#what . is wrongwith them

[mellohiizz]

squiddos video has me in shambles. The swagsquid meals we were fed.

squiddo saying about how she built her house and she made another room if someone wanted to run away with her as she places a PURPLE BED. and the next frame is ashswags pov. KEEP IN MIND SHE LITERALLY SQID ON ASHS STREAM, "maybe I think of u whenever I see the color purple"

when she dies to fall damage ash(in animation) literally CRADLES HER FACE. 🤨🤨 🫵

^^ adding to this ash & pangi team up to kill someone so she can get the extra heart

squiddo when not wanting to invite ash to the birthday party says, "I made the worst mistake of lifesteal... caring about someone" <- was mentioned in a previous video BUT SHHHH

Squiddo refers to ash alot as ' her friend ' , her only 'friend' (ash also refers to squidd as his friend)

squiddo feeling sorry about ash being killed on his wedding day so she gives him a heart <- was also a former video

there are so many more moments but i am going crazy over these. I dint think the brain rot will ever stop cries

-sunny anon

OHHH HELLO SQUIDSWAG WHATS WRONGWITH THEM....

the answer is everything, but i still love them. thank you for keeping me in the loop. maybe i really should just start watching squiddo... for squidswag content you know....

[basil-from-omori]

what r the most underrated/overrated plants and why do you think they should be used more/less

afaik baby’s breath get a lot of hate (this is funny rn bcuz of your username), but honestly they can look SUPER nice in little arrangements. like idk, I had a phase where i didnt like them when I was like 13 for some reason. they Like dry soil usually, but young ones like just moist soil. I just think they’re neat to throw into more delicate and cute arrangements. if you wanna lesser known plant, I’d say youtan polou which are more interesting than pretty. like….what is wrongwith u…little guy

This is babys breath:

anf then this is youtan poluo

but for OVERRATED PLANTS. I gotta say roses. their meanings dependent on colors is a neat concept, but meanings aside, they are so cliche and overdone I swear. this is a lame answer but still. also I don’t like sunflowers that much either, I think they’re overrated as well, but my bestie likes them so I forgive them. don’t need to show pictures of either lol

[unanimousone]

J, Tues, 12/09/2023

super questioning when i work a 13 hour day and just feel hyped and kind of want to go workout. but i dont think that im going to. i think i'll just take a shower and chill out. i have to go back tomorrow, and i think i will be there til Thursday. they say that that should be our last day, but who knows how long it'll be before they act up again and do some dumb violent shit? so here i am just thinking and thinking some more. about everything. the good and the bad but the good thing is that im not really obesessing about anything specific. i usually will if something is bothering me or on the other side of the fence, if something is sooooo fucking good and i dont want it to end. but i dont really even dothat anymore because i know that it leads to rash and impulsive acts that can usually turn things from good to stupid. and thats not what i want. i mean i do obsess about you but i make it a think to have some control over it. so its in a healthier way than not. i only want things to be healthy with us. and i know that it doesnt always work that way, not at first but it can be accomplished with time and practice. something that im willing to do. more goals, baby!! i definitely have to put myself in check and see the real and not let my mind play too much games on me. and when it does i have to just remind myself that it isnt all about me and that life is happening weather i like it or not so i just have to try my best to enjoy the wins and let go of things that really shouldnt matter to me. but what if they do matter to me? and i just dont know how to go about expressing my insecurities and such? what if the things thast my mind if fucking with me about are things that really need to be addressed so that i can grow further? but no…see im so back and forth. i dont want to sound dumb but i am how i am and idk if you will like that. i think that i may come off as bugging and in all of this i really have no right to even question anything, nor is so much of anything any of my business. but the mind will still do what it does, but to be honest i have seen much improvement in myself and that is something good. i hate my negative behaviors and such and im glad that im making progress towards them. but this is only one thing to be in here and see progress. what about in person? is that gonna fuck me up completely? am i gonna have to learn a whole new level of growth? and am i ever gonna get out of my bullshit ways? i mean wtf is wrongwith me? i have a lot of work to do and i know that i dont want to push you away. i dont want to lose you. its one thing if you happen to go another route, but if im the one to cause the loss of you it would be such a disappointment and i would probably just go into questioning my worth and such, yada yada, well i guess i would feel down if you were the one to decide to go another route too, sigh…kind of hard to explain. im a fucking nut and you have me going crazy for you. its good and bad, i think. but the bad comes from my side of it all. its good because you are fucking perfect and positive and openminded, and lovely, and beautiful, and i could just go on for days. but i just have never met anyone like you and its just great. youre fucking amazing. i cant get enough. and im going to do my best in the situation of "us"

[llycaons]

eating carrots tonight and thinking about that time when I was younger that I told my mom that I like eating peas and carrots the best (I hated vegetables otherwise) and she went "well, those are easy vegetables to eat" like thanks way to minimize my accomplishment of eating vegetables. you pathetic woman

[the-inner-weebs]

K-Drama Recommendation Masterlist

RICH GUY POOR GIRL

Coffee Prince (2007) 커피프린스 1호점 ~

Genre: Food/Friendship/Comedy/Romance/Drama

𝐆𝗼𝐧𝐠 𝐘𝗼𝗼 ~ Choi Han Gyul

𝐘𝗼𝗼𝐧 𝐄𝐮𝐧 𝐇𝐲𝐞 ~ Go Eun Chan

Choi Han Gyul is the grandson of chairwoman Bang of Dong-in Foods, a company that has a thriving coffee business. He has never had a job and does not care for responsibility. Han Gyul is hung up on his first love, Han Yoo Joo, who only sees him as a friend.

Go Eun Chan is a 24-year-old tomboy who is often mistaken for a guy. Her father died when she was 16 years old and since then she has taken over as the breadwinner in her family.

When Han Kyul and Eun Chan meet, he, not knowing that she is a girl, decides to hire her to pretend to be his gay lover so that he can escape the blind dates arranged by his grandmother. After getting an ultimatum from his grandmother, Han Gyul takes over a rundown old coffee shop, later renamed "Coffee Prince," to prove that he's capable, both to his grandmother and to Yoo Joo. In order to attract female customers, he only hires good-looking male employees. Eun Chan, desperate for money, continues to hide her gender to get a job at Coffee Prince.

