#webb's cross

[quiltofstars]

The Trifid Nebula (M20, top) and Webb's Cross (M21, lower right) // Kevin Kurtz

Located near the Trifid Nebula is Webb's Cross! This open cluster is relatively young and tightly packed; the cluster's age is estimated to be about 6.6 million years old.

[nasa]

NASA Inspires Your Crafty Creations for World Embroidery Day

It’s amazing what you can do with a little needle and thread! For #WorldEmbroideryDay, we asked what NASA imagery inspired you. You responded with a variety of embroidered creations, highlighting our different areas of study.

Here’s what we found:

Webb’s Carina Nebula

Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, created this embroidered piece inspired by Webb’s Carina Nebula image. Captured in infrared light, this image revealed for the first time previously invisible areas of star birth. Credit: Wendy Edwards, NASA. Pattern credit: Clare Bray, Climbing Goat Designs

Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, first learned cross stitch in middle school where she had to pick rotating electives and cross stitch/embroidery was one of the options.  “When I look up to the stars and think about how incredibly, incomprehensibly big it is out there in the universe, I’m reminded that the universe isn’t ‘out there’ at all. We’re in it,” she said. Her latest piece focused on Webb’s image release of the Carina Nebula. The image showcased the telescope’s ability to peer through cosmic dust, shedding new light on how stars form.

Ocean Color Imagery: Exploring the North Caspian Sea

Danielle Currie of Satellite Stitches created a piece inspired by the Caspian Sea, taken by NASA’s ocean color satellites. Credit: Danielle Currie/Satellite Stitches

Danielle Currie is an environmental professional who resides in New Brunswick, Canada. She began embroidering at the beginning of the Covid-19 pandemic as a hobby to take her mind off the stress of the unknown. Danielle’s piece is titled “46.69, 50.43,” named after the coordinates of the area of the northern Caspian Sea captured by LandSat8 in 2019.

An image of the Caspian Sea captured by Landsat 8 in 2019. Credit: NASA

Two Hubble Images of the Pillars of Creation, 1995 and 2015

Melissa Cole of Star Stuff Stitching created an embroidery piece based on the Hubble image Pillars of Creation released in 1995. Credit: Melissa Cole, Star Stuff Stitching

Melissa Cole is an award-winning fiber artist from Philadelphia, PA, USA, inspired by the beauty and vastness of the universe. They began creating their own cross stitch patterns at 14, while living with their grandparents in rural Michigan, using colored pencils and graph paper.  The Pillars of Creation (Eagle Nebula, M16), released by the Hubble Telescope in 1995 when Melissa was just 11 years old, captured the imagination of a young person in a rural, religious setting, with limited access to science education.

Lauren Wright Vartanian of the shop Neurons and Nebulas created this piece inspired by the Hubble Space Telescope’s 2015 25th anniversary re-capture of the Pillars of Creation. Credit:  Lauren Wright Vartanian, Neurons and Nebulas

Lauren Wright Vartanian of Guelph, Ontario Canada considers herself a huge space nerd. She’s a multidisciplinary artist who took up hand sewing after the birth of her daughter. She’s currently working on the illustrations for a science themed alphabet book, made entirely out of textile art. It is being published by Firefly Books and comes out in the fall of 2024. Lauren said she was enamored by the original Pillars image released by Hubble in 1995. When Hubble released a higher resolution capture in 2015, she fell in love even further! This is her tribute to those well-known images.

James Webb Telescope Captures Pillars of Creation

Darci Lenker of Darci Lenker Art, created a rectangular version of Webb’s Pillars of Creation. Credit:  Darci Lenker of Darci Lenker Art

Darci Lenker of Norman, Oklahoma started embroidery in college more than 20 years ago, but mainly only used it as an embellishment for her other fiber works. In 2015, she started a daily embroidery project where she planned to do one one-inch circle of embroidery every day for a year.  She did a collection of miniature thread painted galaxies and nebulas for Science Museum Oklahoma in 2019. Lenker said she had previously embroidered the Hubble Telescope’s image of Pillars of Creation and was excited to see the new Webb Telescope image of the same thing. Lenker could not wait to stitch the same piece with bolder, more vivid colors.

Milky Way

Darci Lenker of Darci Lenker Art was inspired by NASA’s imaging of the Milky Way Galaxy. Credit: Darci Lenker

In this piece, Lenker became inspired by the Milky Way Galaxy, which is organized into spiral arms of giant stars that illuminate interstellar gas and dust. The Sun is in a finger called the Orion Spur.

The Cosmic Microwave Background

This image shows an embroidery design based on the cosmic microwave background, created by Jessica Campbell, who runs Astrostitches. Inside a tan wooden frame, a colorful oval is stitched onto a black background in shades of blue, green, yellow, and a little bit of red. Credit: Jessica Campbell/ Astrostitches

Jessica Campbell obtained her PhD in astrophysics from the University of Toronto studying interstellar dust and magnetic fields in the Milky Way Galaxy. Jessica promptly taught herself how to cross-stitch in March 2020 and has since enjoyed turning astronomical observations into realistic cross-stitches. Her piece was inspired by the cosmic microwave background, which displays the oldest light in the universe.

The full-sky image of the temperature fluctuations (shown as color differences) in the cosmic microwave background, made from nine years of WMAP observations. These are the seeds of galaxies, from a time when the universe was under 400,000 years old. Credit: NASA/WMAP Science Team

GISSTEMP: NASA’s Yearly Temperature Release

Katy Mersmann, a NASA social media specialist, created this embroidered piece based on NASA’s Goddard Institute for Space Studies (GISS) global annual temperature record. Earth’s average surface temperature in 2020 tied with 2016 as the warmest year on record. Credit: Katy Mersmann, NASA

Katy Mersmann is a social media specialist at NASA’s Goddard Space Flight Center in Greenbelt, Md. She started embroidering when she was in graduate school. Many of her pieces are inspired by her work as a communicator. With climate data in particular, she was inspired by the researchers who are doing the work to understand how the planet is changing. The GISTEMP piece above is based on a data visualization of 2020 global temperature anomalies, still currently tied for the warmest year on record.

In addition to embroidery, NASA continues to inspire art in all forms. Check out other creative takes with Landsat Crafts and the James Webb Space telescope public art gallery.

