#we got a more hip spotify and a more alt spotify chat

[void-of-the-moon]

Chat we now have two Spotifys 🤯🤯🤯

SIDE SEEING - SPOTIFY (SHE/HER)

playlist connoisseur

has an outfit for every occasion

industry plant?! no way!

DESIGNED BY AJ (@/applejuiceyjuice-art).

[bthenoise]

Thrillchaser Is A Power-Pop Outfit Bursting With Talent You Need To Hear And Here’s Why

As much as you think it might be an easy task, it’s not always that simple to showcase new, up-and-coming artists. We mean, usually when it comes to these things if you aren’t familiar with the artist’s name, what’s going to make you click on our story versus The Top 10 Fat Loss Hacks Your Favorite Artists Use Everyday? Yeah, not always that simple.

However, putting all doubts aside, we’re going to do our best to start highlighting emerging bands we believe in. Bands that stand out against the tiring monotony of our music scene. You know, bands like Northeast power-pop trio Thrillchaser.

Putting together a synth-laced sound that rivals both PVRIS and Dreamers, Thrillchaser (formerly known as American Wolves) takes that alt-rock radio sound and bends it in a way that feels, well, natural. You know, not like those songs written by 40-somethings hoping to attract “hip” teens or a T-Mobile commercial. Thrillchaser instead writes from the heart and it shows on their stunning debut single “Emptiness.” 

Now, doing our best to get to know Thrillchaser and discover what it is that got them started, we reached out to guitarist Nikki Zell and bassist/synths Rob Lundy. What we discovered is exactly what we thought, The 1975 and Bleachers are certainly a major influence on the band but members still have roots in pop-punk acts like Goldfinger, New Found Glory, and Blink-182.  

To check out our chat and fall for the infectious pop-laced charm of Thrillchaser, see below. Afterwards, make sure to pre-order the band’s debut Taylor Larson-produced LP A Lot Like Love here.      

Where did you grow up? And was there a music scene where you grew up? 

NIkki: I proudly hail from outside of Philadelphia, PA. The Philly area has a vibrant, highly underrated music scene. There is an overwhelming amount of talent in the community, not to mention camaraderie. Artistry and opportunity abound - there are always fellow musicians to jam with, venues to play, songwriting sessions to attend, studios to record at and so much more. I wouldn't be the artist I am today without my area's music scene. 

What were you and/or your bandmates doing before your band formed? Jobs? School?

Rob: Myself & Rod (lead vocals) have been playing in bands together since the time we first met at a 4th of July party when we were both 18. Thrillchaser is actually our third band together. For the first few years of our musical endeavors, we both made ends meet working long hours at various local coffee shops and grocery stores in Rhode Island. During that time period, Nikki had been earning herself a bit of a reputation in the Philadelphia music scene performing covers and original music anywhere she could to make a living - from festivals to theaters, wineries, and even more obscure venues, she always seemed to be performing somewhere. Rod and myself were first introduced to Nikki in July of 2015, during the time him and I were forming American Wolves and seeking members online. She drove over 6 hours from her parents' house in the middle of Amish Country to my house in Rhode Island to rehearse with us and the rest is history. Who or what influenced you to start playing music?

Nikki: Music has been a constant in my life since before I can remember. I grew up in a musical family, surrounded by my dad and aunts who played in bands together since the seventies as professional musicians. So my family was my first main influence.  How do you feel about the digital age? Do you feel it’s helped or hurt musicians?

Rob: I feel the impact the internet has had on the music industry is a double-edged sword. On one hand, the internet provides you with multiple platforms to get your music heard by thousands of potential listeners. You can gain a following without ever even having to set foot on stage. On the other hand, there are just so many artists promoting and advertising themselves all across these same platforms that it’s become much harder to stay relevant in a sea of endless digital content. In my opinion though, streaming services such as Spotify have saved our business from being completely ruined by piracy. 

If you could collaborate with any artist of your choice who would it be? 

Nikki: This is the easiest answer ever. Jack Antonoff. 

What’s the best live performance you’ve seen?

Rob: The best concert I’ve ever been to was also my first concert ever. The year was 2001, I was eight years old and my dad took me to go see Goldfinger and New Found Glory play an outdoor show in the middle of Providence. I was so small back then so he had to hoist me up onto his shoulders for most of the show so I could see. The best memory I have was when Goldfinger’s drummer dropped his pants on stage, had a twinkie partially inserted into his ass and some guy from the audience ran onto the stage, grabbed it and ate it mid-stage dive. Definitely left a lasting impression on me. 

What have you learned since being in the music industry?

