#what can i say i'm obsessed sorry

[batterycityghoul]

Hugh Jackman as James (Logan) Howlett in X-Men: Days of Future Past (2014)

[wildsaltair]

BONUS

[wavesoutbeingtossed]

Currently obsessed with the idea that Taylor wrote Carolina during the folkmore period being inspired by Where The Crawdads Sing (listen I know....) because she couldn't put the book down and was inspired by "the juxtaposition of [the character's] loneliness & independence. Her curiosity & fear all tangled up. Her persisting gentleness & the world’s betrayal of it" and having a glimpse now into how difficult those years were for her personally and those same themes showing up in songs like Dear Reader, Midnight Rain, How Did It End, I Look In People's Windows, Clara Bow, etc. I'm just saying it's no wonder it ended up on the B Stage (the day after I got home from my trip BUT I DIGRESS I'M NOT BITTER I SWEAR) and it ended up on the pre-release Depression playlist because... yeah.

[panbotter]

So guys.... I did draw X-Men self insert fanart

Leave me alone stop bullying me ok (literally no one is saying anything)

There's two because I forgot I was a ginger now (my roots are way grown out though)

Inspired off of this video I came across on Instagram that I took a screenshot of

Let's not discuss how bad the drawing is okay? Just... Indulge with me

Thanks

Bye

[meyonherown]

After season 3 trailer, i found myself picking up again my "under 10 minutes bodies sketches" serie.

[deadrlngers]

i was tagged by @dekarios @katsigian @devilbrakers @risingsh0t and @katewalker to use this cute picrew with some of my ocs. thank you so much guys ily <33

violante/ruven (bg3) | akira/hanako (cp77) fenix/vesper (cp77) | hiraeth/serana (skyrim)

tagging: @hibernationsuit @quickhacked @reaperkiller @pawnguild @arisatominakos

@faarkas @ncytiri @gothimp @nokstella @baelavelaryon

@florbelles @aezyrraeshh @xolaanii @thedeadthree and anyone else that wants to join!!

[bestdressedchuuya]

I can't remember the exact wording of it, but I'm thinking of that post that's like "I wish there were more women in horror that doesn't involve rape", and if anyone's looking to scratch that itch then I HIGHLY recommend Signalis. That game is 99% women, they're all having an absolutely horrific time, and none of it involves SA in any way

[stop-breaking-my-heart-dragonage]

I'm sorry, but why don't we talk about Witch Hunt more? Seriously, I think it might be my favorite DAO DLC. Don't get me wrong, I enjoy the hell out of Awakening. Leliana's Song is good. The Golems of Amgarrak is... eh, bad. I didn't really like that one. The Warden's Keep, The Stone Prisoner, and Return to Ostagar are all amazing and I love them.

But Witch Hunt??? Y'all. I can't. I'm too emotional right now.

I have at least one dynamic from each game that I'm obsessed with. For DAO, it's the dynamic between romanced!Alistair, Tabris, and Morrigan. I've talked before about the dark ritual and stuff in this post, so let's just say that my Tabris, Rose, very much has unfinished business and a score to settle with Morrigan.

Tabris and Morrigan grew so close throughout the entire journey of DAO, y'know? Close enough that Morrigan claimed she thought of her as a sister, and Tabris felt the same way... and then in one single moment, it's just shattered.

There were signs that Tabris ignored, like the way Morrigan dismissed all the circle mages and claimed they should be left to their fates since they "allow themselves to be caged like cattle." Or how she disapproved every time Tabris wanted to help those down on their luck. Or, worst of all, when Morrigan disapproved when Tabris chose to kill the Tevinter slaver instead of making a deal with him to use the lives of the remaining elves to grant her more power... one of those caged elves being Tabris' father.

But she gave Morrigan the benefit of the doubt; she's sheltered and only had Flemeth as an influence and teacher, of course she's unempathetic and selfish, but there is good in Morrigan's heart. She can learn to be more empathetic and to care for others.

At least, Tabris believed that until Morrigan confessed that she's known about the ultimate sacrifice and the dark ritual from the beginning, that Flemeth sent her with the wardens with a purpose that Morrigan intends to follow through with. It's devastating and it broke Tabris' heart.

She just learned that a warden has to die to stop the blight, and that warden could be her or Alistair. Not only are they romantically involved, but they've been through all of this shit together, they're the only ones who fully understand what being a grey warden is like. They carry the burden on their shoulders, and they're probably going to lose each other to the archdemon.

