#what backstories they had planned for all the characters :(

[dani-ya-dig]

Something that I really love about Sam, and have always loved since I listened to his first video, is how he entirely subverts the expectations for vampires. Not just modern day ones but the expectations that have always been there for vampires.

(And his southern accent but that’s not what this post is about)

When vampires first rose to popularity, what they represented was a fear of sexuality. They were inherently sexual creatures of the night who lured innocent people into the shadows with their powers of seduction only to drink their blood.

We even see this in most of the redacted vampires. Vincent was literally introduced as “the flirty vampire”. While later he was given some depth and we learn that he just picked up that act from Porter, it was still an integral part of him in the beginning. Even Alexis, as little from her as we have heard, she speaks in a very low, sultry tone. Even when she isn’t trying to be flirtatious.

This is a very inherent part of vampires some lore even describes it as a power that they have. (I believe this is addressed within Castle Audios lore as “the lure”)

But Sam doesn’t have that. He isn’t flirty. He isn’t seductive. Not in the traditional way anyways. (Because HOO BOY AM I SEDUCED)

Sam doesn’t try to lure Darlin in when they first meet. He doesn’t really try to lure darlin at all, really. They just naturally grew close. It was active flirtation, it was just chemistry and care.

Even when they do admit their feelings for each other Sam still doesn’t want to have sex. He hadn’t for over a decade, and the last person he had sex with stole his life away from him. Of course he didn’t feel comfortable.

And I think this all helps to portray the most important part of Sam’s backstory.

He wasn’t supposed to be a vampire.

He never planned on being turned. He didn’t want Alexis to turn him. He never wanted to be that.

The same could be said for Vincent, he didn’t wanted to be turned either. He wasn’t given a choice. However, Vincent still took on that flirty vampire persona.

I think this illustrates the difference in how Vincent and Sam grew into their turning over time. Vincent, while extremely depressed in the beginning of his turning, grew into it. He eventually learned to accept himself as a vampire, and even embrace it. I think him taking on that traditional, flirty vampire act, was his way of embracing what he now was.

Lovely’s part in Vincent’s character growth, rather than teaching him to accept himself as a vampire, was helping him to learn that he didn’t have to be someone new just because his mortal self is dead.

Sam, while he accepted the fact that he was a vampire passively, he never really embraced it as part of himself. I think this is really well illustrated by how he handled feeding before he fed from Darlin. “I’ve never been one to savor the taste. I just chug it like a supplement and pour a cup of something I actually like the taste of”. (That was paraphrased pls don’t hurt me if I got something wrong). He accepts that he needs blood to survive but he is going to incorporate it into his life passively, and focus on the things he actually likes. He accepts that he is a vampire, but he won’t take it as a part of himself.

I think this is even shown well in Sam choice to “chose morality” (as it was put in the trigger warnings of that one video, still hung up on that btw) rather than live forever. He accepts that he is immortal, but he isn’t going to embrace it.

To Sam vampirism isn’t a part of himself, it’s just something that was done to him. Like a giant scar that covers his body, his face, his eyes, even his core. It still isn’t him.

The way that Darlin plays into Sam’s character growth, I think has potential to change this and I think it’s something interesting to explore.

So far Darlin already has played a pretty big part in Sam’s character growth. Before meeting them he was closed off. Isolating himself from pretty much everyone but a few people in his clan. Darlin has brought him out of that. He now has people, he has the pack. While he does love Vincent and Lovely (and possibly Fred and Bright but we will never know what happened with them), it’s important to have people outside of the ones that you are forced to interact with by circumstance. Especially if said circumstances are horribly traumatic for you.

Blood of the covenant is thicker than the water of the womb, and all that.

However, I think Darlin inadvertently helping Sam to embrace the vampiric aspects of himself is interesting concept. Especially now that Sam has fed from Darlin, and enjoyed it, and saw how much his mate enjoyed. I think Sam slowly accepting vampirism is absolutely a possibility in the future.

If it ever happens or not I will still adore Sam’s character all the same.

Anyways this was a really long winded way of explaining that I like how Sam subverts the typical tropes with vampires, and I appreciate how it ties into his turning being non-consensual. I like to rant if people haven’t picked up on that already lmao.

Also I miss my girlfriend. Erik bring Sam back home immediately.

[constantfragmentation]

HI FELLOW SILCO ENJOYER

What are your thoughts on the polycule theory of felicia-silco-vander? 👀

Whew... where to begin?

Fair warning, this is going to be a long assessment.

First off, I firmly believe (unless S2 Act 3 makes me eat my words), that the writers didn't realize Silco and Vander would become such popular characters. I don't think that was the plan. They were side characters meant to beef up the main stars Jinx and Vi. Rightly so. They were devised as parallels for Vi and Jinx throughout the story. And it was beautiful.

S1 was filled with little details that enhanced every part of the plot and character development through each act.

However, if S/V were so important, more care would have been put into their backstories, which have been kept pretty vague. And these so-called continuity mistakes/plotholes seem pretty big for a studio that has been meticulous in the details all through S1.

We meet Vander, who changes his life after seeing the kids lose their parents and adopts them. Vander is seen as the builder and leader of the Underground, and he seems to lead with the threat of who he used to be (until Sevika calls his ass out).

Silco is introduced as the mean baddie immediately via Vander/Benzo's conversation in E1.

"There's worse things than Enforcers out there. We both know that."

Then his full intro including an underground evil lair and mad scientist at the end of E1.

E2 leans into the same MO for Silco. Until finally coming to the best episode (IMO) in all of S1 and it's E3, where things come to light. But he's still evil, vicious and spares no one. Silco appears to have zero empathy and is filled with a deep seeded hate.

"Silco?! You animal! Go crawl back into whatever hole you came out of!"

S1E1-3 Silco completely paints him as terrible from the Underground's perspective. Silco - bad. Vander - good. Both Vander and Benzo see Silco as a dangerous threat. So does the rest of the Underground feel the same? Do they know about what happened to Silco by Vander's hands? Sevika chooses him because she lost faith in Vander as a leader.

So, that makes me wonder if Silco WAS the brains behind everything from their smuggling business and building up the Underground to the rebellion. Vander on his own, seemingly, isn't shit. He is the muscle. WIthout the brains, he doesn't haven much in planning so he turns to making a deal with Enforcers instead.

By S1E3, we start to see beyond the veil a bit. Vander tried to drown and murder Silco. Let's remember one thing. Vander didn't just try to shoot Silco or they got into a fist fight and things got out of hand.

He tried to DROWN him. There's no way Silco went with Vander to the river fearing his life. Now, whether they went to talk in private and it got heated, you still have to sit back and look at Young!Vander and think wtf?

He is painted the good guy from the beginning. A man with restraint and compassion, looking out for everyone and especially his 'kids'.

It takes will and strength to smother/drown a person. It is NOT a quick death, it's a slow and painful death. Vander's intent was to kill him. Not once, did Vander think in the minutes holding Silco underwater that damn, this is wrong or overkill? You don't flippantly say "I'll never forgive myself" for trying to murder you slowly. Now beating the shit out of him and ruining his eye, yeah, that would make more sense from Vander, knowing he probably turned Silco into this worse person and fucked up his face, vision forever.

The viewer is left to assume it was something so fucking bad, Vander had to kill to stop it. Plus, Silco is already painted as the bad guy, so we presume Vander was right in trying to kill him?

So, what was so bad that this course of action was required? Well, it's pretty damn vague. In all of E3, Felicia isn't mentioned or hinted at ONCE. Not once. If Vander tried to kill Silco because of her, why do we not learn about any of it?? That seems like a pretty important fact, yes? This is Vi/Jinx's mom and she was a close friend? I'd say that's important.

Nope. Silco drags Vander to his lair and waxes on about fighting Piltover and finally realizing his dream of a free Zaun by any means.

Vander tells Silco he's never forgiven himself for trying to kill him, but nothing else is added to it? We're left to believe that Silco was either too powerful and influential in Zaun or that he orchestrated the bridge fight (that Vander was still fighting until the kids arrive and they see their dead parents).

This grey area is why the fandom has spent years trying to decipher what was so bad that it tore two brothers apart with attempted murder.

We learn in S2, Vander apparently "looked everywhere" for Silco and then wrote him a letter in a mine, hoping Silco might come across it. Well, if your brother tried to murder you, I'd say you would stay far away from him and not venture to old places in case he might try it again? Sounds reasonable, yes?

So Vander just gave up trying to talk to Silco and explain everything for YEARS? By S1E1 he and Benzo know about Silco and probably know where he is and that he's up to no good obviously. So why haven't they talked once in years?

Vander said he was in a rage over Felicia's death. But I'm sorry, none of that makes much sense and frankly takes the fire out of what created the fracture between two friends.

I would have preferred Riot not explain than give us a half-assed backstory of three happy-go-lucky buddies and the death of one is the backbone of hate, distrust and betrayal.

Again, Silco said Vander BETRAYED him. If they were arguing about Felicia and her partner dying, leaving kids orphaned, I don't call that betrayal. Vander's letter sounds like an argument that got out of hand. You don't just accidentally drown your best friend for the greater good because your other friend died in a fight ALL of you were fighting. You knew people would get hurt and/or die. It's reality.

It just doesn't FIT. It doesn't fit these characters at all in the narrative from S1.

Another reason I believe Riot never intended to go further with Silco and Vander's backstory is in the animation. Like I said above, S1 was littered with little and amazing details that we, as the viewer, have been analyzing for years.

The drowning was a VERY young Silco and Vander. Vander clearly has a beard and looks much older on the bridge in E1. The flashback in E3 looks like it was 10 years earlier at LEAST. That would be around the time Vi was born or a toddler if we're estimating her age by S1E1 on the bridge.

Vander beat the shit out of him and then decided to kill him by drowning. THAT is a major choice to make. That is a vicious choice. So we do see Vander as being more violent in his youth. So if the drowning came AFTER the bridge, that also doesn't quite fit either. He takes the kids and chooses pacifism, yet soon after, he's murdering his best friend. AND he suddenly shaved and grew younger, because he wanted to look clean and pretty before killing his bestie?

Zero continuity here. Bad writing. If there was mistake due to animation, they should have changed the backstory to fit than ramrod something else that looks badly done and makes zero sense to your audience.

Personally, I wish the drowning was PRIOR to the bridge battle.

It would make more sense if Vander was having second thoughts while planning the bridge fight. Maybe a separate attack went wrong and he realized they were going to lose and many would die. Silco, maybe having more influence or threatening to show Vander as a coward to the people is what finally triggers Vander to kill him. In order to stop this, Silco needs to die and then maybe Vander can convince others the fight is already lost against a superior firepower.

To kill Silco in that manner, signals to me, Silco was a great threat. Which means to me, Vander either felt he was a threat to him (since Vander does become the power in the Underground - the Hound) or he is beginning to feel like this fight is pointless and will change nothing. People will die for nothing.

Making it all about Felicia, just takes the fire out of rift between these two men all these years.

Again, she's never mentioned.

Silco even reflects in S1E3 that he still respected Vander after the drowning until he learned Vander was working with Enforcers and basically made a deal with Topside to keep the peace. That continues his pathway as a rebel and he's going to take down Vander with it or use him "what you really are".

Silco knows how violent Vander was and he's going to use it with Shimmer.

If we go by S2 timeline, then both Silco and Vander would know Felicia's kids well before the bridge battle. in S1, Silco would know who Vi is, at least and be aware of Powder. He would know this by S1E3 when he says "Have you heard the rumour? Vander the coward fled town with his children and were never seen again."

Pretty callous talking about his other bestie's kids like that. Damn. If Silco cared for her, then wouldn't he spare her kids? I just don't see this was ever about Felicia. It doesn't fit. He really didn't flinch in having Vi or any of the kids killed. HER kids? I'm having a hard time with that one.

