#we are certain that this is a complaint that maybe like three people have had but if ur working with mammals n such like

[secret-bug-pain-blog]

Fun fact about us! We have precisely No filter for "how much gore is too much gore", because we just... don't get squeamish about it almost at all.

Part of this effect is that we spend ages waffling over how to tag things because we just... don't have a point of comparison for things, and trying to find them results in us running into a lot of stuff we wouldn't consider gory at all being tagged as gore. We'll sit there like "this is a skeleton! this is bones!" and we'll feel like it must be, like, overtagged "just to be safe" type stuff, because, well, it's not gore, it's just a skeleton arm! Maybe a cartoony cross-section! It doesn't read as gore, it just reads as, like, cool character design to cartoon violence.

Part of this is that we'll click on things with "MAJOR GORE SUPER UNSETTLING CLICK AT YOUR OWN RISK" and end up just... underwhelmed. Like, we know in theory that we have a much better gore tolerance than most people, but in practice, like. It's utterly baffling to us that people will be that sensitive over blood. It's just, like... you're calling this "major gore"? It's one arm with a slightly messy disconnect! Like, sure, put a gore warning on it, but we expected more than just one slightly messy arm! They barely even look anything more than surprised about it!

[kalims]

kiss your best friend | diasomnia

kiss your best friend and see how they react!

parts. one , two , three , four , five , six , seven

characters. malleus, lilia, sebek, silver

content. gender neutral reader as usual, mentions of murder by lilia's cooking, someone faints lol

note. finally last part after ten years /j

malleus

goes absolutely silent but his surprise is definitely there -> eyes widen, brows raise on a miniscule scale. you'd think the guy would be all lowkey about his joy but five seconds later and there are comical sparkles surrounding his face.

I mean. you had to formally confirm that you two were friends before, and you had off-handedly linked his name and best friend in the same sentence a few months later (he was bursting for like a week.) and now all that?

thrown away, nu-uh. you two are NOT friends no more, he doesn’t have a single care in the world. he's throwing the friends label off a cliff with his foot and skipping off with joy cause you just got upgraded to the next ruler of briar valley wink wonk.

or perhaps you'd like being referred to as his consort? he can always make the people refer to you as both.

if you're wondering why he's so silent all of a sudden; malleus: already thinking of how he'd decorate the castle when you move in with him. maybe... he can break down the wall to link your two bedrooms together—wait no he'd very much like to share the same room instead..

"child of man, do you prefer violet or green?"

"uh... green...?"

"excellent choice, you have my gratitude."

the thing you should be asking is 'why' because it's either the main color theme of your wedding or the gem he'd engrave on your ring (he's very happy it's green though, since it'd be a constant reminder of him.. oh he knows! he should get his a color of your eyes too—)

someone stop him.

lilia

spiderman kisses spiderman kisses spiderman kisses spiderman kisses

more knowledgeable than malleus about the level up of relationships so he doesn't jump from best friends to newlyweds immediately. actually he doesn't even need a label, if you're going around kissing him he's just gonna act like you two are a married couple without a confirmation on your status'

"darling, could you hand me the sugar?"

"lilia, I hope you know that you're supposed to use salt for the sauce not sugar." <- *passes the right bottle*

ignoring lilia's attempts on lives he acts pretty normal.

ahem, besides the fact that your first kiss on him has made him come to the conclusion that he can now incorporate kisses in your daily routine since you've already done it, so apparently that means he can too.

kiss him once, he kisses you thrice I guess. it's either the occasional jumpscare from the ceiling since he felt like reminding you of his love through a pack or the times you blink and feel a sensation against your lips without seeing anything cause his affection can be silent as it is loud you suppose.

pov student you were speaking to who definitely saw that but you didn't midst your blink: 😨—

"lilia are we dating."

"i suppose it would make us more official like you humans like, so of course~"

he just accepts it without any complaints, just announce you're spouses and he'll accept that too probably.

#chill

silver

if we have spiderman kisses surely we can have the sleeping beauty kiss?

sleeping beauty kisses sleeping beauty kisses sleeping beauty kisses sleeping beauty kisses

I reckon he would be a pretty light sleeper though the quantity of his sleep is more often than not so even though he accidentally passes out a lot he's really easy to wake. trained to be vigilant and all, courtesy of his murderous father (well, murderous through food?)

he knows the weight of certain things. a blanket draped over him, the feeling of something squirming on his shoulder—a squirrel, most likely. something on his head, a bird or some other critter. but this?

a light press on his lips, gone as quickly as it came. that, he isn't sure of. the animals don't tend to linger around his face so the unknown origin of it has curiosity opening his eyes.

and boy, he is trying to find every reason to not believe that you didn't peck him.

perhaps they touched it? he furrows his brows lightly, attempting hard at trying to avoid your gaze because he feels guilty at his first assumption, you're his best friend! you wouldn't do such a thing..

"did you touch my lips?"

"nah, is it fine that I kissed you?"

"..."

"..."

*passes out*

is he dreaming?

sebek

in what scenario will sebek even let you near him? hmmm.. I suppose being 'best friends' (he calls you self proclaimed, and that you guys aren't that close but still rages over someone and hits them with an essay why you're so much better than their insults) makes you more tolerable around to be closer.

totally not the fact that he might have a crush on you, which can't be right cause he can't be capable of having feelings for a *gasp* human!

scandalous. he knows.

raises a brow when you do anything but be discrete with your intentions of shuffling closer but he doesn't really double back, okay. he's getting a little concerned now when you continue getting closer, he takes a step back not because you're near or anything but this behavior is... just strange.

you're in his face already and before he can question (loudly) what in the seven's name you're doing before you just casually peck him on the lips?

WHAT IN TARNATION!

stiffens up immediately, his face looks like it's holding in a yell. maybe that's why it's getting so red? he's just standing there with shoulders so tense he looks like he's trying to seem big.

"..." WHAT JUST HAPPENED. DID THIS HUMAN JUST.. NO, WE ARE MERELY BEST FRIENDS—are we even friends.. NO! THIS IS THE MOST INAPPROPRIATE ACT TO COMMIT. THIS HUMAN NEEDS TO KNOW BOUNDARIES. I mean he enjoyed that and all—I mean what..

"why are you so quiet."

if only you knew.

[familyvideostevie]

alright, hear me out. i looked through the prompts list and can we give roommate!steve a little airtime beCAUSE—

trying to not hit anything or each other, when there is a power outage and it’s way too dark

— is SO steve coded. i wanna see this man during a power outage. please and thank you. i love you.

hi baby. here you go. sorry it took so long. it is the first thing i have written in about 6 weeks so apologies for it's roughness. i adore you. thank you for helping me give steve Harrington his triumphant return. | fluff, 1.3k, roommates!au

Summer storms in the Midwest always take you by surprise. The never-ending expanse of blue sky becomes crowded with swirling grey clouds without warning and everything stills, like the very fabric of time is holding its breath. Until the dam bursts and rain pounds on your windows, the roof, the pavement with wild abandon. Deep, rumbling thunder follows bright flashes of lightning.

You find it relaxing. A steady, reliable chaos into which you settle without complaint.

Well, usually. Your roommate, Robin -- a talkative and whip-smart girl who makes you laugh-- enjoys storms just as much as you do. It's one of the only times she settles, so you often read side-by-side in companionable silence. Sometimes, if you're feeling bold, you'll both dance in the rain.

But Robin is on some six-month trip for brilliant people and she's left you with a subletter.

"My best friend Steve," she'd said. "Come on, I talk about him all the time. You basically know him."

It's true. Robin is full of stories and this Steve is in most of them. A funny, brave, well-intentioned guy who is a bit of an idiot and has a great head of hair.

And now he's living in the other bedroom. And he's hot. And he always does his dishes and remembers to put the seat down after you scolded him once for doing otherwise and you have a crush on him.

It's annoying. He's been here for like, three weeks and keeps asking you where the spoons are and you like him.

But Steve? You are learning that Steve does not like summer storms.

In the few you've had since he arrived you've noticed that he paces, or sits in the living room with the television turned up high, or something noisy. You've never asked him about it because honestly, he could be much worse as far as roommates go.

You can hear his radio through the wall and it's making it hard to focus on your book. You should really go to sleep but this chapter is really good and does he have to be so loud? Maybe you should get up and ask him to keep it down --

A flash of lightning makes it seem like daylight in your room for a brief moment and then everything is dark. Everything.

"Fuck," you say. The power must have gone out. A clap of thunder so loud it feels like your building shakes startles you. You hear a shout from the other side of the wall.

It's not as hard as you'd expect to feel your way to your bedroom door in the dark. You manage to do so without injury apart from bumping your hip on your dresser.

But when you open your door you smack into a solid wall of warmth. Your fingers grasp for purchase and find none -- only bare skin.

"Jesus Christ --" Steve says. He manages to prevent you both from falling over and holds you at arm's length in the dark. "What are you doing?" His voice is tight and he squeezes your shoulders once before releasing you.

"Uh," you say. You're certain that he's not wearing a shirt. You can feel that he's not wearing a shirt. "The power went out."

He huffs. "Wow, thank you. I had no idea."

You wish it wasn't dark so you could see his face. Three weeks hasn't been enough time to learn all of his expressions. "Were you sleeping?"

It feels like a dumb question considering how loud his music was.

"Yeah," he says. "Obviously I was sleeping. It's like, 1 am."

"Just go back to sleep. If you can, under the volume of your radio."

You imagine him wincing. "Sorry," he says. "I don't, uh. Sleep well during --"

Lighting illuminates the hall and you see him for one brilliant second, messy hair, bare chest rising and falling, boxers slung low. Boxers with...are those...bananas? Then: darkness, thunder. You sense his flinch.

"That," he says flatly.

A smile creeps its way onto your face and you allow it because he can't see. The fact that this guy, your temporary roommate, your sort-of crush, is afraid of thunderstorms fills your chest with warmth. It's endearing. It's adorable. It makes you like him so much more.

You ease past him and into the dark of the rest of the apartment.

"Woah, woah," Steve says. "Where are you going?" You hear him follow you and immediately run into something. He curses. You keep your hands out to avoid the same fate.

"You okay?" you call back.

"Why do we have so much furniture?" he grumbles. "Fuck, that hurt."

You don't correct him that we actually means you and Robin.

"Watch where you're going," you say lightly.

"Oh, ha, ha."

Careful steps take you closer to your destination. "Go look for candles in the kitchen," you tell him. "They're in the drawer by the trash."

"Uh, okay," Steve says. He bumps into things with quiet curses on his way as you look for the matches that should be in the closet. "Why? You could just go back to bed. I'm fine."

You chew on your lip. He's right. But you want to hang out with him. The dark makes you honest. "The thunder is loud," you say. "I won't be able to sleep. We might as well hang out."

He laughs, the first genuine one all night. "Oh, you want to hang out? In the dark? You know what this sounds like, right?"

Ah, the famous Harrington charm Robin has told you about. It makes your cheeks feel hot and you can't hide a smile. Steve ruins the moment by running into something again.

"Fuck! Jesus --"

"Steve, be careful."

"I can't see anything!"

You sigh and finally find the matches. Box in hand, you carefully make your way to the kitchen, your eyes adjusting just a little and making it easier.

Steve is looking in the wrong drawer. You should just tell him so, but instead you reach for him, fingers circling his wrist and dragging it to the right one. His skin is warm under yours, the back of his hand softer than you'd thought it would be. You open the drawer together and hear the candles roll around inside.

His face is a dark outline but you focus on the dark and think you see his eyes. You wish you could see him.

"Found them," he says. You're much closer than you realized, so close you feel his breath on your cheek. Steve leans in -- or maybe it's you, you have no idea, and your noses brush. He puts a hand on your hip, fingers sliding under the hem of your sleep shirt and burning you like a brand.

Your eyes slide close and you miss the flash but not the boom that follows, sending you both about a foot in the air and away from each other.

"Shit," you gasp. Steve laughs and you join in, giggling in the dark like teenagers.

Maybe this is a one-night thing, the darkness making you both a little lonelier and a little braver. But you've got months more of him and the idea of spending that time being something more than just roommates? It's appealing, to say the least.

You reach for Steve in the dark and he must have been doing the same because your fingers tangle without much effort.

"Come on," you say. "Let's light the candles and sit on the couch. I'm sure the power will come back on eventually."

He squeezes your hand and you squeeze back. "Okay," he says, a smile in his voice. "Don't let me run into anything."

You grin at him in the dark and hope that come morning he'll be familiar with it in the light, as well. "Don't worry, Steve," you tell him. "I've got you."

thank you for reading <3 reblog, send feedback, general masterlist here!

