#what I'm good at and what i can say and portray with my art

[ricoka]

I looked through old art and I think I needed that

[moe-broey]

Back to what I do best (bare minimum Putting My Guys In Situations shitposts) 😌

Inspo under cut!!!

[glitter-stained]

The thing you need to remember about comics ages and timelines is that yeah it's messy there are retcons at stuff and it will never be clear and perfect. But also, DC has an interest portraying age the way they do. They have an interest in aging Barbara down so she can be Dick's pretty girlfriend with whom he raises a cute dog (and maybe a cute little family next perhaps?). They have an interest in trying to keep Tim young and draw him younger than he looks so they can milk his Robin's popularity for as long as possible. They have an interest in drawing Jason to make him look 40 when Bruce slits his throat, to make him look like a grown man fighting a teenager when fighting Mia even though they're the same age (though i mantain that mia is a little bit older), in having him call Tim kid even though they're the same age, in having him offer Tim a drink and Tim pointing out he's not legal when Jason isn't either. They have an interest in Jason looking older in Jim Aparo's art style in ADITF than he looked in precrisis or in 308. They have an interest in Steph magically looking older in War Games, where she gets tortured and brutally murdered, than the fun colourful round and much more youthful art from her Robin run. There are probably many more examples but bottom line it's not fucking innocent. DC knows how to hire artists that know how to draw children it's really not that hard. Characters who look young, characters who remind you that they are young, create more empathy; which is good when you want the public to continue to root for them, and bad when those characters challenge the status quo or that excess of empathy might create pushback after you decide to have them brutally murdered. DC can't have Batman grievously wounding and causing the death of his underage son, but if he looks as old as Batman? DC can't have Jason making a valid point about vigilantism being unsafe for Mia and relating with her with childhood sexual abuse subtext because it makes the heroes (and especially Batman) look bad, but if it looks like this is a grown ass man harassing a teenage girl, then it's clear who is the villain, it's okay, no problem. DC needs Barbara to be younger so the power dynamic between her and Dick fits their idea of a perfect little nuclear family much better and they can shove Barbara back into the role of Batgirl even though she is very much a girl rather than a woman. DC needs Steph to look older when she's tortured so they can be edgy without people being too horrified at them doing something horrifying, DC needs Jason and Steph to look older on the day they die because young looking= innocent which makes it so much harder to victim-blame. DC needs Mia to look younger than Jason so they can make it look like the good old "good victim/bad victim" dichotomy and even though that's not what the story is actually about, regardless of how much it disrespects Mia's character to do so. DC needs Jason to look ugly because it's harder to empathize with ugly people and it makes it so much clearer who is the bad guy and who is the good one, and it's a much easier dichotomy, so much more comfortable than challenging the whole mythos around which Batman is built. DC needs Barbara to be sexy in their traditional male-gaze way, because this is the audience they're trying to appeal to.

So like, I know that I'm nit-picking when I say "actually according to any and all logic Jason is younger than Tim by a couple of months and than Mia by around three years". Or when I say "they should bring back Dickbabs' old age difference" or even interact with Dickbabs as if they still have that difference and refuse to interact with Tom Taylor's version of the ship. I know comics are incoherent and the timeline is messy; but just because it's messy, just because it's always been, doesn't mean it's innocent. So I'm gonna keep nitpicking, and I'm gonna stay an annoying bitch, because I refuse to allow comics to manipulate me out of my empathy. And because I don't see everything and am very aware of how easy it is to be manipulated even when you're careful, I encourage you to add to this with things you've noticed whether it's in portrayal or in art about character age, appearance, or any other device they might use to manipulate our perception of the characters -and what narrative these resorts serve.

[karlachismylife]

I am a little scared to write characters with different backgrounds, like Russian characters in the CoD franchise, because I'm afraid a Russian person will see it and be like, "What the fuck is this" and laugh at it maybe 😭 So I have to ask, do you ever find yourself judging fics based on how they portray the characters and the language? Like "this doesn't fit well" or "that's not how it works" type of stuff.. Are there any deal breakers, something you despise in fics, or maybe even advice for writing Russian characters... Thank you in advance, have a great day! 🩵

Hey comrade! This is a good question! And I can totally relate; not just to writing non-Russian characters, but even writing Russians from CoD is intimidating, because they are much older than me and witnessed a lot of historical and cultural changes in the country (even a whole another country if we think that at least Nikolai was born in USSR) that I haven't, and trust me, times haven't stopped being crazy here for the last 30 years or even more, so for me not having witnessed the 90s or being a baby in 2000s is a reason to be scared shitless writing for them, cuz fuck if I know how a person that lived through those times thinks.

All that to say, I think it's completely normal to feel awkward writing characters with backgrounds you're not familiar with, and also it's not a big deal if you get stuff wrong sometimes. I mean, isn't there like a whole bunch of fics about task force 141 and the "tapping out" ceremony that seems to exist in USA army only? People still enjoy them and no one was hurt by it. It's fiction and art, and first and foremost we want you to enjoy creating it; moreover, you are doing it and sharing it for free, so every decent person will always be grateful and supportive, and if anyone is coming at you aggressively for getting something wrong, you can tell them идите нахуй and block them. Mocking an artist that put effort and love into a piece of art is one of the worst things one can do.

(sorry this turned out longer than I expected so I'm hiding it under the cut). CW!politics and heavy themes, somewhat of a rant. I tried to summarize in the end and give a few tips so if you want to skip the rant, go down.

So me and my Paris (@nrdmssgs) came togther to make a list of stuff that might catch our eye or turn us off from reading a fic. Keep in mind that these are just opinions of two people! And I know for a fact that some Russians will not agree with me on some of these. So again, my main tip is not to overstress; we are genuinely glad when Russian characters get recognition despite all the negativity often surrounding them.

First, I'll just say, there are a lot of things that irk us in the games themselves. This goes not just for weird Russian accents or sometimes broken Russian altogether; I personally am very displeased with how freely (and wrongly, lol) they use the term "gulag" (ГУЛАГ) there. First of all, it is not a synonym to prison/camp, it's the name of the government agency that was in charge of running labor camps in USSR, so calling the camp itself this word is simply incorrect; second, it's a big tragic page in history, so throwing it around willy-nilly as some oooh scary prison place where characters in a pew pew game are put and can escape just feels insensitive to me. Generations of people whose countless families were hurt by this system are very much alive right now and it is a raw wound unfortunately, and the government is very much refusing to acknowledge this tragedy in its fullness. So there's that. There's also way too good-looking Makarov that spent who knows how much time in solitary confinement (we have people actively dying in solitary right now in much shorter time), there's Milena with a single bank account (show me one Russian oligarch that doesn't have their money shoved in 100 different places, uh-huh), there's Yegor Novak who is Ukrainan, but speaks Russian (yes, considering that he was born in USSR, he most likely speaks both languages, but erasing his identity is still problematic). So you see, there's a lot of shit to combat in canon already, and it's worth spending time looking into some of these things. Now to the fics!

I will say, I do notice of course when a Russian character is written by a non-Russian person that doesn't know much about Russian language/culture/mentality/history/whatever. And while I understand that it's hard and won't throw a fic away for not getting every little thing right, there is stuff that catches my attention.

The most obvious would be the language, of course. Russian is grammatically much more complicated than English and number one giveaway are mistakes in grammatical cases/genders. Even my good comrade here who knows Russian very well and surprises me with impeccable use of complicated constructions that show they understand some nuanced connotations/usage of words, even they often make mistakes with genders of words. And I can't blame them, for a native English speaker it is a new concept! But this, and also just the sentence structures, incorrect word choice (again, connotations are key) are always jarring in text. Usually I just skim over it and forget in the next sentence, sometimes it does make me laugh, but like. I'm not gonna make fun of anyone for making a mistake in a language, I appreciate when people make effort. But I do encourage everyone to send their Russian text to someone who can proofread it (me, for example, DMs and askbox always open). And if you really want to do it on your own, maybe don't just rely on google translate and such and try to do it with a dictionary and some base-level grammar lessons so you can make sure the endings of the words are alright, at least. Then we can talk about the difference between "blyat'", "blyad'", "blya", "blyadina" and "blyadstvo" :D

Another thing I do always have a quick upset sigh about is when people call borsht a Russian soup. No it's not, it's Ukranian. We do eat it a lot, yes, and it's not inherently bad or wrong to write a Russian character eating/cooking it, but it is nice when people do not add to the appropriation of Ukranian culture that's been going on since for-fucking-ever. Same goes for unfortunately many other cultures that Russian imperialism tried swallowing, so it's always better to google it and check. And just food in general, maybe spend a little time looking up what's the difference between pel'meny and varyeniky or what's okroshka. It's always an amazing experience when someone gets such details right! And an even better experience when you don't erase other Slavic or even Eastern European identities, brushing everyone under "Russian" rug. We are definitely nor a homogenous crowd! Moreover, not everyone born in Russia (and especially USSR) will be Russian. Looking into different ethnicities and nationalities that live here is just interesting if nothing else, but also very very important after centuries of opression.

