#we also fuck with a post-canon & most definitely a

[sleepisoverrated]

Hi, hello, not dead just buried in schoolwork now that I'm in my final year (college applications, moving to a new house, driving lessons, 2 or 5 exams every week and can't forget that I got sick)..... So yeah not dead, but certainly looking like it.

Anyway Arcane season 2, I think ep 6 finally gave me depression and the show in general made me cry more than I did at my grandmas funeral. So I decided to share some of my head cannons that I had before season 2.

Silco braids Jinx's hair in styles his mother taught him, while singing, telling lessons, stories, poems, folklore, plans, day events or just complaints(post season two comment: can't believe I got so close with the hair thing, the braids were probably taught to him by Felicia, Jinx mother, but still I think Silcos mother taught him how to do hair)

‌Zaunish or old Zaun is russian

Old Zaun was a secret code that everyone in the mines knew so they could talk in peace, without a threat of getting beat up by supervisors, it eventually spread to their families so that they can protect themselves from enforcers, eventually everyone knew

‌Noxian is german

‌Piltovian is british english (english is a universal language, but some places made it their own eg. american, australian, british(the cockney accent is how Zaunites speak it))

‌Viktors name in old Zaun is Vitya

‌ Victor scares everyone when actually angry or in a sleep deprived mania

‌ Victor was a slut during his academy years, because everyone wanted some of that exotic Undercity twinks ass, so him saying "wait this isn't my bedroom" wouldn't have surprised anyone and could have worked as an excuse if Jayce hadn't opened his mouth

‌ Sevika had a sister that died in the bridge rebellion

‌Sevika and Silco are like siblings (Silco is most definitely the little spoiled brat sibling that can fuck you over if he convinces mom, in this case he is the little spoiled brat that can stab you and also has an army at his disposal)

‌ Sevika dislikes Jinx/Powder and Violet, because they (before the explosion) reminded her of herself with her big sister, it makes her uncomfortable how Jinx turned out and Vi "died"

‌Ekko still has a crush on Jinx/Powder (post season two comment: btw I meant he had a crush on her when she was Powder that stayed until canon s1, not the alternative universe Powder) even tough she changed (The bridge scene makes me cry) (post season two comment: we won but at what cost)

‌Ekko has hallucinations when he's inventing/building of Jinx that he talks to and interacts with( they build together and bounce ideas of eachother) (post season two comment: fucking hell how did I manage to hurt myself more)

Hope you like them! Can't promise any consistent posting, but I'll try at least shorter posts!

[craetor]

if you’re interested in seeing some more blind!light, i recommend trashking’s in the eyes of god! brilliantly written and a really interesting exploration of how light would deal with losing his sight as kira

Yes, I actually do have it in my bookmarks already. I don't think I'll get to read it anytime soon, though. I also feel like I'll need about a week to prepare (my body yk) for that one because, just by reading the tags, I know it might hold a kind of vibe I need to conjure a certain amount of patience for.

[letstrywritingmaybe]

Anyone else following Never Let Me Go by lotus451 cause I am amazed. I’ve always said reading CoAi fics in Chinese hits different but man this one is just… I don’t even have words. I should really leave a comment at this point, but I’m afraid it’s going to end badly and I don’t deal with that well. Plus there are certain things that I just don’t enjoy reading, like I get why it has to be there but I’m not fond of it (basically any mention of the canon ship being a thing is an automatic no for me. I could care less. If they’re going to break up then I need to see it happen already, I don’t want to see them be cute together. Literally nothing makes me nope out quicker. Except for maybe first person pov in English. I’m really not fond of reading that in fics. I’ve been so spoiled in my main fandom that my standards are too high) But this author has written fics I’ve really enjoyed so I’m still continuing to silently read. Again bad habit I know, cause it’s fun to comment on every chapter and cheer the author on, but man I can’t. I’m already too invested as is, if I leave my long comments every chapter and it ends badly? I’m going to lose my shit and maybe swear off fics forever. I can’t deal with it. I hate bad endings, they hold no value to me and will never make me think oh yes this is how it’s done. The fics that stay with me and I think of as masterpieces are the ones that give my ship the happily ever they deserve. Few exceptions cause I do have favorite authors I would read just about anything for, but there’s currently not one for this fandom that is active. My favorite fics will always be the ones that end happily even if they’ve been through some bullshit. But again I read fics for comfort and for stuff that canon won’t give me. If I wanted to be sad and angry then I would just follow canon cause that’s a bunch of bullshit at this point. Just end the series. Stop dragging it on and making everyone suffer.

Anyways, still all about self indulgent writing and the author being the one to make their choices for their story. I just don’t have to like it and that’s fine as long as I’m not being an ass and commenting unsolicited thoughts to them. People who do that suck and for real need to get a new hobby. It’s not hard to just shut up and press the x to close the tap. Go rant about it with your friends or ramble like I do on my blog that no one reads. But don’t be an asshole to the author. Just don’t.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[cathnospam]

Posttimeskip/Canon!Bakugo Katsuki NSFW Alphabet

Thanks for 100 follows :-P

(((Black girlfriend reader mentioned a few times, if you are not black or a girl you can obviously ignore it.)))

A = Aftercare (what they’re like after sex)

You were his first everything so with that you wanted to teach him just a few things like aftercare. However, Bakugo already had to down to a science. He didn’t like sleeping in sweat and cum so he’d offer you to take a shower while he puts new sheets on the bed and he joins you a little later. He noticed how thirsty you get after so he’d bring a water bottle and some juice/tea, maybe even a sweet snack if you don’t fall asleep too soon. A lot of this stuff was common sense except the cuddle part. It’s not like he didn’t want to hold you after it was just awkward for him. He just had you cross eye’d and crying on his dick now you him to be held and babied? But after some reassurance that you definitely do and you also wanted to make sure if you did good. “Of course you did dumbass you always do.” Is what he could huff out hearing such nonsense.

Post nut clarity Bakugo is softer, more touchier somehow and quiet. He’d much rather hear your yapping and he just responds with “Yeah.” “Of course” “No. dumbass” with a lot of kissing in between of course

B = Body part (their favorite body part of theirs and also their partner’s)

Yeah we all know he loves ass. He does, shamelessly so, smacking it while eating you out, smacking it when your back is faced him, patting it while you lay on his lap . But he loves your lips just as much. They’re like pillows, bouncy, and incredibly soft. It’s like a sweet flavor as well knowing you always have different types of lipgloss to wear.

I don’t think he is very particular of any part of his body, but since dating you, you love to talk about his back and arms, the way you hug him from behind or grab onto his arm walking through a crowd. More importantly how you scratch his back when he’s inside you and claw his shoulders when he keeps overstimulating you. It’s become partial motivation to his workout now.