And Morrigan waits until she's at her most vulnerable to ask that of her.

Again, I've gone into more detail about that before, but at this point Rose is done with people deceiving her. She's done with Morrigan... except she's not. It's the betrayal and knowing Morrigan got what she wanted that causes Rose to go searching for her.

To Morrigan's credit, she does give some answers. She claims she didn't thing the archdemon would show itself so soon, and she did what she had to because she didn't wish to see Tabris hurt or die. I believe her, and to an extent, Tabris believes her... but Morrigan still doesn't get WHY it's a betrayal.

Morrigan's right: She will never understand Tabris, and Tabris will never understand her. She can insist it's not a betrayal all she wants, but it absolutely is, and Tabris has never allowed anyone who crossed her to just walk away... except for Morrigan.

Until now.

Hearing that Morrigan manipulated her way into the trust of this Dalish clan so she could steal their book and run is just further evidence in Tabris' eye that she hasn't changed. Maybe it was always foolish to believe she could.

So... she stabbed Morrigan.

She didn't do it to kill her; Morrigan is the daughter of Flemeth and a powerful mage with healing magic, a mere stab isn't going to kill her.

No, it's about what the stab represents: "I am done with you."

And how the scene plays out? It's so dramatic and good, just the way everything slows down, the music, how they make eye contact as the stabbing happens just....

I know it sounds really bad, and this is the part where I remind everyone that I ADORE Morrigan, but the stabbing ending is so satisfying from a story-telling standpoint for my playthrough.

It's so tragic and it hurts and I hate it.... but I love it, y'know?

I love Witch Hunt, like I haven't even talked about Ariane and Finn, or how the circle just has all these books on Dalish artifacts and translations of elvhen, or how other eluvians can be found with a shard from the broken one in the dalish origin.... like you're telling me that Merrill had a piece of the puzzle? If she had the knowledge, she could've found a working eluvian to study?? I'm going to gnaw my own leg off--

Listen, I could gush about this all day.

But now that I've completely finished DAO, it's time to replay DA2.

[pigeonclaw]

the amount of times I have potentially controversial opinions that I type up and then save in my drafts forever because I still feel them but am too shy and afraid to choose violence in any way

[lemonhemlock]

not to be a hater on main but i just stumbled on a tik tok claiming that tsh both takes itself too seriously and could use more absurd comedy and it nearly made me punch a wall

[ruvviks]

HIIIIIIII BONES what faction(s) does tiberius join? and which companions is he closest with? :]

HIII EZRA THANK YOU SO MUCH :] this got insanely long because i have. so much to say about this game it's unreal i'm very sorry in advance. but hope you enjoy ^_^

so in my canon of fallout 4, there's a couple of things different from the game because i personally don't think of tiberius as a leader in any sort of way, mainly because he's like. 23 years old. that's a literal baby. he was only born yesterday fresh out of the freezer

so!! that means that the minutemen are already very much established in the commonwealth again when he emerges from the vault, and there's a lot of sprawling settlements to be found in places where you'd otherwise have to build them yourself in game; so sanctuary isn't abandoned at all, and tiberius returns to his sister's home with a special surprise waiting for him (every other house in the neighborhood is now home to a bunch of strangers centuries into the future! welcome home boy!)

that said, tiberius DOES end up sort of joining the minutemen?? but not officially. he meets preston in sanctuary who helps him get settled in in this new and strange world and in return to show his gratitude tiberius helps out wherever and whenever he can, but considering the path of revenge he's about to go on he doesn't really consider himself good enough of a person to like. fully be part of it if that makes sense?? especially since the minutemen aim for as much peaceful resolution of things as possible, and he is not like that :(

tiberius massively dislikes diamond city, and feels a lot more at home in goodneighbor. he does some mercenary work there for a while and that's also how he ends up with the railroad, which he Does officially join :] a bunch of my other fallout ocs are also railroad agents; max, who's also general of the minutemen (don't ask how she finds the time to juggle all these different jobs she doesn't know it herself either); magnus, who's a goodneighbor guard; and nikolai, an ex-raider who now does a bunch of stealth operations for the railroad. tiberius takes his job as agent very seriously and through his new connections becomes more involved with the minutemen as well, now that he knows the two work together to give escaped synths a new and safe home and such :]