Make sure to follow us on Tumblr for your regular dose of space!

[floralcyanide]

˚₊✩‧₊◜kinktober 2024! ―

✧ it's that time of year again! I'm starting early this year because the last two years I didn't finish the challenge. life got in the way and all that jazz. here is the list of kinktober prompts I will be doing along with their respective muses. this is subject to change.

✧ please remember to read/ participate in kinktober, you must be over 18. so minors, do not interact.

✧ as I complete each work, a check mark will be added next to the prompt.

(prompts are below the cut.)

day one. cockwarming with: John “Bucky” Egan (Masters of the Air)

day two. nipple play with: Benny Cross (The Bikeriders)

day three. blood play with: Roman Bridger (Scream 3)

day four. orgasm control with: Coriolanus Snow (The Ballad of Songbirds & Snakes)

day five. praise kink with: Bruce Wayne (Batman Begins)

day six. degradation with: Coriolanus Snow

day seven. bondage with: Jackson Rippner (Red Eye)

day eight. edging with: Gale “Buck” Cleven (Masters of the Air)

day nine. breeding kink with: Javier "Javi" Rivera (Twisters)

day ten. mutual masturbation with: Stu Macher (Scream)

day eleven. throat fucking with: Thomas Webb (The Only Living Boy in New York) ✓

day twelve. threesome with: Gale “Buck” Cleven & John “Bucky” Egan

day thirteen. knife kink or gun kink with: knife kink with Ethan Landry (Scream 2023)

day fourteen. sex toys with: Callum Turner

day fifteen. hate sex with: Callum Turner

day sixteen. thigh riding with: Austin Butler

day seventeen. sex tape with: Bruce Wayne

day eighteen. squirting with: Billy Antrim (Billy the Kid)

day nineteen. public play with: Joe Rantz (The Boys in the Boat)

day twenty. voyeurism with: Bruce Wayne

day twenty-one. corruption kink with: Roman Bridger

day twenty-two. daddy kink with: Cillian Murphy

day twenty-three. spanking with: Joe Rantz

day twenty-four. shower sex with: Javier "Javi" Rivera

day twenty-five. roleplay with: Neil Lewis (Watching the Detectives)

day twenty-six. face sitting with: Stu Macher

day twenty-seven. dom/sub with: John “Bucky” Egan

day twenty-eight. drunk sex or high sex with: drunk sex with Tom Blyth

day twenty-nine. phone sex with: Billy Loomis (Scream)

day thirty. anal sex with: Jonathan Crane (Batman Begins)

day thirty-one. mommy kink with: Ethan Landry

[welcometothejunkpile]

James Webb Stitchalong 2024

Part 5 complete. 5/28

The deep field image (inner ring, 4 o'clock) was an interesting change from previous sections. Mostly black with much more intricate backstitching than any previous sections.

Pattern by Climbing Goat Designs

https://www.climbinggoat.co.uk/products/wonders-of-the-james-webb-space-telescope

[toonlets]

IN THE BREADBOX!

Dr. Helen Noel is ready to take on Mike Tyson! "I'll show you who's an empath!" She says.

[madfoolish]

[wolfie200510]

Hey everyone...

So I decided to write here too... You can also find me on wattpad, the username is Wolfie_200510 and the profilepic is the same as here.

Please send requests...

❤️‍🔥 - smut

💖 - fluff

❤️‍🩹 - angst

With who I write:

Austin Butler (and his characters)

- Austin Butler

- Feyd-Rautha

- Elvis

- Wil Ohmsford

- Benny Cross

Callum Turner (and his characters)

- Callum Turner

- Theseus Scamander

- Joe Rantz

- Thomas Webb

- Anthony O'Hare

Timothée Chalamet (and his characters)

- Timothée Chalamet

- Paul Atreides

- Willy Wonka

- Kyle Scheible

- Theodore Laurence

- Nic Sheff

- Lee

- Regulus Black

Slytherins

- Mattheo Riddle

- Theodore Nott

- Lorenzo Berkshire

- Tom Riddle

- Regulus Black

- Draco Malfoy

- Blaise Zabini

- Pansy Parkinson

- Daphne Greengrass

- Astoria Greengrass

Scream

- Billy Loomis

- Stu Matcer

- Ethan Landry

- Amber Freeman

- Tara Carpenter

- Sam Carpenter

OBX

- JJ Maybank

- John B Routledge

- Rafe Cameron

- Pope Hayward

- Sarah Cameron

- Kiara Carrera

- Cleo

- Sofia

Cobra Kai

- Miguel Diaz

- Robby Keene

- Eli "Hawk" Moskowitz

- Demetri Alexopoulos

- Tory Nichols

- Samantha LaRusso

Celebrities

Later I'll add more to this list but that's all for now.

Rules for requests:

- No male reader, only female or gender neutral reader

- No dad or mom character (sorry)

- No major age gaps (like no more than 10 years age gap)

- You can request celebrities and characters from movies or shows who are not on the list (I'll tell you if I write it or not)

- I'm open to write kinks

[tony-blair-erotica]

RIP Saddam you’d have loved the Chase x

Image credits:

1 & 2: Contestant on ITV's The Chase, originally tweeted by Michael Glasper on X, 17/09/2024, https://x.com/michaelcglasper/status/1835716960375525537?s=46&t=EQjf0STbu875ZFjTm8Cxkw

3: Tony Blair on holiday in Sicily, August 2016 from BEESCOP.COM

[leo-and-me]

Witch of Westminster Crossing is a CBC (Canadian Broadcasting Corporation) production starring Michael J. Fox and Lois Maxwell. It was lost, similar to Leo and Me, another Michael J. Fox show (petition here). It was lost due to poor treatment and was squirreled away by higher-ups who believed the film to be a failure, though it certainly was not. The loss of this film disrespects both Maxwell and Fox simultaneously. It is stored in their archives warehouse unsafely, susceptible to wildfires, earthquakes, and any and all tape-destroying instances. This piece of media could be lost permanently, similar to Leo and Me, if action is not taken soon. Everyday, media-destroying events happen, and we can only do so much to save this beautiful piece of history. If the movie is permanently lost, there will be nothing left to do for it, and we will have officially left Michael J. Fox, Lois Maxwell, Jimmy Dougherty, Reg Romero, Hagen Beggs, and tens of other talented actors behind, no matter how undeserving they are of the betrayal.

