#we don't like how modern things are made. we don't like the way things are going.

[thankskenpenders]

Thoughts on two specific areas of the writing in Sonic X Shadow Generations

The best new 3D Sonic game in over a decade (or even two, depending on who you ask) dropped late last year. And I didn't write anything about it! Sometimes life happens. Well, I've finally sat down to finish Shadow Generations, and by now everyone has already been singing its praises for three months. This is the rare instance where the entire Sonic fandom, and even mainstream reviewers, are in agreement on something. The level design is the best it's been in a long, long time and the cool factor is off the charts, embracing Sonic's peak cringe era in an incredibly confident way. It's great. If you're even reading this post, you probably don't need me to tell you that. So I won't!

No, what I'm really interested in here is the writing. Because this is me we're talking about. But I actually don't want to talk about the main narrative of Shadow Generations, which is really solid little story about Black Doom trying to mold Shadow into his perfect soldier. No, I'd like to zero in on two other aspects of the writing here: the revisions made to Sonic Generations, and Gerald Robotnik's unlockable journal.

The updated Sonic Generations script

The new package mostly presents Sonic Generations how you remember it. There are some tweaks, but it's not a major overhaul. Graphically, I don't think the game has been touched much, if at all. I certainly can't notice any difference without a side-by-side comparison, despite playing it on a PS5. The most notable update is that the game's script has been rewritten by Ian Flynn.

Naturally, this caught my attention. Generations always had a nothingburger story, so with Ian rewriting Pontac and Graff's lame dialogue there was nowhere to go but up. (I don't like to pin the blame for those games' stories entirely on them, as a ton of it was dictated to them by Sonic Team, but, well, I don't think they're very good dialogue writers.) But it's less a complete rewrite and more like Ian was brought on as a script doctor for some minor touch ups here and there. Many lines of dialogue are completely identical to how they were originally written in 2011, and many others only have slight wording changes. Ian was clearly not allowed to request additional scenes or extend the ones that already existed. He has to match the original beat for beat so that they can reuse 99% of the cutscene animations. Don't expect it to be a whole new experience compared to the original.

Still, I think the new script is an improvement, albeit a minor one. Various things have been tweaked to maintain characterization consistency. Cream calls Sonic "Mr. Sonic" instead of just "Sonic." Instead of calling Sonic "buddy," Rouge uses the pet name "Blue," like she tends to do in things like the IDW comics. Espio doesn't have to remind you in the dialogue that he's a ninja, and he no longer has a line making it sound like he has some kind of soul reading power. I also like that Modern Sonic now actually has responses to what his friends say when he rescues them, rather than being silent like Classic Sonic. They won't blow you away, but they make Sonic feel a little more engaged with everything.

In general, the altered dialogue just seems tighter to me, and some of the more childish or trite wording of Pontac and Graff's script has been altered. Here, let's actually make a direct comparison, just because this stuff is interesting to me as a writer. Here's a couple lines from after the Egg Dragoon fight late in the game, in the original script:

Modern Eggman: Ooooh... I can't believe this! I was supposed to beat you this time. Modern Sonic: Aw, I'm sorry! I didn't get that memo. I beat you every time! [Turns to Classic Sonic] No, seriously, we beat this guy every time. It's like it's our job or something!

This is a simple exchange. Eggman is mad that he lost. Sonic is unflappably confident because he always beats Eggman, and he explains this to his younger self. But the wording here isn't particularly good. Eggman's simple and direct wording makes him come off like a little kid who's mad because his older brother beat him at Mario Kart, rather than a mad scientist who just had his plans foiled. It's making light of the situation.

And I've never liked Sonic saying "It's like it's our job or something!" That doesn't feel like a thing Sonic would say, it feels like a thing an outside observer would say about Sonic. This is a frequent problem with so-called "MCU dialogue," where quips meant to echo the commentary of a casual, somewhat disinterested audience are inserted into the story itself so that the writers can be like "See? We get it. We're genre-savvy, too!" It also just reminds me of bad Sonic Boom: Rise of Lyric lines like "Rings! It's like they're made for me!"

And then here's Ian's rewrite:

Modern Eggman: I recalibrated everything! This was supposed to be my time! Modern Sonic: Oh, please, keep dreamin', Egg-head. I beat you every time. [Turns to Classic Sonic] No, seriously, we beat him every time. Our score card's flawless.

Eggman's still mad about his defeat, but the line "I recalibrated everything!" makes it more specific. He put all this work into the engineering side of his latest scheme and got tunnel vision, thinking if he got his creations just right there'd be no way he could lose. "This was supposed to be my time!" also turns it into a time travel pun, which is a bonus. He's still pitching a fit over losing, but it feels more like Eggman pitching a fit, rather than sounding childish.

And then instead of saying that beating Eggman is "like his job or something," Sonic says he's got a flawless score card against Eggman. He doesn't take Eggman seriously as a threat—at least, not to his face. He acts like it's all a game. But he conveys this in a way that feels truer to the character, rather than feeling like the words of a real world observer poking fun at the tropes of the Sonic series.

Is this amazing, A+ dialogue that blows me away? No. Again, it's not a completely different scene from the one we already had. Ian had to fit the beats of what was already there. He couldn't go all out and write an all new story confirming his longstanding headcanon that the Time Eater is a remnant of Solaris or whatever. But the wording here makes the existing story land a little better and feel truer to the characters in subtle ways.

But to me, the main change is that the Sonics and Tailses seem to have a more solid understanding of what's going on with the timeline and the Time Eater, compared to how idiotic they sometimes seemed in the original game. Which is good! No more standing outside Green Hill and wondering why it seems so familiar. Thank god. As part of this, yes, there are a few more references to past games in the dialogue, like Sonic briefly being confused about the fact that they're time traveling without the Time Stones, or South Island and Westside Island being acknowledged as the normal locations of Green Hill and Chemical Plant. Yes, ha ha, insert joke about how Ian loves references here. Look, it's Sonic fucking Generations. It's a game built entirely out of nostalgic references. Just own it! And, again, in this instance Sonic and Tails come off as less stupid when they make it clear that they do, in fact, remember their adventures from presumably less than a year ago in-universe.

Eggman, too, seems to have a better understanding of the powers he's toying with. Where in the original vesion his focus was simply on going back in time to undo his previous defeats and he seemed kind of oblivious to how much the Time Eater was actually fucking up the universe, here Eggman says he wants to use the Time Eater to give himself complete control over the entire timeline. Eggman also makes way fewer references to his own failures and shortcomings. Of course he won't admit that Sonic has defeated him time and time again. To him, he's never truly lost—Sonic just keeps delaying the inevitable total victory for the Eggman Empire.

So, yes. The new Sonic Generations script is better. It won't blow anyone away, but it's better than it was. It's been elevated from "kinda lame" to "fine." No, if you really wanna see Ian flex his ability to breathe new life into old Sonic stories, look no further than...

Gerald Robotnik's Journal

Hoo boy.

The story of what happened aboard the ARK has always been... a bit confusing, to say the least. Fans with encyclopedic knowledge of the script for every route of Shadow '05 may disagree, but it's the truth. We've had all the pieces to understand the story for a long time now, but that info was given to us out of order by a pair of unreliable narrators—Gerald, who became a vengeful lunatic shortly before his death, and Shadow, who was subjected to multiple rounds of amnesia and altered memories. Some of the ambiguity left by Sonic Adventure 2 was cleared up in Shadow '05, but that game also retconned in a bunch of new elements to Shadow's backstory (aliens!) that lead to further confusion. Not to mention the fact that that game had multiple routes and only revealed the truth about Shadow if you sat on the ultimate final boss battle for WAY longer than the fight would normally last. Or the fact that Sonic X made its own tweaks in its telling of the story. Or the fact that none of these things ever had the best English translations. I can't blame anyone who hasn't played those games in two decades for not remembering the truth about these characters and getting some details mixed up.

What we needed was something to piece together all of the info we have into one coherent backstory, told in chronological order. And thanks to Shadow Generations, we have that, in the form of an official journal tying together what we knew from Sonic Adventure 2, Shadow '05, and Sonic Battle into the tragic tale of Gerald's rise and fall.

Ian Flynn was the perfect man for the job here as the guy who started his career by tidying up the mess that was the first 159 issues if Archie Sonic. This is what he excels at: taking disparate bits of weird Sonic lore from multiple different sources, boiling them down to their most interesting elements, and connecting it together in a way that will make the audience see the dramatic potential he's always known was there. Rather than feeling like a cynical exercise in franchise building, going back and explaining things that never needed explaining so that people can add more bullet points to the wiki, he puts a new spin on things that retroactively enriches those past stories. The story here means something to the characters involved and gives us a better understanding of them as people, rather than as plot devices to motivate Shadow.

(And, of course, Ian didn't do this journal alone. He wrote the story, but I also have to give a huge shout out to Evan Stanley, who made the final product. All of her handwritten journal entries, sketches, and "photos" included throughout. The physical damage done to the journal over the course of 50 tumultuous years, passing from Gerald to Eggman to a certain special someone at GUN. The way Gerald's handwriting gets less and less legible as his mental state declines. So much love was put into what could have been a mere text dump in a menu, and it really elevates it to the next level. Congrats on officially getting hired by Sega, Evan, you've sure as hell earned it!)

The main idea the journal conveys is that Gerald was under a lot of pressure from a lot of different parties—GUN, the President, his colleagues aboard the ARK, Black Doom, even his own family—and boy did it get to him. The known incidents aboard the ARK mentioned in previous games are put together here to form a story where everything slowly spirals out of control as Gerald keeps compromising his morals to further his research, thinking he'll eventually find some way out of all this because he's a genius. I won't recap that whole story here (if you haven't already played the game and read the journal entries, I would highly recommend at least reading it on the Sonic wiki), but I'd like to highlight my favorite elements of the story, as Ian tells it here.

1) The Eclipse Cannon

Here's something that never quite made sense in Sonic Adventure 2: why does the ARK have a laser that can blow up the Earth built into it? It was supposed to be a peaceful research colony. Sure, Gerald went crazy and swore revenge on the Earth, but, like... when did he have an opportunity to go back up to the ARK and modify it? Did he have someone else do it? How? The ARK was raided by GUN and shut down! And then they arrested him, held him in prison for an unclear period of time, and executed him by firing squad when he was no longer useful! It doesn't add up. Shadow 'the Hedgehog '05 would give its own answer by introducing the Black Arms and saying that the Eclipse Cannon was always supposed to be a secret trump card against the Black Comet. But, like... we know that's kind of a bullshit answer, right? You don't need enough power to blow up a whole planet just to destroy a comet.

Well, the new journal retains what we already knew, but it paints a much more complete picture.

See, long before Gerald ever made a Faustian bargain with Black Doom, he had already made one with an even greater evil: the military. GUN gave Gerald much of the funding for the ARK, Gerald's personal utopian research station in space, but it didn't take long for GUN to start pressuring him to design them weapons. Gerald tried to get GUN off his back by personally contacting the President of the United Federation, and the President gave him an alternative: how about, instead, you just use your genius brain to figure out the secret to immortality for us, so our soldiers can be immortal? Gerald was initially sickened by the notion and found it completely absurd, like chasing a shadow... but given no other option, the sarcastically named Project Shadow soon began in earnest. (Maria would later put a more positive spin on the name after Shadow's awakening, pointing out that a Shadow can show us the direction of the light, like she says in the game itself.)