Director: Lee Yoon Jung

Secret Garden (2010) 시크릿 가든 ~

Genre: Comedy/Romance/Drama/Melodramatic/Supernatural

𝐇𝐲𝐮𝐧 𝐁𝐢𝐧 ~ Kim Joo Won

𝐇𝐚 𝐉𝐢 𝐖𝗼𝐧 ~ Gil Ra Im

The drama tells the story of Kim Joo Won, an arrogant and eccentric CEO who maintains the image of seeming perfection, and Gil Ra Im, a poor and humble stuntwoman whose beauty and body are the object of envy amongst top actresses. Their accidental meeting, when Joo Won mistakes Ra Im for actress Park Chae Rin, marks the beginning of a tense, bickering relationship, through which Joo Won tries to hide a growing attraction to Ra Im that both confuses and disturbs him. To complicate matters further, a strange sequence of events results in them swapping bodies.

Director: Kwon Hyuk Chan/Shin Woo Cheol

Personal Taste  (2010)  개인의 취향 ~

Genre: Comedy/Romance

𝐋𝐞𝐞 𝐌𝐢𝐧 𝐇𝗼 ~ Jeon Jin Ho

𝐒𝗼𝐧 𝐘𝐞 𝐉𝐢𝐧 ~ Park Gae In

Jeon Jin Ho is a straight guy who is mistaken as gay when he applies to become Park Gae In's roommate. His hobbies include organization and ironing, and he's known for his stoic poker face. He's a stickler for cleanliness, but he also has a talent for figuring out a women's feelings. Gae In is very trusting even though she has a habit of being betrayed. However, that doesn't stop her from giving people the benefit of doubt and Jin Ho is no different. How will Gae In react when she finds out that her gay roommate is not actually gay at all and that he has fallen for her?

Director: Song Hyung Suk/Noh Jong Chan

What’s WrongWith Secretay Kim (2018) 김비서가 왜 그럴까 ~ 

Genre: Friendship/ Business/Comedy/Romance

Park Min Young ~ Kim Mi So

Park Seo Joon ~ Lee Young Joon

The series revolves around the narcissistic Lee Young Joon, the vice president of a company run by his family. He is very self-absorbed and thinks highly of himself, so much that he barely acknowledges the people around him. Lee Young Joon has a capable and patient secretary Kim Mi So who has remained by his side and worked diligently for 9 years without any romantic involvement. However, Mi So now wants to set her life & focus on herself so when she decides to resign from her job, hilarious misunderstandings ensue. After 9 years of their strictly-workplace relationship, can it now develop in something more?

Director: Park Joon Hwa

SUPERNATURAL

Goblin (2016) 도깨비 ~ 

Genre: Comedy/Romance/Fantasy/Melodrama/Supernatural

Gong Yoo ~ Kim Shin

Kim Go Eun ~ Ji Eun Tak

Kim Shin was once an unbeatable general in Goryeo's military who died a tragic death. He now possesses immortality but is tired of living while everyone else around him dies. For 900 years, Kim Shin has searched for his bride, a mortal who can pull out the sword and end his life. One day, he encounters Ji Eun Tak, a positive, upbeat high school student who can see the dead and has gone through tragic events, yet still stays strong. She claims to be the Goblin's bride who can end his immortal life, but what appears to be an easy task, only gets complicated, as the two fall in love.

Director: Lee Eung Bok

Moorim School (2016) 무림학교 ~

Genre:Action/Romance/School/Drama/Martial Arts/Fantasy

𝐋𝐞𝐞 𝐇𝐲𝐮𝐧𝐖𝗼𝗼 ~ Yoon Shi Woo

𝐇𝗼𝐧𝐠 𝐁𝐢𝐧 ~ Wang Chi Ang

𝐒𝐞𝗼 𝐘𝐞 𝐉𝐢 ~ Shim Soon Duk

𝐉𝐮𝐧𝐠 𝐘𝗼𝗼 𝐉𝐢𝐧 ~ Hwang Sun Ah

The Moorim School is a hidden school that can only be seen by special individuals, it isn't focused solely on high academic scores but on physical abilities. The school teaches its students great virtues which include honesty, faith, sacrifice, and communication. The teachers and students at the school come from different countries and each has their own stories. Everything is very extraordinary and normal until a student who doesn't seem to fill the role wanders into the academy and changes the destiny of all the students.

Director: Lee So Yeon

Strong Woman Do Bong Soon (2017) 힘쎈여자 도봉순 ~

Genre: Action/Thriller/Comedy/Romance/Drama/Supernatural

Park Bo Young ~ Do Bong Soon

Park Hyung Shik ~ Ahn Min Hyuk

Ji Soo ~ In Gook Doo

Do Bong Soon is a petite, unemployed woman who is honest and kind. She appears little and sweet on the outside, but she is in fact very, very strong. In her family, for generations the women have been gifted Herculean strength to use for the greater good. If abused, however, their power will be taken away. Whilst standing up for herself after gang members bully her, she finds herself approached by Ahn Min Hyuk, the handsome and somewhat childish CEO of Ainsoft, a gaming company. Ahn Min Hyuk, who holds a great distrust towards the police, witnessed the whole exchange of Bong Soon's superhuman strength, and now wants to employ her as a bodyguard after being threatened by an unknown enemy. Min Hyuk falls in love with super-strong Bong Soon at first sight, but there's a catch. Bong Soon has eyes for someone else; police officer and childhood friend, In Guk Doo, whom she has known since high school. When chaos ensues after a series of kidnappings in Do Bong Soon's hometown of Dobong-dong, Dobong-gu, Bong Soon must decide whether to use her strength and stand up to evil, or play it safe and keep her powers hidden from the world. Combined with the love triangle she faces between In Guk Doo and Ahn Min Hyuk, as well as having to keep Min Hyuk safe, Bong Soon's life is thrown into turmoil. Can she use her strength for the greater good, or will it prove in the end to be too much?

