#what do they even MEAN by court

[puppppppppy]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[not-a-blog-blogs]

Heads up new dog breeds just dropped

[arson-09]

Have been seeing some discussion again about tamlin being a good High Lord or not and I just have to remind everyone of one of the best little facts from acotar I never really seen mentioned.

Acotar, Chapter 25 Page 221

She [Alis] simply said, "Summer Solstice. The main celebration used to be at the Summer Court, but... Things are different. So now we have one here, too. You're going."

"so now we have one here too..." Because of amarantha and Tamlin being just a good person he allowed anyfae from any court to come to spring. And because no one could really go back to their courts for their respective solstice celebrations, Tamlin made sure Spring Celebrated all of them

I just think that's such a cool fucking thing. That Tamlin cared for the people coming to spring for safety, and he made changes to help everyone feel comfortable and at home. He cares about the people who live in Spring, he cares so damn much :(((

[autisticakaashitruther]

All the times I've put the ball up for you... have you ever run into a block? Ever?

[yaralulu]

oh

[starry-bi-sky]

pouring one out for luo binghe in my disciple SQQ fic, poor guy has taken a backseat here. we're nearly 30k words deep and he hasn't even shown his face once. it'll be much longer before he even actually talks to Shen Qingqiu.

(i say im pouring one out but in reality im sitting in my director's chair chewing on a cigar and wearing a beret as he tearily and unsuccessfully pleads with me for more scenes with Shen Qingqiu)

[artfulacrostic]

jean moreau, and faith and religion and the absence of it.

the sunshine court, nora sakavic // the unabridged journals of sylvia plath, sylvia plath // "stay down" by boygenius ft. julien baker, lucy dacus, and phoebe bridgers // the denial of st. peter, caravaggio // salome with the head of st. john the baptist, simon vouet // henry iv pt. ii, william shakespeare // the rebirth of the arts, charles haslewood shannon // daredevil: "born again" (1986) by frank miller et al. // "ash-wednesday", t.s. eliot // map of hell, botticelli

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[fideidefenswhore]

Was the young Henry VIII a very friendly and gentle person?

Assuming you mean on a personal level (since, obviously...ordering executions is not especially 'gentle'), that seems to be the general judgement. There's not actually much variation from it from 1509-20s, foreign observers extol his gentleness and generosity and piety throughout the early 1530s, their only specific criticism there is that he's enthralled with a woman of 'bad character' (shorthand for 'low birth').

'the kindest of princes' (Cranmer, 1526) ‘a man of gentle friendliness, and gentle in debate; he acts more like a companion than a king’ (Erasmus, 1529) 'affable and gracious, harmed no one' (Venetian ambassador, 1519) 'He is kind and affable, full of graciousness and courtesy, and liberal; particularly so to men of science (virtuosi) whom he is never weary of obliging.' (Venetian ambassador, 1531)

There's some interesting post-contemporary observations on this matter, too (that have to be considered more doubtful since they're more influenced by hindsight and sometimes, by partisanship); such as:

"her Majesty's father, though otherwise the most gentle and affable prince in the world, could not abide to have any man stare in his face; or to fix his eye too steadily upon him when he talked with them".

And while I won't arm-chair, body-language 'science', pop psych-analyze that one (search results yield that specific source quote to 'narcissism' discussion), since it's neuroableist particularly to suggest an inability to maintain eye contact is indicative of innate deceit/dishonesty ...it is an interesting observation, considering how long he was in the public eye.

'Otherwise' gentle and affable is what's interesting about this remark, really, because are gentleness and friendliness mutually exclusive with a certain self-consciousness? I don't think so, and I wonder if this manifested particularly once he got to the point in a public ceremony/spectacle where he became overwhelmed by the attention and scrutiny, it is not typically how he's thought of but it's such a specific observation connected (but 'contrasting') those specific traits you asked of, I thought it was worth mentioning.

Mantel touched on this,

‘The burden of kingship,’ he says, ‘no man can imagine it. All my life, to be a prince: to be observed to be a prince; all eyes to be set on me; to be an exemplar of virtue, of discretion, of excellence in learning; to have a mind young and vigorous yet as wise as Solomon; to take pleasure in what others have designed for my pleasure, or be thought ungrateful; to discipline all my appetites, to unmake myself as a man in order to make myself as a king; to waste not a minute lest I be seen to waste it; for idleness, no excuses; always alert to prove, always to show, that I am worthy of the place God appointed me … When I was a young man I suppose I showed the calf of my leg to an ambassador and said, “There, has your French king a calf as good as that?” And my words were reported, and all Europe laughed at me, a vain idle boy, and no doubt people laugh still. But being young I asked myself, if God had formed François better than me, which prince did He favour most?’