I also have some non-serious beef with this magical "Siberia" western comrades love writing about, I touched on the topic here. An amazing impression is when people use less broad geographical names or look at less overused places. Did you know that Natalia "Raptor" Orlova is from Kamchatka? It's such a rich region with a lot to tell about!

What I do definitely dislike and it can turn me off from finishing the read at all, is insensitive writing of the characters themselves in terms of their background. It's complicated since I myself am not patriotic at all and I couldn't tell you for the life of me what it means "to be Russian", but it just. You can feel when a person thinks in stereotypes, you know? Like somewhere I saw something, I won't give a direct quote, but the main idea was that Russian/Slavic men all 100% have a breeding kink, and it was worded in a way that kinda felt like, hm, like a bit dehumanizing? Making them out to be these ooga booga barbaic cavemen? And yes, there is a lot to be said about Russian men, much of it very not good, and there is NOTHING wrong with writing a Russian character with a breeding kink, but it felt not nice to read that sentence, so just maybe after you write your piece do some introspection to make sure you weren't dipping into that kind of portrayal out of prejudice. If that's the effect you went for storytelling/your personal enjoyment cuz you like them ooga booga? I won't say a thing. Also the whole vodka/balalaika/ushanka/whatever bullshit, not entirely untrue, again, especially the vodka one, but if you write Nikto drinking kvas (which is non-alcoholic, okay, but still) or baltika beer instead of vodka, you'll make me happier, because it's like a signal "hey look I know a bit more about your culture that a James Bond movie intro showed me once". And in the next scene I'll forgive you even him riding a battle bear with vodka and balalaika in hand.

Coming back to the "barbarization" of Russian men in fics, it irks me a little when people lean too much into the whole Russian bandit/mafia stuff, and there are two characters that suffer from it, but each a little differently, the most. First is Nikolai, and while yes, he is a crime lord of sorts and he has that goddamn golden chain (which most Russian people or at least women find absolutely horrid and oh we do not come near men sporting those irl), I think people often write him... not intelligent enough? Too gruff and rough? He's an intellectual. Well-read, well-spoken, cultured. Level-headed. Whenever people write him too much like a 90s bandit, my heart breaks a little. But then again, I know Russian people that lean into the same set of stereotypes when writing him (but those same people have a lot of other uhhh xhenophobic tendencies that show when talking about other characters so I wouldn't rely on their views).

And then there's probably the biggest pet peeve of mine. Vladimir Makarov. Now, here is a big big disclaimer: YOU CAN WRITE WHATEVER YOU WANT IN YOUR FICS!!! We are already romantacizing military men that none of us (I hope) would approach irl; and if you want to write Makarov or Nikolai or whoever else in a certain way because that's what hits the spot for you, just do it. You want yandere Makarov or mummy issues Nikto or whatever else your heart desires? Go for it. I will be the first one defending your right to write it with a crowbar in hand, even if I myself would never read such a fic. So this here is entirely MY PERSONAL ISSUE. Deal? Deal.

I see it a lot here on tumblr (mostly in x reader fics) and it actually bothers me a lot, but when people write Makarov as this edgelord dark mafia boss. It just misses the point so much. He's an ultra-nationalist, a head of a PMC. They are not mafia, I would honestly argue that they're much worse. I get that they cast a very attractive man to play reboot Makarov and honestly the og Makarov too; I get that villains are the hot thing to be attracted to (sorry if I sound bitter, this is a separate problem I have with fandom and it doesn't matter rn), but Wagner (PMC that Konni is heavily based on) is a real life horror that is still existing even though there have been like structural changes. And they killed a lot of people and had enough power to threaten to overthrow the government so very recently. Rusich (another nationalist military group) is still active and doing horrible things and proudly reporting them online. Smaller far-right pigs are out in the streets doing horrible things. And a lot of it is (not so) subtly encouraged by the government. A lot of it is actively used by the government to gain more power, kill more people, instill more fear. It's a reality we live in, and to me seeing Makarov portrayed with none of that nationalism in sight and with all the allure of a dark romance novel mafia boss is... honestly, painful. Feels like a slap in the face, to be honest, and while I understand that this is the kind of nuance you can't just realize out of nowhere if it's not something you live around and that it's all fiction, it just is really, really hard to read for me. He is not just a complete crazy Joker-type freak, he's not a cool sexy mafia boss, he's a fucking nazi terrorist that can and will be paid by certain people in power to do their dirty work.

In the same route, but luckily I haven't seen it anywhere besides a certain group of Russian CoD fans (which is even more terrifying considering the political implications), but anyone who writes Barkov as a hero/in a positive light - fuck you. Just fuck you. He has interesting/attractive traits as a character, yes, I'm not saying you can't write about him, looking into him from different perspectives, simping for him if you want; but again, just spend some time reading up on recent history and politics that inspired the whole Urzikstan situation0 - and do it all with nuance. Or with a disclaimer that you don't support genocide at least, lol, cuz I'm telling you, I've seen people that made me scared.

However, once again, if you really want exactly that - ignore MY PERSONAL opinion and write it. I am just a gorilla on tumblr, my opinion is not the centre of the world. But what I do consider not a taste issue, but a deeper issue, is writing REAL PMCs and the likes of those in positive light. If anyone with a "Wagner OC" sees this post, just know, I would probably spit in your face irl. Making made-up Makarov go kiss kiss uwu or whatever irks me personally, but I can close the tab and let the author be; I'm sure many people have same opinion about Graves whom I write much more affectionately than some would prefer. But the real shit? That's a hard line.

A quick addition, back coming back to the "barbarization", just portraying Slavic characters being oh so very mesmerized by the !!!wonders of western civilization!!! is funny. There are definitely moments like this, but not as much as you think. Believe it or not, we actually don't live in bear caves.

This got way too long and dark, so let's finish on a lighter note. Russian characters celebrating some very non-Russian holidays (like Thanksgiving or catholic Christmas, even though the second one is not as bad) is funny, when it doesn't have much explanation (like them celebrating it with someone who actually does). "Suka blyat'" is funny, because it's often used where a simple "blyat'" would suffice.

Summarizing, here are general semi-short tips how to write Russian characters:

get your Russian proofread by someone who actually speaks it or at least don't fully rely on google translate. check your cases and genders!

especially if you use cusswords. it's an amazing characterization tool if you manage to use it right, so putting effort into it is always worth it

don't lean into stereotypes. they are partially true, but we kinda can tell when you do that intentionally and with nuance and when you don't know anything beyond them

be mindful about characters' identities and spend a little more time to make sure you are not writing someone else's stuff as "Russian". for the lack of better analogy, it's like mixing all Latin American identities together and writing them all as uhhh Mexican. we don't want to claim others' culture and others most definitely do not want to be erased again

be careful about the "barbarization" of your Slavic characters. sure, someone like Maxim "Minotaur" Bale won't strike you as the most intellectual individual (love you Max), but be intentional with it and don't just make every Slavic man go ooga booga but in Russian

didn't touch much on Russian/Slavic women, but be careful around the whole "money-hungry" stereotype

read up on political shit surrounding your characters. whether you like it or not, Russian people have been shaped by a lot of recent/current political happennings, so missing out even on general understanding of what your character witnessed/what their political views are can ruin a lot of characterization

Russia is fucking huge and does not consist just of Moscow and abstract "Siberia". the amount of cultures, confessions, nature stuff etc in the country is insane. not all Russians are orthodox Christians, but also - many of them are. and also - church was under fire in USSR so this is a separate layer of cultural shit you might want to consider

read Russian literature if you really want to write Russian characters a lot, it'll help you catch a feel of some very specific things like our yearning. it's a very specific thing that if you get right will give me a reading orgasm

same goes for Russian songs. also just don't underestimate the role of music in Russian life!

try to look up Russian "pop culture" (it feels kinda wrong to call it that, but I dunno how else to call it). if you can make your Russian character make an appropriate reference to a movie or say a Russian saying we actually use, it'll be amazing. but it's like level impossible i think so don't give yourself a headache over this, this is just that extra spice that will have me scrolling through your profle suspecting you're actually secretly Russian yourself

watch Soviet/Russian movies to get a better understanding of the vibe, not just what Hollywood portrays!

looking into architecture can be an interesting way to approach a character. we went through many different unique architectual styles, so if you're describing a character's home, it'll be a very cool move to specify what kind of apartment building they live in, for example

but most importantly remember: it's art you do for yourself first and foremost. don't take any of it as a strict guide you'll be punished for straying away from! we REALLY appreciate you writing for these characters, and you showed you put more thought into it than some of Russian comrades I know <3

and if you have specific questions, never be afraid to ask me or anyone else you know can help.