Director: Lee Hyung Min

He is Psychometric (2019) 사이코메트리 그녀석 ~

Genre: Thriller/Mystery/Comedy/Romance/Drama/Fantasy

𝐏𝐚𝐫𝐤 𝐉𝐢𝐧 𝐘𝗼𝐮𝐧𝐠 ~ Lee Ahn

𝐒𝐡𝐢𝐧 𝐘𝐞 𝐄𝐮𝐧 ~ Yoon Jae In

𝐊𝐢𝗺 𝐊𝐰𝗼𝐧 ~ Kang Sung Mo

After losing his parents in a fire, Lee Ahn acquires the power of psychometry, the ability to read a person or an object's past through physical contact, and he decides to use it to take bad people down. While he does not know how to control his power yet, he meets Yoon Jae In who tries her best to hide her painful secrets. Together with his foster guardian, prosecutor Kang Seong Mo, and the latter's colleague, investigator Eun Ji Soo, they team up to solve an elusive case that has been haunting the lives of Ahn, Sung-Mo, and Jae In. The case revolves around the life of prosecutor Kang his mother and father who were the main cause of the fire. Jae In and Lee Ahn heal each other through their past present and future and find the culprit.

Director: Kim Byung Soo

Memorist (2020) 메모리스트  ~

Genre: Action/Thriller/Mystery/Crime/Supernatural

Yoo Seung Ho ~ Dong Baek

Lee Se Young ~ Han Sun Mi

Dong Baek has an extraordinary ability. He can peer into the memories of whoever he touches. With his supernatural power, get it done attitude, and eye-pleasing looks, he is fervently revered worldwide as a superstar detective. However, when his punches meet with suspects before words, he can be a bit of a headache to his comrades. Starting from the age of twenty, Han Sun Mi is the youngest to have passed the bar exam, obtain a doctorate in criminal psychology, and become a senior superintendent in the police force. Having solved five cold cases that even a detective with supernatural powers couldn't do, she is a genius profiler. She has a secret that drives her to do what she does. These two highly-skilled professionals meet their match—a serial killer with abilities that transcend theirs combined. It's going to be a fight worth watching.

Director: So Jae Hyun, Kim Hwi

Tale of the Nine-Tailed (2020) 구미호뎐 ~

Genre:Action/Suspense/Thriller/Horror/Romance/Fantasy

Lee Dong Wook ~ Lee Yeon

Jo Bo Ah ~ Nam Ji Ah

The mythical nine-tailed fox, or gumiho, Lee Yeon had to settle in the city many centuries ago. Able to transform into human form, he eradicates supernatural beings that threaten the mortal world. His real aim is to find the reincarnation of his lost first love.

The talented television producer Nam Ji Ah works in a show that features urban myths. In the past, her parents were involved in a mysterious car accident and disappeared, and she suspects that Lee Yeon might be connected with this accident.

The half-brother to Lee Yeon is the captivating Lee Rang.  Despite being half-human himself,  he harbors a deep-seated contempt for all people. For sport,  he will unleash his seductive prowess upon his human-du-jour,  by promising to grant them their wishes, only to trick them into paying a hefty price for their earthly desires.

Director: Kang Shin Hyo

PSYCHOLOGICAL

Heal Me Kill Me (2015) 킬미힐미 ~

Genre: Psychological/Comedy/Romance/Drama

Ji Sung ~ Cha Do Hyun

Hwang Jung Eum ~ Oh Ri Jin

A traumatic childhood experience leaves Cha Do Hyeon, suffering from memory loss and dissociation. The latter has resulted in the creation of seven distinct personalities. Wanting to regain control over his life, he asks Oh Ri Jin, a first-year psychiatric resident, to help him, but she eventually falls in love with one of his personalities. Ri Jin’s twin brother, Oh Ri On, a famous mystery novelist, investigates Do Hyeon and his family.

Director: Kim Jin Man, Kim Dae Jin

It’s Okay to Not Be Okay (2020) 사이코지만 괜찮아 ~

Genre: Psychological/Comedy/Romance/Drama/Family

𝐊𝐢𝗺 𝐒𝗼𝗼 𝐇𝐲𝐮𝐧 ~ Moon Gang Tae

𝐒𝐞𝗼 𝐘𝐞 𝐉𝐢 ~ Ko Moon Young

𝐎𝐡 𝐉𝐮𝐧𝐠 𝐒𝐞 ~ Moon Sang Tae

The story of a community health worker at a psychiatric ward who lives on 1.8 million won (approximately $1,520) a month and a storybook writer suffering from an antisocial personality disorder. A man who denies love and a woman who doesn’t know love defy fate and fall in love, finding their souls and identities in the process.

Moon Gang Tae is a community health worker at a psychiatric ward who was blessed with everything including a great body, smarts, ability to sympathize with others, patience, ability to react quickly, stamina, and more. Meanwhile, Ko Moon Young is a popular writer of children’s literature, but she is extremely selfish, arrogant, and rude.

Director: Park Shin Woo/Jung Dong Yoon

MEDICAL

Emergency Couple (2014) 응급남녀 ~ 

Genre: Comedy/Romance/Drama/Medical

𝐒𝗼𝐧𝐠 𝐉𝐢 𝐇𝐲𝗼 ~ Oh Jin Hee

𝐂𝐡𝗼𝐢 𝐉𝐢𝐧 𝐇𝐲𝐮𝐤 ~ Oh Chang Min

𝐋𝐞𝐞 𝐏𝐢𝐥 𝐌𝗼 ~ Gook Chun Soo

Jin-Hee led a satisfying life as a dietitian. She then met medical school student Chang-Min. Despite his wealthy family's strong opposition, Jin-Hee and Chang-Min decided to get married. Chang-Min's family is full of doctors. Chang-Min though gave up his medical internship and began working as a pharmaceutical salesman. Their marriage life was not happy. Chang-Min's family looked down on Jin-Hee and even Chang-Min seemed to change. Chang-Min began to think terribly of Jin-Hee and they finally divorced. After their divorce, Jin-Hee became a medical student and now works as an intern. Chang-Min also graduated from medical school and begins to work as an intern. One day, they meet in the emergency room of a hospital where they will both work together.

