#went to my main

[throesofincreasingwonder]

"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).

Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.

[white-weasel]

Funniest bit of the dnd movie is Xenk clearly being an NPC the DM introduced for lore and plot purposes who’s a competent fighter because of course he is, his reputation and backstory require it. But whoopsies the DM made him too powerful, the whole party likes him, and now they want him to come with to fight the BBEG which will completely and utterly fuck up the encounter balance

So instead of there being any actual plot reason he can’t join Xenk just says “I can’t. This is something only you can do.” And then walks off, never to interact with the party again because the DM just knows those little shits will find a way to use their OP creation against them

[goldensunset]

when people refer to canon story-relevant kingdom hearts games as ‘spinoffs’ it makes me sad not only for the obvious reasons i always say but also bc like man i WISH this series had spinoffs. imagine what they could do if they had permission from nomura to truly go off the rails and ignore the greater canon for a second and just do some fun whimsical plotless thing in an alternate universe. imagine a fishing/boating game on destiny islands. kh fighting game. it is an injustice that we have been deprived of kingdom karts. can anyone hear me

[amazingdeadfish]

It's the Spookie Month

[auroblaze]

And, you guessed it, more sonic warmups and studies for the sketchbook (that will sooner or later have no more blank pages, hopefully)

[cozymochi]

⚠️ TWST BOOK 7 SPOILERS ⚠️

You tellin’ me Sebek’s special boy magic is literally becoming lightning?? OKAY GO ‘HEAD…

POV: you are Silver about to be swallowed by the darkness.

Ko-fi

[mithryl-draws]

The only hat you'll need for the rest of your life!

[ryllen]

I was just THINKING OF HOW ANNOYING Sebek is, H O N E S T .

[windwenn]

"I thought this was an exterior wall..."

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Feeling a little conflicted about this piece but i'll post it anyway lol

[poorly-drawn-mdzs]

This one is for all my fellow "My gender is 'I have a job and I can't worry about that right now"'. I see you.

(part 1, part 2)

[blakbonnet]

while you're misusing bury your gays, Ed is getting woken up by Stede kissing him lovingly and looking into his eyes and telling him he's the most lovable person in the world on the planet in the entire universe, and Ed is making him blush first thing in the morning, and they're badly running an inn together and pda'ing all over the falling columns of their shaky shack, and overcharging customers for salmonella stricken fish, and they're deliriously happy, by the fucking way

[buckevantommy]

i'm so glad they brought back tommy for buck. they could've brought back eli. they could've brought back the openly gay firefighter. they could've introduced someone new. but instead they brought back tommy: the guy who was stuck in the old boys' club, as well as figuring himself out around the same age as buck. the guy who wasn't warm or welcoming to chim or hen when they first arrived but who clearly struggled with doing so, and then who came to appreciate them and have their backs and enjoy their friendship. the guy who was there to see how bobby made a real difference to the 118, made it like a family before he left. the guy who was there for bobby's introduction of 'family dinners'. the guy who left the 118 so that buck could take his place there. the guy with the tk initials. the guy who shares a name with 2 other poignant tommys in the narrative for buck. the guy who chim called not once but twice for help and he answered. the guy who was saved by chimney and who will (hopefully) get to return the favour. the guy who made such pivitol personal growth in his time at the 118 thanks to chim and hen and bobby. they brought back the guy who proves that it's never too late to change, to grow, to be open and soft and caring. that it's never too late to learn about yourself, to figure out who you are as well as the person you want to be. that it's never too late to become a better version of yourself.

[bixels]

What's K.O. CRISIS?

Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!

K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.

Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.

As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.

But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?

Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.

Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.

The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!

[felidaeng]

crystal

[crazycometspecular]

Bit of design tampering

[no ill intentions]

[princesskuragina]

When a relationship is "like family" but in a bad way. "Like family" in the sense that it becomes the only allowable place to seek care. In that it legitimizes the isolation and violence of an us-vs-them mentality. In that it creates hierarchical power structures and conditions where abuse and control are both easily rationalized and near impossible to break out of. Where the only way to escape your subjugation is to stop being the child and become the parent, starting the cycle anew. And this is both expected and encouraged. Where you feel obligated to repay your caretaker by becoming the kind of person they want you to be. Where everyone looks a little too much like you.