#we'll see maybe not

[legobiwan]

TotJ Rewatch: Ramblings (1 of 3)

After a long abstention from consuming anything Star Wars-related, I plopped down on my couch yesterday and decided it was time to dip my toes back into this arena, mostly for the purposes of writing.

And what better way to delve back into this universe than by starting with the Dooku episodes of Tales of the Jedi?

Boi, oh boi, had I forgotten how much I love this character.

And so without a thesis or much a point whatsoever, I'd like to ramble about a few dozen thoughts I had while yelling incoherently through this rewatch.

Episode 2, "Justice"

One of the overarching themes of Dooku's episodes is this unsettling notion of darkness. Even at the start of this episode, gone are the usual triumphant Star Wars themes are so familiar with - the militant and boisterous brass, the rising strings and woodwinds. Instead, this episode opens with somewhat dissonant string passages interspersed with with a subtle, almost glistening electronic tones that meld in and out of the sustained string notes.

There is no optimism whatsoever as Dooku and Qui-gon set down on what looks to be the charred husk of village.

The remainder of these episodes rarely lighten in tone. And I don't think the thrust here is that Dooku is the only Jedi to have encountered these unfortunate situations - suffering and devastation due to corrupt politicians in a Republic the Jedi is supposedly tasked with protecting. What I do think is that this is all meant to be seen through the lens of Dooku's increasing disillusion. That these scenes are bleak because that's what Dooku is focusing on, more and more, to the point where...well, we know what happens.

But anyway, to get back to the episode.

You have give props to the animation team here. The continuity with Qui-gon's older self having a tendency to show cleavage apparently stems from his youth, where it was even more exacerbated. (Aren't you cold, Qui-gon?) The best part of this is the contrast with Dooku and he (of course) very well put-together outfit.

Maybe teen!Qui-gon just went through too many growth spurts and the Jedi tailor threw up their hands in frustration. I do find it infinitely amusing that Dooku - Mr. Propriety himself - had two students (Rael and Qui-gon) who might as well have been wearing burlap sacks half the time. Never let it be said that Dooku didn't allow his charges to express themselves, even though I'm certain it vexed the hell out him.

What's fascinating about this episode is the absolute economy of dialogue. There's not much of it, letting the visuals of the ravaged village and Dooku's own tight-lipped anger carry much of the weight of the narrative. It's almost as if we're at a point with Dooku where he knows he's angry, he knows his base instincts are trending in a bad direction, but he's still trying so, so hard to be a Jedi and toe the line, to believe in the Order he brought up in, which I think is partially why Dooku is so reserved in this particular episode, minus the part where he tries to Force-choke a guy.

I love that Qui-gon is doing the majority of the talking here. There's no disapproval written on Dooku's face, no motion made for him to hold his tongue or know his place. It truly shows the level of trust Dooku has in his student (and the level of trust in himself as a teacher) and also the level of respect he has for Qui-gon (despite his sartorial missteps). I've said it before and I'll say it again. Dooku is a teacher, through and through. He trains Qui-gon and is devastated at his death. He trains Ventress and is unwillingly forced to abandon her. He trains Savage as if he were a dark Padawan. He's constantly making remarks to Obi-wan as to how he could improve. The man can't help himself. But Qui-gon was special to him, as we'll see in another few episodes.

One of the most fascinating layers of Dooku's character is his political idealism. I'll point it out in more detailed fashion when I recap the next episode, but young Dooku and Padmé Amidala have so much in common. And it's wild for Dooku, as someone who (both canonically and in the EU) was born into a noble family, was aware of his heritage, and by all accounts, maintained a level of haughty distance from most people exacerbated by a taste for the finer things in life.

And yet...and yet. This is a man who is unbelievably angry at the actions of a corrupt Senate. That a village could be treated and forgotten this way. Padmé is little different, as we see in TPM and throughout TCW. (You have to wonder what a political powerhouse those could have been if they had stood on the same side of the aisle at the same time).

When we think of Dooku, we think of a relentless man who would go to any length to see the Jedi destroyed. And later, he goes on to commit some true atrocities. But like many roads paved to hell, it begins with good intentions, even if they may be self-serving.

Is it noblesse oblige? Maybe there's a hint of that. Does Dooku really care about the little person? In a way, but I don't think that's his major motivating factor.

Dooku grew up with the Jedi. He loves the Jedi, or at least loved the Jedi. He was talented and became one of their best. And then he started to see the cracks in the foundation and began to question everything about the Jedi, everything about himself. So much of this, in my mind, stems from a sense of betrayal by an organization and ideal which he held so dear to his heart (not to mention his main teacher was the head of the whole shebang).