I hope I didn't scare you even more with this all, lol, I genuinely do appreciate you coming to me for advice, it means a lot when people show interest and effort. If you feel comfortable enough, send me/tag me in your fics, I'll be glad to read them and share with comrades that will enjoy them! From Russia with love ❤️❤️❤️🦍

[e-vay]

Heyo! Do you have any tips for making comics? :)

I've been meaning to get back into the swing of it, but concentrating on such a commitment that takes so much time is tough sometimes haha.

How do you make it work? Are there things you avoid/make easier for yourself just to make the process more fun and do-able?

First of all, I’m very happy for you! I think it’s very exciting whenever we return to a craft we were once passionate about. I wish you the best of luck!

This is a big question and I don’t think there’s really one simple answer since all artists are different and have their own strengths and weaknesses.

One of the biggest issues I face is that I have a million ideas but I simply don’t have the time to do them all. I want to share all these ideas but if I gave each and every idea the same amount of attention and detail, I’d hardly get anything done. So here are some things I've learned through my own comic-making experience, but keep in mind it may not be what you're looking for. Also remember this is NOT career advice. I make comics for fun, not for a living. If you’re looking for professional advice I would suggest looking elsewhere 👍

1 - A comic doesn't have to be fully rendered to be entertaining. Although I love to draw and line and color my work, it’s not always necessary. If I feel a punchline is strong enough to stand on its own, I’ll just make it into a doodle comic. In fact, I’ve found that some of my doodle comics perform better than the fully rendered ones! The doodle comics are still very fun for me to draw and they also serve as gestural drawing practice, so in the end it doesn’t feel like I'm making a sacrifice. I'm still getting my ideas out there and I'm still drawing, I'm just prioritizing what gets more attention so I can better manage my time.

2 - Not every panel needs an illustrated background. You definitely need to show backgrounds for establishing shots and when characters are interacting with the scene. But sometimes the focus needs to be entirely on the character and/or what they’re saying. You can choose to have a solid color background and maybe add a few textures to keep it visually interesting. You're still putting in the effort to make your art pop, but you aren’t losing a ton of time by drawing dozens of backgrounds. Color is also a good way to convey mood. I do that a lot in my comics, like this bit from “My Gal”:

^ I was trying to show a progression in excitement here, so having the colors change from cool to warm does a better job portraying that than if I just had a standard, scenic forest background for all the panels.

3 - Use resources: That's what they're there for! Because I make all these comics by myself, I have had to find resources to help me get through some of the steps faster so I can focus more on the story writing and the artwork. For example, to help me save time on lettering, I use the Onomatopedia font and the Manero Panels, SFX and Bubbles brush set for Procreate. I’m still selecting the sound effects and choosing the appropriate bubbles and tails to suit the mood and scale of the text, but this has saved me a ton of time because I’m not drawing each individual element by hand over and over again. Personally, I purchased these resources but I'm sure there are plenty of free tools out there that you can use.

As far as making it more fun... Honestly, I just love comics as an art form so much that learning about all the 'rules' and techniques and 'SOP's behind comics makes it more fun for me to make them. I recommend checking out tutorials and tips (even if you think you already know it all) and you might be surprised at how much it might ignite more of your comic-making passion. For example, I've spent hours on Blambot's "How-To" page and on ComicDevices.com just to try and soak up as much as I can. They're full of fascinating reads that make me want to try out different things!

I hope this helps! Good luck with your comics!

[fashionteahouse]

out of your league - paul x reader

AN: there’s not enough words to describe my gratefulness for you guys supporting and showing love to all thirteen parts!!! xoxo 💜 <<prev >>next

Fingers were majestically buttoning up the shirt that hung on your body. Eyes looked at your somewhat nervous like state. Paul then rubs his hands down your shoulder and arms, soothing you.

He tilts his head as he gives you a reassuring look, he didn’t have to say words. You were grateful for this. He leans to give a slow lingering peck on your cheek as they grew hot.

Arriving at the event, you were really glad he came. It was a bit boring in your opinion. Tense shoulders were now relaxed. A nice amount of people were there but it wasn't crowded like you thought it would be. You and Paul were glued together by the hand, staring at each stranger's piece. Comments were made among you two as you both pick ideas off each other's brains. Very stimulating. Paul insisted he hold the watercolored piece you made, to keep it safe.

Walking to find another display of art, you whisper to him, "You have good skill. What if you became serious?"

He doesn't say anything but you both keep walking. You look at him, wondering if maybe he didn't hear you. But he opens his mouth to speak after some time, "I only want to draw you."

Words couldn't be found until he broke the silence once more, but with a chuckle. You look and he jerks an eyebrow up with a smirk. He gestures towards a nail on the white wall, with a nail sticking out. It almost seemed odd and out of place.

Paul moves forward and adjusts it on, you watch the canvas hang against the wall in front of you. He moves back and wraps an arm around you and pulls you to him with excitement, "See? Looks good, huh?"

You chuckle as you couldn't do anything but agree.

You and Paul drove all this way so you figured to make the most of it. Paul started speaking, which made you a bit of a chatter box. Paul had them laughing while they asked again to see more of what you make. You trying to reciprocate the same curiosity for their work was almost pointless, they were more interested in diving into your methods of work. Heads crowded your personal space as you swiped through your past work.

"I'm thirsty, do you want anything?" you ask Paul and he shakes his head no as he takes a closer look at a clay sculpted face with interest.

You reach for a can of soda and someone stands next to you.

"Excuse me, just grabbing a water. I'll be out of your way." you hear a frail like voice.

You move out of the way as you crack the soda can open and you watch the slight wrinkled hand grab the water bottle that was craved by him. He grabs a napkin as well and he looks at you.

You look at him back, wondering if there was a problem. You didn't know what to expect as he grinned a bit and said, "I knew this was going to happen." He said it in a knowing way but had a quirky sense of attitude about him. You could easily tell he liked to speak what was on his mind.

"What's that?" you ask him as you watch him while you take a sip. The insides of your cheeks fizz with acid as he shakes his head a bit and chuckles lowly.

He points a finger up, to portray the point that he's readying to make, "If you’re gonna do a cash grab, at least make it a good one." He chuckles again as you put the soda can from one hand to the next.

"And here I was afraid to bring mine." you say in a dry humorous tone.

He furrows his eyebrow as he takes another semi long look at you. "Well, what'd you bring?"

"You might call mine a cash grab." you tease and this makes him bring two hands up and shake them in denial, "Oh, no. I won't make assumptions. If I can't feel it, believe me I will know."

You guide him over to where it was still hanging up. Nothing else was by it. He crossed his arms as his mouth cracked open a bit as he studied the color filled space. He took small steps, as he raised his eyebrows, moving his lips but not saying anything.

Watching him made you turn your eyes, glancing at the area around you. It felt like you were intruding on something.

You felt a nudge on your shoulder which makes you look up and see as the older man looked at you with a sense of mindfulness or profoundness, you weren't too sure.

"Wow kid. How old are you?" he asked you.

You open your mouth to answer but you feel your body be mushed against something warm and hard.

"Old enough." A voice answers roughly. You look and were genuinely surprised to see Paul at your side as if he was there the entire time. He made sure to keep your shoulder under his hand as he held you close next to him.

The elderly man just pays it no mind, before taking one last look at your piece before nodding his head. As is he was agreeing to the conversation that the art piece was having with him. His arms fold behind him and he takes a look at you before giving you a tight smile before turning to walk away.

You watched him stroll as he takes a small sip from his water and look at other pieces. Your shoulder slump, something felt stolen. Not knowing what, you slightly shake the soda can in thought.

You move away, leaving Paul in his spot. Wandering around for a bit, the cheap free wine moves past your lips. You didn’t know how you sweet talked your way into serving it to you, but at the moment you were grateful. Swallowing it, you just decide to get lost in what's around you. You had a fresh cup of the free beverage as you stared at a painting that made you think about the cash grab comment. You snort as you bring the cup to your lips as you see exactly what the man was talking about earlier.

"Well, this is pretty… shit." you hear Paul's voice behind you, turning to see his face sporting a lax grin. You step to the side as you look at him for a moment. He takes his eyes away from what was in front of him art wise and focuses them you.

“What’s wrong?” he asks near you ear. You move back as you tell him nothing’s wrong.

"Are you ready to leave?” he asks you. You shake your head.

“You look bored.” he comments.

“I am now.” you under your breath and take the cup to your lips. His eyes narrow at you. Sighing, you turn to walk away to get yourself lost again.

There wasn’t much left to see. You did get compliments on your skirt. You felt it was too plain so you painted a bit of designs on it, the genuinely nice gestures made your day.

Throwing your plastic cup away, the man from earlier stops his conversation with a middle aged woman and makes his way over to you.

“Before I go, I should give you my number.”

Your eyebrows furrow as he was old fashioned by grabbing a napkin and asking the middle aged woman for a pen. Scribbling it down, he hands you the wrinkled, inky napkin and looks into your eyes, “Tell them you want to speak to John.” You nod and watch him walk away, heading towards the exit.

