#what a wacky premise it has

[deservingporcupine]

Trying to decide if I should watch a show because of a fic

[puppyeared]

Been LOVING your lil magician folks recently please continue they're beautiful and very cute and cool and also very well-designed!! 🥺❤️

thank you for the kind words !!! im not much of a writer, but i do have some sort of story in mind for them.. theyre bitter rivals who end up as roommates bc of their scatterbrained elderly landlord lol

[benchspkmnirlhub]

A Guide to Pokemon IRL

Hello! Pokemon IRL has been getting more and more popular over the year and a half I've been in the community, and I'm seeing lots of people being confused by it.

So I'm making this guide, to hopefully help people understand it better, and perhaps join us in this wacky community.

Part 1: The Basics

Essentially, Pokemon IRL is a RP community centered on one single premise: Blogging as if you were in the Pokemon world. It's a hybrid of askblogs, RP blogs, and general tumblr blogs.

There's very few rules to it, other than just "don't be a jerk". There's all kinds of Pokemon IRL blogs, from regular OC trainers, to canon characters, to characters who are Pokemon themselves, to even Fallers from non-Pokemon media, and more!

The main thing is that 98% of Pokemon IRL operates on the multiverse. Blogs can have conflicting canons, since the multiverse exists, and the blogs can be from different universes. This also means that multiple people can RP the same character. I've lost count of the amount of Kieran and Silver blogs.

Why is Pokemon-world tumblr multiversal? Who knows! But that's the one generally accepted canon thing across almost all Pokemon IRL blogs.

Part 2: Glossary

I know glossaries are usually at the ends of books, but I figure it's important that I define some important terms before I get to the rest of this guide.

Rotomblr - The generally accepted name for Pokemon-world tumblr. I personally prefer to use the name Tacklr instead, but that's just my opinion.

Sapient Pokemon - Pokemon that are sapient. Typically refers to Pokemon that run blogs. Some blogs don't allow interactions with them. Some blogs love interacting with them, though, such as all my blogs!

Eebydeeby - A human that has been turned into a Pokemon. "Eeby" is short for it. "Sleeby" means "slow eeby", or a human that has been or is in the process of slowly turning into a Pokemon.

Hybrid - This has two meanings. The first is someone who's part human and part Pokemon. The second is a Pokemon that's part one species, part another species.

Pelipper Mail - This is a multiversal system of mail, powered via Pelipper! You can have Pelippers send items to other blogs with this. Can be enabled or disabled per blog. Same goes with the next five terms.

Pelipper Unmail - Instead of giving, this is taking. This steals something from another blog via Pelipper.

Pelipper Malice - Essentially, this is sending something to another blog that you know will hurt them.

Musharna Mail - It's like Pelipper Mail, but with dreams! This can be used to send dreams to other blogs.

Musharna Malice - Just like Musharna Mail, but it's nightmares instead of dreams.

Magic Anons - Essentially, this allows anons to do whatever they'd like to the characters on your blog. Use caution when enabling this, though, as it's suspected that some people fetish mine with these.

High Stakes - Basically, this refers to anything that can majorly injure many characters, or otherwise have lots of bad stuff happen. Many blogs don't like interacting with this stuff, so it's best to tag it.

Drama Stakes - Like High Stakes, but less. This is when stuff is happening that could lead to in-universe ruined relationships. Best to tag this too.

Ultra Stakes - Like High Stakes, but more. This is when things lead to potential death of many characters. Definitely best to tag this as well.

Chosen - Sometimes someone is a legendary's favorite special little person, and they get powers from it! That's essentially what a Chosen is.

Faller - Someone, usually from a non-Pokemon media, who falls into the Pokemon world. Essentialyl a way of writing a non-Pokemon character in Pokemon IRL.

Self-Insert Faller - An OOC blogrunner falls into the Pokemon world. Can get very meta.

Muse Mixup Madness - At the start of every month, there's an event where some blogs temporarily change their core concept for a day or a few. It's best to tag these, and to give warnings beforehand.

Part 3: Setting up your Blog

Setting up a Pokemon IRL blog is a lot like setting up a regular tumblr blog, just in-character.

The main thing you'll need is a pinned post explaining the premise of the blog. These are usually in-character, with an OOC section at the bottom.

It's best to warn for possible triggers that might pop up on the blog, as well as explaining your boundaries (i.e. if you don't want Pelipper Mail).

Feel free to theme your blog too, changing the header and icon, adjusting the theme colors, maybe even have a custom theme!

Once you have that all set, you're ready to interact!

Part 4: Interacting

I made a full guide on how to interact here, if you want to check it out!

The main thing is, don't be afraid to interact. Even with big blogs. Everyone's happy to receive interactions! Worst that can happen is that your interaction is ignored.

So don't be scared! Jump in, and start interacting!

Part 5: General Advice from my Friends

I asked around for any additional advice people wanted to add, and here's what some people had to say:

"uhhh ooc communication is super important, especially if youre trying to do a plot with someone or smth along those lines" - @espers-n-espurrs

"Uhhh "Do it scared" Like. If you're nervous about doing something but you wanna do it, do it even though you're scared!!!!! Also like. Have fun. People can tell when you're having fun. Be silly. Do what you want forever. Also that big blogs 9/10 don't mind interactions with smaller ones. I think I count as one and like. I am just as scared as interacting with new people as the smaller blogs who wanna interact with me" @chaos-cousins

"interact with people" - @justalileepguy

"The absolute worst thing that can happen if you send someone an ask is that they delete it. People like getting interaction, even if it's from a blog you don't follow. If you're having trouble interacting, find something your two characters have in common and point it out" - @fated-furret

Part 6: Miscellaneous Stuff

If there's anything I'm missing, feel free to let me know, or add it in a reblog! I've been in this community for a long time, but even I don't know absolutely everything.

If you've read this far, thank you! I hope this guide helps in some way. Reblogging it is appreciated, but not necessary.

And if you're thinking of joining the Pokemon IRL community, then I'm excited to help welcome you!

[specialagentartemis]

I have a different post in the works about Maddie not having children in the "Masters of All Time" timeline - it makes the emotional dilemma about whether Maddie should help Danny repair and reset the timeline straightforward and clean, but the thing is, the premise that "Masters of All Time" gives us is a FASCINATING and potentially really anguishing emotional dilemma if the writers were allowed to acknowledge it.

Maddie isn't happy in the MoAT timeline. When Danny shows up in her timeline, frantically trying to explain to her that he's her son with Jack Fenton from a different timeline, she accepts and embraces this explanation pretty quickly. It feels like she wants to believe it - she wants to believe that if things had gone differently, she would have married Jack, had children, had a ghost-hunting career she could be open and proud about. Everything Danny offers to her is something she wants more than what she has - a husband who has been lying to her, who dislikes ghost stuff and disapproves of her ghost research, so she has to do it in secret and hide it from him.

Something that goes totally unaddressed: Danny, her son from a different timeline, is a ghost. He's dead.

Never once does anyone stop to wonder what it means that her teenage son is a ghost.

And I know it's because Hartman & co. refuse to let anyone acknowledge that ghosts are dead people... but imagine they did.

Maddie Masters is... happy enough, she guesses. She married her college friend, and he is her friend, and she's not opposed to this. He doesn't support her work, but, well. She deals. She has her basement ghost research lab, even if she has to keep it secret from Vlad. She lost touch with Jack decades ago, and still regrets that, but that happens, sometimes, and his grievances aren't unfounded. She doesn't have children.

And then a ghost boy claiming to be her son shows up, and tells her that in a different timeline, the timeline that should have happened, she married Jack Fenton, she has two children, she is is out and proud about her ghost research and ghost-hunting and Jack enthusiastically collaborates with her on it. He tells her she's happy.

He doesn't tell her how he died.

