#we are everything you think isn't you
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leopardmask-ao3 · 8 months ago
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Day 10 - Stress
Drabble for @hermitadaymay.
“I have a kind of strange question for you, Stress.”
“Yeah, Joe? Fire away, then.”
“...What's it feel like? Being... made of Void and all.”
“...Huh.” Stress mulled this over. “I ain't exactly got a reference for bein’ anything else, so I dunno what you're wanting to hear...”
“Do your best, I guess?”
“Well...” Stress mused. “You lot can get a bit... disconnected from what's around ya. Even though we're all part of it together, y'know? Bein' a piece of Void means feeling that connection, super clearly, all the time.” She smiled. “It's certainly not something to be afraid of.”
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batcavescolony · 7 months ago
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Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.
#katniss everdeen#the hunger games trilogy#the hunger games#primrose everdeen#hunger games#batcavescolony reads the hunger games#suzanne collins#'now it seems i have become someone precious' NOW? GIRL BFFR you're their hunter girl#and this isn't negative just bffr girl#your WHOLE DISTRICT did the three finger salute that you yourself says means admiration thanks and goodbye to someone you love and on top is#old a rarely used. your WHOLE DISTRICT decided in that moment that they needed to bring back this sign of respect for YOU#...................................................................#idk why some people are thinking i mean this as negative i don't she is unreliable but its not intentional. like when Peeta heart stoped in#CF she doesn't know what Finnick is doing at first cus she doesn't know off the top of her head what cpr is. she also thinks Peeta after the#reaping is acting for the cameras. he isnt we dind out later his mom basically told him Katniss was gonna win and he would die. obviously#shes not doing it on purpose shes just for lack of better words uneducated? as in she doesn't know everything shes not omnipotent#so when Plutarch (? second games guy) shows her his mokingjay hiden watch shes like *wtf that's weird?* then the people traveling to#district 13 show her the mockingjay cookie and explains it and she then goes on the difference between his watch and their cookie#and why does eveyone act as if district 12 is as bad as the capital? they CANT help Katniss and Prim in the way you want. they cant give#them food. none of them have any! and im not putting iton Katniss but they hid they needed food so they could stay together. it sounds like#some of you are in this our world mentally of what people do after a loved one dies (brings food constantly checks on them etc) district 12#cant do that. they dont have food and they're all suffering. you cant give someone food when you have none to give. then theirs the fact#that peeta DID help. Peeta buring the bread and tossing some to her then taking a beating from his mom is a HUGE thing in the books.#he used his resources to help her like you all said someone should.#district 12 DID (rip) care about Katniss before the hunger games. why do you think she was allowed to hunt? or how her trades were good#these are the little ways 12 can shows Katniss they love her. but again Katniss doesn't see this and YES its because she had ptsd before the#hunger games as well. i swear some of you make it seem like d12 was all living a life of luxury and glaring down at Katniss.#other things that show Katniss is in hight standing with at least her people of d12 is her dad was known enough through d12 for peeta dad to#comment on his singing along with his commenting on her mom. also her mom is a healer in the community. yeah her parents arnt the top but#of d12 but they are/were definitely high staning in the Seam.
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demaparbat-hp · 2 months ago
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*pats Zuko's head* This bad boy can fit so many near-death experiences.
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Read For the Spirits Chapter VIII here!
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poorly-drawn-mdzs · 3 months ago
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Have you seen my little lad?
[First] Prev <–-> Next
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vaguely-concerned · 2 months ago
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To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:
— the world has changed and can never be as it was again.
— I have been changed and can never be who I was again.
— in this simple unavoidable truth there is endless grief and endless hope.
And I… may be getting a bit emotional about it haha. Let me show my work a bit: 
if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...
folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.