he does NOT join the brotherhood of steel. he hates them so fucking much it's unreal. to him they're literally just invading the commonwealth with the way they're terrorizing settlements and forcibly establishing their own outposts and whatnot and it causes a lot of chaos everywhere which is NOT ideal at all. max is handling most of the situation but she's clearly under a lot of pressure and it makes tiberius want to blow some shit up. which he eventually does when everything has escalated so far that there's not really another way to deal with it anymore

he only joins the institute to infiltrate them for the railroad, and he is NOT having a good time during it. he dislikes shaun (his nephew, not his son!) so fucking much but there's nothing he can do about it. i'm trying to make the institute a bit more interesting but it's still a work in progress because well the game leaves a lot to be desired on that front to me personally but either way, the whole place makes him super paranoid and he quickly realizes that it's a LOT bigger than what it's making itself out to be. the area he's allowed to be in seems just a little bit too well-organized and streamlined as if it's all pre-programmed and he constantly feels like he's being watched. which he is! because he ends up finding proof of a lot more levels that go much deeper into the ground and while a lot of them seem to be abandoned, he does end up finding evidence that there's more people holed up Somewhere. and they're watching everything that's happening in the area of the institute he's allowed to be in. it's all part of something bigger and he does NOT like that shit

lastly, tiberius ends up with the children of atom :] kind of against his will?? but also he's not really being forced to stay so it's kind of a gray area really. basically what happened is that he went to the glowing sea, ended up passing out because he went by himself like the stubborn mf he is and the children of atom take them to their crater to nurse him back to health but also give him like. some sort of special radiation cocktail of some sort which ends up making him a bit of a freak. much more resilient, much more absent as well, a bit faster than he used to be. he's basically their chosen one because i feel like out of all factions it'd make most sense for the children of atom to be weirdly obsessed with him like he's a perfectly preserved human from before the war. that IS kinda fascinating

either way tiberius doesn't really mind being part of them all that much because it puts him in like a negotiator position if that makes sense?? the other factions all have their other touching points where he isn't all that needed to create connections and stuff but having this extra connection with the children of atom who are mostly feared by the rest of the commonwealth helps a LOT with keeping peace and all that, so it's beneficial for all parties involved because it also means that tiberius can just freely enter any of their outposts and he can rely on them if he needs them for anything :] the children of atom are a lot more willing to assist him with something that may be a bit shady than the minutemen or railroad would basically so it's a good backup to have LMAO

as for companions, tiberius is closest with preston 100% :] when he emerged from the vault, preston was the first person who talked to him and didn't treat him as a possible threat, and he helped him get settled in which tiberius will always be grateful for because he was so so scared. and preston made everything a little bit easier. he's very caring and patient and matches tiberius' funnyman energy surprisingly well when they're joking around, which would all remind tiberius a lot of his sister stella. preston Would in fact be like a brother to him :]

he enjoys hanging out with piper and nick, but only sparingly so since those two just love to investigate stuff and a lot of their time hanging out ends up turning into business of some sort and tiberius does NOT have the detective's spirit! he likes being clueless. he does not always need to know everything. he does like tagging along but sometimes he just wants to SIT and have a beer or something

which, naturally so, makes hancock better company for him. tiberius did a couple of gigs for him personally (and got to know him much more intimately during a wild night with both him and magnus but we don't talk about that) and he likes to stop by goodneighbor regularly for a drink and to talk about shit that's been going on lately. since magnus and hancock are together, magnus is there a lot as well but tiberius sees him a lot more regularly at the railroad too :]

that being said, the railroad is definitely tiberius' main hub for hanging out with people he loves the gang SO much. his best friends there would be nikolai, glory (she's alive yes obviously), deacon, and tinker tom :] and also max but tiberius sees her a LOT more at the castle since that's by the end of the in-game events also a place he can be found at a lot. he doesn't take a lot of minutemen jobs but he does help out on location with whatever they need, plus the castle is a huge and busy marketplace which would be super fun to visit (especially at night) so he just likes hanging out there in general! that's also where he hangs out with cait and roxy (max' wife) whenever he gets the opportunity

tiberius' relationship with x6-88 is. strained. on a surface level he likes the guy, but his loyalty to the institute definitely gets in the way of their friendship a lot at first. i haven't entirely figured out yet how to like, get x6-88 on tiberius' side in a satisfying way that doesn't feel out of character for him?? but that's basically what i'm aiming for, because the two DO spend a lot of time together away from the institute itself which would give tiberius a lot of opportunities to show x6 what the commonwealth is really like. and what the institute's reputation is and all that. and with x6 getting attached to tiberius during all of that he WILL be forced to pick a side at the end of it all. and i personally don't think he would side against tiberius after spending all that time building up an actual friendship for the first time in his life