What do you do when the thing you identify with the most - the thing that is you identity - your passion, in a way, your first love - curdles into something unrecognizable? If Dooku loved the Jedi any less, he would have left. (And that touches on a whole other cultural aspect of the Jedi Order and a type of institutional pressure that I won't get into here). Well, in Dooku's case, you start by trying to reform it from the inside. By bucking authority and replacing cracked edifice with your own hewn stone. Until you can't anymore, until the weight is too much to bear and your grievances begin to spill and metastasize into something else altogether.

The funny thing is, I feel like the start of this confrontation would have gone the same with almost any other Jedi. I can't see, say, Mace Windu (and I choose him as he gets underserved flak for being rule-abiding to the point of inhumanity) just up and saying, "Oh yeah, dude, you're totally right. Let's fuck over these peasants."

But where it gets interesting is when Dooku allows it to become a firefight. There's a long series of shots showing the fear of the villagers, the way Qui-gon looks around and is uncertain as to whether or not this is the right path.

Yes, Dooku, you do.

But. You're also willing (if not thrilled) for these people to become momentary collateral damage in an idealogical battle, as we see during the firefight exchange.

And the thing is...there's no easy answer here. It's not Republic vs. the Confederacy. It's not good versus evil. It's a lot more complicated than that, and Dooku isn't wrong in allowing the confrontation to happen. The Senator is corrupt. The Senator is willing to burn the village to the ground. The Jedi do (or should) serve the people of the Republic, first and foremost.

You can see why Dooku Force-choked the guy, in a way. He's still at a point where this collateral damage goes against everything he believes in, where he sees that the only option of restoring justice is through darkness, and he's willing to go there. For justice. For peace. (For himself).

The real hero here is Qui-gon, who is quick enough to realize number one, that his Master is going over the edge again (and given Qui-gon's response, I have zero reason to believe this was the first incident), and number two, that the Senator's son would be far more effective in persuading his father to abandon his terrible, awful plan of obliteration (although would his father have listened had Dooku not choked out of him first?)

As we know, Dooku is an aloof man. Touch is probably not one of his most-used emotional languages. I realize that in raising a child, even if they are ten to twelve years old when they come into your care, you probably have to have some comfort or at least tolerance of physical touch. But the fact that Qui-gon has no fear of Dooku and his possible reaction, that he instinctually takes him by the shoulder. I feel that with Dooku, so little can say so much, and to me, this is obvious proof of the solidity and trust in that relationship.

Part of the issue here is - Dooku's gambit works. Now, yes, he is absolutely correct in the exchange below that Qui-gon truly saved the day, but as I noted, it's not guaranteed the Senator would have listened to his son prior to having the life choked out of him. And what does Dooku received in response? Positive reinforcement. The village is being rebuilt. The Senator (for now) is reconsidering his actions. Brute force, in a way, worked, even if Dooku at the time was not fully in control of his own actions. And there's this weird negative/positive feedback loop where Dooku is rewarded for his actions, even if he knows his methods were less than savory, even his guilt eats at him, leading to the discussion below.

It's so interesting that Dooku is teetering on the edge during these years, but is always somehow brought back. It's really when he stops having a Padawan - that's one of the tipping points, where he has no counter-balance, has no one else to invest himself in, to learn from and, in some ways, live for. You almost have to wonder if some of Dooku's issues could have been solved by forcing another student on him after Qui-gon was knighted.

Next post on the docket: "Choices"

[ptr-sqloint]

The Man Upstairs

[humming-fly]

was anyone gonna tell me shadow saved rouge's life in sa2 or was I just supposed to find that out playing the game myself

(this worked out as a rather fitting closer for the Final Day in Year of Shadow haha, hope ya'll have a fun new year! 🎉🎉🎉)

[shahs1221]

Pirate captain Silco is coming along nicely 😳

[iceycloversart]

when will the dan and phil it takes two playthru return…

little concept sketch i did:

[tawnysoup]

A new critter!!! I have finally figured out what the Bonster looks like.

They're some kind of frog creature with horns and tusks... or is it fluff?! Hard to tell. Their hat is really a big tail they can cook things in and also WHAP against the ground when they're mad!!!

