily basis. “Well?”

Mariella would love to lie to them, but these are her best friends. She could never do such a thing, even if the truth sucks more than the rumors of a pending B2K breakup. “You’re right.” Shoulders slumped, she groans loudly and throws herself back on the pool chair. “We’re dead meat.”

—-------

Present

You, you love it how I move you

You love it how I touch you

My one, when all is said and done

You'll believe God is a woman

Watching her perform has always been an experience, a treat, a vision in some ways. The way she moves across the stage, so demanding, so in the moment, the eye contact and engagement with the crowd creating such an all-encompassing experience.

On the stage, performing, is her element. It’s always been where she shines the most, and tonight is no different.

She’s up for a couple Grammys, already snagging two, as expected. He knows the ones she’s really anxious about are the coveted Album and Record of the Year. It’s something she’s always dreamed of achieving, and while there have been whispers that she’s a shoe in, Joe has known Mariella long enough to know that’s not enough.

It’ll only mean something to her when they’re in her hands.

And he’s confident they will be. She’s had yet another stellar, groundbreaking year, her album somehow doing better than her last. No one’s seeing numbers and sales like her. Her pen game is unmatched, not to mention her album is almost entirely written and produced by her, something unheard of these days.

She truly is an icon in the making.

And the way she ends her performance with a standing ovation from some of music’s best is just more proof of how much she’s killing it.

Joe watches her walk backstage after nervously basking in such a response from people she’s looked up to her whole life.

She doesn’t return to her seat next to him, as expected. The final two categories are about to be announced, and he realizes it would be easier for her to remain backstage when her name is called.

And the minute it is, he finds himself nodding with a small smile. He knew she could do it, knew that there was no way she could release such accomplished work and not leave with acknowledgment of such.

There’s an almost awkward but appropriate pause as the attendees stand and applaud, Mari suddenly rushing out from the back while holding her dress up. For a brief second, he thinks she’s gonna fall flat on her face. It wouldn’t be the first time.

She's a talented dancer, but the textbook definition of a klutz.

Always has been.

But, she doesn’t. Thank God. He knows that’s something she would never let herself live down.

Seconds later, she’s at the mic, panicking, “oh my god!” Her breathing is uneven, and he can bet it’s because she was in the back wearing a hole in the floor with her nervous pacing. “I’m sorry, I was in the back having a panic attack.” That might not be entirely untrue. “And also, my dress is not dressing for some reason, so I’m just gonna awkwardly hold this up to avoid flashing anyone and getting sued by the FCC.” He shakes his head. Even with all the fame, she’s remained the same. “Okay, but seriously, this is insane? Ummm, thank you! I don’t— have no idea what to say. God is so good. My mama would kill me if I didn’t say that. Ooh, I want to thank my parents, of course! My big brother and two older sisters for always putting up with me singing and dancing all over the house.” Always isn’t an exaggeration. Joe can’t recall a time where he walked into the Holmes adobe and wasn’t met with or overheard Mariella working on some aspect of her craft, whether that was writing, creating beats, learning a new dance. She’s always been so focused on getting exactly where she is now.

She continues to thank her team, rushing through the litany of individuals she attributes to helping her stand where she does with the awards that she’s been awarded this night. And when he doesn’t hear his name included, he knows right away she’s in a relatively good mood, willing to play up their Oscar worthy performance.

“And lastly, to my amazing husband,” her eyes search the room, finally landing on him. “Joe, you are my best friend and my biggest supporter. I love you so much. Thank you for always being in my corner and putting up with all of my crackhead energy.” Her eyes are teary, but he has no doubt she’s pulling from the emotion at crossing off yet another box from so long ago versus feeling so moved by her inauthentic words.

But again, he follows along with this song and dance they’ve mastered at this point, mouthing once again that he loves her too.

The music begins to play indicating that she’s maxed out her time, and he hears her quickly throw out, “I’m not on crack, by the way!” before she walks off the stage, ushered by Pharrell and Diane Warren.

Theres’s something both treasured and uncomfortable about those words leaving her mouth. They’re so freely used these days. By both of them. But the meaning and impact behind them is long gone, some place in the past where demons and skeletons lie, often tampered with but never fully addressed.

It now just leaves a bitter taste in his mouth.

—-------

“I have a show on the 13th you need to be at.”

Joe is sitting on the edge of the bed, undoing his tie, focused on the balcony doors across from him instead of to his right where she sits at her vanity, removing her jewelry.

“What?” He doesn’t need to be looking at her to know she’s angled toward him, face turned up in disgust. “Of March?”

There’s no need for a wordy answer. “Yeah.”

“I can’t.” Mari has made it a goal of hers to stay on top of her calendar as she prepares to enter the next era of her career. With the Grammy’s now over, the end of this award season is upon her, and preparation for her next album is underway. It’s why she knows and communicates in the moment of the scheduling conflict. “I have a meeting with my label to start discussing my next album.”

Joe can’t deny the fact that he half-expected her to come up with some excuse, some reason as to why she yet again can’t do her part of this joint collab of theirs. “Can’t you move it?”

“Why should I have to move my stuff around for you?” Mari can count a variety of times where she’s done so before, but that was then. This is now. They’re miles away from where they once were, and she’s not willing to inconvenience herself for him.

Not anymore.

Meanwhile, Joe doesn’t understand why everything that’s inherently so simple has to be made so fucking complex. It’s never a simple ‘yes’ or ‘no’ with her. “You can tell Jax if a date doesn’t work for you. I can’t do that shit with Paul.” And she knows that. Mariella is well aware of how the WWE works. Dates are set in stone months in advance, years in advance sometimes for PPV’s. She’s just being difficult for no damn reason.

As per usual.

In a perfect world, Mariella would be celebrating right now, would be in attendance at the prestigious Grammy’s After-Party celebrating her major accomplishments. Instead, she sits in the room with a man who seems hellbent on stealing her joy in any way he can these days.

It makes her sick.

She’s fully turned toward him, even as he refuses to look her way. Intentional, of course. He knows how big she is on eye contact. “I did that the last time I went to a taping, Joe. I’m not gonna keep doing it.”

He glances at her, and she instantly knows he’s not backing down, not willing to let this lie. She knows she’s in for another pow-wow. A signature finish for most outings these days. “But, I can show up for you?”

“Don’t do that. Don’t act like this isn’t as beneficial for you as it is for me.” One thing she won’t put up with is him acting like their arrangement isn’t just as great for his career as it is for hers. The press and fans of both of them eat up any type of public appearance, especially when he plays the role of the loving, supportive husband who wants to celebrate his wife’s big wins with her. “And you know how busy I am after award season.”

He knows that’s typically when she gets back in the kitchen to start cooking up her next album, where she locks herself in the studio for hours on end writing, producing, escaping.

“And WrestleMania season isn’t for me?”

Truth be told, she’d briefly forgotten about that, forgotten that the biggest night of his career is only two months away. A small part of her hates that. Hates how far they are from where they once were. There was once a time where she had every single event committed to memory, would bend over backwards to attend as many of his shows that she could.

Now, she couldn’t give two shits.

The same way he feels about her.

“I don’t know why you care so much.” She turns back to the mirror to safely remove her diamonds. They’ll need to be returned tomorrow to the designer, and the last thing she wants is to drop or lose something because of his ass. “You got your little whores there anyway. What do you need me for?”

It’s a petty but truthful jab. Mariella knows good and well that her showing up to one of his tapings after he attended the Grammys with her will be ate up by their fans. It’s good press. Great, even.

But the thought of sitting there, with the full, painful, embarrassing knowledge that the women behind the scenes, the women who are hidden behind NDA’s and WWE hush money, see her for the fraud she is. Know that Joe will end up fucking them when the night is over and returning home to her with the scent of their cheap perfume and not an ounce of regret.

It almost makes her stomach turn.

He chuckles, and that’s what makes her gaze snap back onto him. She hates when he does this, when he makes it seem like shit is funny. There’s nothing comical about this tragedy. “Did I say something funny?”

“Forget it.” And now he’s dismissive, trying to shut down an argument that he started. “You don’t fucking listen anyway.”

“Are you serious right now?” Mari’s eyes go wide as she stands up, finally rid of six figure jewelry but basked in growing rage. “I don’t listen? Joe, you don’t listen! You never listen! You haven’t in years.”

Joe feeds off her energy, the quiet anger he’s usually well adept at concealing bubbling its way to the surface. No one’s ever been able to get him riled up like she does. “Naw, you not gon’ do that. Make it seem like this is on me. You do what you want and then expect me to just be okay with shit.”

“Wow. This is rich. Absolutely rich.” Mari can only laugh, because this part is funny. It’s hilarious. His lack of insight is astounding. “You are the most selfish bastard I have ever met.”

“Here it is.” He’s now standing as well, hulking body angled towards her, towering over her even with her designer heels. He motions with his hand for her to continue, to go on with the victim narrative she loves to clothe herself in. “Keep going. Tell me all this shit you already know about me, how awful I am—”

“Because you are!”

Something about the intensity in her voice sends him, makes him snap back easily. “And you’re a fucking saint?” His volume is also rising, which he hates. He never allows anyone to have access to that button, to know what to press and how to press it to get him this worked up. “You don’t never do shit wrong?”

Mariella feels her anger intensify as he turns to walk away from her. She’s hot on his heels, following him into the bathroom. “God, you always do this! You always put it back on me. It’s never your fault. Always mine!”

“And this is what I’m saying.” He has his big hands planted on the bathroom counter, looking at her through the large, mounted mirror. “You’re not even hearing what I’m saying. Always so fucking defensive. I’m not the one who don’t listen, Mari! You are!”

She can’t deny there have been a number of occasions where she’s jumped into defensive mode sooner than what’s necessary. Mariella isn’t above acknowledging that. But for him to make it seem like it’s not for a good reason, if not for his role is something she won’t stand for. “So what if I am defensive, huh? Who made me this way? You did, you bastard!”