Director: Kim Chul Gyu

Doctor Stranger (2014) 닥터 이방인 ~ 

Genre: Thriller/Romance/Drama/Medical

𝐋𝐞𝐞 𝐉𝗼𝐧𝐠 𝐒𝐮𝐤 ~ Park Hoon

𝐉𝐢𝐧 𝐒𝐞 𝐘𝐞𝗼𝐧 ~ Song Jae Hee

𝐊𝐚𝐧𝐠 𝐒𝗼 𝐑𝐚 ~ Oh Soo Hyun

𝐏𝐚𝐫𝐤 𝐇𝐚𝐞 𝐉𝐢𝐧 ~ Han Jae Joon

As a child, Park Hoon and his father were kidnapped by North Korea. In North Korea, he was trained to become a doctor by his father who was already a doctor. Park Hoon became a genius-like heart surgeon. He then flees to South Korea. Park Hoon begins to work as a doctor in South Korea's top hospital Myeongwoo University Hospital, but he feels like a complete outsider. To bring his love from North Korea, he does anything to make money.

Director: Hong Jong Chan/Jin Hyeok

Blood (2015) 블러드 ~

Genre: Action/Vampire/Romance/Drama/Medical/Supernatural

𝐀𝐡𝐧 𝐉𝐚𝐞 𝐇𝐲𝐮𝐧 ~ Park Ji Sang

𝐆𝐮 𝐇𝐲𝐞 𝐒𝐞𝗼𝐧 ~ Yoo Ri Ta

Park Ji Sang is a doctor specializing in hepato-pancreato-biliary surgery in the best cancer research hospital in the country. He is also a vampire. Despite seeming cold and unfeeling, Ji Sang masks his soft heart and inner pain and yearns for closeness with people. He believes very strongly in the sanctity of human life and suppresses his thirst for blood to treat terminally ill patients and save lives.

Among his colleagues is Yoo Ri Ta, a hotshot physician who entered medical school at the age of 17 and is also the niece of the chaebol group chairman who owns the hospital. Ri Ta is highly capable but snooty and prideful, yet Ji Sang finds himself falling for her. He also gets drawn into a conflict between good and evil as he encounters Lee Jae Wook, a two-faced hospital chief who gains everyone's trust with his gentle demeanor but inwardly harbors a dangerous ambition for power and a talent for cruelty.

Director: Lee Jae Hoo/Ki Min Soo

D-Day (2015) 디데이 ~ 

Genre: Romance/Drama/Medical

Kim Young Kwang ~ Dr. Lee Hae Sun

Jung So Min ~ Dr. Jung Ddol M

An unprecedented 6.5-magnitude earthquake has struck Seoul, destroying roads and buildings, and preventing ambulances from reaching victims. Woefully unprepared for such a massive disaster, Korea can only watch the desperate situation and listen to the pleading cries for help. Hae Sung, a competent surgeon, can’t resist doing everything he can to help the injured people during the emergency. This upsets his hospital and they put him on a blacklist, as his benevolent help is against the hospital's profit. Ddol Mi, beautiful and ambitious, chased money and fame as a doctor, but now wants to become a truly compassionate doctor after meeting Hae Sung. Woo Jin has been building a successful career as Korea’s rising doctor, but secretly, he truly cares about being a genuine doctor, saving the lives of the sick. These three characters team up to rush into emergencies, holding onto hope in the most desperate situations, and taking all sorts of risks for the sake of saving lives.

Director: Jang Yong Woo

Hospital Ship (2017) 병원선 ~

Genre: Romance/Drama/Medical

Ha Ji Won ~ Song Eun Jae

Kang Min Hyuk ~ Kwak Hyun

Lee Seo Won ~ Kim Jae Gul

Army doctors board a hospital ship, which is a floating hospital that serves people who live on remote islands. But were these doctors interested in helping underprivileged people for free? Not at all. There is the non-army doctor Eun Jae, a cold perfectionist surgeon whose fast-track career was derailed. Kwak Hyun who practices internal medicine is the first army doctor to volunteer for duty on the hospital ship. Then there is the irritating Jae Geol, an oriental medicine doctor who drew the short straw and now has to serve on the hospital ship. A bunch of doctors with different backgrounds finds themselves afloat at sea. They are too old to be called youthful doctors as they are all in their thirties. Though they have skills obtained through long years of studying in medical school, their hearts and souls are barren. This is a coming-of-age story about doctors who have experienced setbacks in life that they are trying to bounce back from while they learn how to be a compassionate doctor and pursue fulfilling lives.

Director: Park Jae Bum, Kim Sang Woo

Doctor John (2019) 의사 요한 ~

Genre: Mystery/Comedy/Romance/Life/Drama/Medical

Ji Sung ~ Cha Yo Han

Lee Se Young ~ Kang Shi Young

“Doctor John” is a new medical drama about doctors specializing in pain management. In a refreshing take on the genre, “Doctor John” will portray the doctors’ search for the cause of their patients’ mysterious pain as a thrilling chase, almost like a detective hunting down the perpetrator behind an unsolved crime. 

Cha Yo Han is a genius anesthesiologist, who is also the youngest professor at his medical school. The brilliant doctor goes by the nickname “10 Seconds,” referring to his ability to figure out his patients in the 10 seconds that it takes for them to enter an examination room and walk to their seats.

Kang Shi Young is a legendary anesthesiologist, who was always at the top of her class throughout medical school. The talented doctor inherited her skills from her cool-headed, rational mother, while she inherited her empathy, listening skills, and warm bedside manner from her father.

Director: Jo Soo Won

ROMANCE COMEDY

Pinocchio (2014) 피노키오 ~

Genre: Thriller/Mystery/Comedy/Romance/Melodrama

Lee Jong Suk ~ Choi Dal Po 

Park Shin Hye ~ Choi In Ha

The idealistic Choi In Ha has her work cut out for her when she becomes a broadcast journalist, especially when she suffers from a condition known as “Pinocchio syndrome,” which makes her break out into hiccups whenever she tells a lie. Her rookie colleagues include Choi Dal Po, whose shabby appearance masks his true eloquence and sharp memory; Seo Bum Jo, a wealthy heir who has had everything handed to him in life; and Yoon Yoo Rae, whose fangirl knowledge comes in handy in covering the news. The 20-something newbie reporters pursue justice as they try to discover themselves in the process.

