#what am I supposed to do with this what exactly do I do here

[kinardsevan]

𝐩𝐫𝐞𝐭𝐭𝐲 𝐛𝐚𝐛𝐲, 𝐢'𝐦 𝐫𝐮𝐧𝐧𝐢𝐧𝐠 𝐛𝐚𝐜𝐤 𝐡𝐨𝐦𝐞 𝐭𝐨 𝐲𝐨𝐮

i don't know that i'm satisfied with how this ends, but the stills got me thinking more about the idea of Maddie being the one who tells Buck that he needs to call Tommy, and then I was already working on a coffee date recreation, so have this:

-

Maddie looks at the loaves of bread spread out on the counter and then back up at her brother, tilting her head to the side. 

“Evan. I thought you said you were doing okay,” she states, leaning up at against the counter next to her husband. 

“I am,” he insists. 

“So why are there four loaves of bread on the counter,” Chimney asks, confused. “That seems like you’re overloading your schedule to occupy your time.” 

“I’m not,” Evan counters, looking back and forth between them. They both stare back at him skeptically. 

“Dude, come on,” Chimney insists. “I know that sweater you had on the other night was one of Tommy’s. Between that, the lack of shaving, and now the abundance of food-..”

“I’m dealing,” Evan insists. Maddie sighs, looking over at her husband. He raises his hands and picks up his wine glass before glancing between them. 

“I’m gonna go see what’s on the sports channel,” he states before walking out of the room and into the living room. Maddie moves closer to Evan, rounding the counter. 

“I’m fine,” he repeats, but when Maddie looks up at him with that face—the one that tells him she isn’t buying the shit he’s selling—he sighs and shakes is head. “I mean I should be, shouldn’t I? It’s not like we were together that long.” 

“Six months,” Maddie states. 

Evan nods. “Yeah, and? I mean I was with Taylor for longer. She actually moved in here.” 

Maddie stares at him for a moment and then furrows her brow at him. “Wait, what is that supposed to mean?” 

“Nothing,” Evan insists. “It doesn’t mean anything when Tommy doesn’t think I’d stay with him anyway.” 

“No, no, it clearly means something,” Maddie counters. “I’m not letting you drop it that easily. Talk to me. Tell me what actually happened.” 

Evan huffs, leaning against the counter. 

“We were talking about Abby, and I was telling him how that relationship had been transformative for me, at least until I met him, a-and then I told him that I wanted him to move in with me.” 

“Okay,” Maddie replies, processing his words. “And you told him you love him, right?” 

Evan stares at her as though she’s gone Blue Screen on him and she bobs her head forward, gaping at him slightly. 

“Evan.” She comments. “You told him how you feel, right?” 

“I- I thought- I mean we-..” 

“Okay, I’m sorry, I can’t fake that I’m not paying attention this long,” Chimney states as he crosses back into the kitchen. “You asked Tommy to move in with you without telling him how you feel about him?” 

“I told him I admire him,” Evan argues. 

Maddie inhales a deep breath and shakes her head, trying to remain composed as she returns to Chimney’s side. “What exactly did you say to him?” 

Evan gulps, but then proceeds to explain to both Maddie and Chimney was he said, trying his best not to paraphrase. By the time he’s finished, Maddie and Chimney are looking at each other, both of their jaws slack. 

After a moment, Chimney turns back toward his glass of wine and picks it up and takes a long sip from it. 

“Yeah, I think I might’ve broken up with you too,” Chimney states when he sets the glass back down. 

“What the hell,” Evan counters, waving a hand out at him. 

“Look, Buck, you ran over him like the proverbial steam roller. And I’m sorry, but from the way it sounds, it comes across as being told that you want to live with him because he’s great at being gay and that makes you feel good,” Maddie explains. 

“Not to mention the Brandon of it all,” Chimney mutters, lifting his drink to take another sip. He raises an eyebrow when both Buckley siblings turn toward him. 

“The who?” “Huh?” 

Chimney takes a deep breath, mouthing an ‘oh’ before setting his glass back down. “This is why I’m not allowed to know things,” he mutters. He shakes his head. “Brandon was this kid Tommy dated around the time he was leaving the 118.” 

“I thought he wasn’t out yet,” Evan interjects. 

“He wasn’t,” Chimney answers with a nod. “But Brandon was this kid out of another house, one of the ones Tommy had looked at transferring to, I think. Anyway, you could tell after Gerrard and Sal were gone that he was loosening up and becoming more comfortable with himself, and even though he wasn’t quite there yet, he was getting there.” 

“So?” Evan asks. 

“So, three months into it, he tells me over beers that the guy wants to move in together, make all these plans for the future, is talking about buying a house. The whole nine yards. But Brandon was just coming out of a divorce, with a woman. Sold Tommy the moon, and T went for it. Gave up the place he was in, moved in with this guy into his apartment that he also was sharing with his two kids part-time.” 

Evan gulps, because he can see the writing on the wall. 

“See, Brandon hadn’t been with other men before. And they lasted about three months longer before Tommy found out that he was seeing other people. He alternated between mine and Sal’s couch for a month after that until he got the place he’s in now.” 

“He was in love with him,” Evan surmises in a rasp. 

“He thought he’d found the person he was supposed to be with,” Chimney says with a nod. “And when I tell you it took him years to get over that-..” 

“Fuck,” Evan mutters under his breath, leaning more against the island. 

Maddie waits a moment, glancing back and forth between her brother and her husband before she finally speaks up again. 

“So to be clear, I understand why Tommy panicked and took off, but why would you skip over actually telling him how you feel,” she asks. “I mean you have to get that that’s important. It probably would’ve made a massive difference in the conversation.” 

Evan inhales a deep breath and shakes his head, looking down at the counter. 

“Oh,” Maddie states. “You’re scared too.” 

He looks back up at her, his expression somber. “I mean people leave me. A-and that’s exactly what he did.” 

“Buck,” she coaxes, rounding the counter again. She runs her hand up his back as her other hand curls around the inside of his bicep. “You can’t be mad at him for being scared if you can’t also be honest about how you’re feeling.” 

He glances up at her, and his eyes are so sad that it makes her want to go into her mothering role and order him to call Tommy. 

“What if he won’t listen to me,” he rasps. She leans against his shoulder and gives him a sympathetic look. 

“I mean, I’ve never heard you even mention wanting to marry someone else,” she replies softly. “That’s gotta be worth something, right?” 

Evan stares down at the counter again. 

“You should call him,” Chimney interjects, when they look back up at him, he’s taking another sip of his wine. Maddie just chuckles at him before squeezing Evan’s arm and nodding. She leans up and kisses his cheek. 

“Call him.” 

. . . 

Evan pulls his jacket tighter around his body as he settles into the cafe chair. He’s not entirely sure Tommy will show, even though the other man had texted he would. He can’t help but feel the weight that’s been making it’s home in his chest just a little heavier right now. A week ago, they were celebrating six months from that first kiss, and somehow he’s finding himself sitting at a different café, but still, six months from the day that he’d asked Tommy to be his date to his sister’s wedding. 

So much is different now, though. He didn’t have to guess Tommy’s coffee order because he knows it by heart. There’s a box in his car filled with belongings that he really doesn’t want to give back, but if this discussion doesn’t go in the right direction, that’s exactly what’s going to happen. 

Still, he can’t stop thinking about the guy on the crane from the day before, and how after they’d gotten him off to the hospital, all Evan could think about was how his people had banded around him in the aftermath. His team had kept him alive, and then they’d remained vigilant at his side while he healed. He’d had people show up in his corner every step of the way. It’s not lost on him now that Tommy has faced a life primarily without that same feeling, and that unlike him, Tommy didn’t find a forged family at work. Plus, then there’s the information he learned about the ex-boyfriend, and all of it has him seeing Tommy in an entirely different lens. 

“Hey.” Tommy’s voice is raspier, sadder than the last time he heard it as he comes around the corner of the building. Evan still perks up at the sight of him, although he’s more subdued than the last time they met up like this. 

“Hey,” he replies softly, gesturing toward the chair across from him. “Thanks for agreeing to meet me.” 

Tommy nods, and there’s a rush of pain in Evan’s chest at the lack of of course. 