Of course, this search for the ultimate life form didn't go very well, and without any results on that front GUN kept hounding him for weapons. Gerald would throw them a bone here and there to get them off his back. His research on Chaos resulted in the Artifical Chaos prototypes, which he worried would be used for warfare but could at least theoretically be used for search and rescue missions in floods, in his mind. But that wasn't enough. So he gave them Chaos Drives to power their mechs. And that still wasn't enough. He's got Emerl. He'll give them Emerl. They're not impressed by Emerl. They'll shut the whole ARK down if Gerald doesn't give them something big.

Fine! GUN wants something big? Gerald builds a huge fucking laser cannon into the ARK. However, as a middle finger to GUN, Gerald makes it so powerful that it would destroy the Earth if it was ever fired at any target on its surface. In other words, GUN now has their ultimate weapon of mass destruction, fulfilling his contract, but they can never actually use it. Oh, the delicious irony. (And also Shadow will blow up the Black Comet with it in 50 years yada yada yada.) Is this perhaps extremely shortsighted and naive of Gerald, to believe that such a weapon would never actually be used just because of the risk? Of course. But hey, that's Gerald for you. And I love this as an answer.

(Also, this, uh, kinda echoes something from real life! Remember the bit in Oppenheimer where he says all nuclear war will become unthinkable, and Edward Teller responds "until somebody builds a bigger bomb"? Yeah, Teller went on to conceptualize a superweapon codenamed Project Sundial that would have been able to kill all life on the planet, as the ultimate deterrent for war. This was never made for obvious reasons, but hey, there's a basis for this sort of thinking outside of heightened sci-fi! There's a whole Kurzgesagt video about this if you're interested.)

2) The Biolizard

The Biolizard is, of course, brought up as the initial failed prototype of the ultimate life form, from before Gerald met Black Doom. We don't really learn all that much about it that we didn't already know, but I just love the way it's framed in the story.

As you can see above, we actually get to see a picture of Maria holding up the cute little salamander that would end up mutating into the Biolizard through Gerald's experiments. (Researchers want to figure out how to replicate salamanders' regenerative abilities for humans in real life, too, so this was a natural starting point for the project.) And then, after it grows to a monstrous size and goes out of control, Gerald has to lock it away in an unused sector of the ARK. He needs to keep the poor thing alive for his research into harnessing Chaos Energy, building life support systems directly into it, but he doesn't have the heart to tell Maria what happened. So it just becomes this first dark secret weighing on his conscience. The Biolizard becomes Gerald's Tell-Tale Heart beating beneath the floorboards of the ARK. I love that.

3) Lost Impact was the breaking point for the ARK

Remember the level Lost Impact in Shadow '05? The flashback level on the hero path where Shadow is running around fighting Artificial Chaos enemies on the ARK 50 years ago? Yeah, that wasn't just a random incident. That was important, as we now know due to its placement on the timeline.

See, Emerl's rampage aboard the ARK that was chronicled in Sonic Battle and Dark Beginnings set off a domino effect. Emerl riled up the Artificial Chaos, causing Gerald to lose control of them. They became violent, and so Shadow had to stop them, as depicted in Lost Impact. The thing is, that incident sent an SOS signal to GUN telling them that shit was going down on the ARK. Gerald didsn't fully understand the trouble he was in and assumed that he'd simply be reprimanded by the higher ups, or maybe face legal action. But, well... the next time he heard from GUN, armed troopers were raiding the ARK.

So Lost Impact was the straw that broke the camel's back. I just really like that detail.

4) Maria

And, of course, there's Maria herself. Maria has often been more of a symbol than a character, this perfect embodiment of everything that's good and pure in this world who gets killed to motivate Shadow and Gerald's revenge plots. But I really like the wrinkles this journal adds to her and Gerald's story, and their relationship. This is the most fleshed out they've ever felt.

For one, the journal leans into the idea of Maria's intellectual potential. The rest of the Robotnik family is all geniuses, after all, and she was proving to be a really bright kid. She excelled in her studies on the ARK, and she even helped design Shadow's jet skates and inhibitor rings. When Maria died, the world didn't just lose a symbolic personification of purity. She genuinely could have been a hugely influential scientist who did so much good for the world. That's what Gerald wanted for her. But we'll never know, because GUN killed her.

Speaking of her family, their presence isn't just mentioned for the sake of fleshing out the Robotnik family tree. It's mentioned that as Gerald struggled to find a cure for Maria's illness through his genetic research, he faced mounting pressure from his family. They didn't want Maria to be up on the ARK forever. They wanted Gerald to hurry up and find a damn cure, or otherwise just send her back home to Earth so she could be with her family again. She'd been up on the ARK for so long that Gerald's coworkers started thinking that she had been born up there. Eventually she gains a baby sister on Earth who she's never met. A rift forms between Gerald's two sons, and he's unable to really deal with it because he's so consumed by his work. There's this sense that the family is falling apart, and that everyone is dreading the possibility that Gerald will never find a cure and that Maria will just spend her final years up in space and die far away from her family, because Gerald just couldn't let go. If that happens, it'll break the whole family. But he can't stop now. So he just keeps working. Curing Maria is the only way to win his family back, in his eyes. It can't all be for nothing.

But my favorite detail regarding Maria is this one paragraph:

Maria is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I've caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanishes when she's slighted.

This is SUCH a great addition to the story! It's always been true that Maria doesn't really seem all that ill, just looking at her in cutscenes. With this one little comment, Ian flips that issue on its head and turns it into a story about invisible disability. She doesn't act like she's in chronic pain, so she must not be, everyone thinks. And this really, really gets to Gerald, as does the pressure from his family. He's dedicating his whole LIFE to saving her, and they think she's faking it?! It's such a small addition, never referenced elsewhere in the journal, but it adds so much flavor to the story, as does the implied family drama. It grounds Gerald and Maria and makes them feel more like real human beings, rather than being pure archetypes. It's just enough info to let my imagination run wild filling in the blanks.

You also get the feeling that Maria being such a walking ray of sunshine was the only real source of joy Gerald had left in his life before Shadow was awakened, and the only thing keeping him from snapping under pressure sooner. All this stuff just keeps piling on, everything's spiraling out of control, but at least Maria is keeping her chin up, right? It makes so much sense that losing her would make him go off the deep end when it's framed like this.

It's just... man, I never thought I'd care so much about Gerald and Maria. But that's the Ian Flynn touch. After years of less than stellar Sonic writing that seemed to be embarrassed of itself, I'm so happy to have new games coming out that fully embrace the history of the series like this, making its world feel so rich and real instead of just serving as an excuse for a string of platforming levels. I don't even like Shadow '05, but I'll be damned if Ian and the rest of Sonic Team didn't make something amazing by "yes, and"-ing Shadow's cringe past here. Sonic has truly reached levels of "we're so back" never thought possible.

[strawberrymoosetracks]

I read this as if it were in the modern day, and that the aforementioned God of War has taken on the modern form of someone who would be consitered the most powerful soldier, or the epitome of modern war. To me, the epitome of modern war is just a relatively fit guy who sits in a room with a PC. Heres my take on it, I didn't put much effort into this so sorry if it sucks :)

I've got to hand it to humans, they are great at making things efficient. Their innovation is beyond any other species I've encountered. One of their favorite things to make more efficient is war. Back in the old days, they trained young men, put them in armor, gave them a sword, and marched them thousands of miles for a fight against other young men who were similarly armed.

They started including horses, which sped up the transportation process. Then they came up with guns. A marvelous invention really. It made war much quicker, but it also forced armor to get better. As much as I liked the shiny armors, it was always too loud. It was nearly impossible to sneak anywhere, and seeing was a nightmare.

Nowadays, the most powerful warmonger is a guy at a desk. One may think that is crazy, but in all fairness, that guy has the ability to shoot a thousand suns at whoever they want to. I've had this job for eighty years, under three seperate faces.

I love efficiency...but the God of War gets bored when the people capeable of war are too scared to fight eachother. The Cold War ranks the lowest out of all the fun wars. Sooo, I look for fun in other ways. I started in the eighties when I could find someone who wasn't an anti-war hippie, but wasn't a complete jerk. That was when I realised my love language. I love physical touch. It's like my kryptonite. Maybe it's that it's been years since any soldier was willing to hug, especially in high war time. I had forgotten how great it felt to hug.

And now we get to the modern day, I have a girlfriend. She's super sweet, but sometimes she has some...interesting ideas. We get into conversations and find out that she has the strangest ideas. We go to the bar with friends and get into conversations about the romans, and as someone who was there, I have to set them straight. They always brush me off, saying that it can't be true. Maybe in my next iteration I can become a historian and set these lies straight. Anyways, we were at a bar with some other soldiers, and we were talking about Ares. That used to be my name, but I have been though too many lives since then.

"You think you can buy the loyalty of the God of War with something as small as affection? Don't be stupid." Leah said, taking a sip of her drink.

As the others seemed to agree, I just had to intervine. "As the aforementioned God of War, she's wrong you can absolutely do that. I'm basically a cat; pat my head and l'l be your loyal servant for... five minutes, give or take?"

The group was completely silent. They all stared at me, trying to work though it. Leah started laughing, "You're funny, Levi. You don't even get in real combat. Like come on." She slowly stoped laughing as my face continued to be serious. "You're not joking? You really think you're the God of War?"

"I don't think, I know." I said, staring into their blank faces, "Ok watch." I looked around the bar and eyed two guys who were friends. I pointed at them, and they immediately became enraged. They yelled at eachother, mostly nonsense. There was no real greivance, just some pent up anger I was using. One was about to swing when they suddenly stopped, sitting down and continued to talk as normal. I turned back to my drink and took a small sip.

I took a deep breath in and out, my shoulders dramatically rising and falling. It had been centuries since I told anyone I was the God of War. Since the romans went out, people stopped believing in pantheon gods. I would have shown the middevial europe my real self, but I had inconveniently been turned into a woman at that time. Calling myself a God was an easy way to get burnt at the stake, and getting out of that was too much work.

"No way..." My girlfriend muttered, staring at me.

I slowly turned to her, "Well, do I give loyalty for head pats?" She nodded slowly, her mouth agape.

My buddy next to her slowly leaned over and patted me on the head, "Please don't kill me."

I smirked, "Wasn't planning on it." I drank the rest of my drink and set it down, not really knowing how to start back up the conversation. It just became dead silent, everyone grapling with my revealed identity. Well I just ruined the night with this again, teaches me to never reveal myself with my close friends. So many centuries into this, and I apparently still have many things to learn.

—"You think you can buy the loyalty of the God of War with something as fickle as affection? Don't be foolish." —"As the aforementioned God of War, she's wrong. You can absolutely do that. I'm basically a cat; pat my head and I'll be your loyal servant for… five minutes, give or take?"

[cannibaliist]

Pink Matter - Sevika x F!Reader (18+)

One shot | Part 2 soon??