surprisingly enough, tiberius and maccready did NOT!!! get along well at first AT ALL. when tiberius was taking gigs in goodneighbor he was unbeknownst to him stealing away a lot of mac's clientele so naturally mac has very one-sided beef with him. especially because both of them are like. babies. i can't remember maccready's exact age but that's a baby. and tiberius is one too. and they're both competitive and kinda stupid so when they first "officially" meet there's this insane tension between the two of them and every conversation they have is just a pissing contest. they've been kicked out of goodneighbor together on at least one occasion because of their near screaming competitions

(at some point after the battle of bunker hill and tiberius has temporarily broken ties with the institute because shaun's attitude pissed him the fuck off he goes to goodneighbor with his friends and after a drink or two too many he agrees to a bet maccready makes with him about killing elder maxson. tiberius succeeds by knocking out a brotherhood pilot and pretending to be the pilot instead, sort of successfully flying a vertibird up to the prydwen, somehow knocking out a guy in full power armor to then steal said guy's power armor, killing elder maxson (who by then has committed enough war crimes including but not limited to laughing max in the face when she tried to talk to him about a possible collaboration in hopes to keep the peace in the commonwealth) with a pipe pistol, and then jumping down(!!!!!!!!!) in the power armor to make his escape by walking over the bottom of the ocean on the shoreline in the power armor. he brought the guy's coat and dogtags with him as proof. maccready was turned on and angry about it)

but after traveling together for a while, tiberius and maccready learn they have a lot more in common than they initially thought and they grow closer over time :] i adjusted mac's story as well by making lucy his older sister rather than his wife (HE'S A BABY. HE DOESN'T NEED A WIFE AND A CHILD IN THIS ECONOMY) and duncan his nephew, so it's still a direct parallel to tiberius' story except lucy is still alive but missing, whereas stella is in fact very much dead. at first it makes tiberius feel frustrated and upset in a very selfish way, but it helps him with like, allowing himself to grieve for the first time since he exited the vault which by then is a LONG time ago, and then it also helps him with moving on from it rather than staying stuck in the past. helping mac with curing duncan and finding lucy helps the both of them and after all that they end up getting together :]

SO YEAH. very bumpy road for tiberius all in all and he makes connections in a bunch of different places, but he's always just a gear in the machine rather than the one operating the machine if that makes sense :] he feels a lot more at ease when he can actually make a difference at his own pace rather than having everyone look up to him constantly, the closest he got to that was when he was the one to infiltrate the institute and he has NEVER been that stressed before in his life. he makes it out alive and relatively unharmed but good lord. he's never doing that shit ever again

[aauroralightss]

i love reading peoples' opinions on trigun but sometimes i will see an opinion that is so like. bewilderingly wrong it actually makes me doubt my own interpretation of the source material

[widowshill]

crazy how i was certifiably insane about a prequel novel potc character for eleven years and then i decided i'm done with that now time to put the blonde man in a blender

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[nocentis]

Black Arum ┆ Siegrain

Content warning: main character death, cannibalism, gore, toxic/unreliable narrator, highly canon divergent character portrayal. Read at your own risk. You will probably take psychic damage from this.

╳┆A lure was stuck in the soot between his lungs. Many times he'd felt the tug — enough that the wire fray had worn a rut where his ribs met — and many times he'd found her on the other end, reeling for remnants of him that no longer existed. She would aim to break him open, sift around in the cinders for those specks of him she wanted to confiscate, keep for herself, so that she could finally be rid of him. Once those flecks were washed and panned, the remains would reek like plough mud closure. For that reason he would come to her whole, every whit of ash accounted for.

A cherry little game they'd play. Her with flint and steel, eager to reignite that paltry spark of "good" that flickered freely for a lapse before he remembered himself. Him with tinder and kindling, letting it light only to call on the rain again. Her with just enough hope. Him with just enough time.

That resolve was so very compelling. More than her beauty, her candor, and even that glow he so loved to bask in — that luster he wanted to hold between his teeth and bury under his nails — more than that, her tenacity was a toothsome temptation, and he wasn't keen to deny himself anything.