I've said before that in Silco's eyes, Vi is an extension of Vander. When he finds Powder and she cuts off Vi as her sister, Jinx becomes an extension of himself, thus HIS daughter. It's like Silco's last "fuck you" to Vander by taking Felicia's other daughter as his own.

Overall, I hope to hell it's not some love triangle. Or either man was in love or had a crush on her.

I read some fans saying since the flashbacks are Vander's in S2, we're seeing things from his perspective. I'm all for an unreliable narrator with characters because it keeps things open for interpretation.

But we would need to see this from Silco's perspective, too—not just the drowning/betrayal. Silco sees this as a major factor in the direction his character takes. It's a life-changing moment for him.

We also don't see any flashbacks to the years Silco took care of Jinx after Vander's death. If he knew Jinx's mom, wouldn't that come up? Wouldn't that be something Jinx would remember and influence her?

In S2, she reminisces a few memories of her mom like nothing has happened since. She and Vi act like nothing really happened between them. By the end of S1, the sisters diverge when Jinx decides who she will be. It's Jinx, not Powder. She knows Silco loved her and, more importantly, accepted her for who she was. She was perfect in his eyes.

Plus, Vander's trio flashback seems odd in both animation and backstory choices. Silco looks VERY different than his flashback of the drowning. His hair is much longer (man bun), he has a widow's peak he doesn't have later (weird). He appears to care for Felicia and happy for her being a mom. They made him more physically attractive and older than the flashback in S1E3.

Vander doesn't look like the younger version in Silco's drowning flashback. He looks older too. Animation choices were made that don't match the continuity of the previous season.

We're assuming their smuggling business is doing well if Felicia talks about the Underground being much better for everyone. Are we still giving Vander full credit for that? S1 implies Vander built the Underground both from Grayson and Zaunites.

Silco jokes he is "Bozo #1". To me, he is joking but not in saying he's the mastermind in this duo. Without him, Vander's just a brute.

I'm not sure of Vi's age by S1E1, but maybe she's 10 or 12? So prior to the battle unless a fallout happened with Vander and Silco, why don't we see Silco with the kids? Why do the kids act like they don't know him? If they were such a tight trio with Felicia, why only Vander with the kids?

He fought at the bridge knowing Felicia had two young kids that could be orphaned and was still fighting when the kids showed up. He already knew Felicia was dead but was still fighting.

If her death was too much, why didn't he stop then? The kids appreance stopped him. Okay. I get that. But we don't see Silco anywhere on that bridge, does he know she dead? Is he still fighting? Where is he?

This whole polycule feels like they had to throw it in somewhere but didn't adequately explain it to match the motivations of the characters we have known and studied. It opens more plothole questions than it answers. It creates more problems that did not need to be there.

If Felicia wasn't that important to expand on last season, why do it now and do it poorly that contradicts characterizations already laid down in the whole previous season?

I'll say it again and again: Riot did not plan for it. They didn't think Vander and especially Silco would be so popular, and fans would demand to know more about them.

Plus, another thing that kind of bugged me:

When Vi is embracing Warwick/Vander and tells Jinx "He's your dad too."

Yeah, it's a nice moment, but it's a shit on Silco too. Technically, didn't JInx have more years with Silco than Vander? She saw Silco as her father (although not the best), accepted her, encouraged her skills, gave her important jobs, wouldn't give her up and called her perfect in his dying words.

I guess fuck that dad, right? He is evil dad and now he's dead, doesn't matter anymore.

Did anyone else feel like Jinx turned back into Powder this season? The kicker in S1, is that she CHOSE to be Jinx. IDK. The sisters were real quick to hook back up after everything.

As I've said before, they needed maybe three seasons if they were going this route. No character is getting enough time this season for good story-telling and character development. Too much is getting crammed in one season and it's sad because there is SO much story to work with.

I, for one, would watch another season of these characters. You could take time to explain the Black Rose and Mel's story. Ekko has nothing this season. Jayce doesn't have much. There's very little explaining and too many new questions that won't get answered in one season.

Vi became an Enforcer for half a second. Granted Caitvi only knew each other for maybe a week so for their 'relationship' to fall apart doesn't surprise me. But Cait bouncing back and forth. Jinx bouncing back immediately after Silco's death doesn't make sense since he wasn't the cause of her mental illness.

"Silco didn't create Jinx. You did."

Sister's bond quickly like nothing happened between them. Sevika is suddenly on Jinx's side with little work considering they disliked each so much.

Intro of a new character, Isha.

Viktor turns into Jesus and hangs out in the Big Bang with Sky. I was waiting for Machine Herald and got Jesus Herald.

Ambessa could have a better story but again, I think they needed at least one more season to flesh everything out. It's all too fast and packing way too much into one season of plot for so many characters. The sister's reunion is too fast. We don't get enough info on Warwick yet.

I hope, but they can't tie all this up in three more episodes.

Sorry for the mental vomit, but I've been thinking about this all week, and now it's out like verbal diarrhea. Even though I've enjoyed this season, I can't help but feel disappointed. S1 was so much better.

[malichev]

I just watched the series finale and…

SPOILERSPOILERSPOILERSPOILER

I don't know how to explain it, it was poetic, but at the same time not very satisfying. It's a shame there isn't another season, I personally would have liked the war to have lasted a little longer so that the characters' relationships could have been better developed. One example: Jinx and Ekko. I would have liked to see how he managed to get her out of that depression and react, even though she continued to destroy, but I wasn't expecting a miracle, just some character development. I also wanted more explanations about magic, to see what else it could do, I confess that I wanted to see Viktor being evil for longer. We can say that Jayce literally won the battle with the power of friendship, he said a few nice words and Viktor automatically saw the light. It's a very common plot nowadays, isn't it? Considering the lore between Jayce and Viktor in the game, it would be cool if Jayce's words made Viktor retreat, cancel the attack and run away for a while. I would like him to face dilemmas in his new reality, while creating his plans for evolution, perhaps reconnecting with his humanity, or even losing it altogether. But it would be more development. So, yes, I expected more from the Machine Lord's plot. The only thing I liked was the idea that he and Jayce would meet in every universe, even if that doesn't mean they are friends in all of them.

I think the first season spoiled me. I was expecting an ending that was poetic, yes, but more gray. This one was full of rushed redemption arcs and drama/deaths of characters with potential.

And lastly, we didn't get more information about Dr. Reveck's daughter. I would have liked a little backstory on her, her view of her father's actions, etc.

But apart from this criticism, Arcane is a very good series, again, if there had been another season that was only focused on this war, giving time to develop some plot holes, it would have been perfect.

Art 10/10

History 9/10

Soundtrack 10/10

[highflyartist]

Why I like/love about Digital Wonderland

Hello!

¡Hola!

Hallo!

Today I got into deep detail on why I like this AU. Here we go!

The Story - So far, based on what it is shown, Digital Wonderland is a mixture of the original and two disney movies combined into a Digital Circus Alternate Universe. The very unique aspects based on the comics are that everything is retold like we're in the modern era (or somewhere near the 90s/2000s) with old televisions, old desktop computer screens, even the clothing choices of the real world match the aesthetic during those eras. It ropes you into the story because a sense of nostalgia is rushing through your heart and that's what happened with me.

The Inclusion - This AU, when I first found out about it, was really eye-catching but soon I found out that it was both for the canon and non-canon. I could add my digital circus oc into the world and that's what tempted me to bring back my OC: Celta. I haven't pulled her out of the shelves in a year but I had the chance to revive her and give her a well needed backstory. Along with everyone else's OCs, I love the fact that we can include our lovely characters into the mad wacky world of wonderland.

The Character Designs - Flawless. Beautiful. Stunning. Wonderful! The designs for each of the characters are really beautiful! Even for all the Wonderland inhabitants created by other artists, they all have wonderful designs to them! (Ex. Smiley from @yunfox00 and Toyger Lily from @laurenashleysparks ) Each design is unique in it's own aspect and I can't help but stare at Pomni's cute little dress, IT'S ADORABLE!

The memories and inspiration - This AU blasted me back to the past when I was a little child, watching Alice In Wonderland on VHS. I smiled happily as I watched Alice go on her cute adventures and now I smile happily as I read through Pomni's Adventures in this digital Wonderland. This AU also inspired me to go through with my plan of rebooting my Alice Adaptation that I haven't done in almost a whole year.

This AU is honestly the most amazing thing that has ever existed and I can't wait to see what this story will show more of in the future.

Thank you Endo for making such a beautiful AU that we can all join, laugh and smile as we all fall down the digital rabbit hole into Digital Wonderland. ✨⌚

If I may ask… and if it sounds selfish to ask then apologies 😅

But I want to grow this au’s story more and more for you guys and genuinely interested in seeing how I can make this au a bit more interesting and entertaining for yall.

So let me ask you this..

What do you like about Digital wonderland?

And what intrigues you and how can I make this engaging for you all?

[unnamed-atlas]

Finally finished sweet tooth s3. Having incredibly mixed feelings

[crazy-grrrl-on-the-computer]

Last line tag game!

Rules: In a new post, show the last line you wrote (or drew) and tag as many people as there are words (or however many you like).

Tagged by @fortune-maiden

Thank you so much for giving me the kick my brain needed to finally choose a project to focus on! <3

And as for these documents, they’re going under the mattress and out of sight until I get back. See that, Captain? That’s called thinking ahead. You’re welcome.

Not exactly the last line, but it's the last section I wrote and decided I liked enough to share. Is it from any of the anticipated projects I've actually told people about? Nope, it's part of a self-indulgent OC-centric fic that was conceived in 2012 and never saw the light of day for good reason.

Tagging: @auniverseforgotten , @shadowmellow , @darth-salem-emperor-of-earth , @thatlittledandere , @koolkitty9 , @floweryuu , @lanliingwang , @otakushrew , @ryoseii , @mostlikelytofangirl

I am so very out of the loop about who in my small Tumblr circle is still active, writing, and interested in tag memes like this. So please know there's no pressure to share and if I missed someone who wants to be included feel free to consider yourself also tagged~ <3

[guidingthulite]

the fun part about me finally watching yokai gakuen is that when i watched the movie like 3 years ago i joked about jinpei having comphet but guys. i don't think it's a joke anymore

[blueflyingturtleontheway]

I am once again mourning the loss of Reverse Avalor AU

[performativezippers]

here is a masterpost that i'll try to keep updated with all of my writing advice posts. if i missed one, please let me know!

How to create chemistry between characters so the reader feels the romance?

What makes a story feel lifeless?

Balancing character backstory: how much is too much, or too little?

How do you build up tension?

What are writing beats and how do I use them?

How do I keep character behavior consistent in longer fics?

How to finish a long project when you're not an outline person?

Using transitions instead of line breaks to move things forward when you don't want to write them

Some random little pieces of writing advice

What comes first: the story or the genre?

How do you plan what you write enough that you don't have to keep going back and changing things?

Fanfic writer habits I've had to unlearn when writing original novels for traditional publishing -- this post breached containment

How to get from point A to point B without skipping ahead but also without losing motivation?

What should characters do between plot points?

What does changing a book from adult to YA actually mean? What changes?

A longform analysis on thought strands, beat changes, and action beats/dialogue tags, aka: how to write so that it feels like a complete, acted scene.

[literaryvein-reblogs]

How to Write a Character

For creative writing to have as deep an impact as possible, you need to give the reader strong characters they can relate to on a personal level.

By borrowing from tried-and-true character archetypes and giving them your personal spin, you can create heroes, villains, and sidekicks that will affect your readers as if they were real people they knew.

Come up with a backstory

Crafting a backstory can help you flesh out an interesting character profile.