The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      
(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)
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fluentisonus · 1 month ago
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working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything
#like first you realize that You are making & doing things that you previously had thought - if you'd thought abt it at all - were automated#& you become incredibly aware of how all the materials you're working with came from somewhere - these plastic clips are from france; this#fabric is from india etc. and that there are people in factories there making those things and that they are also probably getting their#materials from somewhere#one of the little things that makes me think about this the most is we have these 50m rolls of cotton banding we see onto canvas & nets#and in theory it should be all one piece but sometimes it's actually two pieces which you discover when you get far enough in the roll and#find that there's a join where it's been stitched together by hand (!). which is a little annoying bc we can't use that bit so you have#to cut that but out & stitch it together again on the machine which interrupts what you were sewing before & slows you down But it's so#striking to me bc like it's really easy to look at this banding & it's so exactly the same & obviously machine made it's Really easy to#forget that there are people there running these machines. who notice there's a break & have to stop what they're doing & get a needle &#thread and stitch it together. by hand! like someone somewhere has handled exactly where I'm touching it & i don't even know where in the#world they are!#the other place this happens is often on the selvedge edge of the fabric there's writing in pencil i don't know ye meaning of but evidently#was important to the process somewhere & someone wrote that out#idk like it's really easy to watch those videos of really specific machines in factories & convince yourself that everything is automated#but the truth is the vast majority of stuff is not & is made by people doing that. & even when it is there are people running those machine#<- and i'm not saying this in a soppy way tbc. this whole system is a nightmare of exploitation & to some degree I'm just continually amaze#by how insane this whole process is & also how completely un-transparent it is unless you are made to think abt it#another thing is noticeable when you look at our orders that most of what we sell isn't to customers it's to shops who then sell to custome#which then makes you think like. those plastic clips from france are they actually made in france or are we just buying them from france?#are they actually made by underpaid people in a country the name of which is completely lost to the chain of production at this point#anyways none of this is new it's just when you are working in a factory using this stuff you start wondering like.#what's the factory like that the person who stitched this banding together like. what's their day like there#wish we could talk abt how fucked up this all is - for them especially probably - together#thoughts
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erinwantstowrite · 14 days ago
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Wait did Loki already know about Dick and Jason and all that because he did research /before/ Peter got sent there on not just he was there without telling Peter? And that's why he ended up in that universe specifically cuz he had family there? Or I did I misread something?
oh no Loki is fully lying out of his ass right now. but really he's not lying, it's more like he's not telling the full truth ? idk how much I can really tell you guys cuz I don't want to spoil it... alright, so i can't tell y'all what he was doing specifically but i can tell y'all his general plan and some character insight
i'm feeling in a slightly spoilery mood so!!! if you don't want to know anything about what Loki is up to, don't continue reading! but be aware that at this point in time, there are some things that we just won't know about Loki in the fic itself that i'll talk about here!
before all of this he had absolutely no intentions of teaming up with Peter, he was just exploiting a weakness and trying to get Peter out of the way (this is the same as to what he did with Thor). he knows that Tony would be distracted, and in their efforts to find Peter they would probably be stressed out and their forces would thin because finding usually involves splitting up. they would also have to deal with Mysterio and Ohnn (....and a secret third character 👀). it would give him plenty of opportunity to go in and try and pick them off one by one. except it's not working on the Avengers side. we'll get more to this later 😁
after his first meeting with Peter, Loki figured that Peter would probably be a good place to get some intel if he needed it, because Peter trusted him and was not aware about Loki and his past with the Avengers (or at least not fully aware). the more that he learned about the Bats and Peter's relation to them, as well as learning about Peter, the more he figured it wouldn't hurt to have Peter on his side. he thought that he could twist Peter into believing the Avengers weren't coming. his plans have been shifting around, meeting his needs since the beginning. he's been standing off to the side and pushing the characters around trying to figure out what they will and won't do, like he's observing a game and they have no idea he's moving pieces around when they weren't looking.
however this plan was going to take a lot more time... and Klarion summoning Thor ruined it completely. he had to speed up the process and make his offer quite literally months before he thought he would. so in a way, we can thank Klarion for derailing Loki's plot
Loki had no idea what would happen when he directed Ohnn and Mysterio towards Peter. he knew that Ohnn had been traveling between worlds for a couple of months, but he had no idea if Peter would even survive going to this other universe. he also had no idea about Peter's relation to the Bats until he started digging around for his new plan (Plan: Exploit Peter's Love for his Parents). the thing is, is that his plan would have failed no matter what, because Loki failed to see that Peter's adopted family cares deeply about him, and this bond means just as much as any blood ties he could have. his own insecurities about his standing within his own family got to him. when he was digging around in Peter's life he saw that Peter's foster experience had failed. and he might, maybe, just a little bit... feel bad that the family that was going to adopt Peter were killed because of what happened in the Battle of New York.
