#we never should have let Ryan Murphy have a Netflix deal
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I know I only have a Tony, but you actually have to tell the story on the screen not EW articles, Tim Minear
#this has been a post#lefthand talk#911 abc#911 speculation#buddie#911 show#tim minear#SHOW DON'T TELL MOTHERFUCKERS#my god man#what are you doing?#the audience shouldn't have to read every article to understand the show#we never should have let Ryan Murphy have a Netflix deal
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HSMTMTS 3x01 Review
Happy Campers was a very strong start to S3, which managed to resurrect some of the charm of S1. Let’s dig in!
Having S3 take place at Camp Shallow Lake was just the change of pace the series needed. The outdoor scenes and bright natural light are a huge step up from the often poorly lit indoor sets of S2
Camp Shallow Lake almost feels like a character itself. There’s a clear sense of history to it which also shines through in the camper’s friendships and traditions
Portwell was great tonight, really sweet and an improvement on their lacklustre ending in S2. Of course, it’s not gonna last as the show drops any pretense of subtlety and telegraphs that Ricky will come between them
They clearly weren’t planning to effectively write Lily off so soon but the actress landed a lead role in a CW show so it couldn’t be helped
Tim’s ruthless purge of the cast would make Joseph Stalin proud. All of the new characters introduced in S2 were disposed off, most of them off screen. And Big Red, Seb, Mazzara, and Miss Jenn have been downgraded to recurring. It reminds me of Ryan Murphy basically scrapping S4 and S5 of Glee and starting S6 afresh
In an interview Tim elaborated that with so many characters and only 8 eps they just couldn’t fit everyone which led to what he described as some difficult conversations. The flip side of that is that he’s introducing a bunch of new characters so the cast doesn’t actually shrink at all
Interestingly, he described his Disney executives as asking which new characters he’s gonna introduce that will draw in new viewers. That obsession with growing the audience is why Netflix is so famous for cancelling shows after 2 seasons, they found that most shows stopped bringing in new viewers by that point. I suspect it’s much the same with Disney + shows. There’s probably not many people who are just now stumbling upon HSMTMTS and deciding to watch and their focus would probably be better served on making sure they don’t lose any of their audience
Also the idea that new characters will draw in viewers seems flimsy. Unless they’re played by well known actors there’s little reason to think that an audience will tune in for a character until after they get to know them. Maddox and Jet and the other newbies seem fun but should we be getting attached to them? Are we ever gonna see them again after S3? Which ties into the big question looming over the entire season, how much of these new characters and settings and plots will end up mattering when the show moves back to East High for S4?
Nini going off to be Olivia Rodrigo isn’t that entertaining but it is what it is. Suprisngly last night Liv actually attended the S3 premiere and posted about it which is the most promo she’s done for the show in a very long time. And even more shockingly she actually took photos with Joshua Bassett and they seemed to be getting along. Wonders never cease
The songs were fun but Finally Free had way too much autotune
This Corbin Bleu stuff is so damn meta. It was hilarious that they made it seem like he was about to be whisked away on a helicopter
In late breaking news, we learned EJ’s full name from the D23 website. His real name is Eric James Caswell. He’d probably have a bit of a WASPier name or at least a biblically inspired name given that he’s from a family of rich white people born and raised in Utah. But I think they took the right route and didn’t try to make a big deal of the name. It never seemed to be any kind of secret in universe and dragging it out would just make the eventual reveal anti-climatic. Or worse they could have tried to surprise the audience or go a comedic route and give him a ridiculously embarrassing name even though that would be highly implausible and would end up making EJ seem more like a cartoon then a three dimensional character
Until next week, wildcats
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📲 raelynn && ivy
WHEN: january 25th
DESCRIPTION: raelynn & ivy finally become friends.
TRIGGER WARNINGS: nsfw
@ivyisms
ivy
You are now subscribed to Ivy Serrano Pictures Daily. Here’s your first picture! To cancel, reply STOP. To increase to hourly pictures, reply HOURLY. Msg and data rates may apply.
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raelynn.
STOP
ivy
Your subscription has been increased to hourly! You must be a big fan! Here’s another picture. To cancel subscription, reply STOP at any time. Msg and data rates may apply.
*img attachment*
raelynn.
[...]
Okay, hi ivy.
ivy
Command not recognized. You must want another picture already!
raelynn.
I looked at the number, I know you're not a bot.
