#we realize that at no point do we help our case in anything because we exhibit so many chilchuck traits that we may count as an effigy

[fromthestacks]

I’ve been sitting with this for a couple days because I want to respond (hopefully) thoughtfully. And on the one hand, it’s a really good point and I can see how all the “I hate men” stuff could wear on the guys who AREN’T, you know, raging assholes. But on the other hand, my forty years of lived experience is pushing back on that. Long-winded rant under the cut.

I have a fair amount of men in my life by choice- family, friends, boyfriend. The ones I choose to spend time with are, by and large, really good guys. They’ve also heard more than their fair share of my own “I hate men” rants, and to their credit they’ve never been upset about it. They know I don’t mean them because my words and actions back it up, and they understand where I’m coming from because they hear the stories accompanying said rants and generally agree with my assessment.

All this to say, as much as I sympathize with the good guys who have to listen to the “I hate men” rants, I also very much don’t, because they have arguably more power to help shift that narrative than I do. The shitty men of the world do not care that people think they’re shitty, they are not changed by reason or logic. Men who, for example, sexually harass women don’t (generally) hear the many, many stories from women’s perspectives and have a lightbulb moment where they realize how wrong they’ve been. They will likely never be Ebenezer Scrooge throwing open the windows to wish the town poors a merry Christmas. But maybe, just maybe, if enough of the good guys start speaking up to call them on their behavior, that might have even a small effect on them.

“It shouldn’t be our responsibility” well no shit, grown adults shouldn’t need to be spoon fed basic human decency, but here we are. Women telling men how much we hate being catcalled doesn’t seem to be fucking working, so if the good guys aren’t willing to try telling them, then I’m out of ideas that aren’t along the lines of Goodbye Earl.

One last thing, this is getting away from me. I work a public service job, and it involves a fair amount of face time with people needing help finding things and using stuff like printers. I’m always polite and reasonably friendly, but it’s never anything beyond professionally kind. Even at that, it’s more than half of my interactions with men that leave me feeling uncomfortable. I’ve had men try to take my hand, I’ve had men ask if I’m single thirty seconds into me walking to their computer to help, I’ve had men stand right behind my chair while I’m looking something up. “Why don’t you just say something to them?” Because I’m not trying to get assaulted or shouted at, I’m trying to make it to the end of my shift and go home. It’s extremely well documented that a lot of men don’t handle rejection well, which ends with a lot of women getting assaulted or worse. And the thing about THAT is, you never know which men are gonna be the ones to lose their cool. So you just hedge your bets and tread carefully with everyone in case.

SO. What this very long-winded rant is saying, is that a lot of women encounter a lot of shitty men, and it sucks absolute donkey dick to deal with. If the good guys out there want to stop hearing about how terrible men are, they need to step the fuck up and help, because women are exhausted. The other, smaller, part that they might not like is that it’s not our job to constantly reassure them that I don’t include them when I say “I hate men”. If I’m spending time with you, and trusting you with these stories or complaining or whatever, then go ahead and take it on faith that I don’t mean you.

Maybe I’m alone in feeling this way, I don’t know. Just needed to get this out there.

I couldn't have said it better myself.

[mantisgodsdomain]

Although we appreciate you characterizing us as short if we were in Dungeon Meshi we would probably be a demon.

[capslocked]

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless. 

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

-

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

-

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

-

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

-

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no? 

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

-

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

-

(The truth is: it doesn’t go like that at all.)

-

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask. 

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her. 

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

-

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 

You both do. 

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 

"Oh my fucking god." Karina can only gasp, jaw-slacked open. 

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused. 

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 

She laughs at the premise. 

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

-

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath. 

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end. 

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it. 

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

-

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 

“Irene, look-” 

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

-

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest. 

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

-

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 

Karina reaches in. Lets her fingers graze yours. Her skin is cool. 

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

-

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

-

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke. 

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her. 

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

-

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-" 

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

-

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that. 

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

-

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze. 

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

-

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

-

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

-

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is: 

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

-

"Uh, are you kidding me?" you ask Irene. 

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

-

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

-

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct. 

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that: 

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

-

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:  

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

[kerink]

the thing that's been most surprising to me with mouthwashing so far is how little empathy people are willing to extend to curly. and i don't mean this in a piss on the poor way, i'm deeply saddened and genuinely confused by it.

when i first played the game i was at one of the lowest points i've been at in a really long time. my mental health is bad my physical health is bad. i experienced SA a year ago and was recently diagnosed with cancer. i have 2-5 doctors appointments every week with various specialists.

all the while me and two of my doctors are talking about if i need to make a career change that's going to best support my poor health and improve my overall well being. and my family and friends struggle to understand, because i have a doctorate and a good job and live on my own. everyone looks at my life in awe, and they don't understand why i'm unhappy. they tell me so every time i try to explain it.

so when i played i immediately identified with curly. here is a man who's deeply depressed, having hallucinations, trying to reach out to his best friend for support but just has his words thrown back in his face, doesn't want to burden anya with his stuff because she has her own stuff and he wants her to lean on him, he has all these responsibilities and people look up to him and rely on him and have these ideas about him. the highest wrung of their ladder is the lowest of his, and they have no way of conceptualizing why or how he's unhappy and dissatisfied. before the reveal that he's innocent, i completely understood why he attempted suicide.

and then he develops a new disability.

when jimmy goes to crash the ship, he uses curly's unhappiness to try to convince him a murder-suicide is a good idea, and it works. it buys jimmy enough time to get to the cockpit and crash the ship. curly's too in his own head to realize what jimmy meant because jimmy distracted him with how bad his life is. it isn't until the sirens start that curly snaps out of it and it clicks for him what jimmy's done.

i'm not going to re-litigate the issue about if curly could have done more for anya because i've said pretty much all i have to say on it already.

but we really need to highlight that in addition to his lack of tangible choices, he's sleep deprived, deeply depressed, and hallucinating. this is not a man in his right mind making his best choices.

and over and over again i see people refusing to extend him any empathy, to call him a bystander. does a man who says he'll do anything to help and who wanted to be there when anya broke the news and who does his best to play liaison between anya and jimmy sound like a bystander? he let anya keep the gun case! he knew having it would help her feel better!

how good of a friend have you been when you were in your pit of despair? how much were you able to pour into others when your glass was empty?

anya wanted her and curly's support to be reciprocal. if she has enough psych training to do the evals, and having been thru nursing school, she's probably well aware that she and curly need to both be pouring into each other if either of them are going to be any good to anyone. but curly is so determined to defend and protect anya he won't confide in her, despite the fact it's running him so thin that he almost takes jimmy's bait that suicide is a good idea.

i don't think we need to absolve curly of his responsibility. i don't think we should over look his role as an enabler. i don't think we should discredit or discount analyses of his failures. but i'm so tired of people actively avoiding getting in his shoes, getting in his head, reflecting on how they've acted in the past when thinking and feeling similar ways. our worst moments don't make us monsters.

it makes me so sad. and frankly it makes me feel like all the times my family hasn't understood when i've tried to reach out. curly is screaming in agony and just like jimmy we're just trying to keep him quiet because it's too complicated to deal with.

[dira333]

Not what it looks like - Tendou x Reader

this was just spur of the moment, I don't think I captured him in all his glory, but enjoy... Haikyuu taglist: @lees-chaotic-brain

“What do you think Tendou’s girlfriend is going to be like?”

Your whole body locks up at the sound, or rather, the question being asked. 

“Well, she’s French, right? So she’s probably really arrogant. Pretty too.”

“What? You think he got himself a model? No way.” Laughter rings out, shaking you out of your state.

You get up from your chair, unsure where to go next. To the restrooms or -?

“Ah,” a friendly face smiles down at you, “We’re here to meet our friends. Table for ten? Semi, did Tendou say who the table was saved under?”

Your eyes flicker to the person behind him. He’s just as tall, with long, fair hair. 

“No,” Semi says, looking at you. “The table might be reserved under Tendou Satori, or Ushijima Wakatoshi.”

“Or Shiratorizawa,” another voice calls out behind them, “Sorry Guys, my shift change ran late.”

You’re unable to talk, but you point at the table behind you. There’s a little sign on it clearly stating it as “reserved for Shiratorizawa”.

“Ah, nice.” The first guy slips out of his coat and hands it to you. “Could you hang that up? That would be nice.”

“She’s a hostess, Goshiki, not your personal servant,” Semi chides behind him but you shake your head, glad to have a reason to get out of the way.

“Oh, it’s okay? Well, in that case-” He and the third guy follow suit and you trudge over to the coat rack to hang them up.

While there, a few other guys address you, all of them asking for the Shiratorizawa table.

You can’t help but glare down at your black and white costume that had looked so nice and fashionable at home. Now it only made you look like the hostess of a semi-expensive restaurant.

Maybe you could still go home and change your outfit? Surely no one would miss you for the next half hour until they were all caught up?

“Baby?” Your body locks up again only to relax when you realize Satori’s alone.

“Hey, what’s wrong?” He pulls you into his arms, smoothing one hand over your back. “You look sad, everything okay?”

“I look like a waitress,” you whine low in your throat, unable to explain the extent of what just occurred.

“A very sexy waitress,” he points out, squeezing your hips.

“Not funny,” you say and you immediately feel how he leans over a bit to drop a kiss on the top of your head.

“Can I go home and change my outfit?” You ask after he’s swayed you left and right for a minute or so. “You can just say French people are always late or something like that.”

“That would be racist and wrong. Tell me what happened, chouchou.” 

You sniffle a little at the pet name but tell him nonetheless. He snickers into your hair when you’ve finished.

“They’re going to look so dumb when I introduce you to them.”

“They thought I was a waitress.”

“Yeah, because you’re so hot they didn’t think I could rizz you up.”

“Tori,” you chide, though already giggling softly, “If anything I don’t know how I got you.”

“Easy,” he hums, “just being yourself.”

-

It’s getting late. Over several courses - and multiple glasses of wine - your anxiety has lost its bite. But so has your focus. You’re leaning heavily into Satori, listening to a story Goshiki tells you, but you can barely follow along.

“And then I smacked the ball and it went WHAM across the court.” He says, finishing the story.

You clap your hands softly to show you listened, but you’re not really sure what this was all about.

He doesn’t seem to mind, however, grinning from one ear to the other.

“Tired?” Satori asks, lips pressed against your ear.

“Mhm,” you nod, blinking.

“You want a coffee before we leave?” He teasingly digs his teeth into your earlobe and you snort at the tickling sensation.

“No, I’m fine. I want to be able to sleep tonight.”

“Oh?” You can basically hear the waggling of his eyebrows so you lightly slap his thigh.

“What are you talking about?” Shirabu asks from across the table. “French makes it sound like you’re having intense bedroom talk.”

“Maybe we are,” Satori teases but you shake your head. You don’t want them to think wrong of you.

“You wanna go home right now?” Satori asks, loud enough that the others can hear him.

You immediately shake your head.

“No, no, we can stay a bit longer.”

Instead of dropping the topic Satori pulls you onto his lap, snuggling his face into your neck.

“You sure?” He asks again, quieter this time. “Because if I have to listen to Goshiki recap his latest game one more time-”

You can’t help but snort, but shake your head again. 

“Fine,” he huffs, “But you’re staying where you are.”

And you’re fine with that, cuddled against his warm chest, one arm holding you close, his fingers playing with the hem of your shirt.

-

At one point you must have fallen asleep because when wet, sloppy kisses wake you, you’re no longer sitting in the restaurant, but on the side of your bed.

“What happened?” You ask, groaning and giggling into the kisses.

“Well, you fell asleep and did that adorable little snore you do so I just had to take you home and tuck you in. You didn’t even wake up when Goshiki dropped his wallet on the floor.”

“Did you carry me into the car and all?” You ask, tired brain slow on the uptake.

“Of course. And up the stairs. Yamamoto-san says hi by the way.”

“That’s so embarrassing,” you groan, but you’re not able to hide your face in your hands, Satori still clinging to you like Velcro, nudging your cheek with his nose.

“Not embarassing. Cute. Really cute. Like everyone would want you for themselves cute.”

“You had too much wine,” you tell him, dragging your hands through his short hair. “I love you.”

“Love you more.”

“Love you most.”

“Dang it,” he chuckles, “Tricked me.”

My Kofi if you want to tip me

[jakesduskwood]

even statues crumble if they're made to wait

Pairing: Jake x Fem!MC

Genre: Post-Episode 10 Duskwood, Post-Episode 1 Moonvale

Words: 8,916

Summary: It's been three months since the explosion in the mine. Three months since Hannah was found. And MC's accepted that Jake is never coming back. When she gets roped into another missing person's case, it makes for the perfect distraction. Jake is dead. It's fine. That is, until she finds herself on the phone with Alan Bloomgate who says he has something to show her. But it's fine. Jake is dead.

Until he's not.

EPISODE-1 MOONVALE SPOILERS AHEAD (MAYBE)!

[ A/N: Hello! :)

I know it's been a while since I've done this, but I finished Moonvale Episode 1 and if you've seen the ending (and used its Duskwood code), you know what happened and how excited I was to receive that bit of Duskwood. So, I took it and ran with it, and out came this extremely long fic. I did not proofread this as it took me literally almost 12 hours to write so it is completely and 100% me and my love for Jake and I hope you love it.

Side note: I suck with anything related to timelines, so I made one up on my own. I know Episode 1 of Moonvale takes place over the course of a day or two, but for the purpose of this fic, it made sense to make it longer, so it's not a typo, or me losing my mind, it's just the way my brain processed this.

Enjoy! :) ]

It’s been three months since the explosion in the mine.

Three months since Richy had been killed. Three months since Hannah was rescued. Three months since I had last spoken to Thomas or Cleo or Lilly or…or Jessy. I didn’t blame her then and I don’t blame her now. Any of them, really. I didn’t share the bond they had with each other. I wasn’t from Duskwood. It didn’t matter that we’d experienced a tragedy together—and yes, perhaps them more than me, but I loved Richy too. I had lost Richy too. And Jake—

But mostly, I think they just wanted to forget. To move on. They didn’t want to remember that their friend had been capable of…of that. And I was a constant reminder of that to them. So I understood why we didn’t necessarily talk anymore.

The one person I did keep in contact with from Duskwood, oddly enough, other than the occasional update from Alan Bloomgate, was Dan. We weren’t best friends or anything, but he allowed me to check in on our friends in a way that I didn’t know how to do with anyone else. Maybe because I thought he was the least affected among them. I knew he cared about Hannah, but he wasn’t to her what Thomas or Cleo or Lilly were. And he wasn’t to Richy what Jessy had been.

I’d learned from him that Thomas and Hannah had broken up. There was no bad blood, but Thomas hadn’t quite figured out how to accept the things he’d learned about his girlfriend when she’d been gone, and Hannah hadn’t quite figured out how to re-trust someone after Richy. Even if that person was Thomas. But I’d hoped they would find their way back to each other in the end.

I thought about reaching out to Jessy every once in a while—even just as an apology for everything that had happened. I’m sorry that Hannah was found at the expense of Richy. I’m sorry that he did this to you. I’m sorry I didn’t realize it sooner. We should have. We should have. We should have. I miss you. But I never send it. I’m not all that sure she’d respond anyway.