[bubbles-for-all-of-us]

Pretty like the wind

Previous chapter /Next chapter

a/n fourteenth part! You guys we are nearing the end and this one... This one was tough. I will only be able to accept complaints via email. Enjoy! 😉🤍🫧

warning: kids, blood, torture, intoxication, drugs, dark magic, pain, deaths, Illyrian torture mmm... I'm trying to think if I haven't missed anything. Ah... wounds.

••••••••••••••••••••••••••••••••••••••••••

There was one thing Azriel was certain about: he was never going to get used to the sensation of holding you. The way his body ignited. It felt as if only then all of his senses were in tune with the rest of his body. The sweetest taste of perfection filled him. This was what finally feeling whole felt like. So was he pissed off when Rhys's gentle knocking on his mental shields woke him up? Yes. Was untangling his limbs from you the hardest thing Azriel had ever done? Absolutely. Did he linger just a bit longer, slowly brushing your hair as he watched you take in breath after breath? yes. Azriel smiled to himself because this was it. This was his forever. His other half lay in his bed. Peacefully sleeping. So his. Only his.

"I'll let you punch me raw", Rhys had caught up with Azriel in no time, "But you also know I wouldn't have asked if this wasn't serious". Azriel knew his duties. He took them seriously, too. So even if his heart was bleeding for his mate, he knew his people also needed him. "Fill me in," Azriel said firmly, tightening the straps holding his knives. "Cass is finishing the last interrogations, and nothing fucking adds up." Rhys was frustrated, which was always a sign of something going extremely wrong. All he was told before Azriel had winnowed into the south side of Velaris was that the border had been breached. An attack had occurred, but the moment the soldiers were sent, it all vanished. In Azriel's 500 years of life, shit didn't just disappear. "Memories?", Azriel said as he scanned the place. Weavers were already patching up the wards, but none of them looked seriously torn apart or damaged in general. "Ink black," Rhys said and Aziel halted at the sound of it, an odd chill running through his back. "And a freezing one. I could push, but...", Rhys ran a hand through his hair. Azriel recognized that worry now. Worry for the family. A mate, children. He was in the same boat now. "You could push, but let me guess, you would fry their brains in the process," Azriel unleashed, his shadow scattering around the place. He was going to fix this. And fix this quickly. Maybe he will even be able to come back before you have woken up.

Cold. Cold. Cold. So cold. So dark. It was so painful and numb at the same time. There were hands. Cold fingers. Echoes of something familiar. How could one feel so heavy and light as a fever at the same time? It felt as if you were blinking for a moment, desperately trying to wake up, only to be plunged back into the same darkness. Someone was holding your head down as you trashed. before Your body had grown frail once more. Slumping.

"I'm telling you they came with torches; everything was on fire," the man said, and Azriel would have believed him, but he knew the farmer. Had gotten multiple reports from him about younglings messing up his sheep fence. He heard him speak before, and something deep within Azriel screamed that this man wasn't talking on his behalf. "Look, if you got the whole village in on this because of that damn fence..." Cassian huffed; he too was losing his patience. Nesta was pregnant. Nothing had been confirmed, but Azriel could smell it on Cass, and so could Rhys; the two had shared a look but chosen to not test Cassian's boundaries. The man was desperate for her. Out of the three of them, Cassian was the one whose patient was extremely thin today. Not to mention the heightened need to protect that coursed through his body.

Azrie shot his brother a look before motioning for the door. Cassian was halfway through the door when the man spoke again, "What fence?" There was a glimmer of relief in the man's eyes before it all glazed over again, and this time that same odd tone was back: "Torches all of them." Azriel turned to Rhys, whose face bore the same realization. They were all under something. Herbs. Magic. Mother only knew.

"Billy, your goat. How is he doing?", the man practically seized at Azriel's voice. "Bill...", the male breathed. "Yeah, one who chewed up your farm shoes," Azriel continued, the same glistening light running through the male's eyes. As if he was clawing at himself from within. It was as if someone was barging to be let out. But it was Rhys who delivered the last blow. "What about your wife? Huh, how's she been doing? She's still knitting you scarves." The male coughed, clawing at his neck. Panic set in as he moved towards the door, but Cassian was still standing there, his broad shoulders blocking any chance at escaping. "Billy and your wife, how are they?", Cass said it in a demanding tone. The man stilled, and then, thick like lava, liquid trickled down his nose.

"Rhys...", Cassian growled. The male staggered back slightly but gained his stance pretty quickly. And the terror that set in now was of a new kind. "My lord...", he breathed out, pulling his hat off his head, only then reaching to feel the dampness on his lip. Dread pooled in Azriel's stomach. "Fuck," the high lord breathed, "This is set up." Rhys's darkness swallowed the place as he winnowed. Azriel reached for the older male and said, "Go home; I'll be back, but you have nothing to worry about." With that, he snatched Cassian's hand as they both winnowed.

It was the cold that seeped into you that had pulled your eyes open. Your fingers grazed the surface beneath you. They felt numb as if they no longer belonged to you, but enough to still somewhat identify your surroundings. The surface you were lying on was damp. That would explain the sounds of droplets hitting the puddles somewhere. You tried to dig into your mind. Tried to think. Where were you? What was happening? You forced your eyes to fully open. A gray stone was what greeted you. You frowned instantly. Nothing seemed to add up. It was sniffling that you picked up on next. But the moment you turned your head to the side, you were met with something you thought you would never see again.

"No", your voice was barely a whimper. "No", you tried to pull yourself up, crawling towards the painfully familiar bars. You didn't feel a single ounce of magic within yourself. It was as if it had all fizzled out. But this couldn't be true. Absolutely couldn't. You have escaped. You... your hands touched the bars as you pulled yourself up. And for a heartbeat, you wished you hadn't.

In the cell opposite of yours lay two figures that clawed through every bit of sedative running through your system. "Zofie, Axel...", the words were barely a whisper as your knees threatened to buck any minute. "Zo, Ax," you breathed louder, trying to move the cell doors, but for nothing. It all came rushing back then. The strange vision. The dinner prep. Elain. Your thoughts halted - Azriel. Your hand rested on your chest. You couldn't feel him. You couldn't... "No," you breathed. He couldn't be dead. You wouldn't be standing here if he was. Your eyes darted back toward the kids. Zofie was pale. Too pale. Axel's wings were bent awkwardly. They couldn't be. They couldn't... It was enough for the thought to simply swirl there and within seconds you were turning to the side as bile rose in your throat.

No matter how much panic Azriel felt coming from both Rhys and Cassian, he refused to let it settle in. You were fine. You had to be. They were all just panicked. Nothing like that has happened since Amarantha. So it was more than understandable that everyone would be ticked off. Azriel unbuttoned the first two buttons of his shirt as he winnowed back to his apartment. Rhys was meeting him there the moment both Nesta and Feyre were in the safety of the house of wind.

Just the moment his foot hit the wood floor in his apartment, Azriel knew that something was off. The place seemed ice-cold. The burning smell filled his nose. No. No. No. Not happening. "Y/n," he called out as he stepped deeper into the place. Bile rose in Azriel's throat as his eyes scanned the kitchen. Flowers were scattered on the floor, with a smashed vase to accompany them. Fresh goods were still in the bags by the little kitchen counter. A burnt-out pot—whatever had been cooking there had turned into a chard mess. At least now he knew where the smell was coming from. Azriel's eyes fell onto the colorful drawing that now lay upon all the filth that filled the floor. A card. He hesitated. He knew whatever was in... Azriel folded the paper open. Messy's scribbled writing in two different colors greeted him.

We wanted to ask you a big question. Written with a k instead of a q, that's been crossed out and corrected. Azriel wanted that to warm his heart, but all it did was cause more ache. Yet nothing prepared him for the next line. Can you please be our dad? We'd love that, Zo and Ax. The world in front of Azriel shifted. His vision went out for a second. Their dad. A father figure. Azriel gripped the kitchen counter. His kids. They were already his kids. But to know that they both wanted that and that they had all of this set-out... All of this was supposed to be a surprise for him, and now...

Azriel heard rustling outside his apartment door that he only now realized was slightly ajar. "Elain?", a muffled voice that belonged to Rhys called out. Azriel crossed the distance in a couple of steps as he yanked the door open. His anger was boiling even hotter. He saw her, hiding in the corner of the hallway. That same black liquid trickled down her nose. "I couldn't. I tried", she managed to muffle between sobs, but Azriel turned away from her. "Tell Lucien that she's here. I don't need a territorial male running around causing trouble", Azriel said bluntly to Rhys.

"Azriel, please," Elain shifted, trying to reach for any part of the shadow singer she could get her hands on. "Elain, unless you have something useful to...", Azriel batted her hand away as he scowled at her. She probably didn't deserve it. It wasn't her fault that she had gotten herself under that spell, yet knowing that she was the one who had seen you last didn't sit well with Azriel. "They know you'll come; she wants that," Elain muttered, making Azriel frown. "Who?", the female shook her head, and Azriel moved to step away instantly. "A lady in white, she... I don't know, like a priestess."

And within a beat of a heart, it was all crystal clear. The threats and the unwillingness to cooperate—Rhys said it had all been done and taken care of. A new wave of anger rushed through Azriel as he reached for Rhys's neck, bending most of his body over the sixth-floor railing. "I should have burned that place down," Azriel hissed. "Azriel," Rhys said, pushing against his brother's hold. "If my mate and my kids get hurt because you stalled, I swear on everything holy to me. You will never see me again, Rhys", and with a final shove, Azriel let go. Rhys managed to keep himself upright, but before he could turn to the spymaster, he was already gone.

The next time your eyes snapped open, you scrambled to your feet almost immediately. Reaching for the bars, you cast your gaze upon the cell opposite yours. A breath hitched in your throat. They had shifted. Axel was leaning against the wall. All you could see was his face; his wings were messily draped over his chest, he no doubt had to be holding Zofie. "Axel," you called out softly, not wanting to startle him even more. Mother knew these kids were through hell just because of you. "Sweetheart, Ax," you called out again, knees buckling as those golden eyes gazed straight at you. "Y/n," he breathed in return, trying to move closer, but you quickly shook your head.

"It's okay; stay where you are. Are you hurt? Does anything hurt?", you looked him over the best you could. The boy only shook his head. "But Zofie is cold," he muttered, pealing one of his wings to reveal a sickly pale girl with no color in her skin. You sank to the floor. "Is she...", the ringing in your ears grew louder. Axel quickly shook his head once more. "I think it's the empathy thing," he said softly. "I've been thinking all the happy thoughts, and pa-Azriel," Axel stated. Your eyes softened. "You don't have to correct yourself, Ax; you can call him your papa." You wished they hadn't taken this evening away from them. Why this one out of them all? "Will he come to get us?", there was doubt in the boy's tone, but you met his eyes with your blazing gaze. "He will. He will always come for us. No matter where we end up, Azriel will always find a way to bring us back home. You want to know why?", you asked him, and Axel instantly nodded, "Because he loves us, and we love him."

Azriel's shadows were swirling all around the sanctuary as he watched from the mountain peaks. He knew that you were there. The last bits of mating bond practically screamed at him while he ran over ways he was going to slather everyone stupid enough to get in his way. He gritted his teeth together.

"You know... I was never afraid of your darkness," you had muted to him as you two had laid in bed together. Your hand was extended up in the air as his shadows swirled all around, tattering your skin with kisses. "You should be; most are," Azriel breathed. "Why would I? It's a part of you, and it's beautiful to me." Azriel had shifted slightly from the words—loving you is the easiest thing I have to do in my life, he had thought but he didn't say it. too afraid that it was all moving too fast. too afraid to scare you away. And now, more than ever, Azriel wished he would have spoken those words. Would have told you about the house on the very side of Velaris. He had bought it decades ago for his family. For his mate and for his kids. And he had just that—all of it—but it was slipping past his fingers.

A handful of papers slapped against Azriel's chest as Rhys winnowed right in front of him. "Padme wants you apart because you two were a profit in some ancient scroll," Azriel snatched the report, taking his eyes off the building just for a heartbeat so he could look it over. "You two are the opposite of the spectrum; your union can... You'd become more powerful than most high lords", Rhys said firmly, knowing that at any moment the words he spoke could be his last, " So this whole thing could be set up by one or multiple of the other high lords, or someone desperate to save the world".

Azriel had to give Rhys credit. The stuff he pulled out in such a short time was impressive, and it would explain the level of magic used to possess others. But if he could do it in such a short time, he could have given him the papers with this information weeks ago. As if reading his mind, Rhys spoke, "Let us help you get her and the kids back, and then you're free to step away from your position as my spymaster." The words drilled holes in Azriel's already bleeding heart, "I should have taken action sooner. I failed you and your family." Azriel lifted his hand, silencing his high lord. "Two entrances are unguarded. Your job is to get the kids and take them away from that place", the cold tone Azriel used felt wrong, but he couldn't do this now. Azriel's priorities no longer lay with Rhys. No longer lay with his court.