C = Cum (anything to do with cum, basically)

Bakugo actually practices safe sex 90% of the time. He isn’t prepared to have any children yet and he doesn’t want any scares so he does at least buy the ULTRA thin condoms. However. The day you finally let him w/o a condom for his birthday he almost came faster than usual which actually made him upset LMAOO.

“What the—F-FFUCK!”

“Y-Y’ok—“

“I AM!…just…fuck this feel good.”

So he will cum in you or on your ass, and smack it with his dick because he seems clean but he’s such a dirty bastard at heart.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He doesn’t keep many secrets from you but the few are really only justified. The first one was that when you both were making out for the first time you grinded against his semi hard dick and he let out a soft moan in your mouth. You never pointed it out but it sounded so hot and it almost threw him off because he never made that noise before. After that, for the next few months before you both finally had sex he thought of that feeling alone to get off when masturbating. Not his finest moment but he couldn’t help it.

He likes when you pull his hair but you only did it once and he’ll be damned if he asks you to do it again. Do it again

Another one would be when you and him were just talking and not having sex yet he used to only watch porn where the people looked similar to you. So he’d sometimes type up Asian guy x black girl or some shit. He was actually using it to mentally prepare himself for when he does fuck you and it’s something he isn’t ready to ever tell you because he knows getting sex advice from porn is absolutely terrible.

Speaking of getting prepared he also asked Kiri for some advice on how to eat you out. Bakugo used to watch a lot of oral sex videos and honestly he really was most nervous about that part, he’s aware he wasn’t the best kisser at first and the last thing he wanted to do was bite you or something so he simply asked his best friend that loss his virginity before him the question: “Where is the clit?”

He swore Kiri to secrecy to never speak of that conversation again after that.

E = Experience (how experienced are they? do they know what they’re doing?)

A virgin up until he dated you. Like I said you’re his first everything so teaching him was actually something you were expected to do, however his pride always got the best of him so when you corrected him he’d always get pissy.

“My clit is here—“

“I fucking know that.”

So instead of verbally telling him what to do you you showed him with your body, moaning louder when he hits or licks the right spot, praising him when he uses the right move. He caught onto this quick and by the time it was the 2nd round he was damn near perfect

F = Favorite position (this goes without saying)

A lot of people say backshots but I personally think Lotus and honorable mention is missionary Hear me out: Bakugo gives vanilla. He just does he doesn’t need all the special positions and areas to fuck he just wants you, him, and a comfortable surface preferably a bed or couch. He doesn’t want to be perceived as some sex freak or anything he is very simple when it comes to sex. Mostly because he’s so shy but won’t admit it.

The Lotus Position is something that actually overwhelms him in the best way possible. Your foreheads touching, your breast pushed up against his as he assist your push to keep grinding and bouncing against him, FUCK does he love the noises you make in his ear when you’re close too, biting him as you cum. He kisses you a lot too to swallow some of your sounds. How your hands creep onto his neck moaning his name. Plus he is squeezing your ass as you both move in sync. He loves it.

Missionary is almost a ties in because he feels he has the most control. Yeah he can be soft but he still loves to be in charge. He likes the intimacy that comes with these positions so best believe it’s a go to.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Unintentionally. He has always been so funny to you, but he likes it believe he is serious during sex. Yet you can’t help but giggle when he makes a comment about blaming you for making him get so close to cumming.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He has a visible happy trail. Doesn’t grow much so he never needs to trim it, he was going to cut it off the day after you had sex with him the first time and you were able to stop him. Bakugo wanted to make his pelvic area smooth for you because he was worried his hair was itchy to you, once you explained it felt good to feel it on your pussy when he fucked you he haven’t touched it since.

I = Intimacy (how are they during the moment? the romantic aspect)

Well….he can try. You can tell when he tries but bless his heart he is so damn aggressive on accident. He once tried to give you a massage but his own sweat mixed with the oil cause his hand to slip so much to the point he got mad and pop a small explosion on your lower back.

You still have the small burn mark and laugh at it from time to time. He doesn’t laugh though he regrets it a lot.

J = Jack off (masturbation headcanon)

He masturbates…often. He has for years and even after graduating high school he only did it every other day or week when he was really tense or couldn’t sleep. But ever since he got with you it stopped.

Because you do it for him.

K = Kink (one or more of their kinks)

He’d tell you he doesn’t have any. Which is half true.

He is pretty vanilla, BUT from the last few times you tried something new you noticed he enjoyed a couple things:

Overstimulation is always fun, he used to do it on accident. Now, it’s almost expected to happen after oral or penetrative sex. Something about that second orgasm really puts him in a whole ‘ other cloud 9 he can’t even explain. It’s the rarest times he’s ever selfish with you sexually.

Praise Kink 100000%. It’s so funny to see the frustrated look on his face of focusing to not cum when you’re in his ear telling him how amazing he is and how nobody else could make you feel this way. Gets him hard every time.

L = Location (favorite places to do the do)

He does enjoy the bed, but he has a huge couch in his dorm, he ate you out a few times during a movie and it led to you on top riding him. It felt so cozy falling asleep after that now 90% of the movie nights y’all have in his dorm leads to something not so wholesome.

M = Motivation (what turns them on, gets them going)

You.

Your reactions, your twitches, your moans, the way you say his name it all drives him more to keep going and practicing to get better for you. He absolutely loses his MIND the way you cry out for him too.

N = No (something they wouldn’t do, turn offs)

He will not ever do anything like humiliation or too much violence like slapping your face. He knows he can be abrasive as it is on accident and even the thought of going to far and harming you would possibly cause him to take a pause on sex no matter how much he loves it

I am 50/50 on somno. I believe he wants you alert to what he’s doing to you for his own peace of mind. But he wouldn’t be opposed to him waking up to YOU touching him.

He’s not a big fan of “daddy”, he won’t stop what he’s doing but he’d rather hear his name or “baby” or even a nickname you made out of his name.

You will not peg him. He is very sensitive about his ass.

No threesomes or anybody watching. Call him selfish, but your body is his in his mind so he’d prefer if nobody sees what you have only blessed him with.

O = Oral (preference in giving or receiving, skill, etc.)

LOVES giving. Way more than he will admit, there has been days where he’d finish sparring with someone and to release the stress he had from Deku almost beating his ass again he came to your dorm and offered to lay between your thighs as you studied.

You didn’t get much studying done.

He’s improved on his skill too. However he’s constantly messy, it’s not just kitten licks with this man he sucks and fingers and even nibbles on you like he’ll never eat you again. It’s almost selfish.

He loves the feel of your pussy against his tongue, he doesn’t taste much. If you were to ask him what you taste like he would say nothing, really but the warm, slimy slick just does something to him. If he could he’d eat you for hours

Now that doesn’t mean he doesn’t love seeing you gag and swallow his dick absolutely not. When you both started getting more physical you actually sucked his dick quite often (since he was afraid to eat you out at the time) he would actually anticipate on it whenever you both were alone so he’d keep his sweats incredibly low to his waist on purpose

P = Pace (are they fast and rough? slow and sensual? etc.)