Cleo and I were never all that close. She has her best friend back, so I think she’s probably as okay as she can be. Helping Hannah find a new kind of normal in a time where her childhood friend had kidnapped her in order to prove a point. I don’t know how you come back from that—I don’t know how you come back from knowing that you killed somebody at all.

I hadn’t found the courage to ask if somebody had told Hannah about Jake.

Not that I think it would matter anyway. I hadn’t heard from him since before the explosion in the mine, which was, like I said—three months ago. I waited the appropriate amount of time—twenty-five days—before I broke down and concluded that maybe he hadn’t survived. Which just piled a shit-ton of guilt onto my shoulders because it was supposed to be me in that mine. He had gone in place of me and now he was dead.

It was the only explanation that made sense. I was used to Jake disappearing for days at a time, but never as long as he had been now. And he didn’t seem like the type to tell me he loved me and then leave without a single explanation. Not unless he had to. But it had been three months and as much as I missed him, as much as my chest ached with the thought that we would never eat Chinese food out of shitty motels and have that on-the-run ending we talked about, I had accepted that he wasn’t coming back.

I wonder if he had known about Richy or if he had died still thinking Michael Hanson was the one who had kidnapped Hannah. I wonder if his last thoughts were of me. Maybe it’s selfish, but I kind of hope they were, because I’m pretty sure I’ll think about him for the rest of my life.

I wonder what it would have felt like to run my hands through his hair. To kiss him. To spend every waking moment with him and know it was because I loved him. Because I would have. Talking to Jake became about more than just finding Hannah. It became a part of my day I looked forward to more than anything else. He confided in me in a way that told me he never had with anyone, maybe not even Hannah, and I needed that from somebody. I needed somebody to trust in me the way that Jake did. I needed somebody to love me the way that Jake did.

It was strange—and maybe a little ironic—the thought that something so beautiful could come out of something so tragic.

Anyway, my point is: it’s been a long couple of months. Of thinking about my friends. Of thinking about Jake. Of wondering if I should have done things differently. I should have gone to Duskwood to help. Not even with the mine, but sooner. I could have. I could’ve gone when Jessy was attacked on the way home. I could’ve gone when the group made plans to cut out of town and hide away in the house Richy had found. Selfishly, I should have. In that moment, when they were settled around the fire and Lilly called me, I had never remembered wanting anything more. I should have grabbed Jake—metaphorically, maybe even literally—and rode it out with them to the end.

I don’t stop missing them after three months. Of wishing things could have been different. Wishing I could have done more. But exactly ninety-five days after the explosion in the mine, seventy days since I had accepted that Jake was never coming back, twenty-two days since I had last heard from anybody from Duskwood (Dan included), my phone dings with a new message.

And the cycle starts all over again.

It’s somebody named Eric, who claims he needs my help to find his friend Adam, who disappeared while he was waiting for a ride in someplace called Redlog Pines. And much like with Duskwood, I have never heard of Redlog, and the case reminds me way too much of Thomas’ first message to me, so much that it makes my chest ache, but I can’t say no because there’s somebody missing, and if I’d say no the first time, God knows where Hannah would be.

So, I say yes, and I help out where I can, and Eric decides he needs to bring about four more friends in on his little plan and I try my best to stay emotionally unattached because I remember everything that happened the last time and I can’t go through that again. I offer up information when I can and keep my words short and careful because I’m not ready to get attached to somebody else I know I might never meet.

I know how this ends.

Two days in, Ash, one of Eric’s friends, brings up my Duskwood past and the unhealed wound I’ve been trying to mend breaks open again. She asks about Richy, and about the mine, and then because I’m me and I can’t help myself, I tell her about Jake. She tells me the news never mentioned another body and I shove that thought to the back of my head because hoping for something that will never come true will kill me.

Four days into Adam’s disappearance, and the police not giving a shit—as Charlie, somebody who reminds me far too much of Richy for comfort, points out—my phone beeps with an incoming call from somebody I haven’t spoken to in a while.

“Go for [MC].” I answer my phone.

Ever since Hannah had been found in the mine and Jake had…you know, my phone had been more silent than I’d gotten used to. Until this new case. But even that—it was only a few days old and I didn’t want to go down the same path with them that I did with my friends in Duskwood. We didn’t really know each other that long, sure—even though sometimes it’d felt like it—but it felt like I’d finally been a part of something. Like, I had found these people who had chosen me for me.

And originally, maybe they had. Maybe they’d had every intention of keeping me around, but then Richy was the Man Without A Face and Alan Bloomgate had rescued Hannah and nothing was the same as it had been when we’d met each other. We knew too many secrets about each other by the time the town settled. Secrets we would have to take to the grave.

Or maybe I’m losing my mind a bit and I had really only been a means to an end.

Either way.

“Alan?” I raise my voice when there’s nothing but breathing on the other end of the line. “Did you mean to call me?”

His tone is clipped. “I found something.”

“You found something.” I repeat.

My heart clenches. For all I know, it might fall into my stomach. As far I know, from watching the news, from what Ash told me, Jake’s body was never found. Richy’s was. Or what was left of him to find, anyway. I had assumed that there just hadn’t been enough of Jake left. The thought left me nauseous, but it was better than hoping for something I knew I could never have.

“I’m sending it to your phone now.” He responds. “Let me know what you think of this.”

And then he hangs up.

That was a riveting conversation, I think as my phone dings with a message. I do my best to ignore my other messages—contacts from Duskwood I’m still not ready to acknowledge—and click Alan Bloomgate. He sent me a video that looks like—oh God.

Immediately, I’m overcome with emotion as an all-too-familiar forest pops up on my phone. It’s a video of Alan’s bodycam footage. He’s searching the Duskwood forest. A forest I’ve seen too many times in the background of other video calls.

I watch as he stumbles upon an object that’s too dark to make out at first. When he gets closer, it’s clear that it’s a backpack. It’s simple. Black. Nothing about it that screams this is mine and I left it here about anybody in particular. You stupid, stupid idiot, I tell my heart when it rattles against my chest in hope. He’s dead.

Alan stands and treks away from the backpack—I want to scream at him to go back, to open it and look through it and tell me if it’s what my heart aches to believe, but I can’t, because this is a video and I’m simply watching with wide eyes, waiting for…for something. But then. But then, he moves further into the forest and I watch as he stumbles upon an object that makes my knees tremble and tears rush to my eyes and my hands shake. A black hoodie. It looks like it’s been through hell, with holes scattered up the sleeves and dirt cakes into the hood, but it’s unmistakably his.

And then—Alan lifts the hood and picks up something that makes me sink to my knees with a sob that wracks my entire frame. Because I’m staring at Jake’s mask. The mask he doesn’t go anywhere without. The mask that protects him. And so my relief is short-lived, because I realize that even if he’s alive—which seems like a very big possibility at this point—he’s alive without the things that he needs to survive.

And then the anger kicks in. Because if he’s been alive, on his own, for three months—why has he not contacted me? Unless he survived the mine but he didn’t survive the after. But that didn’t make any sense. So, okay, he wasn’t dead. But that didn’t make any sense either. He told me he wouldn’t let them catch him. Because catching that meant he would be apart from me. Did something happen that prevented him from being able to reach out and tell me he was at least okay? A quick text that said didn’t die in the explosion in the mine, you don’t need to mourn me, by the way, going off radar for another year. Did he think I would have given up on him?

I wipe my eyes and shoot a message to Alan.

ME: Recently?? Did nobody search the forests before?      

ALAN: Searched the forests for what, [MC]? The logical assumption seemed to be that if anybody was inside the mine when Richy set the fire, they would have perished alongside him. Officers were stationed outside every known entrance and exit. Besides, after the story you and your friends spun around this town, do you think anybody would have gone back into its forests?

ME: But it’s possible?

ALAN: I would say these items had been there for some time. But I would say it is likely he ditched them when he fled the mine, yes.

Another sob tears through my throat. Jake is alive. I don’t know quite what that means for us as of now, but I know it’s the best news I’ve heard since Hannah was found. Jake is alive. He’s out there somewhere. And even if it’s been three months, and even if I’m a little bit mad at him right now, I know that if he was here, I would throw my arms around his neck and hold on to him until someone dragged me off, and even then—I would fight kicking and screaming.

I close out of my messages with Alan and pull up a conversation I haven’t had the heart to look at in quite some time.

ME: Jake’s alive.

LILLY: …

LILLY: Have you spoken to him?

ME: Alan called. He found some of Jake’s things in Duskwood. I don’t know a lot of details. But I know he made it out of the mine.

Lilly types for a long while, but she doesn’t respond. I don’t take it personally. I think it’s probably hard for her to be happy that her brother’s okay while also trying to accept that her sister may never be okay again. Her sister, who had once-upon-a-time been kind-of-sort-of in love with their brother she didn’t know she had. I think that would probably mess with any family’s heads. And on top of all that, you throw in manslaughter and a kidnapping. I wouldn’t wish anybody, not even my worst enemy, to have had to go through what the Donforts had.

When it becomes adamant that Lilly isn’t going to respond, I start scrolling through messages with the rest of the group in Duskwood. I click on Jessy. I’m here if you need me. That had been the last thing I sent to her, a couple of days after Richy’s death. She hadn’t responded. I click out of Jessy’s contact and click on Thomas’ instead. Thank you for everything. That had been his last message to me after we found Hannah. I’d liked it. I hadn’t expected at the time it would be the last thing we’d ever say to each other. I click out of Thomas’ and click on Richy. So, you want to turn yourself in? I’d asked. That was before he called me. Before he lit a match and burned himself and the mine to the ground. Some people would call that heroic. I mostly call him a coward.

I click on Jake’s name. It’s been a while since I read messages between the two of us. Maybe before I had accepted—thought—he was dead. In that twenty-five-day period when I’d hoped with all I’d had that he would come back. I love you. That was the last message he sent me. I’d responded with I love you too, Jake. Then, four days later: Are you okay? A week later: Jake, please, you’re starting to scare me. I know you said you would contact when you could, but it’s been a week. After twenty-five days, when I had finally accepted our fate, I’d sent one final message: I hope you know that I love you, and I will always care about you, but I think it’s time for me to move on. I’m so sorry that I sent you into the mine. It should have been me. And I will probably feel the guilt from that for the rest of my life. Thank you for everything. Take care of yourself, wherever you are.

After that, I had closed out of our messages and hadn’t looked back. Partly because I couldn’t bear the pain of it. It felt like I had given up on him. I hadn’t—if I had thought for a second that he was alive, if I knew then what I know now, I would have never sent that message. But holding out hope for somebody who I thought was a ghost at the time? That was slowly killing me.

It’s only then that I notice the screen flickering. Much like the way it used to whenever Jake would hack into my phone. I don’t think he’s much in the mood to be hacking right now, but somehow, I know it’s him. When had he done this? Recently? If I had opened our messages, would I have seen this ten—twenty—even fifty days ago? It hadn’t looked like this the last time I texted him. Did he see my last message about needing to move on? Was that why he hadn’t reached out to tell me that he was okay? Because he thought I was moving on happily without him?

No, my brain supplies. He wouldn’t. He would reach out anyway, because he knows how much the thought of him not being okay would have destroyed you.

The screen flickers once more and then a message pops up, bright and blue-tinted and clear as day on my phone.

[MC]

I WILL FIND YOU

And the world around me shifts.

--------------------------------------------------

Maybe it sounds crazy, considering I’ve never seen his face before, but I always thought that if I’d ran into Jake one day, maybe on the street or at one of those motels he stayed at or maybe even in Duskwood, surrounded by all our friends, I would know it was him. I would, because it’s him, and it’s me, and we’re the only two people who understand each other quite the way we do.

I still believe that.

I believe it when I book my flight to Duskwood (or rather, twenty miles outside of town, which is the closest airport). I believe it when I board the airplane and find a seat next to a mother with her screaming child and when I shoot off a quick text to Eric to let him know I’ll be MIA for the next few hours, but to message me if he needs anything—and I think about how much easier this case would probably be to solve if we had Jake.

Maybe it would have been harder to find Hannah without me, but I know damn well they would’ve never found her without Jake.

Dan picks me up from the airport. I haven’t told the others yet. Something about it felt off—like I shouldn’t message them and say hey, I know we haven’t spoken in a while, but I’m booking a flight to look into why my maybe-slash-not-really boyfriend left his belongings in a forest we really wish we could forget about, and by the way, can I crash at your place?

It’s quiet on the car ride back into town. I’m looking through my messages from Eric and the group from Redlog Pines and thinking about how I’m Duskwood with this group and I want so badly to laugh because it’s ironic, but Dan wouldn’t understand. He might just call me crazy. Better yet, he would ask how I manage to get myself into these situations, and really, I don’t have an answer for him.

“How have you been?” I ask, just to break the tension, as Charlie, in my messages, tries to persuade his friends to head back into that creepy cave in the middle of the forest. He’s going to get someone killed, I think.

Dan looks over at me. “Are you still with Hackerman?”

My chest squeezes. “His name is Jake, Dan. And we were never really together.”

“Hm.” He nods like he doesn’t quite believe me. “You already know mostly everything that’s been happening here. Thomas and Hannah called it quits. They say it was some mutual decision, but it’s hard to find them in the same room together. Jessy hasn’t been out with us since. I think we remind her too much of Richy. The group’s all changed.”

“And you?” I ask.

He gives me a cheshire-like grin that doesn’t quite meet his eyes. “I’m always the same.”

We make it to Duskwood just as the sun’s going down. Much too late for me to try and trek through the forest and retrace the steps Jake might have taken that night. Not that I think it would help give me any clues as to where he might have gone, but mostly because I wonder if it will make me feel closer to him. We’ve never been in the same place before, and even if he’s not there now—he once was.

“Can you drop me at the police station?”

Dan blinks. “The police station.”

I nod. “Yeah.”

“We answered their questions for weeks, [MC]. I don’t think anything you have to tell them at this point is going to help. The investigation’s closed. Everybody knows Richy did it. He died with the fire in the mine. Everybody’s trying to move on from that.” He works his jaw. “Did you come here to open old wounds after all this time?”

I try not to show the hurt look on my face. “This isn’t about Richy. Look, Alan called me. He asked if I could look at some things. I figured it was better for me to do it in person. That’s it. Nothing to do with Richy. Nothing to do with Jessy. Nothing to do with you.”

He sighs, and I’m not entirely sure he’s going to abide by my wishes until we pull in front of a tiny building—tinier than most—that says Duskwood Police on the sign. Duskwood must not have that much crime. Well, not until this, I suppose.

“Thank you.” I tell him as I reach over to undo my seatbelt and climb out of the car. “This is a nice ride, by the way.”

He raises a hand in some mock-salute. “Need me to pick you up?”

“Nah.” I shake my head. “Think I’ll explore the town for a little bit.”

“Suit yourself.” He shrugs and then he’s off.

I square my shoulders and take a deep breath before opening the door to the police station. It wasn’t like Alan asked me to come down here. He hadn’t. Even during the investigation into Richy’s death and Hannah’s kidnapping, when he questioned us, he never asked me to come to Duskwood. We’d done way too many video calls and phone calls and at one point, I had asked if he thought it would be easier for me to come to Duskwood, to which he responded back, are you ready for that?

No, I hadn’t been. I’m not even so sure I was now. But knowing that Jake was alive, that here was the last place was, I had to try.

