#were they always destined to have a baldie manager?

[divingsave]

jürgen klopp's hair transplant vs arne slot's bald head

now fight

[superman86to99]

Adventures of Superman #506 (November 1993)

Superman vs. Superboy! I mean, vs. Superman, since the Kid still insists that Superboy is definitely NOT his name and never will be. The two Supermen meet while the younger, radder one is dealing with some sort of deformed flying babies that are trying to kill him, which is the sort of thing that happens to you when you wear an “S” emblem on your chest.

These turn out to be deformed flying babies THAT EXPLODE, but the Kid is able to push them away with his (very non-Superman-esque) telekinesis powers. He then deduces that these things must have come out of Project Cadmus, the top secret genetic experimentation facility that created him, and brushes off the elder Superman to get back at those geeks by doing what he does best: being a brat on live TV.

So I guess the “top secret” part of Cadmus’ description is no longer accurate, thanks to the Kid. On the other hand, I kinda feel like the people of Metropolis deserved to know that there's a nearby government facility churning out genetic atrocities into their sewers.

The Cadmus gang sends Guardian to bring their wayward creation home so they can talk to him. Obviously the Kid isn't very interested, and for a while it looks like we might get the fight scene teased in the cover, but then Superman the First convinces Superman the Second that he should at least hear them out. And, while at it, ask Cadmus to tell him exactly what the hell he is. If he’s Superman’s clone, why does he have those weird TK powers? The Kid agrees, but... he doesn't like the answers he gets.

The Kid finds out that he's NOT a clone of Superman since, as established a while back, Kryptonians are damn hard to clone. So, since Cadmus was determined to create a new Superman after the original appeared to be dead, they instead took a clone of a regular, non-super man and genetically modified it to approximate Superman's powers (for instance, translating Superman’s “aura” into a telekinetic field). But who was that human DNA donor? Surely it was someone good and cool!

Just after the Kid wonders that, the quite evil and deeply uncool Director Westfield bursts into the lab and demands that this "super-punk" be taken into custody, probably so they can flush him down the toilet like Cadmus' other failed experiments. Superman makes Westfield see that making Cadmus' whistleblower disappear wouldn't look very good right now, but they can't just let him run around unsupervised. So, at Guardian's recommendation, the esteemed telepath Dubbilex is assigned to follow the Kid wherever he goes. I smell a sitcom! (Or a spin-off comic.)

As a last order of business, the Kid decides to give Superman his trademark to the Superman name, which his manager Rex Leech doesn't take too well. So what are they gonna call this teenage “S” emblem-wearing hero now? Superman has an interesting suggestion: SUPERBOY. Our young friend still isn't a fan.

But after storming out and thinking about it for a couple of pages (and trying out the name on some guys robbing a jewelry shop), the Kid realizes he's "earned" the title of Superboy and accepts it. Character development! And just in time for his solo series. ("That Non-Superman Clone Who Also Calls Himself Superman" wouldn't look good on a cover.)

Plotline-Watch:

The final page shows a shadowy figure shaped like the recently introduced Bloodthirst outfitting someone with a weapon-teleporting gizmo, then calling him "Bloodsport"... except that this dude is quite paler than the Bloodsport we met way back in Superman #4 (in an issue inked by current writer Karl Kesel, so you'd think he'd remember the character). This looks nothing like Idris Elba! What gives?!

Superboy is still bummed out because his friend Tana Moon left Metropolis without telling him where she was going, which is now known as "ghosting". In the end, Rex talks about sending Superboy on a promotional tour to establish his new brand, and the first destination of that tour will be... exactly where Tana went to hide from Superboy. This is now known as "time to get a restraining order."

Clark Kent is slowly morphing into a hipster the longer he rooms with Jimmy Olsen. For a long time I assumed all the bands listed in the panel below were made up, but turns out the only non-existing ones are “James Rock” and "Axel Rose". Luckily, Superboy was happy to give Clark's old apartment back to him (apparently only Pulitzer-winning journalists can afford it), so Jimmy won't hipsterize him for much longer.

Westfield gladly assigns Dubbilex to Superboy because it means there won't be a telepath at Cadmus to read his thoughts and find out about his evil plans (like sending the ugly flying babies after Superboy). Very clever, Westfield! Except for the fact that he thought that right in front of Dubbilex, who clearly "heard" the whole thing.

Incidentally, there's an apparent error in this issue when Superboy thinks "They won't take me without a fight!" and Guardian shows up and says "That's too bad, son. Because I don't want to fight you." How did Guardian know what Superboy was thinking? Obviously, Dubbilex patched Guardian through to Superboy's mind to assist in finding him. Now where's my damn Baldy Award?!