Contains: 18+, sickfic, slight modern!au, smut, explicit content!!, NSFW, mentions of alcohol and weed consumption, established relationship, no use of y/n, nicknames of 'baby girl, sweet girl, etc.' mentioned, dom!sevika, strap ons, oral!s e x reader recieving, rough, vaginal s e x

Word Count: 3.6K

a/n: the Sevika brainrot got too much so here we are lol . hope you enjoy !!

cross posted on AO3

title inspired by Pink Matter by Frank Ocean

Sevika likes you even when you're sick. Because there is no other grown woman or man she'd allow to perspire on her sheets and take up all the space on her mattress on an early Saturday morning when she's finally free from work and Silco's nagging. So yeah, she likes you all right. 

You don't usually get sick often, especially with her watching over you to make sure you're warm during Zaun's freezing weather. 

Your sweat-coated skin soaks through the double layer of navy blue sheets on the bed. It turns the blue almost black and Sevika can only think about how her shit – the one pair of sheets she probably owns – is definitely close to fucked up. God, you are so lucky she doesn't want you to die from whatever you contracted after fucking around all night during the misting rain, laughing and dancing high off your mind from the cheap weed Sevika bought off her coworker. That mixed with what the people called “Shimmer Juice”, you were half out of your mind for the night. 

“Baby get the hell inside,” Sevika had told you last night, but all you did was smile at her. That blinding ass smile full of white teeth and crescent shaped eyes that made her heart start thumping a little faster in her chest. Fuck. She really was in love with you. 

So of course, now you were running a fever and swaddled in whatever blankets she could scrounge up around her room. Sevika likes you like this though, fading in and out of consciousness.

Snoring softly and muttering small words while grasping at whatever body part of Sevika you could reach to keep you warm. You get super clingy when you're sick, one of the only times you are completely super sweet and malleable instead of talking back to Sevika like she won't put you in your place the next moment, but your freak ass is into it so she has to calm herself down another way to not give you exactly what you want. Still, she smiles at your petty actions. Helps to know you really want her in every single form.

She decided to run a few errands while your younger form slept, grabbing soup ingredients – Does my love prefer celery or corn? – bottles of water and a thermometer that she's never bothered to keep in her home before. The things my baby makes me do, she thinks as she puts her things into her grocery basket. 

When she gets back and puts the groceries away she expects for her baby to still be sound asleep but instead you seem a bit off. Hair splayed out everywhere with your chest rising and falling heavily. A flush in your cheeks that's still so visible even with the color of your skin, tinted a steady red even in your sleep. 

Sevika wondered if you were having a nightmare, thrashing and moving in your sleep like you do when your dreams get really bad, fighting more than just sickness.

But instead, your whole body is trembling, your hips unconsciously grinding into the sweat-stained sheets. Sevika walks closer, watching you move your body further into the bed, soft little groans escaping your plush lips. She stills as you mutter a soft cry for her. “Sevika…” She holds her breath, slowly approaching the voice. “Sevi, please.”

Sevika smirks to herself, touching a hand to your warmed skin shaking your awake. “Get up, sweet girl.” She had to take your temperature now before giving you any water. You startle with a groan, whining like you always do. Some nonsense about a “-middle of a good dream. ruin everything.”

“Open your mouth for something other than running it baby.” Even though you're slightly annoyed from being woken up from such a nice dream, you do as instructed, mouth wide and hinting for more than just a thermometer. 

Sevika felt a twinge in her pants. Her desire to slide her strap down your awaiting throat was just too tempting. Instead, she cups your jaw, and sticks the thermometer tip under your tongue. You glare and let out a soft whine of disappointment. “Tease,” you mutter. 

Sevika rolls her eyes at the petulant behavior and pulls out the thermometer at the beep. “101.4, Told your crazy ass to sit down last night and now here we are,” she scoffs. “Sit up and drink some water.”

You groan and turn your head away, letting yourself fall back onto the bed. “Don't want to.”

Sevika sighs, sliding her warm fingers over your sweat-soaked hair, small pieces threatening to curl at the nape of your neck. They feel nice as they start to comb at your scalp. “Listen, you've been playing housewife all week, cleaning and cooking all nice for me, let me take care of you now baby girl.” 

You groan again, weak hands gripping the edge of the blanket, trying to pull it off of you. You sigh into the pillow, words all muddied and unclear. “Speak up baby, I'm not straining to hear you.”

You take a deep, labored breath in, and turn her head towards Sevika, cheeks getting all hot. “Said you want to, so take care of me.”

Her eyes narrow at you, “What do you think I'm doing?” 

“No Sevi, I need you to fuck me. Please.” 

Sevika grips your chin, hard, probably could leave a few bruises if she tried hard enough. You twitch under her touch, ultra-sensitive from the fever. “You're outta your mind right now. You need to rest ”

You bring a hand to Sevika’s thigh as she hovers over you, grasping with more strength than you probably needed to have. “I need it, please. I'll be good.”

Just the thought of your body loose and desperate sends a rush straight to the older woman's crotch. “You’re sure?”

“Yes. Fuck me, Sevika.” Your voice was exhausted, but eager, wide eyes staring endlessly into her own dark grey ones. 

She watches the quickened rise and fall of your chest as she goes to take off her vest and her pants. Of course she's commando. Of course. The thing you're waiting for is less than 5 steps away, tucked in the nightstand drawer. Sevika is quick to grab the strap-on and fasten it around herself. It's a beautiful deep shade of purple and thick and practically gleaming as she steps closer to you. You scramble out of your sleep shorts and t-shirt to feel her presence even closer.

“Gonna slick me up baby? Get me ready for you?” She asks as she sizes you up. Her eyes are dark, hungry, for you. 

You nod dumbly. So ready to suck her off like you've done times before. 

She drags her metal hand along your lower leg, up your shaking thighs, over your awaiting ass in your underwear, and up to your back. You twitch at the cold of the metal, too much sensation from such a small gesture. Simply Sevika’s touch – gentle strokes across the skin – was overwhelming. 

Sevika gently tugs on your jaw, testing how pliable and easy you promised to be. She was met with no resistance as your mouth opened with ease, “doing so good already baby.” 

Sevika stepped closer, hovering over your face, sliding in her strap until she hit the back of your throat with no resistance. You were too tired for a reflex, too tired to choke. Fuck, she could do anything she wanted to you right now and you wouldn't even flinch. Something dark coiled in Sevika's stomach, if she was a better person she would've ignored your pleas and doped you up with enough medicine to tire you out but she wasn't an entirely good person, and you liked her that way. 

Sevika worked your mouth, it's as if she could feel the warm back of your throat every time she bottomed out. But the small quiver of breath on the straps cockhead was a reminder that you needed to breathe.

Tears welled in your eyes, and Sevika had to fight coming right then and there. She wanted to fill your throat, make you keep her strap warm as you swallowed every last bit of her. The only fight you had was an involuntary gasp for air. Sevika held you there for just a second longer, slowly sliding out of your mouth, warm and wet. As Sevika’s strap head passes your lips, you groan, trying to get Sevika to put herself back where she belongs.

Sevika replaces the emptiness with her fingers, laying them on your tongue instead. “Not now baby girl.”  

Sevika hovers over you, staring at your parted lips, watching your eyes flutter as sweat drips down your brow. She lowered her hips, slowly dragging her strap along your entrance. Sevika’s other hand traveled down to the leaking pussy between your thighs, mouth watering at the wetness. She thumbs your clit slowly as she grasps your ass with her metal hand.

You gasp at the soft friction, pushing your hips up to meet Sevika, breath heavy. “Need you Sevi, please.”

“Keep your hands up. Just like that.” You cross your arms above your head as you ache to touch Sevika back. Your skin is hot and flushed and you feel like you'll explode any second that your girlfriend isn't touching you. 

“Hurry, please.” 

“Patience pretty girl,” Sevika warns. Your whines were cut short by Sevika’s mouth meeting your own. The kiss was rough, more teeth meeting lips and gasps than anything else but it was perfect. Just like her. 

Sevika pulls away and watches her baby's head lift off the pillow to chase her, falling back almost immediately with a huff. You let your hands move from where they lay against the pillow crossed to pull Sevika back down into a kiss. Desperate. 

Pulling away again Sevika pins your wrist to the mattress with a growl. You stare up at her, eyes shining with tears but overfilled with lust and want. Fuck. “You don't listen for shit, girl. Keep your hands where I can see ‘em.”

Sevika kisses along your jaw and neck, soft nips and bites that you wanted to feel more of. Wanted them to bruise. To show everyone who you belonged to. But all you can do is whine and mumble out whispers instead of words.  

“Use your words, baby.”

You choke on your words. “M-more. Please.”

Sevika leans back down, crashing her lips into yours. “You want more?”

You groan into her mouth. “Please, anything.”

Sevika pulls away, spitting into your mouth, hungry and aching. “Swallow. Want you to remember that taste.” You swallow greedily, heart pumping as Sevika kisses down the soft skin of your stomach, inching closer to your cunt. 

She smirks at the sight, you already so desperate for more, as she runs her fingers up and down your warm entrance. You moan at the sudden intrusion, rocking back onto Sevika’s hand as she slips a finger in, all the way to the knuckle, groaning at the heat and the way you're clenched so tight around her. 

“Another please, Sevika.”

One finger quickly becomes three, and you can't even flinch at the rushed invasion, just blabbering and moaning as Sevika's thick fingers slam into your pussy. Your hips rock against Sevika’s hand as you can do nothing but wordlessly whimper and beg for something.

Sevika hits that special spot in quick little pumps, bringing your muted cries to loud gasps. 

“Almost there, baby.” Sevika tells you, her ability to hold herself back from jumping your bones entirely is slowly starting to crumble. 

When she deems you prepped enough, she takes her fingers away and slides them into her mouth making you moan. She licks her fingers like it's nectar as she sucks them into her mouth. 

Finally, Sevika settles between your trembling thighs, the color a hue she's always loved from all the time you spent tanning in the sun with no worries in the world.

A gentle groan passes by your lips as Sevika sucks a mark into the flesh of your legs, nipping along the skin turning it into a pinkish red that will soon blossom into a deep purple. She grazes her teeth along your inner thigh, biting down hard. She trails her fingers up the backs of both your legs, settling on your ass and grabbing at the soft flesh, sending a shiver up your spine. 

You mewled, begging. “Need you please.” You could feel Sevika smile into the mark she made on your thigh, turned on beyond relief at your begging. “Just a little longer baby.”

Giving you a pat on the head, she lowers her awaiting mouth to your weeping cunt, though you're already close even from her thick fingers inside of you. You moaned at the contact, gripping the sheets as Sevika licks you up clean. You resist the overwhelming urge to clutch at her hair as she works you out, but you promised not to move your hands. You'd listen this once, just for her. 

She works her tongue over your swelling clit, swirling her tongue, and moving back down. She ate you like a pro, taking you deeper in her mouth, breathing in the smell of her girl and the tickle of your hairs along her face. Whether you had a bush or shaved for some occasions, she was very appreciative of the effort, regardless of how you presented yourself to her. 

She fucks you with her tongue and only adds in a single finger. Pistoning faster as she works at your clit. It's all too much too soon and she pulls off to lick you up again, fingers still angled over your sweet spot, when she hears a loud cry. You've already cum. Making the sheets stain a darker shade of navy blue. 

