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devsgames · 1 year ago

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On Scoping And Idea Management for Games

I started my teaching gig (which is incredibly chaotic but I'm very much enjoying it despite that) and I noticed a really consistent theme with some student project pitches around the idea of planning and scoping projects. Some advice that I gave them that I think is worth repeating and reinforcing here:

You are not a AAA studio. Do not plan to make games like a AAA studio.

If your concept, premise, pitch or idea of a game that you actually want to finish contains elements, mechanics or concepts that is predominantly executed by AAA studios, please for the love of god don't expect to be able to execute them without brutally interrogating them first.

Things like: Soulslike game balance, 'open world', heavily systemic design, online multiplayer, complex mechanics, etc. You know, things you largely only see AAA studios (or very experienced dev teams) complete with any semblance of success. There's a reason many of these are only executed by large teams.

This isn't to say it's impossible to execute on these ideas or that it's not worthwhile experimenting with it a little, but if you're going into it with little previous development experience and expect to come out the other end with a 'finished' thing, you're overscoping and setting yourself up for failure.

Ever notice how AAA studios even struggle to execute complex concepts like that? It's not (always) because of mismanagement, but also because it's often overscoped for them too and they are incredibly hard to execute. AAA studios often work on concepts and premises which require a lot of resources to do so effectively. Indie studios don't often make these kinds of games for the same reasons, because conceptually it will easily explode your scope out of the water. Some try, and you can often feel how stretched thin they were.

The point is, you (assuming as a reader that you're an individual with no 'fully' shipped titles) are equivalent to...basically 1/2 a person at an average indie startup. If you have a team, then you're basically the size and scale of a small indie team. Realistically, in all likelihood, you do not have the knowledge, experience or time to do it anywhere nearly as well as a full-time studio production.

And I get why people fall into this trap!

We draw inspiration from what we see most and what we like, and don't often challenge our assumptions about them - it's why we see something like a Batman Arkham Asylum combat system or Photorealistic graphics and say "yeah I could do that easy" without realizing it's actually really really hard to do in the first place, let alone really get right. Studios are notoriously secretive about process, and the reality is there's months and months of unseen work behind pretty much everything.

We also tend to use blanket terms we're familiar with to define our works, as opposed to more fitting terms. For example, some people might call something like Journey an "open world" game, despite the fact it's not strictly an "open world" but rather a linear one with a non-linear presentation.

As a solo developer I too constantly make this mistake of over-scoping or underestimating just how hard it can be to execute on certain concepts or ideas.

Avoiding It

So how do you get around accidentally writing cheques only well-equipped studios can cash? You need to interrogate your ideas a lot more.

Okay, now ask yourself: Is it mostly a premise that is done by people operating at around your level of resources, or by dedicated groups with tons and tons of employees? Has anyone done your mechanic at a small, simple scale? How many studios have done it? What size were they? How many resources do they have? If anyone has executed a similar idea, how many resources did they seem to have to do it? What corners did it seem like they need to cut to get there? Ask yourself how often you see concepts like yours, executed at scale like yours. Ask yourself why that might be.

A generic example to run with: "I am going to make an open world exploration game where you can climb anywhere, with tons of content and things to do".

Ask yourself some of the above questions, and also interrogate all your definitions. What do you define as "open world"? "exploration"? "tons"? "anywhere"? "Climb"? What do these words, specifically, mean to you? Are these reasonable and realistic expectation for the amount of time you have for this project? Have you already executed on any of these before, and how many are unknown to you?

"But Devon, my idea is unique and no one has done it before! I have nothing I can compare it to!"

Nope. Sorry, just no - you're wrong. Maybe they've not done it exactly like you envision it, but I promise you that at this point in time someone has done virtually everything in games before, you've just not heard of it yet. I have yet to hear someone describe a game that didn't do anything I hadn't heard of before to some degree or another. Ask some friends for references and take more time to do research - you'll find parallels if you dig enough.

Execution

If by now you've realized you might be in over your head, you might still be able to do it if you plan very smartly around it and accept scoping down.

I could talk forever about how to break down your scope into something that is more manageable (and probably will in the future), but I'll keep it focused on this idea of interrogating definitions for now.

Running with the "open world exploration game where you can climb anywhere, with tons of content and things to do" example.

Plan to do only one of the verbs in your game really well.

"Climbing" - you could spend forever building a game just around that verb, and people have! Getting Over It With Bennet Foddy. Doodle Jump. Grow Home. People have done this, and even those games tow the line of being complex to make.

"Open world" - this one is very heavy, but make it just about walking around. Challenge the assumption that an open world isn't enough and that it needs 'content' - just make walking around the world really fun. Dear Esther, Proteus, Passage, Beginner's Guide.

"Exploration" - this verb is vague and takes many forms, and while it can easily be dangerous if it gets too big, it can still be small and engaging. A Short Hike, Umurangi Generation, Hidden Folks. You don't need mechanical complexity or depth to make something fun.

Start from that and then expand. Maybe you get to a point where your climbing is really fun and good and you don't even need to add tons of things to do, or open-world mechanics. Maybe your open world is so easy to do that climbing becomes the thing you spend your time on.

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Essentially the point here is to not assume that because you've seen something done before it's easy to execute on, nor that you should simply run with concepts without fully understanding what you mean when you come up with them first. It's going to not only save you a lot of time and stress, but also more likely to put you in a position where you'll be able to actually finish what you started.

This is also only the tiniest portion of my thoughts on scoping here, so I'm sure I'll add more to this down the road. :)

#gamedev #game development #game dev #indie games #indie game #gamedevelopment #indiegames #indie dev #indiedev #thoughts #advice #production #game production

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seafoamstatice · 3 months ago

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Some season 4 thoughts!

Not gonna lie, while I really liked a lot of the character moments, twists, and jokes from this season but some parts of the plot... didn't really make sense to me.

Something interesting to me is that in every season but this one, it's always established 1) why the police can't be trusted to investigate the murder and 2) why Charles, Oliver, and Mabel are making a podcast about it. It's used as set up for why the audience should root for them. In season 1, the police think its a suicide so the close the case. Oliver needs the money from the podcast, Charles is lonely, and Mabel has a personal stake in the mystery. In season 2, the police think its the trio. They make the podcast to prove to the public that they're innocent so they can move on with their lives. In season 3, the police arrest the wrong guy and close the case. Mabel drops the first episode to exonerate the guy and get him out of jail. In this season, its specifically stated that the feds are investigating, and while the trio has a reason to look into what happened, they don't have a reason to record and release a podcast about it (other than force of habit). In fact they have good reason not to do that: their first theory is that it was a case of mistaken identity and Charles was the intended target. If they think the danger isn't over, it would be ridiculously irresponsible to tell the public (and potentially the killer) where they are in the case.

Charles' and Oliver's story arcs were great! I especially liked Charles learning to open up about his feelings, and coming to terms with Sazz's death, it was really sad yet heartwarming. But! Mabel's arc is kind of baffling to me. I was really glad to see season 4 set up her developing her career, but it kind of felt like it petered out at the end? What was the point of setting up Animal Jobs and Mabel feeling bad about using Howard like a disposable lackey if they were going to go on to forget about the whole thing and treat Howard the exact same way? Mabel learned to see herself as a podcast producer, she flexed her creative muscles and started drawing again, but at the end of the season, she says that she doesn't belong in the entertainment industry??? She was inspired to make something of herself using her life rights money but the story she pitched to Bev Melon at the end of ep 10 is very clearly just season 4 of the omitb podcast- something she already had the means to do! (I will say, Bev's second phone call implies that this storyline may not be over, so I'm fully prepared to eat these words after season 5)

The trio's danger handling skills are so weird? When they realize someone is watching them they rush out of the Arconia in a panic. Some people call them out for not noticing loose ends. They come back to confront the supposed culprits and find out actually, they weren't responsible for the cameras at all. And so, still not knowing who it was and whether its safe to do so, they fully drop the issue and go right back on to live there? (This plot line might also be brought up again, so idk, if they can come up with a good explanation for why they did this, then fine)

I think it's super fun that Sazz was investigating things all on her own. It reminds me of that joke from season one where Jan complains that the trio trust Sazz, who randomly showed up, to investigate, but not Jan herself, who was Charles' girlfriend and Oliver says something like "Sazz is a stunt double, so I think she knows what she's talking about!" But I think it's so out of left field that Sazz is a really good screenwriter. Sazz is an extremely successful stunt double who comes from a family of stunt doubles and dreams of opening a school for young stunt doubles. Why is she writing rpf so good that on her first try it's blockbuster-movie-with-famous-celebrities worthy? It feels kind of unfair to the audience... If random characters can secretly be insanely skilled at random things that don't fit their previous characterization, then how could anyone ever guess motives for murders or any given character's capabilities?

Same with Marshall/Rex's skillset. He's introduced as a nerdy, anxious writer, but it turns out he's also a prodigy marksman who angsts about whether or not he's a violent person and secret former stuntman who's great at parkour? Ok?

I don't wanna nitpick plot holes, but I think it doesn't make sense for Marshall to kill Glen? The day Sazz confronts Marshall is the day before the opening night party, and she says then that they are the only two who know the script was stolen, meaning while Glen knew about the ronkonkoma incident, he would likely have no clue about Marshall stealing the script. In the omitb universe, coincidences like 'a group of people conspiring to cover up a death happen to know the trio's movie's directors, and also happen to live right across from Charles' are seen as reasonable. Sudden drastic career changes like genius stunt double to genius first time (!!) scriptwriter are seen as reasonable. So even if Glen did end up recognizing Marshall as Rex, it wouldn't tie him to the murder, it would just be a fun coincidence. It's possible Marshall just panicked, but that would be strange because he was very calm when the trio chased him and interrogated him. He managed to pretend that he was relieved they were asking him about the murder and not the rewrites! I'm not sure if I'm missing something here, but...

Admittedly I don't know much about trash incinerators, but from what I can tell, Gravey leads the gang to a chute that leads to the incinerator and then they go down to the basement to check what's in it. If Marshall put Sazz's body in the chute, why did he need to bring the vest? Do you have to wear flame resistant clothing just to turn on an incinerator?

Helga says that Sazz said her protege messed up badly and started harassing her. But in the flashback we see that they remained friends post stuntman career. Marshall tricked Sazz into giving him the script and she confronted him right before going to New York, meaning that their relationship was only antagonistic on both sides for like a day. So Marshall was harassing Sazz for at most one day. When did Sazz talk to Helga?

Are the westies... gonna be ok? Since the police know dudenoff is dead they can't really keep the rent control scheme going on, can they?

Ok this last one is really stupid but is the omitb movie just gonna go with Sazz's original screenplay? Didn't it need a bunch of rewrites lol?

All in all, I still really did like the season. It was a super fun watch, with exciting twists and the comedy and acting were still great! And who knows, maybe they'll revisit some of this stuff in future seasons! I'm already looking forward to season 5. I'm actually surprised they picked Lester, poor guy! I was thinking it would probably be someone new so they didn't lose too much of the supporting cast too quickly. The new character, Sofia, looks super cool, and I'm excited to see Olimabel (the Charles is silent) take on organized crime after dealing with four cases that were all about interpersonal drama. And I'm definitely excited for a mystery that seems very much tied to the Arconia.

#omitb #omitb spoilers

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stevensavage · 4 months ago

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But What Does It Mean?