[mjaomjaomjao]

sketch by architect Michael Webb

[quiltofstars]

Webb's Cross, M21 // AnaTa

Seen here by itself, Webb's Cross is just under 4,000 light years from Earth and contains about 100 stars within its gravitational clutches. This was another original discovery of Messier's in 1764.

I have no idea who Webb was and why it's his cross. Anyone know?

[maybank5]

𝐰𝐡𝐢𝐬𝐤𝐞𝐲 𝐝𝐨𝐧'𝐭 𝐜𝐡𝐞𝐚𝐭

pairing ⤜ yn x jj / yn x rafe cameron

request ⤜ "something where JJ flirts with Topper’s sister, who’s super sweet with everyone and really fun to hang out with, not knowing she’s Rafe’s girl"

a/n ⤜ aww thank you babe for the lovely message and my first ever request!! it kinda took on a life of it's own, and i hope that's alright!!! also i cannot write rafe and jj without rafe being The Bad Guy so i hope you don't mind! i hope it turned out good for you and that you enjoy it a lot! sending hugs and love to you xx

song inspo ⤜ whiskey don't cheat, jay webb

"One whiskey please."

"On the rocks?"

"Excuse me?"

The man behind the bar squints at you, "You sure you're old enough to be here?"

"Of course," you flick your long hair over one shoulder, sit up straighter, hope you blend in well enough. It's just this isn't your usual place, and you know you must stand out like a sore thumb. From the look he's giving you, it's clear you don't belong. You reach into your purse and slap your ID down on the sticky wooden bar counter.

"Mm," he glances at the date, slides it back to you, "Have you ever even had whiskey before, princess?"

You frown, "No. But I'd like one whiskey please. To start."

"To start," his brows shoot up and he lets out a little bemused chuckle, "Alright. One whiskey, coming up. Never did determine if you'd like that on the rocks or not."

"On the rocks," you confirm, "And...can I get a couple maraschino cherries in that."

An amused smile crosses the bartender's face as he turns to prepare your drink. "Sure thing."

You put your elbows up on the bar, twist the gold ring around your thumb, before lowering your arms and crossing your hands in your lap. You feel awkward and out of place. Everyone else here is dressed so casually, and here you sit in your white sundress and heeled sandals. This isn't your usual side of the island, but you needed to get away, find some place to go where Rafe and your brother can't track you down; somewhere where no one will report back to either of them that they saw you throwing drinks back at a bar.

Sometimes it feels like there's no escape. Why you ever got with your brother's best friend is beyond you. The two of them report back to each other and discuss you like you're some sort of specimen. It still makes you queasy knowing that right after your first time, Rafe had texted Topper. Sometimes you just wanted to run away and leave them both in the dust.

So you'd come here, to this side of the island, to The Cut. You'd been here a few times before. You knew a few people that lived on this side. Had met a girl named Kiara at a Beach Clean-Up Weekend awhile ago, and she'd been really sweet. Then there was Sarah Cameron, infamous in the gossip among the Country Club. Rafe's sister who'd left, who'd gotten out. You would never admit it to anyone, but sometimes hearing the ladies gossip about her over their long island iced teas and games of bridge made you jealous. What would that be like...to run away from it all and leave it all behind?

You jolt as a glass is set down in front of you, three maraschino cherries speared with a plastic sword floating on the top.

"Thank you." You take a sip and immediately cough. It tastes like cough syrup and you can't help but wince.

"Need something lighter, princess?"

You look up at the bartender with a scowl. "No," you say, determinedly, "This is fine." And as if to prove something to him, you take another sip. It burns, but you don't cough this time.

"So you wanna tell me what's got a girl like you in a place like this, drinking a drink like that?" The bartender wipes his hands on a rag hanging from his pocket, leans his elbows on the bar in front of you. A little bit too close for comfort. You raise your eyes and get lost in the blueness of his. He's looking at you so intently. Rafe used to look at you like that, once upon a time. Now, you feel like you're barely even a blip on his radar. It makes you squirm to be under someone's attention like that.

"No," you say, "It's none of your business."

"Point taken," he raises his hands in surrender, backs off, and leaves you to your drink.

You felt like an idiot. You'd known you and Rafe weren't exclusive. Still though, you didn't realize that he was out running around sleeping with a bunch of other girls from Figure Eight, right under your nose, until that night. You felt cheap. Like a joke. Like everyone was laughing at a joke behind your back at your expense. And worse...Topper had known and hadn't said anything. Because why would he? When it came to "the boys" you knew you were not even a priority.

You finish off your whiskey, and another bartender comes over. "Another one, miss?" He asks.

"No thank you," you say, feeling already a little floaty from the first, "I think I'm ready for my bill."

"Sure thing." He disappears to the register and you put your forehead against your hand. You always were a lightweight when it came to drinking, and the hardest thing you'd ever had was champagne at New Year's. You pay your tab and head out. You spot the first bartender on his smoke break, sitting up on the wooden patio balcony. Something in your stirs, and before you can stop yourself, you make your way over to him. You jump up on the balcony, sitting on the other side of the column from him.

"Hey," he turns to face you, brows pulled together.

"Just...don't say anything," you say, "I need someone to talk to and if you're willing to listen...well, I guess you're as good as anyone."

A scoff. "You sure do know how to make a guy feel flattered."

"Shut up," you fight back a smile. You are not in the mood to smile tonight. Why is he making you smile? "You wanna know why I was here tonight drinking?"

"If you wanna tell me."

"It's stupid. I don't even know if it can count as cheating if I knew we weren't exclusive. I just...I didn't expect that."

"What happened?" The smoke of his cigarette drifts to you, making you feel floaty again, and you realize it's not tobacco he's smoking. You lean your head back against the wooden pillar.

"I found out my boyfriend has been seeing other girls. And not just seeing them either, but like, sleeping with them. Lots of them. And I know we weren't exclusive, and I probably have no right to be upset by this, but I just...I feel sick. And the worst of it is he's my brother's best friend, and he knew and didn't tell me. Because clearly I'm not the one his loyalty lies with."