So when he felt the pull, he caved to the beck and spooled the lisle. That day, the line seemed lighter, thinner, than it ever had. It should've been strong. Tensile. Instead it felt gossamer fine and just as frail, poised to tear at an ill touch, and he wasn’t exactly renowned for his gentle hands. Still, he gathered it with both palms and wrapped it proudly around himself like a ceremonial sash, grin scrawled across his face something devilish.

╳┆He found her lying in the shade beneath a long-lived magnolia, still and silent as she never was, with the color of her namesake spread around her head in halo streaks. Battle-torn, as she so often was, and yet uncannily... passive.

Anything he'd planned to say went out the airlock. Instead, he stood there with an anchor in his stomach, reaping the benefit of doubt.

Not a frown nor a sigh when he darkened her sanctum, only heavenward eyes tearless and unblinking and a resigned breath just short of peaceful. That worn tether waned phantom thin, light as helium, and the tension in his chest went slack.

There was no definite snap. No dramatic severing or ear-popping moment of clarity. Only the vague sense of loss so fresh a wound that denial was a numbing salve.

“Get up,” his voice a command, sandgrit against whetstone, thickened by an unnamed antigen.

The silence felt like mockery. A placid scene void of chittering fauna, clouds' drum, or even the most timid breeze. It wanted him to hear the absence of her breath and the stillness of her chest. It wanted him to hear the hollow. The empty. The nothing. Wanted it to resonate; to find the furthest reaches of his mind and clean them out until all that was left was this icy, clarifying silence.

He knew the end when he saw it. This was something much worse. It was robbery.

Her life wasn’t for the world to take. It was for him to hold in his hands. 

Something wet and pathetic slicked his tongue — some whiny, pleading thing — and it was stubborn as oil. The authority slid to the back of his throat and left him choking, “You are the indomitable Titania. You’ve laced fingers with Death time and again only to rise and slay and conquer, so get up.”

Her warmth was set to a slow drip, spilling from her in tired beads and seeping soundlessly into her chosen ground. Little whispers of her lost to greedy loam, sullied, never to be returned.

A waste of precious love. The sod won’t drink of her as he will. It will take of her and give back what? New “life” so fragile and fleeting? A feeble weed will take root, bloom its days few, and curl itself inside out? Pathetic. An insult to her legacy. An insult to the diamond-split sharp of her bladesoul.

His heart boiled over — popping, sticking, simmering sicksweet saccharine. It colored him cloying, flooded his mouth, and forced him to kneel at her altar.

"Please," he keened, hollow and morose, and his own pleading sickened him, “Say something.”

The sun trickled through the leaves like ichor, lighting up her black-blown eyes and the thin ring of honey surrounding them. Dim, distant, and dead as the moon.

His hand carved a path to her face, fingers featherlight against her fading flush. He brushed her bangs from her eyes and forced an unbroken breath through his quavering mouth. He traced each scar too faint to see and the parts of her skin their star kissed. Memorized the map of her face — each curve and crease, each fine hair, and every eyelash. He would carve out a space in his mind in her shape and fill it with the thousand sweet nothings he kept in his pockets.

He gathered her hand and threaded it with his own. When he opened his mouth, a rickety twine escaped from the deepest point of his chest, so he forced his jaws shut to keep the grief corked. He uncurled her fingers and pressed his cheek into her palm, trapping her there against his own scarred skin. His eyes fell shut as he breathed in this borrowed touch — this moment fated, stolen from him by this world's insatiable avarice.

He kissed her palm directly in the center; held it against his mouth and felt his own ruined breath echo back to him from the deepest grooves of her skin. Again, he begged, “Please, Erza.”

Of the armors innumerable now haunting this hallowed ground, this one least befit her. 

He revered Death. If there was a god, surely it was Death, he thought, for Death asks for nothing but life. The dead don’t know that they’re dead. They know a split second of euphoria and then a sharp, definite end. Isn’t that the work of a gracious god? One last stroke of color whether in peace or peril, and then eternal rest. Back to the dust you sprouted from.

But now he couldn’t see any of that beauty he often waxed poetic about. All he could see was change yet to come. All he could see was her, and he wanted her back.

He wanted her back, yet he knew better than anyone that there was no such thing as resurrection. While Death might be gracious, it was not generous, and it was not to be reasoned with.

The thought of her buried deep, bathed by the dark and abandoned to rot — it washed his mouth acid sour. It ate straight through his tongue and lingered in the roots of his teeth, burning, raging redhot in his jaws’ marrow.  A grave didn't suit her anymore than a pyre.