Those shorts are cute.
ivy
aren’t they? sometimes there’s a little cheek that peaks out i love them
raelynn
I love how they're cut at the bottom wtf where did u get them
also?? legs?? hello??
ivy
i cut them myself actually!! out of some old jeans
actually wait stop don’t distract me with compliments i don’t like you
raelynn.
OMG of course duh why didn't i think of that-
i don't know you to not like you
and i swear that's not some kind of diss. i just legit have never met you.
ivy
weird cause you acted like you knew me the other day in the chat lmao
raelynn.
okay so let's unpack that.
tell me how you felt i was acting like i knew you.
i'm not fighting, i don't have anymore of that in me today, i am just genuinely coming from a place of wanting to understand what happened
ivy
what is this, therapy?
do you seriously not remember?? i mean you had a lot to say about me
raelynn.
no but i wish
i don't remember genuinely.
i make a lot of people mad. i'm good at it. i'm a total fucking bitch.
ivy
something about me being jealous because i’m the only one not so far up wes’s ass that i can see what a terrible fucking person he is
lol same but at least i remember so i know who to avoid
raelynn.
OH it was about wes.
it was the day people were kind of piling on him. okay. yes.
See I don't remember saying that but I won't deny that I did because it sounds like me.
If I get high enough on defense I'll just start saying shit.
Wasn't cool for me to say that about someone I don't even know, so I'm sorry.
As for inserting myself into that drama, you know, I probably was just in the mood to - in the words of Tiffany Pollard, "ruin lunch, purposely"
And I mean, I didn't know anything about it, and when I think about how shit I feel now that my ex is back in town, and how shit I feel that so many people are willing to jump in front of a bus for him, you know, I get how it looked, and how it felt, and you know, I'm sorry for that too tbh.
ivy
to be fair he deserves it when people pile on him
he’s such an insufferable asshole all the fucking time i swear
you know what though i respect the chaos and willingness to fight for no reason
i’m just the wrong one to do it to
but like i said before (idk if you remember lol) everybody makes mistakes
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
everybody has those days?
ivy
and that dumbass truly is not worth fighting over i just simply have to make it known how much i hate him every time he speaks in case he forgets and in case everyone else forgets how much he sucks
exactly
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
tbh that's exactly what came over me when my ex showed up
ivy
they’re wise words you know
exes are stupid every single one of them
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
and the fact that someone i considered a friend is just moving in with him like it's no big deal.
ivy
you mean delilah? she does that lol
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
she really doesn't think about anyone outside of herself and i've always given her the benefit of the doubt.
but idk. i'm not talking to her rn.
ivy
those twins are a menace sometimes
i want to like her so bad but her and alex constantly fighting and making up and fighting is about to make me snap
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
honestly being her friend while watching her do that is even harder.
i like alex on his own but with her? not so much, and well, i'd say vice versa but idk about vice versa anymore.
i mean what kind of weirdo moves in with their friends' ex even if they've "known them forever"
ivy
alex is my ride or die he’s the only man i’ll ever admit i love
and he left me and disappeared for a while because of her
so it’s hard to move on even if his stupid ass is
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
people love doing that. leaving.
ivy
don’t they? like grow up and face it smh
i’m never letting anyone run me out of my city idc what happens
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
my entire life is here and if carson thinks i'm going anywhere he can physically fight me
ivy
i don’t really know him but i’d still put my money on you winning any day
as long as you don’t come for my throat again you seem like the kind of person i’d be friends with
a bad bitch tbh
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
tbh you're so hot and i regret yelling at you instead of asking for your number
ivy
i mean you got it anyway didn’t you
i’m gonna tell myself it was all just a long game to get my number
𝓇𝒶𝑒𝓁𝓎𝓃
omg our new origin story is that i was just shy
ivy
i don’t blame you, people tell me i can be intimidating
and that’s a much better origin story than us being this hot and beefing over a m*n
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
honestly i'm about ready to leave m*n in the past. imagine the energy that could be saved. the eye bags i wouldn't have.
ivy
me too i’m trying to condition myself to just be a lesbian i’ve had enough of m*n in general
all men do is lie and have the audacity
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
god i hate my fucking ex.
i truly can't say that enough.
i'm literally a bad bitch why am i fucking crying over hot chocolate and watching a ryan murphy show on netflix.
ivy
you are down so bad i’m so sorry
at least you still have taste ryan murphy shows are usually really good
we should go out drinking soon and i can help remind you what a bad bitch you are
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
Id love that. Im working tonight but maybe like Friday?
ivy
i have plans friday
what about saturday?