Staring down at the sloppy writing, all you could do was hope. Hope that this meant something important. Your thoughts couldn’t be thought about for long until the middle aged woman makes her way over to you with a polite smile.

“Hi, Y/N?” she asks softly as she makes small steps towards you.

You stick out your hand and nod. She gladly takes it and introduces herself. She’s the owner of the gallery telling you how your watercolor painting has been purchased.

“Really?” you asked in shock.

“Yes. We usually take 50%, but we didn’t do the work of the selling.” she tells you with a smile and hands you a check.

Staring at the numbers, your eyes almost bulge out. “Congratulations. You’re really talented. Please don’t be a stranger to us.” she tells you and sends a farewell smile.

You immediately find Paul. Outside, he’s leaning against the wall looking to the sky with his hands in his pockets. Deep in thought. Excitedly telling him everything all at once as soon as you get ear distance, he tells you to slow down, wanting you to be clear.

“Can you believe it?” you ask him after giving him blow by blow what happened.

“I‘m not surprised. Told you it was a good idea to bring it.”

He pulls you to him as you clutch him back.

“I can take you out to dinner.” he offers.

“You don’t have to- ” you start but he cuts off what you were trying to say, “I want to.”

Hot steam blows around both faces as you both grab your forks. Digging in, Paul takes a big bites of his food as you stare at him.

“Want to try some?” he asks as he catches your stare. You shake your head. Playing with your straw, you tell him, “I’m not telling you what to do, but you have to control your emotions.”

He doesn’t say anything until his food travels down his throat.

“Where is this coming from?” he asks you, off guard as searches your face.

Pausing from your food, you look at him with a hint of understanding and patience.

“What happened today almost didn’t happen if you wasn’t all like “old enough.” you say, dramatizing a bit, making him playful roll his eyes.

“I do not sound like that. What do you mean?” he asks again, feeling teased and in a carefree tone, but taking a pause from his own food.

You take him with you back to the journey of his cold demeanor when the guy who bought your painting asked how old you were.

“All I’m saying is, it would’ve looked suspect had it been the other way around.”

“Come on, Paul. You don’t trust me.” you tell him shaking your head.

“I didn’t trust him. There’s a difference…” he says then he looks at you, “I am now.” he says, making a horrible impression of your voice.

“Stop.” you say, trying to be firm but you’re laughing and he laughs as well.

“What am I going to do with you?” you say as you dig your fork back into your food.

“Love me.” he says swiping your cheek with his thumb but you playfully roll your eyes at the blush that he caused as he chuckles.

“Okay,” you start, finishing your chew, “I should act like that anytime a woman look at you.”

“Good. Maybe they will back off. I need help getting the message across to them that it will never happen. They never seem to get it.”

“Oh really?” you ask him in a sarcastic tone.

He makes a face that let you know, really. The laugh you two shared seeped with synchrony.

Taking a sip of your drink to cool your flushed face down, you hear a familiar voice.

“Omg, Y/N?” they say. It was in a surprised but welcoming tone.

Looking up, you see Bella Swan standing near you, offering a hug. Not wanting to stand up, you open your arm as she bends down and gives you a quick, shy hug.

Watching the blush on her face as she steps back. She looks over and you follow her eyes and see a tall, pale and beautiful man. He kept his eyes on her.

“I’ll um..text you. Edward just got back and…” she looks over at Paul then back at you and flashed you a friendly grin and throws a quick jab towards her boyfriend, “We’re having dinner too.” she say

You nod, nervously smile, “Okay. See ya.” you tell her as she waves goodbye.

Not wanting to turn your head, a clink of the fork on a in front of you makes you turn it anyways. A dissociative look is on Paul’s face as he rises up.

Setting your napkin down, you follow him out. You touch his arm but to your surprise, he takes yours instead.

The direction of the car wasn’t even thought of as he took you with his steps. “Paul where are we going?” you speak out, trying to keep your voice to a minimum.

He didn’t have to say anything as he drops it in a dead end alleyway with a fence, behind it being the gateway to the woods.

One swipe with his arm and the shirt you thought looked good on him, was scrunched up in his tight fists. You watched as turns his sculpted body into a perfect throwing position as the shirt shot in the sky as if the goal was a home run.

His muscular back is towards you as you hear his pants, trying his best to calm down. His heavy breathing doesn’t slow down. He wanted to talk to you, but his wolf was just on the tip of the edge of spilling out.

You made sure to stay at great distance, you look down, hating to see the sight before you. Your blinking started to turn blurry as you started to feel his emotions. Each second felt like a wave of intenseness of everything that he felt.

He finally looks at you, amplifying the message, “Fucking Bella Swan?” he grits out, trembling and pacing.

You shake your head as you drop your eyes, your stomach dropped.

“A fucking danger magnet who’s dating a fucking leech.”

You breath in and breath out quickly, now talking with your hands to flow the right words together, “I know. She never told me her last name, I swear.” you tell him, wanting to keep your word of being honest and truthful to him.

“Fuck that, Y/N! Stay away from..her.” he spits out, contorting his beautiful face into the most monstrosity of evil. He bends over, you felt him clearly in pain.

“Just let go. Just phase.” you coach on, wanting him to hurry up before anybody just miraculously happens to walk past.

The second you said the words, the blurred colors of his silver wolf. The beast taking over the man, standing to its true height. Four legs began to move, circling slowly, growling at nothing particular with wild eyes staring at nothing on the ground.

Finally looking at you, you stared at it back. It turned its full attention on you. You weren’t scared of the big animal. Walking slowly towards you, your feet was stuck to the ground. Staring ahead, neither eyes left each other’s sight.

The wet snout poked you in the belly, which jolted an electric round of shock through your body as you then watch the wolf sniff all around you, rubbing his fur against your clothes and skin. Circling around you, almost like a snake, you almost lose your balance from the weight being brushed against you. Licking your hand, you breathe out a chuckle as the ticklish feeling take over.

The wolf then turns hastily goes over the fence, being welcomed by the tree filled woods. It was fast. Something deep in you told you he was going to be okay. You turn and walk back into civilization filled streets, going in the direction of Paul’s car.

It was like it was in slow motion. Bella didn’t see you, but she was in the inside of his arm. You caught a glimpse of his amber colored eyes. You both didn’t halt your steps. Not wanting to back down his hard gaze, a display of unbothered optimism was on your face you thought of nothing but returning a gaze to him right back.

He finally backs down, shifting his eyes back in front of him as he lifts a crooked lip up and allows words to fall from his lips to Bella as he opened the car door for her.

Unlocking Paul’s car, you drive the car out onto the road to go back home. It felt quiet walking into the house. Your shoulder slump in the shower as the water beats down on you. Soap didn’t even touch your body yet as the trickles of water fall down your skin.

Your eyes pop open when you hear the closing of the bathroom door. Heart beating, the shower door opens and Paul steps in. Happy to see him, he embraced you before you could fully process his presence. Moving in, he immediately wraps his arms around you, his chest to your back. His face stays on the crook of your neck as you both listened to the rhythmic patter of the shower water.

The water ran cold but his body warmth that was still wrapped around you, barely made you feel any type of chill.

Carrying you out, he placed you in the middle of the soft bed. Climbing over you, he took you on a passionate journey with his mouth, pulling back to feel your tongue with his before reattaching his lips to yours.

He pulls away when you pant heavily, your bare chest heaving. He slides you to him and you interlace your legs with his. His arms cover and wrap around you. You take one arm go rest on him, placing a hand on his cheek. He looks down at you, pulling you a bit up him to gift you another wet kiss.

“Are you okay?” you whisper against his lips.

“We’re okay.” he says before solidifying it with a kiss. He lays back, you watch him as he flutters his eyes closed. You watch him for some time as his breath shifts, to steady slow breaths. Caressing his cheek with your thumb, you lay your head on his chest.

[bamsara]

Have you seen cannon Eclipse yet?? Will Ruin be effecting how you portray them in SL?

(Ruin spoilers) Long post!!! Sorry I rambled klsdhglksd plus I pulled out some of my older art so it's a bit of a ramble post about Eclipse and how I write/draw them / the duality of man (robot) / and SL's AU universe

Most likely not since a fully-booted-up Eclipse in SL wouldn't be too terribly different from what I could work with coming from Ruin. I've already made several art pieces and writing drafts about the 'scary looking but sweet' Eclipse type more than the murder murder murder scary kill kind having to do with the virus's invovlement, so I think this developement is actaully pretty steller for me

Not to say my Eclipse won't be a bit more intense than what was shown in the DLC, but I think it still works out

I mean Look at my doodles and writings of Post-Solar Lunacy Eclipse and how they act: you've got your spooky behavior that comes from Five Nights At Freddy's being a horror game + based off of the DCA's behavior + general alternate universe junk :

and then your silly goofy:

I've always adored the Duelity of Man (Robot)

So basically: Ruin DLC will probably not affect how I write Eclipse at all because from the short few lines we got from them kinda already alligns with how I see Eclipse behaving, at least Post - Solar Lunacy. Sweet boy.

