#well! Thank you for coming to my ted talk!

[honey-sweet-poet]

If I have to hear someone say "well the writers comfirmed" "well the writers denied" "well the creator said" "actually that can't be true because canon" ONE MORE TIME!

I DONT CARE! I DONT CARE WHAT THE WRITERS SAID! I DONT CARE IF THEY DIDNT INTENTIONALLY MAKE THIS CHARACTER LIKE THIS OR CANON SAID THIS OR WHATEVER

ITS ART! ART IS MEANT TO BE INTERPRETTED BY THE VEIWER SO I ACTUALLY DONT CARE WHAT THE ARTIST WAS GOING FOR

Thank you for coming to my ted talk

(I do care but let me enjoy things without having to over analyze everything please)

[mossy-paws]

It’s 2am but the art urges are strong,,, hrrrrg

anyways I’m gonna be on vacation soon! And by soon I mean in like. A week and a half LMAO

because of this I am going to be speed running art before then :3! So expect some more TMA-PHIGHTING! Au teasers/misc art before I completely crash for vacay /silly

I don’t know when I’m actually going to be finishing the au- and by “finishing” I mean just getting all of the lined designs fully colored and then dedicating some time to fun little misc pieces about the au in between :3c I’m actually considering doing a small little teaser piece for each design but I feel that may be a bit excessive,, I don’t know! Maybe I’ll open requests and let yall give me some ideas for them! Questions/suggestions are definitely encouraged now though since they help me build up on the au a lot more then I would be able to without them so feel free to ask away as much as you lot would like! Plus I just enjoy seeing people enthused about my little ideas :3

Well! I just wanted to say this beforehand since good art pieces are BOUND to be slow with what I got on my plate- I’m defintely making sure to dedicate time to other projects though so I don’t just die while trying to get this finished LOL

[lululawrence]

You Should Be Here With Me

A 2024 Advent Fic by lululawrence

Harry Styles/Louis Tomlinson | 34k | 26 Chapters

The festive period is a traditionally hectic one in the world of Premier League football, and this year is no different. A lot is riding on how Manchester United is able to come through the fixtures in the coming weeks.

Louis and his teammates know all too well the pressure that is on their shoulders. They need to prove, not just to fans of the club but the entire league, that they still have what it takes to be a team worthy of fighting for the top of the table.

Throw in the fact that Louis is all too aware that he's not getting any younger in a profession that demands your peak physical fitness year round and the incredibly fit Harry Styles, who is part of the club's social media team, and this year's festive period might just be the most important one yet.

🎄1 🎄 2 🎄 3 🎄 4 🎄 5 🎄 6 🎄 7 🎄 8 🎄 9 🎄 10 🎄 11 🎄 12 🎄 13 🎄 14 🎄 15 🎄 16 🎄 17 🎄 18 🎄 19 🎄 20 🎄 21 🎄 22 🎄 23 🎄 24 🎄 25 🎄 26 🎄

NOW COMPLETE!

[jolynejay]

Which one is it, Malleus

Malleus & Yuu/MC: having a Gargoyle Research Club meeting (aka going on a stroll at night infodumping at each other)

Yuu/MC: That reminds me, there is something I wanted to ask you.

Malleus: What is weighing on your mind, child of man?

Yuu/MC: Do you like gargoyles because they remind you of yourself - a living relic from a bygone time whose purpose has become largely obsolete due to the advancement of technology and society, only able to watch eternally from afar as people go about their lives without ever truly belonging to that world and no perspective for the future of your own as those you call kin slowly fade away?

Yuu/MC: Or do you like them "just because"?

Malleus:

[v88sy]

He 👏🏼 was 👏🏼 not 👏🏼 finishing 👏🏼 his 👏🏼 sentences 👏🏼 he 👏🏼 was 👏🏼 interjecting 👏🏼 his 👏🏼 own 👏🏼 snarky 👏🏼 ass 👏🏼 commentary. 👏🏼

[boygirlctommy]

i love the bit from oct 17 2020 when tommy and quackity trapped wilbur in a cobblestone box to keep him from pressing the button... wilbur punching through the blocks with his bare hand to try to get to the button... tommy frantically replacing the block in front of him yelling for quackity to do something... the moment when tommy stops, blocks the exit, and tells wilbur to do it. press the button. but then theyd die with him. quackitys like "wait, wait-" but tommy holds his ground and wilbur. ohh wilbur. "why'd you have to make it so hard?"

[isuggestwishcraft]

i think isafrin dynamic, especially postcanon, is so funny to me because (among other things) isabeau is the notorious Gets Scared When The Horrors Appear type of dude, but also happens to be madly into a guy who, for lack of better words, can be aptly described as The Horrors

[iwritenarrativesandstuff]

On Kurapika's Self-Imposed Isolation

While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.