And Maddie has a heartbreaking choice to make. Does she help him make this reality happen, restore time to how it's "supposed" to go?She wants to believe him, to believe in this alternate history where things went differently and she got the life she wanted! She has a wacky house full of Ghost Contraptions, a husband who loves her and supports her and collaborates with her, and two children she loves.

... and one of those children is going to die when he's 14. That comes with this choice.

Can she live with that? Consciously make this timeline happen, knowing she's going to have this child and then see him die.

It puts me in mind of one of the major emotional through-lines of "Story of Your Life" by Ted Chiang, the story of a linguist who makes contact with aliens and learns their language that allows her to see all of time at once, where it will go, what the outcomes of events will be. She sees her daughter dying. She knows from the moment she has this child that she will die in a rock-climbing accident in college. She sees it all at once, her whole life, and makes that choice to have a baby anyway.

I think MoAT!Maddie should have to consciously make a similar choice, and have similar feelings about it. Unlike the protagonist of "Story of Your Life," she doesn't know how it will all go. She only knows it as Danny tells her, and she herself won't really experience this, going forward. But she, another version of her, will. And Danny doesn't explain the halfa thing or the portal accident or anything, leaving Maddie to have to make her own hypotheses about what her alternate-life's future holds, about the grief that's going to come with the love, and make that choice to make it happen anyway.

[lurkingshan]

hi there i hope im not bothering you but i was hoping you could recommend me some good japanese bls? hopefully completed ones? no pressure ofc!

Can I recommend you some good Japanese bls? *laughs maniacally* Oh my anonymous friend, you have come to the right place.

First, go here for a nice little variety pack of some of my all time favorites to get you started. I will add some more gems here in no particular order (all of these are complete and available to stream):

Kieta Hatsukoi (Viki)

You have probably heard of this tumblr fav about a very confused mess of a boy who gets into all kinds of Situations while trying to sort out who he has feelings for and what it even means to like somebody. This one is super sharp, funny, and has an endearing ensemble cast.

Kabe Koji Nekoyashiki kun Desires to be Recognized  (Viki)

Two childhood friends--one a doujinshi artist, one a pop idol--reconnect and get the chance to sort out old feelings. This one has great wacky energy while still being quite emotionally deep.

Life: Love on the Line (Viki)

This bl film follows a pair of high school lovers through coming of age and the challenges of adulthood as queer men. It's so lovely.

Seven Days (Youtube)

A short film told in two parts, this is a very simple story about a high school boy who is willing to date anyone who asks for a week, and the classmate who is so curious about this guy's deal that he decides to take a week for himself. I bet you can guess what happens next!

Takara-kun to Amagi-kun (GagaOOLala, Viki)

Two high school boys decide to date each other. That's it, that's the show, and despite that incredibly simple premise there's a lot here.

If It's With You (GagaOOLala)

A jaded before his time kid who doesn't believe in love meets a nice boy and reconsiders. Another very simple one, but so well executed.

My Personal Weatherman (GagaOOLala)

And on the not so simple end of the spectrum, this is a story about two men whose communication problems run so deep that they've managed to enter into a relationship with wildly different ideas of what exactly they are to each other. Equal parts kink and confusion.

Perfect Propose (GagaOOLala)

The story of an overworked salaryman who reunites with his old high school friend and moves him in as a de facto caretaker. This one is very cathartic for anyone who's ever had a soul destroying job.

At 25:00 in Akasaka (GagaOOLala)

Two former college classmates are cast opposite each other in a bl drama. Old feelings and insecurities return, professional and personal boundaries get blurred, and communication struggles ensue.

A Man Who Defies the World of BL (GagaOOLala, Viki)

This hilarious parody of Japanese bl is most fun to watch after you've immersed yourself in the others, because the jokes will land harder the more familiar you are with the genre and its tropes. There are now three parts to this and they play out as a continuous story.

I will stop there for now or we could be here all day. I hope you find some shows to enjoy, anon! Feel free to stop by for recs anytime. And for ongoing shows, I am always tracking Japanese ql here.

[cheeseanonioncrisps]

Been thinking about Puss in Boots: The Last Wish and what makes Death the Wolf such an effective villain, and like… character design and voice acting is certainly doing a lot there, don't get me wrong, but I think there's something else at play.

Death is the most terrifying character in Puss in Boots, because he's the only one playing the genre straight.

The premise of the Shrek films has always been that they're normal, modern people living in wacky fairytale land.

The evil king uses his magic mirror as a dating app. The fairy godmother uses business cards to contact her clients. Her workers consider unionising over their lack of dental plan.

Puss in Boots 1 kinda broke the mould in that— while there are plenty of modern elements to how the characters act and how their world works— it's more specifically intended to be characters from the world Zorro living in wacky fairytale land. But the point still stands.

The aim of the Shrek films and spin-offs is to subvert common fairytale tropes for comedic effect. What if the princess fell for the ogre? What if Prince Charming was an entitled dick? What if Goldilocks teamed up with the three bears and started a crime family?

But Death? Death, for the most part, isn't playing that game.

No character questions why he doesn't just kill Puss outright. There are no gags about him being inconvenienced by Jack Horner losing so many men. Nobody makes any self-aware fourth wall breaking jokes about why he bothers with the whole whistling thing.

We all know why he does the whistling thing. It's the same reason why Little Red Riding Hood has to go through the whole "what big eyes/ears/teeth you have, Grandma" rigamarole. The same reason why the wolf takes care to knock before blowing the little pigs' houses down.

The Wolf is scary because he's the only actual fairytale creature in this entire setting. He's not bound by rules of logic or common sense, or his own will, he's bound by the narrative.

And that's also why he backs down at the end.

The first time he and Puss fight, in the bar, Puss is arrogant. The second time, in the Cave, Puss is scared out of his wits. It's the third time, on the wishing star, that Puss learns his lesson. Of course the Wolf backs down after that! The rules say he has to.

But, on another level, there is also the issue of Puss realising that he wants more from his life than just to be a legend.

They say "legends never die", but the most famous part of any given legend tends to be the story of how the hero finally bites the dust.

And "he was such a great fighter that Death himself had to kill him off, personally!" is just the sort of ending that would fit the legend Puss has constructed around himself. In a sense, the Wolf is giving Puss exactly what he proclaims to want— the chance to go down in history.

Puss realising he doesn't want that anymore is the catalyst for sending the Wolf away. Through his own egotistical and reckless attitude, he turned himself into a story and thus summoned a narrative device. Only by choosing to value his life over the legend is he able to escape that trap.

The Wolf's defeat is both the natural ending of the story that he and Puss have been playing out since the film began, and a rejection of the natural ending to the story Puss has been telling about himself since he first became the hero of San Ricardo.

[naffeclipse]

I don't know when I'll ever write this, but I've had this AU in the back of my mind ever since Bendy and the Dark Revival came out, and it's best to get it out of my head before it festers and rots.

More or less, it's BatDR and the DCA smashed into one. The premise is that you are an animator at Fazbear Studios and Sun and Moon are humans who go by Cyrus and Mani respectively, employed as voice actors. (First AU with human Sun and Moon whoo! don't get attached though) Vanessa is a janitor who is a bit odd, mostly keeping to herself though sometimes you feel like she's starting at your back when you're alone.

Cyrus and Mani perform as extras in the Fazbear cartoon, adding supporting voices for side characters and miscellaneous lines. Cyrus often supplies humorous, wacky, and surreal voices to his performances. Mani tends to get villainous or spooky characters with his deeper, raspier voice. They both enjoy what they do and love that they can work together as brothers.

You can't help but notice Cyrus and Mani. You admire their skill, their passion, and their smiles, and you sometimes even work up the courage to wave at Cyrus or Mani whenever one of the brothers happens to pass by your work desk.