Bakugo an intense guy so he starts off slow and his touches gradually turn more focused towards your reactions. He’s consistently looking into your eyes with every noise you make, each thrust is deep and nearly knocks the wind out of you. It’s not until he’s close he begins to chase that high, breathing into your mouth, circling your clit w his fingers, and going faster with slightly shallow thrusts.

He’s a big kisser btw so be prepared for little to no air because if he’s not kissing your low lips he’s kissing your upper lips with each thrust swallowing your cries

Q = Quickie (their opinions on quickies, how often, etc.)

Hates em.

The idea is always fun to him but when he realizes he has to stop right when he’s getting started he hates it. He wants to take his time. He probably enjoys foreplay the most which is why he can’t stand having to make it short.

R = Risk (are they game to experiment? do they take risks? etc.)

Bakugo is pretty stubborn and doesn’t like too much change but if you’re willing to reassure him about what you want he may consider. It can’t be any of the no though.

S = Stamina (how many rounds can they go for? how long do they last?)

Man can last a while. He can even if he’s sensitive, but he can last EVEN LONGER in between breaks. Just as long as you cock warm him. An average night of sex with him is usually 30-35 minutes, but including foreplay is actually an all day thing. Foreplay can start from the moment you wake up and he’s kissing you good morning all the way to that evening when you both are showering together and his fingers are creeping between your thighs

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Doesn’t understand toys but if you’re willing pick like a vibrator he wouldn’t mind it. You just can’t use it too much, he has read those things can fuck up your sensitivity and he’ll be DAMNED if he loses to a TOY

U = Unfair (how much they like to tease)

Bakugo actually wasn’t that much of a teaser until you brought it out of him. When he went down on your once he kept kissing and biting your thighs for WAY too long that you began to whine his name. Once he heard that pretty little “please” slip through your tongue something just snapped. He loves to hear you beg now so occasionally he’ll edge you or tease you a bit before giving you what you want.

V = Volume (how loud they are, what sounds they make, etc.)

He’s not that loud. A few mumbles of your name and a couple groans is the most you’ll get because he wants to hear you more. When he’s close he’ll begin to say a few “cum with me” “cum for me’s” which is so hot to hear since his voice breaks when he’s cumming

W = Wild card (a random headcanon for the character)

He learned sign language through out the years after finding out his hearing was becoming worse and he taught you as well. Now you both communicate in public through SL, and a few times he said the nastiest shit to you across the room during a lecture.

Bonus: He’s a big Pokémon nerd. Loves Gengar, Charizard, and Growlithe.

Bonus two: He has a secret tattoo he got when he turned 21

X = X-ray (let’s see what’s going on under those clothes)

Bakugo is a more length than girth guy. He’s a shower and cut. About 7.8ish inches and it curves to the left. He also had a beauty mark on the left side of his shaft and pelvic area.

Y = Yearning (how high is their sex drive?)

Y’all have sex about 4-5 times a week. If yall miss a week spike it up to 6 because he needs to release some stress

Z = Zzz (how quickly they fall asleep afterwards)

You fall asleep before him so after taking care of you and cleaning you up he usually waits until you’re sleep and follows suit. Sometimes when you’re still yapping and he’s ready to go to bed he’ll gently fan your eyelids to close with his fingers. Somehow it works everytime and you slowly stop talking a dm cuddle in his chest.

[rmbunnie]

I see so much of "is post-crisis Robin Jason an innocent little sweetie-pie or a mean aggro delinquent" and after reading through all of his batman and detective comic issues post-crisis I think i can safely say he's... an introverted and distrustful, but altogether friendly teen boy who has convinced himself to the deepest level that he is an Adult Man, and also does not hold a particularly good view of adults.

The sweet little babypie characterization falls a little short (assuming we aren't being too silly with it, there's plenty of that in the comedy issues of tec) because it disregards the part where he's a jaded teenager who is constantly going off and trying to take care of his own problems like "his own man" and reacts negatively to any breach of trust or move to take care of him. But negative doesn't mean "violent and rageful." The delinquent angle is incorrect because not only is his disposition peppy, silly, and agreeable most of the time, but assuming the problem upsetting him isn't a predator or the guy who killed his dad (and three out of four canon instances it is a predator to be clear) he reacts to emotional turmoil with Bruce by bedrotting, sulking, communicating through notes, and overall being avoidant. The only times he lashes out are when Bruce is calling him out or after Bruce told him to his face that he chose to look for the Joker over looking for him, and that case of "lashing out" is just getting a little snarky.

More than anything his main personality trait (besides being silly, a robin staple) is kinda coming into this parentified as fuck. Not that it's Catherine's fault, but it really shaped his character, like one of the first things he says to Bruce (after he promised not to turn Jason in to the foster system) is that he kept her fed and warm as long as he could like he wasn't her ten year old child when he started. It's why he views himself on the same level as adults and why he gets all closed off at any insinuation that he needs to be taken care of, both of which heavily inform his dynamic with Bruce. He's constantly checking in on Bruce's wellbeing, like half of Batman: the Cult is just him taking care of Bruce while he recuperates from being brainwashed. (Side note, he's also constantly asking Bruce stuff like "what's your relationship like with this woman or this rogue or the concept of religion, how did that play out, how do you feel about it?" he is Very chatty like that.) The first thing he does when Sheila tells him her (revised to exclude medical malpractice) life story is hold HER and try to affirm her struggle. After a while he starts to act more childish with Bruce (although he doesn't really stop trying to brush off attempts to care for him) but as soon as Bruce admits he prioritized crimefighting over Jason and didn't show up to look after Jason like Jason assumed he came there for, Jason snaps back to acting very independent and rejecting any attempts to be looked after on any terms other than some kind of "equals" thing, which he isn't, as he's a 15 year old boy. Like. He's very sweet to his former neighbor, but also he refers to being a homeless child and the sole provider in his condemned building living situation as "getting by" to her.

He's definitely not. some bloodthirsty delinquent, at least to anyone who's not an uber-misogynistic predator, and he like demonstrably is a pretty sweet kid. It's just that when people say he's a sweet kid they kinda just jump to "untraumatized eight-year-old who grew up in a loving family and just got a new puppy from Santa" instead of "good hearted and curious teenager who has trust issues and is deeply uncomfortable with being taken care of, so kinda just compromises by pretending his dad is a Friend Doing him a Solid and acts like his kid only when he has plausible deniability so he can't get the rug pulled out from under him." Of course. He does kinda get the rug pulled out from under him despite all that. So there's that.

[velvetvexations]

Antigonism

ANTIGONE: I'll do my duty to my brother - and yours as well, if you're not prepared to. I won't be caught betraying him.

What is antigonism?