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
That works
ivy
perfect it'll be our first step to world domination bc i already know we're gonna be too powerful together
if a m*n tries to talk to me just like bark at them or something pls
𝓇𝒶𝑒𝓁𝓎𝓃𝓃
god that's so sexy of you
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#OscarsSoWhite Was Important But The Oscars Were Not
In todays social media driven, viral culture, its not uncommon for a singular story to dominate the news cycle, only to be completely forgotten about shortly thereafter. If you haven’t overdosed on flakka or been poisoned by lead, think back to a couple of weeks ago when Jada Pinkett-Smith and Spike Lee announced, via their Instagram accounts, that they wouldn’t be attending Sundays Academy Awards over the exclusively eggshell pigment of the nominees.
Thanks to social media, their boycott then became a movement with momentum. #OscarsSoWhite, the movements popularly elected Twitter banner, was trending for a matter of weeks which is basically the highest validation something can receive nowadays. Joining their call for more diversity in films were: black people tired of not being represented in films, black actors tired of being racially type casted, and white actors apparently tired of being over-represented.
The movement to boycott the Oscars got so popular that some called for Chris Rock (the man doesn’t need an introduction), to join the cause and step down as host. As a result, Cheryl Boone Isaacs, the President of the Academy of Motion Picture Arts and Sciences, issued a statement saying that she was heartbroken over the lack of diversity and that she would do everything in her power to fix it.
All of this and more, came to a head Sunday night at the ceremony. Leonardo DiCaprios prayers were answered and Chris Rock showed up, making the event a go. This was despite George Clooney among others, but namely George Clooney, being absent.
With his opening monologue, Rock wasted no time in addressing the racist elephant in the room. While his opening monologue was comedically brilliant, it will be remembered as the best opening monologue of all time because it summed up the current state of diversity and representation in the entertainment industry so well. Like much of Chris Rocks comedy, the genius of it lay in between the lines. Sure the punch lines slayed, but the subtexts made you really think.
ith his opening monologue, Rock wasted no time in addressing the racist elephant in the room.
In regards to the shows opening sequence, which included snippets from many of the years snubs, Rock said, Man, I counted at least 15 black people on that montage. Im here at the Academy Awards, otherwise known as the White peoples Choice Awards. In this choice line, Rock prophetically calls out the Academy for its after-the-fact attempts at diversity. I say it was prophetic because it just so happened that every commercial belonging to an Academy sponsor featured a mixed race or black family. However, the most painfully contrived example of pandering came at the end of the show, when Public Enemys played over the credits. My eyes were rolling so hard, I almost passed out.
After letting the initial shock, caused by directly calling the Oscars racist die, Rock pointed out the inherent irony of the #OscarsSoWhite movement by saying: Why are we protesting? The big question: Why this Oscars? Why this Oscars, you know? Its the 88th Academy Awards. Its the 88th Academy Awards, which means this whole no black nominees thing has happened at least 71 other times. O.K.? You gotta figure that it happened in the 50s, in the 60s you know, in the 60s, one of those years Sidney didnt put out a movie. Im sure there were no black nominees some of those years. Say 62 or 63, and black people did not protest. Why? Because we had real things to protest at the time, you know? We had real things to protest; you know, were too busy being raped and lynched to care about who won best cinematographer.
This is what makes Chris Rock a genius. His comedy operates on multiple levels. What hes saying, most clearly, is that the Oscars have never been diverse. But what hes really getting at is the systematic racism in Hollywood. Through further implication, hes also exposing the nearsightedness of people who don’t agree with the #OscarsSoWhite message. People in other decades never protested the obviously racist Oscar ceremonies, because they had other things on their plate like trying not to be killed. But that doesn’t make the Oscars any less racist.
That being said, the Oscars aren’t diverse because Hollywood doesn’t offer good roles to black actors on a regular basis. Not because the voters are racist. When he hilariously pointed out that he didn’t want to lose another job to Kevin Hart, the implication was that as two comedic black actors, theyre offered the same roles. It also says that there aren’t enough jobs in Hollywood for the both of them. He revisits this point later when he says that Jamie Foxx was so good in that Hollywood killed the real Ray Charles because they didn’t need two of these.
That being said, the Oscars aren’t diverse because Hollywood doesn’t offer good roles to black actors on a regular basis. Not because the voters are racist.