“Can I help you?” The woman at the front desk asks.

I clear my throat. “I was wondering if I could speak to Alan Bloomgate. I’m one of—I was involved in the Hannah Donfort case. My name is [MC].”

Her eyes widen. “Give me a moment.” She stands and heads to some back office—which looks to me more like a closet—and then returns with a clipped smile. “He’ll be right out.”

Apparently, she isn’t lying, because not two minutes later, Alan is stepping out from the same door and staring me down. I hold his gaze and hope it says that I’m not here to argue. I will tell him my truth, but only my truth, not Hannah’s, not Jake’s, not anybody else’s.

“I was wondering when I would see you.” He says.

I shrug one shoulder. “Isn’t a few months later better than never?”

“Let’s go into my office.” He says, and leads me around the desk and back into the closet space he had come out of. He sits behind the desk and motions for me to take a seat opposite him. “I’m just going to guess you’re not here to talk about Miss Donfort.”

“I want to see them.” I tell him. “His things. I want to see them for myself. And whatever you want from me in return, I’ll give to you.”

“You’re playing a dangerous game here, [MC].”

“He isn’t a game to me.” I snap back and then sit back and try to relax. “I appreciate that you called me. It’s—I helped you find Hannah. I would do it again. Even with knowing the things that we do now, I would do it all again. That’s how much that group means to me. That’s how much he means to me. I’m not asking you to break any rules or to lie for him or to—to let him hide in your basement for the next five years. I’m just asking you to show me what you found.”

He stares me down for a moment. Then, he sighs, says “wait here for a minute” and disappears to another room. When he comes back, it’s with an evidence bag in his hand filled with the objects I saw on his bodycam footage. My breath hitches in my throat.

“I can’t let you touch them.” He says as he lays them in front of me.

I stare into the eyes of the mask. “Did you tell anybody that he’s alive?”

“I don’t know that he’s alive,” is all the answer he gives, which is an answer to my question. I slide my gaze down to the black hoodie, to the dirtied sleeves and muddy hood, and think about the fact that Jake wore this. I’m so close to him.

And yet I’ve never been further away from him.

“Thank you.” I tell him. “For—for this. And for listening to me about Hannah. If you hadn’t, I—I don’t know what would have happened. How much longer he would have gone on for. If he would have ever stopped.”

Alan’s silent for a minute. Then, he clears his throat. “You know, it was strange to me. Both Hannah and yourself swore to me that neither of you knew the other.”

“I don’t.” I swear.

It was one of the (albeit many) things that didn’t make sense to me. How Hannah got a hold of my number. How she sent it to Thomas. She’d told Alan she hadn’t really remembered texting him my number at all.

“I believe you.” He reassures. “I just think it’s strange. One mistake, if you can call it that, and you throw yourself into a missing persons case to help a stranger.”

“They’re not strangers.” Even though Hannah is kind of still a stranger.

“But they were.” Alan reasons. “You had no reason to say yes to helping Thomas. I doubt anybody would have held it against you if you turned the other way. But you decided to follow this until the end. To make sure they found Hannah. And you care about them. Maybe that’s why I find that I’m more lenient with you than maybe I should be. Why you’re sitting across from me right now calling the shots. Why I’m not asking you about the hacker.”

“I wouldn’t tell you if you did.” I look him in the eye so he knows I’m telling the truth.

He returns my gaze. “Maybe that’s the other reason.”

“Hm.” I acknowledge before I turn my gaze away—from him, from the objects that I know belong to Jake and it takes everything in me not to snatch them up and run. “Well. Thank you for allowing me to steal some of your time. For letting me—” I cut myself off before I say something that makes me break down in a fit of tears in front of him. “—just thank you.”

Leaving the station is easier than coming in. I’m still not any closer to knowing where Jake is than I was when I arrived here, but there’s a comfort in knowing he walked these streets. I wonder what he would think if he knew I was here. He hadn’t wanted me to come to Duskwood when everything was happening…but now that it was over, would he be happy that I was here? That I had come to Duskwood to piece together where he might have gone? Would he track my location and come to find me and…or was I grasping at straws?

It felt like I had just gotten him back. Not really, not entirely…but knowing that he was alive, that he was out there somewhere, maybe thinking of me and looking for ways to come back, to live the life we talked about when he asked me if I was sure…that was worth it. The thought that we could maybe someday have that—even if it was a twenty percent chance.

I check my phone again to see a new message from Ash. She’s asking me if I’ve heard from Charlie in the last few hours. Apparently, he’s AWOL, and I want to help, really, but…it doesn’t really feel like that’s where I am at the moment. Not just physically—obviously—but mentally. We got lucky with Hannah. And that was really only because we had Jake. Adam didn’t have a Jake. Or…maybe he did and I just hadn’t met him yet. But I already had a Jake and I didn’t want another one.

Maybe—if I found him, I could convince him to help. That was a big maybe. Not because I thought Jake would say no. He would say yes to anything I asked of him. The maybe was whether or not I could find him. More likely, the maybe was whether or not he would find me.

Three months ago, I would have been able to come to Duskwood and have no shortage of things I wanted to do and people I wanted to see. Now, as I stand outside Duskwood’s police station, I feel nothing but loneliness. Nobody knows I’m here. I could pass Thomas on the street and he wouldn’t even know it. I could run into Jessy at the library and she would walk by me without even a second thought. Why would they? I hadn’t told them I was here.

So, with nothing left to do, I walked. Toward the town center. Toward the library that Jessy showed me on our walk through Duskwood. Toward the Rainbow Café where I knew that Cleo and Hannah had spent a lot of their time. Toward the Black Swan. Toward—

Ah, what the hell.

I had nothing better to do and The Aurora seemed like a great place to drown my sorrows. To think about my next steps. To figure out—now that I was in Duskwood—what I planned to do. The thing about Jake being so secretive (and on the run) was that I couldn’t retrace his steps. I wasn’t able to ask if anyone had seen him. One, because he would make sure nobody had. And two, because three months was a long time to forget somebody’s face if you didn’t know who you were looking for.

I pull open the door to the bar and step inside. Immediately, I’m hit with the stench of whiskey and a handful of chatter. Duskwood’s a small town. And The Aurora definitely proves it. The bartenders move melodically around each other, serving patrons on the other side of the bar. If you walk down further, there’s a handful of tables.

And dead in the center is a table with my friends. Or, some of them. Dan and Cleo and Lilly. Could I still call them my friends? Ex-friends, maybe? Acquaintances? I didn’t know what they were. Or how to address them. It wasn’t like we had gotten into a fight. We didn’t stop talking for any reason other than that we did. We stopped talking.

I make a beeline for the bar to avoid a confrontation and plant myself on one of the stools. One of the bartenders—a girl cute with bleach blonde hair and brown Bambi eyes—asks what I want and I channel my inner Dan to order a whiskey—neat.

Looking over my shoulder, I focus on the table of them. On Lilly, who’s smiling at something Cleo said. On Dan, who’s the only one of them who actually knows I’m here. But even he’s focused on the conversation they’re having. It’s strange—to see Dan a part of something I’m not sure he would have been before. It’s nice.

“[MC]?”

I turn my head away from the table of my friends and focus my attention across the bar on someone I should’ve expected to see. “Phil.”

“I thought I recognized your voice from when we talked.” He smiles. “I wasn’t sure, but I saw you staring longingly at them���” He nods towards Dan and Cleo and Lilly. “—and I knew. What brings you around here? I expected you to show up maybe a few months ago, but by now, I thought you’d moved on without us.”

I was tired of the words move on. Like I’d had a choice. Like the people from this town might open their arms and welcome me back into their lives. So I’d been part of the group who’d saved Hannah Donfort. So had a lot of people. It didn’t make me special and everyone here knew it.

I offer him a smile in return. “I’m looking for somebody.”

“Anybody I know?” He asks.

I shake my head. “Nah. At least nobody you would recognize.” I pause. “How’s Jessy?”

“She’s—Jessy.” He answers, like that is an answer. “I don’t know if she’ll ever really be okay with the way things happened with Richy. I wouldn’t expect her to. Obviously. But I don’t know. I think I just thought she would have gone back to her normal life by now. And then I remember that most of her life revolved around him. He was her best friend. She worked for him. And I’m trying to be patient about that. But—” He shakes his head. “Maybe you should talk to her.”

“She doesn’t know I’m in town.”

“Okay.” He hums. “So, you’re not in town for my sister. And you’re not in town for your group of friends because they’re over there and you look like you’d rather be anywhere else. There’s always Hannah, but I don’t think you knew her that well. Or at all. Would I be right to assume this is about a certain hacker who helped to find Hannah?”

“He didn’t help find Hannah.” I defend. “He was the entire reason we found Hannah. I would have never been able to do it on my own. Even with the others’ help. He’s the only reason we found out about—” I pause before I say something I maybe shouldn’t. “It doesn’t matter. He’s the only reason we found her. Everything I did was just dumb luck.”

“That wasn’t what the news said.” A voice cuts in and I turn my attention from Phil to focus on the stranger that slides into the seat beside me. Not too close—a couple inches away. I don’t recognize him. I don’t know him. But I don’t know every person in Duskwood. Maybe a total of like nine or ten. “I’m sorry to interrupt. But I heard you had a lot to do with finding Hannah Donfort. The news said you were some kind of hero.”

I offer him a tight smile. “That’s nice of them. But…if they knew my—friend—knew what he did to find her, I don’t think I would be as much of a hero as everybody says.”

“That’s noble.” He says, eyes meeting mine, and it strikes me at once how handsome he is. He has dark hair. Bright green eyes. Focus, [MC]. I scold. You have a…a someone.

My phone buzzes.

ERIC SENT A PHOTO.

ERIC: What do you make of this?

I sigh and click on the photo. It’s of—some object. Much like the one that was addressed to me on the envelope in Adam’s glove compartment. The image is a bit different—but I don’t know enough about what it means to have an answer as to why.

ME: Was this one addressed to me?

ERIC: Nope. Ash.

“Are you okay?” Phil asks.

I clear my throat. “I’m a popular person—apparently.” A thought strikes. “Have you ever heard of a place called Redlog Pines?”

Phil frowns. “No.”

I turn to look at the stranger. “You?”

“Redlog Pines is a small town about two hundred miles north of Duskwood.” He answers. “Known for their wooded forests, much like Duskwood.”

“Why are you looking into a place with forests as creepy as ours?” Phil asks, incredulously. “Didn’t you get enough of that with Hannah’s case?”

“Yeah.” I sigh. “You would think.”

“Hey, [MC]!”

I wince at the sound of Dan’s voice. Shooting Phil a look that screams please help me to which he shakes his head amusedly, I turn and plaster on a fake smile as I take in the shocked looks on Cleo and Lilly’s faces. I should have known better than to come to The Aurora and talk to Phil when the three of them were having a conversation across the room. I should have known they would sooner or later see me. I just hoped it was later.

“Hey.” I hop off my stool and make my way across the bar to them. “It’s, uh, fancy seeing the three of you here.”

“What are you doing here?” Cleo asks.

“I haven’t really figured that out.” My eyes meet Lilly’s. “It sounds crazy to say it out loud. But I was hoping that—I’m not sure if Lilly told you—”

“That Jake’s alive.” Cleo nods. “None of us ever really thought he wasn���t.”

I don’t think she means it as a dig—but it still feels like one. Like she’s saying you gave up on him you gave up on him you gave up on him even though she’s not and she didn’t really know him and the only person I can talk to at this table who even might understand is Lilly and even—Jake didn’t confide in her the way he did me.

“Right.” I acknowledge. “So I thought that maybe if I came here, I could trace his steps from when he was here and—I haven’t really thought that far ahead. It’s not like I thought he left me any clues in the forest or anything like that. I don’t think he expected me to be here. He hadn’t wanted me to be the last time we talked. But that was before everything happened.”

Lilly’s eyes track behind me. “Does Jake still have Nymos on your phone?”

“Uh.” I furrow my brows. “I think so. I hadn’t heard from him in a while, but I went back and read through our messages after I talked to Alan and…my phone glitched, like it used to when Jake had hacked it. And then this message appeared on my screen.”

“And by chance, can Nymos track your location?”

“What—” I shake my head. “Maybe. I don’t think I ever really asked him. It didn’t seem necessary at the time.”

“Uh huh.” She focuses on me once more. “Let’s say, for one minute, that Jake has access to Nymos who has access to your location.”

Cleo must catch onto something I’m not sure of. “Jake didn’t want you here.”

“Uh, thank you?”

“You know that’s not what I mean.” She waves me off. “He didn’t want you in Duskwood. He had been adamant about that when we were talking about the mine. That’s why he went. If you showed up in Duskwood—”

“Nymos would have alerted him.” Dan finishes.

“Okay…” I’m not entirely sure I’m on the same page as them. “So—you think that Jake found out when I came to Duskwood.”

“Correct.” Lilly beams like she just solved life’s greatest mystery.

“And you think he would—come find me?”

She smiles sympathetically at me—like I’m the world’s biggest idiot for not realizing what she has been trying to say sooner. “I think he already has.”

“You think Jake’s in Duskwood.” I deadpan.

“[MC].” Cleo grabs my shoulders and turns me around. “We think he’s in this bar.”

Stranger, as I had nicknamed him—AKA the guy sitting beside me at the bar, with Phil and Redlog Pines (which he probably only knew about because of me) and the whole Hannah being kidnapped and not taking any of the credit thing—was looking back at me. So was Phil. Like they thought I was the crazy one. Like it would’ve been so hard for him to look and me and say it’s me or anything that might have clued me into the fact that—

“Jake?” I whisper, because I’ve lost quite a bit of sleep over the past couple of months and I’m not one hundred percent sure what—or who—I’m seeing is real. “Are you here?”

He tilts his head and smiles at me. Actually smiles. A bit shyly, like it’s something he’s not used to doing, but maybe like it’s something he could get used to. And I think about how terrible I probably look right now because I’m not wearing makeup and my hair is tousled from constantly pulling at it and my clothes are wrinkled from the plane and the police station and I look like a mess. But our relationship has never been about looks. Clearly. I didn’t even know the person I’d been talking to until Lilly and Cleo and even Dan pointed out the obvious.

“If I—” I close my eyes and open them again. Nope. Still there. “I need you to still be there by the time I reach you because it’s been a—” I sniffle. “—it’s been a rough few months and I don’t think I could handle you disappearing again.”

He stands from the stool he was sitting on and shuffles his feet. Like he’s not quite sure where he’s supposed to stand. If he thinks about moving, I’ll tackle him onto the floor of The Aurora and then apologize to Phil later. It feels like everything I wanted is right here in front of me. And I’m scared to death that it’s not real.

“What’s one thing you would take with you if you were stranded on an island?”

His smile stretches. “My computer.”

And that—that’s what breaks me. I think I might start blubbering like an idiot but I don’t remember the time it takes for me to cross the measly twenty feet between us. All I remember is grabbing his black hoodie—because of course—and dragging him to me. I don’t kiss him, despite how much I want to, because I don’t want our first kiss to be tainted with my snot and tears. Instead, I bury my face in his collarbone and wrap my arms around his neck and hold on for dear life.

Because I can. Because he isn’t dead.

“Y—You’re here.” I pull back and cup his face with my hands. “How are you here?”