(This column is posted at www.StevenSavage.com, Steve's Tumblr, and Pillowfort. Find out more at my newsletter, and all my social media at my linktr.ee)

Recently a friend found an AI generated fake trailer for a kind of 1950s-1960’s live Sailor Moon. This, it turned out wasn’t the only fake-retro live Sailor Moon trailer generated by AI. Somehow I feel the infamous failed Saban Sailor Moon has driven people to imagine such things differently (forgetting the rather well done live Sailor Moon from Japan).

Now I find these things amusing, but there was a strange emptiness about them. What, I wondered, was the point? I can imagine these things in my own head, and in fact have - once in the form of a late night discussion of Lucille Ball playing Sailor Moon (I was assuredly sober). Do I need someone to use tetchy AI to illustrate something?

As I contemplated the weird meaninglessness of these things, a friend who’s a talented cosplayer note that there was no point to such creations. What would have been truly amazing would not have been someone tossing prompts to an electricity-devouring toy, but to have rallied cosplayers and shot it live. Suddenly I got why so much of this AI art feels meaningless.

Let us imagine that some cosplayers had gathered to create a Sailor Moon trailer true to the spirit of the 50’s or 60s. They would have done research and studied costume design. They would have sewn, crafted, created, re-created, and perfected their work. Those doing the filming would have figured the angles of the time and how to get the color just right. Voiceovers would have been chosen to fit the period, perhaps finding veteran actors or new talent.

The creation of a few minutes of trailer would have involved people making, learning, researching, bonding. They would have made friendships that lasted a lifetime, spoken at cons, and taken their skills elsewhere. Someone may have used such a creation as a senior thesis, others in a portfolio. One small bit of fun would have impacted many people, echoing through their lives.

Or you can throw things into an AI. Sure there’s some talent in tweaking the prompts, calling the best shots, and so on. The editing of such things definitely requires skill. But so much of it is disconnected or not as connected as it should be. I won’t deny that a person with AI uses talent and inspiration to create a larger creation, but it lacks that big, meaningful picture of an effort without AI.

An artistic creation is a lot more than the time you watch it on screen.

What AI turns out is results with little human connection, history, inspiration, or meaning. It makes “product” in the most empty use of the term - something designed to appeal to someone’s interests, something to sell, a result not a thing with history and meaning. We’ve taken an interesting tool and now people pitch it as a substitute for being human.

This is another reason I’m skeptical on AI creations beyond some more personal and specific uses. Where’s the human connection? The team that learned from making a show? The author you love and get angry at in equal measure? The voice actors to fan over? The choices only a person could make - even if they’re the bad choices of an actual human? Where’s what comes next, with lessons learned and ideas built on?

It’s not there. Just a machine turning out stuff in the rough shape of what we asked. It doesn’t mean anything.

Steven Savage

www.StevenSavage.com

www.InformoTron.com

#ai #creativity #sailor moon

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blazehedgehog · 2 years ago

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Thoughts on RE4 Remake?

I went from wondering why we even needed a Resident Evil 4 Remake, to being worried about a Remake, to now, finally, being accepting of that remake.

The combination of the most recent trailer + the Chainsaw Demo did the trick. The trailer really pushes the tone away from "we're taking Resident Evil 4 and making it more realistic and serious" (what I was worried about) and shows off a lot more of the goofy, over the top, slightly-off Hollywood action movie tone that was so great about the original Resident Evil 4. Luis chewing the scenery, the minecart segment, it all looked pitch perfect.

youtube

The demo is interesting because it shows a game that has a lot of respect for Resident Evil 4 but it's also interested in maybe making parts of it fit together a little better? Resident Evil 4 was a hell of a game, but this is a different-but-similar take on all of its ideas where it doesn't feel like a 1:1 copy of the original game with better visuals, but it doesn't disrespect what people liked about RE4, either.

Though when I write it out like that, I almost start to wonder what even the point is, then. I wouldn't say this invalidates the original Resident Evil 4 (I see someone out there about to talk about strafing and moving while shooting and to that I say: get over it, kid) and I wouldn't say the original Resident Evil 4 invalidates this, either.

It's a prettier game, sure. The forests are more dense. Everything looks more wet and muddy and gross. But unless you're the kind of person who dreams of working at Digital Foundry some day, I don't think that stuff necessarily matters? RE4 is right on that edge where it's an old game that doesn't actually look so bad. It's not cutting edge anymore, it doesn't look as expensive as it used to, but in the era where indies end up on the same storefronts as everybody else, and there's a gigantic culture of people trying to make games look old on purpose, the original RE4 still has extremely strong art direction and looks good for what it is. Especially if you grab the fan made texture pack, which sources as many of the original textures in HD as possible.

So they basically made the same game twice, but slightly differently in each incarnation. One looks and plays and sounds slightly more modern, with a rewritten story that aligns better with events both portrayed in the other remakes and the games to come after RE4. The other is already one of the greatest action games ever made.

Will be interesting what happens in terms of sales. Though I really enjoyed the Chainsaw Demo, I wouldn't say I necessarily feel like I have to buy the full version because there are things in that demo that are almost exactly 1:1 with the original Resident Evil 4. Which is a positive! They should be! Don't mess with what works! But also: I already own Resident Evil 4, and I would like to save $60.

#questions #Anonymous #resident evil #capcom #chainsaw demo #playstation 4 #re4

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independentartistbuzz · 2 days ago

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INDIE 5:0 - 5 Q's WITH GAVIN HOLLIGAN

Some artists stumble into music, while others seem destined for it.

For Gavin Holligan, the journey took an unexpected detour—first through the world of professional football before injuries forced a hard reset. But rather than seeing it as a setback, he embraced it as the push he needed to fully commit to his first love - music.

Now with a sound that fuses soul-baring lyricism, beautiful and lush harmonies and an effortless command of rhythm, Gavin has carved out a unique space for himself in the industry.

His work has led him to collaborate with music legends like Stevie Wonder and Gloria Gaynor, while his acclaimed ballad "More Than One" shows his ability to craft songs that leave a long and lasting impact.

As he gears up for new creative ventures, including an album that pushes him outside his comfort zone, a conceptual live night in South London, and ambitions that stretch from the Royal Albert Hall to film and TV scoring - Gavin sat down with us to talk about his journey, the power of music to connect people, and the dreams still waiting to be realized.

From the pitch to the stage, your journey has been anything but conventional. What inspired you to leave behind a professional football career and pursue music full-time?

To be honest, Music was always going to be a pursuit, it was just a matter of when! Injuries persisted plague me throughout my career, and eventually there came a time when I began to resent not being able to stay fit and do what I knew what I was capable of.

My outlet and passion for music actually kept me going, but then I just mentally snapped after a final hamstring strain, and walked away for good, without hesitation.

Your music blends soul lyrics and spacious arrangements with a timeless sound.

How do you approach the process of creating a song that resonates so deeply with listeners?

Thank you, that’s a lovely summary.

Well to be honest I have developed my sound over the course of 12 years, through many many twists and turns creatively, experimenting to find the main ingredients that present my artistry best. I guess my knack for poetic storytelling with punch and sometimes clever wit,

My tone of voice (which I guess is a DNA thing), my love for meaningful harmony (being a piano player) and my profound appreciation for rhythm. (growing up listening to all sorts of music ranging from Bob Marley and George Benson, right through to Antonio Vivaldi and Freddy Mercury.

You’ve worked with some incredible artists, from Stevie Wonder to Gloria Gaynor and beyond.

What’s the most valuable lesson you’ve learned from collaborating with such iconic names?

The main thing I have taken away is that music is a universal language. Every artist, every genre, every song, is always ultimately doing one thing, connecting souls to others that may be different on the outside, but wired similarly within.

Then also, the music that truly resonates with us, ultimately reminds us exactly who we truly are, (or at least who we long to be)!

Your ballad "More Than One" received lots of acclaim. What was the inspiration behind that song and how did it shape your identity as an artist?

‘More Than One’ is really a song of deep gratitude. I know as humans, we can fall into the natural habit of pointing out the things that perhaps irritate us, or leave us feeling sour or resentful.

With this song, I wanted to turn things 180%, and recognize the many trials and tribulations that others have had to overcome, as something I can be thankful for.

With your experience in both performing and producing, where do you see your musical journey heading next?

Are there any dream collaborations or creative milestones you’re aiming for?

I have so many creative roads to pursue, I am desperately trying to slow myself down and take things one day at a time! Haha. But long term, I have a dream to one day perform at the Royal Albert Hall. I would like to record an album in America at some point, and I would love to do a world tour if that opportunity arises. Also, I am very keen to explore writing for film and TV, as I think that would suit my artistic approach and give me a chance to channel that side of my musical voice more.

For now, I currently have a few other independent artists that I am enjoying creating with, and I am also about to launch my own conceptual 'live night' in South London (where I’m from and reside). Finally, I am currently working on a new album, which I am very excited about, as I am pushing myself outside of my comfort zone!

Listen to Gavin's latest single "Just Passing Through (Live Version" here now:

#spotify #youtube #music #indie #new music #interview #indie music #indie artist #rock #pop

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dragontamer05 · 11 days ago

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I fully support and on board with wanting to see Game Freak/Nintendo expand and improve on the pokemon games. I want them to be able to put out and showcase what the developers can do.

However might be a hot take but I really don't think that means, or has to mean things like Realistic Graphics or Full Voice acting.

If it's for like a one off, spin off/side game type thing Ala- Colosseum, XD, hell even Pokemon Conquest where development of it is it at the very least fully handled by Game Freak themselves then you know what sure. I'd love to see what could be made.

But in terms of the main games themselves Hell No. For one even with change of consoles, going from Pixel to 3D models and all the changes that came with it there's still at least some amount of consistency. Bright popping colours, cute things look cute and cool designs still look cool. Characters are recognizable plus over all the art design is seems to try and balance complex elements (with varying success) while also kinda remaining simplistic which allows for KIDS - their main target demographic although a game that can be enjoyed by anyone- Kids to be able to draw out their favourite characters themselves.

Sure I agree a little more details- and perhaps what might help best being able to get the game to better handle stuff like light and shadows consistently. Whatever can be done to help the games look their best I'm for it. But looking its best I really don't think means needing to go overly detailed/realistic. You change up the games look to much and you're gonna end up losing part of what makes a Pokemon game a POKEMON Game. And then you can bet your ass people would start complaining that 'Yeah it looks great but it doesn't look/feel like a Pokemon game'

Pokemon ain't Zelda, or Monster Hunter or whatever other game you want it to look more like.

To take a page out of Jurrasic Park, All people keeping thinking about is if they could instead of thinking about if they should.

Same goes for voice acting.

Look I enjoy some good voice acting in games, it can be a lot of fun however not every game needs it or should have it.

Animal crossing has it's fun little garbled noises take that away and put in full voice acted lines and I think you'd take away a lot of the games charm.

Zelda has proven it can work with voice acting but it's also long proven itself to work just fine without such. Using not much more then some small character noises- grunts, laughs, sighs ect, and not much more then like a 'Hey' sound for some characters when they're calling to you.

Or Okami. Beloved game without a lick of voice acting and frankly I don't want any. It also works off the Animal Crossing school of little noises- just changed in pitch/speed/volume/ ect to fit the character.

Now I can agree voiced or not the choice of animating characters talking in Pokemon games with out even some kinda of noise is an odd one and if they really want to keep that particular choice up - in particular having those full rendered cut scenes, I'd say at the very least maybe they could implements some sort of extra sounds of some kind or just do something to at the very least distract/take away from and make up for the lack of voice acting.