“W-what the fuck?” You say more to yourself than anyone else. The fever makes you even more sensitive, even the littlest bit of stimulation making you come, it's insanely embarrassing to your already dwindling ego. 

“Think you can do one more?” the older woman chuckles. You just shake your head nervously, tears peaking at the corner of your eyes. “No more.”  

Sevika's eyes harden, grasping your hips and digging her nails in. The clutch of her metal fingers into the flesh of your hip leaves you reeling – knowing it's gonna bruise later. “If I tell you one more, then it's gonna be one more.” 

He slicks up her glistening strap with whatever lube she had on her dresser already half empty, and positions her above you. She lines herself up, pushing slow yet unyielding into you. You can't help but scream as Sevika pulls out and slams her strap into you, purposely missing your sweet spot just to make you beg for it. 

You try and bite your arm to quiet your whimpers, it was embarrassing wanting her so bad, wanting her dick, her strap, inside you so bad. Sevika reaches up, grabbing your face until they drift to your throat. “You can be loud, baby, let me hear you.”

She fucks you slow and deep, wanting to savor every second you're so pliant underneath her. Your mind is quieted by the fever, now, basically delirious. She uses just enough pressure against your throat to let you breathe, already labored and erratic.

It feels like your whole body is on fire. Only filled with thoughts of Sevika Sevika Sevika. Those words chant themselves over and over in your mind like a mantra. 

Sevika places your legs over her shoulders and enters again with no hesitation, fucking into you even faster. “Touch yourself sweet girl. Wanna see you cum again.”

You whimper. “Sevika, I don’t think-”

Sevika puts a finger over your mouth. “You don't get to tell me no princess, you wanted this, remember?” It was mocking, less a question and more a statement. Of course you remember, it's burned into the back of your mind. 

Your weak hand reaches for your clit to give it at least a little bit of stimulation. But there's no strength left in your body to bring yourself to come again, your grip was nothing more than a soft coaxing. Tears fill your eyes from frustration, from pleasure, a sharp mixture of both. 

With a laugh, Sevika slaps your pathetic hand away and brings her hand to your clit herself. Sevika continues to stroke you, angling her hips to hit even deeper into your tight pussy. It's all too much and all you can do is sob. 

Sevika moves her vacant metal hand from your hip to your throat, choking you properly now. Sevika’s pace quickens, folding you in half with your thighs against her sticky chest, thrusting as deep into you as she could. Your eyes began to roll, chest heaving from a sob but no words can escape her lips. 

“Please don't stop, please.”

You barely have time to process what’s happening before Sevika folds you in half again. You love the way the older woman makes you feel when she's caged over you. You're not overly short or tall, but you still feel so small in comparison to Sevika’s more broad-shouldered frame. You feel your body shake as Sevika sheathes herself back inside fully with one single thrust. You barely manage to take it, body tightening around her cock reflexively. It's basically an extension of her at this point. 

She lets her hand slither from around your neck to your boobs, fondling them as she fucks you harder. You scramble against the sheets with sweaty hands and weak fingers, trying to get away from the pistoning dick tearing you apart. Sevika is so big inside of you, he can hardly feel anything else. 

She kisses you and it feels like heaven all over again. 

Feels like you're drowning in pure bliss. She keeps fucking you through it, making you cum over and over again, watching as your body writhes in agony and overstimulation. It almost hurts, so fucking much, but it feels so so good. You love that Sevika isn’t afraid to handle you roughly – isn't afraid to slam her hips forward like she wants to destroy your guts with each thrust – but she isn't afraid to truly make love to you either, all nice and slow. Here, your mind finally has the ability to finally shut off and you can submit yourself fully to the older woman.

When Sevika finally comes it's like you can practically feel the strap swell inside of you. 

Sevika pulls out with a groan, as if it really is her own cock and not a toy. Something about it has your stomach swirling into knots again. 

She licks her lips. “Not done with you yet baby.” 

Sevika grabs you by your waist and flips you over, shoving your face deep into the mattress. 

“Fit around this cock so well baby girl. Bet you're wishing it was real huh?”

You can barely process Sevika’s words, only letting out a jumbled, “only yours Sevi” before your mind is clouded by a thick sheen of tears, sweat, and cum. You can't count how many times you come before you pass out from the fever and from working your body so hard. 

————

When you come to, the first thing you feel is emptiness. The emptiness of your cunt and the bed as Sevika is nowhere to be seen. It triggers something in your chest and he can't help the sob that gets stuck in her throat. You want to call out for her, cry, something, but your throat is wrecked and raw. 

“Sevika?” you push out, voice weak from exertion. 

After a few moments of silence, you hear the floorboards creak near the bedroom door. It's Sevika with a bowl of something in her hand and a bottle of water. She smiles at you, her lopsided smile glistening against the window light and it's all too domestic. 

“You aight Bambi?” The special nickname makes you want to jump her bones all over again. Her voice is soft as if speaking any louder would frighten you. But you're strong, already feeling better from your nap. You just nod, reaching an arm out towards Sevika's approaching figure to motion her to the space on the bed next to you. 

There’s different sheets this time, a creamy grey color and you wonder how long you were out cold so that she was able to replace sheets right under you.  

“I'm right here baby hold on.” He grabs the thermometer from the nightstand, motioning for you to open your mouth again. 

“98.9” she says after the beep. She cracks a wide smile, “fucking miracle my strap is huh?” You can only roll your eyes, “don't get too cocky, Sevi. I was right after all.” 

Sevika wraps you in a hug, breathing in the faint smell of sex, and the smell of your shampoo. “Eat your soup and if you're good I'll let you sleep with it in.” She raises her eyebrows suggestively, grinning larger than life. The little gap between her teeth has your heart melting as you kiss her softly. 

“I love you so much Sevika.” She presses your foreheads together and holds the sides of your face with her hands.

One kiss to your left eyelid, one kiss to your right lid, another to the tip of your nose, and finally another one your lips as she clutches you tighter. “I love you too baby.”