They inspire you—not just with their work, but with their small acts of care. You find coffee on your desk when you return from a meeting with the other animators with a little smiling sun doodled on the cup. Sometimes, Cyrus asks you to join him on a walk since it's your lunch break and you could really use some sunshine and a chance to stretch your legs. When it gets far too late and you're burning the midnight oil, Mani is somehow always there, doing a funny voice to surprise you with a little reminder that it's past your bedtime. He leaves you little treats in blue wrappers, hidden in places on your desk, among your ink and papers.

It's not a surprise that you start drawing a character for them in your rare off hours when you still have the energy to hold a pencil. The Fazbear cartoon could add a new, permanent character. A robotic jester, lanky and tall, but with two forms for the day and night, funny and sweet and mischievous. Cyrus and Mani could both voice him!

That's silly, however. Fazbear Studios does not want your chaotic and half-brained scribbles nor do you dare show the brothers what they inspired—they might hate it. You keep your little jester character tucked away, along with a small doodle of a minor, nobody, gray character who may or may not be a tag along to the main act that is the jester. Your sketches and concept art are hidden away, far from where the light of day or the shine of night will ever see.

It goes missing one day. You're upset and asking everyone who went through your desk. No one confesses. Cyrus tells you that it'll be okay, he'll help you find it. Mani suggests that you keep locks on your drawers from now on.

It's never found, not that you wanted either of them to stumble upon it. Yet, they stay late with you after everyone has gone home, looking for your precious and secretive sketchbook through the many departments of the studio.

Somewhere along the way, Cyrus disappears, promising to return with your sketchbook. You lose Mani in the audio department before, oh, there's Vanessa. She tells you to come to the basement with her—she found your notebook. You're relieved but a little put off by Vanessa and reluctantly follow her down into the dark.

You don't find your sketchbook, but you do find Cyrus slumped against the wall, blood trickling down his temple, and a strange collection of shrines to one of the studio's cartoon characters.

Before you can rush to his side, pain explodes in your skull, cracking white across your vision. You fall to the ground, dazed, as Vanessa gives a cryptic promise to return with the last sacrifice. You manage to crawl across the floor in your pitiful state to reach Cyrus and attempt to revive him, but by then, Mani is walking in. His shock overtakes him but he dodges a swipe of Vanessa's wrench and starts struggling against her. You try desperately to drag Cyrus somewhere safe as he murmurs for you to get out of here, but in the middle of Vanessa's and Mani's fight, she flips a switch and ink begins filling the room.

The black flood sweeps Cyrus away from you. Pages spill out from the inside of Vanessa's vest, dozens of sketches of your jester character. You cry out. Mani looks to you. Vanessa at last shoves Mani into the surge of onyx liquid beside Cyrus, and you watch both of them go under together. You scream their names. She turns to you, grinning.

The last thing you remember is Vanessa shoving your head into the ink.

Then it's the only thing you remember. You're vaguely aware that your jet-black hands are strange and shiny, and that you don't know where you are in this sepia-colored studio, but you know something's not right. You're missing someone, and someone else. You're scared.

You wander around for a bit until you're attacked by monsters emerging from the ink, shrieking and wailing in gluey dark forms until a wonderful and terrifying automaton arrives. He destroys such a creature about to tear you apart. He stands so tall, detailed with sharp teeth and even sharper sun rays around his large, flat face, but you think you recognize those yellow eyes—a living cartoon.

He helps you calm down and asks for your name in a loud and funny voice that rings like a bell in your mind but you can't name the tune. You don't remember your name. He doesn't remember his either. He leads you away from the harsher spaces of the studio, somewhere 'safer'. You don't know if there is anything as safe, but you feel better with him.

You're startled when after a time, in the middle of talking to this sunshine character, he melts and morphs and bubbles until a crescent moon face emerges and a new grin. You panic before a darker, raspier voice, like a cartoon villain, tells you it's alright. He's here, too. He's not sure what's going on but he, and the other 'him', and you are gonna make it out of here, somehow.

You don't have hope anywhere else but in this unique robot jester, and he seems to want you to stay close to him. So it's you two, the last sane partnership in the crazed and dripping studios, fighting off ink creatures and surviving other bizarre characters. You learn how to wield a gent pipe and the jester is strong on his own, often able to tear things apart or toss monsters off of you before they can do worse. He has claws and teeth and he uses them well.

Vanny is a lady rabbit and a constant threat. She's smart and cunning, unlike the other mostly senseless attackers. She keeps tracking the two of you down and spouting off the religious rhetoric of Inktrap, promising that your sacrifices will be well worth the pain. You had to be introduced to the cycle. The ink has corrupted you perfectly. You are part of this place. You are never leaving and will give in to Inktrap.

You and he avoid Inktrap at all costs. You've only caught glimpses of the shadowy, pitch-black beast, but that's all you need to see as you both hide and hold your breaths until the danger just barely passes by.

You start to call the daytime jester Sun, and he seems to respond to it. The nighttime joker is Moon, and he neither hates nor loves it, but he answers when you call. He has a name for you, too, or rather names. Peach, bird, thrill, calico, and sweetheart. He gets creative and goofy. You think he's being mean sometimes but he tells you he's not, he means it, and you don't know how to take that before you two have to focus on escaping this part of the studio and getting into safer areas. You protect his back and he protects yours, and together, you make this living, unending nightmare bearable. Sharing bacon soup, falling asleep in Moon's lap, and patching up any drips in Sun's inky form becomes something like a life.

It just never stops, repeating over and over. The jester deserves better than this, whatever happened to him. You know you both do.

You become determined to learn how the cycle works and how to prevent it from going on. There's a funny feeling you have that, somehow, you're going to have to go through Vanny and the Inkdemon. One day, you will get the jester and yourself free.

You need to see his and your happy ending.

[miss-tc-nova]

Not Vil - Vil Schoenheit x Reader

Okay, listen. Listen Linda! I know this isn't great, even though this is kind of the concept you were thinking of. I hope you still find this one silly and somewhat entertaining, but just you wait. I had another idea too.

So stay tuned!