“I got you a coffee,” he adds, gesturing towards it on the table. Tommy pulls his chair out and sits down. 

“Thanks,” he says, though there’s no mirth in his tone like there was that first time.

“I’ve had a lot of time to think,” Evan states nervously as Tommy takes a sip of the drink. There’s the slightest twitch around his mouth—one the younger man has come to recognize as Tommy thinking that it tastes right. He’s very particular on his flavor and cream-to-sugar ratio, so knowing he’s still getting right gives Evan a flush of pride. “The last time we met like this, I said there was a lot of that we didn’t know about each other.” 

“Practically everything,” Tommy parrots so softly, it barely has any vocal tone in it. Evan nods. 

“Except, I do know things about you now,” Evan counters. “I know- I know that you don’t like to be awake before seven AM if you’re not on shift. I know that you think the perfect setting for the thermostat is always sixty-six, no matter what time of year it is. I know that you take three creamers and the tiniest dash of cinnamon in your coffee.” 

“Buck-..” 

“Let me finish,” Evan counters, cringing at the way that name sounds coming out of Tommy’s mouth. He takes a deep breath and looks around them before continuing. “I know your mom died when you were six, and your dad blamed you for it. I know you spent the next eleven years trying to do anything you could to keep him appeased and a target off your back, including stuffing down who you are so far down that it took you over a decade to crawl back out of that toxic mindset. And I know that all of that left you with scars, even though you don’t talk about them. I know-…I know that you would rather run because it’s easier to protect yourself than sign up for the possibility of getting hurt again.” Evan pauses and gulps as Tommy stares at him, looking very uncomfortable. 

“So I need to apologize,” he says with a breath. 

Tommy furrows his brow at him, baffled by the statement. “You have nothing to apologize for.” 

“Yes, Tommy, I do,” Evan counters, this time more insistent than he had been on that first coffee date.“I  threw a lot at you that night. I- I know that I told you I wanted to move in together, and that I was talking about a future without any practicality behind it because I just lept with both feet like I always do.” 

“I didn’t call things off because of your impulsivity,” Tommy counters. “I did it because-..” 

“Because you’ve been down that road before,” Evan finishes for him. “And it ended badly. I know that about you, too. And, the way I sounded that night…it wasn’t what I should’ve said.” 

“Okay?” Tommy acquiesces. 

Evan takes another breath and leans forward in his seat, gesturing at the space between them. “You said that when I asked you to move in with me, that I was still figuring myself out, and that everything was still new and exciting for me. And the thing is, you’re right, and you’re wrong. You’re right that things are new and exciting, but not because they’re with a man; it’s because they’re with you. And six months ago when I told you that I didn’t know what I was ready for, that was true, but now I do. It’s not about being ready for something different, Tommy, it’s about being ready for something different with you. S-so when I say I lept with both feet the other night without thinking, I missed a step in there.” 

Tommy stares at him apprehensively, giving him the space to continue. Evan sits up a little straighter. 

“I got so caught up in the process of commenting on the ways things have changed and all that you’ve done to get yourself to where you are now that I never stopped to consider how it would sound coming out of my mouth. A-and part of that was because I thought if I just convinced you to stay with me, maybe it wouldn’t hurt as bad if you decided that I was too much.” 

Tommy leans back in his seat, eyes widening slightly at Evan’s words. 

“I um, I know about Brandon,” he states. “And on the subject of exes, I never told you about Taylor, or how Lucy played into of how things ended with her.” He inhales a breath and then proceeds to explain Lucy’s time at the 118, their shared kiss, and how he’d been living with Taylor at the time. “And the thing is, when I moved in with her and told her I loved her, it was from a selfish place, o-of wanting to keep her around because people just kept leaving, and I couldn’t stand to lose anyone else.” 

Tommy lets out a soft sigh and leans forward. “Evan.” 

Evan shakes his head. “No. Don’t- it’s not- I’m not saying all of that because I’m chasing after you to keep you from leaving. I- I mean I am, but not like that. I mean to say that, I trapped Taylor, however unintentionally, with the idea that if she was with me, that I could make it work. Eventually, it got to the point where I couldn’t keep trying to make the pieces fit, and we split up.” 

Tommy nods. 

“But this isn’t that,” Evan continues. “This has never been that. I asked you to move in with me because I want to be with you day and night. B-because I see a future with you, and because nothing has ever felt as right as this has felt. And I understand that maybe- no, it was moving too fast. And that I skipped right over the part where I should’ve told you that I want to be with you not because it feels good or because I think you being gay makes me better at being bisexual, or anything like that. I want to be with you because I’m in love with you.” 

Tommy takes a deep breath at his statement. 

“I don’t expect you to say it back if you’re not there, a-and I don’t expect you to move in with me. That was an impulsive decision. But I’m not in a place where I’m ready to give up on this,” he states. “I love you enough that I’m willing to go at your pace this time.” 

Tommy stares at him for a beat, quiet and contemplative. “Are you sure about this?” 

“Am I sure that I love you?” Evan counters. “That I’m pretty positive on.” 

The response forces a small smile onto Tommy’s face. After a breath, he gives a small nod. 

“Okay.” 

“Yeah?” Evan asks him. 

Tommy gulps and nods. “Yeah,” he rasps. “Because I love you, too.” 

Evan grins at him, at this time, it’s Tommy who reaches across the table and grabs his hand, squeezing it. 

[harrywavycurly]

Loving a Killer: Mistakes in a Hardware Store

Pairing: Killer!Harry x wife!reader

Masterlist: Here

CW: Harry is a tad bit over protective in this, threats of violence, semi angsty bits, language.

A/N: Harry had done something wrong and shockingly enough it has nothing to do with what he does for a living, so enjoy him trying to get you to forgive him✨

“Looking at it every five seconds isn’t going to make it magically start ringing you know that right?” Harry just ignores Mitch’s comment as he looks at his phone for the sixth time in the last five minutes, letting out a sigh when he all he’s met with is the date and time on his Lock Screen, no message from you or your name flashing across it like it normally does when you call him. “Trouble in paradise?” Mitch asks as he looks over and watches Harry run a hand through his hair as he tosses his phone onto his desk.

“She’s not talking to me.” Is all he says before he stands up and begins pacing the length of his desk while Mitch spins his chair around so his back is facing his own desk allowing him to watch his bestfriend have what he could only describe as a breakdown of some sort due to not having heard from you all day. Harry pauses and runs a hand over his face then just looks at Mitch over his shoulder. “I think she’s mad-”

“What did you do?” Harry lets out a groan as he walks over to his desk and places his hands flat on top of it and Mitch raises a brow at him when he notices him look down and close his eyes while letting out a deep sigh. “Harry tell me you didn’t-”

“You’ve got to stop assuming I’m walking around killing people without telling you.” Harry jokes as he lifts his head to send Mitch a glare. “I didn’t even really put my hands on anyone this time.” He explains making his friend just roll his eyes as he crosses his arms over his chest.

“Then what exactly did you do?”

“She went with me to get some stuff so I can fix the shed door in the backyard and while we were at the hardware store some dude came up to her and started chatting her up so I might’ve threatened him a little.”

“You’re such a hot head man you need to relax and realize your wife is a catch so dudes are going to want to try to flirt with her.”

“What the hell did you just say?” Mitch doesn’t even flinch at how harsh Harry’s tone is as he straightens himself up and takes a step towards him with a quirked brow, Mitch is extremely familiar to this side of his bestfriend. “I’m just supposed to let people flirt with her and think they have some sort of shot with her?”

“They’ll know they don’t have a shot with her because she’ll let them know. She doesn’t need you to do it.” Mitch casually explains as if it’s the most obvious thing in the world but Harry just lets out a scoff and throws his hands up in air, clearly annoyed at the idea of having his wife be the one to tell creeps to leave her alone.

“She shouldn’t have to worry about telling wanks who want to chat her up to fuck off.” He snaps while he walks back over to his desk to reach for his phone. “I’m her husband it’s my job to do that for her.” Mitch rolls his eyes at his explanation as he watches Harry tap away on his phone.