Antigonism is a transfeminist mode of thought specifically for transfems that embrace solidarity with other trans people, as well as those who are intersex and the queer community in general, under the belief that it's vital to recognize we're all equally oppressed and capable of doing lateral harm to one another

Beliefs of antigonistic transfems include but are not limited to:

accepting that transandrophobia exists

being mindful of exorsexism

not policing the terms that intersex people use for themselves

awareness that other AMAB people can present as feminine without being some kinna insult to us

recognizing that racial hegemony and the cishetpatriarchy are radically different systems of oppression and any comparison between the two, while possible, must be made with exceptional care

rejecting the "reclamation" of radical feminism

finding it appalling to demand that other trans people define themselves as privileged for not experiencing the same things as us - especially when they do in fact experience much of what is commonly, inexplicably cited as unique to transfems.

Isn't that just trans unity?

Trans unity is also great! But I feel like transfems who explicitly reject trans radical feminism could do with a word that is more forceful and specific. Some would prefer that this just be considered the default, and the vocal minority of people who think transfems are oppressed by other trans people should simply be treated as weirdos out of step with the rest of us, but I think there's value in making a strong statement with a term like this.

I've seen a lot of people who legitimately feel like shit because the vocal minority has been so loudly terrible that it's affecting how comfortable they are with random transfems whose opinions they don't know. I understand the temptation to just say they need to touch grass or whatever, but even aside from the fact that things like anti-transmasculinity within the community isn't purely limited to discourse on a dying social media website, I feel like that's blaming them for their reaction to being treated cruelly. I think antigonism could help drill in that there are tons of transfems who back them up, and that they don't need to search for keywords to know that person is safe.

Because, like, that happens to me, too. So many times I've seen a post I really liked and thought was insightful, only to have my distrustful nature lead me to doing such a search before reblogging and being gravely disappointed with the results. That fucking sucks, yall.

Why "antigonism"?

In the legends of Ancient Greece, Oedipus had two sons. One of them, Polynices, would eventually go on to wage war upon his brother, Eteocles, the king of Thebes. There were many telling of the story, some in which Polynices had a very good reason for doing so and some where he didn't.

Polynices and Eteocles both killed each other in the war, but Creon, who took power after, unilaterally declared that Polynices was a traitor. Antigone, the daughter of Oedipus, however, simply does not give a fuck what Polynices did or did not do. When Creon orders that any who try to bury Polynices will be put to death, she proudly does so anyway.

The most famous teller of Oedipus's family history, Sophocles, wrote a play about the war, but it's lost to time and so we know nothing definite about what version of events is canon to Sophocles' play starring the titular Antigone. Considering that the whole point of Creon's character is his dogmatic clinging to law over sense, his assessment of Polynices as being in the wrong for going against authority doesn't clear things up.

I emphasize this because I don't want to seem like I'm framing other trans people - transmascs especially - as requiring forgiveness for some vague past sin. Quite the opposite, just as they treat us as their sisters in spite of that minority of transfems who are awful to them, we must recognize that they're often the first to shut down transmisogynists amongst themselves. Ultimately the point of Antigone's actions in defying the law to honor her brother is that things like that are entirely irrelevant. The fact that the person accusing Polynices of being evil is a jackass, and we know there were versions of the story where Eteocles had it coming, is even more reason to look past his "crime."

ANTIGONE: I owed it to him. CREON: I had forbidden it. ANTIGONE: I owed it to him. CREON: Polynices was a rebel and a traitor, and you know it. ANTIGONE: He was my brother.

Does that mean we should not call out other trans people who are transmisogynistic or otherwise treat trans women badly? Of course not. But we have no more right to abandon or spit on them than they do us, which so many of them refuse to do in spite of the hostility they've often faced. To be an antigonist is to believe that we can do no less for those who do so much for us, and the creation of the term is intended not to spur more to do that so much as to give a name to those who've already been doing that.

Finally, I understand that the plot of Antigone revolving around Polynice's burial might feel grim. Critically, however, Antigone ultimately dies as well.

ISMENE: I must yield to those in authority. I think it is dangerous business to be always meddling. ANTIGONE: You have made your choice, you can be what you want to be. But I will bury him, and if I must die, I say that this crime is holy. I shall lie down with him in death, and I shall be as dear to him as he to me.

We are oppressed by the same forces. We are allies in the same fight. We are friends, lovers, and family. An antigonist is a transfem who believes that all trans people will live together and die together. We are committed to sharing the same fate with our siblings, one way or another. Antigonists see us all as bound together, headed for the same destination, and we would not for a second ever want it to be otherwise no matter where that road leads.

One more thing!

Even if this terminology doesn't catch on, I hope this effort means something to anyone who sees this. <3 Your sisters do love you, I promise.

[lylahammar]

People always talk about how Laios is a character who gives fat vibes even if he isn't technically fat in canon which is very true, and I have some thoughts on that!! (this will be a long post lol sorry)

There's a lot of material in the dunmeshi extras that show how fatness factors into dungeon exploration, which shows that only the most skilled adventurers are able to keep weight on while in the dungeon (thank you to @savaralyn2 for the translations! links to the individual posts these panels come from are added on the pics):

So we know, at the very least, that most of the characters are kept thinner than they would be naturally through the strain of death/revivification in the main dungeon. We also see that Laios has some fat on him, which through the text means that he's skilled enough to at least keep some of his weight (which makes sense, he doesn't die very often in canon).

(to be clear this ^ doesn't constitute as "fat," he is built as fuck here he just has some fat on his body which shows his prowess as a fighter in this universe) HOWEVER my personal little pet theory/headcanon is that Laios actually has a difficult relationship with food! I know that doesn't make much sense at first since he's shown to eat a lot in canon, but hear me out. In pre-canon, before he reunited with Falin, he's shown to be extremely gaunt:

But after partnering up with Falin, he gains weight and looks much more healthy very quickly. Part of this is definitely because of his unstable living situation/mental illness, but he and Falin still live in very poor conditions after this and he still manages to gain weight/get healthier, so I believe it's mainly due to her making sure he eats enough. We also know that Laios is. most certainly autistic. Nobody argue with me on that it's like pretty much widely accepted as canon for a lot of reasons lmao. So my theory is that he's actually food sensitive. He's shown to not really care about food that isn't monster-related. Even when he eats regular food, he's usually imagining it being a monster instead.

He has never eaten squid before, which is totally normal, but could also support my theory in a way :P it being a monster still can't save it from the autistic sensory bad experience in this case, though.

So I think that his adventurous eating during the course of the story isn't because he's actually an adventurous eater normally, it's purely because of his special interest (monsters, duh). During his journey to recover Falin, he's able to build up a healthier relationship with food through Senshi's guidance and the involvement of his special interest.

By the end of the story, after he's retired from dungeon exploration and living in comfort/safety, and with his newly healthy diet, he's finally able to gain a lot more weight. Imo, his is a story of someone who's naturally meant to be fat, but is only able to reach that point when in a stable and healthy environment.