Besides the fact that fully voice acted games would take all the longer to be released- which sure for the development stand point of like the over all game not a bad idea and the games do deserve more time to cook before being released but that doesn't mean all that extra time would actually get put into / used with developing the game itself.

Not only would they need to at minimum have JP voice actors but then comes the decision of how many languages should they dub it into and what can they afford and then going through having to hire all those vas.

And once again we're back to the simple fact of not being able to please everyone as no doubt at least some people would be bound to fine some problems with voice acting. Not liking how one sounds, nit picking if 'oh the horror' there was a slip up oops maybe there's some lines of dialogue that they couldn't make match lip flaps perfectly or god knows what but you know someone would find something to complain about (whether it be an actual issue or just some personal gripe)

Over all I think when it's situations that are like one off side games with a smaller cast of characters to handle like say Pokemon Snap those are great for voice acting, and just in general sort of an experimentation exploration ground for things that may not work or fit well within one of main line games - it's great that they've been trying to do more with their classic formula of game play, trying to find ways to mix it up a little so the games aren't exact but come on they're always going to hit some of the same beats.

#and I want to be clear I'm not saying that graphically the games have been perfect or can't be improved here and there #only that they could easily improve and modify within the current existing look of the game without needing to make shit realistic #also people will talk about wanting better more detailed graphics while also complaining about the game lagging and barely able to manage-#said graphics #look maybe this is just me cause I grew up for a while playing mostly handled games and most of what had didn't have voice acting anyway #so I just don't care most of the time

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speed-seo · 11 months ago

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Micro-Moments: Your Secret Weapon for Winning at Digital Marketing

Scroll, tap, scroll. That's us - looking for whatever we need in the moment. Need the best taco spot nearby? Grab phone, search, tap, get tacos. These I-want-it-NOW moments are called "micro-moments." And they're a goldmine for marketers who know how to grab them. Think about it... People turn to their phones to satisfy needs as they happen: - "Fix this kitchen faucet leak NOW!" - "Where can I rent a cabin this weekend?" - "Is this pain serious or nah?" In these micro-moments, we want quick answers. Not tomorrow, not in an hour - RIGHT NOW. So creating fast, snackable info for micro-moments is 🔑. But how? Image by LinkedIn Know Your Audience's Micro-Moments Get in their shoes! 👟 What info are they searching for? 👟 When do they need it most? 👟 Where are they looking? Research helps you guess their micro-moments so you can be there ASAP. Use Intent-Focused Keyword Research Plug keywords into tools like Google's Keyword Planner to see: - Monthly searches for that term - Related long-tail keyword ideas This reveals micro-moment intent and search trends. Tap Into Data Analytics Your website and social media analytics offer a goldmine of micro-moment clues: ✅ Traffic sources/landing pages show where people come from ✅ Location data reveals where searches happen ✅ Times/days of peak traffic indicate when intent is highest See what questions they're asking and pain points they have. Survey Existing Customers Ask them directly about their pain points and moments of need on your website, social posts, emails, and pop-up surveys. Questions to ask: - What problems/questions do you have before purchasing our product? - Why did you choose our brand over competitors? - When during the day do you typically research or shop online? Map Their Customer Journey Trace your typical customer's full journey. From initial research to final purchase and beyond, think about what they might need at each stage. This reveals potential micro-moments. For example, someone wanting to repair a device might: - Google "how to fix broken phone" - Watch a "replace iPhone screen" YouTube tutorial - Search "iPhone screen repair shops near me" - Visit your website for prices and availability - Book an appointment online Now you can create info to assist at each step! Check Out Related Searches Search for relevant keywords on Google and scroll down to "Related searches." This shows other questions people ask around a topic. If you sell gym equipment, "best home gym equipment" related searches could be: - Are treadmills worth it for home use? - How much space do I need for a home gym? - Can I finance home gym equipment? These become ideas for micro-moment content! Pro Tip: Look at search questions and map their journey for more clues. Satisfy Their Micro-Moment Needs Give them EXACTLY what they want in that moment: ⛔️ Don't make them work for it ✅ Do make it crazy easy to take action Create stuff like: - ⏱️ Short videos - 📰 Blog posts with lists/steps - 📱 Easy access on mobile Optimize EVERY piece of content to fit a micro-moment. Focus on Solving Their Problem Don't sell. TEACH and help! Give practical info to address exactly what they need right then. If someone wants to know how to treat a sprained ankle ASAP, provide first aid tips, not product pitches. Speak Their Language Use words and phrases they actually search for. If your audience says "damaged skin" not "skin lesions," write content accordingly. Give Clear Calls-to-Action "Click here to download the checklist," "Find a clinic near you," "Call now for a free quote." Make it obvious what to do next. 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Let me know if you have any other favorite micro-content tools I should check out! Micro-content example: How to Do a DIY Phone Screen Repair Cracked screens happen to the best of us. But phone repairs can be expensive. Luckily, you can fix a cracked iPhone or Android screen at home for less. Here are the step-by-step instructions: With the right parts, some patience, and these tips, you can save money and time by DIYing it. [/article> Formatting your micro-content for quick consumption is crucial. Promote Your Micro-Moment Content You created amazing content...but will people see it in time? Get it in front of them RIGHT as they have a need: 🔎 SEO helps them find it when searching 📣 Social media ads target micro-moments 📧 Email subscribers contextually relevant content Optimize for SEO - Include target keywords in headlines, text, alt text, URLs. - Localize content with city names, zip codes, etc. - Publish location-specific content on relevant pages. - Research keywords for each micro-moment topic - Optimize pages/posts for those terms - Include location/time modifiers people search Someone may search "oil change near me this weekend." Are you there? Case Study One of our clients, a law firm increased mobile conversions 300% optimizing location pages for "injury lawyer Limassol," "personal injury attorney Limassol," etc. Retarget Site Visitors - 87% of website visitors aren't ready to convert at first. - Retargeting grabs their attention as they visit other sites. - Display relevant ads, offers, or content they already showed interest in. Send Contextual Push Notifications Timing is everything. Notify mobile app users with: - Cart abandonment reminders - Relevant offers when they're nearby - Appointment confirmations - Order updates - Recommendations based on past purchases Personalize push message content to each user. Satisfying micro-moments wins trust and conversions. Are you ready to grab them? Let me know your favorite micro-moment marketing tips below! Run Social Ads During Key Times - Identify high-intent times based on past analytics. - When do most people book appointments or buy certain products? - Target social ads to reach them RIGHT then. Send Triggered Emails - Segment your email list based on: - Recent purchases - Page views - Abandoned carts - Send hyper-targeted content based on their micro-moment Retarget Site Visitors Use pixels or cookies to track website visitors. Then retarget them with related ads as they visit other sites. For example, retarget "how to fix drywall" page visitors with DIY tips across the web. Personalize Website Experiences with Micro-Moments - Greet return visitors by name - Recommend products based on past purchases - Show content relevant to their location The more tailored to each micro-moment, the better! Monitor Performance See which micro-moment content resonates most. Find out: - Where is it getting the most traffic from? - What times/days perform best? - Which keywords and ad placements work? Keep fine-tuning to maximize your reach! Satisfying micro-moments wins trust and conversions. Are you ready to grab them? Let me know your favorite micro-moment marketing tips below! Read the full article

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husbandohunter · 4 years ago

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You know ur small predicament post?? you should make a reverse version where s/o is smaller!

A Smaller Predicament [Genshin Impact x Smol!Reader]

Characters: Scaramouche, Diluc, Kaeya, Childe, Xiao, Zhongli, Albedo

Synopsis: Not only did you shrink, you went pocket sized as well!

(A sequel to "A Small Predicament")

(A/n): Sorry for the long wait anon, and I kind of added a twist to the scenario for more diversity hahaha hope you don't mind >_<. And why is Childe the poster boy for this series lmao.

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Childe

When Childe walks in, he doesn't see you....until he looked down. He almost crunched you beneath his feet if it weren't for your constant flailing of arms and screeching voice. He blanks out for a hot minute as you clung onto his toes, doesn't dare to move an inch because he's so petrified (even though there's nothing to be afraid of??). But honestly if Childe moved right now, he might accidentally flail you to the side and that's the last thing he wants.

"WHAT HAPPENED TO YOU??" He screamed so loud it nearly blew you out of proportion. Seems like he's going to have alot of adjusting to do. Childe is a tall man (canonically the tallest) and he knows how impulsive he can get which is why he bought a handmade dollhouse from one of the Liyue merchants for you to stay in.

Though there's something about your tiny size that makes his heart flutter. With your face so small with a pair of eyes far too big, *clutches chest* "My oujo-chan is so cute" -Childe probably. He won't stop saying them over again and you were growing tired of his gushing reactions. He can't help it. He wants to spoil you rotten. You fit right onto the flat of his palms, the way you just snuggle up againts his finger and he just- swoons, might tear up (bruh).

Toys may be for kids but for Childe it was now his favourite pass time. While you navigate around the wooden dollhouse, he pitches in by moving around the furniture to make it easier for you. Offers to carry you through the rooms like a personal elevator. And please, please let him tuck you to bed. He has to pinch his fingers to grab the blanket. It's so adorable to him.

Loves it when you snuggle up against his collar. He thinks it would be the best area for you to be nearby him since the risk of you getting hit by anything (or him) by accident is very slim chance. Sometimes he pulls up his collar so that you're more comfortable and cradled within. He would have to avert his eyes down rather than turning his head if he wanted to look at you otherwise you'd be hit by his chin and that would hurt.

The poking sensation with you by his neck can bother him since he's veeeery tickilish there. Plus, Childe can get easily sweaty so have fun with that.

You have a feeling that he wasn't so pleased when you transformed back. You might be right. Actually, you are right. He secretly has an extra potion hidden somewhere...just in case.

Diluc

Mortified, his soul just left his body. To think things couldn't get any worse ever since he turned into a child to the point no one took him seriously, now you're literally the size of an apple. Oh god what if his bird suddenly swoops in and gobbles you right up? Or the wrath of the wind comes by, swirling you away towards a tornado. Needless to say, Diluc grew paranoid over your well-being ever since.

Due to your extremely small size, he will ensure that you are supervised by him (except at night where he has places to go). In otherwords, you're slipped into the inner pocket of his coat. It's super warm, you can fall asleep (and feel his heartbeat awww). Diluc doesn't like keeping you in places where people can see you, it would be too easy for outer things to access your tiny form (or maybe he secretly likes the feeling of you in his pocket.)

And he's such a gentleman about it. You noticed how careful he moves among his footsteps because he's worried that you might get dizzy. Diluc guards the pocket at close parameter, keeping an eye on things so he won't bump into them. As if he was treading on thin ice (you even suggested it was best to leave you home but he's too overprotective for his own good).

You're like his little assistant. Diluc does so much paperwork through out the day and although the act was small, he finds it endearing how you would help bring the papers back to it's rightful pile or pushing the ink bowl towards him. Or during his shifts at Angel's Share, crawling around the glass utensils and trying to find a specific wine beverage on his shelf. Of course that only happens when the shop is closed, how is he going to explain to his patrons that you shrank and now live in his pocket?

He dislikes the thought of you wandering too far. It's so easy for you to get lost especially when the mansion is so large.

At night you now sleep atop the fluff of the pillow. Diluc is a calm sleeper so he won't have to worry about hitting into you. However he radiates warmth so you just subconicously roll towards to his face. He usually wakes up with you sprawled over his nose. He can hardly breath (careful, he might just sneeze too).