“No it’s your job to trust her and let her handle herself in situations like that.” Harry can’t help but feel his heart sink as Mitch’s words hit him, he knows he can be a tad bit overprotective when it comes to you and that often leads to him overreacting in certain situations but he’s never thought about how him reacting the way that he does could make you feel as if he doesn’t trust you or think you can’t handle yourself.

“I do trust her.” Mitch just nods as he uncrosses his arms so he can stand up from his chair. “I just-you know how I am with her.” He says with a sigh as Mitch takes a step towards him so he can place a hand on his shoulder.

“I know how you are with her and I know it’s because you love her but sometimes it’s a little much. But the real question is how are you gonna fix this?” Mitch asks as he gives Harry’s shoulder a squeeze before letting it go. “I hear flowers work wonders.” He suggests making Harry send him a glare making Mitch chuckle because sometimes it’s glaringly obvious how single Mitch is compared to Harry.

“Already had a bouquet delivered to her office this morning since she only works a half day today.” He mumbles and Mitch just gives him a nod of approval as he watches Harry tap a few things on his phone before he locks it and slides into his back pocket. “I have to go. You good to handle the rest of the day without me?” Harry questions making Mitch just brush him off as he turns to head back towards his desk.

“Yeah I’m fine we have that Gavin guy tomorrow and today is just paperwork.” Harry just nods at Mitch’s answer before he gathers his keys and tosses his work bag over his shoulder. “Good luck.” Mitch says with a smile as Harry gives him one more glance before turning and heading out their shared office door and down the hallway for the door that opens to the stairs leading up to the lobby of the building the two of them work at.

Harry hates the feeling he gets when he walks inside the front door, he’s not met with the usual warmth that always radiates off of you and seeps into his body and relaxes him as it makes its way from his tired feet all the way up to his sore shoulders. Today he’s met with silence and the utter coldness that comes with it and it’s almost enough to send a shiver down his spine, but the only thing that keeps him from turning around and leaving is that he knows you’re home because he parked next to your car in the driveway and he is willing to do anything get your warmth back into the house.

He knows where you’re at, it’s just something that he can’t help with what he does for a living he knows how to keep track of people when they’re in relatively close proximity to him. So as soon as he walked in the front door he could see your foot hanging off the love seat tucked away in the corner of the living room near the bookshelf next to the floor lamp that you opted to turn on instead of the main light. He acts as if he didn’t see you as he drops his keys in the bowl by the door and slips his shoes off before he makes his way into the kitchen where he places his work bag on the table, he can feel your eyes on him from the living room and he takes that as a decent sign that you’re even wanting to look at him.

He runs a hand through his hair as he contemplates his next move, he knows you don’t like confrontation so you won’t be the one to tell him you’re mad at him so if he wants this to get resolved in a timely manner he’s going to need to be the one to initiate the conversation but he’s just not in a hurry to hear you say you’re upset with him. So Harry does what he thinks is the best thing to do in the moment because he knows you, he knows what you really need from him in this moment and he’s more than willing to give it to you if it spares him, at least for a few minutes from having to hear you tell him how unhappy he made you the other day. He turns around and quietly heads into the living room, he watches as you close the book he knows you stopped reading the moment he walked through the front door and place it on the side table near the lamp. As soon as he’s in front of you he reaches down and grabs your hands as he drops to his knees, he looks at you as he brings your hands to his lips and places sweet kisses to your knuckles and he doesn’t miss the slight shade of pink your cheeks get at his actions.

“I’m sorry baby.” He makes sure his words come out nice and clear so you don’t miss them between little pecks to your knuckles. “I know I made you upset yesterday and I’m sorry. I shouldn’t have threatened him or-”

“We’ve had this conversation before haven’t we Harry?” You ask making Harry just swallow before nodding his head and he swears he feels his heart drop to his stomach when you turn and look away from him. “I know you want to protect me from all the creeps and jerks but Harry yesterday you-”

“Don’t say it.” He cuts you off as he lets your hands slip out of his as he stands up. “Please don’t say it.” His voice is low as he takes a small step away from you as he feels as if his world might be crumbling down around him as the thought of you telling him you were afraid of him bounces around in his head.

“Harry look at me.” He can’t help himself as he does what you ask because even though his whole world may feel like it’s on the verge of falling apart he’s still your husband, the man who hasn’t ever really been able to not do whatever it is you ask of him. “I’m not afraid of you.” He feels your hands on his arms slowly running up until they are cupping the sides of his face making sure he can’t look away from you. Your words take a moment to sink in through the layers of sheer panic and anxiety running through his mind but when they finally do Harry lets out a deep breath and feels as if his legs could give out at any moment with the amount of relief that washes over him.

“I was going to say that in that moment you were being one of the jerks you try to protect me from all the time.” All Harry can do is just nod because you’re right, he was being exactly the type of person he tries to keep you away from and honestly Harry is still recovering from the fact you admitted you aren’t afraid of him so a nod is the best he can do in the moment. “You threatened someone’s life all because he was asking me if I had any recommendations for a good weather resistant wood varnish.” When Harry rolls his eyes he instantly knows it’s a mistake because he feels your hands drop from his face making his lips turn downward into a slight frown while you take a few steps away from him.

“I’m sorry sweetheart but that was clearly a line and he was trying to flirt-”

“So him flirting with me means you need to come in and grab him by his shirt and tell him that if he so much as looks at me again the next project you’ll be working on will be his coffin?” Harry can count on one hand the amount of times you’ve raised your voice since he’s met you, each time has almost always been towards him and he hates that he’s the one who gets you to the point where you lose your ability to speak in your usual soft and gentle tone and are left with no choice but to make your voice louder and a little meaner in hopes it’ll help get your point across more clearly.

“I didn’t mean to grab him. That was a mistake.” He doesn’t make an attempt to get closer to you even though every part of him wants to reach out and pull you into him, he wants to give you the space you need to tell him exactly how his actions made you feel and he knows you won’t be able to do that if he crowds you. And as much as he normally loves to play dirty and use his knowledge against you, this time he wants you to get everything out because he wants to be better for you so if he has to stand here and take it for a few more minutes then so be it.

“Was that the only mistake you made yesterday?” He wants to say he really didn’t make any mistakes yesterday but he doesn’t, he just rubs his lips together as you place a hand on your hip letting him in on the fact you’re getting annoyed at this conversation.

“Please just answer me because I don’t want to argue with you anymore but I need to know if you really think that’s the only mistake you made yesterday.” Harry can tell by the slight pleading tone of your voice that you’re beginning to break, your walls of anger are starting to crumble and he can’t help himself but feel a small sense of relief because he can work with this, he can find a way to make your walls come down and get you to forgive him.

“No.” He answers as he takes a small cautious step towards you making you raise an eyebrow at him as a signal to have him elaborate on his answer. “I shouldn’t have threatened him or raised my voice in the store because I know how you feel about causing scenes in public.” He adds as he takes another small step towards you and he can’t help the small smirk that forms on his face when he sees your hand drop from your hip as you playfully roll your eyes at the mention of causing a scene.

“Anything else?” Your voice is much softer now and Harry feels like this is a good time to take a chance so he reaches an arm out so he can place a hand on your hip and he smiles when you don’t make any moves to wiggle out of his grasp or bring your own hand down to push his away.

“Letting you give me the silent treatment for the rest of the day. That’s probably the biggest mistake I made because you know how much I love hearing you talk.” Now normally you’d take that as a tease of some sort but Harry’s not an idiot, or at least not in this moment so he’s sure to sound as serious as possible without ruining the lighthearted mood that’s beginning to form between the two of you.

“You love hearing me talk?” Harry just gives you a smile as he ever so gently pulls you closer to him by his hold on your hip.

“Your voice is one of my favorite sounds.” He admits without a single drop of hesitation because it’s the truth. “Especially right before you fall asleep and it’s this mixture of a whisper and just mumbles of nonsense.” His eyes stare into yours as he raises his free hand so he can brush a few strands of hair out of your face and back behind your ear. “But my favorite is when it’s got this hint of excitement to it like when you’re telling me about a new book you found that you’re now obsessed with or better yet the rants you go on about books you hate those are very fun and your voice gets this almost twinge of absolute disgust to it that I always find entertaining because it’s so rare you find something you don’t like.” He keeps his hand on the side of your face cupping your jaw, gently running his thumb over your cheek.