“You came to Duskwood.” He responds, and then—hesitantly—he presses his lips to my forehead in a kiss. “Alan called you.”

“He found your things in the forest.” I whisper back. “He said they’d been there a while. The police hadn’t searched the forest because they assume you died in the mine.”

“They aren’t looking for me here.” He confirms. “I didn’t expect it to take so long for them to find my belongings, but I anticipated that you would find out. At the time, it wasn’t safe for me to reach out and contact you. They kept on my trail for a while before they assumed I died in the mine with Richy.”

“Why didn’t you contact me then?” I ask. “Is it because of what I last messaged you? I didn’t mean it—I swear, I thought you were dead. If I had known you were alive, I would have waited, however long it took. I wasn’t trying to give up on you.”

“Hey.” He places both hands on either side of my face. “I know. I know that, [MC]. That was never why I didn’t reach out to you. I know you said you wanted this life with me. But I didn’t want that for you. But I was selfish. I couldn’t let you go. So I was trying to find a way to make both of those things true. But I was always coming back to you.”

“And did you?”

“Come back to you?” He asks.

I sniffle. “Find a way to make both of those things true.”

“Not entirely.” He admits. “Nymos alerted me you had boarded a plane headed in the direction of Duskwood and I—” He shook his head. “I knew I would find you here.”

“You could have found me sooner.”

He lets go of my face and he feels like he takes my skin with him. “It wasn’t that easy.”

“It could have been.” I demand.

I’m angry again. Now that I know he’s alive and okay and that he could have found me, I’m angry that he didn’t. I told him I would choose that life with him. Over and over and over. He didn’t need to make the decision for me. He didn’t need to try and protect me. And yes, maybe the fact that he did makes my heart flutter a tiny little bit, but that’s besides the point.

“I told you before you left me.” I tell him and I’m aware it sounds like we’ve been in a relationship for five years and I’m aware that everybody in here is watching and listening in on our conversation and they probably all know we’re who we are, two people involved in helping to find the kidnapped Hannah Donfort, and maybe that’s all we’ll ever be in this town. But I would rather be the girl who found Hannah Donfort in Duskwood with him than be me anywhere else. “You told me you would let me go with you.”

“That was before I told you I loved you.”

My heart skips a beat. It screams I love you I love you I love you back, but I say— “What does that have to do with anything?”

He looks somewhat amused. Like he knows I would never hold it against him. It’s clear to both of us that I wouldn’t because even though I’m glaring up at him with my furrowed eyebrows and my lips pouted, I’m still pressed tightly against him. His hands—even though they’ve moved from my face—are now resting on my hips. Pulling my tighter to him. There’s no space in between us. If it was up to me, I’m pretty sure there never would be again.

“[MC].” He says, and oh god I wish he would say my name every day for the rest of his life. “Have I—in the short time we have known each other—ever struck you as the type of person who says I love you? But with you…” His words are a whisper against my lips. “It’s easy to fall back into old emotions with you.”

“I want to be angry with you.” I tell him.

He shakes his head. “No, you don’t.”

“No, I don’t.” I agree. “But I might be if you don’t kiss me.”

He brought one finger underneath my chin and tilted it up until our lips were separated by a fraction of an inch. My eyelids fluttered. I didn’t care that everyone in here was about to see just how much Jake meant to be. I didn’t care because I had waited too long for this. And then—just as I’m leaning toward him to press our lips together, he whispers— “[MC]?”

“Hm.” I acknowledge.

“Who’s Eric?”

My eyelids crack open and I shove at his chest. “That’s what you’re worried about right now? Here I am, in front of you, covered in snot and tears and who-knows-what-else because you’re here right now, and you’re worried about some guy I don’t even know?”

“Who’s Eric?” He repeats.

“Ugh.” I run my hands through my hair and take a step back. “I don’t know. He’s the other side of Thomas or whatever you want to call him. If we lived in a different town.” I glare back at him and try not to admit that I think his jealous side is a little cute. “He messaged me. Thought I picked up his friend from some parking lot and I didn’t, but his friend sent him my number, and it was Hannah all over again. I’m trying to help them.”

“This Adam has been sending you a lot of videos.”

“You know I hate when you hack my phone.” I complain, even though I really don’t. Even though I had prayed for him to help me with this case. “I really don’t know Adam. Like—even less than I know Eric.

“But you know Eric.”

“For like a week.” I reassure. “He added me to this group chat with him and like three other friends of his. They’re desperate to find Adam who has apparently dropped off the face of the earth and I don’t know what to do. I had you with Hannah’s case. And you knew her. And they—” I look over my shoulder at Cleo and Dan and Lilly, who are pretending like they’re not listening in even though I know and Jake knows they are. “—they knew her. And obviously Adam’s friends must know him but I don’t and you don’t and there is no Jake in Redlog Pines.”

“I don’t trust him.” He shakes his head. “Any of them.”

I laugh. “Jake, you didn’t trust half the people in this bar when we first started talking.” I look over at Phil and then Dan. “It doesn’t mean they committed a crime. If I had backed off when you asked me to help you find Hannah, we may never have.”

“I thought that was all thanks to me.” He sounds smug, like that little smiley face he loved to annoy me with (AKA make me fall in love with him). “Did he flirt with you?”

“No.” I deadpan. “I think he was focused on his missing friend.”

“I was focused on my missing sister.” He shoots back.

I close my mouth. Alright. He has a point. But I wasn’t flirting with Eric. He was focused on finding Adam and I was focused on mourning—and then finding—Jake. Maybe it felt like Eric and I were two sides of the same coin. Maybe that’s why I agreed to help him. Because I didn’t want to happen to him what I thought had happened to Jake—to me.

“You’re being ridiculous.” I say instead. “How do you think I could ever entertain the idea of being with somebody else when for the past three months—more than that if you count the time we have actually had together—I’ve been focused on you? On discussing Hannah with you and then talking to you about anything and everything and then worrying about you and then hating you a little for convincing me you should me the one to go into the mine and then mourning you when it was hard to even think about you and then finding you?”

His eyes are wide. I think I’ve rendered him speechless. Which—serves him right. I know he’s not somebody who serves their feelings up on a silver platter. I know that. Obviously, I knew that from the first time I spoke to him. Back when he was nothing more than ??? and I was almost convinced that Dan was right and he was the Man Without A Face—a thought that I now hate with everything in me. But I need him to trust me. Jealousy streak and FBI and the missing persons cases aside, he needs to trust me.

“Trust me.” I cup the sides of his face again. “He’s nothing like you.”

He swallows. “Some people might consider that to be a perk.”

“I don’t.” I say.

And then I’m kissing him and it feels like coming home.

[fairuzfan]

academia is often used as the forefront of much of the violence inflicted on palestinians — for example in the library of congress, there is a collection called "the american colony of jerusalem" with racist photography and items that help visually perpetuate the "people without a land, land without a people" part of herzel's ideology, which itself is the forefront of much of zionist ideology. pointing out the systematic harm in academia is often considered "irrelevant" by zionists.... denies the origins of zionism as a political and academic ideology with physical consequences.

much of palestinian history throughout the last century has to do with erasure and silencing — that is how we got to this point. when i say no one listened to palestinians i mean NO ONE listened. they were ignored. all their demands were unreasonable. instead they get blamed for much of the world's unwillingness to listen. even my family members — i have stories of their work in academic resistance since '48. and some of them are well known contributions throughout euro-american and swana society. yet they're still ignored because of their palestinian origin.

"if you were just more reasonable" or "if you took the time to listen with compassion" or "you have to appeal to people's sense of reason" ignores the fact of the matter — this ideology's founding principals were built on "a people without a land for a land without a people." you cannot and should not ignore that. in order to complete the zionist ideology, you must remove the native population. therefore any subscribers to the idea of zionism are violent, whether they intend it or not.

and if it were true, that academia were irrelevant.... then that doesn't explain the systematic torture and imprisonment of writers and scholars, the exile of my family members who were journalists and activists, the captivity of friends for no other reason than they were deemed a threat by some list or the other.

oftentimes zionists, or zionist sympathizers, ignore our (diaspora's) material ties to the occupation and dismiss us as being "disconnected" from the "situation" in Palestine and "misunderstanding" or "misconstruing" israeli society. what am i misunderstanding exactly? that the origins of this "country" relies on violent displacement and exile? that for the past 75 years, that violence has not stopped once? that no matter what we say about the violence of zionism as an intrinsic aspect, it takes a secondary seat to the imagined realities of zionism?

therefore, anti-zionism is the logical conclusion for valuing palestinian lives. but what are the arguments against anti-zionism? that arab governments expelled jews from SWANA? do you think that's a result of anti-zionism? then you must not understand that palestinians are often treated poorly by the same governments that claim to have done this in the name of "anti-zionism," living in poverty in refugee camps, tortured and arrested, even in some cases exiled by governments. this also neglects to mention zionist collaboration with said governments to exile the jews of their lands.

so then, what?

if anti-zionism is the rejection of the settler colonial state of israel, which you must admit to be truly anti-zionist, then it is an exclamation of palestinian sovereignty and identity. so when you say anti-zionism and antisemitism are linked.... do you realize what you are implying? do you realize that zionism, the root cause of palestinian suffering, is the reason for our expulsion and displacement? so then when you write academic thinkpieces about the "complexity" of zionism, do you realize the harm you're doing? do you realize that this, in fact, is not a new or useful argument? that i've seen iterations of it for years and years? that at the core, the zionist ideology relies on this muddying of the waters for you to not do anything?

to be frank, your constant reminding of the complexity of zionism when people in palestine are suffering from the material effects of it only scream, to me, utter contempt and selfishness. zionism is violence, to me and my family. it is violence for every palestinian in this world. you must admit that to be a sincere advocate for palestinians, otherwise your words ring hollow. the present reality outweighs any possibilities.

[afreakingdork]

Deep Dive: Rise of the TMNT Donatello's Bad Boy Persona, His Cute, But Mean Type, and Why He is None of These Things

I made this presentation to delve into my take on Rise Donnie!

It was a power point, but I'm going to break it down here. I do want to preserve the first slide though because...

Did you know Black dahlia's aren't actually black? They're very dark red and in flower language they represent dishonesty!

Apropos, let's get into it...

Donnie is a Bad Liar

We see this throughout the show

“No? No… Of course I did… n't.”

"Uh, nothing. Just having a typical normal mystic free day."

"We are just typical, normal humans who got lost in the middle of our normal, everyday human lives. Nailed it."

"Oh man. Uh. This hurts me. Uh. I'm very sad?"

He has all the characteristics of a terrible liar. He sweats, his pitch warbles, his eyes dart, ect, everything you would expect.

Sarcasm! The Perfect Cover?

When Donnie does go for the use of sarcasm, he almost always points it out.

"I feel better already," he said without a hint of sarcasm."

"Oh, sure. Let me just load my tap-into-every-security-camera-in-New-York app. I'm sorry if that sounded like sarcasm, it wasn't. I am in."

Point Out the Obvious Much

However, when he doesn't point out the sarcasm, he also can't help but make mention of the oxymoron. We see this a lot, especially in Donnie vs. Witch Town.

"Oh yes very cool says Donnie as he quietly lets something go."

"Ooh, fireworks. Science never would have thought of something it was originally inventor of."

So basically, if Donnie tries to lie; he gives himself away. If Donnie tries to fudge the truth; he's compelled to make note of it.

I bring this all up to specifically tackle this sentence:

“So unfair. Although it is a boost for my emotionally unavailable bad boy image. “Y’ello.””

Why do I do so? Let me remind you of my first slide...

But how can that be? We just established that he's a bad liar. In the 'bad boy' line, he's not falling for any of his tells. He's body language gives no indication of lying. He doesn't make any note of sarcasm. No one after this line makes a face or corrects Donnie and he doesn't point out any discrepancies.

How could this be a lie?

Because Donnie himself doesn't know it's a lie.

Let Me Take You Back

Things I Did Unironically as a Teenager

Added Japanese honorifics to the end of my friends nicknames (-san, -chan, -kun)

Had my friends help me wrap myself up in caution tape for my birthday, but told people they made me

Wore a dog collar with a dog tag that had my name in Romanji on it

Had screen names like RubyBlueSango62 and blahweeblah626

But That’s Just Personal Experience!

Things Donnie has Unironically as a Teenager

"Ah, yes, so in this case a game of bask-eh-ball."

"Prepare to eateth thy words."

"Oh, hey guys. What’s the haps? Huh? Oh, oh this? I didn’t realize I had it on. This is my sweet new purple satin jacket- Got it from being a bit of a tech wiz. Purple Dragons. Members only. No big deal. Mm-hm. Well, you better grab some toast, fellas, 'cause you are all jelly!"

“It's Bootyyyshakker9000. Capital B and three Ys in booty.”

I believe it's a universal experience for teenagers to push boundaries. For so long, most parents decide everything for you. With hormones and growth, you want to experiment, but since autonomy is new, you try to break from the mold and do it uniquely. Anything that is outside your norm, especially things that swing wildly from what you once new seems especially exciting. From embellishing speech, to wearing specific clothing items, and even your first screen name, you don't know boundaries! It may be 'cringe' in the future, but when you first do it, it seems like the coolest thing ever! It's something that wholly represents you. This online space you. This you that is ungoverned! I'm an only child so I can't imagine, but I bet you especially want to do this when you have siblings. Where the shame in that?

I mean... Kat Haynes agrees with me on this...

Low Empathy

Now to get a little more serious. Alexithymia is a term that describes those who have difficulty feeling emotions. While not always associated with autism, it is more common in individuals with it. About 1 in 5 people who have autism also have alexithymia.

As already stated, it is clear the Donnie suffers from alexithymia. Most Donatello-centric conflicts in Rise have nothing to do with Donnie being emotionless and instead often deal with him lashing out due to his confusion or insecurities. We see this a lot especially in Witch Town where he is grappling with himself the entire episode. He's insecure about how he doesn't understand mysticism and he doesn't know how to process it or his place on the team. He's not emotionless, he's insecure when he doesn't understand something.

"Yes, feelings. Hot, cold, sleepy, hungry…"

"I don't normally feel things, but that one got through!"

Emotions on his Metaphorical Sleeve

Nothing about alexithymia says that you don't feel emotions. Instead, it's characterized by not understanding them. Donnie feels his emotions big and large just like Mikey does and especially if something is important to him, you'll see those reactions dialed up to eleven.

All Talk

While many think of the classic "semi-lethal" line and the "Speak for yourself" when Mikey says they aren't savages in regard to Donnie, he's not really the bad boy he plays himself up to be. When the theatrics are set aside, most of Donnie’s snap judgements are the altruistic kind or he thoughtfully plans out ways to not only take care of his family, but actively ensure their safety (to varying degrees of success, but that's not what we're saying here):

created devices which both counteracted his brother's flaws because they were getting them hurt

Used himself as a shield for Mikey on multiple occasions 

Risks his own safety and bodily harm especially in Turtle-dega Nights: The Ballad of Rat Man and Breaking Purple

Builds Escape pods for everyone 

Enters a sensory nightmare for the sake of the world

Often asks, especially Raph, if he's okay and looks out for the oldest brother

Yet the Presentation Continues?

Why yes, because there is another line of Donnie's that I want to tackle that I believe falls exactly in line with the 'bad boy image' one...