This all happened because of the experiements you participated with Albedo. Diluc ensures that doesn't happen again. It will take some tencaious effort to convince him otherwise.

Scaramouche

Fuck this guy. He treats you like his new pet, a new toy (though you technically are one). He has this arrogant, smug and sadistic look as if he was a predator looking at his prey and grabs you by the collar before dangling you up in the air.

"Hmph, looks like the tables have turned," he says while toying with your state. You tell him he's just angry because he's short himself and mad that everyone else in the Fatui organization is taller than him. Scaramouche demon face activated. He's about to devour you. (Maybe you should keep your mouth shut this time. Honestly your relationship with him is pretty weird).

His hat is so fun to play with. You'd swing around like Tarzan using the strings that were hanging from it. His head was your playground now which annoys him to an enourmous extent because it makes him look ridiculous. Scaramouche will have a hard time catching you since you move around so much. Climb around him, especially the back of his neck. He'll start wheezing when you tickle him there.

The type to put you in a box but also the type to keep you on his shoulders. Being relied on makes him feel taller (lmfao). Scaramouche seemse to have developed a habit to poke your cheeks whenever he needed your attention and you bit him back once when he pushed too hard that you nearly fell off. Despite your size, your teeth still hurt. He threatens to put you back into the box if you don't behave and the outcome ends with a full out brawl as he tries to grab you again while you run around, pulling the strands of his hair to climb on top of his hat. (This is literally Tom and Jerry wtf.)

After transforming back, he outwardly admits his disappointmen. Scaramouche says it suits you better (when he actually meant that he highly prefers you small). You marked his words, keeping an extra vial for your own entertainment in the near future.

Xiao

Xiao was face-palming against his forehead real hard about this. For the love of Rex Lapis, what kind of trouble have you gotten yourself into this time? First it was the child incident, now you're the size of his finger? Good grief, looks like he will have to keep an eye on you from now on but at the same time he's scared to get too close, you are nothing but a tiny mortal in which he would have to double his effort to look after.

He lets you sit at the crown of his head rather than anywhere else. You insisted since it was easier to see everything at a nice distance (plus he's short so you won't have to worry about him bumping into door frames). You noticed that Xiao also has a little strand sticking out from the center (ahoge) and you sometimes grab onto it for stability. Turns out he's quite sensitive there and winces when you pull too hard.

For the remaining week as the antedote was being prepared, Xiao became extremely aggressive over your well-being, he looks as if he's ready to massacre everything in his way...which he did. Clears out the monsters off the path before going on daily strolls with you, you wouldn't have to lift a finger from now on. No one except for him is allowed to hold you unless they're a trustworthy person. You could feel his sharp eyes glued on you like a hawk when walking into the grasp of Zhongli's hand.

You once accidentally tripped into his almond tofu when he wasn't looking and he almost ate you. Turns out being small made his job as your gaurdian ten times harder (especially when you're the clumsy type). If you were to fall off the table, he would have to catch you right? Xiao often bumps into furnitures in the process...ouch!

He's very soft. It's all over his forehead, his mouth, his eyes. When he looks at you, his tense eatures melted away and there's an invisible fondness over them as he cradles you in his palm. The way you snuggle in them is lke the most precious thing in the world.

When you turn back, there's a wave of relief. He was really stressed out you know?

Zhongli

His first thought is to get you as far as he can from the Funeral Parlour before Hu Tao finds you. Who knows what that child might have in mind. Zhongli takes one of his empty tea pots and urges you to go inside, or carries a tea cup with you in it, he likes placing you on objects while carrying you around.

Zhongli realizes that you can no longer use the household items like before so he has to remake them to your standards- especially when he realized he doesn't have the mora to buy you a dollhouse. He improvises. Takes a handkerchief to make your blanket, his cups for your bathtub, Zhongli had to cut the foot into byte-sized too. But in terms of clothes, well he had to make them as well. Living thousands of years would mean he would have lot of experience. Sewing was one of them luckily. But that would mean he has to take your measurements as well. In the end, most of the things he made were dresses since they were alot easier.

You like to sneak in between his shirt and his vest tucked behind the coat he wears. Unfortunately Zhongli doesn't seem to have visible pockets (most likely the reason why he doesn't carry mora either), though if you don't hold on tight you might just slip down his vest and right to his stomach. It makes him chuckle when that happens even if the amount of effort to get you out took more than he thought since his attire is quite complicated to put on. If you really want to climb on him, he'll find a seperate pouch (but realizes it won't be a good idea when there's alot of pick-pocketers in Liyue streets).

All of a sudden he reads you bedtime stories. It's some sort of inner instinct that tells him he's taking care of a child now (he's right though). You realized that his voice was equivalent to a thunder's roar due to size difference. He would have to whisper now.

It will always be part of his precious memories when you turned pocket-sized. Zhongli still keeps the clothing he made somewhere in his closets too.

Kaeya

Amused by this eventful situation. Absolutely thrilled! He's not evil like Scaramouche but this new version of his s/o is both adorable and fun at the same time. You're so easy to tickle, just one poke using his finger against your hips makes you yelp. Sometimes he twirls your hair or taps your forehead gently despite your protest, he's so handsy like always in an affectionate yet annoying way.

Kaeya picks you up and places you among the fluffy comfort of his feathery scarf. You sneezed, the last time he cleaned it was before he went on a mission with the knights. Though you have to admit, it's the best feeling in the world. It's so soft you might sink deeper into the fabric. He likes to put you in places where he can talk to you easily, sometimes on the table while he downs on his wine. Normally you have to take the bottle away before it gets too much, now you have to push it away which he finds very entertaining at your futile attempts.

"Don't you have anything better to do?" you tell him. Since you turned byte-sized, he can't seem to stop playing around. Takes his two fingers and pretends they're legs walking across the surface. You would turn around and he halts, Kaeya sends you his signature grin. When he promises that he wouldn't do anything funny, you would let him hold you. Since hugs are out of the equation, Kaeya gives you his finger instead to wrap your arms around. He can't get enough seeing you like this, things he couldn't do when you were normal-sized. he enjoys your reactions way too much.

His favourite pass time is helping you brush your hair because the hairbursh is too big for you to handle. Kaeya ensure he's handling things delicately but he would love to help style it for you as well. Pretty please? At this point one request turns to another because he's having way too much fun. But it couldn't be helped since you would need his assistance in almost everything so there's really no escaping.

You were so happy when things were normal again but Kaeya would bring this up again during your conversations (how next time he would like to put you in his drinks while you're wearing a swim suit).

Albedo

Legit blurted out if he could put you on a hamster wheel.

What about trying out the little maze he just made?

Or participating in a race against slimes of different elements?

No? Okay, then he'll just turn you back.

Albedo isn't going deal with this as along as he can help it (especially when he remembers what Klee did to him when he turned small.)

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lolita-lollipop · 4 years ago

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Royal siren erasermic family? They like adopt you after you hatch from an egg bc they found you or something idk and take you back to the castle and make you their little princess or something cute and fluffy like that.

YANDERE SIREN ERASERMIC FAMILY X BABY PRINCESS READER

Shinso was just out and about, swimming through some forbidden areas he wasn’t supposed to be in, avoiding sharks, when he found an iridescent little ball under some rubble of a shipwreck, it made his gills tingle at the sweet aura that it emmited, he knew, that this creature, was something to protect. It was up until he saw something moving inside that he thought it was just some ancient treasure that would’ve died with this ship, he examined it closer, squinting his eyes, that’s when he realized, it was a Siren. A baby one at that, usually they hatched out of boring white eggs, the royal family’s were gold, but a shiny color changing white that combated the finest of jewels? Never, this little pip was special, he could feel it.

So he brought it back home, through his “balcony window”, debating wether or not he should tell his parents. As you know, he was somewhere where he was not supposed to be, and they would throw a fit. Then again, whatever this thing was, he couldn’t just keep it to himself, something was living inside it, and he wouldn’t know if something was wrong, so he has too. When he did, it came as a suprise that his parents weren’t mad, they jsut kindof stared at the orb, inhaling the addictive scent it gave off, the three huddled around it, aizawa carefully picking the Small thing up, it was only about the size of a pumpkin, extremely easy to pick up, yet he could still feel the heartbeat of a creature inside, it just had to be one of the sirenfolk , there isn’t any other explanation. He stared at it in confusion, noticing the small cracks staring to form.

Then a little hand popped through, and scared the shit out of all of them.

———

As it turned out, you were in fact a siren, a rare subtype of them, thought to have gone extinct long, long ago. The opal-looking scales that littered your arms and tail showed proof of it, this species were intensely more fragile, and weaker, that’s why they went extinct, as they couldn’t hear, and a small crabs pinch could cause major bone breaks, they were just too weak, yet so beautiful. That’s why they were coveted among the royal family. It only helped their growing obsession taht you were so cute.

It might’ve been an act of I’mpulse, but they just needed to have you as their own, of course, their word is law, so they could’ve just kept you, but they felt the need to make it official, they’d already had two pips, you’re just their third! It was simple, of course, you specific species could be born into sirenfolk families, it was just so rare that it had only happened once. You were just so cute, so fragile, just something so breakable, they just

H a d

To protect this tiny lil thing, it was instinctual to feel a protective pull over their little pups, and boy were they feeling that right now, you were special, not just any baby, but you were theirs. Their special little pup, nothing would ever lay a hand on you, ever. It had only be a few days, and word spreads through the underwater kingdom like a wave, from the servant maid who showed them how to take care of you, to the head maid, to a citizen, to the fisher, and eventually, by the end of the week, the whole kingdom was eagerly waiting to get a glimpse of their new princess.

And boy were they shocked to find out it was an opalite, the most rare of rare sirens in the world. Immediately after they had shown you to the world, sitting in a large clam as it was pulled by sharks, the citizens fell in love with you, maybe it was the fact that you were related to their beloved royals, maybe because the royal family would intensely glare at anyone who made negative comments, maybe it was the fact that a few of those people went missing, but who knows right?

You still hadn’t been able to open your eyes yet, and you won’t be able to hear them for a very long time, your hands were about the size of aizawas eye, and you looked closer to a fish than a human, as you hadn’t even developed your face yet, another plus to being the endangered species, note the sarcasm. And guess what? They found it so adorable, just their cute little baby, their little pup who can’t even protect themselves from the water around them. They just loved every part of your little body, from your tails, to your tiny little hands, to your shiny gills. It was all just so perfect- you were so perfect, and you were theirs, they were gonna protect you at all costs.

So of course they did, you were just so tiny right now, they knows practically anything could hurt you, so they opted to be around you all the time, only leaving to hunt for humans that would suffice for their tastes, drawling them in, determined because of that little smile of yours. You motivated them to do it, they were doing this for you. It have them all a sense of pride to have you feel safe with them, to rite them you. On their own terms.

Eri was constantly around you, being that she was a young one just like you, and you were her little sister! So she wanted to always be around while you made those echoing gurgling noises, or flapped your hands around in the water, she didn’t have responsibility in the kingdom yet, unless being cute is a job, so she can be with you jsut as much as she wants. Always sitting with you while you played with the floating pearls that they had arranged over your play area, watching you feel new things, holding you while you dozed off with adorable little bubbles, she always was with you.