“So really baby it about killed me not getting to hear your voice for a whole day all because I was an asshole and couldn’t handle some guy flirting with you in a Home Depot.” He wants to pull your face towards his and seal his words with a kiss but he doesn’t, he’s a gentleman after all and knows it’s only right to let you decide when he’s earned his kissing privileges back sees as you just broke the day long silent treatment you were giving him not even five minutes ago.

“His name was Brad.” Harry’s grip on your hip tightens a little while he other hand falls from your face as you give him an unwanted detail of your encounter yesterday. “Maybe if you knew that before you went all crazy on him you would’ve reconsidered? Because who’s going to pick some dude named Brad over their hot husband named Harry?” He just chuckles as you give him a playful smirk while reaching your hands up to grab both sides of his face.

“Well when you put it like that.” He jokes as he feels you begin to pull his face down towards yours. “I really am sorry sweetheart I swear it won’t happen again.” He whispers as he bumps the tip of his nose into yours making you smile.

“I know you are and that’s why I forgive you.” That’s all Harry needs to hear before he allows himself to close the gap between his lips and yours, he feels you smile against his lips as you pull him even closer to you when you feel him try to pull away.

“I love you.” He mumbles between kisses making you giggle as your hands go from his face down to his chest so you can grip onto his shirt while his hand holds onto the back of your neck.

In this moment Harry knows that the two of you are going to be okay, that while you may hate how he over reacts and gets a little too protective at times, you still love him and haven’t decided to give up on him or at least not yet. So Harry decides right then and there that he’s going to actually try to be better, but while he really will try he can’t promise he won’t mess up every now and then because he’s still Harry, and when it comes to you he doesn’t think he’ll ever be okay with people getting too close or being too friendly.

[sgiandubh]

Wonder if Sam will take his new legal American bride to Italy? He will be married, although unlike Caitriona's it will be a fake marriage, by 31 Dec. He needs the residency.

Dear Married Anon,

Three possibilities on this one: a) you watched 90 Days Fiancé for way too long and with no attention to details; b) you think I am an idiot, with no legal knowledge or experience; c) you are an idiot, with no legal knowledge or experience.

Your question comes with two strong biases, too: a) that you somehow are privy to such nonsense and b) the old & stale fake vs. organic marriage refrain, regarding C (that, by the way, proves that I did hit a nerve).

I am not very sure to whom exactly do you think you are talking, here. But if I do know one thing is that you, honey, are a Mighty Twat. If you wanted to be consistent with the crap the Gay Crowd spreads around, you could have gone for 'he needs a more solid/credible beard than that', instead of the completely inane 'he needs the residency'. What is he, Burmese? Oh, FFS. And by 'Burmese', I mean exactly this: are his life/personal safety in clear and present danger, in his home country, because of his ethnicity and/or political views? The answer is no, and he could still use his right of asylum. Does he need the US residency in order to secure a better paid job for himself? The answer is no: lots of other avenues can be explored and are routinely being used by thousands of foreign actors/performing artists, in order to legally work and reside in the US. I have even mentioned it before:

(Full October 2023 post, here: https://www.tumblr.com/sgiandubh/729979831079649280/mordor-says-he-returned-only-for-visa-reasons)

But let's suppose even a nanoshred of what you wrote could technically be correct. When you are an US citizen and you want to bring your significant other to live with you there, you basically are offered two options:

Scenario One: you want to bring your fiancé(e) to the US and get married there. You will need the K-1 visa, as anyone even remotely familiar with that reality show I mentioned knows. That doesn't exactly click with a hastily cobbled 'new American bride' he would marry until December 31 and this is why, according to the US Citizenship and Immigration Services (USCIS) own website:

[Source, LOL: https://www.uscis.gov/sites/default/files/document/guides/A2en.pdf]

'You have met each other in person within 2 years before you file this petition'. Who is it, then? The whore? She is French. The chatty influencer? She's 'so over him' (FFS, LOL). Alice 'he's mine and will never be yours'' Panikian? If you think so, you are aff yer heid on cheap gin. Hm? Ashley Hearn? Met her too late and you all know it. A secret lover? ROFLMAO. And psst: Raya girls are just for fun, they don't think homestead. Cross my heart, Anon.

Current and official USCIS average processing time for fiancé petitions at their (logically) California Service Center is:

But it could be as long as 26 months and a half, if he decides to settle for a Vermont beauty (LOOOOOOOL).

You should also know a couple of other things, Anon. First thing is he will not be able to enter the US under the type of visa he currently more than probably holds, in order to do so - that would be a heavily punished immigration fraud:

Mhm. Restrictions on his ability to future immigration benefits/permanent residence, fine and imprisonment. I hope I do not need to further develop, on this one.

Last thing you should have taken into consideration before writing this bullshit is that the fiancé visa would restrict his ability to go back to his own home country during all the waiting time. Why would an actor refuse work opportunities in the UK or in Europe for the sake of a fake marriage, as you called it yourself? Oh, if you only had a brain!

Need I say more about the grueling in-person cross-check interviews ? You should watch a wonderful movie starring Gerard Depardieu (a pig alright, but he is perfect, in there) and Andie MacDowell: it's even called Green Card, LOL. Few things changed since 1990, and if anything, the screw got only tighter. Not to mention the fact he will be unable to work in the US during the waiting process and she will have to prove she can sponsor/provide for him! ROFLMAO.

Scenario Two: you get married abroad and want to bring your spouse to the US, afterwards. You will need to file the Form I-130 (Petition for Alien Relative):

[Source: https://www.uscis.gov/sites/default/files/document/guides/A1en.pdf]

All this does, in reality, is put the spouse in line with thousands of other similar applicants. Residency will be granted only after extensive background checks and this is where I would like to stop for a while, Anon. You are with the Gay Crowd, right? Then how does this logically click with your long established talking point about his 'once very public gay life? Ah: he isn't gay? ROFLMAO. You see, being gay is a bit like being pregnant, Anon: you can't be 'just a little bit pregnant' and you certainly can't be 'just a little bit gay', either. Spare me the drivel 🙄. Kindly note those background checks are dead serious and could result in deportation - thought you should know, before you spew idiocies again.

Onwards with that residency thing:

If S were in Scotland/the UK when the 'legal fake bride' would file in the petition, he would not be allowed to come visit or work in the US: why would an actor be forced to turn down lucrative opportunities in Hollywood or elsewhere in the country, for the sake of bearding or circus only? And while S could technically apply for permanent resident status if he already were in the US at the time of the application for I-130, he would still not be able to work and therefore must be sponsored by the 'legal bride'. ROFLMAO, again.

I mean, this is so ridiculous I could cry. He would be invited to come to the US only after the petition is approved, which does not click with your suggested timeline and the seeming 'emergency situation' ('he NEEDS the residency', your ask shouts at the Entire Universe) . Why the haste? Just because you wanted to somehow shoehorn it in, somewhere before Inauguration Day? I have no words, but my paunch hurts with laughing right now.

Finally let's have a look at processing current times:

But it could go as long as...

I cannot stress enough that permanent residency will be granted only after the processing time is completed.

Why, oh, why would someone so inextricably complicate his entire existence in such an idiotic fashion, Anon? And finally, give me and yourself a break and read the damn political room, here, too. I will not elaborate, but I surely hope you do not live under a rock.

I rest my case, thank you, fuck off.

[loverslodge]

the date

You were nervous to say the least. The date was supposed to start at 10 am but you got here at 9:30 am. You had chosen your favourite cafe because it made things easier. Just in case they did decide to ditch you, at least you could buy yourself your regular and go back home.

You were dressed in your favourite cherry colored plain sundress and white shoes. You carried a small bag with you that carried your wallet, phone, lip balm and water bottle. Your hair was half up and your stray hair had started falling out framing your face.

You sat in your booth and waited. You had brought a book with you but who were you kidding? You weren't going to read anything. You kept on glancing at the door. You've never been this nervous about a date before. But also, this wasn't exactly a real date, was it?