Premise: Vil is taking his character a bit too far

Words: 926

~~~~~

               I feel my lips purse, willing myself to keep my mouth shut. This is important to him. This is for a project—for his career. Plus, it would cause quite a bit of drama.

               But damn if I don’t slap Vil Schoenheit, I better get a Partner-of-the-Year award.

               For the past thirty days, the actor has been testing method acting—the kind people use in TV shows and movies, pretending that they truly are the character both on and off camera. I think part of the excitement comes from the fact that this is a main character role and he wants it to be his best yet. And it wouldn’t be bad, if Vil wasn’t playing such an eccentric, flirtatious, goofy character. It was kind of cute at first, and maybe I even enjoyed the extra flirting a little bit. But then it got old.

               Vil’s excessive monologuing on the beauty of every person he came across bordered on the realm of Rook. Everyone was lovingly compared to some beauty or another, which is very awkward for most of these self-conscious NRC boys. He began willing joining in on the antics of the first years, which was fun for a day, but became overbearing when he quickly began leading the group into even more shenanigans—several of which I became responsible for. And for all the poise and confidence that Vil exuded, this “character” was naïve with such childish notions of relationships. I did not need any more roses or for him to start fawning at the thought of a kiss. I didn’t even get the kiss in the end.

               Now, I’m sitting here, going over my homework, sitting alone in Ramshackle for some peace from that overbearing character.

               The foyer door opens. Ramshackle is still very much bare and under-furnished, leaving me fully exposed to whatever guest let themselves in.

               “There’s my beautiful muse.” The higher tone of his voice actually sends unpleasant shivers down my spine.

               “Oh. Hi sweetheart,” I greet, hoping my tone stays even.

               Hands cupping my face—a big Vil no-no—the young man squishes my face as he presses kisses all across my face. After at least a dozen, I shake him off.

               “I’ve been looking everywhere for you! How was your day, darling?”

               I drag a sleeve across my face. “It’s been alright. Trein gave an essay assignment and I’ve been working on it since class ended.”

               “Hm? Let me see.”

               Before I could say anything, the page disappears. I didn’t need help; I didn’t even ask. But here’s this wacky, flamboyant character waxing poetic about some treaty between humans and fae. Hell, I’m not even sure what he’s talking about and have long since tuned him out when, once again, his attention turns on me.

               Fingers tip my chin higher. With eyes clearly clouded with rose-tinted glasses, he coos at me.

               “What I wouldn’t do to place a tender kiss upon that beautiful face of yours.”

               The answer is obviously leaning in. I can’t even remember the last time Vil gave me an actual kiss or curled up with me for our weekly movie night. Hell, he won’t even hold my hand as we walk across campus anymore—too busy monologuing about some purity or other. I’m sick of this. This is not Vil and I’ve had enough.

               If he wants to be this character, then fine. He’s that character.

               “Mmm, I dunno. That sounds a bit too forward if you ask me.”

               A hand finds his chest. “Forward? I didn’t offend you, did I?”

               “No, by all means you flatter me, but such behavior would be improper, don’t you think?”

               The slightest twitch of his brows seems to say some signal has reached him.

               “Perhaps the impropriety lies with me. I would be honored if you would grace me with a kiss.”

               “Excuse me?”

               With pouting lips, Vil tilts his head. “Kiss me.”

               “Kiss you?”

               “Please?”

               I turn my head away, waving a hand dismissively. “Sorry, but I’m dating Vil Schoenheit.”

               The man freezes. Blinks.

               “But I’m…”

               I watch, waiting for the ball to drop.

               He sighs, shoulders relaxing with a hint of defeat on his face.

               “I’ve gone too far, haven’t I.”

               A smile tugs at my lips. “Maybe a little.”

               His head falls back, arms open to beckon me into his embrace which I gladly step into. Caressing hands rub at my back, his chin resting atop my head.

               “I’m sorry, my gem.”

               Giggling, I hold tightly. “If you don’t take this crappy methodism out of your acting techniques, I’m breaking up with you. I refuse to date all your characters.”

               “That’s a bit harsh.” Even his voice holds some laughter to it. “You could’ve said something sooner.”

               “Yeah right. You would’ve nearly burst into tears and begged me to tell you what you could change…in character.”

               He sighs. “Oh fine. I would have.” Leaning back, Vil gives me a smile—a true, gentle, sultry Vil smile. “So, how should I make it up to you?”

               I walk my fingers along his chest. “I think you owe me an extensive spa day for all the stress you’ve put me through.”

               Amethyst eyes take in my face. “Mmm, you may be right. You might be starting to develop frown lines.”

               I glare.

               “I’m kidding, my gem. I would be happy to spoil you. Are you going to pick the movie tonight?”

               “I’m going to pick the most childish, goofy, outlandish movie I can find.”

               Again, he sighs. “The price of acting is forever a steep one.”

~~~~~

Alternate - The Worst Method

Nova’s Twisted Wonderland Masterlist

[spookberry]

Its been a while so I cant point to a bunch of specific example outside of like, Hera, Athena, and Hephaestus. But okay, one thing that always bothers me about the Percy Jackson worldbuilding is the fact that its fundamental premise is just "what if the greek gods and their stories were real" so there's nothing you can do about how deeply and unrelentingly sexist the ancient greeks were without just breaking your own premise. Like your options are take them at their word to fulfill the premise or say "nah all of them were wrong I have new lore". So I don't exactly blame Riordon for cherrypicking which myths he was gonna edit.

Its just a little wacky to me though that because of it's status as an adaption(to some degree) people don't really critically analyze the intent behind the source material on the gods. Their context from a meta perspective is often overlooked in the grand scheme of the story. Which I understand, the intrigue is on the demigods afterall, not the gods themselves.

However I just cannot stop myself from thinking about it. Like the fact that a big part of why the greeks respected Athena was because she was born "purely of man" and her birth was umblemished via coming from an icky woman. Shes the perfect woman because she lacks ties to womanhood. Shes the ideal Pick Me girl.

The story of Hephaestus's birth is sucky for him, but personally I think more on Hera. To me its always been fairly clear that the intended message you are meant to get out of that story is literally "no matter what, women are worse then men. Even at the one thing theyre meant to be good at." How dare a woman think she could ever be better than a man at something even if she is a Goddess of this thing.

Hera does bad things in her mythos I wont deny that and youre not meant to like her in Percy Jackson either which is fine. We can have complicated and annoyingly meddlesome girlbosss goddess for the sake of plot. Nonetheless I often find myself feeling sad about how she has been dragged through the mud for centuries because people dont dare to think more critically on why the men telling her stories spoke on her the way they did.

[gods-perfect-idiots]

Y'all have been so kind and welcoming of my half-baked concepts and unpolished doodles - it has been an uphill battle to fight my own self-judgment and just post my stuff! Anyway, here's another one - this time with more ~spicy memories~ (aka trauma).

The premise for this one: I was thinking about how Logan/Worst Wolverine probably hasn't slept next to someone in years, and how that is partially because he is likely prone to nightmares/sleep terrors and probably gets suddenly violent while still half or fully unconscious - maybe reliving past conflicts, maybe lashing out against his demons, maybe just unprocessed grief and rage coursing through his system when he's sober and has his guard down in sleep.

Here, I imagined him not only getting violent, but also screaming and crying while in this somnabulant state, half-waking in a sudden frenzy of fear and anger, and in the process flipping over on top of Wade and rapidly stabbing him multiple times, through the head and the gut.

Regenerative healing and quick reflexes notwithstanding, I think Wade would be taken aback to be awoken to that kind of sudden attack (not least because I think he sleeps better next to Logan - less jumpy and more restful with his big boy next to him y'know?). But his first thought, even with all six of Logan's claws embedded in his flesh, and horny hallucinations galloping through his skewered brain, would be to comfort Logan and try to bring him back to himself, even while his body and mind struggle to catch up to what's happening.

Continued ramblings and details under the cut lol.

I imagine Logan snapping fully awake and being utterly inconsolable, just collapsing and sobbing uncontrollably onto Wade's chest, blubbering nearly incomprehensibly (a lot of hoarse "I'm sorry"s and "Oh God oh fuck"s) while Wade heals and tries to soothe him with one hand combing through his hair and the other gently stroking up and down his back, trying to make jokes that simply don't reach Logan's grief-stricken psyche.

"It's okay, Peanut, no need to apologize, I'm good already see? That healing factor coming in clutch yet again haha. You do owe me a new mattress though, Mr. Scissorhands - you know how head wounds bleed like a fire hydrant, those pesky blood vessels amiright? Though fully half of all of my blood is a bit further south currently ifyouknowwhatimean... did I ever tell you about the weird response when I get Le Brain Stabbed? I didn't mention it in the Odyssey because, well, heat of the moment and all that, didn't want to stop for an expositional lore drop y'know? Anyway, point is, I get like, *diabolically* horny and hallucinate little cartoon characters to boot, it's pretty wacky tee bee aitch but does take the sting out of a surprise lobotomy so that's something... hey, you still with me, beautiful? Shhh sweetheart, it's okay, you're okay, just let it out, everything's hunky dory peachy keen cupcake unicorn rainbow blowjobs as far as the eye can see, darling honey kitty babycakes..."

But no matter what he says, jokes or not, Logan is just completely unreachable for a while; he just keeps crying and crying into his chest, like he's letting out 200 years of grief and confusion and loneliness and fear all in one fell swoop, his tears mixing with Wade's blood until Wade starts to worry he's getting dehydrated (ever since the time ripper Wade has made it his personal mission to Rehydrate That Old Man - the abs were undoubtedly impressive to behold but also a mark of a deeply desaturated body, and Wade keeps energy drinks and water bottles everywhere now, forcing Logan to drink every chance he gets. Sure, Logan's abs are less defined now, but Wade thinks he's practically started glowing - probably from all the nutrients and hydration, and the constant physical affirmations and calm daily routine probably helps too).

