#well sort of a plan

[sylvrndoodles]

[pygmypouter]

This place is a message... and part of a system of messages... pay attention to it!

[notmoreflippingelves]

Actually going insane over the implications of Jason asking Dick to be the Robin to his Batman in Battle for the Cowl.

Like I initially took it at the purely surface-level of Jason wanting a partner in the general sense. Which made sense, it's a huge responsibility and a lonely one so an assistant/sidekick/partner seems a no-brainer if you can get one.

But then I really thought about it, because Jason is not asking Dick to be his partner in the general sense; he's not even asking Dick to be his Nightwing. He's asking Dick to be his Robin.

And they both know exactly what Jason means: "Be the light to my darkness. Be the smile to my scowl. Be the hope to my fear. "

He's saying "Be 'Robin'; be the embodiment of Love and Justice and Goodness. Be the exceptional person that you have always been. Be the slightly-less exceptional person that I was when I wore your colors. Be the person that I was in the process of becoming and might have been (or might still be), if only Joker hadn't clipped my wings."

He's saying "I am prepared to become vengeance, become the Night. And I will go further than Bruce ever dared to, because it is what is needed. I will be the necessary evil. But you don't have to be. If Batman is Gotham's curse, Robin has always been its blessing. I will be the brutal punishment to our world, and I am asking you to be its incandescent gift."

He's saying, "Be for me, what we were for Him. Be my anchor, my comfort, my hope. Remind me what it's all for, why it's all worth it. And remind yourself as well."

He's saying "Be 'Robin' again--for both of our sakes."

[fungh0u1]

only a sick man would take pictures of corpses!

[realboutfatalfury]

i am thou, thou art i

[litt1e-prince]

"Who's your friend, MK?"

INSPIRED BY THE FIC: https://archiveofourown.org/works/46162438/chapters/116212117

Which, if you 'haven't read yet- why not?? go read it now!! It's literally so good, its so good- had me crying- LIKE. I WANNA FIGHT WUKONG FROM THIS FIC SOOOO BAD but at the same time,,, i wanna hug him and bring him nice things and make sure he's safe and happy! The author writes so amazingly and aaaah! the pain!!!!

[superfruitland]

guess who's back~

|| masterpost || previous || next

[journey-to-the-attic]

NOW I'M MUMBLING AND I'M SCREAMING

AND I DON'T KNOW WHAT I'M SINGING

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[the-final-sif]

what is your opinion on the situation?

I've been at work all day so I haven't been able to sit down with stuff fully, it also seems like Caiti is planning to release a statement later today with more information I think? So I'd like to get her response there, but based on what I've seen so far I think I fall more on the side of "people made some dumb choices and should learn from them" than anything else.

Consent is messy and it gets messier when people start lying or are drunk. In this case, both Caiti and George were drunk. From what I understand, either Caiti had a 21+ wristband from the vidcon party, or her friend group did and assumed since she was drinking with them, she was also 21+.

Honestly, when it comes to the matter of underage drinking, I don't think it's even remotely fair to place blame on Dream/George for that. The blame there lies with Caiti deciding to drink while under 21, and on her friends, Ghostie and the other person present who were both over 21. Unlike Dream/George, both of them knew Caiti and knew exactly how old she was and were letting her drink. They were also letting her drink with no one sober and no one making sure she got home.

Now, Caiti is 18 and also I'm not a goddamn square, I'm not gonna stand here and be like "oh no drinking at 18 clutch my pearls" but like, if people are going to blame other people for that situation, that very much lies with Caiti's friends who knew they had an underage person drinking with them. I feel like people are weirdly assigning blame to Dream/George for not like, iding every person they hang out with (particularly if she had a 21+ bracelet at vidcon, which would mean she already got IDed). While completely avoiding placing any blame on the people who 100% knew they were taking an 18 year old drinking without a doubt.

Putting that aside, from my understanding George's side is he believed at the time that she was having fun, and the most they did was cuddle on a couch with other people there. He believed at the time that everything was cool, and that she later decided she was uncomfortable with what happened.

Honestly, I don't really think that's an unfair reading. At this same party, her best friend was there and from Ghostie's own words, she also didn't realize Caiti was uncomfortable until several months later when Caiti told her. If her best friend didn't notice she was uncomfortable or see anything wrong, then I find it hard to think anyone else would pick up on it.

There's certainly risks taken here that I wouldn't have taken. I think that George needs to do better with checking for consent and maybe vetting the people you're hanging out with. Although I also understand that doing a full background check on everyone you ever meet is an absurd requirement and if, at the time, they trusted the person that they actually invited, I get how that shit happens. Per consent, given that he was also drunk, I get how it may've appeared to him that he had consent. I do think it's still something to work on, but I'm also perfectly aware that in real life, people are often going off vibes and social cues, and sometimes those don't mash.