“When I’m dealing with characters,” says legal thriller author David Baldacci, “and I’m trying to explain somebody's situation and motivations, you have to look into their past, because [the] past always drives motivations.”

Ask what experiences your character had in elementary school or high school that shaped who they are today. Your character’s backstory can greatly inform your plot.

Develop a character arc

A character must evolve throughout a story.

“The character has to change,” insists crime fiction writer Walter Mosley. “The character doesn’t have to become better. The character doesn’t have to become good. It could be the opposite. He could start good and become bad. He could start off hopeful and end up a pessimist. But he has to be impacted by this world that we’re reading about.”

Plan out your storyline based on your character's goals and how achieving or not achieving them will change them as people. This sort of template can help anchor your narrative.

Do research

If you plan to set your story in a specific locale or period, do enough research to make your characters seem true to life and believable.

“What does it mean, for instance, in the Tudor era to be a male person?” asks Margaret Atwood, author of The Handmaid’s Tale. “What does it mean to be a female person? What do those things mean when they’re at different social levels?”

Empathize with your characters

No matter what the type of character you’re developing, try to find some reason you and your reader can relate to their internal conflict.

“You’re living with these people every single day for months at a time—in some cases, years at a time,” says acclaimed children’s author Judy Blume. “You had better feel for them. So, for me, yes, I have great empathy for them.”

When people can empathize with characters, they’re more likely to find them compelling.

Experiment with different approaches

If you usually write characters from a particular point of view (or POV), change things up to challenge yourself.

“Write about someone entirely through the eyes of their friends and family,” suggests journalist Malcolm Gladwell. “So do a profile of someone where you deliberately never talk to the person that you’re profiling.”

There are plenty of ways to craft compelling character descriptions—free yourself up to try new alternatives.

Give your characters flaws

To craft believable characters, you need to give them flaws.

“One, it makes the characters human, just by default, because everybody recognizes that we all have flaws and mistakes,” David says. “But two, it gives you plot elements and plot opportunities because somebody makes a mistake. Why? Because they’re flawed.”

Learn from real people

Pay attention to real people’s mannerisms, personality traits, body language, and physical appearances.

Do research, and be respectful, when you want to write characters with backgrounds that you are not familiar with. Become familiar with different people's cultures, sexual orientations etc.

Talking to people about their experiences will help form your character’s personality.

Let your characters surprise you

Character development can proceed down a host of different avenues.

“Spend a lot of time with your characters and getting to know them,” Judy suggests. “And the way that you get to know them can be different from the way I get to know them. But my way is: They don’t come alive until I write about them, until I put them down on paper.”

As you write, your character’s motivation or perspective might change from what you originally planned.

Play characters off each other

Ask yourself how a secondary character’s personality might thwart the main character’s motivation.

“One of the best ways, as I said, to develop a character is to put that character in relationship to another person,” Walter says. “So as they talk, as they fight, as they work together, we find out more about who they are and what they are.”

The character’s close friends, adversaries, and acquaintances might all have different effects on their behavior.

Take an organic approach

Over the course of the story, be ready for your characters to surprise you as much as the people you know in real life might, too.

Your characters may take on a life of their own.

Avoid static characters by letting yours have their own lives and personalities. Let their stories take you where they lead.

Writing Notes & References

[avephelis]

RISE TWITTER QNA! no major news or announcements, but here's a list of new information and confirmations:

S3 could be brought back as a retro show in the future, but it probably wouldn't happen anytime soon (focus is on mutant mayhem at the moment)

it was never decided whether capril would be friends or girlfriends (due to rise's focus on platonic relationships)

council of heads! they're in power, but a lot of influential yokai (like big mama) aren't easily controlled, and "game the system"

despite not having his dual katana, supposedly f!leo DOES still have mystic powers

ron corcillo would love to see a spin-off focused on the caseys (if rise were ever continued), and likes the potential of a raph + casey vigilante duo

the turtles got their names after splinter's love for renaissance art

big mama's henchman WAS planned to be the missing sister, and rather than venus de milo, she would've been named after a female artist (possibly frida kahlo)

for halloween: raph dressed up as a kitten, mikey as a lion, leo as a rockstar, and donnie as j. robert oppenheimer

the mystic weapons stolen from draxum acted as a conduit to help the boys unlock their innate mystic powers with a "little boost"

they didn't realise mayhem's potential as a character/force until too late, but it could've been fun to do some stories of him being an operative (a la perry the platypus)

there weren't any planned stories for side villains (aside from the foot's cupcake shop), most focus was on the turtles

not much on casey jr's backstory, just that cass and the turtles were fighting the krang and leo raised him as a warrior. casey jr only has brief memories of cass from when he was very young, and was mostly raised by leo

there were definitely six baby turtles (two sisters)! and the turtles were gonna split up to rescue the one with big mama and the one in "the dimension", but they never planned much of it out

there's most likely a time gap between the rescuing leo and the ending scene of the movie, as "after a fight like that, [everyone] would definitely crash and need some recovery time"

there would've been more big mama in future episodes, and stinkbomb was planned to return

since the turtles became known to the public at the end of the movie, they'd have to fight to retain their reputation. this and their reception to criticism/backlash would've become a major arc.

on brother rankings: mikey is definitely raph's favourite, and they all look up to raph

the stronger someone's ninpo is, the greater the drain on their energy is (as seen with f!mikey and karai)

there wouldn't be much threat on villains going after casey jr's future intel, because most of it would've been rendered obsolete

nickelodeon would never give up the rights to rise, but they could license it to a partner company (such as IDW for a comic!)

as previously mentioned, the 2nd sister would've been trapped in "another dimension" and venus/frida would have to be won over by "helping her see that she had been brainwashed [by big mama] as a child" (and redeemed)

given more time, the show would've fleshed out: the hamato story, the hidden city's origins (krang spaceship that crashed into the crying titan being the source of the ooze, its fuel being what gave the yokai mystic powers), and would've used the rat king (who ron corcillo would've liked to be a powerful yokai with rat-like abilities and some form of mind control, who could've threatened the council of heads for power in the hidden city)

as far as we know, the turtles (aside from leo's spanish) only speak english (and even their english is sometimes a bit off)

rise probably wouldn't have ever "gone dark", but after the turtles were publicly known and full-time heroes, it might've had more of an extended plotline

the turtle's casual clothes somewhat reflect their music tastes (r&b for raph, glam rock for leo, techno (and 80s) for donnie and boy band for mikey)

future heights: mikey grew a bit and then shrunk under mystic strain, leo was at least 6ft, donnie a little taller than leo, and raph at least 6'6

mikey's powers could get pretty intense, which could've resulted in some multiverse episodes (ron corcillo would be most inclined to do a 12 crossover, but any could work). while leo portals short distances, mikey's cross space and time (with great effort)

given more time, how the turtles met april would've been fleshed out

in terms of how they take after splinter: donnie and leo have a lot of his cockiness, raph his courage and sense of duty, and mikey senses him missing his family (which is part of the reason of why he tries to hold everyone together)

given more time they would've done more with the transfer of leadership from raph to leo (and originally the plan was to draw that out over S3, rather than the abrupt S2 ending). they would've been co-leaders for a while, and at times mikey or donnie would lead (they aren't really a group with just one leader archetype)

there were plans for april to have more time with the specific turtles other than donnie (like how the gumbus was focused on her mikey and leo)

the cast's mystic abilities would've increased over time, and splinter has a lot of power that hasn't been revealed (as he spent a lot of time in the hidden city in his past)

venus/frida would've been very disciplined and so serious that's she's funny, and the dimension sister would've been "a little kooky"

there weren't really any plans on how the turtles would look in cloaked human forms, just that they'd resemble lou jitsu and may be inspired by their VAs

mikey is the only brother who can fully pull all his limbs and head into his shell (being a box turtle)

any usagi appearances would be a rights matter, and depend on collaboration

on timelines: april is 16 at the start of the series and 18 in the movie, but exactly how much time passes isn't confirmed

ron corcillo would've liked to do more donnie + raph episodes, like one where despite how donnie considers himself smarter, raph ends up beating him in common sense and emotional intelligence

f!leo didn't go with casey jr to the past due to being mortally wounded in his bleeding side

given more time there would've been more flashback episodes with the turtles at various ages

though he'd never admit it, hueso has a close relationship with leo

in early S3 there would've been an episode of setting up the new lair

mystic warrior f!mikey is pretty old (maybe in his 70s), and is strong enough to use basically any mystic power, but at great cost to him physically

no major plans with bishop, but once the turtles became more well-known he could be a bit of a thorn in their sides (like j. jonah jameson to spiderman)

there might've been some redemption from big mama, but also some relapses into her "villainous ways"

given a full season, karai would've been alive for longer, and would've trained the boys for a number of episodes

confirmation that some of early s1 aired in the wrong order (which the writers weren't happy about)

in rise, there's always an unpredictability as to how sentient a mutant will turn out to be

raph probably wouldn't be super uptight about swearing, provided the boys weren't offending anyone

there weren't any plans for romantic relationships (and DEFINITELY never an april-turtles love interest), but if they had ever tried something eventually it would've been with the same species

there were no specific plans for alopex, rita, or rennet, but anything's a possibility

in terms of the 1000 years ago krang/mystic timeline, the spaceship crashed first (possibly spawning the yokai), and other krang followed it, drawing in the invasion

that seems to be about it but if there's any more i'll do a reblog with additions

[targaryenrealnessdarling]

These Tender Hearts Beat as One

Aemond x widowed!female character

Summary: Aemond reunites with his childhood friend, a former ward of his mother || Word Count: 7k || Warnings: too much fucking backstory lol, p in v sex, breeding kink

Aemond could always tell when his mother was stressed. Out of all her silver-haired children, her second son had seemed the most adept at knowing before she even knew herself. All that remained was for him to discover the root of her worries, and calm her ever-heightening nerves if he could.

When Aemond was stressed, angered or oftentimes merely bored, nothing truly compared to the feeling of riding Vhagar, splitting through the air above King’s Landing to stretch her large, tattered wings. His beloved dragon appreciated the exercise in any case, restless from her days fought in wars, it was some consolation for him that flying was just as therapeutic for her as it was for him.

But when his dear mother was stressed, it was rooted in self-destruction, picking ceaselessly at her fingernails ‘til they were bloody and sore. And though he bit his tongue, not wishing to replicate the behaviour of his grandfather, sometimes it felt near impossible not to say anything, not to ask what was on her mind. So that whatever was swirling around her head with panic, could instead be shared out, and therefore less weight for her to carry.

Had Aegon done something perhaps?

Was there more trouble with Rhaenyra?

Or perhaps his father had said something to upset her, which seemed the most likely. Even in his sickly state, he was still capable of unknowing cruelty.

Even at five and ten, Aemond understood this.

His mother remained quiet, and it was not ‘til he sought out the company of his dear friend, that the truth became clear.

She had been his mother’s ward for little more than three years, and already Aemond had witnessed her enter the Keep as a clumsy, loud child and blossom into what many would consider a young woman already grown, though she was little older than Helaena. 

Her age in comparison to him had never once strained their friendship. In fact, at first, when Aemond was still freshly scarred emotionally by the trauma of losing his eye, he had remembered clapping his lone eye on her and scowling, thinking of her little more than a quarrelsome child. 

And, as Aegon had put it, ‘aggressively annoying’.

Which, at the time, was true enough. And yet it did not deter her from trying, Aemond would allow her the compliment of that.

She was much like him, a child created and born as a sort of secondary plan in case the first did not come to pass. A mere second daughter, and not only that, but bumped even further down the chain by her three older brothers, the eldest already wed with several children of his own. It was made abundantly clear by her own parents that she was merely another nuisance and therefore when placed into the care of the Targaryen royal family, the look of relief on their faces somewhat angered him, coupled by the manner in which they left with a goodbye that rivalled his own father’s attitude towards his children.