You eat your soup with a hunger you've never had before in your life. You go to sleep very happy that night, stomach full and pussy full as she spoons you as you both fall asleep. 

~~~~

[breelandwalker]

Hi Bree.

I know your blog is really witchcraft stuff, but I saw the post you reblogged with the modern four Humorous joke and thought you might kinda understand what I'm talking about and I need to say this to someone or I'm going to explode.

So, I am interested in medicinal herbalism and things like home remedies, but instead of it being from the "oh, miracle plants that heal people because it helps *balance your soul*!" I'm specifically interested in the historical "this is how people used what they had" and scientific "many of these plants contain chemicals that can affect the body in different ways"....... which means watching some of these videos makes me want to strangle people.

(These are (sadly) all based on real videos I've actually seen, by the way)

"These herbs are ~cooling~ and will help you keep cool this summer. They affect the body on a cellular-"

[That's lavender and hibiscus. They are cooling you down because they are lowering your blood pressure, which is why people with things like POTS or just low blood pressure need to be careful not to drink too much.]

"If you don't like the idea of yucky chemical morphine try this inste-"

[Those are poppies. Those are poppy seeds. Thats... you just made shitty opium. Your solution to morphine is.... shitty low-grade unrefined morphine. Got it.]

"Try taking these herbs for a three month **parasite cleanse**. They were used in the ~**ancient times**~ but modern medicine has decided that they're not good enough-"

[That is tansy and FUCKING WORMWOOD- yes people used them for insects replant and parasites in the MIDDLE AGES but now we DON'T. Do you know why? No, its not because they're 'not good enough'. It's because they both contain a neruotoxin that will kill if taken to long (which is about a month, by the way) or at too high a dose. We don't use them because they are dangerous, and if you keep at this, you are going to kill someone.]

"Try these three plants to balance your-"

[Stop talking. Just. Stop.]

Don't get me wrong, I absolutely don't mind superstition or spirituality or anything like that. I'm a witch. I'd be stupid to disapprove of something like that when I do shit like that. But there are times when you need to leave the pointy hat by the door, and medicine is one of them. (Especially herbalism, because plants are unrefined and unpredictable and can absolutely kill or hurt people.)

OH MY VARIOUS GODS, I DIDN'T EXPECT TO BE THAT ACCURATE. 😂

I mean, the mentality behind the wellness movement is FIRMLY rooted in ableism, eugenics, and pseudoscience, but every so often it's brought home to me just how much of it is buzzwords and jargon that mean absolutely nothing.

Modern medicine is just potions that work reliably and wellness influencers need to STOP, it's fuckin embarrassing.

(Referring to this post - The Four Wellness Humors)

[genderqueerdykes]

I am a trans man who abandoned my previous account because i needed to leave the community.

The trauma and self hatred runs so deep that despite it being months i still can't think of my masculinity as anything other than wrong. Not just that, but leaving made me happier. Not having community made me happier. Think about that.

At least now I can see i deserve better. But it's hard knowing that my love and support was so summarily rejected by the transfems on this site.

i'm really sorry you've had to go through this, anon. you shouldn't have to do that

the thing is people don't realize that while this online fighting is pointless, it does hurt people. and it can cause genuine trauma because it IS abuse. abuse doesn't have to occur in person to be legitimate. a lot of acts of abuse and violence can be committed remotely with modern technology. basically anywhere people can interact, abuse can happen. this is actually hurting and scarring people in real ways and we need to acknowledge this

Not just that, but leaving made me happier. Not having community made me happier. Think about that.

the fucked up thing is i feel the exact same way. i interact with community on here in order to educate but outside of this, i currently do not interact with the queer community. once im off this blog, i'm not really interacting with queer community, i will talk to my queer friends and engage in my own queerness, but i am not thinking about the community for the vast majority of my day. i'm not interested in trying to casually go to a trans space and be misgendered all the time.

i immersed myself in my local punk community last year and all that happened to me was that i got a lot of hollow compliments, condescended to, talked over, fetishized, treated as a sex object, descriminated against, had people stop respecting me the instant they found out i was a trans man, had people try to tranny chase me for being a trans man with a vagina, got called too whiny and emotional, got accused of hating trans women because i'm a transmasc lesbian, got mocked for not having a penis, watched my roommate treat me with annoyance that wasn't there prior, felt alienated in my own home, and just in general felt ashamed that i wasn't an amab trans woman, because those were the only trans people who hung out there for any substantial amount of time

the transmascs and trans men never hung around for too long. the majority of the trans punks who showed up were transfem. like. almost all of them. it was rare to find another transmasc, and i can work a crowd, i don't feel scared or uncomfortable in crowds, so i will talk to just about anyone who acknowledges my presence. i met so many transfem punks that i've lost count, and about 3 or 4 transmascs. it frustrated me and took a while for me to realize why. that place was deeply transandrophobic. the regulars did not treat transmascs with kindness. i was actually sexually assaulted by one of the transfems there multiple times, and had another that was trying to come on to me because i have to do stretches for my lower back or else it locks up, and she saw this as an invitation for sex. my ex gf started treating me completely differently the second she discovered i didn't have a penis, to the point of actually progressing to yelling at me for being too whiny and emotional. the cis gay men that were there would talk about how breasts and vaginas were gross because they were gay men right next to me.

after leaving that community i feel so much better. i'm basically on my own, i don't mind it, that's how i like to live my life as a schizophrenic person, but outside of the way i interact with the community as someone who participates in education and activism, i don't really interact with queer communities. i'm tired of being harassed, targeted, insulted, misgendered, sexualized, and getting sexually assaulted.

this is the really sad truth right now. transmascs and trans men in particular usually live outside of queer communities. we are so alienated. that's the entire reason people think we don't exist. it's because so many people will not let us exist inside of queer spaces, so we have to live elsewhere. so many trans men end up having to have mostly cishet friends to avoid drama and harassment. it's not that we don't exist- it's that a lot of people just will not let us take up space in queer communities long enough for people to see how many of us there are. there are a lot of us, but we aren't being allowed to exist inside of queer spaces, so people trick themselves into thinking we're not real trans people

you do deserve better. i hope in time the trans community learns to treat trans men better. you don't deserve to have to alienate yourself like that, but that's just how things are right now. take care of yourself. you're important even if people don't want you to feel like you are.

[bogkeep]

okay i Finally. finished wind and truth

first i wanna preface that maybe i should've waited to read/listen to this book until i was in the right mood for it, and until i had some better Quality Audiobook Focus Time (which is usually when i work with clocks at school) instead of scattering it piecemeal throughout my winter break. at least the second half i've been listening to while assembling watches at my practice placement, which has worked very well.

as for the Mood, i just haven't been vibing that much with brandon sanderson's work lately, not because it's Bad or anything, it just hasn't been scratching the right itch. i still feel dismayed with all the worldhopper business and the MCU feel that they invoke in me. i also feel like the last two books have had more of a pathologizing bent to them, bringing contemporary psychology into a high fantasy world in a way that feels Weird. i loved the first three stormlight books so so much and they didn't feel Like That, i think. granted, i also read them for the first time before a kind of. uh. a period in my life that for better or for worse changed who i am as a person, and my tastes in stories might just have Changed.

i think the two first books especially have a much more limited scope, and stayed very close to their worldbuilding, which was a huge draw for me in the first place. but with the introduction of more and more Cosmere Lore and Off-World Characters it has gotten harder for me to keep up and keep invested in the larger plot, like... first we establish a lot of rules and now we insert elements that don't follow the established rules so keep up!! same goes with the modern psychology aspects - inserting concepts from our contemporary culture, particularly concepts that our perception of which changes frequently as we learn more about them, into a world as alien as roshar, just. feels intrusive! obviously i think roshar should have therapists, but it seems incredibly odd to me that nobody on this planet has "invented" therapy in any form for thousands of years. idk. i don't know how to feel about kaladin's therapist arc! thematically, as a synthesis between his medical identity and his military identity, i'd buy it. he's always been inspiring and has experience overcoming bad brain times. but in practice... idk!!! idk. i think angling it explicitly as therapy made it weird to me.

it was similar with shallan's plurality - book three had her accepting her plurality, and book four had this incredible intro with her being open about it, changing her hair color to indicate who was fronting, veil making friends with kaladin and adolin as her own person, i Loved That So Much. but then the book got like, Really medical and clinical about it, like you can tell the author talked to some people for increased accuracy, but it... mh. reducing shallan's alters from their own people to "no we are Purely a coping mechanism who only exist as training wheels to you" made me so sad. like, Thematically i understand why shallan's story is taking the integration route, but it made me so sad to fridge veil over it! like, several characters in these books get arcs centering about accepting their personhood and their right to exist in peace and make their own choices, but veil and radiant Don't Get That because the story hammers in that they're Just coping mechanisms. i would personally much have preferred that for shallan's character development, they relinquish their burdens to her (her Memories and her Violence) and then they could stay and exist and find identities beyond those burdens. maybe that's a radical take but it is my take

ANYWAY sorry that's a lot of lukewarm dismay. here's things i enjoyed:

- ace jasnah !!!! jasnah is ace.

- i really liked kaladin's, dalinar's, szeth's and adolin's arcs !

- genuinely dalinar is an incredibly written character and his arc over all five books is really really good and i think about dalinar moments often. i love that he has changed so much and still finds new ways to change. i can't believe it took like five books for me to go "wait is the way of kings just The Bible. is this an allegory for the bible" and even then i still think it works so so well. like i think his story would rule even if it was just straight up the bible and nohadon is jesus

- kaladin and syl dancing together <33333333

- very happy for renarin and rlain congrats to them

- the more i think about adolin's arc the more i love it. i love that he lost a leg Possibly Permanently. i love that he had a Privilege Revelation in the middle of a life or death fight. i love that he forms bonds with spren without oaths that rules so much

- gavinor as odium's champion was an inspired choice!!!!! i'm sad that he got sidelined so early when things could get soooo juicy

- i am So pleased szeth fired his spren. i am also very pleased that his spren got character development

- oh god when i realised szeth's mental illness arc was moral ocd. yowch (complimentary)

- szeth's story in general... man !!!!!!!

anyway that's what ive got for now. my freshest impressions straight from the oven

[roguephenon]

I don’t think it’s rude at all, don’t worry.

In of itself, my takeaway is whether or not the choice is right or not, it should be their own to make. The illusion of control and the fear that control manifests is what I aim to address, not the process itself. Because as you touched on, the process is just a metaphor.

I go more in depth in my fics and ultimately provide what I think is an “answer” there, but below is in excerpt from the completed work that sums up thoughts on decommissioning and how it became what it is in the show: forces of power above kids manipulating things to take advantage of their fear to maintain control.

From Cold Reception, chapter 29: The Lament of the Inner Child

…"In fact, all of you are. You're all just like your stupid parents—ostracizing ME just because I tried to meet everyone halfway. Picking on ME because I woke up faster than everyone!" Father roared, fire shooting yet another hole in the ceiling of the foyer. "BLAMING ME WHEN ALL I WANTED WAS FOR EVERYONE TO JUST LISTEN TO ADULTS SO THEY WOULDN'T PUNISH US!"

The man reared back on Nigel, spitting embers in the boy's face as he ranted. "Because Monty was right—you're all kids. ALL OF YOU! Spoiled, whiny, snot-nosed kids who don't know what's good for them, even when I do the work to spell it out for you CLEAR AS DAY!"

Nigel bristled. "'Spell it out?!' You—you changed our history. You erased our stories! You made it to where all the operatives of the modern era had to kowtow to the Important One's original design and make us forget our childhood—give up what makes us, US!"

"BZZZT. Wroooong!" Father raspberried as he forcibly poked Nigel's nose. "I only took out the bit about it being optional. That emotional junk about storing your memories away for a rainy day? Preserving your core childhood? I LEFT THAT IN!"

Nigel balked. "W-What?"

"Oh, yeah! If it wasn't for ME not touching up that bit of text, your leaders woulda followed that script to the letter and let 'em lobotomize the lot of ya!" Father seethed. He leaned back, pinching his nose in frustration. "It's not MY fault none of you brats ever stopped to consider, 'hey, maybe we SHOULDN'T force all our best operatives to go through years of grueling service and kick 'em to the curb like yesterday's dog doodie!' Your lack of critical thinking skills is NOT my problem!"