“Just stop fucking’ talking, alright?” He’s pulling his suit jacket off, tone a mixture of defeat and exhaustion. Emotional or physical, she’s not sure. She knows she certainly feels both. “I don’t wanna hear this shit anymore.”

“And now here you go, always walking away, always taking the easy way out.” Because this is his MO. He loves to accuse and gaslight, and the minute she calls him out on his hypocrisy, he wants to shut everything down. It’s infuriating.

“Fine!” He slams his fists down on the same granite counter Mariella still remembers him once making out with her on, a starting point that ended with him carrying her to their once shared bed where he would make love to her throughout the night. Such a far away, almost unfamiliar time. “You want to sit here and continue yelling, be my fucking guest. I’m not saying shit though!”

“There you go again with more avoidance. God, you’re so predictable! Shit gets too hard, you shut down. You run away.”

“Don’t fucking act like you ever want to talk about shit with me—”

“Don’t tell me what I want, Joe. You don’t know what I want, okay? You don’t know anything about me anymore!”

“And whose fault is that, Mariella, huh? You don’t tell me shit! You never tell me shit!”

“Why should I? You don’t deserve to know shit about me anymore!” It’s more emotions than anything that fuels her to add on the accusatory, “It’s not like you care in the first damn place!” It also has to be the emotions that have her eyes watering, because it’s been forever and a day since an argument between them—and there have been plenty—has made her feel anything other than anger.

This is different.

This is sadness.

Mariella watches as Joe punches the adjacent wall, the action taking her by surprise and making her jump back from said shock. “What do you want me to say, huh?” It’s been years since she’s seen him this upset. “No matter what I fucking say, what I fucking do, nothing’s ever right, so what’s the goddamn point!” With almost desperation, he shouts, “what the hell do you want from me!”

“I want you to love me again!” She snaps with a burst of visceral emotions. His anger simmers instantaneously. Joe knows that was the last thing she wanted to say, the deep down secret she’s worked hard to keep hidden and tucked away suddenly laid out in the open for all to see. The devastation on her face gives it away as she says more to herself than him in an equally devastated tone, “but that’s gone, isn't it? Everything we had…..everything we were…..is gone.”

An eerie silence settles over them. Joe closes his eyes and does his best to regulate his conflicting emotions. Everything is felt at once. So strong, so confusing, so pressing. That was the last thing he expected to hear from her, the same way the last thing he expected to feel at said words is longing. It’s so unfamiliar and confusing. She has so much power over him. To evoke such strong emotions with just a single sentence. To make him suddenly battle with the array of feelings he’s felt toward and about her at any given point in all of the many years they’ve known each other.

It’s just a fucking mess.

But then, the focus isn’t on his emotions anymore. It’s on the quiet sniffling he hears that makes him close his eyes. Joe instantly feels something different, something similar yet almost stronger than guilt.

She’s still standing at the doorway, but her hands are covering her face, failing to hide what is both visible and audible.

Tears.

She’s crying.

Something else unfamiliar settles over him, something almost nostalgic, that once upon a time uncomfortable plethora of emotions he’d find himself battling whenever he saw she was upset.

It never sat right with him to see her cry.

His tone immediately shifts to something significantly calmer. “Mari….”

“I’m just tired, Joe. I’m so so…..tired.” And it’s with an almost whisper into the enclosed palm of her hands that she grabs the nail for the coffin. “And I don’t want to do this anymore.”

He’s dangerously still, rendered almost physically unable to move. The air around them is suddenly so much more noticeable, heavier, weightier, debilitating.

She lifts her head, revealing a tear stained, distraught expression that makes him almost as equally distraught. “I don’t want to live like this anymore, Joe. I’m not happy. You’re not happy.” Each word leaving her mouth chips away his anger and replaces it with something unidentifiable. “It’s obvious you don’t love me anymore, and that’s—” Her throat catches as she forces herself to continue. “—that’s okay. Our careers are stable enough to where we don’t have to keep up this facade anymore.”

“Mariella—”

“I want a divorce.”

For some reason, there’s always been this belief system that any argument between them is just a part, a part that’s followed up with another one, then another, and then another. But, it never dawned on him that a single part could be the final part.

The final straw.

“Mariella, we—”

He’s stepping toward her, and she’s instantly stepping back, lifting her arms. She doesn’t want him near her, doesn’t want him touching her. It’s a sting, that’s for sure.

“Don’t.” And he won’t. Won’t cross her boundaries even if everything in him is screaming to do so, to bypass her wishes that are being fueled by something temporary. Something that will fade by the time morning rolls around. “Just….don’t.”

She’s wiping at her eyes and mutters, “I need some air.”

He doesn’t like seeing her walk away in this manner, doesn’t like ending on this point. It’s one thing to leave off with the promise of another chapter, but it’s an entirely different thing to know that what could follow is the back cover without the anticipation for a sequel.

But, he says nothing.

Does nothing.

He just lets her leave.

—-------

2007

The phone ringing less than ten minutes after Joe plopped his big body in the bed was the last thing he expected and needed. Coach put them through hell today, and he’d completely forgotten about an assignment due the next day, so he’d forced himself to power through his physical exhaustion to get it submitted.

Unlike a lot of his teammates, Joe does care about his academics as much as he cares about football. He recognizes it’s important to have something to fall back on. And as a senior, he’s really at the point where failure just isn’t an option.

He’s come too far now for that shit.

When the phone rings a second time, he realizes it might be worth answering, even if everything in his body wants him to let it ring 18 times if that’s what it takes for the caller to get the message.

Not even bothering to check who it is, Joe grabs his cell and hits the green button. “Yeah?”

He’s met with soft sniffling followed up with a quiet, “it’s me.”

At that, Joe sits up in his bed, all attention on the person on the other end. “Ri?” He’s wide awake now. “What’s wrong?”

“I’m sorry to call so late—”

“What’s wrong?” He doesn’t care about that anymore, just wants to know what happened to make her phone him at such a time. To phone him crying, at that. That’s the part that makes him concerned.

He can’t remember the last time he’s seen or heard her do that.

He hears shuffling on the other end as she chokes out, “can you—can you come get me?”

It’s not even a question. “Send me your location. I’m on my way.”

—--

Joe nearly knocks down the damn mailbox in front of the frat house with how quickly he pulls up, his truck coming to an abrupt sudden stop. He’s barely got the truck shut off when he’s ripping the door open and jogging up the path to the house of entitled, elitist pricks who get off on the misery of others.

But, he’s more focused on Mariella who meets him halfway on the path of said house, arms wrapped around her body.

He’s assessing her from head to toe, using the dim streetlight as a guide in the stark darkness of the night. “What happened?” Realizing she’s still hugging himself, Joe’s blood goes cold. “Did he touch you?” And when she doesn’t say anything right away, he’s trying to move past her, murder on his mind. “I’ll fucking kill him—”

“No.” Her hand is on his chest, restraining him as much as she can. The truth is that it would be nothing for him to carefully move her to the side and beat the living shit out of her asshole of a boyfriend who he’s never liked from day one. “He didn’t.”

Joe doesn’t put it past her to try to say what she thinks he wants to hear. “Ri, don’t lie to me.”

“I promise. He didn’t. We just—” and the emotion rises back up, making her pause as she pleads with him. “Can we just go? Please?”

Joe knows why she called him and not Byron. Because Joe nods and guides her to his truck without further protest. Byron would have beat Damien first and maybe or maybe not asked questions later for the mere fact that he made his baby sister cry.

The ride back to his dorm is silent, and it’s not until they are sitting outside on the steps of Joe’s residence hall that he asks again, much calmer, still as curious, “what happened, Ri?”

It takes a few minutes for her to start talking, and while he does his best to be patient, it’s also really fucking hard to not just bypass the conversation and go straight back to the original plan of murder.

“We were—we were messing around.” Instantly, Joe’s anger suddenly shifts to disgust. While he recognizes his best friend’s little sister isn’t so little anymore, eighteen and a college freshman, she’ll always be that goofy, klutzy, theatrical kid who was always trying to hang out with him and Byron. So, hearing about her messing around is the last thing he wants, but he also doesn’t want to interrupt and allows her to continue. “He wanted to have sex, but I—I told him no.” And before the murder plan can be revived, she clarifies. “And he stopped, but then we started arguing, and he—he told me he was tired of waiting, but I said I’m not changing my mind and….and he broke up with me.”

In some strange sort of way, Joe is more relieved than anything, mostly at the fact that nothing physical happened. It sucks, and he hates seeing her upset, but it’s really a blessing in disguise. Even if she doesn’t see it yet.

Still, he’s sympathetic. “I’m sorry, Ri.”

She sniffles again, wiping at her eyes. “I really liked him and—and I thought he liked me.”

Joe wants so badly to tell her that Damien never liked her. He liked that she was a virgin.

Mariella had made the cardinal mistake of sharing with her ex that she was still a virgin, something the bastard, like Damien, thought he could change. When that didn’t happen and a breakup followed, that same asshole took it upon himself to share her virgin status with several friends, several teammates. And it’s become a bit of a contest almost among the basketball team, to see who can take it from her first.

It’s fucking disgusting and makes him sick, but it’s also the culture of college athletes.

Some, at least.

“He’s an idiot, Ri.” This is said both because it’s true but also because he just wants her to feel better, to not feel like she lost out on some prize. If anything, she dodged a bullet.

“Maybe I’m the idiot.” She shakes her head and shrugs. “Cause I keep finding myself in the same situation.”

He’d like to call it an exaggeration, but Joe also knows that this has been an issue in almost all of her relationships for the past few years. Less an issue and more a deal breaker. Sex is something that’s deeply personal and important to her, and he’s happy she’s that way, that she isn’t just sleeping around with anyone. Especially since she seems to have a penchant for athletes.

They can be the worst.

He would know.

“Athletes can be hoes, Ri. That has nothing to do with you.”