His empathy for her situation had drawn him to her, despite his stubbornness in wanting to pretend he did not crave friendship, especially from a girl. And her own stubbornness surprised him when he discovered she did not blindly seek the acceptance of any similar-aged child, she set her sights on Aemond alone and did not relent until eventually, he came to her instead.

He found a camaraderie with her that he had yet to find with his other siblings, feeling very much like friendship with her was more natural and spontaneous, where the ones with his family were calculated, planned and rooted in a cold necessity to keep up appearances. 

Not that she cared much for appearances. 

Her Septa berated her for what seemed like every other day for turning up to her needlepoint lessons with dirtied skirts and stray petals in her tangled hair, all from chasing one another through the bushes of the Keep to find some entertainment. Yet, even in the face of punishment, her smile never faltered, and insisted that it was all a bit of fun.

She somehow managed to inject her bright personality into his otherwise darkened life.

Because of her, there was beauty in everything. There was serenity in sitting in the Godswood and watching the petals settle in the breeze that ran past his neck and made him shiver. There was a startling allure when he introduced her to Vhagar for the first time and her hand ran across her darkened scales, seeing her expression lift in sheer wonder, experiencing her bewilderment as if it were the first time. And there was virtue in the innocence of their relationship, and how his heart began to swell with a childlike sense of belonging in her.

The unconditional power of her friendship he was sure was all he ever needed. In the way she always uttered, dragged away for her lessons in etiquette, but beaming at him.

‘My friendship is always yours,’ she would say, like a mantra.

‘Just as mine shall always be.’

He thought for a long while that he was the most hideous person in this world, not least since Aegon had dragged him to the brothels only a few years before. And yet when he shared a chaste kiss with her under the Weirwood tree. Clumsy and impractical and yet all magical all at once, he thought that when he was older, stronger, he would ask her to be his wife.

Aemond could feel the anxiety seeping off her as soon as he stepped into her chambers. Like she had a lot on her mind but not the courage to open her mouth and say it.

“What is it?”

His heart lurched into his chest when she lifted her head, swallowing her feelings and taking a deep, shaky breath.

“My sister has succumbed to a fever. She is dead.”

Aemond sighed, as if absorbing her grief. But when he took one step forward to comfort his friend, she shook her head, “there is more.”

Her tone of voice alone was enough to set every nerve on edge. Aemond stood as if stuck to the flagstone floor, and realised that the once clumsy, small girl he had once known was acting very much like a young woman now. Worlds apart, despite being stood before her.

“I am to honour the planned betrothal with Lord Lefford, under my father’s orders.”

It was the only moment Aemond remembered wanting to vomit with nausea, he had not felt such churning in his gut even on the day he lost his eye.

She sat, looking at him as if to gauge his reaction to the news, knowing perhaps in her own heart the feelings that were shared between them. And Aemond felt his churning nausea turn to anger, at how easily she had allowed her will to be broken by a command from her father, which in his opinion, she need not obey. She was, after all, a near half a decade younger than her sister, and the man in question older than her own father.

How could she have given up like this so easily.

“You will go through with this?”

He did not mean for his tone of voice to appear accusatory, but when he saw that wide-eyed helpless expression, he knew immediately it had.

“I can hardly argue with my father, Aemond.”

He felt his fists clench hard in his hand, fingernails creating crescent shaped indents in his flesh that reddened, his reply is stiff, “you simply act as if you have no choice in the matter.”

“Not all of us get one.”

“You cannot leave.”

“I must,” she insists, her voice breaking somewhat at the look of disappointment and betrayal on his face, “please do not make this more difficult than it already is, Aemond.”

“I am not the one making this difficult,” he replies flatly, his head throbbing with an incoming migraine, “If you are as much my friend as I am yours, you will not leave me.”

She could feel herself stepping towards him, drawn by some invisible force for comfort that he was not yet providing. She knew he could be capable of being cruel, but to be on the receiving end after all they had gone through was heart-breaking.

And though she was a year his senior, standing so small before him, she felt so much a child.

“Aemond, please-” she begged, reaching out for him and wincing when he pulled away, his brows drawn together in disgust.

“Marry him and I shall never speak to you again.”

Her hand dropped to her side as if limp, as if all life had drained from her body as well as the colour from her face. Her lip quivered, “you can't mean that.”

He looked in her eyes, the raw grief of watching her slip away filling him with an unmistakable bitterness, though for what? Her? Himself? Their friendship? He could not put it into words.

“I mean every word.”

That is the last memory he has of her, looking every bit as broken as he'd intended her to feel. In the days that followed, as her family arrived once more to steal her away, Aemond felt the gnawing grip of regret when he chose not to see her off at the courtyard, watching from his window as she scanned the space around for her good friend's presence and didn't find it.

It was then Aemond began to hate himself for every bit of cruelty enacted against her from him. Her carriage disappeared into the distance until it was nothing, leaving a pit of pain in his heart.

Not a day passed that Aemond did not at least think of her and wait for any correspondence to arrive, with his name etched into the paper in her curved, feminine handwriting.

But as he'd feared, she had taken his words to heart, and no letter ever arrived, and eventually, it felt no use counting the days and moons since he'd last seen her.

The guilt would eat away at him for years, the memory of her pained expression etched into his vision. Even as he grew into a man, it would never fully fade, though he was quick to tell himself that he shouldn’t care, that she was no longer the same girl he had loved so much, not since she chose her own fate.

In an attempt to fill the hole she'd left behind, he busied himself with the sword, intent with some level of obsession at becoming the most skilled swordsman in Westeros. 

Aemond would train for hours at a time, the dull ache deep within him pushed away by the strain of sparring drills and intense workouts with the sword. Though even in the midst of training, his thoughts would always be in the back of his mind, taunting him with the guilt that he felt, the shame of how he had treated her at the end.

By itself, it was not enough, but even burying his nose in books did not blur that heavy ache. But it did not mean he could not at least try.

Which is why he sighed in annoyance as he sat by the fireplace in his chambers, a large tome opened in his lap and two knocks rapped at the door.

“Enter.”

He did not tear his attention away as the maidservant entered with a short and quick curtsy, hands clasped, “Your grace, Queen Alicent has requested your presence.”

That alone was enough to draw his attention away from his reading. His mother did not request him for a small matter.

He had wondered if perhaps Aegon had managed to slip out of the Keep again, for yet another one of his excursions into Flea Bottom, and send him to retrieve his brother.

Perhaps his mother finally thought enough time had passed and he was much of a man to suggest a marriage proposal. For some reason, the thought made him ill.

“Thank you, Ser Criston,” he heard his mother say in a muffled tone once he was announced.

Aemond raised his gaze to his mother, relieved to see her calm, and dare he say, happy.

“Aemond,” she greeted softly, her smile gentle and her touch on his arms comforting, “do not look so forlorn.”

“You wished to see me.”

“I did,” Alicent beamed, clasping her hands at her front, “Come.”

He could not help but give a puzzled expression as he walked beside his mother through the winding halls of the Keep, wondering perhaps why her behaviour was so different than usual. A sort of anxiety fed through her, but not the self-destructive kind. 

“We are to receive some guests today. I would like you to greet them.”

Aemond quirked a brow, confused and somewhat annoyed in equal measure, “I am not accustomed to greeting-”

“They have travelled a long way, so remember to be courteous,” Alicent added, flashing one of her tight-lipped smiles, which only served to confuse Aemond further. His mother led him to the top of the staircase of the empty, echoing foyer and instructed quickly, “do be a gracious host, Aemond.”

He did not have a mere moment to question her, before he was watching the back of his mother disappear down the very same hallway they had just walked together. All he managed was a baffled shake of his head, as if by some miracle this was all some mad dream he had conjured. He questioned why on earth his mother would allow him to greet these esteemed guests alone, out of all her antisocial children.

But ever dutiful, he descended the stairs, hearing the low voice of Ser Westerling greeting whomever was arriving in a warm, formal tone, with their silhouettes casting blurred shadows onto the flagstone floor. Aemond’s feet were planted firmly on the step without even realising it.

This esteemed guest was no stranger to him.

Though the years had matured her gracefully, Aemond is sure he would recognise her anywhere, as she looked every bit the same as that day he regretted seeing her carriage leave King’s Landing. She stood tall, her cape fastened at her front with her house crest nestled in the middle, her dark skirts framing her womanly figure as her eyes trailed the details of the Keep that had changed since she had last been there.

Aemond stared wordlessly, the emotions so long buried resurfacing as if they had never left. His breath felt hot, his mind struggling to accept what his lone eye beheld before him. That she was here after so many years separated, in the very flesh, and yet he was unable to utter a single word.

She wandered about the space, commenting to the young woman beside her, who carried a child no older than three in her arms, how it had all looked so much larger in her youth. So he took this moment where she had not yet noticed him to look upon her with wonder, frozen entirely in place with the unexpectedness of her return. His mind raced with the thoughts of what this meeting could mean, for him, for her, and for their future; and he could not deny the strong tug of guilt in his chest for how he had treated her all those years ago, and how her renewed presence only made them more real.

Clearing his throat as he approached, the lady beside her noticed him first, “Prince Aemond,” she greeted with a curtsy, prompting her also to lay her eyes on him once more.

“Your grace,” she smiled warmly with a quick curtsy, with such a formality that made his heart ache.

He craned his head to bow lightly at her, “My Lady,” he replied with some stiffness, before gazing once more into her friendly, soft eyes and allowing his shoulders to relax, “I wondered perhaps if you would recognise me.”

Her laugh made his stomach flip, “I do not think I could ever forget you. Though I must confess, I wondered the same for myself.”

Her smile could not be described as anything less than perfect and a feeling that he harboured for her so long ago began to creep back in before he could stop it, “my Lady, I must apologise right away.”

But she shook her head, looking down at her hands, “it was a long time ago.”

He did not wish to upset her further by mentioning such an incident that had harmed his pride since, but knew that her memories of it were just as vivid as his own, “And I have not forgotten. You did what was expected for a lady in your position, and yet I was too selfish to understand that at the time. Please forgive me.”

He could not take the desperation out his tone, no matter how hard he tried. And still, she smiled sadly at his words.

“You must know that I did not wish to leave you.”

“I do,” he replied quickly, the memories of his guilt burning a hole in his throat, trying to hide the bitterness he felt towards himself, “I must confess - I have missed you greatly.”

Her hands clasped at her front, she blinked slowly and swallowed thickly, “I have missed you too.”

The silence stretched between them. Years of separation and longing had left them both yearning, but lacking the courage of knowing what to say. Aemond cleared his throat, his hands behind his back with anxiety, seeing that her ‘favoured’ husband was still not yet present.

“Are we to receive your husband as well?” he asked with some stiffness, or perhaps bitterness.

She cocked her head ever so slightly, eyebrows pulled together in confusion, until a small smile of realisation graced her features, “I regret to inform you I am recently widowed.”

In any other situation, Aemond would have been mortified at her reply. But with her smile came a rush of realisation himself, and hope swelled in his heart, and he shifted his weight from foot to foot, hoping to all the gods that she could not see the way his thought ran wild in his head, and made his breeches tighten, “Widowed-” 

“Indeed. I am sorry to disappoint you, my Prince. In truth, I have just come out of mourning,” she nodded, biting back another coy smile, showing in her mannerisms that it was no great loss to her.

“I am sorry for your loss, my Lady.”

She shook her head softly, “my husband left a suitable will, so that my child and I live comfortably and so there is no need for me to pursue future marriages should I not wish to.”