The crying isn't even really about Wade - Logan knows Wade is alive and well, but years of being petrified of hurting anyone he loves, and despite that crippling fear haunting him all his life he still failed to save anyone in his universe, and in fact, not only failed to save them but destroyed their memory by turning around and letting his feelings take over and turn him into (to him) an irredeemable monster, slaughtering anyone who crossed his path until he collapsed from exhaustion. And that haunts him even more, the innocent people he massacred in his supposedly righteous fury... he can't think straight amid the turmoil and all he can do is cling to Wade and cry and cry and cry until eventually he passes out again into a deep dreamless sleep.

It's not the last nightmare he has by any means, or the last time he wakes Wade up with his claws in a frenzied state, but Wade makes a mental note to be prepared so he can wake Logan up from his next half-awake nightmare with something pleasurable instead of painful. (Wade - in a rare moment of self-restraint - doesn't dwell on the whole "brain skewering = horny hallucinations" but he is absolutely BRICKED UP about it and the next couple of times he jerks it, all he can think about is fucking that old man silly until he can't even remember his own name much less the centuries of trauma).

(Spoiler: it works, and over time Logan's nightmares become gradually less debilitating and violent as he starts to associate them with - ahem - more positive feelings and maybe - *maybe* - forgive himself and start to imagine a life where he can be redeemed, can be treated like a good person, can be beloved and cherished and maybe even for a moment feel like he deserves it).

.... sorry this turned into a whole thing but here ya go!

[theglamorousferal]

I wish I had people I could talk to in person about my fandoms. I don’t have a person who remembers stupid details like myself and side characters and their stories. I don’t have someone who has also been embroiled in the evolution of a fandom like the Danny Phantom fandom has had. I don’t have someone who already has the backstory and are willing to explore possibilities with me. I have no one to gush about things with. I just want someone in real life that I can talk to and then suddenly it’s hours later and we have a fully fleshed out story premise between us. I want to be able to spirit into new ideas with someone. To be able to message them “”Hey, but what if…” and have them immediately respond with “OMG yes, but ALSO what if…” I need someone who will sit and listen and not judge me for the wacky routes my mind goes. I want someone in my life that will hear “Okay, so I’m writing a sacrificial bride au where the second Robin and the older sister from Danny Phantom are dating now because he got bride sacrificed to her, who is queen regent of an entire dimension of the afterlives even though she was just a teenage from the Midwest.” And not just shake their head and pat my hand and go “that’s nice dear.” I want someone to be like “YES GIVE ME DETAILS, BUT ALSO HAVE YOU CONSIDERED A BALL YET?” Please let me find someone like this in my life. Please please please.

[enriquemzn262]

It’s turboweeb shit time, so be advised.

Anyway, with the new anime season finally settled, let me share with you what I’m watching, or what I at least tried, so in case any of this is of your interest, you may check out:

Mayonaka Punch

A v-blogger has a falling out with her old friends, leaves her channel and accidentally gets involved with lesbian vampires, who now join her in her quest to reach one million subscribers in order to take revenge on her former partners, with the promise that once she does, she will let the main horny lesbian vampire suck her dry (of blood).

Great animation, weirdly deep character developments, an underlying plot of anxiety and denial, and even an exploration of what happens when an immortal vampire gets too close to the spotlight, all the while keeping an overall comedic energy.

8/10, its an original anime so the story will probably warp up by the time the season ends, hopefully they don’t fuck up the landing.

Dead Dead Demon's Dededede Destruction

Aka DDDD

What I originally wrote off because I’m sick and tired of high school anime, it turned out to be quite the fascinating show about life after an alien invasion, with tons of Roadside Picnic vibes, a great cast of screwball characters who are actually as relatable as they are realistic, and for once its a show set in high school that doesn’t give a single shit about glorifying that era of education, you will not see any mention of any school council, festival or any of that tired nonsense.

Plus, there’s always an inherent darkness brewing around the story, with episodes 0 basically setting up how everything will go to shit at some point, and the story slowly moving towards that endgame, it’s great!

Oh, and if you’re a fan of Doraemon, you’ll be pleasantly surprised too.

10/10, I’m absolutely glued!

No Longer Allowed in Another World

In an era where there’s 10 million isekais about the most boring male main characters who go into your standard fantasy world to get harems and be overpowered, here we have a story in which the MC actually wanted to die (by double suicide with his lover), and accidentally got summoned into said standard world, only to say fuck it, I want to die, you fuckers deal with this shit on your own.

No overpowers, no useless harems, no boring MCs, it’s so far a hilarious story about the one guy completely incapable of playing along with the world, and how said world, which keeps getting standard boring guys who do fuckall and just end up indulging in their newfound powers, deals with him, including the love interest, which the guy barely acknowledges, and the standard cute cat girl that’s now the jobber of the group.

7/10, could have tried to make a more unique world, oh well.

Shikanoko Nokonoko Koshitantan

Not gonna lie, I too fell for the earworm of a theme song that dominated memes for a good month before release, and while it does have its moments, it hasn’t really lived up to the potential of it’s wacky premise, mainly because it tries too hard to go for the “cute girls doing cute things” angle, instead of completely embracing the batshit insanity that pops up in every episode.

I’ll still watch it, if anything, I want to see what else they come up with in between the boring school life shit.

6/10, needs more nuclear deer antlers.

Alya Sometimes Hides Her Feelings in Russian

There’s a good number of romcoms this season, and while all are set in high schools, since DDDD showed me there was a chance I could watch a show set in one and not deal with the usual bullshit, I gave it a watch.

It deals with the usual bullshit of school councils, school festivals, clubs and the like.

Honestly, the russian part is what made it somewhat interesting, but that hasn’t led nowhere, so now I have a female love interest that’s nothing more than your standard tsundere, and your standard male lead who at least doesn’t lack a backbone, but that overall remains boring.

5/10, the weird sister is the only interesting thing, but in a car crash sort of way, may end up dropping it if they actually try to be serious with her.

Too Many Losing Heroines

It’s garbage, had an interesting setting of following girls who are basically third wheels in their own love stories, and it could have worked, have they not chosen to tell the story from the point of view of the most boring, spineless, stuttering betamale in existence, the usual curse of the romcom, somehow turned up to 11.

It’s a pity really, overall the animation is really good, and while it gets too horny for its own good many times, it’s still cute to see those girls dealing with their unanswered feelings, a pity we can’t just follow them and instead have to stick with mister whatshisface.

3/10, dropped it after not being able to finish the latest episode (4? 5? I can’t be arsed to check), seriously, just write off the dude and the show will at least be 6/10.

I tried a couple more shows, and iseaki I didn’t know was one that I dropped after the first episode (oh no, I’m actually trapped in a VR game!!1exclamation point), and another about a drunk V-tuber who reinvents herself around alcoholism (good premise, extremely boring execution).

Not gonna lie, I only really like the first two, the other two may drop the ball really soon, and I’m another school council episode away from dropping the russian girl one, so overall it’s been a pretty underwhelming season.

Do watch DDDD though, that one truly is the absolute gem of this season!

[josephemer]

One thing I love about Kingdom Hearts, and that has only made me love it more as the years go on, is how genuine and true to itself it is. It doesn't lack confidence in itself, it presents itself to you wholeheartedly and asks you to take the story it's telling seriously.

Kingdom Hearts doesn't feel the need to constantly justify itself with meta jokes and commentary. It doesn't take every opportunity to point out how wacky these adventures and characters are - it expects you to go in with a suspension of disbelief and enjoy the ride.

Meta humour has become more and more common, and don't get me wrong, it has its place. KH isn't COMPLETELY lacking in it. It *can* be funny and insightful. But most of the time, it's not. It just feels like franchises being insecure and poking fun at themselves to fit in.