(for the record I know he's not that fat in this post canon comic, but this is only a year and a bit after the end of the story so there's still time lol)

alright I'm goin back to drawing now just had to infodump for a minute ✌️ keep it sleazy

[lovelettersfromluna]

Here are a few Love Island!Ellie head canons because god…with how this season is going so far? I need it.

an: This is truly written from a place of fun! This isn’t to be taken seriously AT ALL! This is a funny little Drabble I whipped up in line twenty minutes because I thought it would be funny after my post I made a day or two ago. This isn’t for anyone and is 100% geared to a very specific audience 😭 also if any of you are watching this season of Love Island USA, can we please chat about it in the comments??? What are your thoughts???? Anyways, enjoy!! 🤍

• First of all…queer Love Island??

• I know there’s a queer Ultimatum but…the chaos of Love Island is just something I need to see with a house full of women instead

• Let’s start things off by talking about you

• Your intro is most definitely the one that catches everyone’s attention out of all the other girls. You have a personality that hasn’t exactly been seen in the seasons prior to yours and something about you just feels fresh you know?

• Your intro song is After Hours by Kehlani don’t fight me on this

• I really like how this season started with the girls arriving at night rather than in the middle of the day? Makes an easier transition I feel, so it’s the same for this too I’d say

• You aren’t the first to arrive, so you and the other girls (who you are losing your mind over they’re all so gorgeous and you’re already mentally taking note of who you want to pull for a chat later) when the last few singles arrive.

• They save the best for last of course

• Ellie’s intro 100% paints her out to be the bad girl of the season. Like come on, those tattoos? That fucking face?? The icing on the cake is that her intro song is Bandit by Don Toliver

• When she’s making her rounds of introducing herself to everyone, her eyes on yours immediately.

• Because she knew there would be hot girls in the villa, but Jesus fucking Christ???

• Now, contrary to what you might think, you and Ellie aren’t actually coupled up that night.

• Because you’re here to explore connections! And as much as Ellie literally takes your breath away with that fucking look in her eyes when she first spots you, there are other girls here that you like too.

• And you can also tell Ellie’s type from a mile away, and you’d rather steer clear of that before making any permanent reservations and making yourself look like an idiot for millions of people all over the world to see (we see what Leah is going through with Rob 🫠 let’s avoid that shall we?)

• Ellie though, is relentless.

• Because in her mind, she sees things completely differently.

• Why the hell would she waste her time talking to other random girls whenever you’re right here! Sleeping two or three beds across from her with some idiot instead of her.

• She’s shameless with it honestly.

• She’s always pulling you to chat with her, long fingers lingering on the supple skin of your thigh as you two are sat in the big swing or on the bean bags.

• “why didn’t you wanna couple up with me out first night?” She hums out softly, her head resting on one of the brightly colored pillows as she pulls your legs into her lap (while the girl you’re couple with and the girl she’s coupled with are literally across the villa)

• You giggle softly because she’s wasting no time in trying to get you comfy enough with her to choose her for the next re-coupling and it’s making your head spin.

• In all honesty? You didn’t choose her because you knew the moment you coupled up with Ellie, you’d be spoiled for everyone else.

• And shit hits the fan basically overnight here in the villa, so you’d rather not put all your eggs in one basket on the first fucking night (you refuse to have your family watch you be an idiot at home)

• She groans when you explain that to her, pressing her forehead to your shoulder as her teeth nip at your skin, which makes you nudge her playfully because she is getting way too close and the girl you’re coupled up with is shooting daggers with her eyes at the both of you.

• It also is not helping that Ellie is wearing the cutest black triangle bikini top with a pair of shorts and it’s just…god…her body is fucking insane.

• Later that night it’s the same, you’re upstairs doing your makeup with some of the others girls, having a bit of a recap of everything while spilling a bit of tea and gossip on what you’ve all gathered throughout the day.

• The topic of you and Ellie is top of the list on what the girls ask you about the moment you settle down in your chair to start getting ready for the night, and it makes you smile shyly as you try to find the words to say.

• Especially since the girl thats coupled up with Ellie could walk in at any moment….

• “Yeah uh…I dunno….I really like her but I feel like I need to also explore connections, you know?” You explain, your words a bit muffled as you apply your lip liner onto your lips.

• “With the way she looks at you? Exploring connections won’t be that easy” one of the girls hums out, causing the others and yourself to erupt in a fit of laughter.

• Ellie is quick to snatch you away once again when you and the other girls come downstairs to meet with their couples, barely giving the girl you’re actually coupled up with the time to give you a proper hug and kiss after you’ve all cheered to your second night there.

• I’d like to think that Ellie really values her privacy in the villa, and even though it’s damn near impossible to actually get away from all eyes and ears, she tries her best any way.

• Her hands are interlocked with yours, your heels clanking against the wood of the stairs as she pulls you up to Soul Ties (YUUUPPPP IYKYK)

• She’s staring deeply into your eyes as she brings her cup to her lips, taking a sip of her wine before she settles back against the mountain of pillows behind you, her hands toying with the frilly fabric of your dress.

• “You know I wouldn’t wanna be with anyone else in here but you…right?” She hums out softly, fingers dancing along the exposed skin of your thighs.

• And you can’t help but bite back a laugh, because this seems soooo illogical to you! Like it’s only been two days at this point?

• Ellie groans when you try to explain this to her. “Yeah but it’s different…I’m with you all the time…it isn’t like things on the outside” she pouts out, clearly annoyed with the fact that you’re still keeping walls up with her.

• It makes you sigh softly, because at this point you know you’re only holding yourself back from possibly having the strongest connection in the entire villa, but you want to play the game right! You want to explore the connections that have been placed before you without any regrets.

• But then Ellie’s eyes are going low, and you can see her leaning in closer, her legs interlocking with yours as her hand comes up to tuck a strand of hair behind your ear, and you already know what’s coming.

• Her lips are so soft, and she’s probably the best kisser you’ve ever had. It’s slow and sensual and the champagne in your system already has you buzzing a bit, a soft moan leaving your mouth as your hands go down to tug on her shirt slightly, her tongue working against yours.

• it’s easy in that moment to forget that you and her aren’t mic-ed up and there aren’t about a hundred different hidden cameras pointing at the both of you catching every angle of your face, because it just feels that good.

• But you’re quick to break the kiss once you remember that everything is being recorded, and you’re still in a fucking couple

• And even though you’re honest with the girl you’ve coupled up with about the kiss, and you explain to her that you’re still opened to getting to know her, in true Love Island fashion, your time with Ellie doesn’t stop.

• It goes on that way until the next re-coupling, and obviously your choice is saved for last because the anticipation of it all has been growing and your storyline seems to be the one that the viewers at home have been the most eager to watch.

• Of course, you choose Ellie.