"B-But—"

"But! But! But!" Father mockingly teased, twisting his hands in a 'wah-wah!' motion before scoffing. "So the great Numbuh Zero decides to—as far as he knows—bend a few rules and make it so some of you can keep going past 13, and it never occurred to you idiots to maybe, I don't know, expand on that? Cry me a river!"

All the leadership present winced, bowing their heads in shame. In hindsight, their humility and strict adherence to picking and choosing which rules to question cost them significantly.

"Just proves my point that NONE of you know what's best for yourselves, even when it stares you right in the face. I may have eliminated the optional clause, but I never changed what your founders envisioned decommissioning to truly be. It was never meant to just protect the Kids Next Door," he narrowed his eyes in sick satisfaction, "It was meant to be the Kids Next Door's last way to protect YOU when it was time to face the music and grow up."

What’s your take on decommissioning? Do you think it’s something the KND should keep doing or get rid of? Becuase it seems like it causes more harm than good.

I mean in the context of the show and what we know, it can be pretty brutal and most kids rightfully dread it. At its core it’s like every other concept in the show: something taken to the extreme like how you forget some things you did as a child.

My personal take is I don’t like to take things to their obvious conclusion. IMO, decommissioning shouldn’t be gotten rid of, it’s something that should be made a choice. I think Monty’s a good example of that. He chose to be decommissioned again.

He’s not a kid anymore. He’s an adult. He’s a dad. He has a responsibility to be a good parent now.

My analysis of decommissioning and the fear of it just represents the overall fear of change and how we desperately like to try to hold on to things. Some of which may not even serve us anymore.

Even in the show I feel like the “erased” bit gets thrown around too freely and maybe on some level, illustrates how maybe even the kids of the KND themselves don’t fully understand it. The memories aren’t erased, I think they’re just stored somewhere deep down. How could you recommission something that isn’t there anymore? Those are just my thoughts tho.

[bayetea]

seeing non-black people critique rick's portrayal of black characters is interesting sometimes. only like 30% of the critiques I see make any sense to me to be honest

[mantisgodsdomain]

Our apologies if we're... inconsistent in the next little bit. If you'll allow us to be briefly negative, the 3DS/WiiU online services shutdown is... hitting us, with the abrupt GRIEF of something that was loved and cherished and cared for being abruptly... shut down, just like that. Features taken out forever. Parts of games that could have been loved for years to come simply being... gone. An axe that, unlike with older games, CAN'T simply be recovered from, except with infrastructure. Communication between games lost forever. A whole link in things gone, with a lifespan of barely more than twelve years.

It's...

We enjoy the Pokemon games. If we were to start a trade between two GBA Emerald cartridges nowadays, provided we tracked down the hardware, it could still be done. Nothing is lost of communication features. Platinum is a full game without the wifi features, albeit missing a few trade evolutions, and if you have a wifi router with antiquated enough settings, you can still transfer your pokemon forward to Gen 5. Black and White lose few features and can be played in full without hurting too much. With the 3ds...

Pokemon Bank being shut down means no more transfers to future games. A guillotine to transferring beloved Pokemon forward, with no real remedy. ORAS's secret bases rely on passively collecting data from other participants to function. Hacking 3DS games is already difficult, and we doubt that reverse engineering parts of infrastructure that are simply gone will be easy. Maybe it's just other things fucking with us, and we're definitely being a bit dramatic, but... the eShop shutdown already cut off massive amounts of previously playable games. Who will archive online features? Who will archive the things that require connective infrastructure? As things grow more complicated, they grow more difficult to repair. How long before it becomes impossible to replace that which once was?

Twelve years feels like a horribly short lifespan for any technology, and things keep trending worse - making things faster and faster and more and more rushed as the structures they're built on require more and more work. This isn't sustainable. This can't keep going. This market is running faster than we can handle, and it feels like it's only getting faster. Modern things keep being discarded the moment they aren't shiny and new, keep leaning more and more on communication and intercommunication and infrastructure that will rot the moment it isn't actively attended to. How much worse will it be for future things?

There is a game on our computer, fully installed. No online features at all. Yet, it cannot be played. It was made with AOV to prevent piracy, and the servers it was meant to connect to no longer exist.

We don't want more games to be made the same way. But we don't think that this road branches anywhere but an awful demise, approaching faster and faster by the day.

[atlantic-riona]

big fan of things ending. for good, even.

[autistichalsin]

In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.

[shannonpurdyjones]

One side effect of my research for this novel being steeped heavily in textile history is my swelling disgust with modern fabrics.

Firstly they're so thin? Like most things you see in Old Navy or even department stores might as well be tissue paper?? Even some branded sports t-shirts I've bought in recent years (that are supposed to be 'official apparel' and allegedly decent quality) are definitely not going to hold up more than a year or two without getting little holes from wear.

This side of even two hundred years ago fabrics were made to be used for YEARS, and that's with wearing them way more often because you only owned like three sets of clothes. They were thick and well made and most importantly made to LAST. And they were gorgeous?? Some of the weaves were so fine and the drape so buttery we still don't entirely know how these people managed to make them BY HAND. Not to mention intricate patterning and details that turned even some simple garments into freaking ART.

I know this is not news, the fast fashion phenomenon is well documented. Reading so much about the amazing fabrics we used to create and how we cherished and valued them, though, is making it hard not to mourn what we lost to mass production and capitalism. Not just the quality of the clothing and fabrics themselves, but the generations of knowledge and techniques that are just gone. It makes me what to cry.

I need to get a sewing machine.

[ponett]

Any opinion on the Pokemon Gigaleak or nah?

I think seeing some of the WIP assets from when gen 3 was in development is kinda neat, because Game Freak is normally so secretive about that kind of thing. But beyond that I mostly just find this whole situation tiring.

Fans have a tendency to almost treat scrapped material as "more canon" than whatever actually made it into the finished product, in a way. It's treated as this pure, unfiltered insight into the creators' true vision. In reality, most of the time this stuff gets cut for a reason. Sometimes they very quickly realize it was a bad idea that was never gonna work, and they don't go very far with it. Sometimes it's a pitch from just one guy on the team that was never gonna get accepted. Sometimes they're just spitballing. Experimentation and iteration and knowing when to cut things are integral parts of the artistic process.

And hell, a lot of the time creators will just mess around with an idea purely as a creative exercise, or to get an idea out of their system, or to explore a crazy what-if scenario, or even just as a joke, with no intention of ever actually using those ideas. We recently saw this same thing happened with those leaked Rebecca Sugar sketches, where people were like "OMG Rebecca ships this, this is what they REALLY wanted to do with the show, this is canon, this was happening off-screen!!" And it's like, y'all have no idea how much crazy shit your favorite artists draw with their characters just to amuse themselves. The crew on Clarence had a not-so-secret Tumblr where they redrew scenes from Evangelion with Clarence characters. That doesn't mean they wanted to turn Clarence into Eva. They were just screwing around. This happens all the time, and with way more extreme examples than these. Lord knows how many Disney animators have drawn Mickey Mouse with his dick out over the years. That doesn't mean they ever actually wanted to make an official Mickey Mouse porno.

And, of course, there's the response to those myths that were never supposed to see the light of day. Anyone who's even passingly familiar with mythology from just about any part of the world shouldn't be surprised to hear fables about humans and animals having babies or whatever. But now people are responding to those unused stories and going "OMG Game Freak is a bunch of gooners who want humans and Pokemon to have sex!! This is canon!!!" It's so fucking tiring. So much of the modern internet, particularly Twitter, is driven by people who just want an excuse to whip out their favorite shocked/disgusted reaction image and ham up their reaction to something that isn't actually all that shocking. Everyone just wants to get their funny dunks in and feign moral superiority. It's childish. And it's because of reactions like this that this stuff was never supposed to see the light of day in the first place. But fans feel like they're owed every single shred of info from the development of their favorite franchises, so these leaks happen and people run wild with them.

(It also doesn't help that this is all just sourced back to a 4chan thread, so people were posting fake shit between the real leaks and muddying the waters. And also most of it is in Japanese, so people are just sticking documents through Google Translate and going "whooooaaaa this is canon")

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[darknight3904]

buy me presents, baby!

Joel Miller x Fem!Reader

Summary: The holiday season is packed enough as it is. On top of it all, Joel has a cute little girlfriend he just can't seem to resist spoiling...

Warnings: 18+ Explicit Smut Unprotected p in v, literally one spank, riding, missionary, Joel's a bit of a tease, pregnancy mention (no ones actually pregnant, don't worry) No outbreak au, modern au, viagra mention, unspecified age gap (mid/early-20s reader in mind), Rich older bf Joel!! I don't know how Hinge works sorry.

Word Count: 2.7k

Based on the song buy me presents by Sabrina Carpenter

Masterlist

The local mall was a buzz with what you swore was the entire state of Texas. Everywhere you turned, someone was brushing by you, mumbling an excuse me or just grunting an apology.

"Maybe we should just go home...There's so many people here." You say as you stand off to the side.

"Oh c'mon we drove all the way here, don't you wanna take a peek at some things, darlin'?"

Joel's warm southern tone sent a tingle of warmth down your spine. He was always so charming, that's how he won you over in the first place, his charm.

You'd stumbled across his Hinge profile six months ago. Your friend, Jess had jokingly set your profile to look for men over ten years older than you.

"Trust me, Dilfs are a whole different ballpark, girl!"

You hadn't believed her, after all, who would want some old half-bald, blue pill-taking man sitting across from them at dinner?

Things of course changed late one Wednesday night when Joel, 40 popped up on your screen. Not only did he have all his hair (and teeth!) but damn it he was so hot.

For lack of a better word, Joel was the perfect gentleman. He'd picked you up for your first date right at 7, opened all the doors for you, and even pulled your chair out for you to sit at the restaurant. Conversation had flowed so easily with him, that you'd almost forgotten you had just met the man across from you.

Fast forward a few months and here you were walking the mall with the head and Co-owner of Miller Construction Co. Joel's big hand cradled yours as he opened the door to Sephora.

"Said you needed some more of that lip balm you like right? Let's get it now."

You nodded and let him pull you into the store. He always did this, pulled you into stores so you could look at things. Of course, that wouldn't be a problem if he wasn't always buying half the things you picked up to admire. Hell, one time you were at Macy's with him and made a joke about the adult Spiderman onesie that was being sold, two days later it was sitting in your lap in just your size.

Jess had told you to enjoy it, to let him buy you everything your little heart desired but you couldn't help but feel guilty. You already spent most of your time sleeping at Joel's place, showering there, and eating his food. What were you even working for if you couldn't buy a measly lip balm for yourself?!

You pulled the one you wanted from the shelf. You'd run out a few days ago and your lips had begun to crack without it. Your eyes fell down to look at the price that was beside the scent

Twenty-four bucks?! That was nearly two hours of working at the shitty secretary job you had down at the local library! Whoever was setting prices at this company needed a serious reality check.

Joel's back was turned as he was staring at an array of brushes, mumbling that no one needed that many things for their face. Perfect! You could sneakily set this back on the display and-

"What're you doin'? Isn't that the one?"

Shit.

"Well yeah, but..."

"Then put it in the basket."

Joel's outstretched arm came up to present the little black and white basket he'd taken from a worker when the two of you entered.

"I just think that twenty-four bucks is too much for a little tube of lip balm. I think I'll just switch back to Carmex or Burts Bee's."

"Darlin' I'll buy it." Joel gave you a warm smile, "Let me spoil you."

"No way! You just bought me dinner!" You shake your head, thinking of your leftovers that sat in the backseat of his car.

"And now I wanna buy you a lip balm," Joel says taking it from your hands to put in the basket.

"Nope. We're not getting it." You say, pulling it from his hands and tossing it back on the shelf, "Let's leave."

Joel protests but lets you pull him from the store and back to the car.

Three days later...

Joel never liked shopping. He'd always been the kind of guy who bought the same shirt in multiple colors just because it made sense in his mind. Even when the company had taken off and he and Tommy were living comfortably instead of paycheck to paycheck, he hadn't really found an excuse to indulge and spend a lot of his hard-earned cash. Sure, he'd dropped a lot on a new car after his poor pickup truck had gotten rear-ended two years ago, damn teen drivers. Then, there was the new roof that his house needed last summer. But, both of those were easily paid off and Joel often found himself with a bank account higher than necessary.