Her careful wording was not lost on him, and Aemond could not help the sense of glee at this new and recent change in her life, the bitter anger at having lost her to some decrepit old man years previous seemingly dissipating. And yet despite this, he attempted to keep it hidden, not wishing to seem disrespectful to her late husband.

“Might I present you my daughter,” she added, taking the child from the woman beside her into her own and resting the shy young girl on her hip. The child’s wide-eyed innocent expression unapologetically took all of Aemond in, as children often do, and he was reminded very much of his dear friend when she was small.

She was the image of her mother, save for the slightly lighter hair, with every feature of her etched into her daughter’s youthful face. And the reality of such similarities made him feel both joy and sorrow all at once.

“She is beautiful.” His voice was quiet, seeing the child in her arms was shy and reserved, unlike her mother, but thankful somewhat that her little one was not in the slightest alike to the man she had been forced to marry. Looking into the eyes of her child felt much like staring at the girl he once knew, and with that, a rush of affection.

Aemond thought, that in different circumstances, this child could have been theirs, a shared expression of their affections for one another. That all those years ago, had her father not coerced her into honouring her late sister’s betrothal, that she and Aemond would have their own children by now.

Before he could think too long, the small girl whined in her arms and she put her down immediately, the little patter of childish feet nearly had Aemond break into a grin, watching her run off with the nursemaid chasing behind.

“I am afraid she is a curious little thing. Like mother like daughter I suppose”, she smiled brightly.

Aemond nodded, the rush of memories bringing a wistful smile to his face, “Like mother like daughter,” was all he managed to reply, watching the mischievousness unfold. Yet, once the child and the nursemaid had left them alone, she chuckled softly, feeling his heartbeat slow in pace with hers.

“May I confess something to you, without fear of judgement?” Aemond asked, his heart thudding as she nodded in return, “You may think me foolish, but I must confess that my mind still lingers on the memories of our time together, and I have found no way to erase the feelings they carry with them - your return to King’s Landing has only reinforced them,” he confessed, looking into her warm gaze, “for now, when I look at you, I cannot help but feel just as I did then.”

He watched her swallow thickly, and take a deep, meaningful breath, like what she was going to say would be heavy, “and, what feelings are those, might I ask?”

His heart felt as it was beating so fast it was cracking his ribs, throat closing with anxiety. The feelings he had tried so hard to hide with a mask of bitterness now overflowing with terrifying intensity. Yet, to say such feelings out loud to her, someone he had trusted so much in his youth, made it feel all the more real. And as he stared into her eyes, he wanted nothing more than for her to share them, despite their years of absence from one another.

“That I love you - and have from the moment I met you.”

The words came out quickly, and as soon as he uttered them he felt his cheeks grow hot, knowing her response was either one way or the other and that he, a man so long disconnected from his own feelings, hiding them with his pride for so many years, was now opening up his vulnerability. 

He wanted her to love him. So desperately.

She sighed quietly in relief, “I have loved you as well. And I was saddened to have left you - and will forever be vehemently sorry for that.”

Though his relief was palpable, but he shook his head first, “You were right then, and always have been, that you had no choice or opinion in the matter. Therefore, I will accept no apologies.”

Her eyes glistened with emotion at his words, and when Aemond stepped forward and took her cheek in his palm, her breath hitched in such a way he was sure they would spill forth in tears. But the strong person she had always been, she held them back.

“I feared - you would not desire me,” she confessed quietly. 

Aemond smirked, “It may take more than a few years of separation to extinguish what was once there. I have loved you since that day beneath the Weirwood Tree, and I will love you until this life ends and the next one begins.”

She gave a watery smile at his sweet words, “though I have been wed once already with a child?”

He was silent for a moment as he considered her question, and not a bit of him even wondered whether it were possible, “my love is no fickle thing,” he smiled, “in time I hope I may become as close as a father to her as I may become a husband to you.”

He watched as her unshed tears formed a constellation on her eyelashes, but a relieved smile graced her delicate features. Aemond could not remember the last time he had been this close to her, able to detect the delicate scents brushed through her hair and the way her cheeks warmed at the close proximity between them, and undeniable tension.

The thought of kissing her, having her to himself, made something arousing tighten in his breeches, to his embarrassment.

He drew in a breath, leaning forward to capture her lips, but both drew back a pace suddenly.

“My Lady! Would you care to join us for supper this evening,” Alicent smiled brightly, as if knowing some great secret seeing them both stood straight and blushing. And she had to take a moment to think and stammer out her reply,

“Oh - yes, I would be delighted-”

“Wonderful! I shall see you to your chambers,” the Queen beamed, giving Aemond a sideways glance as the two women he most respected in life walked alongside one another.

He felt as if the entire evening was a true test of his will and determination. Aemond is certain Alicent meant no ill will by inviting the woman he unequivocally loved to supper with his family; but as he sat beside her, remembering how close he had been just a few hours before, it was almost as if everyone around him was aware and simply dangling the situation in front of his face.

And he cursed any god that existed that Aegon was not drowned in his cups that night, as he usually was. On this night, he was frustratingly lucid and hyper-aware.

Helaena, at first, was impartial to the sudden get-together, but as soon as she and Helaena saw one another, it was as if no time at all had passed. They were, of course, the same age when she had been his mother's ward, and as well as with Aemond, had formed a close friendship.

The princess was of course eager to catch up, and even invited her up to dance, to which she happily obliged as Aemond watched from his spot at the table. It was nice to see Helaena happy for a change.

A sorrowful thought had occurred to Aemond that both his friend and Helaena were pressured into marriages and motherhood far too young. And seeing them very much acting like young girls with one another, only exacerbated this feeling.

They talked quickly with excitement, planning to have their children meet up with one another and play in the gardens. And while they were engrossed in conversation, Aegon slid next to his brother, with a knowing smirk on his face.

“She is just as animated as I remember,” the young prince smirked, raising his eyebrows at Aemond over the rim of his cup.

“I will hear none of your depravity about her.”

Aegon threw him a faux-offended expression, “I had not even got there yet. Do you have such a low opinion of me?”

Aemond ignored him and sipped his own Dornish Red.

“You wish to marry her.”

“And you are perceptive.”

“Gods, I love it when you compliment me.”

“And insufferable.”

“What makes you think grandfather will allow you to marry her anyway? He's a dry old cunt, he will not care if you love her or not. He would have you wed to some plain-faced twat from who-knows-where.”

For one infuriatingly brief moment, Aemond had to concede that Aegon was probably right. And with one restless finger tapping against the table, he glanced over at his mother and grandfather suspiciously squished together on one end of the table, leaning towards each other and whispering in low voices, with Otto Hightower looking at his beloved friend from beneath his brow.

They were talking about her. Discussing her. And by the expression on his grandfather, analysing her.

Aemond felt his heart beat faster at the prospect that they were speaking so secretively about her without her knowledge. It seemed a stark contrast to the way the two women on the other side of the table were laughing and smiling brightly, something so rarely seen on Helaena’s face nowadays.

“She is no maiden, that is for certain. Though if you are lucky, perhaps only the first three inches of her have been tainted by Lefford’s withered old cock.”

Aemond wrinkled his nose at Aegon’s depraved quip, despite his somewhat polite request for him not too. Perhaps he’d expected too much courtesy from his elder brother. Or perhaps, more likely, with the exciting renewed presence of Lord Lefford’s widow, Aegon felt the need to perform, and exaggerate his usual unfortunate traits of his personality.

“‘Tis almost as worse as our dear sister being wed to me.”

“I am certain there is nothing worse than that,” Aemond replied quickly, behind the rim of his cup, failing to keep his gaze from forever drifting to the figure of her from across the candles and ornaments.

Aemond found himself captivated by the way she moved, the subtle grace in her gestures that spoke volumes of the woman she had become. Gone was the innocence of youth, replaced by a quiet strength and resilience that only seemed to enhance her beauty. He couldn't help but notice the way her laughter rang out like music, filling the room with warmth and light. It was a sound he had missed more than he cared to admit, a reminder of simpler times when they were just children with the world at their feet.

But now, as he watched her twirl across the dance floor with Helaena, there was something undeniably magnetic about her presence. It was as if she had blossomed into a flower, her petals unfurling to reveal a depth and complexity that left him breathless.

He attempted not to move too quickly once the festivities were over, afraid of showing her in his actions his desperation to be close to her as he offered his arm, “might I see you to your chambers, my Lady?”

She gave a shy smile that morphed into one of amusement, and Aemond is sure he felt something akin to that stomach-flipping sensation when he was flying out on Vhagar when her hand rested on the inside of his forearm, “Very well.”

Aemond chose to ignore the low snicker of his elder brother, showing him his back instead, with the woman he loved on his arm.

“You are aware I know this Keep better than I do my own home, and am perfectly capable of finding my chambers myself?” she said with a teasing lilt.

Aemond couldn't help but chuckle softly, the sound echoing in the empty corridor. "Forgive me, my Lady. It seems my chivalry gets the better of me in your presence."

Her laughter rang out, filling the silence with warmth. "Chivalry or a desire to prolong our conversation, Prince Aemond?"

He felt a surge of joy at the playful banter, grateful for the opportunity to spend even a few moments alone with her. "Perhaps a bit of both, my Lady. Though I must admit, the thought of your company is a temptation I find hard to resist."

She looked at her feet, as if to hide the rising warmth to her face, “I must confess, it is nice to once again be somewhere familiar, with the company I admire most. When my husband was alive it could often get rather lonely.”

Aemond fell quiet for a moment, swallowing thickly, trying to navigate his feelings in the midst of a difficult situation, “I hope that he was kind to you.”

She glanced up at him, her eyes revealing a depth of gratitude that stirred something within him. "He had his moments," she admitted with a small smile, "but kindness was not his strongest suit. Still, I suppose I cannot fault him entirely. He provided for me in his own way."

Aemond could sense the underlying weight in her words, the unspoken struggles she had endured beneath the facade of mere cordiality. He didn't need to ask to know that her late husband had been less than supportive.

"You deserve far more than just provision, my Lady," he said earnestly, his gaze unwavering as he spoke.

Aemond could almost feel his heart sink as he had realised they were stood before her chamber doors, her hand slipping from his arm, and yet a fire stoking fierce then at the thought of an invitation inside.

She clasped her hands delicately, her warm eyes meeting his with a gentle intensity. "I couldn't help but notice Queen Alicent and the Lord Hand engaged in such ceaseless conversation," she remarked, her voice soft and thoughtful. "I do not wish to presume—"

Aemond, catching the subtle implication in her words, swiftly interjected, "I cannot claim to know their exact sentiments." His gaze met hers, offering reassurance without a hint of desperation. "But I refuse to allow something as trivial as their approval to deter me. I've already endured the pain of losing you once."

There was a quiet determination in his voice, a resolve that mirrored the fire in her own eyes. In that moment, they shared an unspoken understanding, a mutual agreement to pursue their feelings despite the potential obstacles that lay ahead.

She nodded, a faint smile playing at the corners of her lips. "Your courage is admirable, Prince Aemond. But we must proceed cautiously. The court is a web of intricate politics, and our actions could have far-reaching consequences."

Her words were crafted in such a way that reminded him of her personality in their youth, understanding of the repercussions and yet boldly standing tall in the face of them. And with her small, mischievous smile, he knew all the same that whatever she uttered was only done so to extend her cordiality.

"I understand," he replied, his tone tinged with determination. "But I cannot ignore what my heart tells me."

"Nor can I," she admitted softly, her gaze meeting his with a mixture of vulnerability and resolve.

Silence settled between them for a moment, the weight of their unspoken desires hanging in the air. Then, with a subtle shift in her demeanour, she turned towards her chamber door. Without a word, she reached out and gently pushed it open, leaving it ajar. A silent invitation hung in the air, enticing Aemond to step inside.