Eclipse's dialect is a bit different in the ruin dlc then how I've had it planned but I think that's okay too, considering how I had their dialect/manner of speaking pretty down similar to how Sun & Moon were speaking in the DLC at least (the short sentences, phrases, occasionally long ones) although this is kinda just a writing flow choice / au character interpretation thing that's a personal preference, since I personally have Moon less verbal than Sun and Sun a lot more talkative in my fics than even the og Sun in Security breach.

Appearance wise? Nothing really changes! The hat and sunrays combo can switch inbetween having a hat or just having sunrays (like how arcade game Eclipse just has sunrays, but character model Eclipse has Moon's hat) and it really just depends on the scene and/or if the DCA was already wearing the nightcap as Eclipse makes an appearance.

I'm keeping the four-arms deal. Best thing the fandom came up with and love it when they do that for characters. Insert 'i just think its neat' image here.

Solar Lunacy has been and still is a AU universe so like said before, some aspects of canon are choosy to whatever I think makes a good entertainment story and all, so not too worried about sticking to canon all that much. Yippie for transformative and creative expression!

THAT BEING SAID, I absolutely fucking adore the glimpse of personality we got from the few scenes of canon Eclipse in the Ruin DLC and it fits an idea of character in my head for them, so I won't really need to divert from the original draft too much for Eclipse!

I'm really happy ahh!!!!

[exocynraku]

I like to say that I absolutely adore how you design your feline characters and make them very unique. You’re my favorite warrior cat artist because of it! How do you go about designing your characters?

halloo... thank you! this ones a bit harder for me to explain, but i'll try! i'm going to specifically talk about cats, but these could be used for other types of characters, mostly furries. note: um, guess who talks too much! i had to split this post into four. so check the reblogs! 1. placing markings with PURPOSE (this is the big one!!!) it was only recently i finally managed to find a way to word this. to create a good design, you need to understand how to place markings with purpose. to me, there are two components to this: spacing/size and body wrapping. body wrapping first. this is how the markings on a cat's pelt wrap and contort around their body. bodies are not flat surfaces, they have plenty of curves, ridges, etc, which will alter the shape of markings placed on top of them. the markings on your character both needs to contort to the shape of the body part AND how it would look from the viewer's perspective. here's some examples;

in the first picture, you can see how i wrap the markings around the cylindrical shape of the leg. in the second picture, you can see both that i've wrapped the markings around the shape of the arm and belly, but likely also that the marking i've specifically highlighted on the arm is being smushed because of the bending of the arm. this leads to a better design, as when you look at it, i feels more natural than if you were to plaster markings over the cat in a straight line. here's a real-life example.

you can see how the markings curve around the body, though i find it's sometimes less pronounced as i would portray it in art. but it's there. sizing and spacing are second. these are less realistic aspects, as cat markings tend to be very random, however it art it leads to a cleaner, more readable & desirable design. sizing and spacing also have a lot to do with consistency. it's also... a little hard to show. i don't find myself messing it up in old pieces, and the designs i do know of which do this are... from strangers. who i would feel bad throwing under the bus for having designs i don't like LMFAO. but i can do my best to describe them. the size of your markings should stay relatively consistent throughout your design. what i mean by this is if you have large, thick stripes along your whole character's body, i wouldn't recommended adding one random thin, pinstripe-y stripe on your characters body. if you want to give them thin and thick stripes, then you need to have BOTH consistently throughout the body. or, give it a balance. thick stripes on the body, neck and tail, and thinner stripes on the face and legs, for example. very, very small markings are GOING to go unseen by you or others drawing the design, i absolutely guarantee it. similarly, the spacing of your markings should stay relatively consistent. for me this mostly occurs in tabby cats. if i draw, for example, the character's body stripes a certain distance apart, i'm not going to suddenly change that distance on another part of their body, such as their legs. the main issues i find with sizing and spacing is when people have issues with BOTH of them at the same time. random markings everywhere with all sorts of sizes and shapes and spacing will make your design cluttered, unreadable and unappealing. even on characters you'd think would be exceptions to this, such as randomly spotted characters/tortoiseshells, i still think about. how can i place these spots or patches in a way that will properly define the markings, making it easy to understand? how can i place spots to not make them too cluttered in certain area? etc. it's definitely a bit hard to explain, especially without visuals, but i tried lol (SOBS) (see reblogs for CONT.)

[lifegoesonevenifeverybodyisgone]

Avgust would resemble Windsong even more as an adult (my character aging analysis)

A thought came to me recently: What did Windsong look like as a child?

I'm no artist, but I can do analysis well, so I investigated using her current and younger pictures to go backwards to what she might have looked like. Here is a general illustration:

After looking at the Child Windsong that I drew, I suddenly realized that the face shape was very familiar! I compared it to Avgust, and it was a perfect match!

But I double-checked by investigating the growing-up patterns of characters designed by the same designer as Windsong to see if the growing pattern is the same as what I have deduced.

In the end, I was correct! There was a consistent pattern with the others and how they were portrayed as children. So this means that Windsong and Avgust have the same face shape.

There is also a good chance that his eye shape may actually develop further into the same eye shape as Windsong. My proof? The Eye Shape Indicator. Like investments, characters' eyes as children predict a certain trend of what their adult features would look like.

Child characters are usually given wider and squarisher eyes (with only little difference from each other). Both Windsong and his eyes are downturned (or what anime fans will call Tareme eyes). His current eyelashes are a very strong indicator that it would curve down eventually (considering the art style) and resemble the almond-like shape of Windsong's eyes.

For example, let's look at J and Willow:

Kid!Willow has a balanced focus on her eyes. Her lower lashes are straight with only a bit of a cat eye on the edges of her eyes. Her adult self has a squarish eye shape but with a sharp edge in her eye. Her upper eyelashes have evened out but is still a strong lash while her lower eyelashes have spread out and maintained a wispy quality.

Kid!J has one of the narrowest eye shapes of any kid character in Reverse 1999. He already has thick eyebrows. He also has a sharp eyeliner, just like Kid!Willow without added lashes. The adult J continues with this pattern, but everything just evens out.

Overall, I think it fits what I saw once, kinda like "9 months in my womb and yet you look like your stupid dad!" meme. When I first saw my sister play Farewell Rayashki, I thought that Windsong and Avgust were related because they looked similar to me. Upon further investigation, they would look more similar as he gets older.

Of course, I'm not saying that he would be Windsong's twin as an adult! He has other features, too. Up to now, I could not determine his nose shape because noses aren't usually drawn in detail in the Reverse 1999 style (so fan artists can go crazy and draw the noses instead).

His eyes are more greyish-blue and have a chance of becoming more blue as time passes. The most similar person I could compare his eye color to is Vila weirdly enough.

Of course, she is different since she is part Rusalka and he is regular folk, but I find it interesting, nonetheless.

[mrnightingale]

DBDA Character Appreciation Week: #4 Niko Sasaki

I love her sm!!! Outfit ideas here by @katygorl

The yellow one is w a pastel highlighter, and the other two w colouring pencils and greyish purple and violet highlighter. I really like this one, I think I'm starting to find a colouring technique I don't completely hate!!! Whoohoo! (Btw in the purple one, the flowers on her top and boots are two different types of Violets, and she's holding a pink sea glass bc palasaki my beloved ones, they're matching ✨✨✨).

Words can't explain how much I love Niko, she's incredibly sweet and friendly and empathetic, and I love her dynamic with practically every character in the show, but what I love the most is that we can actually see on-screen how much she grows through the chapters, how stronger she's getting. I love DBDA because it portrays how different people deals with their feelings in a realistic way, how every teen has their own problems and it takes them with the care it deserves, it doesn't feel exaggerated but every topic is given the adequate seriousness it requires, and honestly is such a masterpiece in the storytelling and pacing through the chapters between the cases and their own character arcs that their evolution doesn't feel rushed at all, but then you look back and see how much they changed, and is really heartwarming.

I love Niko because at first she's locked up in her room and doesn't talk with anyone, and slowly starts opening up with Crystal, and the boys, and then you think she's okay, but she's not. Dealing with depression and mental health issues it's much more difficult than it might seem from the outside, because one day you're feeling Good Enough to go and talk to people with a smile on the face, but that doesn't mean you're really okay. That just means you're feeling Good Enough to keep the mask on through a conversation. And Niko feels pretty realistic and natural to me because healing requires time, and support, and the agency is supporting her but they're not rushing her up to join on cases until she's ready, and that's beautiful. I think it's beautiful bc it shows a healthy environment that provides comfort and support and she's getting better thanks to it, and thanks her own hidden strength, and they're helping her realize where that strength comes from.