The door opened and two tall large figures walked in with flowers in their hands. They were in a deep argument or was it a discussion? They let their conversation go and looked around. You tentatively got up from the booth which caught their attention and they bounded towards you like happy puppies.

You weren't just starstruck. You were just… nobody could explain. Your breath hitched a little and your heart skipped its beats and your stomach somersaulted. Your cheeks were tinted with pink and it was not just your makeup.

They both held out their hand to give you flowers. You smiled. They were clearly trying to be competitive. You chuckled a little and took both the flowers with both of your hands, deeming the competition null. “Thank you. I love roses, especially pinks and reds. I love these.”

Bucky and Steve were awestruck. You were even prettier in person. Your smile alluring and your chuckle endearing. And your voice? Sounded like the warm sun in spring.

They both had walked from different directions to get to the cafe. They both saw you from the cafe window. You looked so… angelic. They noticed your nervous tick of chewing your lower lip. Your lips looked so kissable. They also saw how you kept on glancing at the door. They did not want to make you wait any longer so they walked to the entrance at the same time.

“Bucky?” “Steve?”

Clearly, none of them had thought that the other would have accepted.

“What are you doing here?” Steve was the first one to break the silence.

“Me? What are you doing here?” Bucky wasn't going to back down easily.

“I'm here to… go… get coffee,” Steve stuttered.

“Weird. I didn't know you could get coffee with flowers in your hand.” Bucky quirked up his eyebrows. They were caught, there was no reason to lie.

“Uh…”

“Give it up, punk. You can't lie to save your own life. You're here to see the girl, aren't you? The email girl?”

“Yeah. you too?” Steve pointed at Bucky’s hand full of flowers.

“Yeah. her idea, whatever you call it, sounded, i don't know, interesting. Wanted to give it a shot.” Bucky shrugged.

“Yeah, it's no string attached, no expectations. It's liberating in a way.” Steve put his thoughts out and Bucky nodded to agree.

They both entered the cafe together, though a little apprehensive about the other being there. When you stood up so they could find you, they had to make sure they weren't dreaming. You weren't just angelic, you were… you looked beautiful. Especially in that floral sundress.

When Steve stepped forward to reach you, Bucky jumped up too. It had become a competition, unknowingly. But when you accepted their flowers at the same time, their heart thrummed in a rhythm. The moment they heard your voice, they were floored. Such a sweet voice, it was like a melody to them. And when they learnt that they picked the perfect flowers for you, they were on cloud nine seeing you smile at the flowers.

You guided them to sit on the opposite booth and Bucky slid in first, making Steve sit in the aisle. You did something unexpected after that. You took a rose from Steve’s side and gave it to Bucky and you took a rose from Bucky’s side and gave it to Steve. They were confused but in awe.

“Well, you both got me flowers and you both seemed… competitive, I thought it would be fair for me to give you each a rose from the other’s side. If I had known we were doing flowers, I would've bought some for you too.” You nestled the roses neatly in your bag so as to not crush them.

“I- no, the flowers just popped in my head and thought it was a gentlemanly thing to do.” Steve initiated the conversation. “And thank you for the rose.” His cheeks were flushed.

“Why would you give us the flowers though?” Bucky got curious about your comment.

“Oh! Well, you should get flowers too. It's not a rule for a woman to not get flowers for a man, is it?” You tilted your head in question.

“No, no it's not.” Bucky smirked. You were fantastic.

“So, umm, before we begin, I do have to say something. I don't mind doing this with both of you. I don't want to choose.” You fiddled with your fingers. “If any of you is uncomfortable with it, you both can pick who should stay. I dont- i wont.”

Bucky and Steve looked at each other. They had never thought about it. Sharing a date. They did share a few common traits they liked in women but sharing never crossed their mind. They turned their heads back to you.

“I don't want to come between two best friends again so if you decide that nobody wants this, it's okay as well. It was an email, not a contractual binding. You still have time to walk away.” you take in a deep breath.

“Again?” Bucky raised an eyebrow. He wanted to know more about that aspect of your story.

“It's- maybe some other time. Not right now.” You shuffled in your seat. “Talk it out, the two of you. I'll wait here.”

Bucky signaled Steve to stand up and they excused themselves. They stood outside the cafe in a way where they could see you. For a few minutes, all they could do was look at you.

There was something else about you, a sort of sadness that popped the moment they walked out of the cafe. You were rubbing your face with your hand as if you were worn out and your downcast eyes made their collective hearts clench.

“What do you say, Steve?” Bucky wanted to know what Steve thought. Surprisingly, it didn't cross Bucky’s mind that he would be jealous. Would he be?

“She's right. We cannot ask her to choose. She did email us individually.” Steve wasn't looking at Bucky. His eyes kept going back to you.

“So, you will be okay if I am on this date as well?” Bucky wasn't going to talk in circles. The time was of the essence.

“What?” Steve turned to Bucky. As well? What did Bucky mean? Did he mean all three of them go out together?

“You know, she did say she wouldn't mind the two of us together with her.” Bucky shrugged, trying to act casual but he was terrified. What is Steve said no? Will this be the last time he sees you? Will he have the heart to give you up? This isn't even about a real date! All this tension over a fake one?!

“Are you sure? I mean, wouldn't you-” But Bucky cut Steve off.

“Listen, this isn't even a real date. Why are we thinking so much? We did say we came here for no strings and no expectations. Why not just tell her that it's the two of us? What could possibly go wrong?”

“You're right. We're overthinking this. Let's tell her it's us and her. A three person couple.” Steve squared up and began his walk to the cafe door.

“It's called a throuple, you doof.” Bucky followed him.

You weren't paying attention. You suddenly had a minor panic attack which you had managed to settle. You shouldn't be doing this. This desperate attempt to make a perfect date. This isn't even your idea of a perfect date but you can't just invite strangers to your place for movies and dinner now, can you?

You were about to break down in a cafe in front of two of your celebrity crushes. But this overthinking, this maddening need to have just one sliver of happiness was taking over your thoughts of running away. Though, without your knowledge, few tears did escape your eyes.

“Are you okay? Why are you crying?” A very concerned voice made your head jolt up to see two pairs of gorgeous blue eyes looking at you in worry. When had they come back and sat down?

“Yeah, why?”

“Well, you are crying.” Bucky reached down to give you a paper napkin.

“Oh! I'm sorry. I didn't realize.” You wiped your face and looked back up with a smile. “So, what was the decision? Is it one, two or none?”

“We just want your consent over this too. We think that it could be the two of us with you. Are you okay with that?” Steve approached you very politely with the question. Bucky would have been more brash about it.

“That's great! Yeah, I wouldn't mind as long as the two of you are okay.” You nodded enthusiastically with a smile. “Oh but what about the money? Would you be splitting it? I will wire transfer you.”

“Angel, we don't need your money. Keep it. Seriously. We make enough money. Wejust want to enjoy today. Does that sound good?” Bucky tilted his head. You did look angelic, even with tear-stained eyes.

You nodded. “Yes. it does. Now, let's go. We're wasting precious time.”

You got up and grabbed your bag. The two men followed you like puppies.

“So, first things first. Here's the list of places I wanted to go to around the city for this date. I printed it out so it'll be easier. Also I do have a few requests but if any of you have any qualms about it, say the word and I will not bring it up again.”

“Lay it on us, Angel.” Steve’s heart fluttered seeing you take a lead like this.

“Ok, so the requests are as follows. But first. Do you guys know acting? Or do you know how to act? Even a tiny bit?”

“Uh, sure? I mean we do go for undercover missions.” Bucky was confused by your question.

“Oh cool. Maybe this could work. Ok, so first, can we pretend that this is not a first date and this is a date people go to when they're in a relationship? The one where there is no awkwardness.” You look at the two of them. “I'm sorry. This is already too much. Let's just finish this. I don't want to make you do something you both don't want to do.”

You start walking in the direction of your next destination. Bucky and Steve follow you and they each hold your hand to stop you.

“It's not too much. Really. Tell us more of your requests.” Steve rubbed his thumb on your thumb, trying to calm the situation. You exhale loudly.