Like now, she’s been with you all day, giving you little snacks, glaring at the guards at the door who always had their eyes on you… creeps. The sun was almost setting, and when you’re low down in the ocean it goes pitch black after a little while, and that’s when the jellyfish come out, tonight was one of the most special days out of the year in the northern oceans, the jellyfish festival, the one night a year when the rare white jellyfish would come out to say hi, leaving trails of shimmering sparkle behind them, painting the upper levels of the ocean a shiny silver. It just so happened that it occurred on your first birthday, a very small increment to sirens, as they live almost a billion years, but still a big accomplishment in their eyes. Look! Their little baby girl is turning one! How amazing!

“Do you see them hon? Look, they’re just starting to appear” Aizawa asked both you and eri calmly, swishing his hand through the salty water to pint at the new appearance of white and purple blobs, slowly flouncing their way overhead. Eri smiled up at it, her pointed teeth displayed in full view, her eyes shined at the view, not only of the huge jellyfish, but also at you, who was placed delicately in mics lap, sat up against his chest. Little bubbles escaped your mouth as you blew raspberries into the water, just making the family laugh.

“Mm-hmmm! Look! Look! How pretty! I wanna touch em! Can I touch em!” She yelled at her parents, excitedly pointing towards the jelly’s floating towards the surface, her hair floated behind her as she swished around, shinsho just chuckled, knowing that she eventually would try to touch them, and get zapped, again, like last year, and the year before, and the year before.

“No hon. Don’t do that to us again, you wanna wish your sister a happy birthday? She’s probably really exited!” Mic cheered, distracting his daughter from touching the jellyfish, yet again, meanwhile, you were happily bouncing up and down on his lap, enjoying the freedom of your arms, swishing them all over the place, grabbing the beads around your neck, jsut anything.

“But dad! Why not! It’s not like it’s hurt me or anything I’ll be fi-“ she begged, throwing her hands up in a small tempter tantrum, clearly forgetting her previous events of pain, and idiocy.

“No- nope no no, we aren’t doing this again, please honey, just please, remember last time, we had to clean up your wounds OUTSIDE-of water, you hate going to the surface remember? “

“Yeah but-“ she started speaking, but was soon cut off with a loud giggle, resonating through your lips, kindof rare for you, you hadn’t been very vocal outside of a few gurgles here and there, so it had each and every ones heads turning. That’s when they saw it, your beautiful eyes, shin sing in reflection to the jellyfish. Those beautiful little eyes of yours mesmerized all of them, a pitch black (for protection from the salt), with a shiny silver-like pupal, immediately after they opened, a burst of color filled your vision. You giggled and clapped your hands together with a small toothless smile, watching as the floaty creates went overhead, glittering with the light.

The absolutely gorgeous splash above was admired by the family form their own viewing post, the blues and whites combined to make a heavenly display. You could feel the cool sprinkles of light they emmited hitting your skin, smiling at the feeling, you splayed your hands out and flailed them against the water.

“Ohhhhhh- oh wow. Honey! Honey look! Her eyes opened! Look at taht! Aren’t you just so magical! Look at you, my little pup.” Mic smacked Aizawa over the chest multiple times, pointing at your clearly opened eyes, you just remained oblivious, staring up at all the new things around you, like.. everything! He turned you around to face him, letting you actually see his face for the first time, taking in the long yellow hair, the (also) black eyes, the ethereal face dotted with shiny yellow gills, him, you could see him!

“She’s developing smoothly, I’m glad. Awww, that’s pretty cute.” Aizawa replied to him, holding in his emotions, as soon as he met those new eyes of yours it’s like everything else disappeared, like the world itself didn’t exist, outside of him, and his fmaily. You took his breath away, or what you could call breath, so cute and innocent, such a small thing, that brings so much joy. Your little tail swished back and forth as you stared up at them happily, taking in the features of the people you’d learned to recognize by touch. Blowing raspberries out of your lips with a stream of bubbles.

“Awwwww! I’m gonna cry, she’s growing so fast! Soon she’ll be swimming in her own! In like 200 years! Too soon, way too soon. Comers baby- mm hmmm” mic spoke, knowing full well that even if he did cry, his tears would get sucked in by the ocean. He pulled you close, moving your head I’ve this shoulde is it would rest in the crook of his neck while he hugged you, eventually, the others joined in, eri practically flopping ontop (with careful regard for you of course).

They all stared at you, while you stared up at the “sky”, oblivious to their stares, to the ways they would growl at anyone who came close, to how they kept you from seeing anyone other than what they personally approve. After all, you are jsut their little pup, of course you wouldn’t notice! Their little pup… feels right to say that, it isn’t like you have any family waiting, they aren’t ever gonna come here.

And if they ever did?

Then, well, a few mermaids are going missing

———————————————————————————————————

Thanks for requesting, this was fun to write!

Have a great day today! Goodbye.

#yandere aizawa #yandere erasermic x reader #yandere erasmic #yandere erasermic #yandere erasermic family #yandere siren #yandere fantasy #yandere x child reader #yandere x reader #yandere platonic #platonic yandere #platonic obsession

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zahri-melitor · 11 months ago

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I don't know if it's just me but it feels like alot of the points people use to criticise Tim are things that can actually be seen with early Damian writing. The too smart, dangerous, over-competent and slightly murderous character doesn't really fit Tim as a character even though he's ascribed to that and criticised for it but it can easily be seen with Damian.

I don't hate Damian as a character, but I get what you mean about it being tiring that DC keeps pushing him to the top of the totem pole especially since the way the do that is by making other characters seem incompetent and by ignoring other characters. Also correct me if I'm wrong, but I don't think Cass, Barbara or Tim have been on the Justice League but Damian as a teen younger than them technically is/was?

Oh boy. Late response on this, but I've been playing with it for a while.

Starting with the last point first: Tim’s actually the only one of those three who hasn’t been on a main universe Justice League at any point.

Barbara was a member of the JLA after the Morrison reboot for quite a while between 1998-2000. She’s also got the tendency to pop up in JL stories and events as one of the computer folk helping maintain their systems. She’s certainly more focused on her OWN team and I don’t think she’s ever been a member as Batgirl, but as Oracle? As Lian Harper says in Titans #1 (1999), she’s secretly running the League.

Cass was a member of Justice League Elite, a morally ambiguous Justice League spinoff coming out of one of the more confusing JLA arcs. She was placed on the team undercover as ‘Kasumi’ by Bruce essentially as a spy. In tone it feels like DC trying their hand at a The Authority ripoff before they gobbled Wildstorm up. Is it a good series? No, but it does mean Cass has been on a Justice League team with Wally, Ollie, and a bunch of Z-listers you’ve never heard of. (Someone is now going to defend oh Manitou Dawn to me and while I DO like her, she's a Z-lister, sorry)

Digression aside!

I think a lot of the time when people are arguing against a character, they are frequently complaining about the flanderised, fanonised version of that character that they trip over in fic all the time more than the character on page in comics. Not always! But those do tend to irritate people more.

In terms of "what people want to argue fanon Tim to be, Damian already is" sort of? I mean there are multiple fanon versions of Tim, but yes, "too smart, dangerous, over-competent and slightly murderous" is a common one among people who want to really insist Tim killed lots and lots and lots of people in Red Robin #8 (a reading I do not subscribe to). It is equally an okay but not great description of Damian, in that I would mostly place even early Damian as 'dangerously violent' not 'murderous' by BFTC.

I don't think it's great in terms of complete accuracy for either of them, but yeah, if you boil things down, it's closer to Damian's actual character than Tim's.

In terms of DC pushing them: yeah, Damian by being THE Robin between 2009 and 2019 or so got a solid editorial pitch as a central character, because 'Robin' as a title has that extra cachet outside of intense comics nerd circles. There were events and storylines that centred his position as The Robin, but equally it comes out in basic things like...which characters are prioritised to appear in anthologies! If we are writing a Batman Christmas story, let's have it feature Bruce and Damian, or Bruce, Dick, Damian and Barbara. And so on.

Now whether Damian's getting prioritised over every other 'kid' of the family is a murky discussion - there's a place for the conversation that certain writers in particular had a tendency to focus on Damian being Bruce's biological kid, over and above the adopted children - but generally it comes and goes in waves and with what stories are pitched. It's very clear when you read comics that some writers just like using particular characters more than others. There's often stories written where to make the story work, someone has to be left holding the idiot ball or being needlessly aggressive, to provide conflict, and writers who do this obviously have to choose someone to do it for them. If a story is centring Damian, generally he isn't going to be the one who finds out he's wrong after providing the conflict. If it's centring say Tim, then Damian might be used to push the narrative forward. And when a writer does like one character more than another, they might choose the one they don't intend to write often as the one who gets stuck being idiot ball.

TL;DR: on some occasions Damian might be being prioritised. On others he isn't. He got a lot of spotlight to himself during the 2010s; that's been more balanced since then (honestly Dick has been the one hogging spotlight for the last few years, if anyone).

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nepenthendline · 4 years ago

Text

A Characterisation/Writing Guide - Autism and ADHD

Hi everyone! This post is going to be a guide on how to accurately write characters with Autism and ADHD. I have been so many works where Autism and ADHD have been terribly written - using so many stereotypes and just nonsense that has nothing to do with neurodivergences, so I hope this helps educate writers and give them more confidence to write such characters.

For reference, I have Autism and ADHD, as well as many friends with either, therefore this information is coming directly from a neurodivergent.

This guide will be split into three parts: characterisation in both Autism and ADHD, Autism chracterisation and ADHD characterisation. This being because Autism and ADHD, while two different disorders, do have some overlaps.

TERMS:

Neurodivergent - describes those differing in mental or neurological function from what is considered typical or normal

Neurotypical - describes those who are considered normal and do not differ in mental or neurological function

NOTE - Not everyone is the same. Everyone is different and will act and feel in different ways, this is simply an overview of how Autism and ADHD typically can be characterised

MUTUAL CHARACTERISATION OF AUTISM AND ADHD:

As mentioned before, both Autism and ADHD do have overlapping traits that can make them look similar at times, although it is important to remember they are two very different disorders.

Autism and ADHD are NOT mental illnesses or learning disabilities. They are neurological disorders that people are born with, and cannot be treated or cured. Neurodivergents can learn techniques to help manage their difficulties, however. It is important to note that while these are not mental illnesses, it is very common for neurodivergents to have mental illnesses (particularly anxiety or depression) or struggle with learning as a result of their difficulties.

MASKING:

Masking is a technique that neurodivergents develop in order to act or speak in a way that is ‘socially acceptable’ or neurotypical by observing and replicating neurotypicals in different situations. This includes subjects such as not stimming/keeping still, not saying particular things, following social cues, speaking with specific tones at specific times and so on.

Not every neurodivergent will mask but most do. Everyone does this to a different extent; some mask 24/7 to the point where you would barely be able to recognise any ‘abnormal’ traits, whereas others only mask in more serious or professional situations and let loose around friends or family. It is up to you as the writer to decide how your character will mask, however there tend to be some trends. For example, those with high-function Autism (especially girls) are much better maskers than low-functioning Autism (especially boys).

Masking is exhausting; it takes a lot of effort to, essentially, act as a completely different person for the entire day. This does not mean that neurodivergents are two-faced in any aspect however. Neurodivergents simply tweak their existing personalities to ‘fit in’ with the people or situation.