Is it me or is this page reminiscent of the cover to Superboy Prime's first appearance during Crisis on Infinite Earths?

Patreon-Watch:

Special thanks to your Patreon pals Aaron, Murray Qualie, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, and Samuel Doran, and welcome aboard to Bheki Latha (our first $6.50 patron ever!), Mark Syp, and Ryan Bush! You are all excellent. This month they got to read a long-ass post entitled 45 Things I Learned by Reading the “Death of Superman” Novel (Part 1), in which I talked about the stuff Roger Stern added to the canon in the first part of the Death and Life of Superman book. This includes Superman’s private thoughts on the JLI (and Guy Gardner in particular), what Lex Jr. calls Supergirl in bed, and Professor Hamilton getting romantic. Find out more at https://www.patreon.com/superman86to99

But now: the Don Sparrow show! Take it away, Don.

Art-Watch (by @donsparrow​):

The end of an era, at least temporarily, as Tom Grummett draws his last Adventures of Superman issue, moving onto Superboy (and I think still doing Robin at this time?) with Karl Kesel.  He’ll return for the quarterly Superman: Man of Tomorrow and other things, but it’s a long gap until he does.

A pretty good cover, with Superman and Superboy about to tussle.   Though it can be seen as cheaping out on the backgrounds, I always love radial rays as an effect.  

Inside the issue, we have a great splash page of Superboy getting attacked by botched clones, and I love the gesture here—having his head snapping away from the camera adds to the motion and action.  Great stuff. 

Though he won’t be drawing her again for a while, Grummett excels at the new, shorter-haired Lois in these pages.  Superman soaring to the skies is a great panel as well, and I especially like the way his cape and fist slightly break the panel barrier, giving it a sense of motion, again.

The sequence of Guardian acrobatically flipping from one ledge to another is very well drawn.  Ditto the splash on page 13, where Superboy loses his temper.  The body language in this whole sequence tells the story very well, as Superman is calm and patient, confident in his ability not only to reach Superboy with his words, but also withstand him physically.  

The way Superboy snaps the carpet, but controls it mentally with his Tactile Telekinesis is a great example of his unique powers in use.  It reminds me of a technique they tried on the CW Supergirl show (but almost immediately abandoned) where they made like the Kryptonian fabric of their capes was like “smart fabric” and could be used as a weapon.  

Lastly, the dreamy, child-like expression on Superboy’s face during the Peter Pan exchange is wonderful, and a fitting end for Tom’s run on the book. [Max: You mean the William Shatner exchange, Don.]

STRAY OBSERVATIONS:

I almost never like it when they reference pop culture stuff in Superman comics, particularly music.  Karl Kesel isn’t the worst offender in that department (that would be JM DeMatties a few years down the line, who had Clark Kent bizarrely asserting he loved the Beastie Boys) but Clark’s discussion with Jimmy about an apparently fictional musician working with a rolodex of early nineties names makes me cringe (as does trying to imagine how awful a “Hip Hop Lyle Lovett” or “Grunge Frank Sinatra” would sound).

The car poster on the wall of Jimmy’s bachelor pad looks for all the world like Robin’s Redbird, also a Tom Grummett creation.  (Fun fact:  Tom once told me he still gets {very small} royalty cheques from the Batman & Robin movie, because Robin’s motorcycle was called the Redbird, though that might no longer be true with Paul Levitz no longer in charge of such matters.)

Superboy (in no less than his third time calling those pink creatures “spuds”) references John Candy and Joe Flaherty’s “Farm Film Celebrity Blow Up” where the guests would frequently “blow up real good” and it does my SCTV loving Canadian heart good.  

It’s interesting (and a little sad) that they again note that Superboy knows things (pop culture, etc) without ever having experienced it.  I feel like there’s a lot they could do with this concept.

This issue reads very much like the end of the Superboy “Reign” issues, as Superman is more of a secondary character to the kid.  All of it begs the question of why Superman, or Guardian put up with Cadmus.  Superman has said in previous issues that he has moral problems with how Cadmus treats life with their cloning experiments, and they’ve attacked him in the past (and also stole his corpse!) so other than the fact that it’s a launchpad for Superboy’s series, there’s really no reason any of these heroes should associate with Cadmus.  Especially Guardian, who comes off as little more than an errand boy here.  He wants to bring Superboy in, but won’t promise Superboy won’t be harmed or imprisoned?  

Nice to see Superboy return to his “Slammin’” catch phrase!

An interesting bit of foreshadowing when Superboy asks Big Words whose clone he is, and who immediately enters but Westfield. [Max: That’s right, Westfield! Not Luthor! Sorry, sorry.]