It never bothered him, after all, it just meant retirement would come quicker, and if he ever had kids they'd have a lot of inheritance. Yes, Joel was happy living his simple lifestyle. Of course, that was until he met you...

You were just perfect in Joel's eyes. From the moment he saw you on that dating app Tommy had stuck on his phone, he'd known you were the one for him. Initially, he'd felt weird when he'd swiped on you, after all, you were so young compared to him. His fears though, they'd vanished the moment you started laughing at his lame jokes, adding your own even worse ones to the conversation. Yes, you were just perfect for him.

Now, it was December, the holiday season was in full swing and Joel found himself itching to spend some of that cash that'd been sitting in the bank for ages. He'd spent the last six months trying to keep the spending to a minimum, you always scolded him despite enjoying all of his gifts and he'd hate to make you feel uncomfortable. But after today when you'd put that little lip balm back on the shelf, he'd felt sad for you. Joel hadn't missed your small frown when it clattered back onto the display next to the others. You wanted that lip balm and, you were going to get that lip balm.

It was as if he was a man possessed. Three hours had passed since he'd walked into this mall and his arms were begging to feel a bit sore. Sure, he'd bought you the lip balm but before he knew it, he was wandering into all the other stores, looking for things that'd make you smile and cover his face in kisses. As he loaded the bags into the trunk a bit of worry crossed his mind. Had he gone overboard?

No, there definitely could be more...

December 25th, Christmas Morning at Joel Miller's

The warm scent of coffee had your eyes slowly pulling open. You groaned and pulled yourself out of bed, fumbling to pull Joel's shirt on before finding your discarded panties from last night. Whoever told you that older men needed Viagra to get it up clearly hadn't met Joel.

You padded down the steps to see Joel hunched over the stove, flipping pancakes while his beloved coffee maker brewed.

"Morning." You chirp, wrapping your arms around him, and resting your hands on his soft belly.

"Good morning." Joel's deep voice filled your ears

You greedily let your hands slip under the waistband of his plaid pajama pants. Joel lets out a hum and scoots away from you.

"Keep that up and we won't be eating or opening gifts til noon."

You roll your eyes and go to pour him his coffee.

After a delicious breakfast, Joel pulled you into the living room where your jaw nearly met the floor. Last night when you'd passed out in bed after the third round, there had been six presents under the tree, three from him and three from you. Now there had to be over triple that.

"What did you do?" You ask, spinning around to face Joel.

"What? I'm not allowed to spoil you?" Joel asks, a boyish grin on his face.

"It's like you bought the whole damn store and put it in your living room." You point out

"Not the whole store, just some of it." Joel laughs

Nearly an hour later, you were sitting in a pile of wrapping paper and bows.

"Alright, last one," Joel says, pulling a small gift bag with a snowman on it out.

You sigh in fake exhaustion, "Hand it over, cowboy."

Joel snorts and hands you the bag which a moment later you find has the lip balm you'd put back the other day.

"Went back and bought it for ya. Got a little distracted though..." Joel smiles

"Oh, only a little? Is that why there's lingerie and a new pair of boots sitting in boxes next to me?" You laugh, "Not to mention you even bought me a new frying pan."

"Yeah, just a little sidetracked s' all," Joel says, looking at the many different things he'd found for you.

"Thank you, Joel." You smile earnestly, "It's your turn now."

"Why don't ya model this for me, darlin'?" Joel asks, pushing the red babydoll dress towards you

"But what about your presents?" You pout, "I put a lot of thought into the one with the green paper."

"Give me a fashion show, it can be part of the gift." Joel coerces.

"Ugh, you're lucky you're hot, Joel." You huff, scooping the fabric up and heading off to the bathroom.

Joel lets out a long whistle as you reenter the living room, "Well, would you look at that?"

"Pervert." You scoff as he pulls you into his lap

"Not allowed to appreciate my girl?" He asks, pressing a kiss to your cheek

"You just wanted to see what my boobs looked like in red lace." You point out

Joel gives you a grin, busted.

"Nah, what makes you think that?"

Joel's lips capture yours and his hands secure themselves at your waist. Your resolve loosens as your hands curl against the soft skin of his chest.

"What about your presents?" You ask breathlessly when he pulls back

"Got everything I want right here." He says, "Let's go upstairs, this old man needs a bed if he's gonna fuck you silly."

Joel's hands are back on you the moment he kicks the bedroom door shut. His lips find yours again as his hands begin to pull the straps of your outfit off your shoulders.

Your back hits the mattress and one of Joel's big hands snakes down between your thighs.

"Still wet from last night." Joel laughs into the kiss

"Mmm, I think it was from earlier. Seeing you shirtless, cooking for me was hot." You admit

"Yeah? Y'like me cookin' for ya?" Joel asks

"Course, who wouldn't wanna see a hot old man cooking pancakes for them on Christmas?" You tease

Joel delivers a sharp slap to your inner thigh, "Not that old, darlin'."

"Sure you aren't."

You push at his shoulders and straddle him, loving the way his hands gently rest on your thighs.

You hum in delight as his hips lift and he pulls his pants off, finally exposing the rest of his body to your greedy eyes. Joel's lips ghost over your nipples, teasing them with his tongue as he lifts you up so he's notched at your entrance. Eager, you move to push him in but he stops you.

"What do ya say, baby?" Joel teases

"C'mon Joel..." You groan, "I want it."

"Ask nicely then," he clicks his tongue, "Go on,"

You huff a small breath of frustration and Joel's hands squeeze your hips.

"Please," You mumble

"What was that? This old man needs some help hearin' ya." Joel prods

"Please, fuck me, Joel." You groan, wiggling your hips as the head of his cock teases your hole.

"S' what I wanted to hear," Joel says, pressing a wet kiss to your neck

Joel's loud groan mingles with your girlish one as he lets you go to take him in. Your mind goes blank as your hips begin to rock. Joel's hands roam your body as he pinches and teases the sensitive flesh of your chest.

"C'mon girlie, give it to me." He encourages

"I'm trying." You huff, the feel of your burning thighs was slowing you down

A loud slap rings out followed by a yelp from your mouth. Joel's big hand rubs at the reddened mark on your soft skin.

"Don't worry, I gotcha, sweetheart, let me."

Your world turns as Joel lays you back down on the soft mattress, pushing your knees to your chest you're practically folded in half as he pushes in again.

"Fuck me..." Joel groans in pleasure above you.

"Already am." You laugh breathlessly

Joel shakes his head but you see the smile playing on his lips.

Rough thrusts steal your breath away as Joel begins moving his hips in earnest. The softness of his belly meets yours as he leans over you and presses his lips to yours. A hand pushes into the middle of your shared mess and a finger toys with your clit. A whimper escapes your lips as Joel groans when you tighten around him.

"Gonna let me come inside ya hmm? It'd be the perfect Christmas gift for me darlin'..."

Your brain is mush as Joel's finger plays with you while his cock relentlessly slams into you. Your stomach tightens as he continues.

"I-I'm gonna-"

"C'mon let it out, soak my fucking cock." Joel commands

As if he's magic your body yields to him and you come. A strangled groan leaves Joel's lips while your eyes slam shut.

"Good girl." Joel coos down at you, his hips never slowing.

"Joel!" You gasp, the pain of overstimulation beginning to ebb at your brain.

Joel lets out a soft moan of his own, his brow furred in concentration.

"Where?" He asks

"I-Inside" You gasp

Joel smirks, "Yeah? Gonna take it like a good girl? Let me knock ya up, pop out a brat for me in nine months?"

"Yes!" Your hips arch off the bed when his hand comes down to grind at your clit.

Joel's hips stutter against you and a loud moan escapes him as he fills you. Gentle thrusts follow as he comes down, dropping your legs as he does.

Joel flops down beside you on the bed, his chest heaves a bit as the two of you catch your breath.

"Y'okay?"

"Always." You say looking over at him with a dopey grin on your face

"Wanna go finish those pancakes?" Joel asks

You laugh, Joel was such a typical guy, thinking with his stomach, "You just fucked me and threatened to knock me up but your first thought is pancakes?"

"Well, I was gonna get a washcloth and clean ya up first, if that matters," Joel says

"Wow, what a gentleman." You scoff

"Glad you think so." Joel mumbles

You lay next to him in silence, listening to his breathing and watching his eyes flutter shut in satisfaction.

"What if we did?" You ask

"Did what?" Joel asks looking at you, "If you're talking about round two, I'll need a few more minutes, I'm not twenty anymore."

You slap his shoulder and roll onto your belly, "No, perv. I meant a baby. You were just talking about getting me pregnant."

Joel looks over at you like you've lost your mind, "Are you being serious right now?"

"Totally. You don't want a mini us running around?" You ask hopefully

"Course I do baby, didn't ever think a pretty young thing like you would want that with me though," Joel admits, pulling you towards him so you're resting partially on top of him

"Really Joel?" You scoff, "You're like the hottest guy in the world."

"Now you're just buttering me up." He laughs his head hitting the pillows behind him

"I'm serious!" You smile as he presses a gentle kiss to your lips

Soft silence flutters around you as you watch the gears turn in his mind.

"Gonna have to marry you if you start popping my kids out." Joel grins

"Of course," You laugh, "You think I'm gonna go into labor without a ring on my hand?"

Joel's nose brushes yours as he leans a bit closer to your face, practically breathing in your scent. His hand grasps yours where it rests on his chest.

"Guess I gotta start looking at jewelry then, darlin'. You're gonna have the prettiest ring in all of Texas."

"Ugh, there you go again, plotting to spend way too much money on me again." You groan in embarrassment.

Joel leans in and steals a kiss from you, the taste of pancakes and syrup lingers on his tongue as he does.

"Gotta humor me here," He smiles into the kiss, "Let me buy you presents, baby."

Consider this a mini-rant against the people behind the prices at Sephora. I'm looking at you Summer Fridays...

Want more Joel? Check out my series All Too Well.

[abbyssgf]

𝐛𝐞𝐬𝐭𝐟𝐫𝐢𝐞𝐧𝐝!𝐒𝐞𝐯𝐢𝐤𝐚 𝐱 𝐟𝐞𝐦!𝐫𝐞𝐚𝐝𝐞𝐫 | 𝐢 𝐰𝐚𝐧𝐭 𝐭𝐨 𝐭𝐚𝐬𝐭𝐞 𝐲𝐨𝐮 𝐝𝐚𝐫𝐥𝐢𝐧’

• concept: you go to one of your friends party with your bestfriend, Sevika. You didn't tell her but you have a feelings for her but who knows what could happen during the party? (modern au)

• words: around 3,5k (i got a little carried away)

• warnings: nsfw, sevika eats reader out, soft dom!sevika and sub!reader, alcohol, cigarettes, sevika call' reader pet names; "baby", "darling", "sweetheart", etc. yeah I think that's all

• author note: it's my first published fanfic and I hope you'll like it guys especially sevika lovers (love ya guys) I had so much fun writing it and have fun reading this fanfic!😜💕 (also english is not my first language so if i've made some mistakes then i'm sorry!!)

You were getting ready for Ran's party, from around 4.p.m to 5.p.m. You did yourself makeup, did your hair and chose your perfect outfit for a party; white top and black skirt (with small pants underneath for safety). Actually was an a 5:30.p.m and you heard your phone got a text, you reached up for your phone and saw a test from your bestfriend, sevika, a message

"hang up, darlin', I'm in front of your apartment"

You smiled reading this. You and sevika were besfriends, nothing more…at least that was the thought you've tried to believe. You've always had a crush on sevika, her muscles, her perfect lips, her brown eyes, her dark hair and just her…she is perfect. But you didn't want to make things between you two uncomfortable so you didn't tell sev that you like her, more than just a friend.

Finally you take your purse and pack things in it such as your phone, charger, tissues, tampons (for an emergency), your lipstick and some chewing gums. You put your purse on your shoulder, you put your shoes on, take the keys from your apartment and leave your house locking your doors behind you.

The first thing you saw was sevika's car in front of your house, waiting for you. You smiled under your breath when you saw sevika next to her car, sevika's car was mixed up with black and purple color. She smiled at you when you came closer to her.

"you look amazing" sevika said to you and slight blush came at your cheeks and you hope that sevika didn't notice this, 'cause it would be awkward because she is your friend

"Thanks, vika, you look great too" you replied to her with a gentle smile on your face.

Sevika's hair was arranged on gel, she had lines made with black ink, and was wearing a black shirt without sleeves that emphasized her arm muscles and black elegant pants, you could feel how riled up you started to be only by looking at sevika in this outfit which only make her sexier, you cleared your throat "lets go, we don't want to be late don't we?" you said to sevika.

she smiled at you nodding her head, she opened the passenger door to you. you said a little 'thanks' and you got into a car a few seconds later sevika got into her driver seat, closing the door behind her and she started to drive towards Ran's house. a silence was between two so you decided to ask sev if you could put some music on so the drive wouldn't be so silent between two but of course you know that you or sevika don't mind the silence cause it was comfortable in some way.

you connected your phone to sevika's car and opened spotify

"hey, I'm gonna play the new song of Billie Eilish, 'kay?" you said to sevika and she nodded focused on the road. you open the song named 'guess' from billie eilish and charli xcx the song filled the car with lyrics and you listened to it singing softly words under your breath meanwhile sevika listened to the words and smirked while listening to your voice.

after a while you saw familiar home of your friend and soon sevika parked in front of the house of Ran, you both got out of the car and sevika gave you a small smile "ready to go?" she asked you and you smiled wilde "yeah, lets have some fucking fun" and with that you caught sevika's hand and you dragged her with you to Ran's house and a small blush on sevika's checks passed unnoticed by you.