Masking in writing:

It is quite difficult to write masking as the person is essentially just acting like ‘normal’. However, there are some things you can include that help demonstrate masking:

Adapted stims* that are much smaller and undetectable than a person’s usual stims, such as fiddling with their fingers or edge of their sleeve, looking around often or slight movements such as swaying or playing with jewellery they are wearing

Speaking more or less than usual and with much more changes in their pitch and tone

Slight cracks in a character’s masking, such as stimming when others aren’t looking, not holding eye-contact when speaking, face or tone falling flat at points

*Stims will be explained in the next section

STIMMING:

Stimming refers to self-stimulating, repetitive behaviours that are done to often calm a person down when in stress, or to show high levels of emotion such as happiness. Both neurodivergents and neurotypicals stim, however there are some difference.

The most common examples of stims are bouncing your leg when sitting in a chair, clicking your pen repeatedly or tapping on a table, which are things that most people have done at some point. The difference is that neurodivergents have a lot less control over their stims, and they tend to be much ‘bigger’, louder, distracting or harmful. It is also much more difficult for a neurodivergent to stop or ‘hold in’ their stims, causing more stress and agitation. Some people have small stims like fiddling with their hands, others have much bigger stims like waving their arms around, and some have harmful stims such as scratching or banging their head against a wall.

Stimming in writing:

If you are ever asked to write about how a character would help someone else/a reader with their stimming, please never ever write about the character stopping the other person/reader. This is extremely harmful for the stimming character and projects a view that stimming is bad or ‘naughty’, and many people have faced trauma over being forced to stopped stimming as it is seen as disrespectful or distracting. Stimming is often one of the only ways neurodivergents can clearly express their emotions. If you stop a stim, the person will simply stim in another way. Instead, try these ways:

Stim toys that the character can use, these are often small and discrete, and can allow the character to stim without harmful, loud or large movements

Distracting the character with something else, possibly an activity, something to hold, or audio/visual distractions

Reassure the character that these stims are ok and they are safe to do around other characters

Take notice of the situation the character is in, why are they stimming? Are they anxious? Are they excited? It is better to prevent the situation in the case of stress rather than try and stop the person from stimming, and allow the character to stim when feeling happy

In romantic situations, allowing the character to stim with their partner shows high levels of trust and acceptance, and it is also comforting for the stimming character to often use aspects of their partner to stim, such as playing with their partner’s fingers or hair

Exercise is a great way of helping those who stim often to release pent up energy

Stimmers can trigger other stimmers, so if you have two stimmers in a room together, chances are they will stim together, getting louder and bigger than usual

SENSORY SENSITIVTY:

Both those with Autism and/or ADHD tend to struggle with sensory sensitivity. This describes how people are easily affected by sensory input (sight, sound, taste, touch and smell). Most cases of sensory sensitivity end in distress, fear, panic and overload, however there are some people who feel comforted by high levels of sensory input. When people deal with too much sensory input, they often go into a ‘meltdown’. This is different for everyone, but often includes irritability, panic, shutting themselves off from others, extreme stimming and a feeling of being severely overwhelmed. Some people cannot speak at all during these episodes. while others may shout or make noises. They are often mistaken for tantrums, bad behaviour or just being grumpy. Young people tend to have much more active meltdowns, such as shouting, stimming, running off etc, however older people (especially girls) then to be more quiet, shut off and unable to continue speaking or doing tasks. That being said, everyone is different and anyone can have a different meltdown.

Sensory sensitivity in writing:

The best way to describe sensory sensitivity in writing is relating it to pain or panic. Often those with low tolerance to sensory input describe loud noises, for example, as physical pain in their head, or certain materials as making them feel faint or nauseous.

Sensory sensitivity relates to any sense, so some people may be terrified of certain noises, feel panicked by certain smells or feelings or feel sick/vomit from certain tastes - please understand the severity of this for some people

Neurodivergents often find techniques to help them with this, such as wearing noise cancelling headphones or playing music or audio to distract them

The best way to help someone during a meltdown is to help them out of the situation and leave them to decompress. This might include letting them sit in a dark room for a while, laying in silence or touching an item/smelling something that brings them comfort

Describing a meltdown for a character can often be similarly written like a panic attack, and often meltdowns can lead to panic attacks for some people, such as an increased heart rate, sweating, crying, hyperventilating/heavy breathing etc.

Struggling to write sensory overload? Try and think how you would feel if you had 30 different voices screaming at you at once, with bright lights and super itchy clothing. Really panicked, scared and overwhelmed right?

Those who are sensitive to sensory input often hear/feel/smell/see things much louder/easier/more extreme than others, so while something may be quiet to one person, it seems really loud to another

HABITS AND COMPLUSIONS

Neurodivergences come with a lot of habits and compulsions, somewhat similar to traits of OCD. These are things such as having to have particular routines, having to carry certain items with them at all times (mine are my BTS water bottle and earphones lol). Without fulfilling these habits, compulsions and comfort items, a person can become extremely stressed, panicked and overloaded.

Habits and compulsions in writing:

Writing these can go from very subtle to extreme, it could be that someone has to get ready in the morning in a particular order, eat their food in a certain way/order or follow a particular route to get somewhere

The odd thing is that neurodivergents are actually pretty bad at developing habits, a neurodivergent could do the same thing over and over every single day, but completely forget to do it one day and never do it again

When writing for characters, some characters may be able to mask their distress when their habits/compulsions are not fulfilled, however others can not do so at all, but either way this sends the character into feeling of panic and distress

A character may develop certain habits/compulsions for different reasons, it could be from experiences, completely random, comforting senses or familiarity and fear

For example when walking into my nearest town I have to walk a very specific route on a specific side of the road or I freak out, this is because it’s what I’m used to and I struggle to deal with change

Speaking of change, a character can be written as anxious or irritated when plans are changed

SPECIAL INTERESTS/HYPER-FIXATIONS:

Probably my favourite topic - neurodivergents often develop special interests and hyper-fixations. These relate to specific subjects or activities that a person will learn about or engage in with extreme focus and dedication. Some common examples are trains and butterflies, where a person will learn and memorise every type of train, or every type of butterfly to exist, and how different trains work or the life cycles of butterflies. This can be of any topic though, as a child my personal special interest was Ancient Egypt and I spent all of my free time learning about the history. As I’ve gotten older, this has changed and my hyper-fixations have been mostly BTS and Haikyuu (with some short ones in between).

Special interests/hyper-fixations in writing:

Info-dumping! Characters with special interests can often be written with moments of info-dumping, where they will talk about their special interest for a long period of time to someone else. They are often very excited, talk quickly and possibly even seem a little frantic when trying to explain their interest - this is something they have little control over and tend to talk for too long or at inappropriate times

Stereotypes are often written in special interests, particularly the example I gave about trains - not every neurodivergent likes trains, please be creative when thinking about what special interest your character may have, if they have one at all

A character may have one long-standing special interest that they’ve been learning about for many years, or they can flutter between multiple hyper-fixations in the span of a few days

Hyper-fiaxtions can affect a character in ways such as forgetting to eat or sleep, forgetting to do other commitments or becoming extremely upset, stressed or unmotivated when that interest is no longer doable (such as if a TV series ends)

Some characters may be embarrassed about their interests, whereas others will happily info-dump with no concerns

FRIENDSHIPS AND RELATIONSHIPS

Both Autism and ADHD can cause difficulties in making and keeping friendships or relationships. This is often due to struggles in communication, forgetting to speak to people, getting bored of social interaction, getting overwhelmed and feeling too ‘different’ from everyone else. Some people, however, can make friends every easily, particularly more extroverted and confident types. Autistics in particular tend to have small groups of friends that they feel truly comfortable with, and may struggle to understand why a person needs other friends/ a large group. This can lead to feelings of ejectment or jealously. A neurodivergent will often struggle to know how a person feels about them without being directly told, and will need frequent reassurance that this feeling is continuous.

AUTISM CHARACTERISATIONS

Talking too much or very little - about 40% of people with Autism are mute, meaning they cannot speak. Characters could also be selectively mute, meaning they can only speak in situations they are comfortable with, or certain people

Autism is a communication disorder, majorly affecting a person’s ability to communicate and understand socialisation. Here is how to characterise Autism:

NOTE - I have used functioning labels here as, personally, I prefer to use them and is more often used where I am from, however some people prefer not to, please keep this in mind

Speaking out of turn - this is either because they do not understand the social cue of waiting until someone else has finished to talk, or because they will forget what is on their mind if they don’t say it immediately

Taking jokes or words literally - this can cause character’s to become distressed when they do not understand a joke, or end up doing a task that was not meant to happen because they took a conversation literally. This also include having difficulty understanding figures of speech such as ‘it’s raining cats and dogs’

Having difficulty understanding the rules of social interactions - this covers a range of things, from struggling to know what to say when speaking to a cashier at a store, to not knowing what to say in certain situations. An example of this is if someone said ‘hi, my name is ....”, the social cue is to respond with ‘hello, it’s nice to meet you, my name is ...”, however those with Autism tend not to understand this and may reply with something else. In my experiences, I often panic and say ‘thank you’ instead, despite this not being the ‘correct’ reply

Expressing the wrong emotions - Autism makes it very difficult to understand emotions, either from others or expressing them yourself. While others immediately know a smile means someone is happy, this is not something that is easy to understand in Autism. An autistic person may laugh or smile during negative situations, or look upset or mad in happy situations as they are either unaware of how they are carrying their body language, or simply do not know what body language fits with what emotion

Difficulty understanding emotion of others - whether it be verbal or non-verbal, it can be very difficult for those with Autism to understand what others are feeling and can often jump to the wrong conclusions

Using the wrong tone of voice or having a ‘robotic’ tone - For the same reason as the last point, those with Autism tend to either sound robotic at times, or use the wrong tone in the wrong situations, such as sounding angry when they are not, however they are often unaware of this when it happens. This also means they tend to be more blunt and literal in their own speech

Not understanding hints - those with Autism often need to be spoken to very directly as they struggle to understand hints or ‘read between the lines’. This could be anywhere from not understanding hints of romantic feelings, to someone mentioning that the trash is getting too full (as a hint that it needs to be taken out)

Difficulty with focus and following lists - this is an overlap with ADHD however the reasoning is often different, autistic people are often perfectionists, so if you give them a list of things to remember, they will focus so hard on remembering the first thing correctly that they forget the rest. Difficulty to focus is often due to a lack of interest in the topic

Attention to detail and ‘all or nothing’ - Autistic people are great at paying attention to small details and often focus on that more than the big picture. They are also very ‘all or nothing’ with how they delegate their focus, if they are interested in something they will put their entire energy and focus into it until its perfect, if they aren’t interested? They probably wont do it at all, this often means that some Autistic people struggle academically because they don’t feel interested in the topics, and therefore have no motivation to do the work

Great at following rules and instructions - despite being bad at lists, Autistic people tend to be good at following rules, this is because they are often black and white, literal and easy to understand, they like structure!