They're slightly smaller than the other critters. Here's a Fritter for scale:

[headslikekites]

🐟🔁

[wolfienation]

"when did agatha realize he's wanda's son?"

in that moment. in that very last moment. excellent face acting by kathryn hahn because you see the second the pieces click into place. what pieces are those?

he's powerful enough to break a spell cast by the scarlet witch. he knew exactly where to find her in westview, which he would know because billy was right there when wanda cast the spell. in this episode he is able to say the name nicholas scratch further confirming rio's statement "that boy isn't yours". and, in that last scene, he very much sounds like a naive hero, which was how agatha viewed wanda for the majority of wandavision. he says he doesn't want to be that kind of witch, he doesn't want to hurt people, he doesn't want to kill anyone to further his own agenda.

and in that last moment, her behavior shifts because he's no longer just this kid she has been looking out for. he's wanda's son.

[egophiliac]

:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)

(thank you! 💚💜💚)

YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!

although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.

(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)

[keferon]

Monster hunter au part 11 (final? I think?)

Did you want to see Drift in a nurse costume?......ahahahahha

Orion: God himself couldn't stop him.

Meanwhile, Ratchet walking into God's room: Polish your glasses and get your robotic liver ready, I've got drinks to share and a great story to tell

Previous

[vulpixelates]

i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there

[b4kuch1n]

podcast people in my phone

[mistyjessart]

The Odyssey Modern AU: Christmas edition

For your consideration: the Odyssey but as a Hallmark Christmas movie where Odysseus travels to New York for work and is trying to get home to Hawaii?? (I needed a long domestic flight shhhhh it was either this or Vancouver to Newfoundland) in time for Christmas dinner with Penelope and Telemachus after missing it for the last 20 years straight

The Trojan War is some really big business venture or something that took literally forever for them to sign but they finally did it!!

Polyphemus keeps them after work threatening to get HR involved because they accidentally ate his lunch that he left in the fridge, Polites and some of his other coworkers get stuck there but Ody and the rest manage to escape the office

Athena is Odysseus' boss (and childhood friend) who told him to get everything done more efficiently so he could leave earlier but noooooo he didn't listen and guess who's cutting it close again

The wind bag: Aeolus (from another department, maybe distribution??) sends them home with snacks that they forget to declare and Poseidon the airport security guard sees them after Eurylochus opens the bag in the waiting area and pulls them into the security room until they miss their flight

Circe owns a local motel and wanted to kick them out because she doesn't trust so many dudes around her employees after past incidents, but her and Athena's mutual friend Hermes gives Odysseus some of her favourite tea as a peace offering and he tells her about his wife and kid and she's just like "fineeeeee okay you're a wife guy, I guess I can find you a room"

She calls them a taxi to the airport the next day and the driver Tiresias just keeps giving them ominous life advice and seems to know like... way too much about them and also they're not entirely sure he actually has his license

Odysseus gets a call from his mom like "where are you we're waiting for you" and he's like "I'm on my way home I promiseeeeeeeeee I'll be there this time"

The sirens are various sales reps at the airport

Scylla (baggage check employee) keeps some of them cuz their bags are too heavy so Ody and the rest head to the gate without them

Eurylochus brings snacks again (thinking Chicharron-style snacks, ones you're not supposed to bring on a plane) and Zeus detains them

The suitors are just the neighbourhours who bully Telemachus like "oooOOOOhhhhh ssuuuUUURrreee your dad is tOOOOtally gonna show up to Christmas this year" and making jokes about his mom

Athena (who did leave early and catch the original flight) scares them away and reassures Telemachus that his dad is on his way (while texting Odysseus "see I told you so")

She finds out Zeus is the one detaining them so she calls her dad like "please can you at least send Odysseus on his way, you literally know him, he's just a dumbass sometimes" so Zeus let's Odysseus go catch his flight but keeps the rest of them in security

Calypso is some lady he's seated next to on the plane who hits on him for the entire ten-hour flight

Poseidon, who got transferred to the other airport, recognizes Odysseus from before and pulls him into security again and Odysseus just rips into him until he lets him go

The neighbours are bullying Telemachus while he's out getting last-minute ingredients for dinner when some dude turns up and tells them off and threatens to get their parents so they all run off

Penelope's just like... "who are you and what have you done with my husband, how are you actually on time"

Insert sweet and sappy Christmas dinner with the entire family until Odysseus' sister goes "wait... where's Eurylochus?"

Eurylochus turns up at the door the next morning like "ODYSSEUS YOU MF I HAD TO CATCH ANOTHER FLIGHT-"

[shmorp-mcdurgen]

Some stock image redraws with Gman cause I had no other ideas for HL2's 20 year anniversary </3

Bonus Gman that I also drew

[oxavierart]

Kum Haehyun Posting

[wigglesdtuff]

flower crown