Rock then offered a caveat to the criticism of the Oscars by specifically addressing the people who started the movement. But what happened this year? What happened? People went mad. Spike got mad got mad, and Jada went mad, and Will went mad. Everybody went mad, you know? Jada got mad? Jada says she not coming, protesting. Im like aint she on a TV show? Jada is going to boycott the Oscars Jada boycotting the Oscars is like me boycotting Rihannas panties. I wasnt invited. Oh, thats not an invitation I would turn down.
While he agrees with Jada and Spikes message, hes a comedian and cultural commentator, so hes paid to tell the whole truth, even when its unpopular. Jada is basically a television actress who is paid millions of dollars. Will, her husband, is an actor who has reaped the rewards of being the most bankable black actor in Hollywood not the most prolific. The Smiths are not a relatable family with relatable problems. Moreover, is also not exactly the movie to scream racism! over either. Its a PG-13 Sports drama not exactly Oscar material. That being said, Rock doesn’t mention Spike in any of this because was a great movie. But Spike Lee is wellSpike Lee. His films are too controversial, too real, to win Academy awards. Im not saying that its right but the Academy doesn’t often reward risk takers.
Rock then goes on by saying, Not everything is sexism. Not everything is racism. The Academys membership is mainly comprised of old, wrinkled, white men. So whats happening here isn’t exactly police brutality racism, its more, old-lady-clutching-her-purse racism. Its the summation of unconscious bias and the result of archaic perceptions of highbrow art.
This is what an organization that is totally out of touch with the public, looks like. This is what Rock is getting at when he points out that Hollywood is home to the nicest, most-liberal, white people; theyll vote for a black president, yet they wont hire black actors. Despite their liberal sensibilities, their whole way of thinking about entertainment has been shaped by an archaic system that deals in white stories. After all, the institution theyre part of still refers to movies as motion pictures.
This is what an organization that is totally out of touch with the public, looks like.
How many old people do you know saw How many old people you know of, know who the hell the N.W.A. are? As for yeah, its possible Oscar material, but its also a Netflix movie. Why the hell would the Academy of Motion pictures nominate a film thats made by the same company (Netflix) thats ravaging their industry, for anything? Oh, thats right, they wouldnt.
Despite the Oscars boycott, the general point of the #OscarsSoWhite movement is accurate. As Chris Rock puts it: We want opportunity. We want black actors to get the same opportunities as white actors.
It seems that the only way a black person can be nominated for something is by playing a mammy or a slave. While its truly fucked up, its nothing new, and blaming The Academy misses the point.
Who we should really be mad at, are the studios. The studios decide what gets made and what doesn’t. Theyre the ones who only want to make films dealing in the stalest of stereotypes. Theyre the ones who only want quality movies made with all black casts.
When Rock talked about Paul Giamatti playing someone who hates black people one year and playing someone who loves black people another, hes inferring something about the industry. He later says it out right: white actors get great roles, real roles, all the time. Black actors dont. They are confined to the archetypes and stereotypes created by the older generation.
Only in a Hollywood thats racist can an insane monologue about fucking fried chicken happen ina movie that won a bunch of Oscars (Only in a totally out of touch Hollywood could that god-forsaken movie about that white guy who saves the inner-city black kids from themselves, keep being made. You know the movie that Im talking about. The one with that white guy the black kids dont trust him at first, because of their rough upbringing and all that bullshit, so they treat him badly. But eventually he wins them over and they learn to trust him. He then teaches them about the beauty of learning or creative expression. He gets them out of the projects, they teach him how to dance. These movies are tired, embarrassing, and insulting.
However, the studios are only interested in making money, so they dont care about the cultural or societal repercussions that their trash movies are having on America. Theyve been doing it for so long that these stereotypes have become embedded in movie-watching language without most people even knowing it.
Its not an accident that we dont have an Asian American or Native American Ryan Gosling type of actor. To these old, white, wrinkled men, white is the norm. White culture and white people are considered the mainstream audience, which is where most of the money is to be made. Thats why the media has labeled Eddie Murphy and Kevin Hart, two of the biggest actor-comedians of all time, cross-over artists. As in, they successfully crossed over from the niche (black) market to the mainstream (white) market.
Getting mad at the Academy Awards is pointless. Yes, theyre celebrating their craft but its also an award show of made-up importance. All it is, is an event where beautiful people, who are already worshipped by the culture, further exacerbate their self-importance by giving each other golden statues of no inherent value. It only takes about $100 to make one of those creepy things. Giving them any more attention than that is a waste of time and energy.
Read more: http://tcat.tc/2j10fww
from #OscarsSoWhite Was Important But The Oscars Were Not
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