Increased skills and abilities - those with autism are often more creative and intelligent in a wide variety of skills that neurotypicals, in fact to be diagnosed with high-functioning autism, you must have a higher-than-average IQ. Unfortunately the stereotype is that Autistics are dumb or stupid - this is not the case at all

Boys vs girls - everyone is different, however boys and girls tend to act very differently. Boys tend to be more extroverted and loud and particularly struggle with understanding emotions or talking in turn. Girls tend to be more introverted, quiet and can mask much better, but struggle more when knowing if it is acceptable to speak

No empathy? - this is what people often relate to Autism, however this is inaccurate. People with Autism can and do feel empathy, however it tends to be slightly different. For example, if a neurotypical told another neurotypical about a bad situation they went through, the other person would often reply with ‘I’m sorry that happened to you, I hope you feel better soon”. A neurodivergent, however, would often reply like this, “something similar happened to me once.....”. This often comes across rude to neurotypicals, however it is much easier for a neurodivergent to relate the person’s feeling to their own experiences, and share comfort by letting the person know they are not alone

Difficulty with eye contact - good body language often explains that eye contact is key, however this is extremely difficulty for neurodivergents

Forgetfulness - to be honest I don’t know why this is, autistics are just really forgetful. You need to repeatedly tell them to do something or they wont do it

Planning - autistics often need and enjoy planning their schedule. They find comfort in knowing exactly when, where and how things are happening and with who

Shyness and introverted? - many autistics will be shy, introverted and struggle with social anxiety, but this is not the case for everyone. A person can be autistic and be super confident, loud and extroverted - it is a stereotype that being autistic makes you shy and quiet

REMEMBER - AUTISM IS A SPECTRUM DISORDER MEANING PEOPLE CAN RANGE FROM MILD TO SEVERE TRAITS, NOT EVERYONE WILL HAVE EVERY SINGLE TRAIT

AUTISM STEREOTYPES:

Everyone likes trains

They are rude and blunt

They are stupid/unintelligent

They cannot understand rules

They cannot feel empathy

They are quiet and shy

They are disruptive

AD(H)D CHARACTERISATION

ADHD is a condition that affects the focus and attention of a person. Here’s how to characterise someone with ADHD:

Not everyone is hyperactive - firstly, the ‘hyperactive’ part of ADHD doesn’t often mean physically hyperactive, but a person can have ADD where they do not show hyperactive traits

Difficulty focusing - this is much more than just not being able to focus, there are many reasons as to why this is, including getting distracted easily (by external sources or their own thoughts). finding it difficult to understand social interactions, feeling overwhelmed

Hyperfocusing - on the flip side, ADHD can cause people to hyperfocus on certain things, where it takes all their time and energy and they forget to do other things such as eat or sleep

Difficulty with eye contact - good body language often explains that eye contact is key, however this is extremely difficulty for neurodivergents

Difficulties controlling emotions and mood swings - this is often comes out in anger and frustration. This can be for various reasons: they are frustrated that they cannot focus like others, a lack of motivation, get easily stressed and insecurity

Restlessness - this is often seen as being always ‘on the go’, they need to be busy at all times doing different activities. In writing this can be shown as excessive talking, fidgeting, getting bored easily or taking risks

Rejection Sensitive Dysphoria - this is an emotional response to rejection or criticism which often looks like insecurity and anxiety. This could be real rejection, or perceived rejection, for example someone saying they are too busy to hang out may trigger an emotional response of rejection, low mood and anxiety in someone with ADHD. This can also lead to anger or panic, and causes people to become ‘people pleasers’ or not try at all

Poor organisation - the opposite of Autism where those with ADHD struggle with planning, organising, misplacing items and keeping things tidy. It is difficult to understand priorities, separate relevant and irrelevant information and time management. Those with ADHD often begin tasks and do not finish them due to restlessness, distractions or feeling overwhelmed by the task

Difficulties starting tasks - ADHD can make it very difficult to begin tasks as they feel too overwhelming, difficult or take too much focus. Breaking down tasks into smaller sections can help this a lot

Forgetfullness - out of sight, out of mind is often the case with ADHD, and so things like post-it notes and reminders can help people remember things they need to do

Multiple thoughts at once - neurotypicals tend to only have one thought/idea in their head at a time, however those with ADHD often juggle multiple thoughts which can lead to distraction and frustration

‘All or nothing’ - Those with ADHD tend to be ‘all or nothing’ with how they delegate their focus, if they are interested in something they will put their entire energy and focus into it until its perfect, if they aren’t interested? They probably wont do it at all, this often means that those with ADHD may struggle academically because they don’t feel interested in the topics. Unlike Autism, they tend not to focus well with repetitive tasks as this lacks simulation

Medication - unlike Autism, ADHD can be helped with stimulant medication that allows them to focus a bit better. This is not a cure as ADHD cannot be cured, however it can be beneficial to some to help manage their struggles

Acting without thinking and being impulsive - to find some stimulation, those with ADHD may act without thinking of their consequences, or can engage in risky behaviour as other avenues may seem boring, please note this is not the case for everyone, and these ‘risks’ may be very mild like trying a new flavour of ice cream. They can act impulsively too and struggle to wait their turn

Communication difficulties - while ADHD is not a communication disorder, it can have affects on communication such as talking out of turn, starting conversations at the wrong times, being insensitive to particular topics or getting too distracted to focus on the conversation

Need reminders to take care of themselves - due to a mix of hyperfocusing and not focusing well, those with ADHD may often forget to do things such as eat, drink, sleep or shower

Quite easy to get their attention - when someone with ADHD is daydreaming, getting distracted or not focusing, it can be as simple as giving them a tap or a smile to bring their attention back to the matter at hand, even if these needs to be done multiple times

Rewarding behaviour - this technique works well as rewarding good behaviour releases dopamine, which is the hormone often lacked in those with ADHD, this allows people to connect activities and behaviours with positive feelings and are more likely to do it again in the future

ADHD STEROTYPES:

ADHD is ‘diet’ Autism

Those with ADHD cannot sit still

They are disruptive

Everyone with ADHD is hyperactive, loud and extroverted

#autism #asd #adhd #writing #neurodivergent #haikyuu #haikyuu!!#haikyuu headcanons #haikyuu imagine #haikyū!!#haikyuu fanfiction #haikyuu drabbles #haikyuu scenarios #haikyuu x reader #haikyuu fluff #Fanfiction

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phoenixyfriend · 4 years ago

Note

Uhh for the prompt meme, 3 & 13 gives me Anakin and the Jedi Babies vibes, so Jango or Jaster & Anakin or Soka or Ben maybe?

390 Prompts!!!! 3. “Am I supposed to be scared of you?” 13. “BOOM! That oughta show you not to mess with me!”

IDK if I’ll get the actual line in but I’ve been meaning to write a bit about Jango and Sokanth, at minimum. Jango is just barely fifteen, Soka is two. She has very vague memories of her teen self.

EDIT: I GOT THE LINE IN

Objectively, Jango’s main connection to Anakin Skywalker should have been professional.

It wasn’t.

Jango hadn’t been one of the soldiers to bring in the little family. He’d heard about it after they’d already been taken to medical, arrived just in time to see them muttering about how fancy the prosthetic arm was as they removed it--frostbite risk, they said--and stripping the Jedi of his sodden robes. The man was only a few years older than Jango, and covered in battle scars. Attractive, maybe, but Jango wouldn’t be able to even think of that until he wasn’t staring at blue lips on a half-dead face.

“How did he know we were here?” he asks his father, stepping up beside the man at the overlarge window of the ‘secure’ medical room, and receiving half a glance in response.

“He didn’t,” Jaster says, looking supremely unhappy with the entire situation. “Had no idea who I was, when he saw me.”

“He talked to you?”

“For about five seconds before he passed out.” Jaster smiles, thin and grim. “We found an Ident card. It’s got a name, a few details that don’t make sense... we think it might have been prepared for a long-term mission in system with a non-standard calendar; the dates are in the future if we assume it’s Republic.”

“Weird,” Jango mutters. “He doesn’t look much like a Jedi.”

“Adi’ka, you’ve never met a Jedi,” Jaster scoffs, cuffing him on the shoulder.

“Jedi don’t wear black leather,” Jango argues, glancing at the nearest pile of cloth.

Jaster rolls his eyes. “He had four lightsabers on him, if that’s what you’re looking to ask.”

“Haran.” Jango whistles lowly, impressed despite himself. “What’d he need that many for?”

“The brown robes were too short for him,” Jaster says, voice not quite loud enough to carry. “And the other set were fit for a female youngling, even shorter.”

He hadn’t been alone.

And now he was.

“Bodies?” Jango asks.

“None dead,” Jaster says. “And the living are... far too young to match up.”

He gestures, and Jango belatedly sees the tiny, tiny things in cribs to the side.

Jango swears, quiet and angry. He’d heard there were children, but he hadn’t expected anyone quite that small.

Jaster takes the cursing in stride. “They’re estimating the human at six months. Togruta’s maybe two years. Jedi was damn near dead when they found him, but the kids seem fine. Medics are guessing it’s something to do with the Force, because neither of them were even that cold.”

“Any idea how he knows them?”

“Nothing yet, just that he cares about them like they’re his own,” Jaster says. “Scouting party claimed he said they were family. Even used Mando’a, called them aliit. We’re going to keep them together until we know more. No use accidentally enraging a Jedi by separating him from family, if that’s what they are. The Togruta seems to know him, at least.”

“I thought Jedi weren’t supposed to have families.”

“You also thought Jedi weren’t supposed to wear black leather.”

Jango huffs and turns away from his father, focusing in on how the medics are starting to pack in blankets on the man’s chest while they get to work on the thigh wound. It looks already cauterized, maybe a blaster, but that can still get infected damned easily. Jango’s seen it happen before.

“Can the togruta talk yet?”

“Only enough to ask for her... carer?” Jaster hazards. “She refers to him as ‘Skyguy’ and it’s been pretty much the only word she’s said that isn’t gibberish.”

Jango almost asks if they’re sure it’s not just Togruti.

Even as he watches the area below, the toddler starts crying. A few of the medics dart glances over, but they're busy with the adult. The crying starts increasing in pitch, heading to dangerous territory, and a number of people abruptly remember that a Togruta's cry is much more likely to destroy eardrums than a human child's.

Jango hesitates, but turns from his father and heads for the door. Nobody comments.

Jango slips into the room as quietly as a teenager in most of a beskar kit can, and goes over to the cribs that have been hastily set up. The human infant is quiet, blinking sleepily and furrowing their little brow, but the toddler has gotten to her feet, clinging to the bars and screaming her little head off. He stops in front of her and... tries to figure out what to do.

"Weks?"

He has no idea if that's a word. She's stopped screaming at least, is just rubbing her eyes free of tears and peering up at him. She hiccups.

"Hi," he says, unsure of what else to do.

"No weks," she seemingly decides, and her lip trembles. Kriff. "Obi-obi?"

"I don't know what you're saying," he tells her, but offers a hand that she immediately grabs for. "Do you know Basic?"

"Ya!" she cheers, and then starts trying to climb out of the crib. Jango panics and picks her up, because he's pretty sure this might be a Jedi baby, and if it's a Jedi baby, then what if she can float? He can't deal with an upset, floating baby. Better he just pick her up.

"Hi," he repeats, still unsure of what to do with this small child. She frowns at him, deep in thought, and pats at his face like she's trying to figure it out. "What are you--"

"Shi-ny," she suddenly insists. "Like Tup."

He has no idea what she's trying to say. "Sure."

She frowns harder at him, and then leans forward and drops her head against his beskar, seemingly unaware of how uncomfortable it's going to be. "Shiny. Weks 'n' Cody 'n' Echo 'n' vod."

"You don't even know my name," Jango says, panicking a little. "You can't call me vod."

"Shhhh now," she says, patting blindly at his mouth. He tries to crane his head away. He mostly fails. "Sleepy."

"Wh--okay," he decides. Sure. If it keeps her quiet, sure. He goes to sit down, and she immediately turns and tries to grab for her... fellow child? He has no idea what they are to each other.

"No!"