so: while he has been very intentionally manipulating Peter... he was thinking of Peter's best interest after a certain point. instead of him not caring what happened to him as long as he was out of the way, Loki did start preparing to make sure that Peter could stay in this world and that he would be taken care of. because i don't believe Loki is an evil person, and even now he's just a little silly. he might have been a little bit crazy with Thor, but to be fair, every other time Loki had a plan and he wasn't crazy enough, Thor came out of it. I feel like they have different standards than what we would as humans. because if you have a sibling then I feel like you'll understand me here... me and my brother used to fight a lot and while we never actually chased each other with knives, we did chase each other with other weapons (whatever wouldn't actually kill but was within our reach) and I think this is their version of that. like me and my brother are super close now but when we were kids we tried to kill each other a lot lmfao. so Thor will probably forgive Loki because that's his brother. (and I'm pretty sure that Loki was under some form of manipulation by Thanos during the Battle of Manhattan/New York??? correct me if I'm wrong, but if that's the case Peter would eventually see that Loki isn't an evil person.) Loki is very chaotic neutral in my eyes, leaning towards evil or good depending on the day. so he's gonna get his ass kicked for trying to take over the world, but like, that's just his enrichment... you gotta let him try every few months/once a year or you're not doing enough to entertain and care for your sneaky God Alien Guy
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hypewinter · 2 years ago
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Early Accident AU
So Danny becomes Phantom at like age 8 or something right. And everything goes just about similar to canon, including TUE. The only difference is that instead of the meeting being called because Danny cheated on a career aptitude test, it's now because his teacher is just worried about him and is staging a sorta intervention thing.
So anyway, Danny cannot stop the Nasty Burger explosion and ends up going to live with Vlad. Which isn't going well. He's constantly crying and feeling guilty for not stopping the incident. There's also the constant fear that he'll become Dan. Vlad is doing nothing to address any of this. Instead he's showing off his godson to anyone and everyone and bragging about how smart he is. In fact, that's exactly what he does when he gets invited to a Wayne Gala.
The bats take one look at this kid, who's eyes are still red from crying, being dragged around by his guardian and alarm bells immediately start ringing. Especially for Tim who experienced what it was like being dragged around to special events even when he was incredibly ill.
The bats get even more concerned when Vlad pulls his charge into a corner to scold him for looking miserable instead of comforting him. He's telling the kid stuff like only babies are allowed to get away with crying and that if he continues making the man look bad, he'll be punished when they get home.
Danny does his best to suck it up. He tries to push down all the swirling emotions surrounding his powers, the death of all his loved ones, and even the unprocessed trauma of his own death. He ends up going to the bathroom to try to splash some water in his face and calm down.
As he's making his way back to Vlad, he is intercepted by Tim. When this kind stranger sincerely asks him if he's ok, he breaks down. This is the first person to genuinely ask him how he's doing since he's family's death outside of people doing it for the sake of pleasantries.
Now the boy is absolutely ugly crying in front of this whole party of people and Vlad is not pleased to say the least. He tries to snatch Danny up and whisk him away but the bats intervene. Bruce says something about knowing how to console children as Dick ushers Danny into a separate room where Alfred is already waiting with some hot chocolate.
After a while Danny starts to calm down and he goes to wipe his eyes. As he's doing this, his sleeve slips down a little, revealing an arm covered in bandaids. To explain, it hasn't been that long since Danny came to live with Vlad. Couple that with his healing factor being slower due to his emotional state and he has a couple of small wounds still remaining from his fights that have yet to heal.
Of course the bats don't know where those wounds are from. All they know is that there's no way in hell Danny is leaving this manor with Vlad.
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posi-pan · 1 month ago
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a day late, but i’m here now so let’s spread some love and support for pan folks!! i hope pansexual, panromantic, panalterous, pansensual, panplatonic, panaesthetic, and pangender (and any other pan related labels i might’ve missed) people have a lovely week. i love y’all so much.
pan week is december 6-12 💗💛💙
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fictionadventurer · 1 year ago
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The Ballad of Songbirds and Snakes reviews I've seen fixate on the story's discussion of whether humans are inherently good or inherently evil as if one side or the other is the correct answer. Meanwhile the story itself is showing that individual choice in every action--choosing to act out of either love or self-interest--is what truly matters in shaping society. A free and stable society requires that people be taught to make selfless choices rather than act out of fear. Instead of oppressing people into fearful order, citizens need to have the freedom to choose the good, and be educated with the values that teach them what good is.