Rob: I’ve learned that you gotta have thick skin, nerves of steel and a little bit of naive optimism or this business will destroy you. You can’t let yourself get too jaded. 

Are there any recent releases or performances that have inspired you?

Nikki: Bleachers, Lorde, and Carly Rae Jepsen recently performed a live song together. For me, that is the epitome of dying and going to heaven.  If you could have one of your songs be on a TV show or movie of your choice what would it be? 

Rob: Jersey Shore. I know that I’m like seven years late to the party but that show is so terrible yet hilarious. Plus I’m from the same town in Rhode Island as Pauly D!

What would you like to be remembered for? Musically or not. Rob: I think that I speak not only for myself but for my bandmates when I say that we just want to be remembered for being genuine people who made honest music and actually gave a shit about the fans. Best piece of advice anyone has given you? 

Rob: My mom once told me quite simply; “Life isn’t fair and people don’t act right.”

If you could be a fly on the wall for any artist during their writing sessions who would it be? Rob: I’d have to say Dave Grohl just based on the fact that he has an insane amount of creative energy. He’s always pushing himself to work harder and gives 110% of a shit even down to the smallest most obscure details. I’d recommend to any musician that they watch Foo Fighters’ 2011 documentary Back and Forth, it’s super inspiring.  Three bands or artists that would be your dream to tour with? Rob: John Mayer, The 1975 or Blink-182. Touring with any of them would be so fucking sweet.  The best thing currently on YouTube is?

Rob: DragonBall Z Abridged, that will ALWAYS be the best thing on Youtube. 

[chocolateheal]

This Story Behind Black Female Music Artists 31 Will Haunt You Forever! | black female music artists 31

On August 25, Lauryn Hill’s seminal abandoned album, The Miseducation of Lauryn Hill, was remembered with both acclaim and criticism on the 20th ceremony of its release. While the anthology is acutely iconic, its behind-the-scenes ball has been a affair of chat for two decades.

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In 1998, afterwards a seven-year assignment with the Fugees, a groundbreaking hip-hop leash that fabricated hits like “Ready or Not” and “Killing Me Softly With His Song,” Hill bankrupt out on her own to ability Miseducation, which is broadly admired as one of the greatest hip-hop albums of all time. The 14-track composition that had apparent songs of love, life, and adherence is admired as one of the 500 Best Albums of All Time by Rolling Stone and won bristles Grammys, including Anthology of the Year authoritative the again 23-year-old the aboriginal hip-hop artisan to anytime accept the accolade.

She was on top of the world. But in the two decades since, Hill has put out one alive album, went to cloister over the publishing of Miseducation, and has dealt with connected appraisal over her performances and buying of a activity that so acutely authentic a bearing of hip-hop lovers.

photo: Vince Bucci/AFP/Getty Images

More recently, ambassador Robert Glasper—who’s formed with Kendrick Lamar and produced award-winning albums, yet whose name is arguably abstruse alfresco the music industry—told a Houston radio base that Hill hasn’t “done enough” to move in the apple as audaciously or demandingly as she has in contempo years, best notably, accepting a belled acceptability for actuality acutely backward to shows.

In the aforementioned interview, Glasper additionally accused her of “stealing” the music on Miseducation. “You’ve already baseborn all of my friends’ music,” Glasper said. “ Miseducation was fabricated by abundant musicians and producers that I apperceive personally. You got a big hand-off of music you didn’t alike write,” the multi-Grammy Award champ says. “Those songs were accounting by added people, and they did not get their credit. She brand to booty acclaim so she can become this cool person.”

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The “credit” Glasper was apropos to stems from a 1998 accusation involving a aggregate of musicians alleged New Ark who formed on Miseducation but were not accustomed in the liner addendum of the project. The case was acclimatized in 2001 with the plaintiffs accepting an bearding settlement, which alleged into catechism how abundant Hill absolutely contributed to the album’s songwriting and production.

It didn’t advice that a lot of the criticism about her contempo performances lie in the actuality that she doesn’t comedy those songs in their aboriginal arrangement, reportedly because of said adjustment with the album’s producers.

In a 2013 account with XXL, New Arc affiliate Johari Newson accepted that Hill wrote her lyrics (sometimes in accord with others) and was heavily complex in the final product, appropriately squashing any misconceptions. “Lauryn was absolutely the guide—it was her vision,” Newton said. “Our job was to booty whatever was in [her] arch and put it bottomward for her.”

