#what i want most

[sofiarostova]

Yeah, I guess I do. But like, what even is a star beam, you know? Now, a lead pipe to the shins? That's just reliable, baby.

PRETTY PRETTY PLEASE I DON'T WANT TO BE A MAGICAL GIRL Kiana Khansmith / @kianamaiart (2025 Pilot Animatic)

[icewindandboringhorror]

(also feel free in the tags to clarify Why you made the choice you made!! :0c)

[cowboysmp3]

there’s something sooo sickening about how dunmeshis whole energy is like sometimes something terrible and awful happens to you and it changes you forever and nothing can make you the person you were before but there’s still love and there’s still sharing a meal together and there’s still living

[pawsnifferpup]

if you have a transfem lover I do not even know how to begin to explain how important it is that you touch her without her having to ask

[luwha]

Not telling y'all that you should be able to identify AI slop (but it is a valuable skill, you totes should), but if you're to be accusing artists of being AI left and right at least go and do your homework, or at least do the bare minimum and use AI identification tools like Hive Moderation, so you 1- don't ruin someone's lifehood 2- don't make a clown out of yourself maybe

Like, i get it, AI slop and "AI artists" pretending to be genuine is getting harder and harder to identify, but just accusing someone out of the blue and calling it a day doesn't make it any better.

The AI clowns shifted to styles that have less "tells" and the AI arts are becoming better. Yeah, it sucks ass.

They're also integrating them with memes, so you chuckle and share, like those knights with pink backgrounds, some cool frog and a funny one liner, so you get used to their aesthetic.

This is an art from the new coming set Final Fantasy for MtG. This is someone on Reddit accusing someone of using AI. From what i can tell, and i fucking hate AI, there is NO AI used on this image.

As far as i can tell and as far as any tool i've used, the Artist didn't use AI. which leads to the next one:

they accused the artist of this one of using Ai. the name of this artist is Nestor Ossandon.

He as already been FALSELY ACCUSED of using AI, because he drew a HAND THAT LOOKED A LITTLE WEIRD, which caused a statement from D&D Beyond, confirming that no AI has been used.

Not to repeat mysef, they're accusing the art above, that is by Nestor, to have used Ai.

REAL artists are not machines. And just like the AI slop, we are not perfect and we make mistakes. The hands we draw have wonky fingers sometimes. The folds we draw are weird. But we are REAL. We are real people. And hey, some of our "mistakes" sometimes are CHOICES. Artistic choices are a thing yo.

If you're to accuse someone of using Ai, i know it's getting hard to identify. But come on. At least do your due diligence.

[randomfusilier]

.

[krysmcscience]

I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.

Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:

Dude slipped right into his birthday suit, lmao

this is so stupid :D

Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.

[marciaillust]

your design of me

[laughingcatwrites]

As a reminder that good exists out there, a coworker recently confessed to me that he found out his child is questioning their identity (kid's gender redacted for this post). The kid is keeping it from him, so he can't say anything to them or show that he knows, but he's doing his best to get mentally prepared and educated so that he'll be ready whenever his kid does feel comfortable enough come to him.

For context, this guy is a big, bulky middle aged dude who loves sports and typical outdoor "manly" activities. As his coworker and friend, I know he's a kind and sweet teddy bear of a person, but his kid probably views him as a stern, authoritarian figure, the way most teenagers view their parents. His family lives in a conservative area, so I'm sure between that, their dad's looks and interests, and the fact that their dad is a Figure of Authority, the kid is worried that they won't be accepted.

But you know what? When he found out about his kid, the first thing he did was reach out to his closest queer friend and ask for resources for parents of questioning children. His biggest fears are that his kid will be bullied or discriminated against and won't feel comfortable enough to be themself. His second action was to find himself a mentor in another parent who went the same situation (kid coming out in a conservative town). The other person is preparing him for some of the struggles his kid may face and the fights he may need to take on as a parent to make sure his kid is safe and treated well.

Something I want to emphasize for people focused on language as the primary method of allyship is that when we spoke, he used some outdated terms and thoughts about gender and sexuality. That does not make him bad. These were the terms and thinking used about questioning teenagers when he was growing up and he never needed to learn more current ones. But now that he does have that need, he's throwing himself in head first because that's his kid and he's darn well going to make sure that his kid feels welcomed and has a safe place to be themselves even if they never come out to him.

[cantpickyourgenre]

Do you think Athena was a little like "shit, this is NOT the voice of reason I need" when she saw Buck was the one who got out? Not because she doesn't love him, but he's the one that will match her freak about getting them out the most out of the 118. Like Bobby, Hen, & Chim would be wild too, but at least more reasonable. Athena knows Buck will encourage her to shoot her gun at the doors, and she just might do it.

[lotus-pear]

he's so crazy we can't take him anywhere 😭🤣

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[inkskinned]

these days when you close your eyes, what else do you want but to be loved in a warm and permanent way. the open soft hand, the lowered voice, the blanket around your shoulders. you want to be loved like hot chocolate, like spring flowers, like dawn. you want to go to sleep protected and wake up fully rested. you want the wounds in you to matter, you want someone who is patient around your scars.

how greedy. these days when you look around, how many little ways are you assaulted by the notion that it's wrong to need others. individualism! capitalism! bootstraps! every time you try to language it, you need to cover up your desire into a carefully-worded soundbite: of course no single person can fulfill every need and we must invest in communities and i must be responsible for my own mental health and

but the yawning in you doesn't understand logic or sound or reason. it only sees sundays, only sees what you do-not-have, only sees the look others share and that you so desire. sick with dread at it, sick at how it makes you want, how you yearn in no direction.

no matter how many people you take with you to bed, no matter how many hands touch the tattoo you share with your sibling, no matter how many times you kneel with your knees bleeding. always, the ache that never stops chewing, the desperate sick loneliness that never quite abates. it never stops humming, i need i need i need. you burn your inner child for warmth and scatter the ashes into your morning coffee.

so you shut up and you load your life like shotgun shells and you try to make yourself whole in the way that others are whole. you let your father's words spill out of your mouth. you make a quick joke rather than tear your heart open. you sing into the mic and go home with stars in your eyes. your life is beautiful and you're lucky! you have everything a person can need!

but it would be nice, is the thing. to have a love that feels like peace.

[dazzelmethat]

Cricket Cat concept. Do you see it? Do you see my vision? I don't think they'd purr or meow, just chirp with their wings.

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[starridge]

dropping this and fleeing like a deer in the woods