“Ok. Well, that was the first request. The other is… Do you know how the hero looks at the heroine in the movies when he falls in love with her?” Both the men quirked up their eyebrows. “You know, all soft heart eyes and just looking at her as if she's the only thing that matters?”

They quizzingly looked at you. “Oh for the love of… Really? All these back on earth and you guys haven't watched a rom-com? Never mind. I'll educate you on that some other day. But for now,” You pointed at a very loved up couple across the street. “You see them, look at the way he’s looking at her. That's how I want you both to look at me. I promise I'll tell you the reason soon.”

Both men looked at each other and nodded. “Ok, anything else?”

“Oh! This is not a request but this is me consenting the two of you that since we're pretending this is not an awkward first date, you can touch me however you like. Showing affection. If I do feel uncomfortable, I'll tell you, okay?”

“Okay.” “okay.” A verbal agreement was sealed.

Your first stop was the museum. You liked art. You couldn't interpret or understand all of it but you loved looking at them. Steve was excited about it and Bucky kept calling him a dork which made you laugh.

You had to cross the road and your hands automatically seeked theirs. You locked your hands to theirs and crossed the road. It had been a habit of yours since you had gotten in an accident while crossing the road at the age of 10.

The moment you locked your hands with them, a warm sensation reached their hearts. You were in front of them, the way you held their hands was as if you were protecting them. You made sure to cross safely and when crossed, you looked at them making sure they were ok.

“Were all okay? Good. let's go. Here we are! At the museum.”

…………………..

“This is so boring! Can we really not do anything else? You both are dorking over flowers.” Bucky was very bored. He liked art, sure, but he wasn't that into it. He found looking at things for hours very boring.

“These aren't just any flowers, James. These are Monet.” You turn to him and drag him back to you and Steve.

“Bucky. Call me Bucky, Angel. Seriously, I will really like it if you call me Bucky.” His hand reached for yours and intertwined it. He gave you the most adorable puppy dog eyes and you couldn't help but laugh.

“Ok, Bucky, stay still. Just a few more minutes and then we will go for lunch. I'm actually getting very hungry.” You pulled him by the hand closer so his chest was brushing against your back.

“Let's go then. Wouldn't want our Angel to go hungry.” Steve looked at you and smiled. He grabbed your other hand.

“Oh but don't you want to look at the next exhibit? I thought you were excited about that one?” You tried to pull him towards that exhibit.

He pulled you back and your front bumped to his chest. “Nope. you wanted to see Monet and we did. I really enjoyed it. I never thought of seeing Monet the way you did. Now let's get food for us.”

“Oh no no. we're not doing that. A date should be for two people. We’re seeing that exhibit and then we're getting food. Now come on.” You drag both of them to Steve’s most awaited exhibit. Bucky whined in your ear but you giggled and gave him a light jab.

Unknown to you, Steve couldn't keep his eyes off of you. The way you got excited about an art piece or the way you ranted about an exhibit because you knew the history of it. His heart surely skipped a beat when you didn't let go of his hand the rest of the time all three of you were seeing the art.

He was also surprised how he was feeling warm rather than jealous when he saw Bucky flirt with you. He had never felt this way, at least for you. You were just a no strings attachment but Steve seems to have formed some strings and he was willing to pull them to stay in this moment with you.

Once Steve had his fill of the museum, all three of you walked out hand in hand. You asked them if they liked Indian food and they said yes so you dragged them to the nearest location of one of your favourite Indian restaurants.

After you ordered lunch and settled in the seats, Bucky couldn't stop his curiosity and finally asked the question he's been wanting to ask.

“So, I have to ask. Why did you send the email?”

“Oh! Uh…” You were trying to gather your scrambling thoughts. What version do you want to tell them? The desperate one or the short one?

“Bucky, that's rude. You can't just ask her something like this. She said she'll tell us when she's ready.” Steve saw you flush against the seat.

“Oh it's no issue really. I was going to say anyway so might as well. I just thought saving it for the end would make this better but lets get it out of the way.”

Unknowingly, Steve and Bucky shifted to the edge of their seats. You smoothened your sundress on your lap to find the beginning.

“My love life has never been about me. It should've been but it never was. My first boyfriend actually started talking to me because he liked my friend, even though he asked me out because he liked me for the way I was. That relationship lasted exactly six months before I pulled the plug on it because I just never felt that way about him. I thought having a boyfriend would mean I would like him but I didn't. Not romantically.

That's how my series of unfortunate relationships started. One was controlling, one was a flirt, one was angry all the time, one was a stalker and last one was, well, a ghoster.

But all these relationships had one thing in common and that was me trying to mold myself into that. Into a person they wanted me to become. I felt, I don't know, empty inside when I was with them. The people I liked, they never liked me back. They just used my affections for them and when done, dusted me off like I was just dirt.”

You took a large gulp of water from your bottle. Steve and Bucky were listening to you intently. Before you could say anything else, your food arrived and the conversation ended there. Both of them knew there was more but they didn't push it, for now.

The sadness in your eyes was too evident. They had wanted to hug you, hold you and tell you it's okay but it was neither the place nor the time.

Once the lunch was done, you brought out the list and your eyes sparkled. The next stop was a bookstore.

………………………….

“Don't you think that's too much?” Steve looked at the pile that was forming on Bucky’s hand.

“You can never have too much, Steve.” You pass him by to look at the book behind him.

Steve turned around to see your arms empty. “And you, Miss Bad-Influence-on-Bucky. Where is your pile?”

You look at both of them sheepishly. “Well, I don't have a budget to buy new books. I'm just looking.”

“And by looking you mean wistfully sighing at every other book then yes, you're just looking.” Bucky taunted playfully. Then he gave you an exciting smile. “I'll buy books for you. Pick all you like.”

“No! Are you crazy? No no, you don't have to. I-” You were worried this gesture would go straight to your heart.

“No arguments. Come on. Lets pick. I'll hold your books for you. Pick whichever you like. And then, maybe, you'll help Bucky sort through his pile?” Steve gave you the sweetest puppy smile. You swore you floored there and then.

You started picking all the romance books you had your eyes on. You told them that you will sort again later. While Bucky kept on piling onto his arms any book he finds, you were very conscious about making sure you're not troubling Steve. But that didn't stop you from piling up.

Bucky watched you buzz from one shelf to another. You looked so excited! Talked so much about why you were picking the book you picked. The spark in your eyes went straight to Bucky’s heart.

Bucky kept his eyes on you. He gave you full freedom to manage his book pile. While you brutally shortened your own pile, he loved to see a soft ruthlessness in you. You kept on murmuring about why not this book or why not that.

When you were helping him with his pile, he chose to stand close to you. You actually went through an effort to know what his preferences were. You also asked if he would read ‘fairy smut’ and then went to explain what it was to the two of them with a deep blush on your cheeks.

Bucky saw you and Steve together, talking, giggling, sometimes laughing at his expense but he did not mind at all. He loved seeing the two of you together, with him. You always made sure that the other isn't missing out. His heart always tugged at you when you did that.

“Maybe I should read that fairy smut you were talking about.” Bucky announced haughtily. He wanted to know what was making you blush so much.

“Uh, I wouldn't mind recommending but you like old school fantasy. Are you sure you want to try them?” You didn't want to throw him into the deep end.

“Yeah. I wanna know what you are blushing so much about.” Bucky picked up a smut heavy book. “This one, right? I'll take this.”

You snatched the book from his hand and shook your head. That one was the deep end. You look around the shelf and come across the one you thought would be great to subtly guide him in this genre. You handed him the book and he put it on his sorted pile.

His little comment about wanting to know what made you blush made your heartbeat rise. These are the exact reactions you're supposed to get when you're on a date. But then a thudding twinge of sadness poked the bubble. A lump formed in your throat again.

This wasn't real. None of this was. You snapped out before it got too deep. But one look at the men and your heart betrayed you again. You knew you were going to cry yourself to sleep for the next few nights.

Steve pulled you and Bucky out of the bookstore before both you bought the rest of the store. You and Bucky giggled at Steve’s stern face when he put his foot down about not buying more than five books. He stopped Bucky from buying more than six books but he bought you at least eight, which was a lot more than you had actually thought.