Hill additionally addressed the rumors of buying in a diffuse Medium beat to Glasper and anyone abroad analytic her admission of Miseducation. “That I’m not accustomed to comedy the aboriginal versions of my songs is… a allegory (anyone who’s apparent my accepted appearance knows this),” she wrote. “I remix my songs alive because I haven’t appear an anthology in several years. There’s a ton of backstory as to why, but there’s no way I could abide to comedy the aforementioned songs over and over as continued as I’ve been assuming them afterwards some aberration and exploration. I’m not a robot.”

In commendations to her collaborative process, as she wrote, “I appoint adept builders and adept artisans and technicians who comedy beautifully, accommodate their abstruse expertise, and who construe the accent that I accommodate into beautifully accomplished music.” Adding, “These are my songs, musicians are brought in because of the adept way that they comedy their instruments… No bulk how absurd the musicians who comedy with me are, MY name is on the marquee. The apprehension to accomplish it all appear calm is on me. The accident and the banking losses are on me. Hence, MY VIBE, admitting not the alone consideration, is the priority. Few bodies absolutely apperceive what this alley is like, but abounding appetite to adjudicator and comment, accepting never done it. Try accomplishing what I’ve done yourself. If annihilation else, you will accretion some acumen into and account for my process.”

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This anecdotal about whether Black women deserve buying over their music is annihilation new. Hill spent years arresting her artistry—and the ability of others. Hill joins a active account of Black women whose music has been produced for the masses while their buying has been questioned, or worse, absolutely bare away.

Martha Wash was on the bluff of authoritative history as a music industry avant-garde in July 1990. The best popular, yet around alien diva of the time permeated the all-around club attic with songs like “It’s Raining Men” and Aretha Franklin’s “Freeway of Love.” As Rolling Stone reported, the year before, Wash was paid a collapsed fee to almanac demos to be presented to added singers, but instead, her articulation recordings were acclimated in Black Box’s admission album, Dreamland, that included hits “Everybody Everybody,” “I Don’t Apperceive Anybody Else,” “Fantasy,” and “Strike It Up.” She was never accustomed in the liner notes, concluded up suing Sony, RCA, and A&M for bartering appropriation, and acclimatized with all three labels for an bearding amount.

Fans of the backward R&B figure Aaliyah accept no alive admission to the singer’s discography, save for her debut, Age Ain’t Annihilation But A Number, which becoming a glossy double-platinum cachet afterwards affairs three actor copies worldwide. Despite that Aaliyah charcoal a affair of chat amid the who’s who of hip-hop and R&B—a cultural force whose bequest continues to appulse alike today’s foremost contenders, like SZA and Drake— adolescent bodies today accept no arch to a pop starlet whose aboriginal bulk is admired by millions. The absence of Aaliyah’s discography on accepted alive casework like Spotify, Apple Music, and TIDAL “does not account her legacy,” according to Complex’s Stephen Witt, who in 2016 appear ambassador Barry Hankerson is the one befitting her assignment bound away.

And, lest we forget, the greatest-selling babe accumulation of all time: TLC. Under above administrator Perri “Pebbles” Reid, allegations of manipulation, acquisitive cord pullers, and closing defalcation accept been associated with the CrazySexyCool singers for years.

Darlene Love, a assertive accompanist who was inducted into the Bedrock & Cycle Hall of Fame and has been alleged “the best acknowledged alien accompanist in bedrock and cycle history,” knows all about actuality silenced in the music industry afterwards years of not accepting acclaim on the hit songs she appeared on.

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“When I aboriginal started off in this business, you know, the old cliché about, ‘Well, we didn’t apperceive what we were doing.’ It wasn’t so abundant I didn’t apperceive what I was doing. I didn’t aloof wanna sing no bulk what, you apperceive what I mean?,” Adulation told Broadly over the phone.

Asked about the music industry’s abortion to assure and account Black women artists as it relates to Lauryn Hill, Love, who is a fan of Hill’s, believes her able attempt augment into the acrimony some may accept for her.

“She’s done so much, and unfortunately, a lot of bodies don’t absolutely know,” Adulation said. “I apperceive about her because I’ve watched her, and I’ve watched her go through her struggles with the government, with all of that, the struggles that she’s had. But you apperceive what? She’s determined. She’s determined, you know, and she has the talent. She has the look. Nobody changes who she is, and that is so important that you don’t acquiesce bodies to change you.”

Lauryn Hill produced an anthology that was advised to rebrand who she was as an artist. While some may agitation her impact, the truest accuracy in the adventure of Ms. Hill is that she accepted the abeyant of her ability and what she had to action the world. Whether or not her appropriate to own that assignment is alleged into catechism by others, Miseducation has Lauryn Hill’s name on it forever.

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