• Not only because you feel the best when you’re with her, but also because leading people on just feels icky, and you don’t want anyone to perceive you as that sort of person.

• Ellie is over the moon of course, her hands wrapping around your waist and pulling you in close the second she’s sat next to you around the fire pit.

• And even though you’re sharing a room with like twelve other people, you get the best sleep you’d gotten in months when you’re sleeping next to Ellie.

• not before a kiss or two is shared before you sleep though 😌

• And that’s how things go for a while! You and Ellie are viewed as the most solid couple for quite some time, the camera always catching you and her lounged out by the pool talking about your families, or her bringing you breakfast in the morning when you’re getting ready with the others girls.

• “Yeah…my dad would love you. I bet you he knew I’d go for you the second he saw you�� she hums out as you two are cuddled up on the swing, which makes you giggle softly. (Joel 100% struggles watching his daughter make out with someone else’s daughter every night but he does see how much Ellie likes you)

• Ellie frowns deeply as her eyes scan the fridge and the pantry of the out door kitchen as she’s outside with some of the other girls. “All they have are fuckin’ avocados and eggs?” She huffs out in annoyance before she settles on whipping you up some avocado toast and filling up your water bottle.

• She’s awkward when she brings it up, shy smile on her face as she peeks into the makeup room, eyes scanning the space for you. Her expression instantly brightens when she spots you pulling your hair up into a pony tail, making her way to you to press a kiss to your head before setting your breakfast down in front of you.

• “Didn’t know if you were hungry…so…yeah…” she mumbles out softly, which makes you giggle softly before thanking her and pressing a kiss to her cheek.

• The viewers at home and your fellow islanders quickly mark you and Ellie as the “married couple” of the villa.

• HOWEVER

• What’s Love Island without a couple of bombshells?

• You can’t stay too comfortable in a place like Love Island, especially when you hear that familiar ping coming from someone’s phone.

• It’s yours, and it happens when you’re out by the pool with a few other girls, trying your best to give advice with the relationship issues that they’re having.

• “I’ve been keeping an eye on you from the outside…but now it’s my turn. Meet me out by the beach for a surprise. And wear something pretty…..

Xoxo Abby”

• The girls you’re sitting with erupt in squeals and giggles, grabbing you and shaking you as you sit there in awe, your mouth hanging open as you stare down at the phone, reading the message over and over again.

• Ellie is on the other side of the villa looking as if she’s ready to kill someone, because who the fuck is Abby?

• You obviously have no choice but to go, and while you’re upstairs getting dressed with the other girls you feel a bit excited? Nervous? It was your first time outside of the villa in almost two weeks and it was for a date with a fucking bombshell??

• Once you’re finished getting dressed, you make your way downstairs to talk to Ellie, because you know you have to.

• Wrapping your arms around her waist and pulling her close makes you feel bad, because it’s easy to forget that the producers are obviously trying to test your relationship with Ellie and see which one of you will break first.

• But that doesn’t make it feel any better.

• “I’ll miss you…I’m sure it’ll be fine…she probably just wants to shake things up here” you assure Ellie with a soft kiss to her cheek.

• She frowns softly as she nods, pulling you close to her chest before she sighs, her feelings clearly in shambles as she stares into your eyes.

• “Yeah…have fun…” she mumbles out softly before she presses a soft kiss to your lips, letting it linger for a moment before letting you go.

• You desperately hope that this girl is a raging asshole who you’ll hate the moment you see her.

• But would she even be a bombshell if she wasn’t perfect?

• Abby looks like a fucking goddess sitting on the beach waiting for you. You aren’t sure you’ve ever seen muscles like hers before, and something in you wants her to show you if they’re just for show or not.

• WHAT IS WRONG WITH YOU, YOU ARE SPOKEN FOR

• Abby hits all the marks. She makes you feel comfortable, she makes you laugh, and she manages to make your cheeks and ears warm up every time she sends another flirty compliment your way.

• “So…I see you’ve been coupled up with Ellie…how’s that been?” She asks you gently, the gentle ocean breeze blowing through her pretty blond hair, making your head fucking spin.

• You’re honest with her. You tell her that you and Ellie have been very solid since the moment you’ve coupled up. You explain to her that you didn’t choose her in the beginning for the sole purpose of knowing just how attached you’d get to her when you were actually coupled up with her.

• “Yeah um…I think I’m falling for her actually” you mumble out shyly as you stare down into the bottom of your glass, watching as the bubbles of the champagne rise to the surface only to fizzle out shortly after.

• Abby hums softly as she nods at your words, taking a sip of her drink before she speaks. “She seems cool…but it’s early days, yeah? Still exploring a bit?” Abby asks hopefully.

•When you look up and lock eyes with her, you feel the air leave your lungs, because god she is so fucking pretty. Her pink lips are tugged between her teeth, and it makes you have to swallow back a whimper.

• And like an idiot that is charmed by the beauty of this actual goddess, you fucking nod.

• She chuckles softly before she nods with you. “That’s good to hear baby…” she hums softly before she leans in and kisses you.

• Would she be a bombshell if she didn’t kiss you on the first date???

• Back at the villa, Ellie is losing her shit.

• Because everyone is asking her if she thinks you’ll fold, and if she thinks this is a test to your relationship that you’ll pass, and it’s making her want to fucking throw up.

• And now she’s starting to feel the heat of this fucking show, because none of this would’ve been a problem if she had met you on the outside.

• She’s in the middle of pacing when you and Abby come back to the villa later that night, the sound of the group of friends you’d made squealing once they spot you and Abby coming in through the balcony.

• Hand in hand.

• That’s right, Abby brings you back into the villa, with her fingers interlocked with yours.

• Ellie wants to throw herself into the fucking ocean at that point.

• Her confessionals are filled with her groaning and bitching about how she could never compete with Abby, and how her muscles are probably fake anyways, anything to discredit the girls goddess fucking physique.

• you obviously pull Ellie for a chat once the others pull Abby to get to know her, because even though she chose you for the date, the others want to get to know her the moment they see her.

• But even as you talk to Ellie and try to console her feelings, it really all boils down to you and which one you feel the most connected to.

• So? Who would you choose?