You were humming an old Illyrian lullaby when the doors to the dungeon creaked open and in strolled Padme, accompanied by at least four guards. "I hope you're enjoying your fantasy now," she said with that same cold smile on her lips. "You bitch," you spat her way, throwing all of your weight at the iron bars. "Pick your words wisely, child. I have power over you", she said, standing right in front of you now, looking you over as if you were nothing more than a speck of dirt beneath her shoes. "I trusted you," you said through gritted teeth, "You said...", "That I cared? That I will keep you safe," Padme cut you off, "The same thing your supposed lover is saying to you now. Look where my love brought you; want to see where he will take you?" She stepped over so quickly you didn't even notice when her claws had dug in the hack of your scalp, that same demonic face flashing right in front of you.

Then flames erupted all around you. All of the Velaris was up in flames. Houses falling. People were trying to crawl from beneath the debris. You ran forward, trying to help a woman free her leg, but the moment you approached, she screamed out in panic, trying to move away from you. You shook your head. "Do you want this?", Padme's voice rang all around you. "You are going to be so selfish and end so many lives just because you think someone can finally love you," her laugh echoed, chipping even more of your already frozen-over heart. "I kept you safe. It is I who truly knows how to love a creature like you". Your head fell back as the priestess pulled her blood-coated nails away from you, licking the very tips, "You always belonged with me." Your eyes locked on her dark orbs. You've never seen them in their true colors before.

"That's a lie! Azriel loves us; we're a family," Axel's voice rang out, making you blink, "Tell her, YN, we'll always be together." Padme turned to the boy, yanking the cell door open as she stepped in. "No," you breathed out, reaching for them. "Say that again, boy," her hand wrapped around his neck as she lifted him from the ground, Zofie's frail body slipping out of his hand, awkwardly filling the cold floor. "No, Padme, let him go," you pleaded. You were not letting them go through the same torture you had already endured. "He loves her," Axel said firmly, even if he was slowly losing oxygen. "I'll do whatever you want, but you have to promise you will not hurt them, Pad," you said so quickly that you could barely make out your own words.

The priestess's head turned toward you, a vicious smile spreading across her face. "Return them safely to Azriel, and I will do whatever you want," you pleaded. Padem simply let go of Axel. "Very well," she said happily. "I'll drop them off at that old lady's house," You nodded along with her words. Cordelia will look after them for now. She'll explain it all to them. Take good care of Zofie until she can once again lay in Azriel's arms. "But you, my dear," Padme mustered, "You owe me your heart, especially the part of it that belongs to the shadowsinger." Your vision blurred as her words settled in. A part. There wasn't just a part. All of it was Azriel's. You had given it to him that night outside his mother's house. He had it ever since.

Azriel had his finger pressed to his lips as he once again came into contact with a small group of terrified females, slowly gesturing for them to exit the place. Knowing well that Rhys would guide them out of the building. One of them had already told them how to get to the lower floors of the sanctuary. Azriel would find you. He'll take you home. He rounded the familiar corner. He was trying to be as quiet as he possibly could. It was strange to think that he had lived here for a bit. He had met his other missing part between these walls, which made him nothing but sick now.

Down the corridor. Into the main communal hall, and then right on the left corner, Azriel stopped. There was no way. No, there was no way this couldn't be it. His eyes instantly darted up, looking for anyone planning an attack from up above, but he saw no one, and his shadows sensed nothing.

"Y/n," he breathed out, and you instantly turned around. Your dress was dirty and damp, and there was blood running down the back of your neck, mixing in with your light hair. Blood. Azriel crossed the distance between the two of you in a couple of steps. "Why are you here? Did you kill her?", he carefully cupped your face as he looked you over. Your lip trembled. "Love," Azriel breathed. "The kids are at your mother's. I got them out, but you need to leave," the last word was choked out, and you quickly covered your mouth. Trying to fight your emotions. Azriel pulled at your hand, but you quickly pulled back. "You need to leave me behind," you whispered. "That will never happen," the spymaster said firmly.

"Azriel, I will lose control again. I will burn the city down. I saw it", you shook your head, trying to chase the images away. "I will burn it for you if you give up on us," Azriel said harshly, but his touch still stayed nothing but soft.

"I'm not giving up on us," you whispered so quietly. You promised to push him away. Make him leave you so the kids will be safe. Be safe with him. They didn't need you. But you couldn't lie to him. You'll make him leave you behind in some other way. But Azriel cupped your face with both hands and said, "I waited for you my whole life. You are everything I ever wanted and more. I can only breathe when I'm with you, Y/n. You are my everything. If you are not with me, I don't want to live." His honest words pulled a light sob from your lips. "Azriel, I...", you breathed right as an arrow pierced Azriel's shoulder. The spymaster hissed as he turned back, trying to find the source of the attack.

"No," you shouted, but Azriel was already shielding you while an arrow after an arrow pierced his skin and wings. A roar slipped past his lips, but he stood unmoving, using his body like a shield. "No, let me," you breathed out as you tried to pull him away but... The room died down quickly, and you watched as Azriel slowly sank to his knees.

"Azriel," you followed suit, cupping his face in your hands. His lips were tinted red. No, they couldn't be. No, this couldn't be happening. Azriel moved one of his hands up as he grasped your forearm firmly. "You belong to no one," he said, pausing to take a breath between each word, "Don't let them control you any longer." His grip loosened, and his hazy eyes only focused on you. "No, Az. Azriel! Look at me, Azriel", you bagged, tapping his face lightly, trying to keep him awake.

"And so the story ends," Padme said, moving from behind one of the columns with a pleased smile on her lips. "What did you do? What did you do?", you shouted at her. "I saved the world, child," she said, raising her hands in delight. Her laughter filled the space, but your eyes were already back on your mate. "Azriel, look at me," you pressed your hands against him, trying to flicker at least some of your magic on, but you couldn't seem to get a hold of it. The spymaster smiled slightly, grasping your hand in his. "I'll see you on the other side," he muttered. You choked out a cry. "No, no, you will not," you said angrily. "Azriel," his name was like a prayer on your lips. You felt the last bits of the bond slowly flicker out as an overwhelming pain crawled all over you. Time slowed as you watched Azriel's eyes slowly droop.

But then your deathly glare rose to meet Padme's satisfied gaze. "What did you do?", the scream ripped through. Ignited even more by the pain of feeling Azriel slipping away, the cry seemed never-ending. You heard glass breaking. The cracking of the chipping stone. You saw nothing but white rage. Pulling one of the arrows out of Azriel's body, you pointed it at Padem. "I will be your worst nightmare," you said through gritted teeth. Your body didn't feel like your own as you logged the arrow. And it hit Padme straight in her heart with the speed you'd never thought you could muster.

That same itching feeling in your throat started once more. The same one you felt when they ripped your wings off. The sanctuary was slowly falling apart. The females rushed to get out, but you couldn't bring yourself to care anymore as you pulled Azriel's head over your lap. There was so much blood everywhere. Too much blood. The tears fell freely down your face in a never-ending stream.

You moved your hands over Azriel's heart, watching as your hands disappeared within the light you possessed. But it didn't seem to work. "Y/n," you heard Rhys's shaky voice. "Get out," you barked out. The high lord still tried to step closer, but you hissed at him, "Get out, Rhys, and take the ones you can with you." You felt the last bits of your self-control failing. He only held your gaze for a moment before he winnowed away.

A sob slipped past your lips as you cupped Azriel's face, leaning over to kiss his cold lips. Time slowed once more. The static felt unbearable. One heartbeat. Two. Three. Four. And it all erupts with a sob like no other. You felt blood trickling down your ears as all of your being clawed at your fragile body. The light was blinding. So was the warmth that followed it. It felt like forever. The sizzling of your skin eased as the snow slowly fell upon you two. You blinked a couple of times. Pouring whatever was left into Azriel until your hands slipped off his chest and your body sagged on top of his.

The first thing he felt was coldness. Then the snowflakes fell on his face. His body also felt heavy. Like it had never felt before. The gray sky was all around him as he opened his eyes. His mind felt numb. For a moment, he had no idea why he was lying there in the first place. Until it all came tumbling down. One image after the other. The sanctuary. You. Arrows. Was this what the other side looked like because, shit, it was grim. Azriel shifted slightly, halting when his hand hit something. Something that was sprawled out across him.

He sat up so fast that your body rolled down to his lap. No. "Y/n," he said, wrapping his arms around your body and hissing at the coldness of it. "My love," he muttered, flexing his stiff wings. They had to be torn. Azriel turned. Not a single cut was on them. Not a single arrow was in his flesh. You've melted it away and healed him. "Love," he called out desperately, "Open your eyes." You couldn't die. He couldn't have just been here, lying unconscious, while you slowly faded from this world.

Azriel's eyes darted across the fallen sanctuary walls. Blood on the white stone. Padme's body was not far away from where you two were. Only the outskirts of the city looked burned to the ground, but there was no doubt that Rhys knew that something like this was coming. Azriel shook his head as he pressed his forehead to yours. "You promised me forever, love," he said softly, "I'm calling in my bargain now." Azriel carefully brushed his lips over yours, and the faintest of thuds echoed in your hallowed-out chest.

••••••••••••••••••••••••••••••••••••••••••

Taglist: @naturakaashi @hoemadegrace @just-m-2 @thereadinggremlin @i-am-a-lost-girl16 @stressed-reader

[twinsarekeepers]

I’m curious as to your honest thoughts on the show? Like I love pjo and all but the show was a bit of a let down writing wise. There’s always the point of “it’s an adaptation, not a carbon copy” like yes but this new writing isn’t exemplary better than the book just because it’s rewritten by the author himself

I think the show is well-written not because Rick is attached to it, but because I actually like the way the writers are approaching adapting the source material. I have a lot of issues with the original books in terms of writing quality because frankly speaking, I don’t think Rick is a very good writer. He has a lot of interesting things in those books that he never explores or drops within the first two and this fandom gives him and the books too much credit imo.

This is why I’m not very moved when people try to ascribe meaning to a certain scene or choice he made in the books to get mad at the show for changing. As an example, one of the main things people were upset about was the kids “knowing everything” in the show when they were getting tricked left and right in the book. Many posts were dedicated to how the book version is superior because it illustrates how they’re just twelve years old kids so of course they’ll make mistakes and get tricked by monsters.

That’s a perfectly fine interpretation but I was twelve years old when I first read tlt and I was able to anticipate almost every single trap, despite being pretty gullible and naive at that age. My knowledge of Greek mythology consisted of Disney’s Hercules, maybe two Google searches, and my second grade teacher’s reading of the kid friendly version of the Odyssey. No where near the level of Percy who’d been learning for a whole year in an established class on the topic with Chiron or Grover who was literally a satry born into the world or Annabeth, who spent the majority of her life dedicated to studying specifically quests and Greek mythology and was also on the run fighting monsters for a good portion of her childhood. Like twelve year olds can be dumb but those three stumbling into every trap was asking me to suspend my disbelief too far. I remember being upset that they weren’t able to figure it out because it was obvious that Rick wasn’t making that choice to show any personality flaws or character dynamics (because he would’ve had them learn and grow but they never did they just kept being not smart), he just wasn’t able to figure out a way for them to fall into those traps organically so he had to dumb them down.

I think the show was able to get across the characters’ childishness without compromising their established backstories. Yes, Annabeth knew it was Medusa right away because that makes sense for a kid who has experience with running into monsters. But, she still acted very much like a child in her interactions with her (and throughout the episode and season). She lashed out and called her a liar and wouldn’t listen to her side of the story because it painted her mother in a bad light. That’s peak twelve year old behavior.

Yes, Percy figured out Kronos was behind everything, but it makes sense because Percy knows Greek mythology and where Kronos resides. He still very much acts like a child when he asks Hades to give him back his mom in exchange for nothing because it’s the right thing to do.

There are dozens of examples like this for a lot of complaints of the show. And this is not me saying that the show is perfect: every single show has flaws. For me, I wasn’t the biggest fan of the dialogue or the exposition dumping. It didn’t hinder my enjoyment though because I don’t think it was egregious (and wrt the exposition dumping, I expected it because the book did it and there’s really no way to “show not tell” Greek myths). I also didn’t like that we didn’t get to really see the huge clashes between Zeus and Poseidon in the weather (we got references to it through news reports but I would’ve liked something more). I was able to look past it because I really liked the storytelling and the themes the show was pulling out of the original source material.