Steve carried your book-filled bag in his hand and Bucky held his own, although Bucky wanted to hold your bag too.

You were standing on the sidewalk with them, cruising through the list, trying to narrow down to one more place before dinner and then goodbyes. You chose a park. It was a small park, not too crowded and very close to where you lived. You didn't need to tell them that.

While you were busy, something in Steve and Bucky told them that they needed to talk to each other but before they could, you swooped in with your idea of relaxing in the park.

Their hands involuntarily went for yours, keeping you between them and all three of you started walking to the park, occasionally joking and laughing at each other’s expense.

…………………

“I should've worn jeans. I don't know how to sit on the grass in a dress.”

Just a slight complaint and the two men removed their jackets. Bucky stood behind you and tied his jacket to your waist, covering your back. Steve stood in front of you and tied his jacket to your waist, covering your front. So now you were all jacket skirted and comfortable.

Both Steve and Bucky observed how tiny you looked between them. Sure, your height came up to their upper chests but you still looked very tiny, something worth protecting and staying.

They kept on sharing looks with each other. They both had things to say about you but they also didn't want to leave you alone. Their brain had, by now, completely accepted this to be the real first date.

The park was pleasant and so was the weather. You sat comfortably with the two men who told you stories about their good old days. You laughed, smiled and commented on their stories. But the twinge in your heart kept on reminding you that this isn't real.

There was occasional hand touching, hand holding and kisses on cheeks and foreheads. There was also leaning on each other to get comfortable and there was no issue in minding the proximity.

If there was a third person looking at the scene, they would surely say that the three of you looked very cozy. Too cozy for being in public. Someone’s hand was on someone’s waist, someone’s hand was on someone’s thigh and someone was all cuddled between the other two someones.

The evening passed by and it was finally time for dinner. You, being the smarter of the three, had made a reservation to a nearby restaurant that also overlooked the water and the bridge. You wanted the ending to be scenic.

Ordering what each of you were in the mood for, a silence spread over, again. But this time it was Steve who asked you a question.

“If you don't mind telling us, why just one date email? We never reached that part of our discussion.”

“Oh yeah. I'm sorry it completely slipped my mind.” You gulped down water and looked at them. It made you chuckle how eager they looked to get new information.

“Well, as I told you about my sad and pathetic love life, I started seeking more. Of course I can blame my love for romance books and movies but that's just not it. These unrealistic expectations that people talk about, I have witnessed them, in my own home.

My many cousins, who are married to their lovely partners, I see them. I have seen their love. They dont need to say ‘i love you’ or ‘you are fucking annoying but i will do this for you because i love you’. They show, they act on it. Our family isn't big on PDA but the occasional hand holding, hugging, even annoying on purpose screamed love.

These are the types of things I have read in books as well. So how are these unrealistic? Also, never in any of my past relationships have any of my friends told me that my boyfriend looks at me like I am the only person in the room. I can understand one or two but every single one of them?

I pretended all these years that it didn't matter. But it does. I'm not- I don't know how to say things so I show, say something else instead of what i actually mean and many times it's not that hard to ‘decode’. The last guy I was with said he didn't want a complicated relationship because I asked him to communicate better.”

You took a deep breath. This was turning into a rant. You didn't want that. You never wanted to show your sad and pathetic side to them.

“I'm sorry. I didn't mean to rant. I didn't even answer your question.”

“Angel, it's okay. You can share anything with us. Go on. We know you have a lot to say.” Bucky put his hand on yours and rubbed your knuckles with his thumb to calm you.

“No- well, at least let me tell you why the email. So, i was tipsy and because i never got to experience the ‘in-love’ part of the couple, i thought maybe a famous person could put up an act for the day and i can get my fill. Then I can cry about my life again but I will still have this memory.�� You shrugged and hearing you answering it very nonchalantly, their eyes widened.

“So, you are prepared to get your heart broken at the end of the day?” Steve was intrigued by your ideology.

“Yes. I mean, that is one of the reasons why I sent emails to actors. They can act and at the end of the day, the payment would have made everything settle in place.”

“But we're not actors.” Bucky sounded jealous. A tinge. Somehow he had pictured you, an angel, their angel, with some random man who wasn't even going to treat you right, even for the sake of a fake date. He hated that.

“Yes, well, like I said, I was tipsy. I sent emails to every guy I found hot.”

Before they could get a word out, the food arrived, putting a comma to the discussion. Steve and Bucky were seeing green. They didn't like the thought of you with someone else.

“So we’re just some lucky winners?” Steve wasn't very good at concealing his jealousy.

You flinched a little with Steve’s tone and Bucky put his hand on Steve’s thigh to calm him.

“No. This was not a competition. This was a ridiculous request by a drunken lonely woman who has never experienced love.” Your voice raised a little.

“Sure it wasn't a competition.” Steve’s sarcasm burnt you. “You did say yes to both of us when you had the chance to pick one. But no, you wanted us to fight over you, didnt you? This is the type of love you were looking for? A broken one?”

Steve’s words left scaring marks on your heart. He was right, wasn't he? You don't even know what love is while this man had been in love for a century with the same woman. He knew what love was and you didn't, you were just seeking a way to fulfill your dumb fantasies, which you did. You got to go out with two hottest men.

Tears had blurred your vision when you stood and walked out of the place without even a glance. You knew this would happen. The night was going to end in tears anyway. Why wait for dessert? You stumbled down the restaurant deck and wiped your cheeks forcefully. You were not going to cry in public. You started your ten minute walk home. A safe space.

[rootspiral]

Agatha All Along deep dive: episode 1 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4])

well, well, well, if it isn't the consequences of my own actions

do you think it took Rio a long time to choose her revenge dress? did she agonize over every detail? I picture her process like, okay I need an outfit that says fuck you (threatening) but also fuck you (horny) and fuck me (very horny) and then circle all the way back to FUCK YOU THOUGH (VERY threatening)

as to why Rio goes from super soft to *that* - I see it as the equivalent of the TV trope where someone almost dies and their loved one is very concerned, but as soon as there's no danger they slap them around the head and call them a fucking idiot. this is Rio's WELCOME HOME, CHEATER moment (Agatha has been kiiiind of been cheating death, lbr)

this is the best way rio could choose to approach agatha too, and not only because it lets her express all that pent up anger. what would be the alternative? sit Agatha down and have a honest chat? Rio knows her too well, she knows it would be simply too much. Agatha *is* more comfortable with big bombastic scenes, with violence that is a lot like foreplay. Rio is looking out for her right now, she is making it as easier for Agatha as she can, while also not letting her get away with her bullshit any longer.

one little sentence, so many ways to read it

only physically. she's not letting you in. not anymore. you'll have to save her from herself kicking and screaming. dear god she's actually honestly crying. this is a WHOLE fucking deal. and it's also the first time she sees Rio while knowing WHO rio is. she's feeling all the feelings

girls. GIRLS. how am I supposed to take decent screenshots if you keep flinging each other at walls. keep STILL! (look at the furniture btw, isn't it a bit curved? I think they're still using a fisheye lens. reality is still shifting. almost as if we're in the presence of an otherworldly being)

oh the metaphor of it. sometimes you just have to reach out and connect, even if you get hurt in the process.