"Oh, you’re so cute, but so mean. Why do I always go for your type?"

You know what I'm about to posit again...

Insecure

As touched on previously, Donnie is insecure. He's insecure about his emotions. He's insecure about his place on the team. He's insecure about anything he doesn't understand and his insecurities are exceedingly personal in nature because he ties them intrinsically to his personality.

"The real thing is much more personal and thoughtful, and I really hope you like it, ‘cause if you don’t I will just be crushed!"

"This’ll teach you to compliment my work and give me my first positive reinforcement from a parent aged adult, ever!"

Speaking of parent aged adults... i wonder where this could stem from...

Role Model

Who do all the turtles model themselves after, but their own father? Whether they knew it or not, Lou Jitsu was someone they all strived to be like. They commited to learning all the lines from his movies. They fought like him outside of the training course Splinter sets them on. Heck, Donnie takes his hero worship so far that his character defining brows are exactly Lou Jitsu's! Babies start learning how to establish social and emotional relationships around 18 months. We have Splinter, a despondent, but loving care giver who unfortunately did not give Donnie the validation he craved. This manifests in his insecurities where he bends over backwards to get the attention he craves. He wants to be seen, again compounded by having three rowdy mutant-powered brothers, and so he ends up tying his worth into his ability.

Now, while for a majority of the series, the turtles don't know about Splinter's past or that he dated Big Mama, but it wasn't as if Splinter hid that part of himself away so obviously. In fact, because he himself is still mourning his lost humanity, he ends up feeding his son's a hardy diet of his life's existence. The boys are secondarily raised by Lou Jitsu movies in place where Splinter is not always present. Obviously, Lou Jitsu seemingly disappears, but Splinter's feelings on the matter don't. He openly still cares about Big Mama in the present and this I don't think it's a stretch to say that he would let these feelings leak in a similar way to how he presents Lou Jitsu in the boys lives. Big Mama is a attractive, albeit manipulative woman. This is awfully close to a little line someone says, especially when we consider that he models himself after this man.

Also, if we're taking models into account. Something we know for a fact shapes teenagers. Something we know for a fact that Donnie does. Something that is equally canonized in the show, then we have to talk about.

Donnie’s True Canonical Idol

That's right. You know her. You love her. You believe that Donnie is a thigh man because of this Lass' existence. Donnie says flat out that Atomic Lass is his childhood idol. He goes to great lengths to dance with her, smashing Leo out of the way. He then even goes so far as to ask if her and Atomic Lad have split up because his intention to date her is so clear. Now she was obviously a mutant in a costume, but that didn't matter because he loves Atomic Lass that much and Atomic Lass?

She's a heroine.

Only cute and mean in the context of the episode, this is not the Lass he fell in love with. The Lass he loves is a comic book hero that travels the universe doing good.

Also....

Ron Corcillo Agrees With Me

A staff writer on Rise, I apologize I can't show the origin tweet because it was deleted, but it was a dual question that asked both about the Turtles meeting Spider-man and about Donnie's preference. Now you could say he's forgotten a line that may not be as important to him, but doesn't that in and of itself say something? It says that it could have been a one-off joke or that it wasn't something that was necessarily intrinsic to the character.

To Recap:

Donnie doesn’t always know himself

Donnie is a cringey teen

Donnie is insecure

Donnie has difficulty understanding emotions and himself

Donnie isn’t actually an 'emotionally unavailable bad boy'

Donnie doesn’t actually like the ‘mean’ type

Sources:

Rise of the Teenage Mutant Ninja Turtles episodes:

Mystic Mayhem

Donnie's Gifts

Pizza Pit

Hot Soup: The Game

Shadow of Evil

Donnie vs. Witch Town

The Mutant Menace

Breaking Purple

Turtle-dega Nights: The Ballad of Rat Man

End Game

Repo Mantis

Mascot Melee

Donnie's Gifts

Bug Busters

War and Pizza

Goyles, Goyles, Goyles

Lair Games

Rise of the Teenage Mutant Ninja Turtles: The Movie

lactoseintolerentswag's post on Rise Characterizations Pt. 3!!!

skulltrot's Donnie (Rise of the TMNT) | Autism Representation in Media video

Ron Corcillo's tweet from Cartoon Brew's Feb 10, 2024 AMA

Alexithymia | Autistica

earthytzipi's post not understanding why people characterize Donnie has hiding his emotions

hyperfixatinator's post about ROTTMNT Theory: Donatello's Hidden Role

[fluentmoviequoter]

Always and Never Our Time

Requested Here!

Pairing: David 'Deacon' Kay x fem!SWAT!reader

Summary: You love Deacon and Deacon loves you, but you keep missing one another because the time is never right. Until your time, imperfect and late at night, finally comes along.

Warnings: angst to fluff, insecurities and misunderstandings, canon divergent, comfort at the end

Word Count: 4.3k+ words

Masterlist Directory | Deacon Kay Masterlist | Request Info/Fandom List

It’s tiring watching the man you dream about from a distance. Though you’re standing inches from him, working side-by-side with your life in his hands daily, there’s a distance between you and Deacon Kay that you’re desperate but unable to close. You love Deacon - have loved him for years - but you missed your chance. The brief moment where you simply knew Deacon, where you could have made your dream come true had you just told him how you felt, came crashing down when it ended.

The weight of your unspoken feelings grows more suffocating each day that passes. But the timing isn’t right, so you’ll stay by his side and support him in everything. If, or when, your time finally comes, you’ll be ready.

“How’s Annie?” Luca asks as you exit Black Betty.

Once upon a time, Deacon offered a hand to help you. Today, as he talks about his girlfriend, you thank Hondo for his assistance as you place your palm over his and jump onto the asphalt.

“She’s great,” Deacon answers, sending an invisible glance your way. “She pointed out again that we could have been married by now if I’d asked her out sooner.”

“Good things come to those who wait, that’s what you always say, right, Deac?” Tan interjects.

You barely conceal your amused snort at that; if all you had to do to get good things was be patient, a lot of people would stop fighting for the things they love, content to sit in silence on the sidelines or bide their time with something else until what they wanted was ready. Not completely dissimilar to what you’re doing, you realize.

“Right,” Deacon agrees, furrowing his brow as he watches you. “But we’ve known each other for a long time, so there’s bound to be some questions in this period of moving from friends to being in a relationship.”

“What about you?” Hondo asks quietly. “Anything new in your life?”

“I heard a new joke,” you answer. “Two, if you count my thoughts about my own life.”

“Hey,” Hondo says, pulling you to a stop as everyone enters HQ. He waits until you face him to add, “I get it. Even if you don’t want me to see it, I know you’re not the same as you were before Deac and Annie started dating. And I know you don’t want to hear this, but don’t put your life on hold for one relationship that may never happen.”

“You want me to start dating someone else to get my mind off him? Hondo, this isn’t a romcom.”

Hondo laughs, but you can tell he genuinely cares about you in this. “Trust me, there’s nothing funny about this. I just don’t want to see you get hurt any more than you have to. If he’s moving on… maybe you should consider doing the same, even if it’s just taking the next stop by yourself and doing something for you.”

You hum, surprised by Hondo’s good advice. “Thanks. In that case, join me for spa night?”

“I know you’re kidding, but I could use it. Convince Luca to gift you the package and I’ll come with.”

You roll your eyes as you walk into HQ with Hondo. When you walk behind Deacon and hear him mention his incredibly thoughtful date night plan for Annie, you feel another piece of your heart tug loose, tied to a dream that passed while you were still asleep.

TWO MONTHS LATER

“Morning, Smiley,” Rocker greets you as you enter the station. “You’re taking the news well.”

“What news?” you ask.

Rocker shakes his head and points at your team. Save for Deacon, they’re all gathered in a small circle and talking quickly with small gestures.

“What happened?” you inquire as you stop between Luca and Tan.

“Deac and Annie broke up,” Hondo tells you, watching your reaction closely.

“Oh, sorry to hear that. Is he okay?”

“He will be,” Tan tells you. “From what little bit he shared, it sounded like it was his choice. They were growing apart, she wanted something else, I guess.”

You nod before they brainstorm a boys’ night to cheer him up. As you walk toward the locker room, your phone buzzes.

              I had a great time last night. See you Friday.

“Hey,” Deacon greets, drawing your attention from your date’s text.

“Hi,” you reply, turning off the phone without answering. “Hondo told me about you and Annie. I’m really sorry, Deacon.”

He shrugs before he raises his foot to the bench to tie his boot. It’s been several weeks since you talked, and your relationship has been strained since he first started dating Annie. Back then, you wanted to wait for him. Then you convince yourself he may never be ready, so you let yourself move on, grow in yourself, and feed other relationships.

As Deacon looks at you now, he wonders why he even started dating Annie. Something inside him convinced him that you’d never go out with him, that you were too good, too young, too close, just too far out of his reach. So, he let the idea go and tried to find the feeling he thought you’d provide in someone more like him. However, now that his relationship with Annie is over, he realizes he just used more valuable time that he can never find again. If he could find the words now, maybe he could change everything.

“How are you? Didn’t you go on a date a few weeks ago?” he asks instead.

“Yes,” you answer, looking in your locker rather than at him. “We’ve been on a few more dates, went out last night, actually. He’s an attorney. Really sweet, a good guy.”

“That’s good,” Deacon responds softly.

You look at Deacon, unsurprised to see he looks the same as he sounded, like he's missing something, lost an important piece of himself that he can’t replace. Part of you begs to be let out, to tell him that you waited for him, but a louder piece of Deacon makes him speak first.

“I hope it works out,” he says. “See you out there.”

Watching Deacon leave, you wonder why time has to be so cruel.

SIX MONTHS LATER

“Hey,” Street, the newest member of your team, calls, “if I ever get sued-“

“What did you do?” you ask.

“Nothing! I swear. But if I ever do, could your boyfriend help me out? Represent me in court and turn it around on the other guy. I would be innocent, of course… mostly innocent.”

“I’m sure he’d help you, but, uh… we’re not together anymore.”

“I’m so sorry,” Street apologizes, his eyes widening. “No one told me.”

“It just happened,” you explain with a shrug. “Literally, five minutes ago in the parking lot.”

“Are you okay? Wait, don’t answer that, don’t move.”

Street turns and runs down the hall, sliding as he takes the corner too sharply. A moment later, he returns, steering Luca and Hondo toward you.

“I want to be on this team, but I wasn’t trained for this,” he tells them before he leaves again.

“What happened?” Hondo inquires.

You pull your bottom lip between your teeth as you debate your answer. “I didn’t think I cared about this relationship,” you begin. Tears build in your eyes despite your long-withstanding feelings for Deacon, feelings stronger than anything you felt for your now ex. “But hearing him list my insecurities and treat my feelings like a closing argument wasn’t exactly enjoyable.”

Luca pulls you into his arms, wrapping you tightly in a protective hug. You grip his shirt and cry against his chest.

“Him dumping me isn’t even what hurt,” you say as you step back. “It was him calling me out for having a crush on Deacon that will never go anywhere.”

“Whoa, hey,” Hondo interrupts, placing his hand on your shoulder. “He was just mad because he thought you had feelings for someone that wasn’t him. Even if you do have those feelings, that was no reason for him to go off on you like that.”

“He was right,” you argue. “I didn’t start dating him as a distraction, but I compared everything he did to what I think someone else would do. Even though I know it’s hopeless, I’m holding on to the idea of something that will never happen!”

“Hey, are you okay?” Deacon asks as he enters the station, dropping his backpack at the sight of Luca and Hondo comforting you and the tears streaming down your face.

You wipe your cheeks with your hands and nod. “I’m okay, Deac. Thanks.”

Stepping around Luca, you rush away from the man you want but will never have. Everything you want in life, a relationship, and your future is inside Deacon. Yet you can’t talk to him right now without falling apart and telling him everything.

After you leave, Deacon sighs and rubs his hand against his jaw.

“You’ve been waiting for a chance since you left Annie,” Luca points out.

“Now’s that chance, my man,” Hondo finishes.

“I’m not going to go after her while she’s heartbroken,” Deacon replies. “She’s dealing with enough without me pushing my feelings onto her.”

“You’re kidding, right?”

“Hondo, we work together, we put our lives on the lines daily, and adding feelings to that won’t make anything better.”

“That doesn’t mean burying them won’t make it worse,” Hicks says.

Deacon turns quickly, surprised by the Commander’s intrusion. Hicks shrugs and lifts his mug, stirring creamer into his coffee.

“You’re talking in a public area, gentlemen, can’t expect privacy. Look, Deacon, the way I see it is that you’re angry you wasted so much time, so you’re looking for a way to prevent more time from slipping between your fingers. Yet, you’re so convinced by an insecurity or some perceived unspoken rule that you’re doing just that. Heartbreak doesn’t mean a heart isn’t ready to be given away again.”

“When did you get so wise?” Luca inquires.

“I’m the only one in this room that’s ever been married,” Hicks brags. “Figure it out or drop it, but the grip you’re holding now will give out and hurt more than just you in the fallout, Sergeant Kay.”

Deacon sighs, he knows that, and he’s known it since the very beginning. Every time he tries to let go, to move on, he sees you or catches a glimpse of the life you could have together and claws his way back to the idea, digging into it firmer and deeper than before.

“So?” Luca asks.

“Time to let it go,” Deacon announces.

As he leaves, Luca and Hondo shake their heads. It won’t be long before he’s back where he started. You will continue to dance around one another until you find the courage to say all those unspoken things or the music ends, and one of you is left to regret the time spent in silence and solitude.

TWO MONTHS LATER

“I love you,” Deacon tells you.

You smile as he pulls you close, letting his lips brush over your cheekbones before you reply, “I love you more.”

“Impossible.”

As you laugh, Deacon’s grip on your waist loosens. He looks down at you, and something akin to doubt flashes in his eyes.

“If you loved me you wouldn’t have waited so long.”

You wake quickly, inhaling raggedly as you clutch a pillow against your chest. It’s time, you decide. Time to tell Deacon everything. You can explain that you’ve had feelings for him since before he started dating Annie, beg him to forgive you for wasting so much time with your ex, for letting the fear of doing the wrong thing and driving him away dictate you for so long.

Your alarm rings, and you cancel it immediately. As you prepare for the day, you rehearse what you could say in your head, but after you park at SWAT HQ, you decide that this needs to come from your heart, not your mind.

“Hondo!” you call as you jog into the station. “Where’s Deac?”

“Finishing a training session with 60 Squad,” he answers.

“I need to talk to him.”

“It might be a while. He’s meeting with Hicks and the Commissioner today; he wants to be considered for the next open leadership position in SWAT,” Luca tells you. “He’s dedicated, it’s been a while since I’ve seen him so committed to something.”

Your smile falls, and you suddenly feel like you’re full of lead, a stark contrast to the excited, bouncy feeling you entered with.

“Oh,” you murmur. “That’s great. What do you think his chances are?”

“Pretty great,” Hondo answers, watching Deacon lead the other on-duty SWAT team back into the training area. “He already got robbed of one promotion, but he’s proven that he can do it. I see no reason they’d pass him over.”

You nod, and this time, it’s Street who notices the longing look you wear as you watch Deacon give advice to the newer SWAT members. He pats your back and sends you a sad nod.