Aemond's heart skipped a beat as he watched her gesture, his pulse quickening with anticipation. Without hesitation, he took a step forward, drawn irresistibly towards the open door and the promise of privacy within.

With a shared glance filled with unspoken understanding, Aemond turned towards her chamber doors, crossing the threshold into the privacy of her chambers, where their hearts could speak freely without the constraints of the outside world.

She spoke quietly, her face illuminated warmly by the soft flicker of candlelight. "I hope you do not think less of me for this," she murmured, her voice tinged with vulnerability. "You can imagine, for me there is no great ceremony in it."

Aemond's heart swelled with tenderness at her words, his gaze filled with an understanding that transcended mere words. "I could never think less of you," he replied softly, his voice brimming with sincerity.

Aemond slowly closed the distance between them, their expressions never wavering, his steps deliberate yet gentle. He reached out, his hand cupping her face tenderly, as he gazed into her eyes with an intensity that spoke of his deep affection. In that moment, the world seemed to fade away, leaving only the two of them suspended in a timeless embrace. The flickering candlelight cast dancing shadows across their intertwined figures, bearing witness to the union of two souls bound together by love and longing.

Her lips parted to whisper, “I do not wish for you to do all of this out of guilt-”

She caught herself when his thumb traced her cheek, waiting for him to answer, “I do not make this bid out of remorse. I wish to be with you, and I wish to make you mine.”

Aside from the crackling heat of the fire within the hearth, her breath was all that was audible between them, coming heavier from between her lips as his thumb feathered down her cheek and to her bottom lip, caressing the skin there. After that, he felt her eyelashes against his cheek flutter when he leaned down and pressed his lips to hers with a tenderness usually unbecoming of his personality.

Years of longing had each of them pressing closer to each other, lost in the sound of their soft kisses, and Aemond felt his clothing below his waist become tight with need once he caressed her tongue with his and pried her lips apart like the petal of a flower and tasting the sweet nectar within.

Her hands that had found his shoulders slid over the sleek leather to his front, tenderly and gingerly pulling the buckles apart to loosen his doublet. Her actions, instead of spurring embarrassment, renewed a deep-rooted vigour beneath, and Aemond’s new task was to pull at the laces of her dress behind her, and pull the fabric that had hidden her body from him.

He felt her shiver, pulling the heavy dress from her shoulder to pool at her waist, pushing them as fervently off her as he was able, “was he at least good to you,” Aemond asked in a whisper, his breath hot at her neck while she pulled at the laces of his breeches. 

“I do not wish to speak of him,” she answered with determination and confidence, but a breathless, wanton whisper herself, wanting nothing more than to consummate years of harboured affections masked by friendship, “I only want you.”

Her words had his heart stutter in his chest, pulling her now almost bare form atop him as he sat back onto the bed, with her hair loosened like this and her shoulders blossoming with gooseflesh, he found that he was incapable of keeping his hands at his sides and explored the shape of her feminine body beneath the shift she wore. 

Even the sheer motion of her brushing against his hardened member and her breasts filling his palms could have been enough for Aemond, but there was no returning at this point. She sighed against his lips as his fingers dipped beneath the hem of her shift to ruck the thin fabric up around her hips, squeezing the flesh of her thighs to pull her closer onto his lap.

Warmth bloomed at her cheeks, but it did not deter her as she reached between them and smiled at Aemond’s loud moan, stroking his rapidly hardening length in her palm, focussing her attention towards the velvety tip. 

She lifted herself in his lap, fingers threaded at the hair at his nape as if to anchor herself to him, and both sighed with the utmost relief of their union once he pressed himself into her, and she sank her warmth onto him, enveloping him with her body. Her lips parted at the stretch, somewhat prepared and yet the intrusion still stealing the air from her lungs.

Foreheads pressed together, Aemond's hands gripped her at her waist, pushing his hips up into her as hard as he could to sink deeper inside her, “I have dreamt of this - for so long - being with you like this -” 

A faint sheen glimmered on her collarbones as she slowly moved her hips on him, Aemond's legs parted somewhat, widening hers and opening her up more so he could rock up into her with her rhythm. The closeness of their position had the blunt head of his cock massage that sensitive patch within, her eyebrows knitted together in sweet pleasure.

“That's it -” he cooed quietly, almost watching the way she moved with admiration and curiosity, her tight, silky walls squeezing his length with every thrust of herself down. He felt her arousal coat the base of him, and the sound of their ever-quickening coupling filled the otherwise quiet chambers.

She held onto his shoulders, the amber glow of the fireplace picturing her expression in the most arousing way Aemond had ever imagined. Pulling her shift down her chest, he groaned lowly at the sight of her breasts and took one in his palm and mouthed at the other, taking her stiffened nipple between his lips in a way that made a shuddering moan slip past her lips.

“Gods - I would adore to watch you swell with my child - would you like that -”

All she could do was nod feebly, words unable to occupy her mouth where soft, sweet sounds of pleasure were pouring out. Aemond smirked, grazing his teeth over her bud.

“yes, you would like to serve your husband - give him children, wouldn't you - fuck-” his voice strained at the effort it took to hold himself back, his hands sliding down the column of her back to her plump backside, palms gripping tight and guiding her rhythm onto him, over and over.

She moaned loudly, the motion of being pulled back and forth and yet still impaling herself on him driving the fat head of his cock into the deepest and most forbidden parts of her.

“Aemond -”

“And once you have one - I'll fuck yet another one into you - keep you fat with child” his breathing grew ragged and shaky, “- take it - like a good little wife should-”

“Yes - yes-” she breathed quickly, the words slipping out without realising what they were for, her blind acceptance of being his wife, or the rising waves of pleasure coursing white, hot through her body.

He felt her squeezing him and hastened both of her rhythms, dragging her back into his lap and pushing up into her wet heat ceaselessly. Both the numbing ache of her peak and her bud rolling against his body in quick succession had her hands gripping around him, burying her face in the crook of his neck as her limbs flooded with warmth.

“That's it, ābrazyrys -”

“Gods, Aemond-” she squeaked, completely overcome and possessed by the heights of pleasure rolling through her, the endless rhythm of him fucking up into her only prolonging it.

Her tight walls squeezed him so deliciously that Aemond's heart leapt into his throat, completely surprised as he pulsed thickly and spilled within her, his lone eye tightly shut. His own fulfilment had his hips twitching, shallowly pushing his seed into her, and hoping that it took.

Even once he was completely spent and exhausted, softening inside her, neither moved, and he simply felt her tender fingertips at his shoulders in light soft circles, massaging him. And thought, that this is how it always should have been, had he fought for her.

Her breath fluttered against his skin, herself tired in exertion from their shared pleasure.

“I was a fool - for allowing you to slip from my grasp.”

She sat up, to look down at him, her face flushed, hair in messy waves, looking every bit as beautiful as the day he'd lost her.

But she smiled, her finger tracing the pattern impressed on the leather of his eye patch, “you may have been a fool,” she started.

Her finger hooked beneath it, and lifted it away, her expression unchanged as her thumb stroked the indent of the scar at his cheek. Aemond felt his heart soar in a way that almost felt terrifying.

“I never slipped from your grasp,” she uttered gently, “my heart was always yours.”

Aemond brushed her hair from her features, her words sending waves of ecstasy thrumming in his veins.

“Just as mine shall always be.”

General Taglist: @aemondsfavouritebastard @bellstwd @blairfox04 @buckybarnesb-tch @castellomargot @hb8301 @jamespotterismydaddy @mochi-rose @natty2017 @nenelysian @randomdragonfires @risefallrise @thelittleswanao3 @theoneeyedprince @thetrueblackheart @tsujifreya @urmomsgirlfriend1 @valeskafics @valleyof-goldenlilies @virtualsweetsqueen @watercolorskyy @emmaisafictionwhore @minholy223

[heartlogan]

living to learn

✮— logan x f!mutant!reader (set in deadpool & wolverine)

✮— summary: logan mulls over all that he has lost, and all that he has found, in the void

✮— a/n: i was enabled by yall - please heed the warnings! you dont need to read pt 1 to read this!

✮— warnings: MAJOR DEADPOOL & WOLVERINE SPOILERS, major character deaths, angst, incredibly sad backstory, dead kids / teenagers, practically a genocide of mutants, suicidal ideation (from logan, kind of), reader acts as a mother figure for someone, incorrect dialogue from dp&w, a smidge of comfort, again ANGST, lmk if there’s more!

part one | masterlist

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It’s almost impossible not to linger on the things that you have lost.

And for Logan, it is impossible.

He spends every waking moment craving for the touch of somebody he lost, and he’s painfully aware that it’s all his fault. He caused the loss. And he’s the only one left to mourn you, because god knows the humans won’t.

Even for him, some two hundred years old, it’s all too painful. And he has experienced plenty of pain in his life. But this? Losing you? Losing everyone? It’s too much. So, he does what he can, he pours so much alcohol into his body that he can’t think, can’t imagine what your final moments must have been like.

But between bars, when his healing factor wears the alcohol down, it’s all he sees.

He imagines you there, surrounded by all of your loved ones except for him, unable to save them. And he can remember finding you so vividly, can remember the ashy tone your skin had taken on, all the life drained from you. He can remember exactly where he found you, in front of the doors, your dying action being to try and save the kids in the mansion. He prays to a god that he doesn’t believe in that you died before they did, because knowing that you hadn’t been able to save them would have killed you.

And the other X-Men, they died the same way. Trying to protect each other, trying to protect those kids. And perhaps the only one who knew that it was all in vain would’ve been Jean. Jean, who he found in front of the children.

Where was he?

At some bar, surrounded by humans he couldn’t care less about, all because he was selfish. All because he didn’t want anybody thinking he wanted to be part of the team. God forbid he actually care about something.

And because of his selfishness, his fear, he lost it all.

He lost you.

So when Wade said he could fix Logan’s universe, he would’ve done anything to make that happen. Anything that Wade asked for, he would’ve done. And as soon as his universe was fixed, Logan would go to you and get to his knees, he would beg for your forgiveness.

And all of that, that hope that had evaded him all those years, was for nothing. For an educated wish.

Logan couldn’t do anything but resort to his old habits, grabbing the first bottle of actual alcohol he saw, and finally numbing the image of you dead in his arms.

“There’s five of us.” Elektra told Wade, and Logan paid her no mind. Everything was futile now, pointless. He was only helping Wade to help the team, to help you, and that was likely impossible. So whatever these so-called heroes were planning, he wanted no part in it.

Logan had already secured his legacy in his universe, and it wasn’t the one you had always imagined for him. He was the Wolverine, and he was every bit of violence that name suggested. Because even though he hadn’t been able to save the X-Men, he sure as hell got his vengeance. He hadn’t slept, hadn’t eaten, until every single human who was remotely involved in the blood bath at X-Mansion was dead.

You wouldn’t have been proud of his actions, true, but you were dead.

Cassandra had mentioned something about temperance, earlier, and it hadn’t taken him long to recognise that you were the anchor of his. Without you, Logan hadn’t managed any sort of self-restraint. He had slaughtered people. And he could only bring himself to regret those that hadn’t quite deserved it.

By the time the red had faded from his vision, Logan realised he had gone too far. He hadn’t just killed the ones who had murdered his friends, but anyone in connection to them, and anyone who had gotten in his way. The only reason he wasn’t arrested was because they were too afraid of him, and the only reason he hadn’t been killed was because he couldn’t fucking die.

Even the fuckers that had slaughtered the X-Men couldn’t figure out how to kill him, and that was a sick kind of irony.

“Logan, that’s who I was telling you about! X-23!” Wade said excitedly, pointing across the room at a teenage girl, who stared at him like she was seeing a ghost. From the sound of what Wade had said earlier, she probably was.