I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.

Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."

So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.

The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.

Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.

Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:

[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]

It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...

[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]

...and this...

[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]

...and this.

[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]

This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.

(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)

But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.

Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.

But Kurapika... doesn't come across as a naturally angry person to me at all.

He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness

[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]

...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.

And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.

[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]

Look at him! He's so bright! So happy!

...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?

[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]

Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.

I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.

And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.

[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]

Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.

[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]

[the-travelling-witch]

Something I keep coming back to when thinking about Jamil is that, among the OB! Students, he might be the one who’s twisted from a disney “good guy” as much (or even more) than from the respective villain. And yes, I’m well aware that none of the characters are very one-note Disney villain, but with Jamil it just strikes such a chord with me.

Of course, he represents Jafar who has always resented being second best and who betrays the sultan to overtake the Nr. 1 position and all the power that comes with it. And during Book 4 (and now also Book 7), we can see Jamil equally backstabbing Kalim and planning to continue with the other housewardens and the headmage. That’s not a hot take, I understand that (whaaaat Jamil is twisted from Jafar?? Who would’ve guessed /j)

But with Jamil, I feel like his motivation for striving for power is a little different. For someone who has grown up in the world of the Asim family and has been with Kalim his entire life, I believe Jamil equates power with his actual goal in life: freedom.

So when he says “You really are my genie of the lamp, Azul” it felt sooo ironic to me, because it’s you! You are the genie, Jamil!

Just like the Genie’s “phenomenal cosmic power, but itty-bitty living space”, Jamil objectively has a lot of intelligence, talent and drive to excel at something, yet the space he has in which he can live and cultivate those aspects of his personality is very, very limited.

Both characters are also forced into their prison by the circumstances of their birth. Jamil was born into the Viper family, Genie was born a genie, and now they have to spend a lifetime of granting the wishes of other people.

For them to gain the freedom they so desperately want, both characters rely on the mercy of the people they serve, who they are useful to. But deep down they know their wish won’t ever be granted.

Genie has been promised his freedom a lot of times, just for the person’s third wish to be for their own gain after all when push comes to shove. Jamil has heard Kalim call him his best friend, just to turn around the next second and demand something else of him, wielding his power over him once more.

Besides, even if Kalim did give Jamil his freedom (if he even can, considering his family might step in), it’s shown that Jamil cares very deeply for his family, so I don’t think he would consider it “freedom” if his family was still serving the Asim household, which has an even slimmer chance of ever changing.

So yeah, I find the inspiration Jamil’s character takes from the Genie so interesting and at the same time it makes me want to tear out my heart. Please, he deserves so much (peace and quiet most of all) and I want to give him everything ㅠㅠ

[secondbeatsongs]

it's so funny trying to talk to people about Speed Racer (2008), because it's like...what if there was a guy who drove a car so well that he defeated capitalism

[bookshelf-in-progress]

Now that I know more about writing, I'm upset at all the writing advice that urged new writers to find the one best way to write stories, when they should be telling us to play with writing techniques like toys.

Don't tell us to avoid certain points of view! Don't box us into the one currently popular prose style! Let us play and see what effects different techniques achieve, so we can learn the best ways to make use of them! Give us a whole ton of possibility instead of one cookie-cutter template!

[spearxwind]

Honestly it really riles me up that people are mean to ocean animals because they are less understood than land animals (yes even dolphins as publically liked as they are) I think everyone should put a little more effort into understanding the ocean and the animals in it and the processes they help. You dont have to like the ocean you just need to understand it and understand that its 3/4ths of our planet's surface and that it's indispensable for life because the second that people stop caring about whats in it and what it does the door opens up for people to not care about what happens to it and how big companies destroy it and continue their needless pollution due to lack of care from the general public

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[loumandforyou]

No but these two scenes make absolutely no sense if nothing else happened? Armand's words and adoring look, are not used to gain anything for him or even for Louis, really. Louis messing with Daniel's memories could have been what Armand suggested, to bring him back to "what happened next". But his interference with that, looking actually sad at Daniel, saying what Alice was thinking and instead of being cruel and telling him that Alice isn't thinking of him, he put an end to it. And of course what was the point of the first flashbacks (even though they were from SF) when they were talking about Alice?

And then the next day, we have the apology on Louis' behalf and this heart eyes look.

It's certainly something beyond attraction, we have seen Armand grinning and being cocky about his sexual and hunting endeavours, we have even seen him actually being attracted to Daniel.

But these two scenes really don't make any sense unless something else happened. And of course the scene that Louis tells him he could turn him now...

[12u3ie]

reminder that anyone telling you not to vote is either an idiot or trying to strip away your rights 😊

[artist-rat]

my old and new tes character Saima <3 she’s a combination of a couple of my prev. ocs!