#we love him dearly

[baby-xemnas]

SANJI ROLLING OVER IN THE MORNING DOING THE DISNEY PRINCESS STRETCH AND GOES GOOD MORNING GIN. GIN EXCITEDLY GETS UP OFF HIS DOG BED ON THE FLOOR

i cant breatheeeeeee

[thatndginger]

OC in 15

This one is taking advantage of the lovely @ceph-the-ghost-writer and their Dysthanasia taglist (find their fantastic version of this game here) to justify playing more games :3

Rules: Share 15 or fewer lines of dialogue from an OC, ideally lines that capture the character/personality/vibe of the OC. Bonus points for just using the dialogue without other details about the scene, but you’re free to include those as well!

I'm having a Moment, so I'm gonna use one of my Shapeshifter OC's y'all have only seen once in a blue moon, but who is very dear to my heart and has a surprisingly large well of writing to his name. May I introduce Dean Matthews, coyote shifter and eloquent bastard?

“Morning, sunshine."

“A bribe.”

“How’re you feeling?”

“I bribed, you accepted.”

“Everything okay?”

“When’s the last time you slept, kid?”

“Get in the truck.”

“What do you want?”

“Kitchen.”

"Hey, Kitkat. You have fun with Aunt Talia?"

gently tagging @sunset-a-story @serenanymph @deanwax @trippingpossum <3

[niobiumao3]

Another Season 1 gem I was reminded of in my 'what does the Marauder's interior look like' search:

I love his confused 'I said programmed did you think I meant hypnosis?????????' expression.

[chloesimaginationthings]

Michael Afton let his FNAF trauma slip again…

[poorly-drawn-mdzs]

Normal Friend Behaviour.

[First] Prev <–-> Next

[bluebugjay]

Charles really went into hell with a few lit molotov cocktails in his ludicrously capacious bag, a tiny notebook Edwin dropped like loot when he was taken that he ignored half the time, and a dream.

like he had no idea what creatures he would be up against when he got there but he locked eyes with the huge spider made of baby doll parts and thought, yeah that looks like something I can throw a bomb at and he did. And it worked.

[theoldkyokodied]

Aaaaand more very quick stream doodles. This one shot was so fun to watch, it’s so sad that it had to end already. But oh well, let’s not dwell on that and let’s enjoy the good time we had, like disguised tiefling gale being both Karlachs and astarions type, wyll and gale having a spa day, bing bong in general (rip king, you will be missed), and of course the 8 strength fight for magic items <3 thanks to the cast for the chaos, I enjoyed it thoroughly

[stoopidpigeonxx]

⋆˚｡⋆୨✧୧˚ 𝑯𝒆𝒓𝒆 𝑪𝒐𝒎𝒆𝒔 𝑻𝒉𝒆 𝑩𝒓𝒊𝒅𝒆! ˚୨✧୧⋆｡˚⋆

we had baby daddy curly and now we have HUSBAND CURLY!!! (I'm a tad obsessed if you couldn't tell.)

Characters/fandom: Mouthwashing, Captain Curly Cont: Fluff, slight mention of sex at the end, ugly sobbing curly, marriage, I'm gonna cry

ENJOY!!

-He'd wait for a little while before getting down on one knee, resisting the urge to just propose to you as soon as you started dating. -When you say yes, he's jumping up and down and cheering. (YIPPEE!! WAHOO!!) -From then on, he's planning up a storm. The guests, the cake, the venue, everything. He doesn't want you to plan all by yourself. -Doesn't pick out your dress for you. He wants to be surprised. You get your friends to help pick it out for you! (And a matching lingerie set underneath hehehe) -Spends as much time with you as possible, you're his future wife after all! -The big day arrives, and hes standing there, looking all handsome in his suit. He's about to tear up, its all so amazing.. -When he sees you walk down the aisle.. -Oh shit. He's crying. -He has to compose himself. He cant help it, you look so damn beautiful.. -you tease him a little for getting so emotional.

-When the priest starts talking, he wants it all to be over with so he can kiss you already!! -hes squeezing your hands and staring at you the whole time, teary-eyed. -Slips the ring on your finger, a bright jeweled silver one he had custom made! -When the priest concludes with 'you may now kiss the bride', he's swooping you in to a passionate kiss, even dipping you for effect as the crowd cheers! -Will carry you bridal style through your home after the ceremony to your bedroom, where he intends to breed you this instant. <3

[dancingbirdie]

Some goblin Astarion things.

He pinches you when you toss and turn too much in your shared bed. “Wake up and stop flailing! Gods. I’ll have bruises from your pointy elbows in the morning.”

He sews “kick me” on the butt of Gale’s trousers in dark, dark gray after the Wizard pisses him off. Karlach sees it with her dark vision when they’re in the Underdark and promptly knees him in the ass.

He steals all of Halsin’s wooden ducks and plants them in Wyll’s tent, for shits and giggles.

He tries to line a tripwire across the front of Lae’zel’s tent entrance, but ends up pricking himself on a blow dart booby trap he failed to perceive. Incurs -3 hit points and the bleeding condition for 10 turns.

He nips your neck like a disgruntled cockatoo when you tease him in front of the other party members.

He puts swamp green clothing dye in Shadowheart’s bottle of hair dye when she’s not looking, causing her to endure some sickly green highlights for a fortnight.