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some-mari-thoughts · 7 months ago
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I love you
*shaking* is this game not a love letter. Is it not. Is- Don't they love each other so much!!!
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demaparbat-hp · 15 days ago
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soooo… any news on the kyoshi warriors au?
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The girls are fighting
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autumnhortsnort · 26 days ago
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Hello coauthor! A Residuum reader here. One thing I really like about your comic is how the consequences of the characters' actions feel so plausible, but what stands out to me the most is the pacing in how they're presented throughout the story. Do you have any tips for structuring a plot? Every time I try to outline mine, it feels a bit incoherent, and the scenes don’t seem to flow well together. I’d appreciate any advice 🐢
best advice? Write the whole outline down as much and as far as you can, doesn't matter if it makes sense, that's for editing you to figure out. Then edit the ever-loving daylights out of it, add in connecting actions, and take out things that don't work. Residuum has had Five different drafts, with major tweaking as we go. The outline is not set in stone.
Also don’t share it outside of friends, that can make you feel pressured to stick to (the previous plot) even when it doesn’t work for how your story has progressed. There’s a reason we didn’t share any of the potential endings when we were still trying to figure out where the story was going. When the first arc was being posted we had an idea of the plot til about halfway through arc 4, but we didn’t actually have a concrete ending.
how we structure a plot (and do pacing)
Write out your main plot points and then write what the characters need to do to make that event happen. We basically do the plot mountain structure, but for each arc (there are 4 of them) we tend to make the climax of each arc into turning points or decisions that the main characters have to make that they cannot undo. here's a good article to read about structuring plots. (Note! This is for the broad spanning major plot beats, each update actually gets written as needed, they aren't written into the outline.)
When it comes to character decisions it’s more about, “what would make the character do this?” rather than, “would the character do this?” You can make characters do things they normally wouldn’t if you give them the right incentive.
For the pacing with residuum, because it’s serialized, we try to have something progress with each update. Either you learn something new, the plot has progressed (aka the status quo has changed), or there's set up/foreshadowing for later, most updates actually have all three. When writing in a serialized format (each chapter getting its own release) it’s a good idea to treat each update as a complete chunk. Try asking yourself: what is the goal for this part? are you using this update for anything actually important? are you conveying anything new and/or important to the plot? Is this something you want to focus on? Are you writing this to meet audience expectations or because you want to? There are parts where residuum gets almost no interaction but, importantly, those parts still meet our individual update rules. If you're writing for audience engagement you are going to get discouraged from writing long spanning plots very quickly. The audience doesn’t know whats coming, so they won’t interact with anything that doesn’t have their current blorbo™, even if it’s plot important.
for how we make the consequences make sense
Make things make logical sense? honestly i don't what to tell you.
We read. a. lot. I used to read 400 books over a school year, beaze has read about 13.6K fanfics on Ao3 over the course of 4 years. plus a ton of manhwa and manga, and that doesn’t include nonfiction, stuff from sites outside of Ao3, course assigned books, reddit fiction, royal road. Most of how we understand and structure plots is instinctual because we fire hosed our brains with them for years.
I'd recommend watching watching Overly Sarcastic Production’s Trope Talks, and reading stuff that's not rise related, as well as researching nonfiction stuff that's relevant to what you want to write we are at a place where we aren’t writing the outline anymore, just editing it if needed. We use the outline structure to make each update because it gives us a objective for the update, and gives us a road map for when to place the set up for future updates. But if you struggle to use outlines you can just… not use them. Garden writing is a valid writing strategy, I use it for one shot AU’s of residuum.
For long spanning stories written garden style the first draft can be your outline. Just edit and flesh it out once you’ve written it.
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mellosdrawings · 3 months ago
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OOOOOO CAN I ASK HOW WOULD THE N2 SQUAD REACT TO EACH OF THEM DYING?
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What have you unleashed?
(WARNING: Angst, allusions to death, all that fun stuff. Nothing graphic tho, don't worry)
Jamil
He shouldn’t be surprised.
Well… He isn't surprised. Jamil Viper doesn't get nice things. Not for more than a few months, anyway.