Soon she would be cold. Stiff. A feast for flies and their insatiable young. In the days to come, she would bubble and bloat and sallow. Her skin would loosen and slough off. The sun would bleach her bones. The meat of her would melt into oil and fat and bogspit. She would mix in with the soil, the groundwater, and this thankless magnolia would thrive.

It was tall, thick, with branches spread in all directions. The lowest of its limbs showed off the varied deep greens of its large waxy leaves, their undersides a chalky brown. A few white flowers bloomed, palm-shaped petals open in praise like they'd come to witness and worship. There was no question why she'd chosen to crawl here. It must've reminded her of home.

Despite its beauty, it was hardly worthy of her. Nothing in this ravenous world was. Her grave should be carved within his chest. There, he could keep her warm. He could host her in his veins. One day, they would wade the waters of woe together. Until then she could live under his skin.

He wouldn’t allow her to spoil. Wouldn’t place her gently into time’s whittlesome hands only to lose her peel by peel by rotting peel.

This world has taken much from you. Do not allow it to take her too.

A carnal ache etched itself into bone, a depth of passion he hadn't felt since he wrought for a false Heaven.

She is a fruit, ripe as a plum and twice the taste. Peel her open. There is a seed at her core. Plant it in your soot-field chest and watch her bloom anew.

What are these hands for if not this?

Flesh like sheets of silk. Muscle like rope. Blood like honey. Bone like an ivory trove. The splitting, the squelching, the straining, ripping, snapping; it burrowed marrow-deep and lingered there. Her chest peeled apart like jagged teeth, jaws croaking their rusted tune, and inside that redslick maw was the center of the universe.

The heart upon its throne, still as she, shielded by her precious lungs. It slid into his palm like it was always meant to be there. Raw, rich, and so very scarlet. Its sinews strained against his pull — those hollow vines that fed even the furthest parts of her — so he wrenched them free and draped himself in them like matchless finery.

Eat. Eat ‘til you’re sick. There’s a hole the size of her in the pit of your stomach. Eat until you fill it. 

What are these teeth for if not this?

Tough as leather; smooth as rubber. His teeth slid right off the rind and clicked together with nothing but metallic sheen between them. He gnashed at that ink-dripping muscle until he found a spot weak enough to tear apart. It tasted of rare meat and iron; a heady gore thick enough to drown in. He swallowed, gasped, and that first new breath felt like a blade.

The child inside him saw her split-open ribs as his cradle. He wanted to crawl inside, curl up, and die. He wanted to paint himself her color.

He lost his vision to the hot, angry wash. His own sobs were a distant sound, muffled by meat and blood and his own desperate fingers. He was numb in the mouth and in the shake of his hands, but he forced himself to eat, eat despite the choking, the gagging, the wet, weeping remorse.

Don’t you dare throw her up. Be grateful. Swallow and say thank you and finish what you’ve started.

He bit into his own palm, indistinguishable from her core, and he cried out in sour relief. His hands spread raw grief over his face, through his hair, and down his neck.

You’re no better than this starving world.

He curled into himself, hands clutching his own aching chest, and despite the cloudless sky, he called upon the rain.

[bookishjules]

again about everything I'm super sorry and I hope we can be friends <3

who is your favorite character and why?

shooting that first sentence right back at you <33

as for who my favorite character is hehe.. it's keefe.. it's so keefe i think tiktok picked up on the amount of times i mention him bc it's started trying to show me keefe-y videos. he just fits in so seemlessly with characters like leo valdez, chat noir, rotg!jack frost.. who all sit so prominently in my imaginary graph of favorite characters. it's honestly mildly embarassing how much i want to talk about him... (@ann-perkins4 can attest to this. every time i've seen her in the past few months i've just been like.. well like silveny chanting his name lmao.. sorry lena)

idk that i can explain exactly why i love him sm?? but i do know there's just something about characters who have to kind of go it alone and have learned to mask their pain with jokes. who are broken but kind.. and i love the way keefe makes mistakes and is like willing to do so. but also the way he grows from them. the way he's willing to admit how much of an idiot he can be. but i also love the ways he is an idiot. i love the way he pays attention. i love his self-sacrificing tendencies. and ig i love him bc there's a defecit of love in his life. and i just want to hold him so close and tell him i'm proud of him yk..