Director: Jo Soo Won

I am Not a Robot (2017) 로봇이 아니야 ~ 

Genre: Friendship/Comedy/Romance/Drama/Sci-Fi

𝐘𝗼𝗼 𝐒𝐞𝐮𝐧𝐠 𝐇𝗼 ~ Kim Min Kyu

𝐂𝐡𝐚𝐞 𝐒𝗼𝗼 𝐁𝐢𝐧 ~ Jo Ji Ah

𝐔𝐡𝗺 𝐊𝐢 𝐉𝗼𝗼𝐧 ~ Hong Baek Gyun

Kim Min Kyu is the largest shareholder of a financial company. He suffers from a "human allergy", preventing him from normal interactions with other people. He becomes interested in a robotic project named Aji-3 created by the Santa Maria robotic team. The team is headed by Hong Baek Gyun,  inventor of Aji-3 and world-renowned robotics professor. He modeled Aji-3 after his ex-girlfriend, Jo Ji Ah, a struggling inventor that also works as a personal shopper to make ends meet.  Just when Kim Min Kyu wants to test the robot, an accident causes the malfunction of the robot's battery. Hong Baek Gyun begs Jo Ji Ah to take the place of Aji-3 and pretend to be the robot so they can get funding from Kim Min Kyu. But, Aji-3 becomes the closest thing that the lonely Min-Kyu has to real contact with another person.

Director: Jeong Dae Yun

My Shy Boss (2017) 내성적임보다 ~

Genre: Business/Comedy/Romance/Drama/Melodrama

𝐘𝐞𝗼𝐧 𝐖𝗼𝗼 𝐉𝐢𝐧 ~ Eun Hwan Ki

𝐏𝐚𝐫𝐤 𝐇𝐲𝐞 𝐒𝗼𝗼 ~ Chae Ro Woon

When a young, energetic employee joins a public relations firm with an introverted and severely misunderstood boss, she makes it her life’s mission to show the world who he really is.

Eun Hwan Ki is the boss at a PR company. He is really shy. So shy that even his employees don't know him that well. He prefers to hide in his office. Everyone thinks he is a cold, prickly, arrogant grouch. They call him the "Silent Monster".

Chae Ro Woon is a recent hire at the same company. She is energetic, bubbly, loves to be the center of attention, and always has something to say. The exact opposite of her boss, who she seems to have an old grudge against. Her goal in life is: to expose the big boss man for who he really is and take her revenge.

The same company also employs Kang Woo Il, co-boss at the company. He, unlike his partner, is warm, sensitive, and well-liked.

Eun Yi Soo is a chaebol heiress who has been engaged for three long years.

Director: Song Hyun Wook

Thirty But Seventeen(2018) 서른이지만 열일곱입니다 ~

Genre: Friendship/Music/Coemdy/Romance/Life/Drama/Family

Shin Hye Sun ~ Woo Seo Ri

Yang Se Jong ~ Gong Woo Jin

Woo Seo Ri, a violin prodigy at 17 who was about to study in Germany, got into a bus accident and fell into a coma waking up 13 years later. Mentally she is still only 17, while physically she is now 30.

Due to a trauma he experienced 13 years before, Gong Woo Jin does not want to have a relationship with others.

This series is about a man and a woman whose lives in their own ways essentially stopped when they were 17. Together, they use all their might to try and open the door to the happiness that they once thought had been closed to them.

Director: Jo Soo Won

Romance is a Bonus Book (2019) 로맨스는 별책부록 ~

Genre: Frienship/Business/Comedy/Romance/Life/Drama/Melodrama

Lee Na Young ~ Kang Dan Yi

Lee Jong Suk ~ Cha Eun Ho

Cha Eun Ho is a successful and handsome writer who is also the youngest chief editor at a publishing company.  He has a calm demeanor and remains reasonable at work.  He then becomes involved in the life of his childhood friend, Kang Dan Yi who was once a popular copywriter. She is now divorced, a single mother, unemployed and struggling in life though still attempts to find a job, but even with her once good career, she cannot. 

However, in a desperate attempt to find a job, she lies about her background and begins to work as a temporary worker in the same building under none other than Cha Eun Ho. As they become involved in each other’s life more than often, a love story begins to unfold.

Director: Lee Jeong Hyo

DoDoSolSolLaLaSol (2020) 도도솔솔라라솔 ~

Genre: Music/Comedy/Romance/Drama/Melodrama

Go Ah Ra ~ Goo Ra Ra

Lee Jae Wook ~ Sun Woo Joon

Goo Ra Ra is a naive rich girl, who dreams of being a great pianist with her father's love guiding her. But her path becomes rocky when her father passes away, and she finds herself going bankrupt. Being scammed of home and needing an escape, she goes on a ride where she encounters an accident trying to avoid Sun Woo Joon, a diligent worker trying to meet ends. Being hospitalized with a broken arm and no place to go, guilty Sun Woo Joon decides to take responsibility and take care of her. With Go Ra Ra’s naive personality, she slowly begins creeping into Sun Woo Joon's heart, while trying to deal with the challenges of living an adult life.

Director: Kim Min Kyung

YOUTH/LIFE

You’re beautiful (2009)  미남이시네요 ~

Genre: Friendship/Music/Comedy/Romance/Drama

Jang Geun Suk ~ Hwang Tae Kyu

Park Shin Hye ~ Go Mi Nam 

Jung Yong Hwa ~ Kang Shin Woo

Lee Hong Ki ~ Kang On Yu

The management company of the idol group A.N.JELL insisted on adding a new singer to the group as the lead vocal, Tae Kyung's voice was hurting. However,the new member, Mi Nam, had to go to the States to repair a botched eye job just before signing the contract. His agent came up with the idea of having his twin sister, Mi Nyu,to stand in for him and pretend that she was her brother. The two of them grew up in an orphanage and Mi Nyu, who was all set to become a nun, agreed to this charade as she didn't want to spoil her brother's chance of fame which would make it easier to look for their mother.