I loved Medusa-Sally parallels and Medusa-Annabeth parallels. I loved the juxtaposition of Pan’s quest to manifest density. I loved Percy and Annabeth’s opposite trajectory in respect to their relationships with their godly parents. I loved exploring Sally’s choice to send Percy to school instead of camp. I loved explicitly coding Annabeth as autistic. I loved Luke’s backstory being brought earlier into the story. I loved the deadline passing and Poseidon surrendering to save Percy. I loved Persues-Andromeda and percabeth parallels. I loved fleshing Grover out. I loved glory vs home seeking being the central theme of the show.

And lastly, I was able to understand that with a limited number of episodes and run time (due to the nature of child labor laws!), they did the best they could and I feel like they did a pretty good job for a first season.

These are not ALL of my thoughts on the show because that would be a very long post. I gave one detailed example of why I think the show succeeded in something the fandom tries to ascribe the books and it was like three paragraphs lol. Anyway this is not the post to try and convince me that the show is bad for whatever reason you have cooked up. I’m not going to change my mind and I doubt I’ll change yours. Here’s to a season 2 that builds on a solid season 1!

[valentoru]

|| Limitless ||

[CHAPTER 3]

SYNOPSIS: Gojo Satoru, a big time artist, who’s known for leaving a trail of broken hearts in his wake wherever he goes. And you, the lead guitarist of an upcoming band, who’s absolutely certain that no one will ever love you. Through an accident in which you happened to kiss Gojo in a frantic state, you both decide, via convenience alone—and zero regard for both of your managers—to pull a fake dating stunt what could go wrong? Any press is good press…right?

PREVIOUS : MASTERLIST : NEXT

Freakanomics. One of the biggest upcoming bands recently. An industry that housed many millions of people all fighting for a chance on the “pedestal”. No pressure. You had no idea of the exact number of people but the amount of drama and discourse you’d seen on Twitter in the last twelve hours alone was enough to help you hazard a guess; far too many. Therefore, you reasoned that the chances of your running into Gojo Satoru ever again was slim. You would never have the insane misfortune of talking to him again. Especially considering that after your three years in the industry, you’d only run into him once and that had been The Night (though it had only been a handful of days since you had rather thoughtless kissed Gojo Satoru every time you though back to last Friday night you would call it The Night and it would stay that way the rest of your life), you would never cross paths with him again. In fact you were fairly sure that Gojo Satoru not only had no idea who you were and had no intention of learning—and probably had already forgotten about what had happened.

Unless, of course, you were incredibly wrong and Gojo ended up filing that complaint against you. In which case you would be seeing him again, in court, when you pleaded guilty.

You ultimately figured you shouldn’t waste any time fretting over it and focus on more pressing issues like; you needed to start pitching ideas for Yuta. Or like how Yuta was literally your PR manager, despite your past and current situation with Maki. Or the note that Megumi had left on the fridge door that morning telling you he had noticed a cockroach scurry under the fridge again, despite all the traps you lay out. Or the most crucial one; the band had so much attention and it was becoming daunting. It was making you nervous and you were really starting to feel the pressure. You were bound to crack at any moment. On top of that you were low on money again and your didn’t have the heart to ask your friends for any, you all were struggling. Your band was big but not massive, and the share you were all getting wasn’t amazing, they were probably in the same situation as you.

You opened your laptop with half a mind to search “Organs you can live without” and then follow that up with “how much can you sell them for?” But you had gotten side tracked by the 20 emails you had accumulated in the time it had taken you to make a coffee and sit back down. They were almost exclusively reminders of subscriptions. Nigerian uncles with a money mine. And a few newsletters you signed up for a few years ago. You quickly marked them down eager to get on to a couple lyrics Yuta had asked you to work on them you noticed one email. One email that was actually a reply. A reply from—holy shit. Holy shit.

You clicked the mouse pad so hard you almost broke your finger.

Sgetomanagment@gmail.com

Y/N L/N,

The idea looks amazing. I should be at your studio next Monday, it would be great if we could meet.

Regards, SG.

Your heart skipped a beat. Then it began galloping. Then it slowed down again you could feel all your blood plusating in your ears and eyelids. Surely, that wasn’t healthy, but yes. Yes! You had potential business. Only potentially, so maybe, definitely maybe. He said great. That had to be a great sign then, right?

You frowned and scrolled down to reread what you had sent to him several weeks earlier.

Well if Suguru Geto, probably the most sought after male artist you could think of at the moment and he was currently the lead artist and organiser in a current cancer campaign event that was being held, came to your studio and gave you 10 minutes of his time, you were positive you could convince him.

Well…maybe.

You were better at actually doing campaigns than pitching for them. Communication was probably your biggest weakness. Okay, absolutely your biggest weakness. But you had the opportunity to show how important this cause was to you. You could practically jump for joy. This was something you’d always been passionate about.

You sighed and packed up your stuff and head for the studio. You needed to record some music and if you didn’t get out of public soon you would end up screaming.

When you got to the studio you made a beeline for the communal kitchen.

You stood at the coffee machine working out the rhythm for the song you were working out for the group, you also tried to figure out how you were going to tell Yuta, after all you had done this as a surprise for him. Your brain was practically full of fuzzy thoughtless thoughts, your whole body on autopilot. You span around only to be met with a scowl.

You startled, almost dropping your coffee.

“Fu—Jesus!” You clutched your chest and took. A deep breath. “Maki! Your can’t scare me like that—you shouldn’t even be in here!”

“Y/N.”

That definitely wasn’t unnerving. Maki never used your full name. Not unless she was reprimanding you for biting your nails or damaging your hair.

“Hey! How was your—”

“fiday night.”

Fuck. “—weekend.”

“Gojo.”

Fuck, fuck, fuck.

“I saw you two. Together.”

“Oh, really?” Your surprise sounded painfully playacted. Maybe you should’ve taken theatre in high school instead of band.

“Yeah, at the party.”

“Oh, cool! I didn’t see you or I would’ve said hi.”

She frowned at you. “N/N. I saw you. I saw you with Gojo. You know that I saw you, and I know that you know I saw you because you’ve been avoiding you.”

“I have not.” You feigned bewilderment but your efforts were once again in vain.

Maki gave you one of her formidable “get real” looks. It was probably the one she used when she argued with people in high school. She wasn’t exactly fond of her sister, Mai, either. She knew how to argue, how to manipulate. That was a fact. She was fearsome and indomitable, one of the things you loved about her—but not right now.

“You haven’t answered any of my messages. For the past two days. We usually text like every hour.”

She was right, you did. You switch your cup to your left hand for no reason other than buying time. “I’ve been…busy?”

“Busy?” Makis eyebrows shot up. “Busy kissing gojo?”

“Oh. Oh, that. That was just…uhm.”

She nodded as if to encourage you to finish the sentence. When it became apparent to Maki that you wouldn’t, she finished it for you.

“No offence N/N, but that was the most bizarre kiss ever.”

Stay calm. Stay calm. She doesn’t know. She can’t know. “I doubt that,” you retorted weakly. “take that upside down spiderman kiss! That was bizarre. More bizarre than—”

“N/N you said you were on a date that night. You’re not dating Gojo are you?”

It really could have been so easy to confess the truth. Since the very start of your friendship you and maki had done more moronic things, together and separately; the time you panicked and kissed Gojo Satoru would become one of them. One you would laugh about during “girls night” over some form of alcohol.

Or not. There was a chance that if you admitted to lying now, Maki would never trust you again. Or she would never go out with Yuta. And as much as the thought of your best friend dating your ex made your whole body physically repulse and shrivel up inside, the thought of your best friend being anything but happy made you shrivel up more.

The situation was depressingly simple; you were alone in the world. You had been for a long time, ever since high school. You trained yourself to not make a big deal of it. You were sure many people were alone and found themself having to write down made-up names and phone numbers on their emergency contact forms. During college music had been your only way of coping and you were perfectly ready to spend the rest of your life making music for yourself and have your own baselines as your faithful companion till you ran into an old acquaintance from when you were younger—Maki.

In a way it had been love at first sight. You entered the dorm room, she was the only person there, and also the only woman you’d come across in the little time you’d been at the college.

When you were in the communal area and all the other people were around you were only males and predominantly white ones, you began to regret picking music production as your study.

That was until the blue-ish haired girl with a pretty face and glasses plopped next to you and muttered, “so much for inclusivity, am I right?” That was the exact moment everything changed for you.

You two could have just been allies, as the only non-males potentially in your entire year. You could have found solace together when some bitching was needed and ignored each other otherwise. You had lots of friends like that—all of them actually, circumstantial acquaintances who you thought fondly of but not very often. Maki though, had been very different from the start. Maybe because you found out you both enjoyed spending your Saturday nights eating junk food and falling asleep to rom-coms. Or maybe it was that she had insisted on dragging you to every debate group and wowed everyone with her bullseye comments. Maybe it was her opening up to you and explaining how hard she had worked to be here. The way sometimes her family hadn’t even supported her, truly they didn’t believe she could make it as far as she has. Or when one of her professors for music making asked her if she was in the wrong class and truly, was confused. The fact that people still didn’t trust that, despite the evidence through grades, she was more then capable of being here. They thought she was less than that, much much less.

You, who’s path had been a struggle but no where near as much of a struggle, was befuddled. Then enraged. Then in absolute awe of the perseverance and ability to harness her doubt and turn it into fierceness.

And for some unimaginable reason, Maki seemed to like you just as much. And when your budget hadn’t quite made it to the end of the month, Maki had shared her instant noodles with you. When your computer had crashed without backups, Maki stayed stayed up all night helping you recreate the baseline that was apart of an assignment due the next morning. When you had no where to go over the holidays, Maki would bring you home with her to her closed off estate on the outskirts of Japan and let her family ply you with delicious food. And when you had felt like you weren’t good enough to be in a band and produce for the world, Maki had talked you out of it.

The day you had met Maki’s rolling eyes, a life-changing friendship was born. Slowly, you’d began to include Megumi and become a trio, but Maki…Maki was your person. Family. You hadn’t really thought it was even possible for someone to like you.

Maki never asked for anything herself and in the few years you’d known her, she’d never shown interest in dating anyone—until Yuta. Pretending that you had been on a date with Gojo was the least you could do to ensure her happiness.

So you bucked up, smiled and tried to keep your tone reasonably even when you asked, “what do you mean?”

“I mean that we talk every day and you never mentioned Gojo. My best friend is supposedly seeing the superstar singer Gojo Satoru and somehow I’ve never heard of it. You know his reputation, right? Is this some kind of joke? Do you have a brain tumour? Do I have a brain tumour?”

This was what happened when you lied. You have to tell more lies to cover the original lie, it was like a domino effect, each lie got worse and worse and less and less convincing than the previous. There was no way you were could fool Maki. The was no way you could fool anyone. Maki was going to get mad, then Yuta would get mad, and Megumi too. And then you would find yourself utterly alone. The heart break would make you flunk out of everything, you would lose your visa and your only source of income and move back to Canada where it always snowed and people ate moose and—

“Hey.”

The voice was deep but squeaky. It came from behind you and you didn’t even have to turn to know it was Gojo. The fuck was he doing here? Just like you didn’t need to turn to know the warm weight steadying you, a firm but barely there pressure applied to the centre of your lower back, was Gojo’s hand.

About two inches above your ass.

Holy crap.

TAGLIST(23/50): @bbmsxlene @lunavelha @satoryaa @tranzumaki @k-kkiana @luvkvni @lysaray @kalulakunundrum @arysbruv @r4veeen @stillnotherapy @catobsessedlady @colortheoryrocks @minzxec @dazqa @packsvlog @luvvmae @simplysm1le @mintfyi @lavender-hvze @fushism @angstmuncher @fackeraccount

AN:

Chat. This😈😈

© valentoru all rights reserved- do not publish my work on other platforms, plagiarise or translate.

[doshmanziari]

Shadow of the Erdtree: Some Reflections

Well, folks, since no one asked, here are some thoughts I've had while exploring Elden Ring's add-on, Shadow of the Erdtree.

The existence of an alternate shadow realm has solidified my conviction that what Elden Ring is depicting on micro and macro scales is the phenomenology of etheric bodies -- extending even to the moon, the double of which is visible from the Moonlight Altar plateau (this is reflected by Rellana's Twin Moons spell). Each of these bodies possess a regulating function. Although each might be generally described as doppelgänger, the occult scientist Rudolf Steiner wrote of the Doppelgänger proper as its own sort of body, responsible for the tension between aspiration and temptation. It's interesting to me that this is such a major preoccupation of the game, because it indicates a layer of esoteric involvement, on the part of Elden Ring's narrative conceptualizations, that I don't think anyone in the so-called lore community has picked up on yet. The shadow realm helps explicate the otherwise inexplicable Godefroy the Grafted, too.