“You and B aren’t like that.” She then corrects with an ounce of her usual sense of humor. “I mean, you guys are hoes, but you’re nice hoes.”

He laughs. That’s a bit of the Mariella he’s used to. “True, but maybe we’re the exception.” He then takes a deep breath, speaking to her from the heart. “I’m not really sure, but what I do know is that Damien was an asshole who never deserved you in the first place. You’re better off without him.”

It’s the god’s honest truth. Ri is like his little sister, and it pained him to see her give someone like Damien the time of day, but he also respects that while he still sees her as a little kid, she isn’t. She’s a legal adult capable of making her own decisions, and he respects that.

“He had pretty eyes though.” Joe gives her a look, and for the first time, she actually, truly laughs. It’s music to his ears. “What? If I don’t laugh, I’ll just keep crying.” Her eyes light up with something other than sadness, and he watches her pull out her phone, suddenly typing away.

He doesn’t even need to ask. He’s seen this before. She’s inspired and is getting out the lyrics before they escape her. And a few minutes later, she reads to him what she’s come up with.

If I don't laugh, I'm gonna cry

Don't wanna hear your name tonight

I'm finally happy, not in the mood

I don't wanna think about you

“I like it.” It’s the truth. He likes most of what she writes, outside of the shit that’s way too girly for his musical preference.

She offers him that brilliant smile, eyes twinkling with something similar to appreciation. Mariella grabs his bicep, laying her head against his shoulder. “Thanks, Joe.”

He looks down at her. “I’ve always got your back, Mariella.” And that’s a promise. “Always.”

—-------

“Mariella, this is fucking ridiculous.” Joe pulls the phone away from his face to get a specific, accurate time. “It’s almost 3 o’clock in the damn morning. Get home now before something happens to your ass.”

He then quickly jabs the red end button. It’s an unkind voicemail message to leave, but also one of several he’s left over the past two hours. The first was a lot more understanding, almost apologetic. Now he’s just fucking annoyed, because she said she needed air. He figured she’d go sit outside, on the patio, maybe even sit poolside.

Not for her to take off for a late night car ride without telling him anything. It’s something she used to do once upon a time, when they were both broke nobodies trying to keep the dream alive.

Such a far off, distant memory.

Joe wishes he didn’t care. Wishes he could head to bed and let her be in her feelings. He’s got an afternoon flight out to a taping and needs to be at the airport by 10am. At this rate, he’s not going to get any quality sleep, and that shit annoys him to no end because he likes to be well rested for work. Especially in his line of work.

Sleep deprivation can make a wrestler more prone to unnecessary injuries.

Still, he also knows that even if he were to try to get some sleep, he’d twist and turn the whole night. He’s never been able to sleep well until she was home and safe.

But, she’s not, and that shit just pisses him off all over again. He grabs his phone, ready for yet another call to go straight to voicemail when it lights up, generic ringtone filling the sizable kitchen. He doesn’t even bother checking the caller, just hits the green button and jumps right into questioning.

“Where the hell are you?” At this point, he’ll go pick her up his damn self just to see her two feet planted in their LA mansion. “This isn’t—”

“I’m sorry—” Joe is the one who’s sorry because that certainly isn’t Mariella. Confused, he pulls the phone away from his ear again to see that it’s an unfamiliar local number. Bringing it back so he can ask who the hell this is, the caller beats him to it. “I’m looking for Joe Anoa’i.”

The woman’s voice is professional, but there’s also a hesitation there. A hint of emotionality almost.

Frowning, he answers, gruffly, “This is Joe.” He’s quick with the follow up. “Who is this?”

“My name is Leslie Owens, and I’m an officer with the Los Angeles Police Department.” And just like that, Joe knows his entire world is about to be flipped upside down. “I’m sorry to inform you, but your wife has been involved in a car accident….”

—-------

2013

“Just a couple more steps….”

“Ri, this is stupid. I’m gonna open my eyes.”

He can hear her dramatic gasp as she squeezes his hand. “Don’t you dare ruin this moment for us, sir!”

“The moment’s gonna be really ruined if your accident prone ass makes me fall down these damn steps.”

“I’ll have you know that I’m only accident prone when it comes to myself. Not others.” She sounds so proud of this fact too. “Thank you very much.”

She makes him smile, but that’s a given. There’s always an immense amount of joy and contentment when he’s around her. Her positivity, while excessive at times, is calming. Always has been.

He’s happy when he’s at least done with the steps and on a leveled surface. Recovery from face planting on pavement has to be easier than a tumble down three flights of steps.

That reminds him. “This place doesn’t have an elevator?”

She’s quick with the answer followed by the jangling of keys. “Naw. That was the other place, but it was out of our budget.”

He says nothing. It seems like a lot is out of their budget these days.

Joe can hear her insert the key as well as the turn of the door knob and subsequent creaking of a door. She’s pulling him forward and he naturally steps over the mantle that she surely would have let him trip over because of her obliviousness in the moment.

It’s when she drops his hand that he knows the end of this unnecessary dramatic introduction to seeing the apartment for the first time is nearing an end.

“And…..open!”

Joe doesn’t need to be told twice.

The first thing he sees is her beautiful smile as she stands before him with her arms stretched up and in a ‘v.’ “Welcome to our first place together as husband and wife!”

Looking around, it’s clear as day that Mariella is probably the nicest thing in his line of vision. It’s not a bad looking apartment, at all, just plain and clearly in need of some modernizing updates/renovations.

He can tell she’s tried to make it a little more homey with the rug and curtains, as well as family photos, but it’s still a far cry from the kind of place he’d love for them to call home.

“It’s….something.”

Mariella rolls her eyes. “I mean, it’s not the Hilton, but it’s ours, and that’s all that matters.” She moves over to him, reaching to wrap her arms around his neck. His hands plant on her hips, holding her to him. “Sure, the balcony is basically a ledge, and our view is of a park, so it gets loud sometimes, and I may or may not have witnessed a crime the other day……hope he’s alright.” Her brows cave together in brief confusion before she shrugs and back to smiling like they just won a million dollars. “But that’s besides the point because every couple has their struggle origin story. This is just ours for now.”

He’ll be happy when they’re out of this chapter of said story. This is one of those times he somewhat wishes he waited to marry her until they were both in better financial places. More him than her. She deserves so much better than this. She deserves the world, and he’s going to give it to her one day.

He just prays that day is sooner rather than later.

“Hey.” He looks down and refocuses his attention on her. “As long as I have you….I’m good.” She moves to lay her head against his chest, murmuring, “I love you, and you love me. That’s all I’ll ever need.” And in true Ri fashion, she gasps and pulls away, looking up with almost childlike excitement. “I almost forgot!”

In many years of knowing Mariella, Joe has learned it’s always best to just let her do her thing and see what happens versus trying to navigate the eccentric workings of her chaotic mind.

So he watches silently as she rushes over to the counter to dig through her purse and pulls out her phone. She does that rapid tapping and sliding of her fingers that she does when in a self assigned rush. Less than a minute later, he’s hit with an all too familiar opening piano followed by even more familiar lyrics.

It's undeniable

That we should be together

It's unbelievable

How I used to say, that I'd fall never

Joe smiles as she moves her way back over to him, reaching for his hand. “Our wedding first dance song to christen our first place together. We have to dance. It’s literally in the marriage rule book.”

He chuckles. “Oh, really?”

“Duh.” She gasps and bites down on her bottom lip when he quickly yanks her toward him. Joe’s hand is on the small of her back as hers move up his check, locking behind his neck. “See….not so bad after all?”

He dances with her, but his attention is focused less on the music, even the dancing and just her. “Anything’s better if you’re there.” She beams up at him and giggles as he spins her so that her back lands against his chin. His head dips into her neck, as she places her hands on his forearms.

He’s taking her in, enjoying this moment with her when she says leadingly, “you know there’s another first we haven’t done yet to christen our place…..”

Joe makes a sound and presses a kiss to the side of her neck. “Hmm. And what is that?”

He can only imagine the way her cheeks must be tinged red as she answers almost as if she doesn’t want anyone to overhear. “That thing you’re really good at.” He smiles against her skin and holds her tighter. “I especially like when you do that one thing with your tongue and—Joe!” Too much talk, not enough clothes being taken off. He doesn’t hesitate to lift her over his shoulder, eager to show her just how much he also likes to do that ‘one thing’ with his tongue.

—-------

Present

Two weeks.

Two weeks since he’s seen her big, beautiful smile.

Two weeks since he’s heard that infectious laugh.

Two weeks since he’s heard her voice.

Two weeks since the night that changed everything, the night that some idiot decided to drive drunk and crashed into her vehicle head on.

Two weeks since she was airlifted to a Level 1 trauma center where her injuries were so severe that they immediately took her into surgery that saved her life in one way but couldn’t in another.

Because she has yet to wake up from the initial accident.

Because it’s been two weeks since Mariella slipped into a coma.

It’s been two weeks of that cruel waiting game, that slight smudge of hope that rises where the doctor comes in with just as much desire it’ll be a different prognosis only for the same thing to leave his mouth every time with that same disappointed expression.

“We just have to continue to wait.”

Joe isn’t sure he’s ever hated a saying more than he now hates that one.

Just like her mom and other family members, he's been at the hospital every day, just sitting for hours at her bedside, holding her hand that’s much colder than he’s used to. Than it should be.

The room is silent, a type of silence he’s unused to. There’s never silence when Mariella is around. She’s always talking, always smiling, always laughing.

But not anymore.

Now she just lays there, unconscious, Joe praying more than he ever has in his entire life that he gets to see her pretty eyes yet again, hear her beautiful voice scream at him, sing to him, laugh at him, anything.

He just needs her.

The love and support from her fans has been astounding yet expected. She’s America’s Sweetheart. Music’s new queen. Everyone loves her. She’s received an endless amount of support, kind words, prayers, and well wishes from both fellow artists and fans. Though the fans seemed to have done the most. Even holding several vigils outside the hospital. And though he’s still pissed that piece of information got leaked, he knows she would be so moved by the love.