I also think that Caiti's friends have been pretty shitty throughout this. They take no responsibility for having let an 18 year old drink and then ditching her. They are absolutely milking drama out of this shit and they have a weird obsession with blaming Dream for shit he had no fault in.

As for Dream, I don't think he did anything wrong here. Full stop. If Caiti's best friend didn't notice that she was uncomfortable or unhappy, it's insanely unreasonable to expect Dream to have managed that. He was also drunk and hanging out with people, and he had no way of knowing Caiti was underage. None of that shit was his fault, and his statement seems very measured and reasonable. People are trying to blame him for things that he had absolutely no part in, and the UK group are absolutely trying to pull that shit.

Overall, sounds like several people involved made dumb choices, I hope they learn and grow. Otherwise all of this honestly sounds like shit that should've been talked out privately and not tossed to the internet for speculation. Human beings are messy and will fuck up sometimes. This feels like a case of miscommunication and people making risky choices that left people with some hurt.

Again, I may change my mind with further evidence presented, but that's how it feels to me.

[catocappuccino]

Me-made Snorkmaiden figure! Created with air-dry clay, acrylic paint, a lil bit of hot glue and lots and lots of love!

She even has her own collector's card! :3 (1/1 because she's one of a kind 💕)

[rheakira]

Today, May 23rd, is Robin's birthday!

Happy birthday, Robin!

[raiiny-bay]

oc questionnaire - dhes edition

tagged by @vicciouxs (ty!! <3)

NAME: Destiny Rose (he hates his name though. anyone who calls him destiny WILL get decked)

NICKNAME: Dhestyn, Dhes, Dusty, & Tiny (that’s what his grandparents call him)

GENDER: male, he/him

STAR SIGN: leo

HEIGHT: 5'7

ORIENTATION: gay

NATIONALITY/ETHNICITY: american, latino

FAVORITE FRUIT: mangoes

FAVORITE SEASON: summer

FAVORITE FLOWER: sunflower

FAVORITE SCENT: kel's pizza breath uhhh probably his dad's cooking

COFFEE, TEA, OR HOT CHOCOLATE: coffee (he drinks it black)

AVERAGE HOURS OF SLEEP: 2-4

DOGS OR CATS: he actually likes both, but i personally associate him more with dogs

DREAM TRIP: he doesn't have one, but honestly he'd have fun going anywhere

NUMBER OF BLANKETS: 0-1

RANDOM FACT: he was expelled from school halfway through his 8th grade year lol

tagging: @sikoi, @flovoid, @elderwisp, @birdietrait, & @mexipoopy (no pressure ofc!)

[plein-air-on-gorkhon]

some time ago, a russian speaker mentioned that patho2 daniil's lines about wearing through multiple pairs of shoes while traveling to the town was an idiom rather than a literal event. so how do you interpret it? does the bachelor indeed arive in town on foot or by train as in patho1?

[bestworstcase]

Anything from Volumes 1-3 that is setup that you don't think is given enough attention or respect for good setup?

Sidenote to this:

Open seat with no person in it + Salem having someone looking for the Choice Relic was hinting at Summer Rose. Did we have anything hinting at her pre Beacon's Fall or just things that she fits given additional context?

regarding summer specifically, while i wouldn’t call them hints per se, there are a handful of beats in v1-3 that smell like foreshadowing to me:

the first is “she was right about you; such arrogance.” – cinder might well be referring to salem here, of course. however. what strikes me about this remark is that arrogance is not a characteristic that salem seems to perceive in ozma; rather she describes him, in her soliloquies and songs, as a self-destructive, deceitful, manipulative fool blinded and trapped by his faith in the old gods. cowardly. fallen from grace. think of what she says to oz in 8.9—look how you’ve diminished, how you’ve lessened yourself—she sees him groveling at the feet of tyrannical monsters and sees debasement.

does it follow for salem to characterize ozpin to cinder as, primarily, arrogant? i’m not convinced it does. but summer rose? well… hm. consider, also, that the full line is “this whole time, right beneath our feet… she was right about you; such arrogance…” <- i think it is more likely than not that “she” is someone inside the brackets of “our,” and in context “our” is either [cinder + ozpin] or [cinder + her associates physically present at beacon].

in the event that “she” is not part of “our” the more naturalistic phrasing is “beneath our feet… salem was right about you” – because “she” otherwise has no antecedent. of course, some allowance here for this to be a narrative choice not to name salem yet, but we’re one (1) episode off from revealing her face and by this point we’ve known for a while that cinder works for someone else, so the choice to drop the name here or in the volume credits is of fairly trivial importance. unless of course cinder isn’t talking about salem.