Every once in a while, life takes pity on him and throws some nice, agreeable news his way. Just enough so that he lets his guard down. Just enough so that he allows himself to think maybe things will get better. Just enough so that he can pretend he isn't chained to a fate he will never escape.
A letter to NRC, a plan that goes a little too well, a couple of upperclassmen who seem to genuinely love him for who he is and not who he pretends to be.
So of course it doesn't last. Life gives and life takes.
Kalim follows, Octavinelle gets involved, Leona and Vil-
Well…
He isn't surprised.
Jamil Viper doesn't get nice things.
Vil
They look at him like they expect something from him. Horror, anger, ugly tears maybe. Just a reaction. Anything. Anything at all.
Vil doesn't give them that. Doesn't give them an opportunity to pity him. Doesn't give them food for gossip. Doesn't give them any material to make this topic last for any longer than it has to.
He knows how it works. Someone snaps a pic of him at his lowest, someone records his voice breaking during an interview, someone catches his lips tremble for but a second, and everybody will start talking about it again. And again. And again. For as long as there is a reaction from him. For as long as the topic attracts views.
Suffering brings more views than success.
So Vil doesn't react. Doesn't say a thing. Doesn't acknowledge the topic.
Better to be a cold asshole for a few weeks than to hear about it for years.
And in the darkness of his own room, where there is no camera, no eyes, and no ears to witness his grief-
Vil cries himself to sleep.
Leona
It’s just sand.
Only sand.
For miles and miles, further than the eye can see, nothing but sand.
Ruggie had the clever foresight to send all of Savanaclaw packing when Leona got the news. They would be sand too otherwise.
Who cares.
Who fucking cares.
He could turn the whole world to sand and it wouldn't be enough.
He might as well turn his own heart into sand.
It would hurt less.
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vaguely-concerned · 29 days ago
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every so often, varric will write a black fox story. not anything fancy or for publication or anything, just for fun and because he knows hawke has a soft spot for them. ("an intrepid hero getting into and out of all kinds of trouble and the merry band of misfits following inseparably in his wake? can't imagine why".) some of them are experimental, some of them are straightforward retellings; they're generally pretty short and quick to do, so he allows himself to play around with form and genre and language more than he does in his professional work. stretching over the span of almost twenty years as they do, they contain some of his favourite pieces of his own writing, and some of the most '...was I huffing lyrium fumes or drunk or both for this one, hawke? what the actual hell is this' pieces. hawke keeps every single one of them. varric speculates that this is either because they're just that sentimental, or possibly that it's for future blackmailing purposes. he usually has one ready for their birthday. they have so much blackmail material on him anyway by this point, he figures, what's one more piece of ammunition going to do one way or the other.
varric finishes one of these black fox tales a couple of nights before he brings rook with him to minrathous — the last one. it's about the very last black fox story, the one where the black fox and his friends all disappear together into the depths of arlathan forest, where those in the know say you can find them to this very day, if you know where to look, or if you ever find yourself in trouble and in need of a helping hand. they'll turn up to aid a traveller in need, and disappear back between the shaded trees again once the day is saved, squabbling all the way, seeking treasures and unlikely quests yet unfound and unimagined.
they say on some days, you can hear them as laughter and friendly bickering on the wind from a couple of clearings over. it's not the end, it's just other adventures, some other place. that's the thing about stories. they're funny that way.
(once he wrote a book for his mother on her deathbed and read it to her through the comfortless and drawn-out hours of the troubled nights, and he burned the book the day she died and never spoke of it again.)
after he finishes the manuscript, he sits with it for a long time in the quiet and the candlelight before he wraps it up properly and sends it off back home to kirkwall. he attaches a note -- a story, to the best of all my stories, the one I'd tell forever if I could. take care of each other while I'm gone. first one to arrive saves seats at the bar, right? happy birthday, and send all my lack of love to the merchant's guild, as always. —Varric
he sends that to hawke. just in case. and then he gets up and he goes to find rook — it's time to get going.
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sun-marie · 1 year ago
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BG3 has two of the most thoughtful, unapologetic, no holds barred depictions of men with abusive female partners I've every seen (Wyll + Mizora and Gale + Mystra), which is so rare to see in any media but especially video games, and some of the Larian writers seem determined to convince me it was 100% by accident
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