Joe wasn’t entirely in agreement with sharing Mariella’s coma status with the world, but it was the decision that was eventually settled on by Iris, her manager, and the rest of her team with the family’s eventual blessing.

The specifics regarding her injuries, however, have remained confidential, and for that, he’s grateful.

He’s sitting on the side of the bed yet again, taking over the shift from April, Mariella’s mom, whose devastated expression hasn’t changed from the minute he had to tell her and the rest of her family what happened to now, as they all wait with all of the hopes and prayers in the world for the prognosis to change.

“This is the longest I’ve ever gone without hearing your voice.” Just saying it aloud feels strange, wrong even. That he gets to sit here and talk while she lays there, plugged up to a million machines, deprived of even that basic right. “I never knew I could miss something so much until now.”

And it’s the truth.

Realizing his NFL dreams weren’t going to become a reality was devastating, but this….this is another level of hell.

“You said…you said you want me to love you again, but….but I can’t do that, Ri.” His hand is over hers, thumb rubbing the skin that’s not covered by the IV and large bandage. “I can’t do it again because I never stopped loving you in the first place.”

It’s a disgusting, pathetic feeling. To know that the words he should have said to her when everything first started falling apart can only leave his mouth after something like this occurs. After he’s so brutally reminded of the fragility of life and the importance of telling people how you feel when they’re still around.

There’s so much he needs to tell her, so much he needs to clear up, so much he needs her to tell him.

She deserves clarification.

He deserves answers.

Joe just prays he gets the chance for that to happen.

It’s nearly seconds after that thought crosses his mind that he feels movement under his hand. His eyes snap up to see the one thing he’s prayed for every day for the past two weeks, the one thing he deep down was scared he would never see.

Mari’s brown eyes. Glossed and confused as all the outdoors, he sees them darting all around the room and feels her trying to move her hand.

He’s not sure he’s even breathing anymore. “Ri?” It’s as she continues to blink and try to move her head that he realizes this isn’t some cruel hallucination. She’s awake.

Mariella is awake.

When the shock wears off, he all but runs to the door, ripping it open as he calls for the doctor, the nurse, any medical professional available to tend to her.

Joe is right on the doctor’s heels as he moves quickly to her bedside, digging for something out of his white coat pocket. Joe moves to the other side of her bed, closely observing any and all interactions of both.

“Mariella, I’m Dr. Reynolds, and I’ve been overseeing your care here.” Joe then looks back at his wife who seems more awake by the second but still with her mouth turned downward, like she’s lost at what’s happening.

Mariella squints when the doctor shines the light in her eyes, wincing almost, and Joe has to catch himself from telling the doctor to be careful.

“Do you remember what happened?” Dr. Reynolds asks, and Joe watches closely as she looks at him with the same level of confusion. “Can you tell me what year it is?”

His stomach drops when she shakes her head no.

“You were in a car accident.” The doctor’s voice takes on a different tone, something not as optimistic, more….ominous. “Can you give me your full name?”

Again, a slow shake of the head to answer no.

Joe goes to ask the doctor what’s going on, if this is some side effect that people can have when waking up from a coma, but the man is pointing in Joe’s direction as he asks a final question. “Do you know who this is?”

And it’s then, as she shakes her head ‘no’ yet again that Joe realizes what’s happening. A new kind of ruination overcomes him, making his throat suddenly feel almost as heavy as his heart.

It’s a heartbreaking realization that he has to say aloud because it feels almost too unreal to be true.

“Her memories are gone….”

#roman reigns x black!reader #roman reigns x black!oc #roman reigns fic #roman reigns #arisnotebook

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manicpixiefelix · 11 months ago

Text

head, heart, hand. {Felix Catton/Reader/Oliver Quick}

Part 1.

Summary: It had been a long time since your world has revolved around anyone but Felix Catton. He was like that; undeniably, unassumingly magnetic. You'd watched countless fawning, fairweather friends drawn into his orbit, only to be cast out when he eventually got bored of them, but not you, never you. Maybe you were a toy in the beginning, the thing they'd all called you when they were feeling especially petty, but it became clear that Felix has wanted to keep you around. You weren't a toy, you weren't family, you were a sharp and beautiful tool, too good, too useful to be put down. Your loyalty was rewarded with a life in his shape. Felix was like the sun, and you lived your life enjoying his warmth, and wanting to keep him shining.

{ masterpost }

Need to Know: They/Them. Explicitly NB Reader. FWB!Reader with Felix, Venetia, and implied Farleigh in this chapter. Reader is from a well off family but has pretty much been adopted by the Cattons.

Warnings: Smut (M & F Receiving (not reader)), discussions of gender set in 2003 (no slurs tho). Degrading language (reader is referred to as as dog)

A/N: 3698 words. HELLO EVERYONE AND WELCOME!! Im so excited for this, this first chapter is essentially setting up the reader's life and dynamic with Felix and the Cattons. There's some Venetia/Reader and implied Farleigh/Reader but its the casual kind of sexuality they all share in the movie, yanno? Please let me know what you think, i LOve feedback!

Taglist: @strangemaximoff @renaissance-mama @tsach @malscorner @xhoneymoonx134 @yelchinweasleylothbrok @tarriea @florencediet @butitsbetterifyoudoittoem @belladonnadarksshade @fandom-multiamory @snazzynacho @jubileexoxo @soocore @be-lla-vie @nightingale2124 @willow-sages @null4ndv0id @gracieluvthemoon @day2dream @marvellover98 @navixfr @bitxhinthecomments @daintylovers @alesunsets @noturningbacknow @d0llysposts @alilcloudy

----

You can't quite remember a time where your world didn't revolve around Felix Catton. He's rather like that; magnetic. His very aura is intoxicating, suffocating, until they're breathless and all but gasping his praises. You've seen it happen countless times since you'd first met him all those years ago.

Felix is affectionate and tactile, always yearning for contact with those around him like he has no idea how it looks from the outside. His hand around your shoulders, your waist, a kiss on your cheek, offering you a bump of coke from the back of his hand - you'd been too young when it has started for anything to seem too far when you're older. It felt only natural that you'd learned in due course the sensation of his mouth and hands on every inch of your body, just as you could name every part of him from the touch of your lips alone. Or Farleigh. Or Venetia. It was one of the many things that seemed far too normal growing up in such an insular, secluded environment. But everyone knew you were Felix's, even if he decided to share you on occasion.

Summers by the lake and Winters by the fire, Saltburn was where you found yourself when you found Felix to be your home. Months long sleepovers, and of all one hundred and seventy nine rooms, you share a bed with Felix most nights. Innocent children huddled for comfort, sharing dreams and laughter and hope for the future; adolescents turn to teenagers, and though the bed sharing continues, it does not remain so innocent.

And you are the only one to taste his hesitation the first time he ever kisses you, the only one to hear him breathless with surprised delight the first time you take his cock in your mouth since he's bored and wonders what everyone's going on about.

"What if I'm shit at it?"

"Do you want practice?"

The script is more of a formality when you're a few years into high school and both expecting to start screwing around.

Nervous, inexperienced touches easily became familiar, intimate gestures.

Its not something you talk about at school or in public, the people in your lives know you're close, but couldn't reasonably gauge the full extent beyond some schoolyard rumours... Which are technically true. But you both downplay it to most of the world. Perhaps it's about keeping up the appearance of availability; less chances to hook up with other people if they all assume you're taken.

A lot of your school life is about keeping up appearances, but that comes with the territory of being a well-to-do child of a wealthy family. At least you don't have to weather it alone.

With the amount of money your families are throwing at the schools you attend, of course you've forgotten more love showings of Shakespeare's comedies and dramas and tragedies than most students around the nation have even heard of, good only for how Felix's friend group - and you always amongst them - make fun of some of the truly awful lines.

Still, there are moments when the pretense drops. You catch each other holding reverence for the way the world speaks about love -

"You do impeach your modesty too much -" Felix is ahead of you in the maze, looking for a break from his family after Elspeth had insisted upon you all taking a trip to see A Midsummer Night's Dream in the city.

"What?" You laughed; it was getting dark, the solar fairy lights were beginning to glow amongst the imposing walls of leaves. Felix grins over his shoulder at you.

"Like in the play, remember? Near the start, Demetrius and one of the girls; you do impeach your modesty too much to leave the city and commit yourself into the hands of one that loves you not."

"Yeah but you love me, though," you laugh, and quicken your pace to catch his hand. You find yourself remembering the scene with a smile, but as the maze opens up ahead to the centre clearing, Felix slows. Pulling you close, he walks you to the wall of the maze, the strong branches and glossy leaves against your back.

"To trust the opportunity of the night, and the- the," his expression is playfully annoyed as he searches for the line.

"Something about it being deserted?" You supplied with little more than a murmur, thrill running down your spine as his body is warm, pressed against yours.

"Fuck, thanks, yeah," he breaks character for a moment with a huff of laughter, warm affection in his eyes, before that hungry, wanting look passes over him again, "to trust the opportunity of the night, and the ill counsel of a desert place with the rich worth of your virginity."

"The rich worth of my virginity?" You can't help but giggle, and Felix again breaks, if only to roll his eyes. As he pulls back, however, you wrap an arm around him, softly apologising, promising to play along. Again, he feeds you the line, and this time you lean into it, into the moment, into the intensity in his eyes. There's so much barely concealed want in his gaze, it overwhelms you, all you can think to do is kiss him.

"Your virtue is my privilege," you gasp amidst frantic kisses, wrapping your arms around him, trying desperately to remember the rest of the lines you know that you'd also been taken with in the theatre. Pulling back for just a second, you see him grinning when you take his face in your hands, "it is not night when I do see your face, therefore - something something - not night." The two of you erupt back into laughter before his mouth finds yours again, and the two of you are wrapped up in each other, blindly stumbling towards the solid statue you both know is there.