There’s nothing you can do; it’s never your time. Whenever you’re ready, Deacon isn’t. The few times he’s been single or acted remotely interested in more, you’ve been in a position that won’t allow it. You give Deacon another piece of your heart each time you miss one another. You’ll be completely heartless before time gives you another chance at this rate. The worst part is that you’re so blinded by your disappointment, so caught up in how you feel compared to what you can’t say or do, that you don’t notice Deacon is exchanging pieces of his heart for yours.

THREE MONTHS LATER

“Deac, we’re going to dinner then Jimbo’s,” Hondo says across the locker room. “You in?”

“Not tonight,” Deacon replies. “Thanks, but I’ll catch you next time?”

“That’s what you said the last four times!” Luca complains. “Are you sure?”

Deacon nods, and Hondo makes him promise before closing his locker and leading Luca, Tan, and Street out into the hallway to drive to dinner. You wave and tell them you’ll meet them there, but don’t move away from Deacon.

“What’s the new job?” you inquire.

Deacon looks surprised that you know about his second job but recovers quickly and says, “Private security.”

Nodding, you resist the urge to reach out to him. Over the last few days, it has taken every bit of your self-control to distance yourself from Deacon. You need more, and the craving becomes a monstrous pit inside you, a chasm threatening to pull you under until it’s all you know. All because you want Deacon, wholly and selfishly.

“Do you like it?” you ask, shifting to hold your hands behind your back.

“It’s fine,” he admits. “Maybe I’d like it more if I didn’t have to do it.”

“I didn’t think of that. No more overtime, no more OT pay.”

“Right. I was barely holding everything together before, but when that went into effect…” Deacon trails off and laughs humourlessly as he closes his locker. “At least it’s temporary.”

Unlike your feelings. “Listen, Deac, if you need anything-“

“We’re friends, I can’t ask you to do that,” he interrupts.

His words feel like a knife to your heart. You are friends, it’s true, but the recent strengthening of your feelings, the urge to walk into Deacon’s arms and never leave, gives his words an edge like a sword. It cuts through you, directly to the part of you that continues to love Deacon despite fearing that you’ll never know what it’s like to be loved by him.

“It wouldn’t change anything,” you assure him quietly. “Goodnight, Deacon.”

He watches you leave, wondering how different life would be now if he’d told you everything when he had the chance.

THREE MONTHS LATER

Your desperation for Deacon has eased since the night in the locker room. You can look at him, carry a conversation, and accept his hand as you stand from the locker room bench with little more than a pang in your heart. Plus, overtime has been reinstated, Deacon’s money issues have become a thing of the past, and your team is stronger and closer than ever. Combined with other things, Deacon allows these good things to be a kind of omen, an encouragement that things are getting better, that the times you’re in now are better than those you came from. So, he stands between Hicks’ office and the locker room to wait for your return from a raid with 50-David Squad. You enter first, smiling as you remove your helmet and pick up your pace to greet Deacon.

The words are ready on his tongue, a proposition, a question that will change everything. Will you go out with me? Will you forgive me for all the nights I wasted, all the tears and unshared feelings, and give me a chance to show you that the wait only made me surer of you and what we could be?

But before he can ask, Hicks steps out of his office and calls your name. “Rocklin PD requested your temporary transfer to train and lead their new SWAT team. Talk it over with your team and let me know by the end of the day,” he explains.

Your eyes widen in shock, but you answer, “Yes, sir.” After shaking your head to clear it, you look at Deacon to ask, “What did you want to talk about it?”

“Nothing important,” Deacon lies, spurred by the opportunity you’re facing. He refuses to get in the way of your career and dreams – painfully unaware that your dreams consist almost exclusively of him. “Rocklin, that’s an honour.”

“Rocklin itself isn’t, but, yeah, that’s a great position,” you agree. “I don’t know, though.”

“Don’t tell me you’re leaving us,” Street laments as the rest of your team approaches. “You’re the only one that understands me.”

“That’s not a compliment,” Tan taunts.

“I don’t know what I’m doing,” you admit. “It’s an amazing offer, but I don’t have training experience.”

“Street’s better off because of you,” Tan points out.

“I agree,” Street says. “They’d be lucky to have you, but we’ll hate them forever for taking you from us.”

“You should go,” Deacon encourages.

You turn to face him, a crease between your brows that shows your combination of shock and disappointment. If Deacon had asked you to stay, you would have, without hesitation, but his encouragement to go, to live hundreds of miles from him for an unknown length of time rattles you. Maybe you misread everything, and he was going to tell you something you didn’t want to hear when you came in, and this is the perfect excuse for him to not have to tell you.

“We’ll support you no matter what,” Luca promises, but your eyes remain locked on Deacon’s.

“Thanks,” you murmur. “I’ll think it over and let you know. I’m going to change.”

You push between Street and Hondo, distracted and deaf to Hondo asking Deacon what he was thinking by pushing you away. You also fail to hear Deacon’s broken reply, “Because it’s better than anything I could have offered.”

SIX MONTHS LATER

When you walk into LAPD SWAT HQ for the first time in half a year with a new haircut and a noticeable glow, you draw attention. Street sees you first and abandons his sparring match with Rocker to jump out of the ring and greet you with a warm hug. Luca and Hondo follow soon after, and then you’re hidden beneath four teammates as they rock you back and forth and welcome you back.

“Did you knock those Rocklin officers into shape?” Hicks asks, smiling as he wraps his arm over your shoulders in half a hug.

“I did my best,” you answer. “They got lucky with a good set of recruits.”

“About your position on 20 Squad…”

Your smile drops as you look over at Hondo. He manages to hold his composure for about five seconds before he laughs, bending over because of amusement at the devastated look on your face.

“It’s still yours,” Hicks promises, tapping your shoulder. “We’ve been waiting for you to get back since the day you left, we can’t replace you!”

You place your hand over your heart and exhale, shaking your head as your smile returns. They’re still the team you know and love, except for…

“Where’s Deacon?” you ask.

Hondo looks at Hicks, who looks at Luca, who looks down at his shoes.

“He’s at lunch with Annie,” Tan tells you softly. “They’ve been trying to work things out for a few weeks.”

You nod. “I was worried he’d abandoned you guys without me here to keep some semblance of sanity.”

Hondo smiles, relieved you’re not too upset by hearing the news. Inside, you’re unsure where you stand, but there’s also a glimmer of hope in this. You’re back where you started: Deacon is with Annie, and you’re working on yourself. Maybe this full circle moment is exactly what you need to move on and stop letting Deacon control your every thought.

“What are you doing tonight, Street?” you ask.

“What I was born to do, ballin’ and shot callin’,” he jokes. “You want to join? My buddy Kel will be there, I think you’d like him.”

You feel Hondo’s eyes on you, but you ignore his questioning look as you agree, “I’d love to.”

Several hours later, a car parks against the curb before your house. It idles for about a minute, then the headlights turn off before the ignition silences. Deacon exits the driver’s seat and tosses his keys back and forth between his hands as he approaches your door. He hasn’t seen you since you left for Rocklin. After a meeting with Annie in which they decided that their relationship was hopeless and they were better off as friends, he knew he had to see you and explain his feelings.

Deacon knocks on your door, but there are no lights on inside. He texts you, but there’s no reply to that either. Torn between calling you or taking this as a sign and leaving, Deacon leans against your door and thinks. The last six months without you have been made up of some of the hardest days of his life. He misses you and has come to understand just how much he needs you, and now that he has a chance to see you again, you’re not home. Just like always. Every chance he has seems to end like this, and Deacon isn’t sure how much more time he can give it before he’ll have to walk away from you. He’s been hurt, and he’s seen you hurt, so he doesn’t want to put himself or you through any more than he has to.

You enjoy the company at dinner with Street and his friends, but your mind drifts back to Deacon every moment you get.

“Why don’t you just tell him?” Street’s friend Kel asks.

“There’s too much at stake,” you answer, shrugging.

“It’s all at stake if you don’t tell him, too.”

“Don’t be so smart, you’re supposed to be Street’s friend,” you joke. “I’ve been thinking about that, but… I guess I’m just scared about what might happen.”

“But you’re terrified by what might not.”

You smile and set your drink down. “At that, I’m calling it a night.”

“No!” Street exclaims.

“I haven’t slept in my own bed in six months and now all I can think about is Deacon. Which actually isn’t that much different than usual. I’ll see you at work, but thanks for tonight.”

The following day, you’re running off pure adrenaline. You tossed and turned all night, your mind swimming with thoughts of Deacon and everything you want, and it all seems reachable now. Then, when you arrived at work, you were met with an unhinged crime spree that had you bouncing between SWAT teams, in and out of HQ all day. Altogether, it left you even more tired and willing to tell Deacon everything.

That’s why running into him in the parking lot after sundown makes you stop. Your barriers are gone, your walls have been obliterated, and you don’t think about any consequences as you ask, “What took so long?”

Undeterred by your blunt question, Deacon responds, “It was never our time. Because it had to be perfect, but it never was.”

“And it never can be.”

“I don’t believe that. Do you?”

“No!” you answer, tossing your arms up. “So why have we been dancing around each other for years?”

“We were scared, waiting for the perfect moment in a world of imperfect opportunities.”

“And now?” you ask with a sad chuckle.

“Now feels pretty perfect,” Deacon says, his smile growing as he moves toward you.

“You can forgive me for missing you so often?” you ask as you lay your hands on his shoulder while his hands find your waist.

“If you can forgive me for doing the same.”

You nod and meet Deacon in the middle, falling into a kiss that brings your worlds together in a beautiful collision. Your lives connect, finally meeting after years of running parallel to one another and getting close enough to imagine what this would feel like. It’s the perfect product of every moment, every missed opportunity, and fear as you prove to one another that there’s love, admiration, and joy in your relationship. And this is only the beginning.

“Why’d you come to my house last night?” you ask as you pull back.

“How’d you know about that?” Deacon counters, raising his brows.

“Street took my phone, told me about the text during the Hollywood call this morning. I’m sorry I missed you.”

“It was the end of an era.”

You roll your eyes and kiss Deacon before he can make another comment about how it was somehow always but never your time until you took the leap and accepted the imperfect.

The door behind you opens then closes, and Hondo yells for the rest of your team when he sees you kissing Deacon. Finally.

[jubileemon]

Orihime's Powers and Representation

Orihime's power in regards to her characterization. Orihime is an idealist. She exists in a very violent world, yet refuses to fight unless she's under really terrible pressure. She used to see Ichigo as her Prince Charming, her Knight in Shining Armor, until she realized that is simply wasn't the case. The girl was pretty much living in her own little fantasy world to cope with her HUGE troubles, which is why yanking her out of it and making her face a reality so stange to her own left her so distraught. So what do her powers do exactly? Reject reality.

Also in regards to Orihime, the reason why Loly and Menoly hate her even more after she uses her Reality Warper powers to bring them back to life. is more complicated than just being two ungrateful sadists. To start, Hollows/Arrancar/Espada as a whole are beings that are born when souls don't cross to Soul Society and stay in our world, becoming corrupted with supernatural energies. And here, two Arrancar girls (Hollows who have removed their mask and gained Shinigami-like powers) have witnessed how a lowly human has the power to undo death, pretty much messing with everything they know about their own existence. What is a crowning moment for Orihime, in the view of these two girls (and especially Loly, who had a better look at all of this than Menoly since she was horribly mutilated by Grimmjow yet she was not dead) is like catching view of an abomination, which explains the whole "she's a monster" deal.

Hollows, beings that are born from death, despair and fear, are being faced with a being who can literally rewrite reality so that events do not occur. Taken in this context, Orihime is less like an angel of mercy to these two and more like a God from their perspective. A being whose nature and abilities are so alien that they outright defy explanation. Considering this, its understandable that they would react less than pleasantly to what happened to them.

Further to the above point on Orihime's character in relation to her powers — there's a very specific reason why Orihime actually used to be useless on the battle field, and it's not any kind of limit on her power. It's been heavily alluded to that Orihime's power is pretty much limited by her own imagination. Naturally, when it comes to helping people, her healing powers can reverse pretty much anything. However, think about who Orihime is. She wouldn't hurt a fly if she could help it. She can take down random Hollows like that mook that was attacking Tatsuki in the school because it's monstrous in appearance, and they'll hurt more people if she doesn't attack. Place a humanoid enemy in front of her, and will take her a while to see that she should consider them an enemy, and she simply cannot attack them unless it's really needed. This is why Tsubaki's power will always be the most limited of her set.

Actually, about Tsubaki... think about the Shiten Koushun aka Shield of Four Heavens' Resistance. How is it formed? Via adding Tsubaki to the Three God Reflection Shield, thus making him turn a defensive barrier into an offensive weapon. Tsubaki is the weakest of the six Rikka spirits as well as the one who's less like her, personality wise; and the ones forming the Reflection Shield (Hinagiku, Lilly and Baigon) are relatively similar to her in character. This means that, if she wants to join the battle effectively, Orihime must accept to use Tsubaki yet not by simply sending him off towards the enemy (like many of her haters want her to), but by integrating him to the side that she dominates the most. Only by using Tsubaki in combination with Hinagiku, Lily, and Baigon can she draw his attack potential... mirroring how Orihime must now fight alongside Ichigo, Chad, and others if she wants to not stay behind. Also, when was the Shiten Koushun seen first? When she and Ichigo were attacked by Ginjou. Who was actually a humanoid enemy (more exactly the formwr Substitute Shinigami, but we didn't know that back then, and neither did she). This means that Orihime either is working on the issue mentioned above or has already gotten past behind it.

As for her Santen Kesshun (Three God Reflection Shield)? It too, is not the fragile thing it seems to be. It is specifically stated to Reject an attack and its consequences. It stands to perfectly good reason that it doesn't matter if the shield shatters instantly or not — another can always be thrown up. What matters is that whether the shield shatters or not, it genuinely DOES reject the attack that hits it.

Furthermore, it actually makes a ton of sense that it shatters so easily, too. Orihime's powers are a form of reality warping, after all, being what Aizen calls "the Rejection of Events"; she's essentially the Queen of Retcons. When her base shield blocks an attack, it also retcons that attack out of existence. But then, that raises the question... if there was never any attack to block, then why would she even make a shield in the first place? The reason it shatters isn't that it's fragile; it's the shield disappearing in a Puff of Logic because the attack it was meant to block suddenly never existed in the first place.

As for her Santen Kesshun (Three God Reflection Shield)? It too, is not the fragile thing it seems to be. It is specifically stated to Reject an attack and its consequences. It stands to perfectly good reason that it doesn't matter if the shield shatters instantly or not — another can always be thrown up. What matters is that whether the shield shatters or not, it genuinely DOES reject the attack that hits it.

Furthermore, it actually makes a ton of sense that it shatters so easily, too. Orihime's powers are a form of reality warping, after all, being what Aizen calls "the Rejection of Events"; she's essentially the Queen of Retcons. Logically, when her base shield blocks an attack, it also retcons that attack out of existence. But then, that raises the question... if there was never any attack to block, then why would she even make a shield in the first place? The reason it shatters isn't that it's fragile; it's the shield disappearing because the attack it was meant to block suddenly never existed in the first place.

[thattimdrakeguy]

TIM DRAKE NEEDS OUR HELP

I need people NEED THEM, oh baby, oh goodness do I NEED people who don't know much about Tim Drake to stop talking about the Boy Himself: Tim Drake.