He steals Wither’s staff while he’s speaking with Jaheria and hides it among Lae’zel’s armory. Gets hauled over by the ear by Jaheira to apologize to Withers. And Lae’zel.

He hides in the bushes near camp and makes god-awful wailing noises to keep Scratch and the owlbear cub barking while the party is trying to get some sleep.

He fabricates some ridiculous story about how the Weave is really a hoax designed by Big Magic to control the masses, just to see Gale go purple in the face while arguing against this “utter tripe.”

He loudly proclaims that he overheard Shadowheart telling Wyll she could beat Lae’zel in unarmed combat with a hand tied behind her back, then scampers away cackling when the two lady warriors start yelling at one another.

[kabukiaku]

terzo sure does love his ghouls!

[toshidou]

ok but chubby chaser könig!!!!!!

you ask, i deliver~

⋆｡˚ ☁︎ ˚｡ 𝐍𝐒𝐅𝐖 𝐌𝐃𝐍𝐈 ⋆｡˚☽˚｡⋆

König doesn't realise he's been staring, not that he could help it even if he was aware. He can vaguely hear one of the people he came with playfully nudge him, just about picks out the words "chubby chaser", not that he knows entirely what that means. He just has a type, feels his heart rate quicken, his pupils engulfing cerulean until all that remains is black when he takes in plush skin, soft rounded cheeks, and stretch marks.

He wouldn't dare come up to you, all too aware of the intimidation that comes from a man as large as him approaching lone women in a bar, and the last impression he ever wants to give a beautiful stranger like you is one of fear or disdain. Yet to his surprise, it's you who approaches him first.

Chubby chaser König is quick to obsess, not so much as hesitating before he falls head over heels for you, begging at your feet like a smitten puppy dog, tongue out, hands curled in front of his stupidly large chest. He'd be at your beck and call, practically worshipping the ground you walk on, showing you off like a dog who sniffed out the perfect bone. He presents you proudly to his colleagues, chest puffed out, chin held high as his fingers dip into the fat on either side of your waist, your confidence bolstered by his obvious pride.

He loves whatever you wear, doesn't care if you walk out of the house in sweats and a hoodie, or the skimpiest dress known to man, he thinks you look perfect regardless. And if you do decide to wear the latter, he's more than happy to scare the shit out of any man who dares leer your way, much to your delight (because there's nothing hotter than a pissed off 6'10 Austrian man beating the shit out of a snivelling pervert).

And although none of that aggression will ever be aimed at you, that doesn't mean you can't take advantage of it in the club toilets as he fucks you against cracked tiles, your dress bunched around your waist where your legs have come to wrap around his torso. His grip on the soft skin of your hips would feel delightful, the subtle sting of pain mixed with euphoric pleasure as his cock drags against the tight walls of your cunt; no amount of foreplay is ever able to prepare you for the ungodly stretch around his girth. He'd hold you up without breaking a sweat, perfecting the balance of taking and giving as he pushes you to your second orgasm with practiced ease.

"Made for me, liebling, all of you was made just for me, I know it," He'd pant against the crown of your head, eyes rolled back into his skull as your cunt throbs around him like a heartbeat, "I never want anyone but you, and this sweet, pretty cunt of yours."

[lenateliier]

Heh....did a silly little Aventurine thingy...hehe..

[suntails]

[sharing/rb appreciated 💛]

my silver artbook is FINISHED and will open for preorders on 8/31 at 12pm EST!! it's been almost 3 months of work and i'm so excited to finally be able to share all the art i've worked on, PLUS a small bonus charm!

if u know silver fans,,, tell them

[tubbytarchia]

MAY I HUMBLY REQUEST MORE RENDOG.... I really love your design for him <3

Dude I'm so sorry I drew Tango instead idk what happened

Surprise shiny duo!!! :)

[skitskatdacat63]

[rin-solo]

I love. LOVE. Get In the Water

It's one of the objectively best songs in the musical; I will die on this hill.

Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance, and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!

At the start, he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs, he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.

If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.

But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to get his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment," the god who became the bane of his life.

And Odysseus replies, of all things, with ... sympathy.

Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgment that he (might have) caused Poseidon pain too.

Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss, or hurting in any way in that moment (if he were, I highly doubt he'd still be playing games, and he would've mentioned his son as opposed to speaking about his reputation.) But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.

It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... (even though that was also a perfectly fine apology by Greek standards, as far as I'm aware.) Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.

I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.

It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating, fearing, or cursing him, he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance, must have triggered Poseidon in an unprecedented way.

To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.

I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.

And then Odysseus goes all out to say something even more outrageous: "Maybe you could learn to forgive?"

... Which is when Poseidon snaps.

Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.

This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating; of course, he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.

... That, and I am also convinced he jumps to that in order to simply shut Odysseus up, fearing what he might do or think if he lets him go on. Because you cannot tell me that Odysseus didn't actually reach him for just one moment. He was far too thrown off guard, far too vulnerable in that one second. That moment of kindness did something to him, and he hated it. He also probably didn't trust himself to be able to keep listening to Odysseus speak like that. So, he abandons his (still very technically feasible!) blackmail/intimidation and just straight-up kills him.

This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.

Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.

Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)

Six Hundred Strike is not Odysseus exacting vengeance If GITW proved anything about Odysseus, it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness (more on that in this essay!)

It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place; one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.