Director: Hong Sung Chang

Boys Over Flowers (2009) 꽃보다 남자 ~ 

Genre: Friendship/Comedy/Romance/School/Youth/Drama

Gu Hye Seon ~ Geum Jan Di

Lee Min Ho ~ Goo Joon Pyo

Kim Hyun Joong ~ Yoon Ji Hoo

Kim Bum  ~ So Yi Jung

Kim Joon ~ Song Woo Bin

Geum Jan Di comes from a poor family who owns a dry-cleaning shop. One day, she visits Shinhwa High School, a prestigious school for the wealthy, and saves a student trying to commit suicide because of bullying. For her heroic act, Jan Di receives a swimming scholarship and starts attending the school.

In school, she meets the notorious F4, the most popular and powerful group of boys at the school, consisting of Gu Jun Pyo; the leader of F4 and heir to the Shinhwa Group, Yoon Ji Hu; the grandson of a former president of Korea, So Yi Jung; a skilled potter who comes from a family that owns the country's biggest art museum, and Song Woo Bin; whose family runs the country's largest construction company.

Her life at school starts out miserable, as she doesn't fit in with other students because of her status, and later becomes worse when she is labeled as the new bullying target of the F4.

Director: Jeon Ki Sang

To the Beautiful You (2012) 아름다운 그대에게 ~

Genre: Comedy/Romance/School/Youth/Drama/Sports

Sulli ~ Goo Jae Hee

Choi Min Ho ~ Kang Tae Joon

Lee Hyun Woo ~ Cha Eun Gyeol

Tae Joon became Jae Hee’s strength during her toughest time, and she leaves the US for Korea to enroll in a men’s physical education high school to help Tae Joon restart his high jump career.

Tae Joon announces his retirement from the high jump national team and closes his heart, but his closed heart begins to open after meeting Jae Hee.

Eun Gyul is confused about his sexual orientation as he falls in love with Jae Hee who is masquerading as a man. The student-athletes have a fun time training with each other and are not tied down to setting a record or competition. 

Director: Jeon Ki Sang

Strongest Delivery Man (2017) 최강 배달꾼 ~

Genre: Friendship/Business/ Comedy/Romance/Life/Youth

Go Kyung Pyo ~ Choi Kang Soo

Chae Soo Bin ~ Lee Dan Ah

Choi Kang Soo is a deliveryman. In spite of his humble beginnings, Choi Kang Soo is fearless and gives it all in everything he does. Lee Dan Ah is another delivery worker. She hates her current socioeconomic status so much that she, like many young people, calls her country “Hell Joseon.” Lee Dan Ah is so focused on making money and changing her life that she has no time for men. But when she comes across the charming Choi Kang Soo, her attitude is due to be moved.

Together, Choi Kang Soo and Lee Dan Ah have a budding competition and romance in their quest for glory. And, for them, glory means being like rich folk Lee Jin Yoon and Oh Jin Gyu. They compete to conquer life but, as our two delivery workers soon learn, being the strongest does not guarantee success.

Director: Kim Shin Il, Jeon Woo Sung

Weightlifting Fairy Kim Bok Joo (2016) 역도요정 김복주 ~

Genre: Friendship/Comedy/Roamnce/School/Youth/Sports

Lee Sung Kyung ~ Kim Bok Joo

Nam Joo Hyuk ~ Jung Joon Hyun

Bok Joo is a weightlifter who is pursuing her dream of winning the gold medal but she then finds romance for the first time in her life. While she is a woman who trains with heavy steel weights, she is also very feminine when it comes to relationships. To focus solely on weightlifting would jeopardize her relationship but leaving her weightlifting career for love would keep her from attaining her dreams. Can she find a way to have love as well as glory at the age of 20? The characters within this drama are elite athletes in weightlifting, swimming and rhythmic gymnastics who work hard to reach their goals in life. It covers their coming-of-age stories and relationships through hectic life.

Director: Oh Hyun Jong

Itaewon Class (2020) 이태원 클라쓰 ~

Genre: Food/Friendship/Business/Romance/Life/Drama

Park Seo Joon ~ Park Sae Ro Yi

Kim Da Mi ~ Jo Yi Seo

Kwon Na Ra ~ Oh Soo Ah

Park Saeroyi's life has been turned upside down after he gets expelled from school for punching a bully and his father is killed in an accident. Following his father's steps, he opens a pub named "DanBam" in Itaewon and, along with his manager and staff, strive towards success and reaching greater heights.

Director: Kim Seong Yoon

ROMANCE

One Spring Night (2019) 봄밤 ~ 

Genre: Romance/Life/Drama/Melodrama

Jung Hae In ~ Yoo Ji Ho

Han Ji Min ~ Lee Jung In

Feeling trapped in a stale four-year relationship and reluctant to take the next step into marriage, Lee Jung In stumbles into Yu Ji Ho's pharmacy one morning, nursing a hangover after a night of drinking with her friend. As she tries to reassemble herself before going to work, Jung In discovers that she has forgotten her wallet and cannot pay. Ji Ho kindly helps Jung In, despite her prickly personality. What begins as an innocent daily interaction, develops into a deeper attachment as the two find themselves drawn to one another. They embark on a secret friendship while navigating the minefield of familial and societal expectations. 

Director: Ahn Pan Seok

Crash Landing on You (2020) 사랑의 불시착 ~

Genre: Military/Comedy/Romance/Drama/Political

Hyun Bin ~ Ri Jung Hyuk

Son Ye Jin ~ Yoon Se Ri 

Tells the story of two star-crossed lovers, a South Korean heiress and a North Korean elite who also happens to be an army officer. One day, while paragliding, Yoon Se Ri has an accident caused by strong winds, leading her to crash land in North Korea, where she meets Ri Jung Hyuk, a North Korean army officer, who agrees to help her return to South Korea. Over time, they fall in love, despite the divide and dispute between their respective countries.

Director: Lee Jeong Hyo 

THRILLER

Extracurricular (2020) 인간수업 ~ 

Genre:  Friendship/Psychological/Crime/Life/School/Youth/Drama/Mature

Kim Dong Hee ~ Oh Ji Soo

Park Joo Hyun ~ Bae Gyu Ri

"Extracurricular” is centered around three high school students who start committing crimes to earn money and the unpredictable dangers they face as a result.