"Nor doth this wood," you find your voice again when Felix is leaning against the statue and you're making quick work of his undoing belt, "lack worlds of company, for you -" and with his belt undone, the two of you pause, taking stock of the moment. Both breathing heavily, you lean in and give him a languid kiss, your fingers looped into the waistband of his nice trousers, "for you," you murmur with a grin, lips inches from his, "in my respect, are all the world."

These are the lines that you knew without hesitation, the lines burned into your heart as you'd heard them uttered, and felt them resonate even back in the theatre. You grin, wondering if he'd wanted to hear them more than you'd longed to say them. As you kiss down his jaw, lips on his throat with intent to leave a bruising hickey, you free his cock, working your hand up and down his length.

"The how can it be said that I am alone," you kiss the hickey as it begins to bloom dark against his perfect throat, and sink to your knees before him, heart practically bursting to see the way he looks at you in this moment, all love and lust and appreciation for what you're about to do, "when all the world is here to look upon me?"

You watch others come and go from his life, watch him fuck around with other pretty elites, and had your fair share of flings too. The two of you gossip and brag to one another about your conquests, tease each other about terrible lays, or who the other has their eyes on next. There's never jealousy; as long as the other is happy, neither of you is concerned. After all, in the end, you always come back to one another.

Naturally Felix who you come out to first, the two of you sharing a smoke while playing cards by the window of his high school dorm room. Its after midnight, you should definitely be back in your own room, but the two of you have never really adhered to those rules, and the heads of your respective dorms stopped caring years ago. At the time you don't exactly have the right words to explain, but you ask him -

"Hey, you know you're a guy, right?"

He doesn't frown, but his nose gives this little scrunch as he's considering your words and his cards.

"Haven't put much thought into it, but yeah," he rearranges his cards for a moment before looking up at you with those gorgeous, brown eyes full of curiosity, "why?"

"I dunno," you shrugged briefly, as if you hadn't been struggling with for what's felt like months, "remember all those bars in France last summer?"

"Flashes of it," Felix smirks momentarily, "I'm still not sure if I believe Farleigh that he won our bet, but I suppose I'll have to trust him."

"With the amount of free drinks he was getting I'm surprised he even remembers properly," you can't help but laugh, though the moment is short-lived.

"What about it?" Felix finally prompts. For a long moment you're quiet, and the two of you finish up the round of cards.

"You know how we kept going to those underground gay bars because they didn't ask us for ID?"

"Again, vaguely."

"Some of them had these pictures on the walls of like, gays, and lesbians, and ladies with cocks, and men with tits, or big scars on their chests and bushes, and they all... They all looked really happy in those photos," as you spoke, unable to look at him, only watching his hands as he shuffled the deck. You know he's frowning, trying to follow along, but he's also not interrupting you, giving you space in what feels like an important moment, "I think I'm kind of like that."

A moment passes between you two.

"I know," Felix finally says, and you look up, surprised.

"You know?"

"We're all like that, aren't we? You, me, Farleigh, Venetia - mum keeps reminding us that she was a lesbian whenever it's even slightly relevant -" he begins to smile fondly but your surprise turns back to concern as you begin to shake your head.

"No, not like that, Fi," you sigh, and reach for the cigarette box as he begins to deal, "I don't think I fit the boy-girl thing." Once again the quiet lapses out as the lighter sparks to life. You inhale a lung full of smoke, looking out of the window to the star-filled sky, "I'm not a guy with a bush or a girl with a dick, I'm not..." You shrugged, looking at him, "I dunno what I am."

Once the cards are dealt, he finally looks at you, tips his head in that way he does when he's trying to figure something out.

"You're my best mate." He says it so simply, the faintest smile beginning to grace his lips, "you don't have to be anything if you don't want to be."

You don't realise how anxious you were about this moment until your breath comes out as a stuttering exhalation.

"Yeah?" You swallow hard, voice surprisingly weak and hopeful in the same moment, "you don't mind?"

"Kind of seems like a shit thing for me to have any strong feelings about."

"But you've known me as I am for so long -"

"Exactly; I love you, guy-girl or anything, doesn't change you," this is the moment, you realise, that you'd do absolutely anything for the boy in front of you.

"I love you too, Fi."

As he reaches across the small space for the cigarette, you lean in and kiss him before you hand it over; he's grinning as he kisses you.

It only takes a week for you to tell him about the name you'd settled on.

"I think I'm going to start going by Y/N," in the library, you, Felix, and Farleigh are getting very little work done when you bring it up.

"Changing your name?" Farleigh asks, eyebrows raised as he looks up from the same page of Heart of Darkness that he'd been reading for half an hour. You glance to Felix briefly, but he simply gives an encouraging nod to his cousin, and you, once more with your heartbeat racing, explain your relatively new identity change.

"So do we use he-she when we talk about you now?" Farleigh asks, voice genuinely confused rather than malicious. At this you give pause, you hadn't much thought about it; of course people gossiped about you, but you hadn't realised that if you were to be going forth with your new identity, you'd have to ask people to change the very language they used about you.

"I don't think so; I'm not he or she, and he-she is a bit much," you ponder, "I guess just them?"

"Hey did you hear about Y/N?" Felix stage-whispered to Farleigh, grinning. His cousin leaned in, keeping up with the bit and testing out your new name and pronouns seamlessly.

"No, what did they do?" He gasped. All you could do was chuckle, ducking your head to hide how wide you were smiling at how right it all sounded, how right it all felt to hear about yourself. With a firm nod, Farleigh sits back up, "okay, yeah, I can get with it. Y/N," he says decisively.

"Y/N does rather suit you," Felix agreed.

As you begin to come out to the rest of your friends and the school as a whole, you're surprised at how smoothly the transition occurs. You expected more resistance, more name calling, more bullying of any kind; of course there's the occasional bit of harrassment, and several people in the halls turn an unkind eye upon you, but it's been far easier than you'd expected.

Its only when you find Farleigh with a black eye that you learn that he and Felix have been getting into fights with people who've been talking shit behind your back. Of course you beg them to stop, insist they shouldn't be getting hurt on your behalf, least of all about this, but Felix smiles with a split lip.

"As if I'm going to let them get away with it."

Historically, Felix's girlfriends never seem to like you at first. Which they definitely shouldn't; it took him a few girls to remember that he shouldn't let them see him touching you so casually the way he does, more intimate with you without even thinking about it than he often was with them. It moves on, he gives them a warm smile and a teasing tone as he tells them not to be jealous-

"They're not -" a threat, you wonder as he gestures to you with a wide, open hand and smile to match, and proceeds to surprise you both, "a girl." The girl on his arm seems shocked for a minute, but everything about her eases. Your best friend, despite what people may think, is neither a liar nor an idiot. He knows what people think of him, what people assume about him and about you when they assume things one way or there other about him. The girls who he traditionally picked up liked to put him in little pigeon hole of heterosexuality, and though it wasn't true, the to correct them in instances such as that would probably harm the poor, pretty girls. Or at the very least, do nothing to quell their pretty rightful paranoia.

Because when the girl leaves his dorm before curfew that night, you slink up to his door and lean against it with the most pleased and endeared smile. As you always do.

"What?" Every time he's bashful, as if he has no idea what he's doing.

"Just love you is all, man," you tell him, grinning from ear to ear as you close the door behind you.

"Love you too, you know that," he tries to play it off, but is obviously hiding his ever-growing smile.

As you descend upon him, sitting cross legged on the bed - "I love you, I love you, I love you, Fi," peppering his face with kisses as he actually giggles and laughs and pulls you close - you wonder if you shouldn't be doing this since he has a new girlfriend. Except if he wanted you to stop, you knew he had no qualms asking you to.

He's always been the best about your identity, so you're not sure why it always hits you with a rush of euphoria when you hear him talk about you like that. Maybe it's the way confirms exactly what you're not to the world, while knowing that everything you are to him is a secret he holds precious and close to his heart.

When you get to Saltburn for the Winter, as you had for any major breaks from school as your parents were thrilled to be seeing as little of you as necessary, Duncan greets you at the door as he always does -

"Captain Y/N."

And Felix comes bounding down the red stairs, having overheard, and asking if Captain was alright, while you were overwhelmed with love at the gesture. Apparently Duncan's only reservation about the title was that it was usually reserved for military personnel, and he was something of a stickler for the rules. Still, when you thank him for referring to you as such, he grants you one of his rare smiles.

Everyone has accepted the change before you'd even arrived, and though his mother and father did occasionally slip up, they caught themselves before even yourself or Felix had a chance to correct them. Elspeth always made a show of apologising and correcting herself. After one such instance, all of you wine-drunk after dinner and squashed on several sofas together to watch some rom-com, Venetia whispers to you where she's in your lap that Felix had spent several phone calls over the past semester explaining the situation to the family, even making sure to remind everyone in the days before you'd arrives.

"He really does love you," she murmurs, "doesn't he?" The glow of the television haloed her recently bleached hair in light as her face hovered inches for yours. Out of the corner of your eye you see Felix wearing an amused smile and pointedly not looking at you. When Venetia leans in, giggling with her pupils blown wide, you kiss her back, and feel Felix put a hand on your thigh.

"Not during the movie," Elspeth says briskly. Farleigh snorts with amusement from her other side and Venetia breaks the kiss with a sharp little laugh. Still, she curls up against you now, with your arm around her, and Felix rubs circles against your thigh, hand not moving for the remainder of the film.

At Saltburn, your room was often more of a formality; the one attached to Felix's, divided only by a bathroom. Most nights were shared in another's bed, even if nothing sexual happened. Venetia especially liked these sleepover, liked how you'd be at her door if she merely implied she wanted your company. She'd invite you into her bathroom to simply talk while she bathed, neither of you bothered by the casual nudity. She'd put on a CD and sometimes a robe, and you'd brush and braid her hair; she'd talk and you'd listen, until she fell asleep in your arms. Venetia craved connection, and like with Felix, you were happy to oblige her.