[forsworned]

It’s said canonically that simon riley has trauma around intimacy from torture 😔 If you feel comfortable writing it, can I please ask for a short fic of an Afab reader body worshipping/lovingly pleasuring Simon after they both work through his trauma and he’s getting all soft and emotional and babbling about how good reader is making him feel and how much he loves them and can’t believe someone cares about him this much? I always liked the idea of Simon being portrayed as vulnerable and soft and not this dom sex god a lot of people portray him to be. I really love your work and would love to see your take on this request :)

Soft ft. Simon 'Ghost' Riley

Author's Note: So I do recall someone making a post about this and I have to say I do not agree with everything. Men definitely process trauma, specifically sexual trauma a lot differently than women do. While women experience guilt, men experience anger. And maybe it's not all men who experience it that way, but after reading the comic and making my own assessment, I can say that Simon does have lingering anger. Of course, he is hell-bent on avenging his dead family, but all that pent-up energy could be going toward trying to even the score. He is pretty level-headed and able to compartmentalize. He has support from his comrades as well as undergoes mandatory rigorous mental health assessments because that's military protocol. He needs to be able to perform his duties on the field without putting himself or others at risk. He also most certainly gets mandatory counseling. Although he may be reluctant, his superiors are very much aware of the possible impact that it has on his mental health. So all that to say that Simon is not without help. He is not as "damaged" as people may perceive him to be. He's not a broken individual. As seen in the remastered MW's, albeit reluctant he can clearly put his trust in others. He develops relationships with the people who he works closely with meaning he is capable of change. SIGH. I just wish people would break this down a little more, but I do get what you're saying. His masculinity, trust issues, and the type of secret operations he goes on can lessen the effectiveness of the therapy. He's definitely a very complex character with layers to him, but I just don't think he's as weak as you may think he is. It's also important to note that it hasn't been confirmed that this current Simon went through the same thing. He could have a completely different background. Honestly, Activision is so fucking inconsistent but ANYWAYSSSSSSSSSSSSSSSSSSSSSSSS I hope you enjoy this. Also if you read this all the way through, I applaud you. But thank you for enjoying my work, I didn't mean to critique you and your request, but I just couldn't let it slide LOL

Warnings: PnV sex, AFAB!Reader, Some Canon Simon Lore, Sexual Content, Mentions of Sexual Trauma

"Si—Simon..."

You sigh out in pleasure with every roll of your hips as you grind down on him. Your clit grazes against his lower abdomen, and his cock stretches you out pliant. Fingers dig into his shoulders, marking half crescents into his pale, scarred skin. But something feels off.

His hands loosen their grip on your hips, and upon opening your eyes you find him his half-lidded gaze distant in a familiar haze. He isn't present.

"Simon." You halt the rutting of your hips, cupping his stubbly cheeks. "Are you alright?"

His onyx hues fixate on you. He is clearly readjusting his withdrawn eyes to refocus on you. You didn't want to say it yet, but you had felt him go a little soft a few seconds prior. "We can stop."

"No, no." His fingers squeeze your middle as he sits up a bit. You shake your head, but he's not letting up. "Why stop?"

You firmly grasp his face and his blonde lashes flutter up at you with a seemingly unreadable expression, but you're no stranger to Simon's detachment. Although he loathes to admit it, it happens. The relearning of being intimate is tumultuous for him.

"Because you're not mentally here, my love."

He frowns. "But I want y'to finish."

You exhale sharply. He doesn't even deny it. "No, Simon. I'd feel disgusted with myself if I finished while you weren't here with me."

He struggles to reply. In all honesty, he doesn't know what to say. It's not exactly a common occurrence, but he's not too keen on having a conversation about it. You never pry though. His therapy sessions are his own, unless, of course, you join him if he so desires.

Couples counseling is mandatory. A rule you established when you first decided to tie the knot. If you had problems that were beyond just a sit-down talk, a professional would have to intervene. And Simon agreed. No fuss, no muss. To preserve the sacredness of your relationship, he'd do anything.

He sighs. "'m sorry, dovie." He caresses your sides, feeling the gooseberries on your skin rise. A small smile adorns his lips and you giggle at his smugness.

"Stop it." You begin to get off of him, but Simon holds you firmly. You feel his dick harden inside of you, now kissing your cervix. A little gasp escapes your chest as you readjust yourself.

"Y'like tha'?" Simon's grinning now. It's his confidence gleaming through the abysmal darkness of his mind. The life in his eyes feels revitalized, and you now feel his vigor—literally.

"Yes, but..."

"'m here, love." He reaffirms, squeezing your waist again. "'m here. Please, 'm achin' for you."

He groans a bit and bucks his hips when he feels you pulsate around him. You return your own moan, leaning forward but his fingers thread through your hair and he brings you into a sloppy, heated kiss. His hips thrust into you slowly and deeply, earning a guttural moan from him.

For a moment as you withdrew from the kiss, your gazes meet and Simon's eyes soften and become glossy with tears that brim over his oculars and spill over the corners of his eyes.

"Oh, baby." You coo, holding him close as you kiss his face. His sadness is silent, yet palpable. You're now babbling sweet, sweet words to him as you pepper him with kisses, and Simon holds you as if you're going to slip away. You gently guide him through the double inhale technique you learned from your therapist, and with the sweetness of your voice, the kindness in your eyes, and the tenderness of your touch, he feels at ease.

"I dunno how y'put up with me."

You grin, kissing the corner of his lip. "It ain't easy."

"Oh?" He flips you over on your back, pressing you firmly against the mattress and you giggle into the nape of his neck. "Wanna say that again, love?"

You thread your fingers through his sandy blonde hair and kiss the tip of his nose. "You're not hard to love, Simon."

His eyes soften once more and he kisses you deeply. Simon has never cherished anyone more in his life. You were always so patient and kind from the jump. You were truly the "greater woman" behind the "great man".

He rests his forehead against yours and closes his eyes as you gently card your fingers in his hair.

"Thank you, lovie."

[elodieunderglass]

I'm not as familiar with LOTR as you are, so I wondered if you could tell me if my wild theory is completely off-base.

No one knows where the Hobbits came from, except that at some point they diverged from the line of men. No one knows much about the Entwives' appearance, but we do know that they fucked off a long time ago.

Could the Entwives have been dryad-ish and hooked up with the hobbits' ancestors and so be the foremothers of the hobbits?

Ah I think I saw that post! The concept has a lot of charm, and when the Tolkien estate loses its corpse-grip on the property in 2050 or so, I think you should write it and sell it 😤 I’ve definitely read some good takes on entwives in fanfiction that both leaned into canon and moved away, and I think that sounds like good fun to explore. A common theme in the fandom is playing with Yavanna, the Green Lady, being the mother or patron of hobbits. This isn’t canonical, but she’s a “green goddess” archetype and is married to Mahal/Aulë, the father of dwarves, which shippers often leverage to their advantage. You could do something quite charming there with Yavanna if you wanted to. We also know that Entwives loved gardens and orchards rather than forests.

Some things I would explore with this include:

what is going on with all these consistent ideas of people, races, women disappearing. We know that a lot of it is how Tolkien processed an almost OCD-like Catholic framing of “the fallen world is getting worse and can never be repaired”, war experiences, romanticism and other stuff stewing in his old man head. What are some ways you could show what’s stewing in your head? What does “people disappearing” mean to you? and why is it especially healing that they disappeared in order to make new families?

I think “they disappeared from their old kin and made new kin” is an interesting and weird thing worth wondering about!

- this would possibly make hobbits a more recent race than is implied. What does that mean to you?

- why are hobbits teeny tiny?