Kim Dong Hee will portray Ji Soo, who goes from a model student to a criminal after committing an unthinkable act. Jung Da Bin as school bully Min Hee, who gets caught up in Ji Soo’s crime. Park Joo Hyun will portray Ji Soo’s dangerous partner in crime Gyu Ri, while Nam Yoon Soo will appear as Min Hee’s boyfriend and the school’s most popular guy Ki Tae.

Director: Kim Jin Min

[milkyluxe]

So I just finished watching Free! Dive to the future (I didn't watch it when it came out, not sure why)

And our boys are beautiful as usual, but man, what a train wreck.

(okay, spoilers ahead)

What was even the point?? I mean, zero character develoment except for MAYBE Haru and Ikuya.

I feel like the whole Ikuya thing was kinda a bump in the way. If they wanted to solve that, they should've made another movie or an ova or something, but more than half the season its just his drama and then we get literally 4 episodes for what we really care about (I am taking out the episode about Rei and Nagisa because even though it's cute, they're not the main focus anymore)

Everything was too rushed and that's why the ending sucked.

What I totally hated was how they made the relationships between the characters so forced and awkward. I mean, Rin's new coach used to be Haru's new coach's rival AND he went to Iwatobi and it's the grandfather of the new recruit? Plus what was even the point of Rei knowing Asahi from before??? The whole Rei drama came out of nowhere and resolved out of nowhere too. And what was even the point of the episode of Natsuya and Rin in Australia????? IT HAD NO POINT!!

Honestly, I am more sad than mad, because I feel like the first two seasons were so beautiful, especially Eternal Summer, that had a clear plot from the beginning and actually built tension and drama for the characters.

But this one???? It's not even bad screenwriting, it's terrible, chaotic screenwriting.

I felt like there was even some kind of regression that everything is about Haru again... Maybe that's why there's no character development??

I mean, Makoto's change of mind could've been more than just two random conversations with people he just met

Sousuke's whole shoulder thingy had room for SO MUCH drama but they just broke screenwriting's golden rule "show, don't tell" so instead we just got a scene at a café with Rin where Sousuke blandly tells him "yeah im fine". I mean, my SouRin fangirl heart lover that scene but my mind paying attention to storytelling was like what is this???

And speaking of Rin, man we could've seen so much more of him too, but I guess it was easier for them to make Rin a more laid back character now??? I feel like Rin was "just there" in this season despite them trying to make us feel like he was still such a big deal??? No

And why does the yellow haired guy kinjou even exist???? I feel like if they wanted a character that was intimidating, Albert was more than enough

Ugh, there were so many things wrongwith this season :'( they still fine af tho I fell in love with Natsuya like a thousand times.

[deomnibuscontradictionibus]

Circuitries, by Nick Land

LAND, Nick. Fanged Noumena: Collected writings 1987-2007. Edited by R. Mackay & R. Brassier. 3 ed. Urbanomic, 2014, pp. 289-318.

“Our human cam­ouflage is coming away, skin ripping oJff easily, revealing the glistening electronics.” (p.292)

“Since central nervous-systern functions -especially those of the cerebral cortex -are amongst the last to be technically supplanted, it has remained superficially plausible to represent technics as the region of anthropoid knowing corresponding to the technical manipulation of nature, subsumed under the total system of natural science, which is in turn subsumed under the universal doctrines of epistemology, metaphy:sics, and ontology. Two linear series are plotted; one tra.cking the progress of technique in historical time, and the other tracking the passage f rom abstract idea to concrete realization. These two series chart the historical and transcendental dominion of man. 

Traditional schemas which oppose technics to nature, to literate culture, or to social relations, are all domi­nated by a phobie resistance to the sidelining of human intelligence by the coming techno sapiens. Thus one sees the decaying Hegelian socialist heritage clinging with increasing desperation to the theological sentimentalities of praxis, reification, alienation, ethics, autonomy, and other such mythemes of human creative sovereignty. A Cartesian howl is raised: people are be.ing treated as things! Rather than as ... soul, spirit, the subject of history, Dasein? For how long will this infantillism be protracted?” (pp. 293-294)

“There is no real option between a cybernetics of theory or a theory of cybernetics, because cybernetics is neither a theory nor its object:, but an operation within anobjective partial circuits that r1eiterates 'itself' in the real and machines theory through the unknown. 'Production as a process overflows all ideal categories and f orms a cycle that relates itself to desire as an immanent principle.' (G. Deleuze and F. Guattari, Anti-Oedipus: Capitalism and Schkophrenia, Minnesota: University of Minnesota Press, 1983, p. 5.)  Cybernetics develops functionally, and not representa­tionally: a 'desiring machine, a partial object, does not represent anything' (Ibid., 47). (Its semi-closed assemblages are not descriptions but programs, 'auto'-replicated by way of an operation passing across irreducible exteriority. This is why cybernetics is inextricable from exploration, having no integrity transcending that of an uncomprehended circuit within which it is embedded, an outside in which it must swim. Reflection is always very late, derivative, and even then really something else.” (p. 296)

“Reality is immanent to the machinic unconscious: it is impossible to avoid cybernetics. 1We are already doing it, regardless of what we think. Cybernetics is the aggrava­tion of itself happening, and wha1tever we do will be what made us have to do it: we are doing things before they make sense.” (p. 297)

[superação do design e de toda teopolítica]

“Long-range positive feedback is neither homeostatic, nor amplificatory, but escalative. Where modernist cyber­netic models of negative and positive feedback are inte­grated, escalation is integrating or cyber-emergent. I t is the machinic convergence of uncoordinated elements, a phase-change from linear to non-linear dynamics. Design no longer leads back towards a divine origin, because once shifted into cybernetics it ceases to commensurate with the theopolitical ideal of the plan. Planning is the creationist symptom of underde:signed software circuits, associated with domination, tradition, and inhibition; with everything that shackles the future to the past. All planning is theopolitics, and theopolitics is cybernetics in a swamp.” (pp. 298-299)

“A machinic assemblage is cybernetic to the extent that its inputs program its outputs and its outputs program its inputs, with incomplete closure., and without reci­procity. This necessitates that cybernetic systems emerge upon a fusional plane that reconnects their outputs with their inputs in an 'auto-production of the unconscious' (Ibid, p. 26) [...] It is thus that machin:ic processes are not merely functions, but also sufficient conditions for the replenishing of functioning; immanent reprogrammings of the real, 'not merely functioning, but formation and autoproduction' (Ibid)” 

[para além da moral]

“Wiener, of course, was still a moralist: 

Those of us who have contributed to the new sci­ ence of cybernetics stand in a moral position which is, to say the least, not very çomfortable. We have contributed to the initiation of a new science which, as I have said, embraces technical developments with great possibilities for good or evil. (N. Wiener, Cybernetics or Control and Communication in the Animal and the Machine. NY: MIT Press, 1965, p. 28.)