second: “Oh! We've also stopped some bad guys, too! I guess it's like they say: "like mother, like daughter"! I still wonder why Ozpin let me into the school early…” [laugh track] – obv this part of ruby’s address to summer’s memorial headstone foreshadows ozpin’s conspiracy and team strq’s involvement therein. but it also foreshadows this exchange:

RUBY: We don’t have to kill you to stop you, and we will stop you. SALEM: Your mother said those words to me… she was wrong, too.

and i think it bears pointing out that ruby is wrong here, and later in the volume qrow specifically calls attention to this and lays out why she’s wrong. team rwby didn’t stop the bad guys; they cut off one avenue of attack and cinder circled around from a new direction that took advantage of torchwick’s imprisonment, and this also resulted in the public break between ozpin and ironwood which eroded the cohesion of the inner circle. ergo, ruby thinks she stopped the bad guys but in the long run the consequences of the breach all benefited salem.

looks into the camera like im on the office.

like mother, like daughter!!!

further, that sequence of events ultimately leads to the final confrontation between her and torchwick – wherein he declares “if you can’t beat them, join ’em,” and shortly gets eaten by a grimm right after making it clear that he intends to kill her. torchwick’s death is thematically motivated – a narrative rejection of his cynical every-man-for-himself, dog-eats-dog outlook – but consider that:

summer rose, if she is indeed salem’s willing agent, is certainly at beacon tonight – because she’d be the one who stayed behind to hold the fort.

summer is thus the one salem instructs to “reinforce our numbers at beacon,” meaning the grimm; that instruction only makes sense if the person receiving it can communicate with or command grimm. ergo, summer must have some degree of control over grimm.

ruby is disarmed and on the ground getting beaten by a man who fully intends to kill her, and a grimm swoops down out of nowhere to eliminate him faster than he can blinks. and then… the grimm rears up, roaring at her, and comes down with a sweep of its wings that creates a blast of air that pushes her away. that isn’t aggression!! that’s a defensive threat display!! (the feilong in v4 does the exact same thing – trying to push the boat away). it’s ruby who charges the gryphon, and while it lunges forward in reaction to her charge, all that happens is she gets her feet on its head and pushes off to leap over it, and the grimm goes fucking flying so hard it crashes into the ship’s interior and never emerges. the point being,

math.

it’s plausible that the grimm was drawn to torchwick’s murderous rage. but the way it behaves immediately after it swallows him – that very clear “get away from me please” body language, and ruby -apparently- kicking a grimm the size of a goddamned clydesdale dozens of feet and then through the hull of a literal warship? ruby is strong, but she’s not… that strong. but if the grimm didn’t want to engage her and propelled itself under and past her at the same time as she vaulted off its head? that would explain what happens perfectly – ruby’s kick altered its launch trajectory just enough that it crashed.

minutes later, someone loyal to salem scraped a very badly injured cinder off the top of beacon tower and left ruby alive where qrow would find her. salem’s vested interest in keeping ruby alive is VISIBLE throughout the battle for beacon, and notably include a perfect opportunity to capture her while she’s in a coma atop beacon tower that isn’t taken – suggesting that salem makes her singular attempt to capture ruby solely to reassure cinder that Something is being Done.

and if summer rose has command over grimm and was at beacon that night… the gryphon’s behavior is exactly what i’d expect if all the grimm had marching orders to insure this one girl in particular – the spitting image of their commander – doesn’t come to serious harm. there’s a nonzero chance that gryphon did in fact save ruby On Purpose!

…and that happens in the context of a fight between ruby and the bad guy she thought she stopped (but she was wrong), who joined salem because “if you can’t beat em, join em.” (salem voice) she was wrong, too…

also

<- like mother like daughter. summer had a nevermore’s eye view of the battle for beacon, in this essay i will –

third: this one is something i didn’t really Think About until v9 and specifically the v9 ost dropping, but some of the things cinder says in v2-3 strike me as like – she got that from summer im sure of it. for example, in midnight, cinder’s view of huntsmen is that they’re free, they have power, they can go anywhere and do whatever they want, and rhodes never contradicts this. where did she get “huntsmen and huntresses should conduct themselves with honor and mercy”? who taught her the aspirational moral ideal?

summer rose, maybe.

but in the deeper sense,

where did cinder get the ‘destiny’ conceit? her underlying beliefs about how the world is are a product of her childhood, but the overt framing of fate/destiny isn’t present in midnight; nor has salem ever spoken of destiny and her philosophical views are in many ways a rejection of destiny – salem does not believe in fate, she is the woman who dedicated her life to toppling the gods.

and on close examination this looks like yet another suspiciously summer rose shaped hole!! “you’re special, ruby […] special the way your mom was special […] it was said that those born with silver eyes were destined to lead the life of a warrior.” – in after the fall, ozpin gives coco an entire pep talk whose central conceit is embracing and submitting to the turns of fate – sacrifice “show them gods and deities/blind and keep the people on their knees” & guide my way “you were born to hypnotize them all/they all said their prayers/can you hear me up there?”

cinder, of pyrrha: “people assume she’s fated for victory, when she's really taking fate into her own hands. interesting. add her to the list.” & “it’s not about overpowering the enemy; it’s about taking away what power they have.”