Presented: An accurate depiction of an 18-year-old Tim. The over-sized T-Shirt that helps his already lean body make him look skinnier (therefore people would underestimate him, which is part of his personal fighting technique) worn for comfort over anything else adds to it greatly. He does not normally dress fancy, as is sometimes assumed of him. Wearing some of the Robin colors also help.

If you do not know what he looks like, that is fine, that is actually UNDERSTANDABLE. Like what am I to do, pretend I don't know why people don't know what he looks like? After over a decade of him mostly looking like a generic white guy super hero?

Y'all gotta realize, people did not care about Tim for a very long time, because he was basically the D-List Robin since he stopped being the main one. So they never did their research. He wouldn't even be written right. And his relationships and details of his character could change drastically between writing changes. It was awful.

So those that don't know, please try to learn why people sometimes say what they do about Tim. It's not all true, but in this case, it is true. And when we get to see what he's supposed to look like in a real comic, it's very exciting for us, because we don't normally get that excitement anymore.

I know, it's sad just to be happy to see our fav look like themselves, but it's the spot we're in.

Presented: Canon Proof of Tim's appearance, set when Tim was only months away from being EIGHTEEN-YEARS-OLD, he was still being confused for being TWELVE-YEARS-OLD. Showing how he does look for his age.

Like he's SUPPOSED to be VERY SHORT, he's supposed to look lean to the point of seeming skinny in his street clothes, people are supposed to underestimate him (which is why his appearance works so damn well), he's supposed to have a soft 'cute' look to him, especially young looking even for his age as you can see above, that is part of him, one of of his gags is that he's confused to be twelve even when he was nearing eighteen. HE PURPOSELY LOOKS LIKE THAT. It is an ACTIVE choice. It is not a weird thing people just randomly do, it is a purposeful character design choice, made for the character, for him to stand out, and be different from the other characters with.

It is NOT a fanon thing people made to infantilize him. That is just what he looks like. And it is exactly what some real people look like. It is ACTUALLY part of him. It is a CANON part of him. That is brought up so much, because people keep thinking it isn't CANON, when it is CANON.

Presented: A horrible drawing of Tim Drake, during an era that made a lot of people have misconceptions of the character we're only lately getting away from. But some people still believe to be the more accurate Tim, based on when they started reading. DO NOT DO THIS.

All because a lot of artists don't care to draw him right, doesn't mean his appearance miraculously changed within the canon. Or at least it shouldn't have, considering that'd be weird, and take an aspect of the character that made him unique go away. Which is not fun for any character to have them done to them.

So when ever an artist does DRAW him like that, can we gang together and say "HEY, GOOD JOB ARTIST, FOR ACTUALLY LOOKING UP WHAT TIM LOOKS LIKE"

Presented: ANOTHER VERY GOOD TIM. See how he's shorter than his friends (Bart's leaning), has a soft 'cute' face, leaner physique (looking skinny, but not scrawny like he isn't athletic), thick middle parted hair. These are the components of a well drawn Tim that people desire to see more. It will look different based on the art style of course. But these are what makes Tim's appearance suit what we know of Tim, and has been clearly established no matter his age. Here, he is presumably around 17-years-old. Possibly not even a year younger than he currently is.

Because seeing people who see him look different, when it's the right difference, and complain, because they are not aware Tim isn't supposed to look buff and tall and masculine, just because a lot of artists didn't care about who is ultimately at this point a D-List Super Hero...isn't really fair to the people who DO CARE ABOUT IT.

Presented: Something I'm definitely gonna delete from my device soon enough, but added for the sake of the post.

If you wouldn't take away from Dick's ass, don't take away Tim's appearance, please.

We know Tim is different, and that's why we love him the way we do so much.

[pochipop]

＃MYSTIC MESSENGER !! ♡ — BEING VULNERABLE WITH YOU.

#. synopsis! — how they show their trust .

#. characters! — jumin, zen (hyun), yoosung, saeyoung (707), saeran (ray), jihyun (v) .

#. warnings! — slight angst.

#. others! — navigation & masterlist .

#. a/n! — come join my discord server? it's newly opened with a fantasy bakery theme! we have emojis from genshin impact, honkai star rail, sanrio, overwatch, pokemon, mystic messenger, and more! a collection of funny stickers, channels to promote yourself, meet new friends, share your writing/art, + lots more! plus, our staff is very chill and friendly! we'd love to see you there! <;33

＃ JUMIN !! ♡

Jumin, who never really thought himself to be the romantic type, but loses himself so easily in his relationship with you that he’d do anything imaginable just to see you smile for him. This sophisticated, pressed-suit wearing, stone-faced man who just crumbles when it comes to you, —who once thought love was some sick ruse made to rope people in and keep them hostage to their feelings, suddenly realizing that this rush is marvelous, and he can’t quite clearly remember a time before his heart seemed to beat for you. This man who swore he’d never love someone enough to put aside everything else on his mind and just live in the moment who sheds that dry cleaned business attire at the end of every workday and lets himself come undone for you. His walls come down and he welcomes you inside, and for once, he’s not scared of what will happen when you see the parts of him that perhaps aren’t as pretty as others. He lets you see the beautiful mess he’s made of himself over the years, and it’s then that he begins to pick up all these tattered pieces, finally preparing to put himself back together again. And recognizing you’ll help him do so is the sweetest comfort he’s ever known.

＃ HYUN (ZEN) !! ♡

Hyun, who stops pretending to be perfect over time and lets you see him in all the stages of healing. This man who often shields himself from the world, hiding behind a mask of narcissistic confidence, who finally lets his imperfections seep through to the surface and breathes another sigh of relief every single time you stay in the aftermath. He lets you in on the insecurities that lap at his ankles much more often than he'd ever had liked to have admitted before. He lets you hold him when he shatters instead of pushing you away, —dulls all his rigid edges to feel your warmth surround him, as if lowering all his defenses for the very first time. The world can be a cruel place to those that have made mistakes, but Hyun feels like he's finally found someone who can look at him for more than just the pretty, well-kempt face he maintains for the public. There's no sense of shame he feels the need to drown in when you let him fall apart in your arms. There's no crushing feeling of disappointment or suffocating feeling of disdain. He's more human than he fears he's ever been when your thumbs wipe the tears from beneath his eyes and you whisper to him that everything will be okay.

＃ YOOSUNG !! ♡

Yoosung, who learns over time how to not let things fester until they’ve built up so much he can’t keep them in any longer. For all he is and might not ever be, he’s come to realize that it’s okay to express his emotions before they reach a boiling point. He comes to you at the onset of upsetedness, —allows himself to feel frustrated without stuffing it down and pretending the problem doesn’t exist until it explodes. He finds that it’s so much easier to be earnest when you never talk down to him or make him feel like he’s any less of a person in your eyes because of it. Sometimes he needs advice, and other times, he just needs someone to talk to. No matter the case, he seeks you out before anyone else, knowing that you care enough about him to value his thoughts and opinions without qualifiers or regulations. He holds grudges sometimes that aren’t good for his own sake, and being shut down when he tries to address them only adds fuel to the fire. Having someone who truly listens and tells him that it’s okay to feel the way he does goes such a long way, —perhaps longer than you’ll ever know.

＃ SAEYOUNG (707) !! ♡

Saeyoung, who lets himself be honest eventually, —who lets himself chip away and then lets you smooth him over. He’s done a lot of things he’s not proud of, and he doesn’t need anyone to tell him that it wasn’t his fault. Whether it was or wasn’t doesn’t matter as much as what he knows he has to do going forward, and the last thing he really wants is to be coddled out of pity. He just wants to be heard, no sympathy necessary, no fawning over the way he sheds the skin he used to wear when he felt like happiness was millions of miles away. He just wants to be listened to. To Saeyoung, it’s the ultimate show of trust to admit to all the things he regrets, let them spill out like word vomit and not have to worry about the consequences. He doesn’t need you to understand, and knows you likely can’t given the specifics of his life’s course thus far, but knowing that you’re keen on carrying the burden with him is such an insurmountable feeling of relief. Finally, someone knows every grimy little corner of his soul and they still love him, still hold him, still want him. . . There’s nothing quite like it.

＃ SAERAN (RAY) !! ♡

Saeran, who lets little things slip as time goes on, —stares a little longer when he passes twin popsicles in grocery stores because he knows you won’t ask why. As much as he likes to pretend that he can fix things by pretending they never hurt him in the first place, there are always scars that linger just below the surface, ready to burst at the first sight of mint-colored liquids or at the first sound of deceptively sweet voices offering commands from the shadows. He carries a lot around with him wherever he goes, and just loving him until the sun dies isn’t a cure-all. You can’t turn back time and shield him from all the things in his life that have left him feeling like a shattered stain glass window. All the love in the world can’t fix the past. But there’s nothing that means more to him than knowing he can lean on you, —even if he doesn’t always do it. There’s such a sweet comfort in knowing he can turn to you when he feels like he’s drowning. And if sometimes that manifests only in letting himself shed a few tears while he eats an ice cream cone outside next to you in the sunshine, then so be it.

＃ JIHYUN (V) !! ♡

Jihyun, who talks about it all a little at a time, —about the good and the bad, the ugly and the beautiful; because it wasn’t always bad. There were times before you came in which he’d been so in love that he’d have done anything to stay exactly where he was, to freeze those moments up and keep them in a capsule that could never be shaken. And it’s important for Jihyun to tell you about those things every now and again, to let you in and reminisce on the way he’d once been so sure of it all, so ready to settle down and stay exactly where he was. But it’s equally as important for him to bare the remnants of the betrayal for you to kiss, and hold, and make peace with. He likes to think you understand him better in the wake of it, —that you’ve seen him in a new light every time he sits with you and tells you of the loss, the desire, the yearning, and all the ways he wishes things could have been different for everyone. In the end, he’s here, and there’s nowhere else he’d rather be.

[yuurei20]

So in the second novel, after Leona's overblot does it go into his past or is it just the speech afterwards?

Hello hello! We see a brief interaction between Leona and his brother that is similar to how things played out in the game.

Some places are identical but other places are only in the game, other places are only in the novel, and other places are similar in both but slightly different, so I put the pieces from each together into a puzzle--I hope this helps!

(The EN translation is great but I am posting screenshots from both servers for just in case anyone is curious)

"From the moment I was born, there’s been a boulder on top of me that’s too heavy to move.

From the very instant I came into this world—no, long before that. This weight has always been here.

Once, when I was too young to understand anything, I asked about it like a fool, and the butler looked genuinely troubled.

Not once, throughout all his long years spent serving the royal family, had he ever worn such a perplexed expression. In that moment I realized that I had no right to desire the throne.

Not to boast, but I was a clever, intelligent child. But even so, someone should have been able to understand me, sooner or later.

I will have my chance, too. Someday, someone will see me for who I am. I was so certain, and I worked so hard.

Until I realized it was all for nothing.

'Come on, let's finish up quickly before Leona-sama returns.' 

The servants are whispering as they clean.

‘I can't deal with such a moody child.' 

I can hear them through the door. 

‘He’s probably out there asking twisted questions, troubling his tutor. Crown Prince Falena-sama is so bright and cheerful, so why is his younger brother Leona-sama so sullen?’

‘It’s so troublesome. And to think a member of our own royal family possesses magic that turns everything to sand...'

‘Both of you, will you stop with that! What will happen if someone overhears you.’

Nothing. That’s how I want to respond, with a laugh. If I were to open this door, step inside, and show them this ‘terrifying power,’ I wonder what their faces would look like.

Of course, I would never do that. 

I used to have them reprimanded, indiscriminately, for being so ill-mannered, but by this point I had stopped. Because I had realized that it will never end.

Unique magic that is inherited at birth has nothing to do with the person’s will, but humans wrapped up in their own superstitions are ignorant to common sense.

Or maybe they think this is a power that I desired, and fought to obtain. Either way, they are not worth dealing with. I dislike hassles. And I hate doing things that have no point.

And yet, I still find myself thinking.

I bet that if I were the Crown Prince, this is what everyone would have said: ‘A promising mage with strong magical power? He is so thoughtful, composed, and completely different from his carefree younger brother.’

I knew thinking about it was pointless, but I couldn't stop. And I started to hate myself for it.

The hope I had been clinging to finally disappeared with the birth of my brother's son.

'Leona! Why weren’t you at today’s ceremony?'

My older brother was so polite as to confront me directly with reality.

‘Ceremony? Ah, you mean the party you threw to parade your child around in front of the nation? Yeah, sorry about that. I ended up going back to sleep.’

‘Such a lazy…the presentation of a future king to the citizens is an important day.’

‘Certainly. An important, joyous day. Since it’s the same day that the despised second prince’s only chance to inherit the throne disappears. Everyone in town and throughout the palace must be undoubtedly relieved.’

Even if both my father and my brother were to die, I cannot become king. The throne is a hopeless prospect. And he knows. He knows that I have longed for the day I would succeed to the throne since I was a child.

And still he believes that it is only natural that I would celebrate the birth of his son.

I cannot bear the kindness of someone so stupid.

‘Do not say it like that!’ 

If you can make such a pained expression as you speak, why don’t you hand over the throne? That glory that you’ve had since you were born without struggling a day in your life.

‘Being born first must be nice. You spend every day singing and lazing around, and become king.’

He furrows his brows, looking sad, as if preparing to counsel me.

‘Leona…you may never be king, but you are still wise. There is so much you could do for this country.’

For this country. What a cruel, detestable thing to say.

‘And? You’re telling me that, for this country, I should serve you obediently? You have some nerve, saying something like that while trying to be all chummy!’

‘That’s not what I mean! You cannot let that power of yours rot away, unused.’

‘And maybe if this country selected its kings on the basis of intelligence, I’d be motivated to do something with it.’

If I have to talk to this naiive man any longer I might go insane. Just before I left the library I turned to him, and smiled.

‘Congratulations, Falena-sama. I sincerely rejoice in the birth of a new sun…surely the future of the kingdom of Sunset Savanna is incredibly bright.’

Without waiting for a response, I slammed the door shut.

No matter how hard I study, no matter how powerful the magic I become capable of commanding, it will never be acknowledged that I am superior to my brother, and I will never become king. Why do I have to endure such thoughts, just because I was born a few years too late? 

Simply because I was born in the wrong order, everything I do is dismissed; nothing is even acknowledged.

Why did I have to be born second? Why will I never get to be first? Why. Why. Why. 

—Life truly is unfair."

(This connects directly to here!)

[violetasteracademic]

I am going to say something for my Elriels that I hope can be absorbed with grace and compassion. I realize not everyone may agree, and I do not speak for all survivors. But I am speaking from the perspective of someone who has received over 19 years of intensive therapy (yes, I started at 14. Feel free to calculate my age) as well as EMDR to treat complex PTSD. I hope you can hear this and take it to heart, and understand that *both sides* are contributing to some of us considering whether or not we should permanently leave this fandom to protect ourselves. If your interest is protecting survivors, I hope you will hear this with nothing but love and care in my heart and wanting this to be a better place for everyone and feel open to what I would like to say.