Whilst scientists agonize, cybernauts drift. We no longer judge such technical developments from without, we no longer judge at all, we function: machined/machining in eccentric orbits about the technocosno. Humanity recedes like a loathsome dream.“ (pp. 209-300)

[superação do transcendental e do juízo; dominação X controle]

“Transcendental philosophy is the consummation of philosophy construed as the doctrine of judgment, a mode of thinking that finds its zenith in Kant and its senile dementia in Hegel. Its architecture is determined by two fundamental principles: the linear application of judgment to its object, form to intuition, genus to species, and the non-directional reciprocity of relations, or logical symmetry. Judgment is the great fiction of transcendental philosophy, but cybernetics is the reality of critique. 

Where judgment is linear and non-directional, cyber­netics is non-linear and directional. It replaces linear appli­cation with the non-linear circuit, and non-directional logical relations with directional rnaterial flows. The cybernetic dissolution of judgment i:s an integrated shift from transcendence to immanence, from domination to control, and from meaning to function. Cybernetic innovation replaces transcendental constitution, design loops replace faculties. This is why the cybernetic sense of control is irreducible to the traditional political conception of power based on a dyadic master/slave relation, i.e. a transcendent, oppo­sitional, and signifying figure of domination. Domination is merely the phenomenological portrait of circuit inef­ficiency, control malfunction, or stupidity. The masters do not need intelligence, Nietzsche argues, therefore they do not have it. It is only the confused humanist orientation of modernist cybernetics which lines up control with domination. Emergent control is not the execution of a plan or policy, but the unmanageable exploration that escapes all authority and obsoles:ces law. According to its futural definition control is guidance into the unknown, exit from the box.” (pp. 300-301)

[beyond psychoanalysis; beyond Oedipus]

“In its early stages psychoanalysis discovers that the unconscious is an impersonal machinism and that desire is positive non-representational flow, yet it 'remains in the precritical age' , (Deleuze and Guattari, Anti-Oedipus, p. 339) and stumbles before the task of an immanent critique of desire, or decathexis of society. Instead it moves in exactly the opposite direction: back nto fantasy, representation, and the pathos of inevitable frustration. Instead of rebuilding reality on the basis of the productive forces of the unconscious, psychoanalysis ties up the unconscious ever more tightly in conformity with the social model of reality. Embracing renunciation with a bourgeois earnestness, the psychoanalysts begin their robotized chant: 'of course vve have to be repressed, we want to fuck our mothers and kill our fathers' They settle clown to the grave business of interpretation, and all the stories lead back to Oedipus: 'so you want to fuck your mother and kill your father:' (Ibid.)” (pp. 302-303)

“The word 'schizophrenia' has both a neurotic and a schizophrenic usage. On the one hand condemnation, on the other propagation.“ (p. 305)

“Since the neuroticization of schizophrenia is the molecular reproduction of capital1, by means of a re­axiomatization ( reterritorialization) of decoding as accu­mulation, the historical sense of psychoanalytic practice is evident. Schizophrenia is the pattern to Freud's repres­sions, it is that which does not qualify to pass the screen of Oedipal censorship.” (p. 306)

“Far from being a specifiable defect of human central nervous system functioning, schizophrenia is the conver­gent motor of cyberpositive escalation: an extraterritorial vastness to be discovered. Although such discovery occurs under conditions that might be to a considerable extent specifiable, whatever the progress in mapping the genetic, biochemical, aetiological, socio-economic, etc. 'bases' of schizophrenia, it remains the case that conditions of reality are not reducible to conditions of encounter.” (p. 308)

“conditions of reality are not reducible to conditions of encounter.” (p. 308)

“It is not merely that schizophrenia is pre-anthropoid. Schizophrenia is premammalian, prezoological, pre-biological ... It is not for those trapped in a constrictive sanity to terminate this regression. Who can be surprised when schizophrenics delegate the question of malfunc:tion? I t is not a matter of what is wrongwith them, but of what is wrongwith life, with nature, with matter, with the preuniversal cosmos. Why are sen.tient life forms crammed into boxes made out of lies? Why does the universe breed en tire populations of prison guards? Why does it feed its broken explorers to packs of dogs? Why is the island of reality lost in an ocean of madness? I t is all very confusing.” (pp. 309-310)

“Capital is not overdeveloped nature, but underdeveloped schizophrenia, which is why nature is contrasted to industrial organization, and not to the escalation of cybertechnics, or anorganic convergence: 'reality ... is not yet constructed' 36 Schizophrenia is nature as cyberpositive mutation, at ·war with the security complex of organic judgment.” (pp. 313-314)

[emo-water]

okay so apparently your vag is so acidic it can bleach your underwear and i didnt know this and i was so embarrassed about taking my underwear off when im hooking up with someone and them thinking i have a problem and THIS IS WHY PROPER SEX ED IS NEEDED I WOULDNT HAVE SPENT DAYS TRYING TO GET "STAINS" OUT OF MY UNDERWEAR THAT ARE OBVIOUSLY NEVER COMING OUT WHY CANT WE TALK ABOUT WOMENS BODIES AND WHATS NORMAL AND ABNORMAL WHY THE FUDGE DO I HAVE TO USE GOOGLE TO KNOW IF SOMETHING IS WRONGWITH ME FUCK THE PATRIARCHY