you and sevika entered the house and you were immediately greeted by loud music coming probably from the living room, the kitchen, which was visible from the entrance to the house, had a lot of food on the table, from healthy things to sweet and salty snacks and alcohol. well the party was just starting, but you could already feel the adrenaline in your body and excitement filled your body, you said hello to some of your friends and sevika also greeted her friends.

you go to the kitchen, grab a glass and you poured yourself some alcohol that was within your reach, few moments later sevika stand next to you and do the same, the alcohol immediately appeared in your body and you breathed a sigh of relief as you felt your body relax under the influence of the drink. sevika looked at herself from the corner of her eye, looking at you and she made a mental note to check on you later from time to time 'cause she was concerned that you'll drink a lot of more than you usually do (you never didn't drink more than usual but she was still concerned about you).

between those two hours you drink more alcohol but not that many that you wouldn't recognize where you are and sevika comes to your side from time to time to check how you are feeling. Actually you were chatting with one of your friend, Olivia talking about everything that crossed your mind, laughing with her and you two were sitting on the couch. While chatting you noticed that sevika went out to the terrace, probably to smoke a cigarette. lately you didn't talk with her so you decided to go after her.

"sorry, im gonna talk to sevika. i'll be right back, okay?" you said to Olivia and she just nodded. you got up from the couch and you headed to the terrace after sevika. since it was autumn, cold weather hit you when you stopped at the terrace and you stood next to sevika smiling gently "you're having fun?" you asked her looking at her, sevika raised her eyebrow and huffed "aren't you cold?" she asked looking at your outfit up and down. you shrugged "i'll be fine, I will back to the house in a moment" you replied looking at sevika when she lighted her cigarette and she put it to her lips and she wrapped her muscular hand around your waist, pulling you close to her to keep you warm, at least for a moment

your check went slightly pink because of the cold but also because of the feeling sevika arm around you and her hand on your waist. "yeah" sevika murmured her response to your question then she pulled out of her lips the cigarette rolling her head to sideways and she blew smoke from her mouth while she do it your gaze slipped softly do sevika's lips and your mind started to wondering how her lips would feel against yours you didn't know but sevika's thoughts where exactly the same she was wondering god knows how long how your lips would feel against her, how soft would be your neck while she would prepare it with her kisses. without even noticing you came closer to sevika maybe you did it because you weren't thinking while looking at her lips or the alcohol you drank added your body some confidence to do what you wanted for a long time.

"you have a beautiful lips" you murmured under your breath, sevika's eyes widened slightly and she felt her heart beat faster for a moment, quickly she smirked and looked at you "oh yeah?" she answered cocky and the smell of cigarettes filled your nostrils "you know your lips are pretty too, they look really kissable" she said and you giggled "you wanna find out is that true?" you asked and when sevika heard those words she dropped her cigarette, you didn't even have a moment to react and her lips where already on your while she pressed her body against your, her hand tightened on your waist even more and her second hand embraced the back of your neck missing you softly.

you grinned when she started kissing you and you replied with the same gentle kiss, sevika kissed you like she was exploring softly new territory, excited and happiness filled your body just like hers. you wrapped your arms gently around sevika's neck bringing her closer to you. now you could respond to your question, her lips against your feels…amazing and you wish you could kiss those lips every day until you'll die.

sevika slowly moved away and her gaze immediately went to your eyes and she smiled, letting out a breath as the tension disappeared from her body as she did what she had wanted for a long time as she approached you; to kiss your lips "I like the taste of yours lips on mine" she said softly and you giggled "yeah, I can say that about yours too". for a moment you two were silent, just looking at each other's eyes.

sevika looked around and kissed the corner of your lips "you want to get to a warmer place, darlin'?" she asked and you nodded immediately answering "god, yes let's get out of here". The two of you grabbed your own hands together and returned to Ran's house to go upstairs. music was playing in the background and you could hear other people talking and laughing but you couldn't even care while sevika's hand were around yours and you two were going upstairs.

you entered the first room you found and sevika closed the door behind you two. your eyes met and sevika wrapped her arms around your waist bringing you again closer to her. you could feel that your heart was buzzing with excitement. sevika smiled looking at you and her thumb crossed a gentle circles on your waist. you leaned closer to her and you closed your lips in kiss this time it wasn't as soft as the first time, now it was more confident.

sevika's tongue brushed against your lower lip as if asking for access to your mouth, you let sevika's tongue slipped into your mouth and she started exploring your soft lips. at the feeling you let a soft quiet moan and you felt how sevika's hand tighten on your waist when she heard it.

unfortunately sevika pulled away and looked into your eyes "wait" she said and took a deep breath before she started speaking "before we will continue…this. I want to know if you really want this, sweetheart, If not I won't do anything without your permiss-" you cut her speaking with a kiss on her mouth. sevika raised her eyebrows "did you just kiss me to shut me up?" she asked and you shrugged "no?" you said with a smirk on your face. sevika huffed and rolled her eyes playfully

"sevy" you started with one of her nicknames you often used "I drank alcohol but i'm not that drunk to not have control over my body, yes i want to do it and I want you to continue this" while you were speaking sevika listen you carefully. she smiled and leaned to you "good, 'cause I want you to remember I'm gonna do to you right now" she whispered to your ear with her sultry voice and your body shivered.

she pulled you into a kiss, her lips where donating over yours and she started to tugging you into a bad which was at the end of the room. after a moment you felt a soft mattress under you and you could felt sevika's smile on your lips. you wrapped your arms around her neck while kissing her teasing the taste of her mouth. the heat between you two started to be more intense and overwhelming

"vika, I-…I want you" you whimpered into her lips and you could hear a soft little moan that escape sevika's lips. "I know, baby, I want you too" she murmured into your lips and she moved away just enough to look at you. both of you were looking into each other's eyes.

sevika's rough, sultry, hoarse voice filled the room when she started to speak looking straight into your eyes "I want to taste you, darlin'" she murmured and you smiled. with a smile on your face you started to take off your white top while keeping eye contact with sevika all the time. sevika growled when she saw that you do it really slowly just to tease her, she put her hands on yours and helps you to take faster your top off of you, her gaze leaned on your white bra with a bow between your tits and her lips stretched into a smirk

"you like it, huh?" you asked in a testing voice "you don't even know how much, baby" she murmured. she leaned closer to your neck and started to shower it firstly with soft kisses but the longer she was kissing you the passionately her kisses were getting. you moaned and placed your hand on her back. you could feel how sevika's hand on the back of your bra was unbuttoning it, easily taking it off of you and she threw your bra somewhere behind you two, she didn't even care where it would fall.

one of her large hand cupped your breast and you moaned feeling the heat that was between you two. you slipped your hands underneath sevika's shirt and tugged at it "sevika, take if off" you whimpered to her "no way in hell that you're undressing me and you'll stay in your clothes" sevika chuckled at your words, she kissed you on your lips and her hand squeezed your breast before she moved away and with a quick move she took off her shirt with a smirk on her lips clearly knowing you wanted to see her naked as much as she wanted to see you naked and beneath her.

"Whatever you say, baby" she said with a smile on her face and you could see a twinkle in her eye with excitement.

you rolled your eyes playfully seeing her that smirk and you grabbed her by her shoulders and you attracted her to another sloppy, passionate kiss. it wasn't that long until sevika started to kiss your neck again, then your shoulders, she went even lower having her head now between your breasts she she moved her head towards the right side and she filled your nipple with her lips sucking on it while her hand trapped your left breast and squeezed it and you let out a moan at the movement's

you felt how sevika bite your breast not enough to hurt you but enough to feel it, then with a crack she left her lips from your nipple and started to kiss your body lower, lower and lower showing to every centimeter of your body her love to you and how much. she worshiped you. you could feel how your core started to clench around nothing and pulsing turned on by sevika's movement. you couldn't wait when sevika would wrap her lips around your pussy and eat you out.

"sev" you moaned and you moved your hips frustrated and horny "please" you whimpered to her and you heard sevika's lower chuckle. "please what, baby? use words from the pretty mouth of you" she said smiling waiting for you to say what she really wanted to hear. "I need you, I need you sevika…please, sevy" you said to her and she smiled at your words "good" she murmured and she slipped her hands to your skirt and started to remove it off of you "legs up, darling" she said to you and you do it. With a quick move she removed it from you and threw it away.

sevika's gaze leaned on your light underwear and saw a small patch of your visible arousal, she smiled and the view and chuckled "damn, girl, you are already wet" she teased you and you moaned feeling a shiver that comes down to your core "shut up, sev, don't tease me" you whimpered to her. right now at this moment the only thing you wanted and needed is sevika between your legs.

sevika smiled and she slid off the bed only to kneel between your spread legs, she couldn't just wait to lay down her mouth on your clit but you have to wait just a little longer. she wrapped her muscular arms around your thighs and she pulled you closer to her and thanks to it sevika's head was between your inner thighs and you could even feel her breath on your skin.

"sevika" you moaned and slipped your hand to her black hair and she purred in approval at the move "hm?" she murmured looking up to you and your eyes looked down. god damn, sevika looked so hot between your legs you could come just by looking at her between your legs in front of your wet clint.

"…please" you whimpered and both of you couldn't wait any longer. sevika slid one of her hand under the waistband of your underwear and took off your underwear after a while. now while you were laying in front of her, naked, she'd felt a shiver down her spine as a wave of excitement, arousal and desire flooded her body.

"im gonna take care of you now, okay baby?" sevika said to you and without waiting for you response she leaned closer to your pussy and she covered your pussy with her lips. you moaned and the new feeling of sevika's lips on your pussy, it felt so good that the only thing your mind could think and focus is sevika between your legs and her mouth on your pussy.

At first, her sucking and licking was slow, as if she was enjoying her favorite dessert but when she felt how you tugged her by her hair as a quiet 'faster' she smirked and murmured between her licks "you want faster, baby, yeah?" you only could moan at her words and push her face further into your pussy

sevika moaned too and she didn't hesitate to go faster. her tongue rode between your folds then her mouth sucked your package. she was fully enjoying herself just by teasing you. you could feel how your orgasm started to come and you moaned "sevika…sevika, i'm close" you said to her and you only felt how her tongue started to work even faster sending a whole new heat towards your body.

to add more pleasure for you, sevika placed her thumb on your clit and started circling it. you moaned at the feeling and your thighs started to tremble a little showing that you are getting closer to orgasm, sevika notice's it and smiled murmured into your clit without stopping her movements "c'mon, sweetheart, come for me" she murmured and only a few moment's It was enough for you to come with a moan, barely able to keep from closing your legs around Sevika's face.

you groaned, rolling your eyes back as you laid your head on the mattress as you recovered from your orgasm trying to steady your breath. sevika smiled looking up at you observing how your body reacted after she brought you pleasure. she got up from her knees and leaned over until she was above you, with a smile on her face she leaned and kissed you on your lips and you could tease the feeling of your pleasure.

"you're the prettiest mess, baby" sevika whispered to you and gave you a kiss on the forehead. You smiled softly at her words and sighed after the orgasm. but then you tense up a little remembering that…both of you haven't told each other anything yet whether you are friends or... maybe something more, but after all of this you could sense that sevika wanted you as much as you wanted her.

"…sevika" you stated, sevika hearing you didn't call her by one of her nicknames that you gave her she frowned a little and became more serious "yeah, baby?" she asked so easily using one of the pet names she knew you loved.

"what...what are we?" you asked her. you were thinking that she would tense like you but no, she only smiled even more and chuckled slightly "you know what we are you just want to hear it" she said to you and leaned closer to you. her gaze slipped down to your lips and then to your eyes "I love you" she said with a gentle look at her eyes and you could feel happiness on your chest. "i love you too, sevy" you replied to her and kissed her gently on her lips "…so we're girlfriends?" you whispered and sevika nodded with a big, delicate smile on her face "yeah. you're my girlfriend, baby" she said to you and she captured your lips in a kiss to seal her words.