"Fuck," he passes you the rolled paper between his finger, "Sounds complicated."

You aren't a big smoker, but you put it to your lips anyway and take a hit.

"Thanks," you say, passing it back to him.

"What are you gonna do?"

"No idea," you say, running a hand through your hair, "Part of me tells me to just break up with him, end it. Walk away and let him just do whatever he wants like he's gonna do anyway."

"And the other part?"

"It's complicated. We've been together for so long. He's all I know."

"Sounds like you need to get to know some new things."

"Probably," you say.

"For what it's worth," he says, taking another hit and passing it back to you, "I think it's bullshit what he's doing to you, and you deserve better than that."

"I've already closed my tab," you say, "You don't need to gun for a tip."

He tosses his head back and laughs, "Damn," he says after a moment, "Your boyfriend really doesn't know what he's missin' out on, does he?"

You blush, bring your thumbnail to your lip to bite.

"You want some unsolicited advice? It's kinda my specialty, bein' a bartender an' all..."

"Sure," you say; what could it hurt. Besides, who else have you got to talk to about this?

"I think you should dump his ass. Kick him to the curb. It's not even about being exclusive, it's about taking your feelings into consideration; about respecting you."

You feel your stomach tighten. "That's exactly how I've been trying to explain my feelings to myself," you say in disbelief, "You just put it perfectly into words! I feel disrespected, like how I feel about it just doesn't matter. To him or to my brother or anyone from that fucking place."

"You know, princess, The Cut isn't a closed club. If you're ever needing to get away from Fig Eight, you know where to go."

"Thank you," you can't help but smile, "That's sweet of you."

"Gettin' called sweet from the girl who can't order a drink without maraschino cherries," he chuckles softly. A familiar rumble pulls you from your thoughts. The black Range Rover has pulled up in front of the bar and you feel sick as you see Rafe slam the door shut and hop out. Topper's behind the wheel.

"Y/N!" Rafe calls. You feel sick as he marches over to the patio.

"Rafe Cameron is your boyfriend?" The bartender raises his brows in disbelief.

You wince. Of course he knows who Rafe is. Rafe has a reputation across the entire island.

"Yes," you admit.

"Good," he says to your surprise, dropping the joint and hopping up from the balcony, cracking his neck, "Rafe and I have history."

"What's that mean?" You ask.

"Maybank!" Rafe hollers as he storms over.

"Look what the tides dragged in. Lost, Cameron?"

"Fuck off, Maybank. I'm here for one reason only and that's to get Y/N. She's the one that's lost here. C'mon, Y/N. You don't belong here. I still can't believe you just took off like that! Thank God for Find My Iphone because Topper and I'd never have been able to track you down. Get in the car, we're going."

"The hell we are," you stand your ground, suddenly feeling brave with "Maybank" standing at your side.

"Pardon?" Rafe raises a brow, "C'mon, Y/N. Let's go."

Topper rolls down the window of the Rover, leans his head out, "C'mon, Y/N. Stop throwin' a tantrum and get in the damn car."

"No," you say, crossing your arms, "I don't have to go anywhere with you, Rafe Cameron. In fact, we're done. As of this moment. You are free, go fuck whoever you want, do whatever you want, but just know that I'm done. This is over."

"This is your doing," he turns on the bartender at your side, "I know you've got into her head somehow, JJ."

"JJ" just shrugs, "Maybe. Or maybe your ex is smart enough to come to her own decisions and that decision is that she's better than whatever it is you've got to offer. Which trust me," JJ raises a brow and smirks, "From what I hear from the ladies, isn't much."

Rafe takes a step forward. So does JJ.

"You don't want to do this," Rafe says.

"Oh, but you see I do. You forget, Cameron. It's you who doesn't want to do this. How many reminders do you need, that every time you cross me, it's you who loses. Runs back to Fig Eight with his tail between his legs."

"Fuck you, Maybank."

"You've got twenty seconds to march back to that Rover and for you and your lap dog to get the fuck out of here."

You stare in shock as Rafe's fist clenches at his side, but he does as JJ's said.

"This isn't over, Maybank," Rafe calls over his shoulder.

"Always a pleasure, Cammy," JJ says, giving a little wave as Rafe climbs back into the Range Rover.

"Whoa," you turn to him.

"Yeah," JJ runs a hand through his hair sheepishly, "Sorry about that. I probably shouldn't have stepped in like that without your signal, I just...I cant stand that guy. Either of them."

"Yeah, me either," you say with a little chuckle, "That was pretty impressive though. How did you do that though? How did you get him to back down like that? Rafe doesn't back down from a fight. Ever."

JJ smirks, "Let's just say it's not our first rodeo. He knows better than to mess with me, or any of my friends."

"And does that include me?" You raise a brow.

A smile crosses his face as he holds out his hand for you to take, "What do you think?"

You join him back inside for the remainder of his shift. Instead of whiskey, he and the other bartender, whom you come to learn is named Pope, keep you spoiled in Shirley Temples. The three of you chat, and as the night carries on, you feel a comfort settle over you that you've never experienced before.

After their shift ends, JJ invites you over to come hang out at their place with some of their friends.

"Yeah," you say, taking the hand he offers you, "Like you said, it's high time I get to know some new things. Introduce me to your world, Maybank."

You spend the night hanging out with him and his friends, Pope, John B, and come to find Sarah Cameron and Kiara are also very good friends with JJ. You spend the night laughing and playing board games with them, drinking PBR (which you realize you can handle much better than whiskey; even if JJ teases you and asks if you're sure you can drink beer without cherries in it).

It's almost three in the morning when Kiara puts some music on the porch speakers. JJ reaches out and grabs your hand, pulling you out to the grass to dance with you under the moonlight.

You know tomorrow you're going to have to face the consequences of this night. You're going to have to go home and have a proper conversation with Rafe Cameron. At the end of the day, he's still important to you, and you want to end things the right way. You're going to have to face Topper too, and deal with his comments. And you know the ladies at the Country Club are fixing to have some new gossip to add to their rosters. It's worth it though. It'll all be worth it, for more nights like these, with friends like those, and dancing with a boy like this under the moonlight.