"You're a good dog," she'd once murmured, your head between her thighs, "that's why he lets you fuck me." When you look up at her through your lashes, mouth still on her cunt, tounge going still on her clit, she's looking back, devilish smile on her face, "do you think about him when you fuck me?"

You lean back just a little, and carefully slide two fingers into her; Venetia's head falls back as she sighs gently.

"He doesn't have a cunt, Ven," you tell her bluntly, which of course makes her laugh until she's moaning with your fingers curling inside of her.

"Good dog," she stutters out.

"He wants you to be happy, and I can do that."

"My brother doesn't like sharing his toys," she whimpers faintly.

"I'm not a toy."

"Suppose I'll just - ah~" your thumb finds her clit, and you gently bite at her thigh, "have to enjoy you while he lets me, then."

In these quiet, intimate moments, sexual or not, Farleigh and Venetia both take to calling you 'good dog' as a term of endearment. Anyone else would probably be put off by it, but it begins to warm something in your chest; loyal and loving, the kind of creature you keep around. Felix, however, scowls when he learns about it.

"It's mean."

"I think it's sweet," you tell him with a smile, curling up against him on a sofa on one of the many balconies. Felix had been reading while you'd been napping against him when Venetia had appeared and cooed at the sight.

"They think it's sweet!" Venetia echoed with a pleased grin, sitting on the lounge chair across from you both.

"They're not a dog, they're my friend -" Felix had tried to argue.

"Man's best friend," Venetia had nodded.

"Oh piss off, Ven," Felix had huffed. Venetia had obligingly swanned back into the house while you stifled your laughter against his chest. When it's just the two of you, his voice turns soft, "you know I don't think of you like that."

"It's nothing, Fi, everyone knows you're my favourite is all."

"But you're not a dog."

You look up at him in all his glory, golden in the sunset and looking like a dream. You want to smooth the concern, the righteous anger from his brow, kiss the faint downturned edge of his perfect lips, do everything in your power to make sure he never worries again. No matter who or what you are, you are his. His best friend, his confidant, his shoulder to cry on, his partner in crime, his right hand, his, his, his.

All you can give him in this moment is your gentle voice full of absolute love;

"What do you want me to be, Fi?"

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vidavalor · 1 year ago

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The Vavoom: Or, when the show's hinting Crowley & Aziraphale first kissed

It was not in 2.06, if that makes you feel any better?

Meta/theory hybrid stuffity stuff below the cut. As always, all interpretations are valid. This isn't meant to offend anyone who sees things differently. Post contains spoilers for the films 'Kiss Me Deadly' (1955), 'About Time' (2013), 'Love Actually' (2003), and 'Four Weddings and a Funeral' (1994). Apologies that this took a few days. Life's been wild this week. Let's dive in...

Right. So. The Vavoom...

I feel like most of us, by this point, are probably in agreement that Crowley is not talking about something he saw in a Richard Curtis film when he talks about his plan to help The Shop Lesbians to fall in love... and that, if he's not talking about something he saw in a movie, then he's talking about something he experienced... and yes, sure, absolutely Crowley has been on Earth for 6,000 years and could have vavoomed with basically anyone who has ever lived at this point as well as one semi-sentient car and even the world's once only-remaining unicorn but... we all know he's talking about Aziraphale. So this is about unraveling what the show presents as Clues to this end and using those Clues to solve for x and see if we can prove that Crowley is talking about Aziraphale and then figure out when this Vavoom happened with the information the show has given us so far... and the good news is that we can do all of those things so here we go...

The first thing to do is to eliminate the Richard Curtis films. Let's just start with Crowley saying that he saw his whole vavoom moment in "a Richard Curtis film." As someone who has seen a frankly embarrassing number of Richard Curtis films, I can tell you that this is a very amusing misdirect from a writing standpoint. It is amusing because it's a wink of sorts towards the same problem that comes up when you try to find The Vavoom on the GO timeline based on what the show's presented so far. What is that problem? It's that-- at first, cursory glance-- no one GO scene or Curtis film seems to have everything Crowley describes. Don't worry, though, because we actually do have enough information to find the lone caraway seed beneath these three cowrie shells here. You'll be Aziraphale-voicing an "a-HA!" very soon. :)

There are only two Richard Curtis films that feature elements Crowley lists as having occurred during The Vavoom: 'About Time' and 'Four Weddings and a Funeral.' The Awning of a New Age scene in GO actually winds up an homage of sorts to 'About Time', as it is referencing it pretty heavily. However, there is no vavooming in 'About Time'; meaning, there is not this gaze-to-kiss moment that Crowley is talking about. A wedding reception tent collapses under heavy rain and soaks several supporting characters in the film, much like how our supporting characters Nina and Maggie get soaked by too much rain causing the awning to collapse. There is no gaze or almost-kiss or kiss before it. There are other canopies-- umbrellas-- but no one gazes or kisses under one. So, Crowley did not see The Vavoom in 'About Time'-- but that particular Richard Curtis film might have been the one in Crowley's mind when he quickly latched onto Richard Curtis films while speaking with Aziraphale in the pub.

As a result, thinking about his conversation with Aziraphale while trying to craft his Shop Lesbians Vavoom might have actually caused him to over-weather and cause the awning to drench Maggie & Nina. So the joke there is more that The Original Vavoom of which Crowley is speaking in the pub scene is something that really happened and had an element or two in common with a scene in the Richard Curtis film, 'About Time', which also features Bill Nighy (see: 'Love Actually' stuff below), whose mannerisms Crowley seems to like to emulate at times. As a result of seeing the film and thinking about how it *wasn't* like The Vavoom-- the canopy collapsing, the lack of an actual Vavoom in motion prior to this, all of that disappointing Crowley greatly when he saw this film lol-- Crowley ironically then says he got the whole idea of The Vavoom from a Richard Curtis film... when, in fact, *the distinct lack of Vavoom* in the film was what Crowley remembered from it... and then, upon thinking of the pub discussion when trying to start an Awning of a New Age for Maggie & Nina, it accidentally became part of his miracle, causing him to over-Weather and, kind of hilariously, substituted the kiss Crowley was trying to incite with the collapsing awning scene from 'About Time'... the film then disappointing him all over again lol.

The other Richard Curtis film that is relevant is 'Four Weddings and a Funeral.' You might be familiar with the scene-- its ending scene-- just from cultural osmosis as this point, even if you haven't seen the film. Hugh Grant proposes to Andie MacDowell in the pouring rain. So, the big problem with this scene is that there is no canopy. None. Whatsoever. They're soaked through. We never see them go inside. They look into each other's eyes and they kiss but it's raining on them the whole time and Crowley is really specific about his canopy requirements for Vavooming. This scene is also wrong because it's a proposal between characters who have known one another on and off for years and have a more extensive history, whereas Nina and Maggie are much earlier in a potential relationship and The Vavoom Crowley talks about is an intense gaze into a first kiss. That said... just as how 'About Time' ties to Nina & Maggie's story, there are some 'Four Weddings'-y elements to Crowley & Aziraphale's relationship, in that their story also covers them meeting up through different points in time and such. 'Four Weddings' was also the first mainstream, hit rom com to openly feature queer characters in supporting roles so it's a strong one for GO to be referencing... but, ultimately, no Crowley-described Vavoom scene in sight.

Finally, there's 'Love Actually', which doesn't actually have a single element in it that pertains to The Vavoom but I'm throwing it in here because I'm just looking at all GO ties to Richard Curtis films at this point. 'Love Actually' features Nina Sosanya (GO's Nina, of course) as a queer-coded character and, in GO, David Tennant has a few scenes where he seems to be channeling Bill Nighy's Billy Mack from 'Love Actually' in S1. (Tell me Crowley's not doing Billy Mack's walk when they cross the street to the bookshop in Eleven Years Ago in S1 lol.) For those of you who have somehow avoided seeing this movie lol, Billy Mack is an aging rock star who is the best character in the film and heavily queer-coded. In S2, there's also some Big Bill Nighy Energy in the "we'll just to have to make it worthwhile then" bit with Muriel in Heaven and also in the way he chuckles in the "I *was* there, you see" moment with Gabriel. Also probably worth mentioning that, in 'About Time', Bill Nighy plays the dad of one half of the main couple in the movie and his role is to teach him how to live life and this involves pursuing the woman he is trying to marry throughout his ability to fall through time. So, Bill Nighy is basically playing the S2 Crowley of 'About Time' while the main couple of that film parallels Maggie & Nina, in that he's setting up the scenario for the couple involved to get together. Nothing in the film, though, is as overt or contains elements that match The Vavoom, other than the collapsed awning, as we got into above.

So mah point is dolphins that while there are a couple of Richard Curtis films that contain bits and pieces of what Crowley is talking about, there isn't a single one that has anything really remotely close to the, uh, extremely specific scenario he was detailing... so now we have to look at just what the hell Crowley's on about, exactly... and for this, we are, surprisingly, going to wind up looking at a very different film from any by Richard Curtis-- 1955's classic film noir, 'Kiss Me Deadly'. Why this random film, you say? Because it's actually not at all random to GO S2. It's the origins of the phrase "vavoom"... and S2 of GO contains a multi-episode homage to the film.

'Kiss Me Deadly' is, tonally, very different from GO as it's pretty dark film noir but it has a plot you might find a little familiar. One night, driving down a dark road, the main character picks up a hitchhiker who has lost her memory. After she's murdered, the film revolves around the main character-- a private investigator-- and his lover/partner investigating the case to try to solve the mystery. GO's episode "The Hitchhiker" opens with a plot and visual homage to this film when Aziraphale picks up Shax in The Bentley and obviously S2 contains a plot surrounding a mystery related to a character who has lost their memory in Gabriel. I'm going to do a separate thing that is a deeper dive into this with particular emphasis on how the lead characters relate to Crowley and Aziraphale at another point in time because it crosses into too many other things to fit it into this one at the moment but the reason why I bring the film up now is because of its ties to the phrase "vavoom."