"Okay, okay, we can stay with the other baby!" Jango assures her, trying to bounce her up and down like he's seen new parents do, looking frantically for a chair to pull over. "I'm going to get a chair and we'll come right back, okay?"

She looks up at him, tears gathering. "Pwomise?"

"Uh, yeah, I promise."

He lets her bury her face back against his chest, and quickly grabs the nearest chair and drags it over to the cribs. He ignores the medics for the most part, just focuses on holding the toddler that he has, mostly against his own will, become temporarily responsible for. "Do you have a name?"

She just whines and cuddles closer. He sighs.

"Well, I'm Jango. So, you don't have to call me that other stuff." He moves a hand to pull her away from where she's about to topple off his lap. She grabs for it and pulls it to her face, apparently forgetting that she'd just declared herself sleepy. She examines the glove in fascination. "Please definitely don't call me vod. You have people here, and I just met you. Wait for your, uh, Skyguy? Wait for your Skyguy to wake up."

She bites his fingers. He pulls his hand away, swearing under his breath and panicking just a little. "Don't put that in your mouth, do you have any idea where my gloves have been?"

She bares her teeth at him and growls. Given that her teeth are barely more than nubs, this doesn't do much. "Am I supposed to be scared of you?"

"Ya!"

"I am not."

She pouts and whines and throws herself back against the beskar, causing a thunking noise as her montral hits the plate. She does not seem perturbed by the collision, just twists somehow closer and sticks her thumb in her mouth.

That is... also probably covered in germs. He looks over at the crib, spots a pacifier, and awkwardly leans to grab it without dropping the toddler in his lap or standing up and making it harder for her to start falling asleep again. There's a little togruta on it, which he figures means it's not going to be a choking hazard for non-human teeth. "Here, chew this instead."

She makes a curious noise and lifts her head. She wrinkles her nose at the pacifier, and then looks up at him. "Jan-Jan, no."

"Wh--you know what, no, you're a kid, I can't get angry at you for getting my name wrong," he sighs. "Take the pacifier, it's cleaner than your hand."

"No!"

"Please?" He tries.

She glares at him a little harder and then huffs. "Kay. Cuz shiny."

He still has no idea what that means, but if it gets her to fall asleep with this thing in her mouth instead of her dubiously-clean hand, he's fine with it.

(When he learns what shiny means, he will be much less fine with it.)

(It'll be far too late by that point, of course.)

#Ahsoka Tano #Jango Fett #Jaster Mereel #time travel #de aging #star wars #anakin and the jedi babies #Phoenix Answers Memes #Phoenix Posts #if you're wondering 'wait doesn't she NOT recognize him later?'#the answer is that she's literally a toddler and not great at memory

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thevindicativevordan · 3 years ago

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Why isn't Nightwing a bigger deal? He has all of Batman's skills and Superman's faith in humanity and is arguably the most beloved hero in the DCU, but most people seem to know him either as the leader of the N̶o̶t̶ ̶J̶L̶ Teen Ttians or just Robin.

Thank you for asking me about Nightwing, I've been wanting to write a piece about him for a while now. The short version is that everyone who claims Dick becoming Nightwing was him "moving out of Batman's shadow and becoming his own man" is completely wrong.

Dick Grayson is a fantastic character, someone who saved Bruce Wayne in-universe both by forcing Batman to grow up a bit, and the countless times he saved Batman's life as his partner whether as Robin or Nightwing. Dick saved Batman in the real world as well, hard to believe but Batman was actually in danger of being cancelled due to poor sales early on. Enter Robin, a young daredevil audience stand in the creators hoped would get kids interested in reading Batman. And it worked! Sales on Batman doubled once Robin showed up which is crazy to think about, but Dick Grayson has always been a popular character. Cartoons like Teen Titans, Batman: The Animated Series, and The Batman only helped grow his audience.

Character-wise, Dick Grayson really does fill a number of crucial roles in the DCU. For Batman, Dick is proof that Batman is a positive force. Meeting Batman helped change Dick for the better, helped him heal after his parents died. With Dick, Batman can take comfort in knowing that yes, he has made a difference in the world for at least one orphan boy, which is all he wanted when he lost his parents himself. To the wider DCU, Dick is a friendly face who convinces others that Batman is competent and not a complete asshole. He took this kid in, trained him to be one of the best heroes the DCU has seen, and did it all out of the kindness of his heart. That someone like Dick can confront the evils of Gotham and not break means there's still hope for that city. As Robin, Dick has led the Titans and is an icon in his own right as The Sidekick, the original, the one every other Robin is built around copying or contrasting. The one all other superhero sidekicks are drawing on as a basis. As Robin Dick Grayson is very much on Batman's level.

Just not as Nightwing. As Nightwing, Dick has been a second rate Daredevil which means he's a third rate Batman (fully prepared to get hate for this but I've read and enjoyed the Miller and Bendis DD runs so I feel entitled to my opinion). A typical Nightwing run tends to go like this: Moving to Bludhaven (which is Gotham... but WORSE!), Dick Grayson usually enrolls in a pointless job we don't care about in order to provide some meaningless soap opera drama that doesn't go anywhere. Patrolling the city as Nightwing, he fights a variety of bad guys who are usually rather lame and unthreatening, with his big bad being a Kingpin knockoff called Blockbuster. Villains are fought, long running plotlines are set up, then everything is abandoned because it's Batfamily event time, and Dick has to run back to Gotham in order to play sidekick again. Usually his involvement is completely superfluous and it would've been better if the writer had gotten to opt out. By the time we finally get back to Nightwing's solo plotlines, the audience has usually ceased to care and the run gets cut short.

That's how Nightwing has been since the New 52 at least. Anyone who thinks that's "becoming their own man" is out of their mind. Dick is so thoroughly in Batman's shadow that he got shot in the head and spent a longer time as "Ric" which everyone fucking hated and sold like shit, than he did as Agent Grayson which was extremely well-received. Reiterating: Ric went on longer than Grayson because of a fucking Batman plotpoint Tom King wanted where Bruce was sad and cut off from the Batfamily because of Dick getting shot. Not just calling out King either, how many times was Kyle Higgins Nightwing run derailed because of Scott Snyder's crossovers? Or how about that entire run getting dumped to the side because Johns wanted to out Dick during Forever Evil, a Justice League/Lex Luthor story? DC has repeatedly made their contempt for Nightwing clear, he's Batman's sidekick still in their eyes, and he serves whatever story role the Batman writer wants.

Hell his best stories tend to have been the ones where he's not Nightwing. He was Robin in a good chunk of the Wolfman/Perez New Teen Titans run. Morrison really showcased his depth as a character when they wrote him as Batman, their time with Dick under the cowl was actually one of the first Batman runs I ever read, and no Nightwing run has ever matched it in terms of quality in my humble opinion. Scott Snyder's work with DickBats also was a high point for the character, showing Dick as competent and examining his relationship with Gotham and the Gordons. King and Seeley gave him one of the best comic runs with Grayson, a series where he wasn't even a "superhero" technically! When it comes to actual pre-New 52 Nightwing runs that are highly recommended where he *is* Nightwing, there's Chuck Dixon and uhhhhhhh... Tomasi's brief run before Dick became Batman? It's not exactly an overwhelming list.

Look there has been good work done with Nightwing, I'm not claiming there hasn't been. Tim Seeley wrote a great run with Nightwing Rebirth. Seeley fleshed out Dick's Rogues Gallery with cool new ones like Raptor, he brought back old foes like Dr. Hurt (why oh why couldn't you have brought back Flamingo too?), he gave Dick's world some character it solely needed. Bludhaven under Seeley is pretty much the only time I've really felt like it lived up to being Dick's city.

The problem with fictional cities is you have to put in the work to give them the character of real cities. You have to make the cities feel like characters in their own right. Gotham is the best example of this, it's a character all it's own, one that tells you a lot about Batman and his cast. In contrast Bludhaven is usually one of the worst. Any place that wants to claim to be worse than the city that is built over the gate to hell and gets wrecked every other month by the Arkham freaks has to really put in the work to compete. Simply put, Bludhaven typically fails utterly. There's nothing about it that makes you really buy it's worse than Gotham, I mean does anyone really think Nightwing's Rogues wouldn't get their lunches eaten by Batman's? No, no one genuinely buys that. When Bludhaven claims to be worse, it just comes across as tryhard, an attribute that does end up telling you about Nightwing in unintentional ways.

So Seeley didn't do that. Instead he created a city built for a hero like Dick Grayson. Someone who is bright and flashy, but does have an element of darkness to him. Someone who loves the spotlight, but often uses it to obscure. Seeley turned Bludhaven into Las Vegas, and that was the fucking best concept for Bludhaven I have ever seen, it makes so much sense. Las Vegas is the "Entertainment Capital of the World" and isn't that the perfect city for a hero who got their start working in the circus? Isn't the aesthetics of the gleaming casinos, the glamorous sex appeal of the performers, and the spectacle of the shows, all being used to cover up the seediness of mob bosses meeting backstage perfect for Nightwing? It's so utterly unlike New York City, yet Las Vegas is still dangerous, it's got a crime culture all it's own. Seeley used it to great effect, as did Humphries during his brief run, and I will always be pissed that DC didn't continue to use it. That should have stuck around and been the definitive look for Bludhaven.

How Seeley's take on Bludhaven was treated feels like a small scale version of how Nightwing in general gets treated. Whenever creators pitched ideas for him, if editorial thought there was potential to break big, they asked for those ideas to be repurposed for Batman instead. Anything big or good gets repurposed for Batman or tossed to the side so Nightwing can go back to his default: having irrelevant adventures in a city that is supposedly worse than Gotham but can't live up to it. Just like how Nightwing is supposedly better than Batman but never gets to show it. Goddamn it's so frustrating seeing his potential get wasted like that.

The Nightwing book should be one of DC's most ambitious books in terms of storytelling. You can go from traditional superhero stories, to romantic soap opera, to spy stories, to crime noir, to horror, to cosmic adventures, and ALL of them would fit because Nightwing is someone who has a foot in both Gotham and Metropolis. He's got friends everywhere on every team, and has been a hero longer than most Leaguers have at this point. No reason DC should still be afraid to let him loose and insisting on hewing close to what Dixon established almost over 30 years ago is only holding him back. At the very least get him some better Rogues, why the hell didn't he get to keep Professor Pyg? That's Dick's villain not Bruce's! Bullshit that they didn't let Dick keep him. Hopefully Flamingo comes back, with a slight revamp I think he'd make a great reoccurring Nightwing Rogue.

Luckily it does look somewhat like Nightwing fans have reason to be optimistic. While Taylor isn't to my taste, DC clearly views him as a "big" writer, and that they put him on Nightwing says a lot. Taylor has been selling well so far, so hopefully he gets to tell his story, hilarious that even he lampshaded having to write Dick running over to Gotham for another tie-in after Taylor's big opening arc was all about Dick committing himself and his money to Bludhaven. Scott Snyder is apparently working on a Black Label Nightwing book which will explore how he's a different detective than Bruce. The Gotham Knights video game has him as one of the main stars, and while Titans is... controversial, it's one of the most popular streaming shows and Dick is the main character. There's a lot of content coming that features him in the starring role, and that will only help his star rise further.

For the first time in, well, ever it feels like DC may be serious about elevating him. Time will tell if it pays off, but I for one choose to be optimistic that the 2020s will be a turning point for Dick Grayson where Nightwing becomes hugely popular in his own right. Not just as Batman's sidekick.

#nightwing #dick grayson #batman #gotham knights #titans #dc comics

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