[astrologydayz]

ASTRO SEXOLOGY NOTES - SYNASTRY

Man's Mars square a woman's Venus/Klett asteroid- 2199 can show us that the man will have "problems" at 1st with "getting it in", because the woman is 2tight/he's 2big🍆. He’ll HAVE to get her REALLY wet in the beginning🏄‍♂️, and even after that, it will still take some time before it starts "2fit", without hurting. Woman's Sun conjunct a man's Mars shows us that the man will be turned on by the woman's conscious persona/how her ego represents herself. He can get off by the woman talking about herself2/being "Self absorbed"💅🏼.

Man's Moon square a woman's Venus/Klett asteroid - 2199 can show us that the man cannot "satisfy the woman's sexual needs/desires. He will not pick up on what the woman needs to be pleased/pleasured🆘.

Man's Mars square a woman's Uranus shows us that the man wants the woman to "try out" his sexual fantasies, but the woman will end up blowing up/ghosting him after some time, because she really doesn't want to do em, but does them anyway. She will be willing to try all these different things, but will end up crossing her own boundaries 2satisfy him🙄😑. That’s when she’ll “blow up”/or “disappear”, without a word.

Lust asteroid - 4386 square North Node/South Node = The lust person's desires/sexual fantasies are meant to create friction when it comes to the Node person's "path in this life&Karma - NN"/safe space&Karma- SN". It creates tensions, because they do not fit each other. Karma “being served” to Node person, from a past life. No matter what the lust persons fantasies are = it will always feel wrong to Node person, but it’s something they have 2 go through with Lust person, because of karma. They'll always have problems, when it comes 2 the lust persons sexual needs. Node person will always have alarm bells ringing🔔.

BML SQUARE JUPITER = Can cause the JUPITER PERSON 2 GIVE SEXUAL DISEASES 2 LILITH PERSON!! I've seen it many times, &Jupiter doesn't own up 2 it 90% of the time😵‍💫 .

Man's Sun conjunct a woman's Lilith asteroid - 1181 = he taught her how2 fuck/how to please him sexually, but he also gave her sexual trauma while “teaching her” 💔. Mars conjunct/trine/sextile Neptune = sex on drugs. Being high/drunk together while doing sexual activities🍁🥃.

A man's Dick asteroid - 17458 conjunct a woman's Fama asteroid - 408 = the woman will gossip about the mans dick quite literally - good or bad. She will talk about it openly to other people. They can also talk about it 2gether, the man and the woman but she WILL talk about to others2. Maybe not when they're 2gether, but she will after🥇🥈🥉. A woman's Klett asteroid - 2199 conjunct a man's Fama asteroid - 408 = exactly the same as above, just vice versa baby.

A man's Dick asteroid - 17458 conjunct/trine a woman's MC = everyone that "knows her/hears about her" will know she's fucking him/has been with him sexually - could be anything sexual tho, it just have to be something regarding his dick obv🍌🤗. can also show a "public work relationship" ofc, if u get what i mean📹💰.

A woman's klett asteroid - 2199 conjunct/trine a man's MC = same as above, just vice versa again💜.

Cumming asteroid - 14348 conjunct Vertex = the asteroid person will give the Vertex person an otherworldly orgasmn/or multiple🥇. Fated indeed🫦.

Lust asteroid - 4386 conjunct Webb asteroid - 3041 = Lust person is sexually attracted 2 the webb persons persona/photos/videos online. If lust person sees webb person online at 1st, without knowing them = they will be immediately sexually attracted2them. BUT it doesn't mean sexual attraction from Lust person 2 webb person in real life tho🧑🏻‍💻🎥📱.

A man's Lust asteroid - 4386 conjunct/trine a woman's Black Moon Lilith = the man is sexually attracted2 the woman because of the "freedom" she gives, and her openness about her sexuality. He's turned on by the way she stands in her power, and won't "give in". He’s also attracted to her because of her struggles/because of where&how she feels left outside alone🖤.

A man's Venus conjunct a woman's Klett asteroid - 2199 = he's in love with her 😼, the way it looks, and the way it feels✌️💋 .

A woman's Venus conjunct a man's Dick asteroid - 17458 = same as above, just vice versa💜.

THANK U SO MUCH4READING LOVE, I APPRECIATE U🖤

U can always message me❤️

[incognit0slut]

Right Kind of Wrong (10)

She never thought she would be involved in a murder investigation and encounter her one-night-stand again, the awkward guy who isn’t exactly that good in bed—Or is he? Offended by the sentiment, Spencer is determined to prove her wrong… But as he gets tangled with the beautiful stranger, he realizes there is more to her than what meets the eye.

Part Summary: she finds herself as a pivotal lead in the case. wc: 4k

Series Warnings: 18+ explicit content, graphic details of murders, mentions of suicide

a/n: I’m so sorry this took so long. I realize I’m not smart enough to be writing a crime-mystery plot so this went through a lot of editing😭

Other parts: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14

Y/N NEVER THOUGHT SHE WOULD SPEND HER MORNING THIS WAY, the unfamiliarity of this foreign place had her questioning how her life turned out the way it did. Becoming a witness to a heinous crime was already overwhelming enough for her, and now sitting in this cold, empty interrogation room was making her lose her mind.

She had never thought of being in this situation—a scenario that solely belonged to crime novels and thrilling movies. Yet, here she was, feeling more uncomfortable as time passed by. She slowly glanced toward the two-way mirror and the thought of watchful eyes observing her every movement intensified her discomfort, leaving her feeling judged and exposed. But above all that, there was one question that seemed to float at the top of her head.

Was Spencer there?

She heaved out a sigh. The one time she allowed herself to indulge further with her one-night-stand, it didn’t go the way she expected. She had thought that maybe—maybe—opening her heart was something she could try again. After a long time of not wanting to be romantically involved with anyone, waking up in his bed hadn’t seemed so bad...

Now it was just wishful thinking, her past naive self becoming a mockery to her now.

She was engrossed in her own thoughts when the door to her left suddenly creaked, drawing her attention, and she couldn't stifle the disbelief laugh slipping through her mouth.

"Out of all the agents in this building and they decided to send you?" She wondered as Spencer cautiously walked into the room with a file in his hand. "Isn't this against the rules?"

"What is?" He asked, pulling out the chair across from her.