And I also thought Mantel touched on this (although I can't find it in my highlights atm, so maybe I'm misremembering); I distinctly remember this scene...where somebody is recalling, as Duke of York, Henry was placed on a pony or horse when he's only two or three years old, and this is really his first public appearance, and he's reported to have acquitted himself well, to have been charming and gracious and graceful, even then...but even then, there was always this dark spectre. The timing of his ennoblement as Duke of York was chosen with purpose, it was in the shadow of a pretender. Was there a sense of unease, even then, that he couldn't articulate until later: that behind every smile, could be a knife?

'[Henry VII]'s children grew up in a world of threats, intrigue, and paranoia', '[Prince Henry]'s earliest years were as emotionally insecure as his father's reign was politically uncertain', '"he is so subjugated that he does not speak a word except in response to what the king asks him"'; again, the latter does not match the gregarious (perhaps even, more self-fashioned than natural) personality he's recorded as having as an adult.

The possibility that he oscillated between two opposite settings, and adapted accordingly, back to back (relative isolation and circumspection, to complete immersion in public celebration and celebrity and grandiose openness/friendliness); could account for the contradiction of an "affable" young man that gradually became uncomfortable with the level of scrutiny to which he was held, and maybe even modulated his habit and outward persona to fit what was expected of a king.

[americankimchi]

tcw is so good at introducing us to characters and bite-sized stories that capture our attention and so, SO bad at following even a modicum of logic when it comes to the consequences of actions under military law

[dollypopup]

y'all can all cancel me (again) for this, but if there's even a SHRED of 'who should I pick?' from Penelope in season 3, I am tuning out SO fast because like. . .sorry not sorry, there IS no choice. Debling is some crusty OC suitor she barely even knows and Colin is a man who she has been so supposedly in love with to the point where she'd ruin her entire family's reputation to have a potential love story with him. Penelope and Colin have background, years of knowing each other, intimacy that few people in the Ton can boast of having (letters, conversations about purpose, fights and arguments and makeups) and her and Debling have. . .a dance or two at a ball because he's a rebound for Penelope's broken heart. he means nothing. he has no nuance, he has no weight to the story, he is such an afterthought to me. either I wanna see Penelope going 'you know what? I don't even LIKE this dude. he's. . .fine, but I don't care about him even a shred as much as I care about Colin' or the INSTANT Colin's like 'you know what? we should get married' if it's not an immediate 'say less, you're already my husband, try returning me without the receipt, Debling whomst?' then I don't want it!

like. . .it's just so frustrating to see all the 'I hope Debling sweeps her off her feet and she rejects Colin's proposal and she makes him work for it and and and-' nonsense from the fandom and it's always tagged and no matter how many times I block it, it just keeps popping up. I go into the Polin tag for POLIN. I don't give a SHIT about a male love interest other than Colin. Not one. Not a shred. Not an iota.

and also. . .Debling has the 'benefit' of not having depth, or character traits, or HISTORY, so peeps can project onto him however they want, but I'm calling it now, there is NOTHING he could do or be that would make me like him more than Colin. Colin will always hit different, and I will always love him more. and if Pen's not on that same page? lol bye

you want me to believe Penelope and Colin are soulmates and it's romance for her to hem and haw about how difficult a decision it is for her to marry a stranger who knows barely anything about her. . .

when Marina was out here dropping banger lines like 'You were the only man with which I could see myself being happy' and 'I do not care about any of these men, where is Colin?'? like hello??? and she wasn't even fully in love with him!!!! but we'll demonize her until the cows come home in our fandom and make her the villain in Polin's love story for DARING to get in between Polin, yet Debling, a white man, is a darling dear perfect prince for getting in between Polin? existing in our fandom solely so Penelope can be like 'lol, Colin ain't shit, let me entertain any and everyone else'?

if that's the direction it goes then, ten toes down and on my mama, she doesn't deserve Colin and she can move because I'm on my way to court him my damn self

and that's that on that

[alexcabotgf]

not to be true crime posting on main but i think i'm falling down the wm3 rabbit hole again

[gleppy]

i wish people misunderstanding and misinterpreting my words wasnt as bad of a stress trigger for me as it is but holy fuck there are few things that make me fly off the rails more lmao

[rainybraindays]

once again do not get why people act like Anthony is such a good brother

[boydsjosten]

quick and dirty andreil doodle <3

[swampthingking]

oh! oh </3 oh!! okay!