I want more series to come at audiences unapologetically with their premise, however silly it may at first seem, and say "This is the story we're telling. This is what we're doing, and if you're into it, follow along. If you're not, there are other stories out there."

[thewebcomicsreview]

The Webcomic Reviews Mini Reviews Masterpost, Part 1

People always ask me what I think of various webcomics, so I decided to start collecting my thoughts in one place! Click the images to go to the comic! Comic titles with a ⭐ after them are recommended, but even if I don't give a comic a star, that doesn't mean you won't like it.

[un]Divine ⭐

What is it: A highschooler sells his soul for a big titty demon gf, and now has to have anime battles against angels who keep trying to eat him.

The Good: Excellent art and monster designs, some of the better fights in webcomics.

The Bad: Danny is kind of a bland protagonist. The comic keeps threatening to veer into femdom porn, which may be a good thing for some of you. Comic is on permanent semi-hiatus and updates very infrequently

You should read it if: You wanna read a comic with big fights, big angels, and big titties.

Ava’s Demon

What is it: A bunch of kids possessed by demons have space adventures and are sad

The Good: Extremely good art. Occasional "high production value" moments with music and limited animation. The single-panel page format really highlights the art.

The Bad: Bland writing, weak characters. The single-panel page format really slows the flow of reading it.

You should read it if: Learning that the Wrath demon is named “Wrathia” doesn’t strike you as comically dumb

Awkward Zombie ⭐

What is it: It’s a comic that makes jokes about video games

The Good: It’s the best comic that makes jokes about video games

The Bad: If you haven’t played the game in question, you might not get the jokes. Awkward lack of zombies.

You should read it if: You like jokes about video games. I don't....it's not a complex premise.

Camp Weedonwantcha ⭐

What is it: A bunch of kids are left at summer camp forever by parents who’ve abandoned them to die. Wacky comedy and feel-good moments ensue.

The Good: Cute adventures with kids, reminiscent of some of the better Nicktoons from the 90s. Surprisingly emotionally effective when it wants to be.

The Bad: While the ending is satisfying in its own way, many plot threads go unresolved

The Terrible: Nickelodeon bought the rights and is sitting on them.

You should read it if: You like slice of life adventures with blasts of dark humor and feels

Cloudscratcher

What is it: Ducktales, with Genocide!

The Good: Cute and generally likable characters. Decently paced

The Bad: Doesn’t really excel at anything. Weirdly insistent about totally not being a furry comic even though it obviously is.

The Terrible: The author is a white nationalist, and the lack of link is intentional.

You should read it if: You like 80s cartoons and hate minorities

Cornucopia ⭐

What is it: A ninja is sent on a mission to literally steal candy from a nation of morons, fails.

The Good: Good art and well-paced storytelling. Clever use of different types of word balloons. High joke-per-page ratio

The Bad: Doofy tone may not be your cup of tea. Seems to have died young, though the first chapter is still a complete story

You should read it if: You like JelloApocalypse’s videos on YouTube, or his series Epithet Erased, since he made this

Dresden Codak

What is it: A genius inventor has wacky adventurers, then goes to a flying city and spends most of the comic’s run embroiled in a conspiracy run by evil anime villains.

The Good: The drawings are pretty. The early comedy adventures are quirky and charming.

The Bad: Panel layout and composition, especially early in Dark Science, is atrocious. Presents the comic as a feminist power fantasy, but the main character usually has her tits out and has had her clothes burnt off on multiple occasions.

The Terrible: The author is a notorious jerk. As of this writing, The Dark Science storyline has been running for eight years and has yet to reach a triple-digit number of pages, even though it’s a full-time job for which Diaz earns $4,000+/mo on Patreon.

You should read it if: You thought the best part of Ghost in the Shell was the lesbian orgy boat.

Drop Out (NSFW) ⭐

What is it: Two girlfriends go on a road trip to kill themselves in style

The Good: Short enough to be read in one sitting. Surprisingly good visual storytelling for a first comic. Realistic dialogue and high tension keeps you engaged even when not much is happening. Subtle details that don’t become apparent until a second read reward paying attention.

The Bad: Heavy subject matter. Lettering can be tough to read in early pages.

Content Warnings: Drug Abuse, Suicide, Mental Health Issues, Detransitioning….a list of all the difficult content in this comic would be so long it’d look like I’m making a joke. This is a heavy comic.

You should read it if: You like arty dramatic comics that deal with uncomfortable topics

Dumbing of Age

What is it: College students obsessed with late 80s-early 90s pop culture have relationship troubles

The Good: Of all the popular comics it’s trendy to shit on, this is by far the best. Solid gag-a-day strip with plots that move at a decent pace.

The Bad: Realistic depictions of abusive parents co-exists in the same comic as a literal superhero, leading to some jarring tonal confusion.

You should read it if: You like newspaper-style drama comics.

Everything Is Fine

What is it: Maggie and Sam are a normal married couple in a very strange world where proving your loyalty is the key to winning, and the best way to prove your loyalty is to show someone else is disloyal. And also everyone wears mascot suit cat heads all the time.

The Good: Well-written characters, a novel premise, and excellent pacing. I’m not the biggest fan of the webtoon “really tall page” format, but it’s taken advantage of at times for nice transitions

The Bad: The webtoon format can be irritating, and the worldbuilding is toeing the line between “compelling mystery” and “If there were two astronauts on the moon and one shot the other wouldn’t that be fucked up?”-ism.

Content Warning: Gore, Suicide themes. Every page with such content has a warning on it (which works better in Webtoon format, actually)

You should read it if: You liked the dystopian fiction fiction books you had to read in high school.

Gunnerkrigg Court ⭐

What is it: A girl attends a scientific school in a magical world that’s honestly not even slightly like Harry Potter but people say it is because they think J. K. Rowling invented British schools

The Good: Good art and fantastic panel composition. Slow-burning dark fantasy mystery.

The Bad: Takes a little while to find its groove. Starts feeling rushed and confusing near the end.

The Terrible: Boxbot

You should read it if: You like dark fantasy stories, or stories in general.

Homestuck ⭐?

What is it: A kid wants to play a video game but it’s downstairs and he doesn’t feel like talking to his dad yadda yadda yadda the universe explodes. Was briefly ungodly popular.

The Good: High production values, many updates are music videos with excellent music. Great character writing, especially in Act 5. Toby Fox, the creator of Undertale, did a lot of the music, and arguably isn’t even the best musician featured.

The Bad:The early part of the comic is brutally slow-paced, and is an impossible hurdle for some.

The Terrible: The ending is widely considered a major disappointment, and attempts to turn the comic into a franchise have been met with mixed reviews. The prose epilogues are deeply divisive.

Content Warning: A lot gorier than you might expect, mitigated by the cartoony art style, abusive relationships, the epilogue is just generally gross.

You should read it if: You want to see what the hell all those kids in grey face-paint at anime conventions were about

You should also consider: Just getting the music off the bandcamp, it’s really good.

Homestuck 2

What is it: A “dubiously canon” sequel to Homestuck, following from The Homestuck Epilogues, made by a different creative team. Follows two intersecting future timelines

The Good: The art is quite nice, and the new characters are fun and likable. Very bold in its ideas, for better or for worse it’s rarely boring. One of the few webcomics to be able to integrate trigger warnings clearly while remaining non-obtrusive with them. Faster-paced than the original Homestuck (low bar!) and has a few clever presentation ideas. Willing to be its own thing. If you’re worried it’s just “Homestuck 1 but more of it”, this is not that.

The Bad: Not at all a stand-alone comic, Homestuck 2 is completely incoherent if you’re not familiar with Homestuck 1 and the Homestuck Epilogues. Does not have the big multimedia productions Homestuck 1 was known for. Beloved characters from Homestuck 1 can come off really badly, which upsets a lot of people. If you’re looking for “Homestuck 1 but more of it”, this is not that.