"Questioning someone you know personally."

He regarded her with a look she couldn't quite decipher. Something about him seemed so different, it was baffling how someone could change so drastically in such a short period. Last night he had been sweet, attentive, and full of affection. But now, as she looked at him, it was as if he had morphed into a completely different person. The warmth that had once radiated from his eyes was replaced by a distant, guarded gaze.

Spencer Reid and Doctor Reid were really two different people.

"My personal matters won't intervene in the work I do."

"Somehow I doubt that," she murmured, watching as he sat down. She leaned back and crossed her arms. If he was going to act like they hadn't spent the night sleeping on the same bed, she might as well give him the same reserved attitude. "So, what now? Are we going to continue where we left off?"

"Actually, there's something else I'd like to know." He pushed the folder in his hand across the table and opened it. "I'm aware that you were associated with Harvey Webb?"

What the—

A sudden chill ran down her spine as the name slipped from his mouth. It was the last person she wanted to remember, a name she had fought so hard to push into the depths of her subconscious. But now it all came rushing back, threatening to engulf her in a wave of memories. She saw glimpses of piercing eyes that held malice, a voice dripping with menace, and a presence that loomed like an ominous shadow.

As she laid her eyes upon the files in front of her, a shiver coursed through her body. The face that stared back at her from the photograph was etched with lines of time. His eyes, once filled with unsettling intensity, now bore the weight of years gone by, their depths guarded and inscrutable.

"Why are you showing me this?" She asked quietly, trying to think of any possible reason why she was forced to recall her past.

"Did you know him?"

With a hesitant pause, she uncrossed her arms. "I did."

"And how did you know him?"

"He—" she stopped, trying to decide how to describe the nature of her relationship with that awful, dreadful man, and finally responded with, "He was my landlord."

"Was that all there is? Was your relationship with him simply one between a landlord and a tenant?"

She met his gaze. "What are you trying to imply?"

"One of our agents visited his wife before this."

Oh.

This was probably why he seemed so guarded, his words laced with a hint of something familiar yet unspoken. She was sure he already knew what happened. It was in the way he carefully chose his phrases, the slight pause that followed, and the knowing glimmer in his eyes that gave it away. But even when the buried memories were fighting to resurface in her head, a sense of unease gripped her. Why was he delving into her past?

"Why are you—" She shook her head. "What does he have to do with the current case?"

There was a pause before Spencer replied, "We believe he might be a link to the investigation."

She narrowed her eyes. "How?"

The room suddenly fell into an uneasy silence, punctuated only by the quiet hum of tension that seemed to hang in the air. Their eyes locked.

"Let's make a deal," he suggested. "If you answer all the questions I have for you, I'll tell you what you want to know."

She considered his words and slowly nodded. "Fine," she agreed. "But you probably know who he was to me if one of your agents had already questioned Mrs. Webb."

"I want to hear it from you."

The weight of her past bore down upon her, pressing against her conscience. She understood, with unwavering certainty, that the time had come to lay bare the chapters of her history that she had kept hidden. With a breath that carried the weight of her past, she finally mustered the courage to speak her truth.

"Harvey and I had an affair."

A subtle change swept across his face as her words hung in the air. His expression remained stoic, a reflection of the knowledge he carried within him. She wasn't sure how much he already knew, but she continued.

"It wasn't my proudest moment," she admitted. "I was young, it was my first time in the city and I got this great apartment at an affordable price. Harvey helped me when I moved in so we talked a lot back then and easily became friends. He eventually mentioned how his divorce had gotten to him very badly, and I... I guess I took pity on him."

"He told you he was divorced?"

"Yeah, he told me the property that he owned, this apartment building of his, was the only asset he got for their divorce settlement. I was too young and naive to even consider he could be lying, I guess I was too smitten by the attention he constantly gave me."

"How long did it happen?"

"A couple of months. It wasn't until he kept on disappearing that I started to suspect him. He said he had to go out of town for his work, but curiosity got the better of me and I decided to follow him one day." She gave him a pointed look. "Turned out he wasn't leaving town, he was going back home to his wife and kids."

"What happened then?"

"I confronted him about it..." Her body shifted uncomfortably. "That was when I realized how messed up he really was."

"What do you mean?"

"Harvey was a manipulative son of a bitch." He raised his eyebrows at her choice of words, which she shrugged in return. There really was no other way to describe him. "It was as if a switch had turned inside him the moment I confronted his lies. He became overbearing, controlling, possessive, and just—he became someone I was very afraid of."

He studied her closely, trying to decipher the unspoken layers of her narrative, the nuances hidden beneath the surface. "Did he ever hurt you?"

“Physically? No—well, there was this one time he got physical when he got so mad, but that was it," she confessed as her past flashed through her mind. "Although mentally, he was draining me. He would often threaten to harm me, or himself, if I ever left him. I think he was also diagnosed with a lot of mental disorders."

"Was his wife aware of everything happening?"

She nodded. "One day I visited their house when he wasn't home and confronted her about everything. Instead of blaming her husband's questionable behavior, she blamed me for ruining their marriage and started calling me a slutty home wrecker."

"Did he find out about this?"

"Yes," she replied. "He was not happy about it."

"And how did you get out of that situation?"

"I got accepted for the current job I work at now."

"He was fine with that?"

"I didn't tell him about it." She looked down, her gaze focusing on her hands sitting in her lap. "I had to move my things secretly whenever he went home to his family. When most of the stuff I needed was secured at my new place, I finally left, changed my number, and never looked back."

"You never saw him again after that?"

"The next time I heard of him was his own obituary printed on the paper." As the weight of her past slipped into the open, exhaustion suddenly settled over her. Her gaze then flickered toward the files on the table. "Now will you tell me how he's linked to the case?"

Spencer’s attention was completely focused on her, analyzing every detail of her movements. He paid close attention to the way she shifted in her seat, the way she blinked, and the way she tilted her head. "Were you aware of how he died?"

"Yes, he... he hurt himself."

Spencer shook his head, the lines on his forehead etched themselves deeper, highlighting the concentration etched upon his features. He leaned forward, his movements deliberate and controlled, as he turned the files over, taking out a few pictures before presenting them in front of her. "We believe his death was a homicide."