If you are taking this opportunity to re-blog and make a public spectacle of how badly the other side is behaving- you are not protecting survivors. Limiting exposure is a critical tool for those with PTSD. Stepping away from areas where we cannot prevent exposure to traumatic or triggering environments does not make us weak. It makes us strong. It makes us capable of making hard decisions and reflecting inward, and walking away from things that cause harm even when our inner child wants to feel drawn towards it and resolve it. These are not easy decisions. Right now, I want to stay away because of how everyone is acting, not just those on certain sides. The exposure to triggers is frankly beyond anything I could have ever imagined happening joining this fandom.

The spectacle is harmful for those that you are trying to protect. I beg you to consider this in the coming days as you decide what type of contributions you want to make to the Elriel community. At this point, I have so many people blocked, but it doesn't matter. I am still being exposed to how traumatizing this fandom is because the Elriel community will not stop. I promise you, starving harassers of the attention they so desperately want is the only thing that will have any meaningful impact to improve the environment. You are never going to understand each other or see things the same way. Please consider if re-blogging harmful takes just to prove a point is an act of protection, or an act of judgement and escalation.

If you are taking this opportunity to engage in a war of morality, and decide that the *other side* has behaved badly enough that they finally *deserve* to be harassed or insulted, you are not protecting survivors. I know it sucks. I know it's unfair. I know the high road is comprised of more steps. But the reality is, there are people with completely different moral codes opposing each other here. You will never be able to show another person why their deeply held beliefs are wrong. Some felt that protecting DV victims was a violation of their personal rights. We all understand how wrong that is. But instead of trying to turn this into a battle of whose behavior is worse, and who deserves what treatment, the best way to protect survivors is to say: I'm so sorry this is happening. I know how triggering this must be. Let me focus on making this a safe space for you. Invoking verbal abuse or escalating an aggressive conflict in our name does not help us. It only makes this space more unsafe. The simple act of, "I said this to you and I treated you badly because you acted badly first" is in of itself triggering behavior. If you look for reasons to treat someone you don't like or respect poorly, you will surely find them.

Please know that my only goal here is safety for all. It can be difficult to make everyone feel comfortable. I have long since realized that fandom life may not be for me, and have repeatedly left group chats, tiktok, and Instagram because I personally hate watching women rip each other to shreds every day when these books were a place of respite for me. So maybe I'm in the wrong. Maybe I don't *get* fandom culture, and if that's the case, I can gracefully step away or set new boundaries with myself about what I contribute and how involved I am regularly. No one is required to change their behavior because of me, or because of anyone. We are only in charge of ourselves. But this felt worth saying.

I truly hope that the goal of fostering a community that feels good to be a part of, even if it comes at the sacrifice of "fighting back," because no one is actually winning at anything here, is something that feels worthy of acknowledgment. I hope everyone can consider before typing, re-blogging, screenshotting, fighting, ect., pausing, reflecting and asking- does my behavior hurt or harm survivors? Am I making this space safer or more harmful for them? Is this a space I'd want to look at and make art for every day if I was trying to avoid landmines of watching how people treat each other? *If* protecting survivors and making things safer is your goal of course. That will not be the priority for everyone. But then please be honest with yourself about what you are trying to accomplish.

I always considered the Elriel space safe and joyful and a place largely not centered around bashing and negativity (though of course there are always exceptions, and I think venting is perfectly natural so long as it's not done with malicious intent to hurt others) but this situation made me realize that both sides are standing with loaded guns, just waiting for the opportunity for the other side to do something bad enough to trigger a war.

We are the collateral damage.

I hope that maybe this can move the Elriel community back in the direction of focusing on kindness, positivity, and excitement. If that is not the case, I hear you. Perhaps I'm the one that doesn't fit, and that's okay. But it felt worth trying.

[darkonekrisrewrite]

Emily from Hazbin Hotel would be infinitely better at Deku's job (narratively and literally) than he is. For the simple fact that when she finds out about Heaven's dark secret, the exterminations, she is horrified and goes this is not okay, it's not okay that this is happening, I am not going to be quiet about this. If we are judging people off of one moment and are refusing to look at the context, or improvement, while allowing our people to get away with this, than this entire system is a lie. We get this in one episode, fuck it, a song

Deku meanwhile in 400+ chapters finds out horrifying truth after horrifying truth about hero society, and doesn't care, half the time it doesn't even occur that this is fucked up, and should not be happening. He is bullied for years based on his quirk status, especially by Bakugou 'well he's going to be a hero so this shouldn't be taken seriously' He learns that the number 2 hero bought his wife, neglected his not perfect quirk babies and abused all of them, and was already an ass before that, 'theres no need to bring this up to All Might, or the principal, or do anything about that, I just need to get this victim to be cool with his quirk' (this also goes for Bakugou the easedropper). His upperclassman stops him from saving a six year old in blatant danger, and both that top upperclassman, their boss, and his past mentor outwardly state/ agree with it would be bad publicity if they didn't arrest all the Yakuza at once, and that they barely care about that child after learning see was the ingredient to the weapon they were making, 'well were saving her now'. Lady Nagant was and Hawks is the personal assassin for the commission against whoever they want without trial or due process, 'Hawks is going to make a great new president of the commission'. Rody Soul was forced to support his younger siblings as a child, was assaulted by adults, was forced to turn to crime, while heroes did nothing, 'well I'm helping now (because it goes along with a larger case) so it's all good'

After all this Deku is a fucking bootlicker who is mentally so fucking lazy he has never questioned this shit ass system after all this, his values are empty because he only cares to look at the titles and not reality, he has gotten worse, not better, at this over the course of the series. Meanwhile Emily wasn't tolerating this shit day one of finding out, and she was working within this system too

Yeah pretty much true.

People say that hazbin hotel rushes things because of it's short episode count/runtime but at least it always gets to the point without going in circles for years, dragging out the characters finally understanding the message.

When something obviously wrong and counter to everything they believe in, is shoved in a character's face, there should be a reaction equal to the importance of the 'idea/theme' in verse.

In theory, it doesn't matter if their reaction is good or bad/for better or worse, because either way it should be an understood event that causes a blow to their way of thinking, based on the importance of the revelation.

Deku did that all of 1 time.

And that's putting it generously, in him mildly calling out Endeavor at the sports festival, way back at the beginning of the series.

This never happened again, not towards anything related to heroes or hero society.

It should have been a very big deal for Deku to realize that the number 2 hero was able to buy another human being as part of a eugenics goal to make a more powerful hero.

He at least should have considered telling an authority figure (All-might or Nedzu) about it, just in case there was anything else that may have been going on with Endeavor.

It should have been a very big revelation for Deku that his upperclassmen was willing to let a very clearly injured (wearing bandages) and terrified little girl go back with the guy who was obviously implied to be responsible for doing it to her.

Mirio could have beaten or at least stalled overhaul until backup arrived while Deku took Eri and ran.

(He definitely could have too, as he was able to fight against overhaul in a confined space while quirkless, for a fair amount of time.)

But until everyone knew exactly what was going on with Eri, Mirio was fine with putting the mission above a little girl's life, letting her go with someone who they knew was a dangerous Yakuza.

Gigantic red flag regarding what the heroes prioritize when the situation isn't ideal.

It ties back into hero society abandoning those who are inconvenient perfectly, leaving them to suffer and eventually become villains or die.

Looking back Deku should have realized that but because he got the approval of the system to go back and save the girl as part of the mission, everything's cool...

And this does show that he has gotten worse as the series goes on, as he's not even willing to bark back at the hero system.

Deku has called out villains all the time (Dabi, Flecturn, toga and Shigaraki), he knows how to talk back, so it's not that he CAN'T.

But whenever it's something that's got to do with hero's flaws, nothing.

It's that he WON'T talk back to heroes.

And if he really is just a kid who can't even talk back to his bosses or peers, or the "innocent" people who are responsible for (at least) half of the villains in bnha -

With the idea that they are responsible for the villain's current lives, showing how their callousness and cruelty drove the villains to that point.

-Then what the hell have we been following him all this time for?

Izuku has only temporarily saved their society, like Mirio said: "Setting things at Zero".

Is that it? The best to hope for?

Setting things back to Zero with no idea of improvement? Because it's "Impossible"??

[miraculouslbcnreactions]

So you've talked a few times about how Plagg and Tikki failed on a fundamental level as mentors, and how Fu wasn't even really a mentor at all, but I don't think I've seen you bring up Su-Han as of yet, and I'm curious to know where you fall on that particular character.

I personally feel he could've been useful for expository purposes, and/or served as a catalyst for Marinette's growth into the role of guardian/team leader (you know, if the show were interested in character growth, or suggesting it's protagonist isn't omni-capable), but instead he showed up in four episodes, caused several problems, raised more questions than he ultimately answered, and honestly makes me question why he was included in the first place.

The order of the guardians is back after 170+ years and the most lasting impact this has on the story is... they teach Jagged Stone Kung Fu? Were you on the writing team, how would you make effective use of this plot point (Or was it a bad idea to begin with?)

Su-Han is an incredibly weird character. I'm honestly not totally sure why he exists, but I'll give you my best guess and then we'll talk about how he could have been used because I do think that he had potential.

It feels like they only introduced the guardian temple back in season three because they wanted to explain how the peacock and butterfly got lost - even though their explanation just raises even more questions if you know anything about archology - then they realized, "Oh shit, we probably need to address the guardian's return somehow, don't we?"

But if they let a whole mystic order descend on Paris, then we don't really need our two heroes, so instead we get one rando who walked (or I guess jumped?) from Tibet to Paris in order to be the writer's whipping boy because that's really how Su-Han is used. He's not here to help or to be a mentor. He's here to voice audience complaints so that the writers can shut those complaints down with nonsense logic.

For example, this exchange from Ephemeral is what kicks off Marinette's awkward and concerning plan to lie to her partner about an identity reveal:

Su-Han: This really takes the cake! Ladybug: Grand Master Su-Han? Su-Han: Nine! You used nine Miraculous to defeat a single villain, when Cat Noir could have just used his Cataclysm! Ladybug: I had to. Cat Noir was missing! Su-Han: What do you mean "missing"? You can't just let the holder of the one of the most powerful Miraculous go about as he pleases! What if he started making his own decisions, or act it out? Like Shadow Moth?! Ladybug: Cat Noir? Act like Shadow Moth? Wow. Are you blowing this out of proportion just a little? Su-Han: Not at all. In fact, you should find out who Cat Noir really is, so you can have better control over him. Ladybug: What?? No way! We can't know our true identities! It would be too dangerous if Shadow Moth got a hold of one of us! Su-Han: I. Don't. Care!! Deal with this problem quickly, otherwise I will take back his Miraculous as soon as he shows a whisker! And I'll choose the new Cat Noir myself! Ladybug: Okay, okay, alright. What if you knew who he was, would that work? Su-Han: I... I suppose so. But I'm warning you, if you don't succeed— Ladybug: I get it. Cat Noir will be replaced.

Does Su-Han read like an Adrien salter to you? Because he does to me! He's presenting a valid argument in the most obnoxious and inflammatory way possible by making it about controlling Chat Noir instead of having the argument focus on the issue of, "Hey, maybe more than one person should know who has this extremely powerful miraculous just in case something bad happens to that one person?" An argument that holds more weight than he could possibly know because of the whole senti issue making Chat Noir a potential perfect sleeper agent.

And at the end of the episode, we get this exchange even though none of Su-Han's concerns have actually been addressed:

Su-Han: So, do you know who Cat Noir is yet? Ladybug: No. Su-Han: What? I thought I had warned you— Ladybug: I don't want to know. I've proven to you a hundred times that I'm a good guardian, and Cat Noir and I have proven to you a hundred times that we were exceptional superheroes, and you! How many times have you told us that we were messing up, when that was totally untrue? You're judging us based on your own fears, and not on our actions! Su-Han: (groans) You're right, little Ladybug. Perhaps I'm worrying over nothing. What's for sure is that one doesn't come across a guardian like you every century. (reaches out his fist) How do you say again? Ladybug and Su-Han: Pound it.

You can tell that the writers wanted Su-Han to be the bad guy here. That his pushing for an identity reveal was at fault and you - the audience - should feel bad if you ever agreed with him, but his base argument is never actually addressed. Marinette just says he needs to trust her and so he does for some reason? Remind me, which of these two is supposed to have years of experience and which of them has been a hero for less than a year and in that time has totally failed to even try to retrieve the miraculous that she's supposed to be recovering? Writers, please stop saying that Marinette is the best guardian ever when you don't let her do anything that feels all that special. I'm not saying that she's terrible, she's doing what was asked if her, I'm just concerned that this is considered way above average quality.

On top of that nonsense, there's also the problem that Marinette's counter argument would have worked right from the start, so her rushed deception plan doesn't feel like a true act of desperation like it was clearly supposed to be. Instead, it just makes her look like a horrible person even though that obviously wasn't the writer's intent. This is what always happens when they speed run these complex what-if or backstory episodes. It never works out like they clearly want it to.

Chat Blanc did it by making Adrien look bad for hiding his identity so that he could date Ladybug. Derision did it by making multiple characters look unhinged and/or evil. Ephemeral does it with the frankly baffling lie plan which is only there so we can have a proper identity reveal moment between the leads. That's literally why the episode is written like that, btw. They wanted to let Adrien confess his identity in a big romantic moment, so they forced a scenario where that would happen even though it makes Ladybug look terrible.

Anyway, back to Su-Han.

If Miraculous was allowed to have serious plot lines that spanned multiple episodes, then Su-Han could have been a great edition to the cast. Season four is a pretty big tonal shift for the show. Things start to feel a lot more serious in this season with the Ladynoir conflict and Marinette struggling to be the guardian. It also comes right after the season where we learned that Master Fu wasn't a true guardian. All of this is the perfect setup for a true mentor character who shows up to fix things and maybe even give out some new powers!

Imagine how much better this season would have been if it was about Su-Han helping Ladynoir! If he saw the conflict and stepped in to guide them through it. You could even have him be closer to Adrien than Marinette to balance Marinette and Fu's relationship.

For example, what if the guardians didn't have the wacky staff that tracks down miracle boxes but not miraculous because then Gabriel would be defeated too easily? What if Su-Han just shows up and Marinette doesn't trust him, but Adrien does? And so Su-Han helps Adrien the most while Marinette keeps Su-Han at arms length just like she does Adrien because that's what Fu taught her to do and Fu was wrong about everything! This could still lead to the season four ending, but instead of it being a nothing burger where season five continues all of the same problems, instead season five is where Marinette embraces Su-Han and really starts to understand what it means to be a guardian and a partner? Things Fu never taught her because he kind of sucked at his job.

That's just one way to make Su-Han work. A way that keeps canon intact up to the start of season five because, while I hate season four's writing and "conflict" resolution, I can admit that there was potential in the base idea. You could also scrap all of season four and rewrite everything to keep things more light hearted while still letting Su-Han be a total upgrade.

You could even go the exact opposite direction and set Su-Han up to be the next big bad! Why have sentimonster freedom be a conflict (even though it really wasn't) when you could make everything about Kwami freedom? It's a really natural progression to go from defeating Gabriel to fighting for... institutional changes(?) in how the miraculous work. Let Kwamis pick their holders and remove their bonds so that Gabriel never happen again!

I really do mean it when I say that this show is bursting with potential. I wouldn't be so enthralled by how bad it is if it didn't have potential to be amazing.