Various details have also strengthened my impression that the revolt against Nature we see in Elden Ring is a revolt against motility -- motility being the ultimate enemy of utopia: a human conceptualization reliant upon infinite stasis. In the base game, I think we see this revolt most profoundly in the narrative of Ranni, who first abandons her own flesh and then strives towards the realization of an Age of Stars, that "thousand year voyage under the wisdom of the Moon." Although the Seedbed Curse represents its own revolt against Nature, it remains within the organic order. Ranni's vision is of the inorganic and remote. And I don't think it's unrelated that, in certain esoteric cosmological systems, the moon stands as most distant from the Absolute.

The colors of the landscapes and sky are amazing: vivid, autumnal, and strange. These palettes have only made me dislike the game's rain effect all the more, which does not deepen the arboreal colors (as it should) but drains all surfaces of color and sets them into a depressing, bland grayscale. To say that the rain is a part of why I consider Raya Lucaria to be Elden Ring's low-point in the realm of major level design could be seen as a trivial complaint, but visual drudgery will wreck even the best schemes; and Raya Lucaria is as far as you can get from that anyway. FromSoftware has done fine with types of snow (see, e.g., the Frigid Outskirts or Painted World of Ariandel), but I think they've yet to figure out rain, among some other graphical technicalities.

The forges are among my favorite instances of discrete level design, even if, or maybe because, they tend to contain only two or three enemy types, feature no bosses, and severely scale back the level of challenge. I happened upon one yesterday that I did find a little dull, but the other two were wonderful, brief, atmospheric knots, quiet sequences of colossal architecture, that sort of evoked shades of Stonefang Tunnel from Demon's Souls. On that note, I'd call special attention to the forges' theme music. The only other piece of music from the DLC that's gotten my attention is the theme for Belurat.

Plants are People, Too.

Torrent is just... a terrible inclusion for this game. It's maybe obvious enough to not warrant being said, but -- any design decision has to be evaluated on what it contributes to the system it's been set into, and Torrent adds nothing outside of the occasional, brainless convenience. I could maybe see an argument for Torrent's presence if he had some emotionally charged narrative integration, maybe like what Shadow of the Colossus did. Without this, Torrent is nothing but a tool which perpetually problematizes the overworld's scale (a bit too big, yet no fun to traverse at high speed) and trivializes all of its gauntlets on a potential and actual level far worse than anything the Spirit Ashes could ever do. Better to me would've been if the only way to use a mount were by defeating a mounted knight without killing their horse and then sneaking up to the runaway to gain ownership of it.

I'm finding the map much more engaging than that of the base game because of how it plays with abstractions and builds anticipation through that. One part of the map, for instance, shows a bunch of trees with red leaves. Reaching this place reveals these "trees" to be enormous red flowers. Another section shows pink, purple, and orange specks. What are these? And what are the gray, finger-like lumps erupting from the mass next to it? I've also found it tough to figure out how to progress from one plane to another because of how densely stacked and knobby the continent's features are, so consulting the map has been helpful in a way I rarely experienced with the base game's.

Love how much the Ancient Ruins of Rauh resemble The Elder Scrolls IV: Oblivion, from the explosion of verdure, to the crude, architectural naivety defining the pseudo-Gothic structures.

With Shadow of the Erdtree, I keep coming up against an unresolvable simultaneity like the one mentioned above regarding the overworld. There's a lot of good level design to be found here among the dungeons, castles, and forts, yet the abundance and enormity of it all seems to have deprived the game of significant contrasts, and those special spatial moments, which I found much easier to locate and reflect upon with, say, Dark Souls or Bloodborne. Sure, the sky-piercing spiral of Enir-Ilim is a sight to behold; but soon enough the sequences of grand staircase upon grand staircase, great bridge upon great bridge, creates a perpetual climatic grandiosity that diminishes the very effect of a climax (and I'm not even sure that Enir-Ilim is the DLC's intended final location). Anor Londo or the Nightmare of Mensis could feel special because the qualities and features of their spaces stood apart from everything else. Elden Ring, I think, has gotten itself into a predicament by trying to one-up its internal material and all prior FromSoftware games through the enormity of its scale -- and challenge. More and more, I've been craving a new project from them that resets these terms of engagement, even while enjoying the consistency of the material at hand.

That's all for now! In time maybe I'll turn these thoughts to an essay for my Substack page, perhaps with a focus on the first two points.

[moominvalleysunset]

Three stages of love in Jack and Joker

I was wondering why I personally feel completely satisfied with Tattoo and Aruns and Hope and Save's development and ending in the show. No complaints.

I would have loved to see more of Tattoo and Arun actively kissing or romancing, but to me it's certain that they will at some point. Just not yet. They are still figuring things out, they are in the talking phase in my opinion. They absolutely have a thing for each other, which I think was shown plenty, and they will get their happily ever after, i'm sure of it. And to me that pace (I think in total the show covered a few weeks in the present time) feels natural for two people with a lot of issues and insecurities who started out on opposing ends of the class hierarchy. They are slowly, slowly moving towards each other. I am very optimistic about their future, and looking forward to reading fics that explore how they will get together.

Jack and Joke were at a different stage in their relationship. They had been attracted to each other from the moment they met five years prior. We witness them getting together in the present once the past is dealt with, because the romantic aspect of their relationship was already clear before. They were at the courting, confessing and consummating stage of their relationship during the shows timeline (and the main couple of course), so we saw them do all that. Arguably not extensively enough, but what they had felt real and earned.

Hope and Save are an established relationship with their own specific issues, all of which were resolved quite satisfactorily by the end. Their commitment to each other was never in question, we also saw them being intimate like a couple that's been together forever, they were each others ride or die, a unit. They didn't need to kiss to make that clear. The focus was on their development as people, as members of a bigger community than just them, and the fact that they could finally be openly together at the end was very moving to me, cause the secrecy of their relationship weighed heavily on them. Again, it felt real.

Maybe I am alright with this because I never really saw Tattoo and Arun and Hope and Save as "side couples" or ships like in a traditional BL story structure. They were amazing, well rounded supporting characters with good arcs that ended on a promising note. And including Jack and Joke, to me they all were nuanced, realistic and compelling representations of three different stages of love.

[thegeminisage]

THE LEGEND OF ZELDA ECHOES OF WISDOM FINAL VERDICT

SHORT VERSION: minor nitpicks but rad as hell

LONG VERSION:

what i loved about eow:

zelda getting her own adventure, FINALLY. it matters so much to me <3

the thinking aspect of it. i'm used to trying a puzzle a few times and then looking it up if i can't get it, but eow made me WANT to throw myself at the wall until something clicked. it made solving puzzles even more satisfying than in link games, somehow. though i had my initial concerns over not getting a "real" sword, i didn't really miss it until the final fight, and most of the time, i went out of my way to avoid using it if possible, because i wanted to be creative. in fact, even while playing, i looked forward to being able to watch other peoples playthroughs to see how they tackled certain puzzles differently from me. it's so fitting to who zelda is in the lore that it's crazy to me she wasn't een in the original concept - she just fits so PERFECTLY here, as if they'd designed it for her from the ground up.

the way link mattered in the story without stealing the stage (everywhere except the final boss, which i have mixed feelings on). i know that link's function is to act as a stand-in for us, but in this project especially, it's nice to see him get some personality - i think he's earned it!

i ALSO really loved, of course, the final dungeon and working together with link to solve puzzles. the last zelda co-op game we had was four swords where everybody had the same abilities bc they were all link, but what if we had one with link and zelda where they had different abilities? it was so exciting and rewarding to finally get to work with link after all the mystery surrounding him and the fights with his evil duplicate.

the stilled realm stuff was incredible. i had so much fun in the rifts i wish there had been more of them. picking your way around that fucked up landscape is great

being able to cheat your way around any landscape is great also. like i can get to hebra from the ground with enough platbooms, i can jump over tree barriers, etc. it made me feel like a master of the world.

i liked tri! not the most standout companion, but they were just confused enough about basic emotion and nonplussed about things in general to be funny and make me fond

in fact, most of the secondary characters were a lot of fun. i was pretty neutral on wright and lefte and the gerudo ladies, but the zora leaders, impa and lueberry, and of course, conde - they were all fantastic. zelda's dad not being shitty for once was a really nice touch, too.

loved all the callbacks to other games - the deku scrubs, the river vs sea zoras, volvagia, big blue pig ganon even though he sin't my fav

speaking of, i'm not mad about the lore either. it fits with what we know so far and it was GREAT to hear from the three goddesses again when it's been like 20-something years. i was kinda mad when they got shunted aside for hylia and i'm glad nintendo is bringing them into co-existence again

most of the time the music was just okay but when it was good it was REALLY fucking good.

overall, the story was absolutely charming, filled with mostly fun characters and environments and a creative mechanic and a world i cared about saving. none of that feeling i got from totk sometimes where i went "wait, what?" or "this is bullshit!" except maybe when the goron had to break the picture of his dead dad lol.

what i did not love about eow:

my absolute #1 main complaint is the quality of life bs. i should NOT have to go through so many dialogue boxes for a task that is repetitive. minigames that have a 20-second time limit where i spend almost as much time skipping thru the dialogue to try again? come on. smoothies? the dojo? these are things we do dozens, perhaps hundreds of times per playthrough. there is NO NEED to make it that tedious. i would have had a LOT of fun experimenting with smoothies if it hadn't been so tedious, but instead i went out of my way to avoid using them because i was dreading having to sit through the animations and dialogue boxes for more. and there's no quick retry for minigames, either. for the dojo where one misstep means you'll have to start over, all you can do is quit early and then go through the dialogue ALL. OVER. AGAIN. it is 2024!!! surely when they played the game they got annoyed by this too! what are we doing!

similarly, while i didn't hate the slidey menu as much as everyone else cuz i got pretty good at skimming it, it's still nuts to me that they couldn't come up with anything better, perhaps involving some sort of category. sometimes i want platforming echoes and sometimes i want combat ones. separate them!!

while the final boss was FANTASTIC in mood and presentation, my echoes and automatons being kind of useless + me being denied a sword made me feel like i had nothing to do but run around and dodge and watch link and my lynel fight the boss. this is a tricky one because i'm not sure what could possibly be changed to make me a more active participant and still leave link his sword (his presence elevated it so much - much like zelda's does in final fights against ganon), but it felt just an inch to the left from perfect for me

automatons in general - i was really hype for them, but most of them don't even move around on their own, and they're so slow a fast-paced combat sitch will obliterate them instantly. which would have been PERFECT for the final boss where i wanted a more direct means of attack, but they'd get toasted before i had a chance to wind them up. JUST removing the winding element would have improved these greatly without any other change at all, but it's another quality of life thing

the horse was also useless, but the horses have been useless in every game since majora's mask, and even in majora's mask it's iffy.

the world DID feel a little small sometimes, but i think that's the natural result of being able to cheat your way around it - and i wouldn't change that.

finally, the music - most of the music for the overworld sections was boring, where the dungeon music occasionally had more character. i was a little disappointed there wasn't more of the old melodies aside from little snatches of them here and there. i definitely understand composers wanting to do something new, but if their new something is this atmospheric, unhummable stuff...that just doesn't feel like a zelda score, you know? that said, again: when it was good, it was GREAT. that final boss fucking rocked.

overall this made me SOOOO ready for an oracle or minish cap remake from grezzo and absolutely RABID for zelda to have her own 3D adventure someday. they thought it wasn't possible but it ABSOLUTELY is, and the co-op sections near the end were especially wonderful and something i'd love to see in a mainline title someday. yes, this game was flawed, but it wasn't flawed the way totk was, it was overall a great joy to play and well worth both my time and money. there's very little i would change.

and, on a mushy real life note, echoes of wisdom did also help me get through the 15-day power outage after hurricane helene...i started the game just before the hurricane hit and finished it just after i got my power back, so helene kind of defined the experience of playing it for me. i'll never forget sitting in my dark bedroom with all the windows open and the generators going outside and my switch just propped up on my monitor stand, surrounded by battery packs, my only light from flashlights or candles, trying to help the time pass and enjoy the game while keeping a clooose eye on my battery life. it was one of the very, very few things i could look forward to in an uncomplicated way every day, and having something to keep me going was vital to my not just going nuts. zelda games usually seem to come out when i need them most! and i'm grateful to her too <3

[luluboobird]