The Terrible: At times, this comic is actively trying to piss off the readership by dragging out unpopular plot revelations. I actually like this about it, but unsurprisingly a lot of people don’t.

You should read it if: If you have to ask “Should I read Homestuck 2?”, the answer is probably “No”. This is a comic for people who are riding the Homestuck train to the bitter end.

You should also consider: Reading my Liveblog of it 

Kiwi Blitz ⭐

What is it: A precocious young girl gets a Kiwi-shaped robot and decides to become a superhero ridding the world of nefarious furries. More of a cute character drama than a superhero comic, and more of a superhero comic than a mecha one.

The Good: Cute artstyle. Not without dramatic stakes, but fairly light and fun throughout minus a few people getting shot. The android 42 is stand-out great character.

The Bad: Prone to long hiatuses as the author's main comic is now Sleepless Domain.

You should read it if: You liked Sleepless Domain, and are looking for a somewhat lighter comic by the same author.

Latchkey Kingdom ⭐

What is it: A girl goes on adventures in a magical land of idiots

The Good: Good but not overbearing comedy. Tight chapters. Strong side characters

The Bad: Thanks in part to Patron-backed stories in between the “main” chapters, can feel like an episodic series with no main character or driving plot

The Neutral: Willa is a semi-silent protagonist, and often gets overshadowed by the wacky people she meets. Cerberus Syndrome, executed well

You should read it if: You like adventure, silly characters, and jokes about Dark Souls.

Leasebound

What is it: Two lesbians are contrived into sharing an apartment, then the comic becomes a polemic about how trans people are evil. The second-best TERF webcomic on this list

The Good: This comic has no redeeming qualities

The Bad: It’s hella transphobic, and not even particularly interesting about it the way Sinfest can be. Everything that’s not hateful is boring, and the comic is practically going “Go on, be offended, blog about me, give me atteeeennnnttttiiiiiooooonnn!”

You should read it if: You really shouldn’t, and I’m not linking to it

Least I Could Do

What is it: Rayne Summers is the best at everything and you should listen to him

The Good: This comic updates on time regularly. Sometimes it updates without word balloons by accident, making it surreally funny

The Bad: Poorly thought-out political rants; few jokes, severe overuse of beat panels, copy-pasted art.

The Terrible: Designed to go viral, not to be entertaining; makes panels wordless just so they can be used as preview images

You should read it if: You have committed horrible sins and wish to atone

Legend of the Hare

What is it: I wrote this! A white trash loser girl is peer pressured into becoming a magical girl by a pair of pushy rabbits. A spinoff of the print comic Blade Bunny, written and drawn by the current creative team of Saffron and Sage.

The Good: Bouncy and cartoony art. Strong and memorable characters. Very weird and freewheeling.

The Bad: The plot is an absolute mess, stalling out and even going backwards at times, though it mostly comes together at the end. The tone is wildly inconsistent.

The Terrible: Kind of South-Parky in its humor sometimes

You should read it if: You like Saffron and Sage and want to see a comic by the same team when they were less experienced.

Nan Quest ⭐

What is it: In this spiritual sequel to Ruby Quest, a goat girl electrician sets out to fix a broken fuzebox and ends up ensnared in a psychological horror conspiracy.

The Good: Much more effective use of the simple MS Paint art style, with more color and some simple animations (animated panels being marked [A], a convention Homestuck would later adopt for its [S] sound panels). The characters are better fleshed out than in Ruby Quest, and the horror is more effective as well, with less gore and more tension.

The Bad: Though used effectively, the art is still MS Paint doodles. The story mechanics behind the mystery are much more ambiguous, which can be a plus.

Content Warning: Gore, threatened sexual violence.

You should read it if: You like Ruby Quest and/or psychological horror comics that can be read in a few hours.

Moby: Back from the Deep

What is it: A zombie killer whale attacks a small town.

The Good: The art is nice

The Bad: Egregious overuse of narration.

The Terrible: It’s a beat for beat ripoff of the movie Jaws, down to some characters having their names only marginally changed from their Jaws counterpart (e.g. “Alex Gardener” is the name of the Alex Kintner analogue)

You should read it if: You can’t find a Jaws torrent.

Mokepon ⭐

What is it: A dickhead teenager is forced on a Pokemon adventure, and learns a valuable lesson about friendship while being dragged into a criminal conspiracy. A Pokemon fanfic that’s somewhat darker than the source material (though not really “grimdark”)

The Good: Good action scenes, nice manga-style art. Notable improvement in art and storytelling over time. Atticus’ slow-burn character growth is satisfying.

The Bad: The early chapters are almost a completely different comic, and it takes a little while to find its groove.

You should read it if: You liked Pokemon Special

Monster Pulse ⭐

What is it: Kids’ internal organs become sentient external organs, and they have to keep it a secret from an evil orginization.

The Good: Cool twist on the surprisingly rare monster pet genre. Not afraid to upend the status quo

The Bad: No real obvious flaws, but if you don’t find the premise interesting, you probably won’t like it.

You should read it if: You were a fan of monster-pet stories like Digimon Tamers

The Monster Under The Bed

What is it: A teenager finds a demon girl under his bed, rom-com ensues

The Good: Cute anime-esque premise

The Bad: Gets progressively hornier to to point where I'm not sure if I should even leave it on this list. Egregious use of photos instead of drawing backgrounds, making outdoor scenes look awful

You should read it if: You like trashy Japanese animes

Narbonic ⭐

What is it: A shlubby loser gets a job working for a mad scientist. Mad sciencey things occur, and the comic experiences an incredible jump in quality in the back half

The Good: Short comic, comfy and easy to read. The best and most satisfying ending arc of any webcomic ever.

The Bad: Some “LOLRANDOM” humor, especially early on.

The Terrible: The first few comics are almost literally unreadable due to messy handwritten lettering and low quality scans.

You should read it if: You love seeing a story build to a proper conclusion, and you don’t mind a rough start.

Octopus Pie ⭐

What is it: Slice-of-life dramedy where twenty-somethings try to become adults and/or get laid while navigating New York life. Completed comic.

The Good: If you direct your attention above, you will see the incredible coloring. There are other comics that have better plots and even better characters, but Octopus Pie is uniquely good at hitting a mood. Occasionally does some infinite canvas stuff that’s neat.

The Bad: This is a comic about exploring ideas and kind of drifting around through life, and isn’t a big plot-focused comic with a lot of big dramatic reveals. Which I don’t think is bad, but it might not be your thing.

You should read it if: You liked stories about adults trying to figure out how to grow up, and like seeing characters age.

Out-of-Placers ⭐

What is it: A human man is turned into a female rat creature, and has to navigate a low-fantasy world while learning their incredibly stupid ways and trying to get himself back to normal.

The Good: Really good worldbuilding, with interesting, fleshed out, and unique fantasy races. There are licensed Dungeons and Dragons books with less cool ideas for a campaign in them.

The Bad: Can get kind of edgy in ways that don’t always work, and occasionally gets a bit gross. If the premise made you think it was a furry fetish comic, it’s not, but it keeps threatening to become one if you don’t whap it with a newspaper and say “No” very firmly every now and then.

You should read it if: Your favorite DnD race is kobolds.

Paranatural ⭐

What is it: Kids bust ghosts in a parody of shounen anime tropes

The Good: Good banter, creative panel layouts, and characters you want to root for.

The Bad: The story rapidly increases in scale, causing the pacing to slow down somewhat. The story later transitions to an illustrated prose format, which some people can't really get into.

You should read it if: You liked Bleach before it became Dragonball

Prequel -or- Making A Cat Cry: The Adventure ⭐

What is it: An Elder Scrolls fanfiction, in which an alcoholic catgirl heads to a new land to try to make a better life, and generally fails.

The Good: Inventive use of the web as a storytelling medium. Great character writing. Lovable protagonist. Excellent payoff to years or life kicking the protagonist in the face.