<- that second statement is salem’s strategic doctrine, through and through. but the ‘power’ cinder is talking about here is derived through manipulating the perception of destiny; the self-fulfilling prophecy. the invincible girl cannot be touched because she makes subtle adjustments to insure that no one is able to try. it is pyrrha’s belief in destiny that destroys her, as it destroys ozma. ozpin invokes fate to justify and explain his choices. those born with silver eyes are destined to lead the lives of warriors.

summer rose was destined to live and die fighting the grimm – so the world promised her. maybe she believed, maybe she felt like she had no choice but to accept her prescribed fate. until she met salem, and took fate into her own hands. made a choice. broke the chains. it’s about taking away what power they have, like salem did when she tore the scales from summer’s eyes, like summer did when she refused her destiny and joined hands with the grimm instead.

what does summer rose look like through cinder’s eyes? she was a huntress. she was literally destined to be one of the greatest huntresses in history, a hero, the shining pillar upholding the world order that chose the enslavement of children as a fair price for peace. fate dictated that she be the icon, the idol, the embodiment of the system that brutalized and subjugated cinder – she had every privilege cinder could ever dream of, freedom and security and a home, a loving family – and she chose to walk away.

and if they talked about that like, ever, and specifically if summer talked about that warrior’s destiny as a cage, a curse she had to escape – is it any wonder that cinder would adopt that framing to make sense of what happened to her? if summer rose was fated to stand at the pinnacle, then does it not follow that cinder fall was fated to be ground into the foundations? and likewise, if summer rose can shatter her pedestal and fall from grace, then cinder fall can shatter her chains and rise. summer proves that the idea of destiny is powerful but not inviolate. and it is hollow, it is a lie, a fiction, and that means it can be taken away. revealed as a deception. destroyed.

anyway

to the broader question

i think people really, really do not give the jaundice arc enough credit for the long-term set up it’s doing.

(or the very overt textual statement from THE HISTORY PROFESSOR! placing the blame for the violent radicalization of the white fang squarely on human bigotry and persecution of faunus in general; the white fang arc is clunky and hamstrung by the inadequacy of its vocabulary, but the fandom talking point that the narrative perspective on this subject has “evolved” or “improved” is just. not true. v1 is very emphatically clear that 1. terroristic violence is not activism, 2. ascribing the terroristic violence of a few to an entire minority group to rationalize bigotry is bigoted in and of itself and completely unacceptable, and 3. violent radicalization is created through relentless discrimination and hate, which creates a self-reinforcing circle wherein the justifiable outrage of the persecuted outgroup and the extreme violent reactions provoked by the persecution are distorted into a justification for further persecution by those of the in-group who materially benefit from perpetuating this cycle!!! all of this is explained in an almost afterschool special manner by the main character faunus rights activist and the history professor!!! in volume one!!! what changed is that the writers developed the skill and vocabulary necessary to weave these ideas into their storytelling in a more effective and more cogent way!!! literally begging the rwby fandom to start listening to the actual words the characters say)

ahem. the jaundice arc lays so much of the groundwork for jaune’s and ruby’s character arcs reaching all the way to v9 and undoubtedly beyond; it sets up the first pieces of the ozlem fractal; it foreshadows the white fang arc and sets up blake’s character arc of self-reclamation and figuring out how she wants to use her voice as an activist; it draws attention to the misogynistic cultural norms that define and are defined by the history between ozma and salem; it lays the foundation for the scene in v2 where ozpin questions blake, which hits the way it does because we have the context of anti-faunus harassment occurring openly at ozpin’s school and nobody doing anything about it, and by extension is the first stroke of the salem-faunus connection that is almost certainly the keystone holding the entire narrative together because it is her relation to the faunus that provides the key to decipher the lost fable.

the jaundice arc is a crucial load-bearing pillar that supports the entire narrative and people revile it because nobody in this fandom can be fucking normal about jaune. lmao

[chiropteracupola]

Ain't nothing come easy / No, nothing comes quick / But I want for you this, that you are well / I want for us this, that we are well...

Another illustration of Temeraire-crossover fic — this time, James Norrington and Tempest, from @boltlightning's delightful Pirates of the Caribbean crossover 'windfall / landfall'.