Minds Eye

Word Count: 838

Summary: Open-ended one-shot set in a universe where Lady Lesso has telepathy, and she's meeting Clarissa for the first time as the new dean for evil. Hint: "Pink" is Clarissa's thoughts.

~~~

Leonora was grateful for the ability to read minds. In her youth, she thought it a curse. A blight that she wanted to cast away. What good came from knowing what people thought of you all the time? 

She could read the hate on their face, she didn’t need to hear what they were thinking.

But now, after a lifetime of scheming, backstabbing, and lying as a Never, knowing came in handy. Knowing kept her alive.

It unsettled people. The little trump card she kept tucked away in her back pocket. Despite the cost, and truly the cost was heavy, it was well worth it. For example, right now she was meeting her future coworker and famed fairy tale influencer, Professor Dovey. They were going to be working against each other for the foreseeable future.

Running into her on the way up the stairs to the schoolmaster’s office gave her the opportunity to feel out her future adversary. See what negative thoughts lurked under her polished facade.

If Leonora had to describe the woman in front of her in three words they would be: pretty, poised, and preternaturally perfect.

Brown eyes and long dark eyelashes, an unblemished face, and a disarming smile. Her blonde curly hair cascaded past her shoulders and a golden tiara settled on her head.

She was beautiful, but Evers oftentimes are. Pretty on the outside, ugly on the inside. Vain, self-centered, and rude, Evers really only cared about looking good and making everyone else feel bad.

“Oh no…” Here it comes, Leonora sneers internally, waiting for the insult. A complaint about her style of dress, her posture, her general presence; Leonora had heard it all.

“…she’s cute.” She pauses, more than certain that she had misheard the woman’s thoughts.

“What?”

The blonde blinks, furrowing her eyebrows as she repeats herself.

“I said, I’m Professor Clarissa Dovey, the Dean for Good. A pleasure to make your acquaintance.” Clarissa looks at her expectantly, and somehow, despite her confusion, Leonora manages to muster up a halfhearted response.

“Lady Leonora Lesso. The new Dean for Evil.” She scans Clarissa’s face, but the woman just looks remarkably polite. Right, she definitely misheard. Leonora chuckles softly, shaking her head.

“And her laugh, Storian! If she smiles like that too often—“  Or, maybe not?

“Are you settling well into your new position?” Clarissa asks, and despite the flattering projections of her mind, not an ounce of her attraction to Leonora is reflected on her face. It was as if she had perfected the art of separating her thoughts and her body language.

“Well enough, I suppose. Though I must say, I quite look forward to breaking your winning streak.” Finally toppling the Evers from their lavish thrones would be satisfying.

“Break our winning streak? You can try.” A hint of excitement flashes in her brown eyes from the voiced challenge. “I don't doubt your abilities, Lady Lesso, but I’m certain that Good will come out on top. Again.”

“Here’s the thing, Professor Dovey, Evil would very much prefer being on top,” Leonora declares with a smirk, taking a smooth step forward.

“She can't possibly mean— No, you're imagining things. Get your head out of the gutter, Clarissa!” Poor thing. She wasn't imagining it at all.

“Then I’m afraid you’re going to be disappointed,” Clarissa responds with a soft grin and a step of her own. She’s looking up at Leonora because she has to, but it doesn’t diminish the strength of her presence.

“We’ll have to see then, won’t we?” She says, smirking as she gives the woman a shameless once over.

“Yes. We’ll have to see.”

“Stop staring at her.” Clarissa's gaze flits away from her face before returning after half a beat. “Well, maybe just a little while longer.”

Leonora allows the curious gaze to rove over her face for a second before bringing attention to it. “Is there something on my face,” Leonora asks, tapping her chin as if curious about the stare. 

“Other than the blessing of Aphrodite?” The redhead raises her eyebrow. What high praise, but if Leonora was the blessed, then Clarissa must be the one with divinity.

“No.” 

“ ...this is going to be a problem. She smells divi— I need to get out of here before I embarrass myself even more.”

“Then perhaps—“ Before she can push Clarissa any further, she is interrupted.

“I should get going. I have some preparations to make for the opening ceremony.” Clarissa says, taking a step back and a deep breath. It would be a perfectly reasonable excuse if Leonora couldn’t read her mind. “I look forward to seeing how Evil fares against Good this year, Lady Lesso.”

“As do I,” Leonora responds plainly as the woman departs with a subtle bounce to her step. “As. Do. I.”

She doesn't bother trying to stop her. There would be plenty of opportunities in the future to gauge the depth of Clarissa’s interest. Leonora has no problem with being patient.

~~~

I figured this was too short to post on A03, but it was a fun scenario to write, at the very least.

[deepspacedukat]

Occupational Indulgence

Alright, I've been waiting to write this fic (and its sequel) for a while now, because it never felt like the right time. But it's here now. I fudged the dates of Mr. Eddington's assignment to DS9, but it's for my Pointy Man, so I don't care. This is part of Jorik's timeline with Jadzia.

Cross-posted to AO3 here.

~*~

Jorik (Vulcan OC)

[A/N: This is just a place-setting for the fic that will directly follow this in Jorik and Jadzia's timeline, so no warnings. Just fluff and Jorik being adorable.]

Warnings: Side characters involved in a romance, mild angst but not the romantic kind, angst about life in general, Jorik trying to justify his actions and potential future actions with logic.

~*~

**2371 - Stardate 48003.1 (January 2, Early Morning) - Aboard The USS Min'ow**

"I can't believe they're sending us to a Cardassian scrapheap way out in the middle of nowhere," one ensign grumbled over his breakfast. Despite the mess hall being practically full at this time of the morning, Lieutenant Commander Jorik was perfectly able to hear the ensign's complaints. For someone fresh out of Starfleet Academy, the younger officer didn't seem very enthused about his assignment. "Man, what I wouldn't have done to be posted on Enterprise. That must seem like a damn luxury liner compared to that Cardassian eyesore, am I right?"

One of the officers at his table was giggling at his remarks, batting her eyelashes at him as if her simpering might make him notice her existence. The other two were staring studiously down at their plates. A wise choice on their parts. The man being obnoxious was, unfortunately, under Jorik's command.

"Perhaps, Ensign Maxwell, you would prefer to remain here on the Min'ow and assist the engineering teams by scrubbing out the plasma manifolds on a daily basis?" Jorik called from his seat after delicately dabbing his lips with a napkin. "I'm certain they could use an extra hand, and I could ensure that you receive such an assignment if performing your security duties on Deep Space Nine is unappealing to you."

The man scoffed as he usually did.

"That won't be necessary. Sir." When he and the girl vying for his attention left the mess hall, Jorik noticed that the other two officers who'd been seated at that table looked vastly relieved. They were two of the hardest working people in his team.

"I trust the two of you have no such complaints?" Jorik was on the verge of smiling as he spoke to them. Ensigns Ava Hardy and Terry Giles had warmed to him quickly when they were assigned to his security team, and Jorik was quite content to consider them friends.

"Oh, not at all, sir," Ava said glancing at the other woman. "We're excited, actually. Bajor sounds like such a gorgeous planet."

"Yeah, I can't wait to take this one on shore leave there," Terry said dropping a kiss on her girlfriend's cheek. "And hey, who knows? Maybe this is the fresh start that we all need. What're you still doing over there, huh? The ugly bastard's gone. Come join us."

Jorik nodded his head and carried his plate over to their table. They would arrive at Deep Space Nine in less than an hour. He couldn't bring himself to tell them that this would be a rather short assignment for him, though. He did not wish to sour the remaining time that the three of them had together.

He'd tell them prior to his departure, of course, but right then all he wanted to do was savor the anticipation of a new assignment with them.

Anticipation. That was something else he would be giving up in a few weeks' time. Vulcans may not express their emotions as boisterously as other species, but they still experienced them just as keenly. He did not want to give that up, but...if his undergoing the kolinahr would placate his parents, then he would try it for them.

Luckily, Ava and Terry were so excited to be talking with him about Bajor and all the worlds beyond the wormhole that they didn't notice how quiet he'd become. They likely assumed he was just being courteous listening to them.

Good, Jorik thought, let them assume something positive. I do not wish for them to worry.

--

Just over an hour later, Jorik ascended the steps to the office that used to belong to the Prefect of Bajor. The doors slid open automatically, and he proceeded inside.

"Lieutenant Commander Jorik reporting for duty," he said standing at attention as soon as the door hissed closed behind him.

"Ah, yes. Captain Gifford mentioned that he was bringing us some extra security personnel. At ease, Mister Jorik. I'm Commander Benjamin Sisko. Welcome to Deep Space Nine." Commander Sisko stood and respectfully offered him the ta'al, which Jorik returned. "I trust your journey wasn't too rough?"

"Not at all, sir. My team and I are prepared to assist you however you require," he said walking over to his C.O.'s desk and handing him the PADD that contained his orders.

"Good, good. Then I'll introduce you to the Ops staff and take you to the security office so that Odo, the Bajoran chief of security, and Mr. Eddington of Starfleet security can brief you." One by one, Commander Sisko introduced him to Major Kira, Chief O'Brien, and the rest of of the senior officers. As they walked to the turbolift to head down to security, Commander Sisko conversed with Jorik about life on the station. "Oh, by the way, there is one senior officer whom you have yet to meet. My science officer, Jadzia Dax, is away on shore leave. She should be back in a few weeks."

Jorik's thoughts gnawed at him.

"Computer, halt turbolift," he called, and at the Commander's curious look, the Vulcan drew himself up to his full height. "Commander, I thank you for your hospitality. You have been very welcoming to me even though you have only met me today. I wish to be candid with you, sir. I will not be here on the station for more than a number of weeks."

Sisko lifted an eyebrow as he turned to face him.

"I'm sorry, I don't understand."

Jorik took a deep breath and clasped his hands behind his back.

"Commander, my family...my parents have been rather...insistent that I return to Vulcan to fulfill an obligation. It is one that will take many years to complete, and they are becoming impatient," he explained. "It is likely that I will request an extended leave of absence from Starfleet in a few weeks' time in order to complete that task. I did not wish for you to be 'blindsided,' as your species might say, by the loss of an officer so soon after his acquisition."

The Commander nodded his head quietly as he processed what he's been told.

"Thank you for letting me know, and...well, I hope this isn't too presumptuous, but you sound a bit reluctant about returning home," Sisko observed, and Jorik dropped his gaze. "Lieutenant Comm– Jorik...I don't claim to know much about Vulcan customs, but make sure that your obligation, whatever it might be, is something that you want, not just something your parents want. It's your life, not theirs."

He looked up at his new C.O. only to find concern in his eyes.

"Thank you, Commander. I will take your words into consideration. No matter what my decision, though, I assure you that my team will do their best," Jorik murmured, then he had a thought. "I...have not informed them of my situation, however, thus I would be...grateful if this conversation could remain private."

"They won't hear it from me." When the turbolift's progress resumed, Jorik felt both a sense of relief - logical, given that he'd been honest with the Commander - and newly conflicted. His misgivings were illogical. He had no choice in the matter. Jorik would return to Vulcan and, for once in his life, ensure that his parents did not see him as a disappointment.

He would have to content himself with the knowledge that for once, he would be exactly what he was expected to be: A good, proper Vulcan.

"Jorik?" A voice snapped him out of his thoughts almost as soon as the lift doors opened onto the Promenade. He knew that voice, though it was different than before. A pair of wide green eyes met Jorik's, and all at once he recognized her.

The girl with the panda hat had grown up, and she was in a blue Starfleet uniform. Her curly brown hair had been tamed into a long braid down the back of her head.

"Cassandra?"

"You and Ensign Connor know each other?" The Commander asked from Jorik's side, but he hardly noticed. Cassandra held up a perfect ta'al just like he'd shown her sixteen years ago. Jorik returned the gesture, of course, and easily caught the young woman when she threw herself into his arms.

No self-respecting Vulcan would have stood for such a familiar, tactile gesture...which, Jorik guessed, was why he had no problem returning her embrace. He'd never been as stoic as the rest of his people, and he'd spent a significant amount of years amongst Humans. He'd secretly relished hugs from his former classmates when he received them at the Academy. Why shouldn't he? They were simply demonstrating through their own cultural practices that they bore him some sort of platonic affection, and did his own people expect him to cast aside their own saying, 'infinite diversity in infinite combinations'?

As for the young woman in his arms, he had always wondered what had happened to her. She'd seemed intelligent when he met her all those years ago, but even so, he hadn't expected her to remember something that for her must've been extremely trivial.

"I'm sorry for interrupting, Commander," Cassandra said to Sisko as she pulled back, "but I didn't think I'd ever see Jorik again. Hell, I didn't think that you'd remember me, even if I did. I'll leave you in peace, but if you're free later, maybe we could catch up sometime. If you want to, that is."

Her last remark was directed at the Vulcan officer who nodded his head.

"I would be pleased to...'catch up' with you when your duty shift permits, Ensign," he answered, and with a bright, warm smile, she excused herself. Perhaps these weeks prior to his departure would be more enjoyable than he'd anticipated. Forming a friendship with someone long lost in his past would make it even more difficult for him to leave, but he would still savor every moment.