The Bad: Years of life kicking the protagonist in the face. Can thus be depressing, especially early on, sometimes to the point of being offensive (see Content Warnings)

The Terrible: Very slow and irratic update schedule

Content Warnings: Alcoholism, Depression, the protagonist gets blackout drunk and wakes up in bed next to strange men several times, which is played for comedy.

You should read it if: You like slow burn character development. You like stories where the protagonist has a hard time

Problem Sleuth

What is it: A detective tries to leave his office using user-submitted commands, and gets in a few tangents along the way. Mostly known now as “The thing Andrew Hussie did before Homestuck”, but it was a popular comic in its own right.

The Good: Much better art than most reader-driven comics, bizarre and clever, with a dramatic finish.

The Bad: Holy shit, you thought Homestuck meandered? Problem Sleuth will do nearly anything and everything readers asked him to do, and this is a veeeeeery convoluted comic that has thus aged somewhat poorly.

You should read it if: You thought Homestuck was best before the Trolls got involved.

Questionable Content

What is it: Humanity achieves a technological utopia in the background while hipsters in Massachusetts complain about their dating lives. Later begins focusing much more heavily on all the robots.

The Good: A rotating menagerie of quirky cute girls. Had a major trans character before it was cool.

The Bad: The comic kind of transitions from being about one thing to being about another thing several times, to the point where onetime protagonists show up less and less or even get dropped altogether in favor of the New Thing the comic is.

You should read it if: You want a comfy and diverse slice-of-life comic.

[theshipminer]

Decided to rewrite Hazbin Hotel because I was bored

You can consider this a fix, or whatever. I don't really care. I just thought that the show had fantastic ideas, meh execution. It's whatever. Anyways, shoutouts and apologies to my sister, @aimasup, for bouncing ideas with me, and for being the one who had to listen to me ramble on about all of this. If anyone wants to ask me questions or anything, I'll be happy to answer. Anyways, endless rambling for what basically is fanfiction under the read more:

Premise is still the same: Hotel in Hell re-Habilitates Horrible Has-beens

Probably at least three seasons

Season 1: Episode 1: Probably reuse the pilot for the first episode, albeit with their updated designs and other miscellaneous improvements.

This season establishes Hell, the Hotel, and other wacky shenanigans that the hotel goes through to rehabilitate sinners

Hitler probably shows up at least more than once

The Overlords of Hell are the main antagonists

There’s also the looming deadline of the yearly purge, so that’s fun

Season 1 finale: The Hotel staff finally go to heaven! Charlie’s ideas are finally being recognized! But, oh no! The head of the angels, Adam is a dick!

It gets worse! They couldn’t wait an entire year, so the next purge is in three months! What is everyone to do?!

In the end, everyone except Charlie has a great time. Alastor is conveniently absent for the entire episode.

Season 2: business as usual? Everyone is extra excited, except Charlie. Perhaps the time has come to ask daddy for help? More than usual?

Oh, yeah. Lucifer is probably gonna be one of the patrons in this season, I guess. Maybe we also discover what happened to Lilith in this season, but then again, it will probably depend on what the show does with her.

“I miss my wife, Tails. I miss her a lot.”

Somewhere, the truth finally gets out. Charlie has been keeping it in all this time because she hopes that maybe talking to Lucifer will solve this whole dilemma and Adam, massive dick that he is, won’t attack a former angel!

It doesn’t work.

Season 2 mid-season two-parter: the purge happens early. A massive battle between Hell and Adam’s forces happens. Maybe the hotel staff and the Overlords team up for this one, with some “persuasion” from Alastor?

Naturally, Adam is defeated, and Charlie wants to redeem him as well. The Overlords disagree, and take him prisoner.

While in captivity, Adam lets slip something interesting: God is nowhere to be seen. And he hasn’t been for a very long time now. Naturally, the overlords are interested, but of course they won’t want to let an angel leave alive, now wouldn’t they? The audience doesn’t learn this until the end of the season, when Alastor himself learns this vital piece of information. And only when he spills it to the main cast.

RIP Adam, you won’t be missed.

The rest of the season is back to business…? Nope! After hearing that God is missing, the Overlords realise that Heaven is basically prime for the taking. So they’re planning a full-blown war.

To help in this war, they plan to unseal the Root of All Evil, who shall henceforth be referred to as ‘Roo’.

Roo is considered the most powerful of all demons, even more than Lucifer. The angels sealed her away a long time ago, but the seal has started to weaken.

Season 2 two-parter finale: After learning about the vital piece of information, Alastor tells everyone that the Overlords are planning to go to war with Heaven, and also about Roo. He doesn’t tell them about God, though. Where would be the fun in that?

Roo has been unsealed and naturally, the Overlords can’t control her. Who could have seen this coming?

Charlie , naturally, doesn’t like war. The battle against Adam could be classified as self-defense, but she never wanted it to escalate to this. So she decides to try and kill two birds with one stone: defeat Roo to hopefully find a way to prevent war, and also to hopefully destroy evil at its source and have everyone stop being evil? Charlie really doesn’t want to have to kill someone. I mean, Adam was left alive, and he’s probably doing well for himself, right? (Does she know?)

A grueling battle is held, and against all odds, Roo is defeated. the Overlords no longer have a weapon against heaven, all should be well, right? All that’s left to do is find some common ground with Roo, find out why she’s so evil, and hopefully stop evil from happening.

Yeah, nah. Roo gives Charlie a HUGE “The Reason You Suck” speech about her naivety, and pretty much forces Charlie to kill her with her own hands. Sucks.

Oh, yeah, and Alastor finally lets spill that God is missing. Great job, Al. You fucking asshole.

Season 3 Episode 1: begins with Charlie pretty much depressed after the previous season’s events. Everyone tries to cheer her up. It’s all comedic, until the final part where they have a heart-to-heart and remind Charlie of all the things she’s accomplished with them, even if they haven’t gone to heaven yet.

The end of the episode has Charlie realize that, with God gone, that means that the yearly purges probably didn’t happen under God’s watch, meaning that if they bring God back, things will finally be right again!

It’s finally time to take action, and everyone is gonna go to Heaven! How? I dunno, how do the Exorcist Angels come down to Hell? I dunno, some kind of elevator that no one was brave enough to hijack?

The rest of the season takes place in Heaven. Hotel shenanigans happen again, but in heaven, this time!

Charlie meets the other archangels, and while they’re still dicks, at least they’re less so than Adam. Unlike Adam, maybe they’re more like Alastor in terms of demeanor: they don’t particularly care what kind of plot Hell’s up to, but they’d certainly be interested in how these sinners will manage to come up into Heaven.

Should they meet Jesus in Heaven? A parallel to Charlie in Heaven, he wholeheartedly supports Charlie’s endeavors and basically becomes her first friend in Heaven?

The overarching mystery is: where is God? What happened to Him? Why does Archangel Michael take so long to use the bathroom?

Eventually, like, near the end of the season, we finally meet God.

Wouldn’t it be funny if, after three whole seasons of extravagantly designed characters, demons, angels, sins and virtues alike, we finally meet the Big G Himself and He’s just… a dude in a robe and a beard? How funny would that be?

Anyways, we finally get a reason for God’s very, very long absence: after thousands of years of humanity’s evil, and His many failed attempts to purge evil from the world, His last attempt finally broke Him, and He spent the rest of time in a depressive slump, pretty much never ever leaving His room. He’s, ironically enough, lost faith in humanity.

The final ‘patron’ of the ‘hotel’ is God Himself. Charlie and the others have to convince Him that humanity is worth believing in, and to give them another chance. Of course, they succeed.

The finale could be that God has officially recognized the Hazbin Hotel as an official way for sinners to redeem themselves: a “very definitely final chance to enter Heaven”. If sinners can’t redeem themselves even in death, then they never will. Charlie’s friends are the first sinners to finally ascend to Heaven, but they stay behind in Hell to help run the hotel.