"Vavoom", alternatively spoken as "va va voom" and containing the same meaning, is thought to have originated in a cartoon in the late 1940s but its use in "Kiss Me Deadly" in 1955 is what pushed it into popular, cultural use and knowledge. In the film, there's a character named Nick, who is friends with the two leads (the Crowley & Aziraphale-paralleling Hammer and Velda). They have nicknamed him "Va Va Voom" because he says it so often. Nick is an auto mechanic who works on the leads' car-- yes, there's a Bentley parallel lol-- and it is his use of the phrase that made it one we are familiar with today. But what does it really mean exactly in terms of this scene in the pub?

Without going too far down the road that we wind up in another meta about wordplay and symbolism in S2 here, the show is doing things related around the word 'passion' and all of its various meanings. It begins with Aziraphale referring to Maggie's feelings for Nina as "a pash"-- which is British English slang for "a crush" or "an infatuation". It comes from the word "passion"... but the word "passion" actually means something much different. "Passion" is very specifically romantic, erotic love when used to describe a relationship. It means enthusiasm when about a hobby or the like-- Aziraphale will get the neighbors to come to the meeting/ball by negotiating their commitment based on things they're passionate about-- Mr. Arnold and Doctor Who, Mutt and the history of magic. Finally, S2 is tying a lot of this passion-related plot to *The* Passion-- as in, The Passion of the Christ, or the Christian phrase for the death and resurrection of Jesus Christ. Why is it called 'The Passion' anyway? Because the Latin root of 'passion' is 'pati', which actually means 'to suffer.' Looking at all of this and how the show pairs up scenes with different types of passion is a whole other meta. I'm bringing it up here because of the relationship between 'passion' and 'vavoom'...

"Vavoom" means voluptuously sexy. It means passionate. Something having a sense of "vavoom" or "vavavoom" means it is either suggestive of or is sensually pleasing. In GO S2, Maggie & Nina represent the pash use of passion-- the new love, the crush-- while Crowley & Aziraphale are the show's example of passion in its fuller, richer meaning of romantic, erotic love. So now that we eliminated the idea that Crowley is talking about having seen an example of this vavoom he's talking about in a movie-- I mean, 'Kiss Me Deadly' is totally a movie Crowley saw once so he might have first heard the phrase in it, like many people did but there's no vavoom itself the way Crowley describes it in the film, just the phrase-- but yeah, now that we've eliminated the idea that Crowley got his idea from a film, we can say with relative ease that he's talking about something he personally experienced. I think we can all agree that if he did, it was with Aziraphale and the purpose of him bringing it up in the scene is not just as a suggestion to solve the issue of needing to matchmake The Shop Lesbians but as a way of being seductive towards Aziraphale.

This is also part of 'Kiss Me Deadly' in that Crowley here is the Velda to Aziraphale's Hammer. Hammer is preoccupied with the mystery. Velda tries to help him solve it but is also seeking his romantic attention the whole time and being rebuffed in favor of the mystery. It's darker in the film, as you'd probably expect, since it's film noir, and Aziraphale is actually subtly playing back in GO S2. In GO, it's mostly played off as Crowley, kicked out of bed since the religious family are in the guest room lol, continuously making overtures towards Aziraphale to torment him a little for the whole Gabriel situation but also mainly just because he likes to and he misses him. (It has been, like, maybe 18 whole hours lol.) He continues it into later in the day when Muriel is in the bookshop and Aziraphale is a little more overtly playful then but he is in the pub scene as well. All of this also ties into the fact that Aziraphale wants to drive The Bentley but again, that's a whole other meta. Going to stay focused on the kiss here...

So what we're saying is that, in the scene in The Dirty Donkey, Crowley does that whole lean and the sexy hands and that super posh voice he does from time to time to seduce Aziraphale, and describes their first kiss back to Aziraphale when asked to come up with a romantic solution to help their neighbors realize they are in love. Specifically, Crowley says this:

Whew. *fans self* Jesus, Crowley... No wonder why Aziraphale thought you could help The Shop Lesbians. That? Was romantic...

The key thing I love about this is that while everything he says lends itself to the idea of a kiss, he doesn't actually explicitly say that until the later scene in the back room when Muriel is in the bookshop-- the "one fabulous kiss" part. It's evident later on when he explains the plan to Jimbriel and when he puts it into action that his intent is to trigger a scenario that might prompt Maggie and Nina into kissing and when the awning collapses, he feels like he failed at the overall Vavoom. He did, however, see it working from across the street, such were the fireworks, when they looked into each other's eyes and what's sweet and also very hot about this scene in the pub is that the looking into each other's eyes is the key bit of The Vavoom to Crowley. The kiss is what happened as a result of looking into each other's eyes. The romance of the gaze and the passion of the kiss = The Vavoom but the latter without the former isn't the whole rapturous, perfect moment and Crowley is into this moment. He's still weak in the knees over the thought of it.

And what he says happened in it? They looked into each other's eyes and realized they were made for each other? Crowley thinks that. He says that, flat out, to Aziraphale. Crowley. Who was abandoned by the God who was supposed to love him believes that same God created he and Aziraphale for each other. That they're fated, destined soulmates. And that they both knew it, in that moment when they were taking shelter from a sudden rainstorm together, under a canopy, and they gazed into each other's eyes and then

Yes, I am aware that he says "humans" in that bit in the pub scene. He's referring to Nina & Maggie but also he and Aziraphale have a tendency to refer to their love for one another in human terms in different scenes throughout the series, which is probably a whole other meta and *refocuses on finding this damn kiss here*...

So Crowley-- while heavily emphasizing the words "together" and "canopy", both for maximum sexiness and to lead us in the correct direction lol-- tells us what's needed in this scene, right? We need a sudden rainstorm, a canopy, them wet from the rain and taking shelter, Crowley's glasses to be off or he's in a situation to be able to take them off (ironically, unlike he was when he was in the pub while he's talking about all this erotic gazing), and then we have all this gazing into a very vavoom-y, very passionate first kiss.

So, what scenes seem at all remotely tied to things Crowley describes for The Vavoom? There are three scenes that jump out immediately-- and it's none of them lol. They *are not kidding* about quite literally 'three cowrie shells and a lone caraway seed'. There are three scenes that they want you to think could be connected to this and be distracted by to complete their sleight of hand trick. They want you to look towards Aziraphale's hand and not up his sleeve, so to speak.

So the three cowrie shells scenes here are Before the Beginning, Eden, and the Job minisode. Why? They are the scenes that involve Crowley and Aziraphale and some form of a canopy, which is one of the two words in Crowley's whole Vavoom moment that he heavily emphasizes. So it's not Before the Beginning and it's not Eden and why? Because we're missing the other word Crowley heavily emphasizes-- *together.* Crowley and Aziraphale took shelter from a sudden rainstorm *together* under a canopy. That's the set up. But Before the Beginning and Eden-- the first scenes our minds run to-- are not this because they are sheltering *one another* but not sheltering *together*. One of them is exposed to the rain each time.

There's an additional possibility that is thrown into the mix that is tied to these two scenes, which is the S2 announcement poster-- the one that features Crowley and Aziraphale on Whickber Street in the rain. That one is also out because Crowley is being sheltered from the rain by Aziraphale with a tartan umbrella (ridiculously adorable, I agree lol)-- but they're not both sheltering together. That one feels like it was designed just to fuck with us, especially because Crowley's hair in it is, for some reason, at Eleven Years Ago length in it. It's almost like it exists to both be cute and to, after the season is over, make us go wait... was it then? (It was not then.) More distractions. Ok, so, then what about the Job minisode?

Is it ox rib night? This seems to have some elements at play-- there's a roof and a storm and them together and all-around kiss vibes-- but it's actually not this, either. That said? Job is connected to it in a big way and helps prove my theory here so we're going to come back to it. I'll eliminate it here by pointing out that when Crowley defends The Vavoom as a possibility for Maggie & Nina to Aziraphale, he says "get humans wet and staring into each other's eyes" and "humans" in that bit is them, even if they are not fully. This eliminates the Job minisode as The Vavoom because it confirms that Crowley & Aziraphale did get wet as they went to shelter from the storm. In the Job minisode, they never go out in it. So, Job is out, too.

Ok, so then how do we find the one scene that unlocks this and points us towards the answer hidden in plain sight in front of us?

What is the one scene that really should tell us more about The Vavoom? How about the one wherein Crowley partially recreates it?

The Awning of a New Age is the lone carraway seed. Maggie & Nina paralleling Crowley & Aziraphale. What can we learn about what happened with Crowley & Aziraphale from what happened in this Maggie & Nina scene?

We already know that Crowley feels like he partially failed at recreating The Vavoom for them. It was meant to lead into a kiss and then the awning collapsed. That is what is different from Crowley & Aziraphale's first kiss but Crowley was delighted by the gazing, which we already know to be the very important bit of this here. Off of this, we can conclude that there's obviously a parallel of this bit for Crowley & Aziraphale and this is where the parallels in the scene stop. That means that what happens *before* the gazing moment in The Awning of a New Age scene is important because that's the parallel. So, what's happening while Crowley spots them together outside and starts up the rain? They're talking, right? And what are they talking about?

They're talking about one of them-- Nina-- having a partner who is unreasonably upset. Nina is anxious about it. She doesn't blame Maggie for it, as it's not Maggie's fault. It's also not Nina's own fault and what Lindsay wants from Nina is confining and abusive. Lindsay, we learn, is cruel. We decide in this scene really how much we don't like Nina with this woman and that we want her to be with nice Maggie who is sweet and supportive and is over the moon for her.