~*~*~

Taglist:

@akamitrani @android-boyfriends @attention-bajoranworkers @bigblissandlove1 @darkmattervibes @emilie786 @horta-in-charge @live-logs-and-proper @slutty-slutty-vulcans @starrynightgardens @toebeans-mcgee

[sigyn-foxyposts]

⧼Random Norse mythology ship head cannons: Frigg x Fulla⧽

Back with another ship to add into the series, that I believe some of you have actually heard about! Oh Frigg and Fulla, my tragic little lesbians.. You deserved better. Maybe in another life time 😔

Feel free to use these for your own ideas, I'm simply making this series to show support to random ships we create, basing things off on what we in sources of finds and yes! I'm gladly feeding into them all. ✨

༻𓊈Head cannons 𓊉༺

How did they met?

Fulla was one of Frigg's handmaidens, like many other Ásynjur goddesses, but she held a special role in personally attending to Frigg’s needs. Fulla kept Frigg entertained with engaging conversations, assisted her in managing daily tasks, and took care of her footwear. Their relationship grew more intimate when Frigg, feeling neglected by Odin and hurt by his infidelities, sought solace in Fulla.

This comfort soon blossomed into a romantic relationship. Frigg finding reassurance in knowing that Fulla genuinely cared for her when her husband did not. Meanwhile, the devoted and loyal Fulla, deeply enamored with Frigg, considered herself fortunate to serve and love her lady without hesitation or complaint.

Their dynamic!

They might have a big difference in power dynamic but Frigg never takes advantage of her status, especially not against Fulla. If anything she makes sure Fulla, despite being a servant gets the same treatment as her!

While both Frigg and Fulla love to chat and gossip. Fulla finds herself to be the one listening most of the time.

Fulla from the very start was always so smittend by Frigg's beauty and grace.

Every night Fulla found herself treassuring everything they shared together, excited to see her again.

Sadly when their relationship became romantic, they had to keep it a secret from most of the aesir.

That way Odin wouldn't find out about it and unleash his wrath upon the two.

The two ladies would only be open about their relationship with certain people like: Gná, Hlín, Lofn, Sjofn, Baldr, Nanna, Hodr and Hermod.

The wodden box Fulla holds is very symbolic, containing not only the truth about their relationship but all of Frigg's most precious secrets.

Fulla takes her role as not only Frigg's handmaiden but as the protector of Frigg's secrets very seriously. She would rather die where she stands then tell.

Fulla wears a golden band around her free hair, it being a gift from Frigg. (Gylfaginning Chap.35 reference)

To others it symbolic of Fulla being a virgin, a lady in waiting but little do they know the real meaning behind it.

It's a way to keep Fulla out of harms way and from prying eyes of men. That way, Frigg can protect that she holds dearest! It being almost a similar case to Baldr.

The very few times when Frigg could travel, she brought Fulla with her. Unable to stay away from her even when she had free time to do as she pleased.

On more than one occasion they had to say they were "found sisters" because of how close and affectate they were.

The two women also practiced seidr together, it turning into a intimate ritual between them whenever they were alone. (Second merseburg incantation)

Baldr might have been the favorite son of Odin, but it Fulla who had delivered and together with Frigg, had raised her sons when they were young children!

Because Odin was an absent father in the early days, always traveling. Frigg found herself struggling through motherhood alone without him!

But since Fulla lived in their hall, she was able to aid her lady in need, making their bond even more closer.

The woman was a passionate and caring step-mother, somehow made to manage three wild playful children.

She would also pay special attention to little Hodr, helping him navigate through the world and teaching him how to read runes with his fingers.

Fulla wouldn't dare call herself the mother to any of Frigg's children, in fear to disrespect Odin. But Hermod, Hodr and Baldr view things a little differently.

They absolutely adore Fulla, secretly seeing her as a second mother.

Even accepting her as a part of their family, not just because she helped take care for them but because she deserved their mother's love and affection.

When Baldr started having nightmares, both the ladies were worried sick, knowing through the prophecies Frigg had spoken about it could be time.

Fulla was the one to offer to comfort their family, while Frigg was out.

Once Frigg had lost not only one son, but two. Fulla felt protective over her lady more than ever, refusing to let anyone near them! Not even Odin.

They'd spent days just laying in Fulla's bed, trying to grieve in each other's arms. Frigg didn't even care what Odin thought, all she needed was Fulla.

But even in death Nanna and Baldr would not be forgotten as they gave gifts back to their family, even Fulla. (Gylfaginning chap. 49 reference)

The pet names Frigg gave Fulla are:

"Hirðmey" (court maiden) "Gullband" (golden band) "Fríðr" (beautiful)

While Fulla's pet names for Frigg is:

"Hjartkona" (heart-woman/wife) "Ástvinur" (beloved friend) "Min drottning" (my queen)

Random trivia on the ship!

Their ship name is Frulla!

Frigg is a dominant switch, while Fulla is a power bottom. They're both gentle and soft lovers.. Very wholesome!

I always imagined Frigg being bisexual, because I truly do believe she loved Odin until he cheated. Fulla is obviously painted to be a lesbian in my opinion.

They give off ''forbidden lovers'' vibes!

Songs that remind me of them!

"They're singing about how they'll keep their secrets until the end of days and they don't appreciate people who snitch! Dangerous duo I must say~"

"Frigg singing about how much she wants to be with her dear "friend" Fulla, but she's too scared to make it too obvious that she likes the goddess back."

[marshallpupfan]

Just Some Thoughts About the Third Film

As many of you know now, it was official revealed recently that PAW Patrol will get a third theatrical film. It's due to release on 2026, three years from now. Third movie, three years, and a certain spotted pup drives a vehicle with the number three. It just fits, eh?

Okay, maybe that's a stretch. As of right now, we still don't know anything about the third movie, it's plot, or which pup it will focus on. From what I've noticed, most fans are rooting for Marshall, as am I. Despite my complaints in the past, I want this to happen for a specific reason; to put Marshall back in the spotlight again, which I feel is sorely needed after the way the franchise treated him these last few years... ESPECIALLY during season 9. To see the TV series practically treat him like a side character for nearly a whole season was... annoying, to say the least.

Marshall headlining a theatrical film (and a good one, I hope) would surely mark a great turnaround for the pup and hopefully negate all of that. However, despite how much I want to see him be its main character, I must admit, I do have some reservations.

This isn't a rant, but more akin to a fan expressing some thoughts and concerns. This is, however, easily one of my longest posts yet, so if you're curious, click "Keep reading".

Whenever I look back at the first theatrical film, I have mixed feelings about the way Brunker handled Marshall. On the plus side, he had some great rescues, especially when he saved all those people on that subway. And if I have to credit the film for anything, it's that I'm grateful it allowed my favorite spotted pup to actually be a fireman and put out fires. This seems to be carrying on into the sequel, thankfully. Believe it or not, the last time the TV series allowed the pup to put out a dangerous/uncontrolled fire was, no joke, all the way back in season one. Only the theatrical films, and Rubble & Crew, interestingly, seem to let him do this anymore.

While his rescues were really cool, everything else wasn't as good, in my opinion. And one of the biggest reasons I say this has to do with how Brunker handled one particular element; Marshall's clumsiness.

You all know I love that aspect of the spotted pup... but if I had to take a guess, I'm going to assume Brunker does not. The first film only gave us two brief bits of clumsiness, and both were restricted to the first twenty minutes, no less. Furthermore, he wasn't even allowed to have his pre-mission wipeout, which is arguably one of the franchise's most iconic elements. Brunker skipped over it like it was nothing. Granted, we did sorta/kinda get something else in its place, but it was given to Rubble. Sadly, I can't help but believe both of these will be lacking once again in The Mighty Movie (at the time of typing this, I haven't seen it, so I've no idea yet).

It wasn't just the lack of clumsiness, but how it was handled that also left me disappointed. In the TV series, Marshall might get careless while playing a game and trip over his own paws, or he might slip during a moment of haste. It just depends on the situation, how serious he is, among other factors. And yet, it tends to be, for lack of a better word, natural. Marshall was excited to finally find Jake in that dark cave, wasn't watching where he was going, slipped, and he slid all the way down and kept going until he was stopped by a stalagmite and started spinning on top of it. Classic Marshall! If Chase has slipped, he likely would've only slid a little or stopped near Jake, but with Marshall, we always seem to get so much more out of it.

And in truth, his clumsiness isn't always a detriment, but often a moment of humor. It's something we've all come to expect from him over the years. He saves or helps save the day, and we tend to get a laugh or two along the way because... well, that's Marshall!

In the theatrical films, each moment of clumsiness always seems to be specifically *caused* by something. So far, he's been "clumsy" because he was dancing in a moving vehicle, startled by a hologram appearing beneath his paws, and Chase startling him when the shepherd snuck up behind the Dalmatian with his super speed. Cute moments, but with his tumble in the PAW Patroller being a possible exception, none of these felt like natural moments of clumsiness to me. Rather, they're scenes that, arguably, could've made any of the other pups react in a similar way. What if Rocky was the one standing there when the hologram appeared? Wouldn't he have jumped, too? Or, what if Chase startled Zuma instead? Couldn't he have accidentally sprayed someone or something with his water powers?

I guess what I'm getting at is, to me, these didn't feel like genuine clumsy Marshall moments. They felt less "this happened because of Marshall's characteristics" and more "Brunker wanted a funny scene, and any pup might've reacted the same way so it largely didn't matter which one it was". Maybe I'm wrong, but that's just the feeling I get.

Now, compare that to Marshall's appearance in "Rubble & Crew". That episode included his trademark clumsiness at just the right moments, even during the mission. They never restricted it to the first act, but rather, it was seen throughout the whole episode. Even little moments, like when he slipped while climbing into Mix's truck, left me with such a big smile on my face. His clumsiness wasn't caused by something, but rather, it happened naturally and in a way we, the viewers, expect! And these moments really made me appreciate the episode all the more, as I felt the writers took their time to understand Marshall and get him just right. If you ask me, they did a great job!

Going by the first movie alone, I don't get that same impression. Maybe things will be different in The Mighty Movie, but for now, I don't think the director seems to *get* Marshall. He might just see him as the one who "trips a lot" which is why he wrote his clumsy scenes in a way that, to me, didn't feel natural. Instead, they felt forced. Something *caused* Marshall to be clumsy, instead of something happening *because* Marshall is clumsy. There is a big difference, and I'm not sure if Brunker sees this.

And if he doesn't, and he sees Marshall's clumsiness as something that can be turned off as easy as the lights in a room... then I fear we might be in trouble if he directs a film based on the spotted pup. Personally, I don't see Marshall's clumsiness in that way, nor do I believe that was ever the intention. I think it's something the pup simply can't help at times, and it's just a part of him he has to live with. He always gives it his best, but his paws just slip more than the others. It just happens, although it doesn't make him or his actions any less heroic.

And I don't know if Brunker sees it that way. His version of Marshall doesn't trip down the slide, doesn't get a wipeout before the mission, and only acts clumsy when something causes it to happen. Due to being unwilling or uninterested, I don't think Brunker understands Marshall's clumsiness, which in turn makes me think he doesn't understand the pup...

...and to write a whole movie based on a character he might not understand? That... is what has me concerned.

With that said, it's not like Marshall is super complex or anything, so Brunker can certainly take the time to learn more about the pup and how he's like. I just don't know if he will, as he has a tendency to shrug off stuff from the TV series. As he, himself once said, he doesn't treat most of the cartoon as canon to his films. He ignores everything after a certain point in season two, which is why the pups are discovering their Mighty powers for the first time again in his theatrical sequel. Will he try to build off what we know about the character, or will he instead pull something out of thin air again, like he did with Skye and her sudden lack of confidence about her size? Or will he pretend Marshall's clumsiness is the result of something from his past, and like Chase's fears in the first movie, will a pep talk before the finale make it magically go away? Again, I don't know.

Furthermore, I also fear things becoming too stale for film #3. From what little I know so far, it seems like The Mighty Movie, and even Skye's backstory, might share a few too many similarities with the first movie and Chase's own backstory. These films even share similarities with his The Nut Job 2, oddly. Brunker seems to be following a template of sorts, and he's sticking to it like glue. Will Marshall's movie involve more of a corrupt mayor? Will we get more adventures in a city? Will Marshall suffer from a lack of confidence due to a painfully sad backstory, too? If so, I fear people are going to start getting bored. I'd hate to see that happen, especially if Marshall is the focus. The pup has plenty of potential, if Brunker's willing to see it.