And, idk, as I have already said millions of times, I really love Niko and Edwin's relationship, it feels so genuine and heartwarming and bro I want the Niko to my Edwin soooo bad. Help. But my point is. I think the best word I could find to describe their relationship is "comfort" bc they can be themselves with each other, talk about their problems without pressure, knowing that the other will accept them no matter what and will help and support them and, idk, the scene when they're watching Scooby Doo while Niko writers the letter to her mother and Edwin is just there, not intervening but just saying there so she's not alone, idk, it spokes so deeply to me. Like if they could face everything as long as they have each other. I know there's always been Charles and Edwin, and they fighting together against everything, but the relationship w Niko is set in a different emotional basis and I think that's something Edwin needed, being able to talk about his feelings, and the same with Niko.

Brooooo help I love this show so fucking much, it's a masterpiece in every aspect but I'll never stop rewatching and looked amazed by the characters. They're unapologetically queer, and real, and they deal with the Life, and oh fuck, Life is hard as hell, Life is a kick after kick and punch after punch and somehow we have to keep living through it, and I feel so seen when I look at the screen and I can relate with some things that I used to think they were so personal and that I was alone w that, only bc there wasn't any representation of it. We're not alone dealing with Life, and this masterpiece of art that it's Dead Boy Detectives shows it perfectly.

It's queer and flamboyant and bizarre, you have ghosts running for their afterlifes, you have a psychic dealing with her toxic demon ex-boyfriend, and a quirky witch and her familiar twink that actually shows real abusive relationships, you have a Cat King whose only relationships are shallow, and a Night Nurse that knows everything about everything and still has a lot to learn, and you have Niko, a lonely, aloof girl with two dandelion spirits in a bell jar in her room, a girl who grew up with the support of their friends and started to live again, and love again, and love Life, and still, she gave her life for their friends.

And her death matters.

[shiny-jr]

Heya sorry to disturb ya but talking about AI, how to notice if the writing are ai or not? Imma reader so yeah :P

Sure! I'm really glad that the whole AI discussion seems to actually be making a sort of change here. I sorta expected for my words to fall on deaf ears, but that is not the case. So that makes me really happy!

Anyways, just to make this extra thorough, I consulted with the council (my writing mutuals) to ask their opinions on the best way to tell between AI writing and real writing. To some it may come across as an easy difference to spot, but to others it may not be so obvious. So I hope this does help you and others pick apart the AI from the real work!

AI Art

Red flag number one. To me, this is the most obvious sign. As AI art is a bit more obvious to see. There's usually inconsistencies in lighting, awkward lines, too shiny, oversaturated, etc. If you see someone use AI art as a cover for their story or within the chapters, the user is likely using AI in other ways too. If they're okay with using AI in art, they're probably okay with using AI in writing. Which isn't okay.

2. Pacing

This is also a big one. Writers are busy, we got lives and things to do, believe it or not. So if you see a story or account that's just pumping out heaps of content in a small amount of time, that is highly suspicious.

Of course there's people who can write a lot in a short amount of time or who have the time to write frequently, but I can tell you, if you see a story less than a year old that has HUNDREDS of pages of content, something about that is off. Usually, not all the time, it's AI. Because it's very quick for people to just type prompts and get the AI to make tons of content in a small amount of time when real work actually takes a lot of time.

Just check out the frequency of updates and the amount that is being given with each update, and you can probably make logical conclusions from there.

3. Author Notes/Comments

This is a hit or miss, but I've noticed a pattern here. From the AI fics that I've seen, I assume that most of them are written by users who did not have English as their first language. How can I tell? Their words.

These users might leave a note or a comment, and sometimes it's hardly readable, other times it is readable but there's a lot of mistakes in basic words, and on occasion their English is good but there's still flaws. Yet somehow, they can write pages and pages of a story with perfect English? Yeah, that don't make sense.

4. Writing Style

This is a lengthy one, as there's a lot of telltale signs in the writing itself that can reveal whether or not it's written by AI. I'll be breaking this down into more parts, just because there's a lot here.

Definitions - For this one, I'll give an example, without going into specifics of titles or anything. However, I saw a story recently, where something happened. And the line essentially went "And the crowd gasped– a collective intake of breath." See what's wrong with this line? Why are we, the readers, being told the definition of a gasp? People should know what that is. There's no reason for that to be there. So if a written portion includes a word, then defines what that word is, something is wrong.

Emotion - AI work is very stiff, robotic. It does not portray emotion well, if at all. As I mentioned once before, there's no passion in it. Any emotional scenes AI does write, feels very stale and lifeless. It doesn't invoke emotion as it should.

Characterization - This one is iffy. AI work tends to get characters wrong, like they'll make dialogue for a character but that character would never say that. Or they'll make a character do something but the character would never do that. Things like that. It's because AI doesn't truly grasp characters. The most it'll do is if given a set of character traits, it'll try to emulate that character solely based off the given traits, but often come up with multiple flaws and just totally get the character wrong. However, I say that is iffy because people do write characters differently. Sometimes, people totally write a character wrong and it's not AI.

Vocabulary - Another iffy one, but in all the AI works I've seen, they tend to try to use a high level vocabulary. Iffy because some real writers do write very eloquently with high vocabulary, but usually with AI, it sounds like an essay. You can also include excessive descriptions on this, especially descriptions that don't matter and have no real importance to the story. AI does that a lot.

Tone Shifts - AI doesn't have good memory, for the most part, so they can change tones of the story very quickly that it might seem jarring and out of place. If you look closely, this'll reveal if it's AI or not, especially is the tone shift is accidental and caused by the AI messing up. This can included repeated phrases, which also might seem out of place. It can especially be seen in chapter stories, as one chapter might read or feel a certain way and the next chapter reads completely different. There's no consistency.

Focus - AI tends to focus on tell. Tell and not show, when most writers try to focus on show don't tell. Here's an example, since this one might be hard to conceptualize. AI might write something like "He looked around suspiciously" versus a person who might write "He avoided eye contact, glancing around at anything else but you." See the difference? The first example is tell, the second example is show don't tell.

Long sentences - I have yet to have seen an AI fic with short sentences. All AI fics I've seen thus far have the tendency to write in long sentences.

Okay, I think I covered the basics of everything that was mentioned. At least, that's all that was brought up and could be thought of. I sincerely hope this helps, y'all. Remember, support real writers, not AI users ✨

[bedupolker]

PLAYLIST. @viv13drainbow I think if you like that song in particular you'd also really enjoy Summer Salt, Little Joy, and Babe Rainbow for chill beach-y rock (not included). Commentary below:

The Blue Album - The album to start all albums, the album that launched weezer to success. Many hail this as their best album (I love this album but respectfully disagree) but nonetheless it's an essential for weezer fans and alt rock fans as a whole. Plenty of people who know way more about music than I do have praised blue album at length, and it's a funny meme nowadays too. Of course say it ain't so is an all-time classic, a heart-wrenching look into Rivers's relationship with alcoholism and his parental figures. I dunno if anything on the blue album can be called a proper deep cut, but only in dreams is an overlooked gem, and probably my favorite outro in their whole discography. Hopeful but somber, that slow buildup a the end to the guitar solo. Suzanne is a nice B-side.

Pinkerton - the infamous Pinkerton. Their sophomore album. Their breakdown album. Although weezer's not exactly an emo band, this album is often credited to being influential to the genre as a whole. No two people have the same experience with love or breakups, and one of the beautiful things about art is that we can see an experience through anothers' eyes, but I don't think I can think of a more painfully relatable album than this one. The balancing act of portraying its sympathetically-unsympathetic protagonist as equal parts pathetic and lonely while also entitled and aggressive. Some of the vocals are so raw for a second you see the monster in the five foot six, nerdy, physically disabled, lead singer that he sees himself as. Hard for me to pick a favorite standalone song off this one; the good life is a funky jam that wouldn't be out of place next to wheatus or RCHP's tracks, but that's where all the funk ends. Why bother? is a driving, catchy song that starts to show the cracks of his depression, falling for you is full of emotion, and if you get your hands on the deluxe edition, tragic girl.

Green album - At its time of release, Pinkerton was not received well. Creating such a raw, personal piece of art is hard. It's like the artistic version of getting crazy drunk, pouring your heart out, feeling catharsis for a moment, then realizing you'll have to deal with it all the next day. A lot of people interpret island in the sun as a happy song, but to me it's the tylenol after that night of drinking, a lie to tell yourself just to get through the day. It has a peaceful rhythm and brings to mind a tropical paradise, but there's something undeniably melancholy beneath the sunshine and smiles. You've tried to face your pain and you barely escaped alive, maybe you're better off just ignoring it. (That being said, although the damage has been done, Pinkerton has later been reevaluated and is now as widely praised as the Blue Album amongst music critics, and Rivers himself has made peace with that phase in his life.)