"What?" Her eyes widened in surprise as she gazed at the collection of photographs spread out before her. She should be appalled by the amount of blood seen in the shots, but her eyes darted across the blotched writing carved along the bruised skin. "Something was written on his arm?"

"You didn't know?"

"Of course not, why should I know of this?" She glanced up and was taken aback when she noticed the same doubt on his face she saw this morning. Her heart sank as the realization washed over her like a chilling wave. "You're still pining me down as a suspect."

"Your personal connections to all three victims have raised some concerns," he pointed out, voice carrying a controlled intensity, each word measured and deliberate. "And what's even more concerning is that they all had somehow wronged you in the past."

She suddenly felt a surge of anger as he leveled his accusations. Her lips thinned into a tight line, and her eyes narrowed as all her frustration and tension bubbled over. "I had nothing to do with their deaths."

"So it's a coincidence that they all suffered the consequences of their actions that affected you directly?"

"Just because I had issues with them doesn't mean I'd resort to murder," she spat. "Why are you so persistent in painting me as a suspect?"

"Your past grievances with these victims paint the picture." Spencer leaned forward, his palms pressed firmly against the cool surface of the table. His eyes, narrowed with determination, locked onto hers with palpable intensity. "Tell me, do you have an alibi for the times of their deaths?"

She leaned forward and held his gaze, not wanting to back down. "I'm not responsible for any deaths, so no, I don't have an alibi for something I didn't do."

"That's a very vague answer."

"You don't say?" She responded sarcastically. "Are you going to dump me with facts on how my body language is being defensive right now?"

"Would it help you to answer my questions clearly?"

She felt her patience breaking. She had been doing her best to remain calm and collected, but as his gaze remained fixed on her and he continued judging her with that harsh stare, she finally snapped.

"You know what, you want an alibi? I'll give you a damn alibi."

The tension she had been holding in her body suddenly exploded. With every inhale, her chest tightened, a reservoir of pent-up emotions yearning for release. And then, like an unleashed storm, she let it all pour forth.

"According to his obituary, Harvey Webb's death happened on Halloween and that was when I attended this stupid party held at the office. I was in the parking lot when Jamison called for my help before I scurried back only to witness his death. And don't get me started on Kevin Marshall."

She steadied her gaze on him.

"I studied his files for work so I'm aware of the time frame when it happened, and for someone with an eidetic memory, you sure had forgotten where I was that night so let me help you jog your memory back, Doctor Reid, because I spent the night in your bed before you fucking kicked me out the door!"

A heavy silence settled upon them only to be broken by her labored breathing and the pounding of her heart.

Had she really said that?

Y/n was never one with a foul mouth, but with the way the cuss word flew out of her lips in the heat of the moment, it was clear to her how furious she was. Although she did feel a sense of relief as if a huge burden had been lifted off her shoulders after speaking her truth... But at what cost?

The room seemed to hold its breath, suspended in a fragile stillness, as his eyes locked onto hers. The weight of her words settled between them, casting a heavy shadow in the room. And there he sat, frozen in the moment, his face etched with shock and surprise. His mouth opened and closed, but no words emerged, as if the force of her words had momentarily robbed him of his ability to respond.

She wondered what was going through his mind right now. Was he processing her words, attempting to unravel the layers of her frustrations? Or was he grappling with his own emotions, struggling to find the right words to respond?

And suddenly she couldn't take it anymore, feeling an overwhelming sense of exhaustion washing over her. All of the emotions unleashed during her frustrated rant had left her feeling drained. Every fiber of her being ached for respite and seeing him again felt like an additional burden she wasn't ready to bear. So she let her eyes fall on the two-way mirror, focusing in nowhere particular.

"I want to request another agent in here."

She noticed the way his shoulders tensed from the corner of her eyes but decided to ignore it, keeping her gaze on her reflection instead. And just as she was about to accept the fact that nobody was going to listen to her, the sound of the door opening echoed throughout the space, its noise cutting through the silence.

A dark-haired woman stood by the entry, her hand gripping the door as she focused her attention on the only man in the room. "Dr. Reid, I can take it from here."

The weight of the situation suddenly settled him. He studied the woman sitting across from him who was trying to maintain her control. But beneath it all, he saw the cracks in her facade, the vulnerabilities concealed beneath her frustration. It became clear that her actions, though seemingly distant and cold, were rooted in a desperate attempt to protect herself from further hurt.

And he was responsible for it all.

With a heavy sigh, Spencer finally rose from his seat, the chair scraping against the floor as he pushed it back. His mind was telling him he was only doing his job, yet his heart was pointing out the unfairness of his judgment of her. And for the first time in his life, he didn't know what to do.

"There you are," Emily announced, walking into the meeting room as she spotted Spencer standing by the large board adorned with webs of information, his back facing her. "Are you okay?"

Spencer turned around and regarded her with a sigh. "No."

She gave him a sad smile. "She left already." Then she crossed her arms, studying the way his expression fell at the mention of the woman she had questioned for the past hour. "Do you really think she has anything to do with the case?"

He opened his mouth, closed it, then shook his head, his shoulders dropping at the revelation of his words. "No."

"Then why were you being so hard on her?"

"I... I don't know."

As her gaze focused on his face, she observed the flash of vulnerability that briefly danced across his features. His eyes darted away, evading direct contact, betraying a flicker of unease that she couldn't ignore.

"I think you do," she noted. "I think you have this logic in your head that if she had something to do with the case, you'd have a reason to stop getting involved with her. But now that you know she's innocent, you think it's too complicated to harbor your feelings after the way you accused her. "

He drew his eyes back to her. "I thought we agreed not to profile each other."

"I wouldn't consider this profiling when you literally have your heart on your sleeves."

He let out a sigh, his voice trembling as he mustered the courage to acknowledge the truth of his actions and the pain he had caused. "What should I do?"

"You're asking the wrong person for relationship advice here," Emily remarked. "But what I do know is that if you wronged someone, you apologize."

But was it enough? Was apologizing to her enough to compensate for the hurt he had put her through?

Guilt has a funny way of coming after the moment has passed, like a relentless pursuer in the shadows of our conscience. Right now it was sneaking up on him, resurfacing with a relentless grip on his emotions. After he left the room, he got inside the small space behind the two-way mirror, continuing his job as an observer instead of the one questioning her.