It's times like this I really wish I was a somebody in the entertainment industry. I'm not saying this out of arrogance, but I'd like to think I possess a considerable amount of knowledge about Marshall... possibly more than anyone at Spin Master now. To them, he's just a thing in a cartoon that's helping them make money... but to me, he's a character who I've admitted before is my #1 favorite of all time. I know and remember things they've likely forgotten over the last ten years. The character has become special to me and I love him to death, whether that's a good thing or not.

I just wish I could be a consultant to Brunker, should the third or any future theatrical films focus on Marshall. Not to say I'm perfect, but I'd like to think I'd be useful with helping him decide what would and wouldn't work for the character, how the pup might react to certain situations, when and when not to add some [natural] clumsy moments, among other things. I'd even help figure out ways to push the character to help him stand out, especially in-regards to avoiding any similarities between Chase and Skye's stories in the theatrical films thus far. It's wishful thinking, I know. In the grand scheme of things, I'm a nobody, and I'll be the first to admit that. I don't have the slightest chance of this happening. I doubt anyone at Spin master or GURU know I exist... I doubt Brunker knows much of me, either (he might not like this post, so maybe that's a good thing). 😅

All I can do at this point is hope for the best... which I find myself saying a lot nowadays, it seems. If film #3 is about Marshall, I just hope Brunker takes the time to understand the character and get him right. Maybe he, too will start to see why so many of us, both young and old, have fallen in love with this clumsy pup over the years.

As usual, only time will tell.

[zydrateacademy]

Review - Warhammer 40,000: Battlesector

What an amazing experience this game is.

I've had it wishlisted probably since it showed up but there it fell under my radar since its release. It may or may not have caught some sales in that time but again it went unnoticed and what an absolute crime that is. Released in 2021, it recently just came out with the T'au army which put the rest of the game and its various army packs on sale to an agreeable level, and putting it back on my radar.

Many Warhammer games usually nail the aesthetic, themes, diction, and storylines but very few capture the actual feel of playing on tabletop. There was Dawn of War which depicted swaths of armies cutting across the landscape but it was all in real time, the only methodology there was making sure your travelling teams had all the right counters to vehicles and infantry and after that you basically just let it go.

What we have here is a unique XCOM-like that may very well be the closest many of us will get to playing the actual tabletop game. We have a campaign (just one; following a Blood Raven chapter of the space marines) and two extra modes. Demonic Invasion is a wave based king of the hill type thing where you hold off for as long as you can as every round will continually spit the chaos god's minions at you. There's Planetary Supremacy, which is a sort of Catan/Risk style hex board that players of Dark Crusade or Soulstorm may be familiar with. It's the mode most of my hours have been played on. My only wish is that it could go for just a bit longer, maybe a bigger map, more enemies fighting each other, better node control.

In extension, there's also custom campaigns players can build as well as skirmishes for you to play against AI or other players. As of this writing there is no Co-op and that's quite a shame.

So there's a lot to do here. Some of the more mixed reviews, especially targetting the new armies, are complaining that there's not a super special story campaign for each and every single one of them. That is frankly not so much a problem for me, as I immediately gravitated towards the hex board game mode and just enjoyed having my hands on the Necron for the first time in many years. Now in HD with reflections! My dead bois are beautiful!

There's plenty to learn as well. Even on the easiest difficulties, the AI can route you. My Necron have units called Warriors, basically the equivalent to shotgunners. They also have the slowest movement of my army so it's difficult to get them into position and keep my general army momentum going. Sometimes they fall behind and I lack the much needed damage against enemy swarm units, and I've lost some good troops because I didn't have enough people shooting back. It's how I nearly lost against the Tyranids one game despite outnumbering them by 500 army points. Tactics very much matter here.

There's also a photo mode which is a bit fickle. The camera is locked at certain height over the floor tile so it's difficult to get sweeping, heroic visions of your armies from foot-level. You're more or less stuck staring at them from head-on. It's fun to play around with, though.

So while there is a campaign (just the one), this game could be treated more like a sandbox than anything else. I'm told from the game's discord they plan on releasing free units over the coming months. This is good, because that's one of my chief complaints about the game. There's a significant lack of versatile units to play with. Each faction gets around a dozen to fifteen to allocate with your army point cap (another staple of Tabletop that most games don't quite capture), with Khorne getting the shortest end of the stick (and the cheapest DLC) whom only have eight units to choose from. There's a significant lack of Kroot and vehicles here, and foot troops seem to be a choice between three different things. There's a lot more than that on tabletop.

Not that I expect this to be the tabletop simulator but it cuts real damn close. Closer than most games in this franchise. A must have if you like turn-based XCOM-likes.

[thessalian]

Thess vs the Rivaini Coast

So I now finally have a full Veilguard crew. Yet again, this has only led up to yet more stuff I don't get about the negativity. Please recall - this is just my opinion, and if you have a different one, that is totally your right. Just let's all please remember "it's not for me" and "it's objectively bad" are two different things.

That said: What is people's problem with Taash?

Yeah, I just met them (and don't even know they're a 'them' yet, technically, ICly), but ... gods, they remind me of how I get sometimes. I get defensive if I don't know you. You can literally see the wall going up in me if you're trying to engage beyond what I'm comfortable with, socially speaking. And I hate, hate being volunteered for something without my express consent or even knowledge. I don't consider Taash "sullen teenager"; I consider Taash "guarded as fuck because, among other things, they have a huge flashy ability they're supposed to be hiding and that's just the most obvious example of them having to hide who they are, and that means building a huge wall because no one gets to know them". And if "sullen teenager" is the front they need to paint over that wall? It's as good a one as any. Anyway, I haven't had them in party long but they seem remarkably patient, considering; I did a quest on the Rivaini coast with Taash and Bellara and Bellara was poking at Taash the whole time about "So you go into ruins and tombs and steal Dalish artefacts?!?" and Taash was like, "No, only assholes do that" but without getting angry about it, if you get me? Like, it was more, "Yeah, I can see why you think that, because the world is full of assholes, but we're not those". Maybe Taash's personality will grate more later, I dunno, but for me personally? I love them.

Also the complaints about the puzzles being "too simplistic" kind of tick me off, given I went through the entire abandoned Warden keep tracking ghosts and finding wisps and hopping all over the battlements for clues to how statues were supposed to face and I found it actually really impressive in the way that it used all the neat traversal tricks we've been seeing since the start of the game. I think that a lot of these puzzles are very clever uses of the mechanics, and the rewards you get from them feel earned (even if I do wish some of them were more useful than some of the ones I've had lately - but I did get a couple of Unique pieces and one entirely changed my approach to combat so I'll call that a win).

I admit, there's a lot of things that I complained about at the start that I kind of want to take back now. Not entirely, but mostly. I still love being able to pick the party that works best for me and run it all the way through the game, and am sad we can't, but I can see why - and honestly, it's fun putting together different groups depending on where we are and whose skill sets complement each other. And I get to hear more companion background dialogue that way. Not to mention how much easier it makes things from the point of view of triggering background banter; after all, it's not a choice between which two of the three available companions will be bantering with one another. I guess I'm seeing it mechanically as well as narratively, in that case.

Heh. See, this is why I pick everything apart. Does it sound like I'm complaining about certain games, shows, books etc when I'm doing it to find the flaws? Sure. And there are flaws in this game, yes. But I'll also look for the good, if I need to, and dig into why it's good while still acknowledging that those who don't like it are entirely within their rights to. I'm not going to say, "You have a negative opinion of this game so I will never trust your opinion again" (because seriously, some of the YouTube vids that have dared to be positive about Veilguard are getting that kind of shitty reaction). You like what you like. I like what I like. I like this. I paid £50 for this game and was sure that I'd regret it because I'd be causing myself pain to prove my own fears right. I'm fine with being wrong about that.

And now I'mma watch another episoe of Arcane while trying to decide whether I deal with Wardens or Morrigan first after seeing what Davrin wants and going walkabout with Taash.

[martymcflown]

Oh boy, okay. I just finished Veilguard. I'm going to split my thoughts into non-spoilery and spoilery. I yap a lot.

Non-spoilery:

In terms of enjoyment? I'd say a 8/10. I was emotionally invested in all the characters. I enjoyed the fight mechanics a lot as a warrior (we'll see how I feel in my mage playthrough). I actually felt a lot of motivation to complete as many quests as humanly possible, which is quite different from how I felt during DA:I where a lot of the time I felt like I was running in circles most of the time to complete quests that felt like they didn't matter (and I say this as a DA:I defender).

I do completely understand the critiques from people who say the lore is really lacking. I didn't personally feel like the rich history of Dragon Age mattered much during gameplay. Even choices that can be made in the beginning for your Inquisitor didn't seem to matter much for me (I didn't even get to see the partner I'd chosen for them, kind of lame). I've only heard tell of one variation that matters to the narrative and it's only at the very end. I wish choices like that mattered more, and that the sociopolitical aspects of the series had a greater impact.

HOWEVER, I'm also not as invested in the lore as others clearly are so it didn't detract enough from gameplay for me to say I was unhappy. More like, I think it could have been better. Most of my negative opinions are in the spoiler section though. So, uh. I do recommend this game! I think it was a ton of fun! I'm already playing through as a different character because I was itching to try different choices, even knowing the ending. This is definitely one I'll replay a lot, potentially even more than the last game which I invested hundreds of hours into.

Spoilery thoughts:

Complaints:

-The Varric twist had some emotionally impactful moments, but also I find it pretty cheesy and hard to believe? It was something I'd guessed early on because Varric never interacted with anyone else, but then I convinced myself it was too cheesy to be the actual twist. WELL.

-I thought the ending was pretty anticlimactic, all things considered. I'm pretty sure I got the "good" ending (I only lost one party member...well, two in my opinion because I count Assan as a party member). I guess I sort of expected something like DA:I where there's a celebration at the end where you get to have pleasant goodbyes, as opposed to just "Hey we're about to die but I love you kiss kiss."

-In general, the pacing of the game felt kind of bananas. I can't tell how much in-narrative time passes in the entire game, but if you told me it was only a week I'd believe you. I don't know if I have a great solution to that. Maybe some indication that seasons are passing, or maybe a wait time is necessary between certain quests ("We have to wait for the frost to melt before we can go through the Gate of Blorbus" or something). Part of my disbelief for the Varric twist in part is that NOBODY talks about his death, not even Harding? They've known each other for years. But I guess the breakneck pace is partially to distract you from that.

Random things I really liked:

-Manfred and Assan. I REFUSE TO BELIEVE ASSAN IS GONE, BYE. I also just realized some people have played a version of this game where you lose both Manfred and Assan. I'm so sorry. ANYWAY. Positives. I just think they're precious.

-Loved the environments. Dock Town was probably my favorite, but I enjoyed exploring every map I encountered. Which, big improvement on DA;I (where if I saw one more green expanse where I had to run for three hours to get to a quest marker I would have killed everyone in this room and then myself).

-Thought it was a great touch that companions would continue their conversations after a fight. "Where was I?" etc. It's a small thing but I found it really added to feeling engrossed in the world.

-I like that the companions all have relationships to one another and that there are little touches throughout the game to show they each think about each other. I know there were complaints that everyone...acted like friends? Which, I dunno man. Have you ever made friends? I guess to each their own but their bonds all made sense to me, as well as how the various pairings developed their relationships.

-Even if some of the gender identity stuff felt clumsy at times, I love that it's an option to explore. I love that being trans or nonbinary provides specific dialogue options or changes Rook's relationship to certain characters. I can't imagine playing the game as a cis Rook now.

-I thought there were some fantastic performances from a lot of the cast. I really liked my Rook's VA and was shocked at how moved I was at certain moments in the ending. I think the performances were a major contributing factor to how attached I became to everyone, particularly Lucanis and Emmrich and Taash for me. Oh man, and Harding during her personal quest? Amazing.

-THE LIGHTING!!!! SO GOOD!!!!

My romance with Lucanis:

-Loved it. This is one thing I really don't understand the complaints about, but maybe that's my asexuality showing. I found his character arc really moving and I think the romance added a really nice layer to that. Also, the fanfic potential of Lucanis falling asleep and Rook + Spite playing naked cards? Come on.

My friendship with everyone else:

-I think most of the companions had one really strong theme that carried through each of their narratives. Some of them connected more with me personally than others, but I enjoyed all the personal quests and I cried at pretty much all of their resolutions. I think the only one I found lacking was Neve's? But that's probably my fault for certain choices I made. I'm so sorry, Neve. I doomed our city for the sake of Crow bussy.

-Some of the writing for Taash's storyline felt a bit cheese. However, I'm coming at that from the perspective of a trans and gender nonconforming person who's consumed a lot more media that discusses queer themes than vidya games. So, Taash's storyline sometimes felt like "baby's first coming out", but that was probably for more general audiences who consume the game (and I think the complaints about the game being "too woke" are just...outrageously stupid).