BECAUSE SHE'S BEEN HIDING AND SHIELDING FOR SO LONG TO HIDE FROM PAIN. OH MY GOD. did a 2000s emo kid write this

every other MCU fight wishes it were this perfect storm of hot and emotionally devastating

Rio cannot physically kill Agatha, it's not allowed, she's only the collector. So what is she trying to do, exactly? Has Agatha really been cheating death for so long that Rio has no choice but to bring her in? Or is she not here to collect at all and this is just her way to get back at her ex (and possibly win her back)? I adore both options, they're tragic in different ways.

time to bullshit! time to bolt! time to get to that escape route! this is what Agatha does best. anything but face the truth

funny how agatha usually has no problem looking undignified. it's almost like this is not the point at all. so let's review: wanda has stripped agatha of the powers that have been keeping her hidden from rio. rio comes over to confront her - and not kill her, she wouldn't be allowed anyway. she does it in a way that agatha would find less scary than having a mature convo. still, agatha has to face things she's been escaping for so long and it's simply too horrifying, too overwhelming. the fact that she's joking around so much (while her future conversations with rio will be sad, soft, dramatic) tells you just how scared and how miserable she is. She's begging rio to stop, because even fighting and flirting, which is their comfort zone, is proving too much. And what does rio do? She listens and goes away. only temporary, she won't let her off the hook now that she has found her. but she's still willing to go at Agatha's pace.

aubrey plaza I would die for your evil little face

can I just say that agatha trying to flirt right now is devastating? she is at the end of her rope. she does NOT want rio to stay, doesn't trust herself around her in so many ways. but she knows how much rio wants her and just... she tries to manipulate her with flirting. it's a desperate gamble, completely undignified, completely in character for agatha. she offers herself to rio, but only physically. when what they had was infinitely more than that, it was beautiful, it was sacred.

and rio... forgives her. she laughs another one of her little soft laughs and lowers the blade. plaza is so good here, the way she says "okay, agatha," is a perfect blend of resentment and tenderness. she knows agatha better than anyone ever had or ever will. she knows why she does everything she does. and she follows her lead. one last time.

agatha's relief. she's trembling, deflated but still on her guard. she looks completely traumatized. the masterpiece that this scene is: you feel smart when you realize that they're flirting rather than fighting. when it finally dawns on you the real weight of their encounter... it's too late.

"by the way there's a bunch of scary witches after you and I totally want them to kill you, that's why I'm telling you exactly who they are and when they're coming"

agatha tries with all her might to believe that rio is heartless. because anger is easier than sadness.

we're leaning, we're leaning, we're leaning!

rio licking agatha's wound to heal it perfectly encapsulates her feelings: anger, horniness, and infinite tenderness. what a power move. rio was the one in control this whole scene, and it wrecked agatha.

"te veo" (I'm gonna go scream in a pillow)

she's gone, honey, she's gone. breathe.

Billy walking on the two of them having sex would have been less awkward than this

she was a BIT preoccupied, kid

and episode 1 is in the bag!

next stop: IT'S LILIA TIME

[xoluvx]

everyone here is acting like they’ve never seen a blurry thigh pic and they talk like children as well as you 😭 you don’t owe anyone anything but why not put your age if you’re not a child? i’m done with people acting like their age is something to be secretive about when they’re posting content like this like grow up! yall get so butt hurt over the truth like how am i not supposed to think you’re a child

it’s the fact that you sat down and wrote this entire thing for me to just tell you to fuck off 🤭 like what exactly do you want me to do with this information? “i don’t owe you anything” .. it really is that simple babe, but maybe i should use my big girl brain and give you a proper response since you’re so desperate for it.

why are we upset that i’m not sharing my age? as far as i know, the only way i could “prove” i’m an adult is by posting my ID. let’s be so fucking for real right now. if you were so concerned about me being a minor posting inappropriate things, you wouldn’t have come at me crazy. think about it.. why would you talk to a minor with that type of entitlement? let me reiterate.. nobody owes you anything. seems like you got “butt hurt” by my response and are spiraling. furthermore, i can pick out a handful of blogs - if not more - that do not disclose their age and are doing crazier shit than i am. but hey, did i mention this is my blog and i can do whatever i want? yeah. there’s that.

you say were scrolling through my page “wondering if my age was anywhere”.. that’s a very peculiar reason to scroll through someone’s blog, don't you think? are you sure you weren’t fangirling at first? i digress.

what exactly did i do “for a reason”? answer your ask with attitude? um yeah.. i absolutely did babe. i may be sweet, but i'm not a pushover and i will defend myself if i need to. come on, we gotta start using our brains!! it seems the only one “butt hurt” here is you. again, i’m so sorry that people seem to agree with me or at the very least, like me enough to engage with my content.

grateful for the scroll? baby, please don’t flatter yourself. i am grateful for my 6k followers though 😘

bonus: this is me actually being petty and going there.. *you’re probably not someone to talk about age and/or how someone speaks when you can’t tell the difference between ‘your’ and ‘you’re’. anyway ..

if you’re still not convinced, just keep reading love.

omg look a legal adult drinking and showing skin!!! blasphemy.

i’m not a child.. so yeah thanks for the (fake) concern. you may kindly fuck off now 💖

[crownmemes]

Questioning Sentences, Vol. 36

(Questioning sentences from various sources to ask all kinds of muses. Adjust phrasing where needed)

"You know the words I want to say to you the most right now?"

"How does it feel to be married?"

"Does it disturb you at all that the most logical explanation for all of this is that he's an alien?"

"Is there a human being in the trunk?"

"Aren't you a little naughty sometimes?"

"Is this you talking or him?"

"Oh, you're not intimidated, are you?"

"I suppose you heard most of that?"

"What is this little drama all about?"

"You're afraid of me and you hate me. Why?"

"You're no fun in a fight - do you know that?"

"If you've got all the answers, what do you need from me?"

"Why do the police want my shoes? Am I a suspect?"

"Who knows what goes on in the head of a dog?"

"What about yourself pleases you the most?"

"How did you know I'd come here?"

"They didn't tell you who I am, did they?"

"Do I need to worry about you?"

"Why do you stay?"

"Is it a fair experiment to be working backwards from a conclusion?"

"Can you really dance?"

"How do you understand emotions if you don't have them?"

"Were you spying on me?"

"Don't you know it's dangerous to sneak up on an armed man?"

"Does a closed door mean nothing to you?"

"Do I need to remind you what happened last time you pushed me too far?"

"Were you an outstandingly brilliant child?"

"What kind of grown-up lets their parents choose their clothes for them?"

"What exactly is your point?"

"Are you on a personal mission to destroy me?"

"Where are we going to find a burglar at this time of night?"

"You know you dress the same off-duty as on-duty?"

"You don't trust anybody, do you?"

"What's the one thing you want out of your life?"

"Are you trying to destroy this family?"

"If once is a mistake and twice is unfortunate, what does that make this?"

"Why am I just seeing this now?"

"Do you think my teeth are my best feature?"

"Do you remember the first time we met?"

"How long will this take to heal?"

"Do you really think you can win?"

"Tell me, were you always like this, or did it come on suddenly?"

"Pardon me for asking, but are you proposing to appear in public in those clothes?"

"What are you trying to do? Cause more trouble?"

"Why do you have to be special? Why can't you just be you?"

"Since when are you my boss?"

"Without dreams, what are we?"

[alcohol-eyes]

.

[angry-kid-with-no-money]

"Nora doesn't know anything about the things she writes about" "aftg is terrible queer rep" "the queer characters in aftg are so problematic"

Idk guys maybe the book series abt problematic ppl set in 2006 and written in the mid 2010s shouldn't be expected to hold up against scrutiny of what we consider to be moral and correct now, in 2024

Idk tho, idk

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[midwinterwings]

RULES OF BEING OTHERKIN #1

Being authentic and true to yourself is the only way you are 'supposed to be/act like' (insert entity). If anyone else disagrees it only tells you about them.

[boyfridged]

"and jason never looked more like a kid that he did in that moment, so vulnerable. so small" cool and i can think of like 478359 moments throughout his robin run when he did in fact look very small and vulnerable. starting with the first meeting and ending with multiple death scares that brought bruce to his knees too. but sure whatever you are on dematteis

[silverwhittlingknife]

can we have a hint about what the spring break tim patrol chapter of red letter day contains? (you kept having dick say "if the joker shows up" and tim's "he won't." for me to be convinced that goes off without any trouble)

i'm sure it'll be fine. :D

i am delighted you're enjoying the story <333 i haven't updated it in soooo long but i got some very sweet comments lately so i have been looking at my scribbles again <3

[sovonight]

why is so much of sewing just tracing and cutting and tracing again q_q i see why people get projectors and use adobe illustrator now

[dimdiamond]

Part 2 is dedicated to all the Dancing Queens out there!

Part: 1 / 2 / 3 (Speech bubbles in alt text)

[im14andivebeen14foramonth]

the utter joy I just felt at remembering I have a whole bag of candy from trick or treating oh my god

genuine question tho that this just made me think of, do any of you still go trick or treating?