Maladroit - Overall this album is rather overlooked. It leans a bit more heavily into the rock aspect compared to green album, yet the lyrics remain impersonal and goofy. It's still not a bad album, though doesn't reach the heights of the first two. The singles, Dope Nose & Keep Fishing are both solid, but Burndt Jamb is my personal favorite. A little beach-y, probably their Stroke-y est song, (the band, not the medical emergency), it's been a mainstay on several of my chill out playlists for years now.

Make Believe - Probably one of their most hated albums by fans. It has the infamously shallow and poppy beverly hills, but you know what? I'm a Make Believe Defender. I truly think it could've been a great album, maybe even on par with Pinkerton. Not because of the album itself, but the demos. Haunt you Everyday is solid on the final product but rips at my heartstrings in this demo, ditto for tell me what you did (different name on the final product), everybody wants a chance to be alone (I said burndt jamb was their strokiest song but I think it might actually be this one) purple flowers (lyrics are a little rough but the melody, the meloncholy... so good) Actually on that note, weezer has, like, multiple album's worth of unreleased content that's miles better than anything on a published album (Link for one of my favorite fan compilations). Yes, the lyrics sound like something I wrote in my diary after a breakup, but that makes them all the more real. A deep dive into weezer will reveal the terrifying truth we've all been blind to: weezer never got bad.

Red Album - Mixed feelings on this one. It was produced by Rick Rubin, industry titan and famous for bringing bands "back from the dead," he's produced more than one of my all time favorite albums. Red is not one of them unfortunately. It has its fans though. Pork and Beans is fun.

Raditude, Hurley, Death to False Metal - Skipping these bc I don't care abt them

Everything will be alright in the end - To fans, this was their first "good" album since Maladroit, maybe since Pinkerton (12 years prior!) depending on who you ask. Although it wasn't as commercially successful as some others, it's a very strong album. Really, what is it about rock bands forgetting they're rock bands then suddenly returning to releasing rock music and magically being good again?? I'm looking @ you too, fall out boy. I have a hard time picking a really standout song- it's one of those albums that's evenly good throughout, no skips, but no obvious standouts either. Da Vinci is fun.

White Album - A fantastic album. You can hear some pretty heavy beach boys influence in this one. Unlike EWBAITE it has a few skips for me, but the highs are very high. Speaking of high. Do you wanna get high has to be my favorite off this one, Endless Bummer could be a sequel to island in the sun, Summer Elaine and Drunk Dori is just good clean weezy fun.

Pacific Daydream - I'm a Pacific Daydream defender. Check out QB blitz. Weekend Woman is flawed, but fun too, the bridge really makes it for me. Very evocative of Good Vibrations by the beach boys.

Teal Album - Oh god a cover album. No Scrubs is probably the only one really worth checking out if nothing else to hear a geeky white guy say "A scrub is a guy who thinks he's fly" like he's reading it out of a dictionary. (TLC, who wrote and performed the original song, allegedly got a kick out of it)

Black Album & Van Weezer - I don't care about these either. Damnit I thought we were gonna be good again!

Ok Human - A good album!! What a relief. Could you imagine how embarrassing it would be to name yourself as a homage such a groundbreaking radiohead album and have it be.... bad??? I particularly love this one because in some ways it feels like it's his most personal album since Pinkerton- only instead of being an honest dialogue from a horribly lonely and isolated 20 year old student, it's a much more well adjusted, happily married, 50 year old father who is subject to both optimism and ennui. And it rocks! In a soft, subdued way. The songs flow into each other so nicely, the first three in the album debatably are my favorite 3-song-run in their discog. Aloo Gobi and Grapes of Wrath especially. The transition from dark and somber Dead Roses to light and upbeat Here Comes the Rain never gets old to me. This album (alongside MGMT's little dark age and The Stroke's The New Abnormal) was also like my essential Coronavirus holy trinity.

Spring/Summer/Fall/Winter - This is a compilation of 4 EP's, one of each released during their respective seasons in 2022. I think it's solid all around, with Summer being the strongest. Records and Blue Like Jazz are both very catchy, Thank you and Goodnight... just wait for the outro, trust me.

[msbunnat]

(Before I say anything this isn’t meant to be hate this is just my thoughts)

I think the reasoning on why people are thinking you are romanticizing Ganymede and Zeus’s story is because you’re making it look like instead of making Ganymede scared of Zeus, it looks like Ganymede is proud to have been kidnapped by Zeus and that he wears a badge of being SA by Zeus. For example, in one of your drawings you said how Ganymede would react to one of Zeus's kids wanting to fight him to where Ganymede said that he had sex with their father, Zeus, making it sound like he was proud and not that affected by Zeus’s actions.

(Again, this is not hate; I'm just explaining what might have caused people to think you're romanticizing Zeus's and Ganymede's relationship.)

No worries, I actually sometimes dont understand when someone is being hateful, so I would read it as just normal.

SO! Again, dosent matter how Ganymede is portrayed, people will think it shouldnt even exist any discussion of him (like, there was an artist that literaly make Zeus as a vile abuser of Ganymede and Hebe was consoling him - EVEN THIS SITUATION THAT SHOW EXPLICIT HOW BROKEN GANYMEDE WAS, PEOPLE HAVE COMPLAINED AS ROMANTIZATION ;w;). So just dont try to look for a reason, there are a lot and none depending sole on who is interpreting my drawings.

This specifc drawing you mentioned, I did way after this recent wave of hate and was just a joke. This case dosent have so much meaning behind the joke, but like, you can have your interpretation as him coping, or he feel for Zeus, or he just want to mess with other gods as he is the only 'mortal' and use Zeus as a shield so he can just be lying... LET YOUR IMAGINATION FLY.

Look... my very firsts drawings and tiktok of Ganimedes was him mad... He literaly mad cry... Even before any nsfw I have done or more nuansed art... and yet people also thougth as romantization... So really, dosent matter what I do, to some people just because of my style or because Zeus is hot its equal to be ok with anything he does (as if abusers cant be attractive... its good those people never meet someone like this, but still makes me worry about them). Ah! There re two expections: some eagle interactions re sweet because its before any harm; and Ganimedes smiling one time on a tiktok video (I though people would be intriged and make questions, but nope, they stick to Ganimedes liking being abused I guess - welp the fetish exists, but I know they mean as me saying 'abuse is ok because he liked it').

I dont know where people think that just because Ganimedes its not suffering in every single second means he is ok to all harm and struggle he will pass... I want to make him suffer as an OC, but like, let him have happy moments... and this also means happy moments with Zeus... and all of this dont erase any bad things... this binary way to see stories its just so not my thing -w-

Oh! and its not because you have intimacy with someone you also love them (like, rage f*cking is a thing and I want to explore it, maybe outside the comic, idk yet u.u). I also have some cannibalism drawings Gani x Zeus, cause imagine eating a god!! So exciting!

OK now for real, I will not answer anymore romantization discustion for some time. I'm tired of this, I will do my things and hope people have patience before stating something that its still in progress. Aske me about it in two months maybe...

[daandism]

An interview with Marcoh Santoro for "The Hexen" magazine

Transcription below:

> So, we're curious to know: how was for you to have Daniël as a sudden makeup ad co-star?

"Daan's surprisingly good at these things and really chill too, it was a good photo session. You see, he's from the fashion field, so yeah, let's say he's a natural at it. A nice experience!"

> And about the rumours? You know they kinda keep going and specially after the advertisment for "White Angel".

"Ah, those rumours." Marcoh averts his gaze for brief seconds. "I think it all started when I met him at Milan's Fashion Week. I was invited and he sat next to me, we chatted during all the event and eventually we got closer but that's all. I often commission him and we're good friends."

> The ad for the makeup brand "White Angel" seemed to evoke different opinions from your fans. What do you think about it?

"Well, I know my fans opinions and I take them into account, not all of them, of course." he laughs. "I think some of the opinions are too harsh, like, it's just an advertisement, no need to say such mean words. I am what I am and I won't change myself to fit other's perspectives of myself."

> The public want to know: would you ever talk about your sexuality? This may cease some of the discussions...

"All I can say is this day isn't going to be today or soon."

> Marcoh Santoro, we are also curious to know about your professional life: any spoiler of your next role?

"A little spoiler won't hurt, right?" Marcoh chuckles. "My next role will be something really different from my previous ones. Fans know me for my strong side, for starring in action movies and for receiving and giving some jabs, but this next one surely will cause some strangeness. Can't say I'm not nervous for the public's reception, but let's see. I hope my fans enjoy this other side of me."

> Last question: what do you expect for the future of your career as an actor?

"Being honest, a little bit of peace. Don't get me wrong, I love acting, I love portraying characters and bringing them to life, I would never get bored with it. Either way, I can't deny that sometimes all the fame haunts me. Paparazzi, rumours about my private life, harsh words and very rude opinions about me and even my family, these things; I really wanted them to stop but, yeah, there's little to nothing I can do to make these stuff end. "

> Thank you so much for accepting being interviewed by us of "The Hexen" magazine! It was a pleasure to have you featured here!