On the surface, this would seem to be absolutely nothing like any Crowley & Aziraphale scene we've ever seen, right? Fooled by what is on the surface-- modern lesbians in London Soho, one of whom has a romantic partner-- this seems to be a plot Crowley & Aziraphale have never had. Except, that it's not. It's a parallel to one you'll remember.

One, paralleling sentence here for you...

God's a bit tetchy...

Awning of a New Age unlocks that Lindsay being unreasonably angry and dolling out insane punishment for no actual misdeeds is a parallel to God during The Flood. God was Aziraphale's Lindsay-- the unseen, abusive partners, sending down their words and marching orders and causing distress. Crowley approached Aziraphale like how Maggie approaches Nina. Aziraphale half-heartedly tries to defend God the way that Nina half-heartedly tries to defend Lindsay but both pretty much give up in the face of Crowley's and Maggie's sane responses and support. The agreement that the present situation-- Lindsay about to abandon Nina, God about to abandon her creations in The Flood-- is horrible and unjust. They connect over the lack of justice. The Flood scene we saw ends as the rain begins, with Crowley and Aziraphale both looking up as it starts to fall.

Maggie and Nina get further-- they get to the first half of The Vavoom, in parallel. We haven't seen that yet with Crowley & Aziraphale. (Maggie & Nina also didn't have to go stop and save a bunch of people first lol.)

So how do we know that The Flood was the first kiss?

How do we know that Crowley and Aziraphale first kissed in Ancient Mesopotamia in fucking 3004 B.C. and have been vavoom sorted gone on each other ever since?

Because it happening in the aftermath of saving lives in The Flood would then mean it meets every one of the elements Crowley describes. They get wet from the storm. They will work to save everyone, which is evident from Aziraphale being dead fucking certain in the Job minisode that Crowley was a sweetheart who wasn't going to kill any goats or kids. How would he know this for sure? Saying that what God was doing was terrible in The Flood scene isn't enough for Aziraphale's surety by Job. That means that Mesopotamia and The Flood is the first time they teamed up. It means that Crowley saved people and animals during it. It more than likely means that he did so in a way similar to what he does during the Job minisode-- he transformed them into something that could survive the storm, probably rocks or something. (Big Medusa vibes lol.) But what would happen then? Crowley and Aziraphale would have to *stay through the storm to turn the people back*, right?

So, they'd need to seek shelter from the rainstorm. Under a canopy that could survive the storm. One they can both step back under and bump into one another beneath. Most likely, it's an actual canopy in original meaning of the word-- the shelter of trees. I think one of them (Crowley) bolted afterwards, based on the Job minisode, which we'll get to again in a second, and from under a canopy would be the easiest way to just be able to leave during a storm. (They did not spend the Biblical 40 days and 40 nights under that canopy or they almost certainly would have wound up having sex, which the show is suggesting in other scenes didn't happen for awhile after this which is also another meta lol.) But there's also another reason for trees that kind of cracks me up.

Remember when Aziraphale comes back from Edinburgh in S2 and, before he left, they had their whole Our Car/Our Bookshop thing and Crowley's been peeved for a day now over how Aziraphale got to go adventure in The Bentley and he got to wear a cardigan and babysit their former attempted murderer? And about how what he's really playfully irritated over is that he keeps trying to use Operation Shop Lesbians to turn Aziraphale on by mentioning their Vavoomy first kiss and Aziraphale is, kind of hilariously in retrospect, just totally tormenting him by barely indulging him on it? What happens when Aziraphale comes back from his trip?

Crowley-- genuinely-- says "there you are-- I was worried something had happened to you" and he's off-camera for a moment as he does so and the camera is on Aziraphale, who kind of seems like he would like one of Crowley's kisses about now. But what does Aziraphale get in place of where a kiss could have gone?

A face full of plants lol.

In their box, so that when he handed them to Aziraphale, they hung over his head like a canopy.

Don't wanna talk about The Vavoom, angel? Fine. You're just getting the trees. Mwah. *goes to his car and is all did you misssssss me kissy face*

Aziraphale, in old married bitch mode:

Finally, there's that Ancient Mesopotamia is, chronologically, the last scene so far in which Crowley is not seen wearing glasses, which is essential because Crowley-- while wearing his glasses in the pub lol-- describes the key bit of The Vavoom as involving staring into one another's eyes, which Crowley & Aziraphale can't do if Crowley has his glasses on. Since Crowley wears his glasses in approximately 87% of Good Omens, it means that the answer is in a scene where he's either not wearing them at all or could be seen as able to take them off. Mesopotamia meets that criteria. But there's still one more thing that can really hammer home the idea of this The Flood, Part 2 being their first kiss and that's going to be how we end up back at the Job minisode again.

Go back and think of the Job minisode again but now with the idea that the last time they saw one another-- ages before it-- they shared this moment of wildly passionate vavoom and look at how it recontextualizes the entire minisode.

Start with when they first see each other again. Where did *that* Aziraphale come from? He's teasing him.

The Aziraphale in Before the Beginning and in Eden and in the first bit of The Flood that we've seen is more anxious. He's not afraid of Crowley and he's definitely attracted to him but he's distracted by the dangers of what is happening while they're talking. Suddenly, he jumps from the Aziraphale of The Flood to the Aziraphale of the Job minisode. This one is flirtier. This one is literally like all so you never called-ing Bildad the Shuite lol. He's all "last time I saw you was... The Flood?" like he doesn't know and Crowley is all tight nod ohfuckit'shim and also ohfuckit'shimhavemissedhimsomuch and hiding behind his sunglasses-- Bildad is the first appearance of the sunglasses, chronologically, so we go from the Vavoomy gaze to Crowley hiding his eyes... this then all moves into the courtyard scene after a few moments...

Oh, what's this now? The only scene in the whole series in which Aziraphale asks Crowley to take his glasses off? And he does? So quickly-- intentionally-- that his expression from before is still on his face and it's just nothing but naked want like he's saying oh you wondered how I was looking at you from behind these this whole time? yeah, it was like this... Aziraphale is straight up asking for more vavoom. Take the glasses off. Look me in the eye and tell me you want this and yeah, sure, they're talking *on the surface* on *one level* of their conversation about whether or not Crowley is exhibiting serial killer tendencies and wanting to kill small animals and kids but, really, this scene is also the formation of their coded way of speaking to one another. Crowley's "I want to. I long (pause) to kill the blameless kids of Job the way I killed his blameless goats" and then lifting just enough of the magic to let Aziraphale see that he had actually not killed the goats at all but had actually faked their deaths, indicating that that was his plan for saving the kids as well... Well, it also means that *all* of what Crowley just said to him was coded. That's the weird pause after "I long" that breaks it into two sentences. It makes the second level of their conversation that Crowley whipped off his glasses, gazed into Aziraphale's eyes, and said I want to, I long... meaning, I want you, I want to kiss you again, I long for you...

But the bit of the Job episode that sells me on The Flood being The Vavoom is actually the bit just after Crowley miracles himself, Aziraphale, the kids, Jemimah's pot (because he's so not a serial killer, he saved the damn pot lol), the wine (because fuck that little Influencer Brat of Job-- Crowley's not about to kill a kid but he absolutely will drink the last of his wine for treating Aziraphale like a whore lol), and the food down to the cellar and started iguana-ing the kids. Why this bit? Because Aziraphale is fucking giddy and is just tormenting the living fuck out of Crowley.

He's all "I knew it!" and when you first watch the scene, right, you could think he means he knew that Crowley would save the kids. Yet, he already knows that by this point-- that's what the courtyard scene was. That's why he's yelling that he's "QUITE SURE" when Crowley asks him if he is (and calls him "angel" for the first time when doing so) while he's setting everything on fire just a moment before. Obviously, Aziraphale is happy that Crowley didn't kill the kids but what he's all I knew it *smug smile, actually fucking wiggling with flirty joy* about is that Crowley wanted to be alone with him again and would find a way to make it happen because what's the plan? The one that Aziraphale is totally teasing him about?

Aziraphale is going on about how oh, this is *Satan's* big plan, huh? A *big storm*? He loves every minute of it and he also really loves Crowley getting very close to him-- kissable close-- and being all "ooh aren't you brilliant?" when Aziraphale was acting smug. When did Crowley get that comfortable getting that close to him?

But yeah, Aziraphale loving every second of Crowley saving the kids, turning them into sightless/soundless iguanas, and sending a storm over the land for the night while keeping the two of them dry in a little cellar canopy so they can be alone together again-- essentially, repeating a version of The Vavoom scenario, as he'll still be trying to do millennia later... Aziraphale thought that very romantic and had no problem flirtily teasing the hell out of Crowley for it. Crowley's game is as ancient as Bildad the Shuite lol.

So yeah, what we're saying here is that there's a The Flood, Part 2 and that it's likely in S3. I actually wouldn't be surprised if it opened S3, since the first two seasons are opened with the other canopy-themed firsts-- the two first times they met, really, in Before the Beginning and Eden, both with the wing canopy-ing of one another-- so S3 could be the tree canopy and their first kiss. The Flood also seems likely to return because of how it ties thematically to the whole end of the world of S3's Second Coming plot.

One aspect of this theory that I really like is also that it means that Crowley was more female-presenting during their first kiss (which also goes along with the feminine energy sometimes associated with the phrase "vavoom"/"vavavoom") but also that when they next see one another in the Job minisode, Crowley is the more male-presenting Bildad the Shuite... and Aziraphale is really just into all of it. He's just into Crowley, full stop. We already know he is but I like the idea of it tied to their early days and showing it unfold a bit and how it's just all fine by Aziraphale, who just loves this being and is happy to see them and get to be alone with them again. It's very sweet and romantic.

I guess the last thing to say is that if this is true, we're all going to have a field day redoing the psychoanalysis of this bit below, aren't we?

#ineffable husbands #good omens #good omens 2 #good omens meta #aziracrow #crowley #aziraphale #good omens theory #vavoom

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