And the sight of her, for some reason, tugged at his chest. He drowned the feeling with more whiskey.

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“Hey.” Laura greeted you, fidgeting with the strap of her bag as she watched you enter the back of the base, carrying a bag full of food. She seemed nervous, and you couldn’t figure out why.

“Hey, Laura, everythin’ alright?” You asked fondly, glancing at her as you started unpacking the supplies that you’d found scattered across the void.

She hesitated, glancing back through the doorway she was stood in, before focusing on you. “Yeah. Uh, I need to talk to you.” She said, sounding incredibly serious, which wasn’t unusual for her. Laura had been through so much, including everything that she had told you about her life before the void. Being here hadn’t made her life any better.

You immediately paused your actions, and turned your full attention towards the teenager across from you. You nodded for her to start.

“I was out patrolling earlier, and I found some people.” Laura said slowly, thinking her words over thoroughly before she spoke them aloud. She didn’t want to make this any worse. “I drove them here, and we’ve made a plan to attack Cassandra’s first thing. Except for one of the two, who doesn’t want to help.”

“Okay…” You said cautiously, almost confused. “This all sounds good, doesn’t it? Whoever they are, they can stay here if they want. Fill me in on the plan, and we’ll handle it.”

“It’s… okay. It’s about who they are.” She clarified finally, giving up on trying to approach the situation cautiously. “It’s a variant of him. Of Logan.”

Your chest squeezed painfully immediately, and you hand to hold a hand to your sternum to try and ease it. If it were any other situation, Laura may have made a joke about you having a heart attack, but she knew better. She knew how she had felt when she first saw the man, so she could imagine how you were feeling.

Immediately, your heart was torn between rushing to see him, and refusing to lay your eyes on the man at all. You weren’t sure you could handle seeing him, or, well, a variant of him.

It hurt too much. Every day you were reminded of how you had failed to save him, but you had to keep going, for the others in the void. Because they needed you, just as much as you needed them. Laura needed you.

She knew your pain all too well, having lost her own Logan. So you knew what she was telling you was the truth. There was really, finally, a Wolverine variant in the void.

“You okay?” Laura asked, after you had been silent for more moments than she was comfortable with. She was looking at you with such concern, and you could tell that her own heart was practically bursting in her chest from the sight of him.

“Are you?” You asked in return, eyebrows raised as you finally started to get a grip on yourself, shaking yourself from the pit of loss you had begun to get stuck in. She nodded, and you nodded yourself before pausing to think. “And this… Logan, he doesn’t want to join to Cassandra’s?”

Laura shook her head, looking down momentarily. “No. He’s… he’s as messed up as my Logan was.”

You approached her, drawing her into a silent hug. She squeezed you tightly, and the strength her mutation — Logan’s mutation — had given her wasn’t lost on you.

“Do you want me to talk to him?” You asked her quietly, and felt her nod against your shoulder. “Alright. Where is he?” You questioned, silently steeling yourself to face a copy of the man you had lost. The man you had loved.

She pointed you in the right direction, letting you go with a simple, “Good luck.” The entire walk outside, you were holding your breath, trying to prepare yourself somehow. As if this was something you would ever be able to prepare for.

And the moment you saw him, you knew it was all in vain. Because nothing could’ve prepared you for seeing him again, after all this time.

For a moment, it felt as though time was stood still, suspended.

Until he opened his mouth. “‘M not lookin’ for company.”

It was him. His familiar voice. The voice that you would’ve recognised anywhere, even after so long not having heard it. He sounded just the same as your own Logan, the same gruff tone to his voice, all grumpy expressions and furrowed brows. You could imagine it all as though your Logan was still alive, as though he was actually here. It took more than a moment for you to recall that this wasn’t your Logan.

You shuffled over to the log he sat on, the sun setting over the trees surrounding the two of you. He lifted the bottle of whiskey to his lips, glancing at you as you sat. His entire body went shock still, and he turned to look at you fully.

You smiled, and prayed he said nothing about the way your eyes became watery. “Hi, Logan.”

He said your name, sounding as though he was a mere man sat before a god, reverent. The bottle slipped from his hand as he spoke it aloud, his eyes watering immediately, his lip trembling as he looked at you like he was seeing you for the very first time.

“Are you… her?” He asked hesitantly, hand hovering halfway towards you, and you hated to be the bearer of bad news. But if you had to be conscious that he wasn’t yours, it was only fair for him to know the truth.

Reluctantly, you shook your head. “I’m sorry. I’m not your version of me, and you’re not my version of you.”

His hand fell to his lap, but he didn’t take his eyes off of you for a moment. He seemed reluctant to believe you, and you couldn’t blame him. He looked just like your version of him, grey streaks and all. But it wasn’t him, you knew, because he wasn’t coughing up blood, wasn’t actively dying in your arms.

You cleared your throat, glancing to the fire before him, watching the way the smoke curled into the slowly darkening sky. “My Logan died. I—I couldn’t save you. I’ve been here, in the void, for a year, I think.” You elaborated slightly, not wanting to overwhelm him with information. “I’d like to go home. Mourn my losses.”

He stared at you, saying nothing, fingers still outstretched where his hand lay.

“Laura said you weren’t coming with in the morning. I was hoping you might change your mind. We need your help.” You continued, trying to remain convincing despite the shake in your voice.

But that seemed to do the opposite of what you wanted, and he blinked out of the trance he had been in. He started shaking his head immediately, fingers clenching into a fist. “You got the wrong guy. I’m not… I’m not who you think I am.”

“Maybe not, but, Laura told me you were always the wrong guy, up until you weren’t. And to her, that means something. To me, too.” You said, hoping he wouldn’t pull away further than he already had. As selfish as it was, you didn’t want to lose another Logan. You wanted to see him and his friend succeed, even if you didn’t. Maybe, this time, this Logan, you could save him.

“You don’t get it.” Logan refuted, shaking his head, glancing towards the fire as the sun finally finished descending the horizon. He seemed to get lost in the blaze, and you watched his eyes become unfocused, showing him images that weren’t really there. “I failed them. My team. You.”

You stayed quiet, wondering if he was going to elaborate, or if he was too caught up in his vision.

“D’you know something’?” He asked, blinking until the fire came back into focus. “You used to beg me to wear this suit. So did Storm, Scott, Beast. All of you. And I refused, because god forbid anybody believe I wanted to be there.”

“What happened?” You asked him, wanting to reach for his hand, but knowing it wouldn’t help him get through this.

“I went out. And the humans went mutant hunting. By the time I stumbled home shit-faced from the bar… you—you were all dead. Every single mutant in that house.” He explained, his voice shaking, his lower lip trembling once again. You were almost certain he was seeing those images again, because he squeezed his eyes shut, gritting his teeth.

A surge of sympathy shot through you. You wanted so badly to comfort him, to tell him it wasn’t his fault, but you knew he wouldn’t believe it.

“So now I wear this goddamn suit as a reminder. To remember all of you. To make sure I never forget what I did.”

You released a deep sigh, the story sounding familiar to you, in some ways. He glanced over at you, seeing somebody else for a moment. After another few seconds, you reached into your shirt and pulled out the dog tags you had been carrying with you. You turned them over in your hand, running your thumb over the inscription.

He glanced wearily at them, and you reached out, grasping his fist in your own hand and pulling it loose until you could fit the dog tags in his hand, which you then squeezed shut. “I carry these with me, for the same reason. To remind myself that I failed you. That I can’t take that back. That I have to do better, even if all I want to do is give up. You aren’t the only one who did something wrong, here. If I could fix my mistakes, I would, but I can’t. So I carry on. For Laura. For anyone who needs it. And it seems like this… Wade needs it. From you.”

His hand was splayed open, turning over the dog tags in his palm as he listened intently to you.

“Be the hero you weren’t the first time around.” You told him finally, reaching out and placing your palm in his, squeezing around the dog tags, before letting go.

You went to stand, and he stood after you, reaching out.

“I—I know you aren’t her. I know that. But can I pretend, for a minute, that you are?” He asked you, and the vulnerability of the request wasn’t lost on you. Your Logan rarely ever asked for anything, even if he desperately needed it, so you could only imagine the courage that this Logan had mustered to ask you that.

You nodded, silent.

There was a pause, and he looked into your eyes, searching for something that you didn’t know you possessed. But he seemed to find it.

“‘M sorry. I’m so, so sorry.” Logan told you at last, the apology seeming to burst from the depths of his chest. “I love you. I have loved you the whole time. I should have told you as soon as I felt it.” He confessed, and you saw the dog tags hanging from his fingers as he reached for you. And you couldn’t help yourself — you reached right back.

Your hands landed on either side of his face, so full of care, and you watched the tear run down his cheek. His own hands gripped you tightly, scared to let you go.

“I’m sorry.” He repeated, voice broken.

“It wasn’t your fault.” You told him firmly, before rushing forward, pulling him into a hug so tight you could’ve heard his metal bones creak. He buried his face in your hair, breathing you in, and held you tight. “I don’t blame you. I love you.” You said, breathing the words into his ear as though that would make him believe it. He gripped you tighter, squeezing you against him. “I love you.”

You cradled the back of his head with one hand, pressing him close, because you were just as scared to let him go. Distantly, you heard Laura call your name.

After a moment, you pulled back slightly, only to press your forehead against his for a minute. You could pretend that he was your Logan, selfishly, just for a moment more.

Laura got closer, calling out your name once more, and you pulled back to look in his eyes. “I love you.” He told you one last time, before he allowed you to pull yourself from his grasp.

You had no idea whether he would be joining your group tomorrow, but you walked away from him with an empty chest, wiping away the tears that had dared to fall during the encounter. You would leave the last of the motivational speech to Laura, who you smiled gently at as you passed her in the woods, nodding towards where Logan still stood.

Logan had gotten what he needed from you. And you, from him.

[linderosse]

Guys.

Super long post; read at your own peril (tl;dr at the end).

But I just had a brilliant possible idea about where Echo (the new Zelda from Echoes of Wisdom) fits in the Wisdomverse, so I’m documenting it in case I decide to use it.

See, merging Echo into Fable would be cool. They seem very similar already (relevant post), and it’s a good option.

Yet there are a few small problems with this. I can get around them, but they’re still something to consider.

Fable’s already in four separate games (Most Zeldas get one game or less). Adding EoW makes a fifth.

Fable is already quite powerful amongst the Zeldas. Adding EoW makes her a bit OP. I’ll have to balance that carefully.

Fable has a planned story arc in the Wisdomverse. This might conflict with EoW (for example, this is why LU decided against adding TotK to Wild)

So while I still think it could be cool to merge Fable and Echo, I’m also looking for other possibilities. I don’t want to introduce a new Zelda between Fable and Dawn unless I have to.

And then I realized:

There is already a canon Zelda between Fable and Dawn.

I’ve literally already introduced her.

I have plans for her that could totally work with what we see in Echoes of Wisdom.

She’s vastly underpowered and could use the abilities from EoW very well

I could totally see myself writing her personality into EoW Zelda— it’s a different take than how I’ve depicted Echo before, but it would work equally well imo

And she’s also the Zelda with the least canon information; the one we know the least about overall— especially since we never meet her in her own time.

Guys, if Fable doesn’t work out, I think it might be awesome to merge Echo with Aurora— Hyrule’s second Zelda.

Imagine this:

Aurora woke up centuries in the future, after the Great Decline. She’s trapped in a vastly different world with Dawn and Hyrule as her only solace. She loves them, but she’s not from here; and she can’t shake the dread that she’s left everything behind: her friends, her realm, her brother, who she still cares about despite everything he did to her— and also, of course, her Link, who she loves, and went on an entire adventure to save.