"Thank you! It was a nice interview, lovely setting and the 'The Hexen' team is incredible. I'm always up for interview opportunities! Again, thank you!"

the art was made by my friend @hwaast , thank you so much again, i don't know how to thank you more 💜

magazine page edit by me

[pallisia]

more batch asks

thank you every. cut for spoilers

Anonymous asked:

I know you've made a lot of jokes about "you have to be nice to me" and "you've signed the contract" but I am honestly so happy to see a dark, truly cruel character like ysme portrayed in the way you've written her. when you think she won't go lower she sweeps you from a hole under your feet. the swap between perspectives and how others view her makes her actions that much more shocking and enthralling. it's a complete blast to read and makes her such an interesting character. in a time when it feels like more and more writers are wary of making characters too "mean" and the demand for mass appeal can lead to creative limitations to keep viewers engaged, ysme is a breath of fresh air. I love evil girls but even my jaw was on the floor.

thank you very much. but the contract is still in effect

@adair-trashart asked: i have the new soulsov update downloaded im planning on showing it to my other adult friends once our schedules line up >:33333333333

yay! i hope you all have fun.

@braveswordwielder asked:

Hey Soulsov 2 good Thanks for breaking new ground in the talking animals genre

thank you very much. i don't know if i'm breaking new ground exactly, but i'm glad you enjoyed.

Anonymous asked:

I love how past some point ysmé is the kind of person that's exactly the kind of person she says she is, and both her words and actions reflect that, yet still some part of me like Loic wants to see something that most likely is not there. I love every time this happens she rips my heart out and laughs about it. and then it happens again. I love soulsov.

thank you. please look forward to it.

@mobi-gg asked:

Ok I know I signed the contract so I have to go thru with it anyway, but I really do like how you are writing Ysme and her dynamic with Loic. Like she's done some very cruel shit this chapter, but I want to know why she's like this. How much of it is her true nature, how much is a facade or her strategy for rebelling and getting what she wants. Is there some kindness underneath it all in the end? Is it foolish to hope for such a thing? Truly I am acting like Loic rn. As for the rest of the chapter. Amazing. Everyone is so charming and lovable (even Ysme with her.. everything). The music and art were delightful and the pacing??? wow.

thank you so much. i love that this is the same sentiment as the previous ask. i'm glad she's compelling in spite of everything.

Anonymous asked:

Not only am I not mad, I am absolutely delighted by the contents of chapter 2. Good and “bad” alike, the writing is exhilarating, the chemistry between the characters is unparalleled, and adoration of all the art easily doubled my read time. Every time I see the New Friend I spend a solid minute on the verge of tears for my love, I am hoping Ysme gets even worse, I’m ready to see Loic be broken, and also additionally when I got to the “fishing” I thought it was a reference to the World of Ruin fishing mechanic in FF6 and I was TERRIFIED by it but it WAS really funny

thank you very much. i should have added an invisible timer that killed loic offscreen if you took too long.

@notactuallyahat asked:

Chapter 2 was fantastic, thank you so much for creating it! The 'if order has no place for you' line made me tear up a little, and I am amazed how Ysme continuing to be herself and behaving in exactly the way she has always said she will still somehow felt surprising and was very much an emotional gut punch. 10/10, can't wait to reread it also I didn't realize the fishing minigame was just a fishing minigame so my first response was to immediately save in a mild panic

thank you. see! without a fishing minigame, when else would you think to save. it's game design baby

Anonymous asked:

chapter 2 was great. thank you as always for sharing. the tonal shifts between ysmes omnipotence as sexy and fun vs utterly abject are really affecting. very much looking forward to the future horrors. cheers!

thank you for reading!

@fluffycattens asked:

Ysmé......... I thought she was a fun character after chapter 1 but now that I've finished chapter 2 I'm rotating her in my mind, what a cool and normal woman (she's awful and I love her) Thoughts and theories and impatience to learn more about her and the world, your storytelling and in particular your worldbuilding is so good!

thanks so much! please continue rotating her. i will do the same.

@rarmaster asked:

finished chapter 2 and immedaitely sent it to my friends who LOVE women's wrongs. also: wow this was great. i am fondly rotating the prose and dialogue around and around in my heart. your words are just so very good and i like to read them. i also love to see your art, too, of course, so every CG was a treat. ball………. also oh my god (had no idea about tutu's everything and am really basking in it right now) Oh My God.

thank you! i kind of spoiled tutu for longtime followers by posting art of her years ago, but i'm glad she ended up being a total surprise for a lot of readers. i'm glad she is loved.

Anonymous asked:

i don't think i'm going to see the phrase "unrequited love" the same way ever again. masterful stroke with the prose descriptions of pansies and specifically witchgaze: flower that means forcing heartbreak on someone. flower that means forcing shame and obedience. flower that cracks your brain open and pours in self-hatred.

thank you. the witchgaze's meaning went through a lot of different iterations before ending up there. not that we'll ever see it again or anything lol, but if we did i'd say "please look forward to it"

Anonymous asked:

flower that means you broke my heart... flower that means i got really attached to loic and his former [spoiler character]... flower that means kiss him gently he deserves so much better than what he has right now... flower that means i signed the contract and i'm already excited for chapter three!

flower that means yay

[the-one-who-lambs]

uhh hello!! sorry if this is a tall order LOL but I wanna ask, do you have any narilamb fanfic recs? :D I already read yours and I really like bamsara’s and I’m waiting for epicaandk’s to update (that one is my fav ever <3) but idk what to read now lol

Tall order?? Naaaaah, I'm always happy to give recs. Oh boy, I'm gonna go in reverse chronological order.

If you've read all of my narilamb fics (have you seriously? I'm impressed, that's probably well over half the 150k+ I've written for this damn fandom. Also, to anyone seeing this from a reblog, my stuff is over at onethirdofimpossible!) then here we go!

You already mentioned it, but The Rehabilitation of Death is excellent so far! This one is by @bamsara who is new to the CotL fandom but apparently not new to fanfic writing; they have a really popular FNAF fic and I assume the well-deserved attention this fic's been getting is a byproduct of the popularity they've already gotten in other fandoms. :D Welcome, bamsara! Many of the fic writers in this fandom are friends with each other already, but we don't bite if you wanna say hi.

Feel No Evil and Language Barrier, both by @payasita. I always love how payasita portrays this duo (in both digital art and writing), with so much sass and repressed loneliness, knowing they're stuck together for eternity and making the best of it. (And maybe falling in love, depending on how dense Narinder keeps being.) What makes these come alive for me is how well thought out the setting is outside the Lamb and Narinder. The descriptions and weight of emotions really pop here.

LITERALLY ANYTHING written by pavi / @i-eat-deodorant. Depending on how spicy you want your fics to be he has even more here. Character analysis, diction, pacing, etc. are consistently 10/10. Top-quality banter between a sassy Lamb and tired old man Narinder. We constantly bounce ideas off each other and inspire each other a lot but I promise I'm not hyping him up just because he's my friend oh my god please just go bless your eyes.

It Was For You, O Death by blueberry-muffin-massacre (if they have a tumblr, let me know so I can tag!). An intriguing alternative ending to the final battle wherein the Lamb chooses a secret third option by refusing to give up the Red Crown and still observing Narinder as the God of Death. So many details are so well thought out and duality their relationship is nicely characterized-- both genuine care for each other and also quite unhealthy. A fine line treaded well!

Confessional by jusmove (again, lmk if they have a tumblr). Been a while since I've read it, but I love how the Lamb chips at Narinder's very carefully built emotional walls. Their personalities are very well fleshed out here, especially Narinder's cognitive dissonance at being able to process love.

Confession by @thewitchoftheweed. I didn't expect a part two to this one, but my god I was so thrilled when it did update. Narinder and Lamb with their unique and parallel loneliness and their fucked-up sense of everything. Their relationship is very rocky here, and I love how they navigate it: with tension and eventual, pained acceptance. Mind the rating.

Of Character Development and Being Dense by @calliecature. A short and sweet narilamb classic. They're both mutually pining and one of them is too emotionally repressed to realize it. Guess who.

Not An Offering, But a Gift by @checkplzjuliet. Small confession fic. I especially love how Narinder's descriptions twist the knife of his situation here, and how Lambert is a total foil for him! There are a lot of good things happening in such a short span, which is impressive.

Also, if you think you've read all my narilamb fics... I do have a secret one out there too. Just so you know.

Happy reading!

I'm already friends with many of the people here, but if any of the writers I've tagged have been kinda wanting to reach out for a while but feel a little anxious... Don't be. I've made my best friends in this fandom by literally just waiting for some of my readers to get over whatever assumption they have that I'm cool and say hi. Or being the more confident one first.