Hotch had looked at him pointedly when he stepped to his side, and although his boss kept his mouth close the entire time, Spencer knew he was secretly assessing him with judgment. Especially when, after observing Y/n behind the glass, it was clear that she wasn't a suspect. He saw the scars of his misjudgment etched upon her face and the guardedness in her eyes.

It took him as an observer to comprehend she was innocent, that the darkness he had attributed to her was merely a reflection of his misguided assumptions. But it was too late now. He had allowed his biases to cloud his judgment, staining their relationship—or the potential of it anyway—with a hue of mistrust that was now difficult to wash away.

"I don't think she'll ever forgive me," he admitted, feeling dejected.

"Reid, you haven't even tried, and even if she won't, I'm sure you'll find a way to fix it." As the weighty words of their conversation hung in the air, a playful spark suddenly ignited in her eyes. "So."

Her teasing look cut through the tension, catching him off guard. "What?"

"I didn't know you had a girlfriend."

"She's not my girlfriend," he quickly responded.

"After all that tension between you two and you're still denying it?"

"She's—" he stopped. "I'm not sure what we are, honestly."

Emily let out a soft chuckle. "Well, any type of relationships are complicated. That's why I don't bother with them anymore." Her eyes then shifted behind him, noticing the numbers written on the board that wasn't there the last time she was here. "What do you have there?"

Spencer let out a sigh of relief. Her request to shift the conversation to something else offered him a lifeline, a respite from the vulnerability of delving into his own feelings. A flicker of gratitude flashed in his eyes as he realized that she had unknowingly granted him an escape from his discomfort.

"I did the geographical profiling and these numbers are each respective coordinates of the location where all the victims were found." Emily nodded and he continued, "Basically, I did a coordinate rounding to eliminate the decimals until I come up with two digits for each location."

"And you think these numbers mean something?"

"They must. Here, take a look at this." He motioned her to step closer toward the round table before showing her the map he had drawn over with his handwriting, highlighting three precise locations that formed a triangle. "Even when Harvey Webb wasn't found at his house, he was found at his apartment which was technically his second residence. The same goes for Kevin Marshall, his body was found at home."

Then he pointed at one of the marks located at the top of the map.

"But Jamison Lynch was found at his workplace. The Unsub must have a reason to commit the crime six blocks away from his house."

Emily scanned the map before turning her attention back to the board. "So these numbers represent each location? Eleven is the first victim's residence, ninety-one is the second victim's workplace, and nineteen is the third victim's apartment?"

"Precisely."

"You know," she started, head tilted to the side and eyes piercing onto the numbers presented before her. "The third victim is technically the first victim if you consider the timeline."

As her words lingered in the air, a spark of realization ignited within him. It was as if a puzzle piece he had been searching for had finally fallen into place. "Wait." He walked over and grabbed the marker by the table. "You're right."

Emily watched as he rearranged the line of numbers.

19 91 11

"Does that mean anything to you?"

But Spencer couldn't hear her, his head was already turning its gear as shreds of evidence he had gathered these past few days swarmed his mind. "The Unsub has the same MO in all the victims and they're fixated using verses from the bible so if those numbers have an indication of that conviction then the first two digits could be the number of The Old Testament which means—"

He quickly wrote down his next words.

"Psalm 91:11," Emily read out.

"For he will command his angels concerning you to guard you in all your ways,"Spencer recited. "That's it—a guardian angel."

Emily's eyes widened as she stared at the revelation before her. The pieces of the puzzle clicked into place, revealing a connection that had eluded her grasp until now. It was as if a veil had been lifted, granting them to reshape the narrative of the case.

"Y/n isn’t the killer," she mumbled, turning her head towards him. "She's being protected."

He returned her gaze with the same disbelief.

"Someone else is doing it for her."

>> NEXT PART

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PLEASE READ: If any of you asked me to be added and you're not on the list OR you want to be added in the future, please comment on this post so I could see it. But make sure your blog can be searched by anyone or I can't tag you. Thank you :)

Don’t forget to interact with the story!

[toonlets]

MISS NAMIKAWA!

I'm still working on my game... I'm just not spending much time uploading stuffs. Lots of advancements and hard work!

Here's a potential space station member... Miss Namikawa!

She's a modified model I bought of cgTrader.

[taylorswiftstyle]

MTV Video Music Awards | September 12, 2023

Versace custom gown (pictured similar)

As is her way, Taylor can only be consistently expected to do one thing: subvert expectations. Swiftly (some might say) bypassing an opportunity to plug any of the three albums she’s either released, or is on the precipice of releasing, she went straight to a very reputation-coded Versace gown. The likes of famed supermodel lore or legendary Liz Hurley status. It’s sexy, it’s slinky, it’s very distinctively signature Versace - using Medusa-embossed buttons in a pseudo snap closure style instead of the more overt safety pin (this detail continues on the strappy open criss-cross back all the way down the back to the end of her train, which is worth a look on its own).

I personally love a classic Versace look such as these. They’ve been done, and done a lot. But I can’t fight a classic sexy siren gown like this. The decision to forego Taylor’s signature red lip, I think, is a smart one that prevents the look from going too overboard. In my opinion, the styling choices were either pile on the jewels or pile on the crimson lip. And Taylor/her team went for the former - something that’s atypical of her style. The mussed hair with the trailing pieces left out of their updo feel “roll out of bed” intimate and sensual and feels akin to the curly bangs from the reputation photoshoot. But I can’t help but think an uber sleek blowout could have been great here. 

If indeed a nod to reputation, I’ve always seen that album as one of two diametrically opposed forces: the external perceptions of who you are vs the internal realizations of the life you’re quietly building. To use a dress with so many asymmetrical details (the bodice, the straps, and even in the movement of the button detailing literally splicing her in half) as an embodiment of that would be quite appropriate. It’s also a smart use of a brand’s signature design details to (possibly) use for your own means.

Not to mention this is precisely the kind of dress at least I would envision buying so someone else could take it off. 

Worn with: Anita Ko + Maria Tash + VCA + David Webb + Ita + vintage jewelry, Foundrae + Jacquie Aiche + vintage bracelets, and Jimmy Choo sandals