When she was Echo, she was a hero. But as Aurora, she’s an echo of the past; a mournful ghost of a bygone age

Tl;dr: What if Echoes of Wisdom is the era Aurora came from— and where she desperately longs to return?

Masterpost

(More thoughts on the timeline under the cut.)

So— Echoes of Wisdom seems (so far) to take place around the time of Legend’s era, with enough ambiguity that it could be either before or after Legend’s era of ALttP/Oracles/ALBW/TH.

Currently leaning towards “EoW before Legend” considering the similarities to OoT, but I could very well go with “EoW after Legend,” which would be necessary for the Aurora merge. The Oracle games, after all, have a lot of similarities with OoT in terms of races and characters present (Zoras, the Deku Tree, Zelda’s design, etc), and they come after ALttP, which doesn’t have quite as many. Same thing with FSA, which is canonically after Twilight Princess but obviously resembles Four Swords more, and both Wisdomverse and LU have shifted the timeline to match. So there is precedent for similarities to skip a generation or two, even in canon.

I also doubt EoW is going to include a Prince of Hyrule (the one character we know of from Aurora’s backstory). This is fine, because I’m confident I can come up with a reason the Prince was away during the events of EoW. Perhaps during the events of EoW, the Prince left on a journey of his own and first encountered the Wizard that leads to Aurora’s downfall.

Anyways, these are just tentative plans. We’ll see what happens when the game comes out!

[miraculouslbcnreactions]

If you were to write Lila would you keep her being a con artist criminal with multiple identities but hinted at/revealed it earlier than S5 or would you cut that part down of her character entirely ?

It would really depend on how much space I had to fill. Gabriel is not the kind of villain that you can draw out forever. His story needs to have a clearly planned ending right from the start. In fact, I think they drew him out at least a season too long. So, if I also had to fill eight seasons, I could see myself going the Lila route. I'd just make a few changes. Off the top off my head, here's how I'd handle serious villain Lila as opposed to what canon wrote, which is petty school bully Lila who is entirely unbelievable as a serious villain.

First of all, Lila wouldn't be introduced at the end of season one. While her and Gabriel probably need to have some overlap, that's way too soon. In my version, she shows up at the start of season four and she'd be heavily toned down. We'd know that something was off about her, we may even keep the liar thing, but it would be a lot more subtle. Lies like, "Ladybug rescued me" and "I got to go backstage at a Jagged Stone concert" instead of "Ladybug is my bff" and "Jagged Stone wrote a song about me." Her goal would no longer be gaining peons, but instead gaining true close friends who like and trust her. The reason for this is that Lila is replacing Optigami as Mayura's last sentimonster.

See, season three ended with all those identity reveals and most of the revealed identities are in the same class. That's curious, so it makes perfect sense for Nathalie and Gabriel to want someone undercover in Adrien's class, but they can't do it. So Nathalie makes a sentikid of her own, gives her the power of manipulation, and sends her off to try to find Ladybug and/or Chat Noir by whatever means necessary.

This would give a clear reason for Gabriel to trust Lila, a clear reason for Lila to know all about the miraculous, and a clear reason for Lila to hate Ladybug. In this version, I wouldn't do Nathalie's lackluster redemption. Instead, Nathalie stays bad right up to her death. Perhaps her last act is getting the butterfly to her daughter and ordering her to get revenge on Ladybug and Chat Noir should Gabriel fail. After all, Gabriel can't wield more than six miraculous at once, so it makes sense for him to send Nathalie off with at least one of them while he enacts his master plan just in case it fails.

That's just one potential path to take. I also like the idea of having Lila be someone who came to Paris in order to find the miraculous, but who has no ties to the Agrestes. That would require some pretty big changes to her character, though, as I can't see that type of character caring about things like dating Adrien or being a model or all the other crap that has nothing to do with gaining a miraculous and everything to do with popularity and social clout. Lila canonically doesn't know that Gabriel even has a miraculous until the final of season four, so she basically just lucked into finding one instead of doing anything logical to find it because this show has no clue how to actually write smart, clever characters.

In summary, I'm totally fine with complex, master-manipulator Lila, it's just hard to figure out the best way to make her work when we don't know anything about her backstory or motivation. The version proposed above is just the best I can do to fit her into the role canon placed her in. A role I could easily see later seasons flat out ignoring.

[nyerus]

A Masterpost for the Revised Version of TGCF

Due to the amount and frequency of misinformation about the revised version of TGCF, I wanted to make a post to serve as a resource for those who are confused about it, while also helping to debunk some of the sensationalist rumors floating around.

This post will be edited to include new things as needed.

⚠️Spoiler Warning: if you have not finished reading the original novel, or want to experience the new scenes from the revised naturally/fresh, please proceed with caution! I've intentionally kept things as vague as possible, but some spoilers are unavoidable!⚠️

✨ PART ONE: Frequently Asked Questions ✨

🔹What is the "revised" version of TGCF?

MXTX had been working on a revised version of TGCF since completing the original, as mentioned this in her postscript/afterword, and in an online interview (Q.27) done years ago just as she competed TGCF. That's all that was known for several years.

In early 2023, TGCF was finally released in print format in mainland China — and this was revealed to be the revised version! Due to regulations, this was a censored edition. However, in early 2024, the uncensored edition was uploaded to JJWXC (the site where all of MXTX's webnovels were originally published)! It's currently fully available to read in Simplified Chinese.

If you want a more in-depth explanation about the revised, please see my post about that here.

🔹What does the revised change compared to the original?

Several scenes have been added, some removed, others expanded upon. Overall, MXTX reportedly wrote 100k characters (words) of new content. While the overarching plot of each arc and the novel as a whole remains the same, it's a more cohesive and polished story. Pacing in each part of the story has been adjusted to flow better, especially in arcs notorious for feeling slow or disjointed.

Some segments have had fairly significant changes — namely the Bloody Banquet/Fang Xin Guoshi arc. (Though it still plays out much the same way.) Most others have smaller changes.

A new extra was also added, called "the Ghost King Dressed Down," which has been translated by Scarabsi on twitter.

🔹How does the revised version effect characters?

Apart from certain minor characters — such as the child Lang Ying who was removed entirely — there haven't been many drastic changes. The biggest thing was side characters like Lang Qianqiu and Ling Wen being given notably more backstory to further flesh them out. Their characterization itself hasn't changed, however.

🔹Which version is canon, then?

Whichever you want, and you can mix-and-match! MXTX has given fans her blessings and encouragement!

🔹How do I read the revised version in English?

Currently, there are no official or unofficial English translations of the whole revised version. Nor are there any plans to do so for the near future.

However, there are English fan translations of a few notable chapters, which you can read here. There's also instructions on that site on how to read the rest of the updated webnovel in English, using a browser extension.

Additionally, the audio drama is adapting the uncensored revised version, and has been doing an amazing job! Check out how to listen to that with English subs here.

✨PART TWO: Debunking Rumors & Clearing up Misinformation✨

Note that all chapter numbers given will be referencing the webnovel's. The old chapters are also available towards the bottom of the page as "serialized versions."

(Translated screenshots provided are janky because it's just basic google MTL!)

🔸"Mentions of Mu Qing's mother was removed from the revised!"

Not at all! Both his parents are still mentioned, along with how Mu Qing is the primary breadwinner due to his mom's failing eyesight. (Ch. 57)

🔸"The earring scene isn't there anymore!"

The earring scene is still very much there! Not actually sure why this is a rumor at all, when the whole earring thing spans several chapters. Here's the conclusion of it (Ch. 59):

🔸"Characters have been butchered in general, with Mu Qing especially getting scenes cut!"

No character (who didn't straight-up get deleted) has been butchered. Nor has any character been singled out for having their scenes deleted/changed, because that's happened to every character — yes, including Xie Lian and Hua Cheng! — and they also have new scenes added!

E.g. the scene where Mu Qing picks the cherries is removed, because that whole section was changed. (However, it's still mentioned that others are prejudiced against him due to his background, and so on.) Meanwhile, there's a brand-new scene that shows Mu Qing's aptitude in treating wounds, as well as he and Feng Xin having new hijinks as "junior officials" with Xie Lian, and more.

Despite the rumors, characters haven't been flattened to make them more one-dimensional compared to Hualian. Perhaps the idea of certain scenes being cut sounds scary for characterization, but a lot of the original has been retained one way or another. In many cases, MXTX just condensed things, or moved them around. The revised is meant to be looked at as a whole, after all.

🔸"Mu Qing now leaves for no reason in Book/Arc 4, instead of for his mother!"

Mu Qing clearly states in the revised that he wants to leave in order to find a way to improve their situation, since they anyways cannot agree amongst themselves. Just like in the original, he was frustrated and felt there was no point in continuing along the same path. (Ch 152)

And yes, he does not bring up his mother in the revised scene. For context: there is a three year gap between the end of Book/Arc 2 and the start of 4. Which means in the original, Mu Qing didn't mention his mother for those three years. Given the events leading to his departure, and what follows, this causes several inconsistencies.

That is a whole topic unto itself, however. But it's not surprising the revised did it a bit differently.

🔸"Feng Xin isn't as funny anymore!"

Feng Xin is actually one of the least changed characters! This rumor likely stems from the scene where Xie Lian reveals his password, to Feng Xin, who no longer rolls on the floor while laughing. Or maybe it's a miscommunication based on the printed revised, which censored some of his (and Qi Rong's) cursing. But that was only for the printed!

🔸"Ling Wen's character isn't as interesting because of the changes!"

People will really say anything on the internet. She's been given more depth and complexity, if anything. There's new scenes that expand on her background and early days in heaven, and her relationship with Bai Jing has been given a lot of extra attention. Her motivations and actions remain the same, but if the subtext was missed in the original, it could have led to some readers thinking of Ling Wen as certain way. Like a ruthless girlboss.

The revised reiterating that this isn't the case doesn't change or detract from her, as that was one of the points of her story to begin with. Plus, the revised arc gives Bai Jing much-needed characterization.

🔸"Ling Wen's ascension is now due to Jing Wen/not on her own merit/etc!"

Frankly, this rumor might be due to people not properly understanding how ascension works in TGCF, and thinking the revised is adding something that they forgot was already in the original. The revised didn't change anything about the manner in which Ling Wen ascended.

You can actually check out the revised Brocade Immortal arc here for yourself, as it's been fan translated!

🔸"The dynamic between Hualian is different in the revised!"

Their dynamic is exactly the same as before, only reinforced if anything. If the new additions are enough to destroy someone’s image of Hualian or turn it on its head, that’s definitely not a fault with either novel version!

🔸"The scene where Hua Cheng is disguised as Lang Ying and accidentally catches Xie Lian bathing is removed!"

Unfortunately, yes, the bathing scene is gone. However, Hua Cheng in disguise is still there — he's a village kid instead.

🔸"MXTX made changes to side characters/ships because she felt threatened by their popularity compared to her main couple!"

This one just doesn't really make sense, because several side characters were given *more* content — including their relationships.

Lang Qianqiu finally feels like an actual character. Quan Yizhen and Yin Yu have new stuff about them. Shi Wudu has some clever little cameos. Pei Ming’s feelings about Yushi Huang are brought up. Pei Xiu’s backstory is even more heartbreaking. Qi Rong has new scenes that make him feel genuinely menacing. Xiao Ying’s been completely revamped. These are just to name a few, and excluding things already talked about above.

It seems unlikely that MXTX would go through the trouble of adding to her side characters if she didn’t care about them, felt they weren’t important, or thought they were getting undeserved attention. Besides, popular characters like Shi Qingxuan and He Xuan had no cuts to their arc!

Looking at the actual metrics… MXTX has no need to feel threatened by her side ships vs her main ships.