A very good starting point, that Terry Pratchett used a lot, is taking some grand statement in fantasy fiction, and making it reflect a different political reality. “Most dwarves are girls actually.” “Wizards parody academia, but, like, FOR REAL.”

I personally have a different take because of my own political feelings and framings! I have a lot of complex feelings about Tolkien chickening out of hobbits. For various political reasons I personally have to take the stance that they are fully human, fully indigenous, and have their own native language. and that their disappearance is less “teehee we lost them” or “O, the Catholic guilt of the Fallen World, how far we have fallen from the light of the two trees God’s sinless light” and a lot more “oh yeah I’ve seen THAT pattern before.”

If you have a political sort of lens on, someone telling you “yeah… hobbits came from nowhere 🤭 and then disappeared 🤷‍♀️ sad!” is a story that can also invite the response of “OHhhhh you wanted their LAND real bad, huh.” Like, we know what that means, right.

It’s a political stance for me. Hobbits have to be close enough to us to touch, and we have to be able to face that, and the fact that 5,000 media properties will chew on tolkienelves and sell them to you before even admitting to the 🤭 just makes it even more of a 🤨. To me.

…But I have literally just been elbow deep in my own demented fanfic thing that involves inventing a language just to swear in, to enable my standing on a box shouting HOBBITS OUGHT TO RESIST GOING EXTINCT ACTUALLY, based entirely on, I think, spite. Why do multiple authors publish orc football games (Terry Pratchett) and orc coffeeshops (Legends and Lattes guy) and do every damned thing with every bit of Tolkien’s corpse but refuse to look directly at hobbits. I am feral over this and wrote 59k words so far to damage and harm my friends

In conclusion I see a great story shape there about kindred and I think you should explore it and it should be about evolutionary biology and women and divorce and nobody being wrong.

And if anyone argues you with some podcast boy “well actually”, just bite them and do more character work and sit on their heads

[sevsbestfriend]

I usually write fics here but I just wanna rant rn.

Sometimes I got to old posts and stuff, either to get new ideas or just see what the fuck is going on with the other side of the fandom.

The people coming to James defense or crazy, like on one hand they are like 'oh he was only human, he grew as a person otherwise how would lily love him?'

We literally have cannon confirmation that the fucking prat didn't stop hexing people, he just learned to hide it better. Sirius and Remus confirmed this when they called Severus a 'special case'. I don't give a shit about them saying he attacked first, you better believe I am attacking first if I come across a guy who has stripped me naked in public when I didn't do shit to him. (Or the other guy who tried to get me killed by bloody werewolf) Like wtf are you even talking about at that point???

Also, Harry comes across a detention report of them hexing another student in their 7th year. So uhm...yeah.

Then they are like 'oh Severus hates him so his memories are biased'

Did you morons even read the books?? Pensive memories are unbiased, any manipulation is extremely apparent as we saw in Slughorns case. So NO they aren't biased that extremely uncomfortable read of SWM? it's fucking canon in its truest sense.

Also, how in the ever living hippogryph does a guy who strips people naked for fun change so much that he becomes head boy??

It's pretty simple, he doesn't. He learns to hide it better and given the fact that this person has always been given the benefit of the doubt, it is very easy for them to their nature.

Dude had a map that showed him everyone's real time location and an invisibility cloak, he could damn well harass anyone in isolated corners of the castle if he wished. Which is exactly what he did.

Also, these people love to claim how 'lily only approved of him cause he changed.'

To that I say, Who the fuck is Lily?? Mother Teresa??

How is she the ultimate decider of what is good and bad and at the same time, completely right in dating someone who stripped another student makes after a year (or 2) of the event??

Don't get me wrong, she doesn't owe Severus anything, really, but seriously this is just ridiculous. Like if I was a woman, I would be genuinely terrified of someone like that, especially when they got away with no real consequences what so ever.

James was a prick with a very good PR team for friends and teachers. That's really it, it is often said that good looking people can get away with a lot of things and James is just a prime example of that.

---_---_---_---_---_---_---_---_

Also...BRAVE?? Dude had 2 cheat items and the advantage of a Pureblood upbringing and was still too PUSSY to face Severus alone. Yeah..what a real Gryphindor that one. Scrams bravery to you doesn't it? He did this all the way till 17, so yeah he definitely was super important in the order right??

---_---_---_---_---_---_---_---_---_

Dumbledore invested quite a bit in the Marauders with his blatant favoritism and letting a werewolf in the school risking his own position as a headmaster.

And...they all turned to be bloody useless. With only James being useful because of his participation in the birth of Harry Potter.

Sirius in his madness derailed a murder investigation for a fucking decade.

Remus, I genuinely can't remember anything substantial Remus did, except for letting someone he believed was a murderer into Hogwarts and never telling Dumbledore that they were Animagus to begin with.

---_---_--_---_

Seriously, the most useful person in the war had to literally beg on his knees for the man to use him. Even fate was like, for fucks sake, just give this guy a chance already.

[alice-after-dark]

Vox as an Abuse Victim

So here is that massive Vox post I promised, a day late for...reasons. I swear I have been working on this post for days, even before that StaticMoth discourse influx in my inbox.

After making my post about Vox and Angel and reading @deeply-unserious-fellow's post about a similar topic, I thought it might be finally time to make this post. Most people who have seen my content know how I typically portray StaticMoth. I have mixed feelings about Valentino at the best of times and outright dislike him at the worst. But frankly this post isn't actually about him (well, mostly). It's about Vox and why I am really hoping that Viv keeps the angle of Vox being an abuse victim.

TW for domestic abuse, physical violence, implied sexual abuse, abusive relationships, gaslighting/victim-blaming, and other canon-typical triggers. Contain abusive StaticMoth.

Honestly? The primary reason I hope she keeps it is because it would make him an even more complex character and bring attention to a criminally underrepresented group: abuse victims who are also bad people.

As pointed out in the post I tagged above, the world has become obsessed with this idea of a "palatable" victim, the poor suffering cinnamon roll. An abuse victim is expected to look like a victim. You're supposed to instantly feel sorry for them and want to protect them...but that's not so easy when the victim is someone who also hurts people, is it? It's not so easy to pretend they didn't do bad things too...but they are still a victim. That does not change just because they are a bad person. And thus it becomes complicated and interesting. Because it's not so easy to root for the victim when they're also victimizing others, especially when those others are people we care about...like Angel Dust. At the bare minimum, Vox is doing nothing to stop Valentino from abusing Angel or any of his other employees. Having Vox be a victim of the same abuse that Angel Dust suffers (at the hands of the same abuser no less) and yet also being someone who enables Angel's abuse creates a very complicated situation.

In a most media, the discovery of a mean/bad person being abused is frequently portrayed in a "well, they were abused so you can't be mad at them anymore" kind of light. Like "see? They're just an asshole because they were being abused! Now that we know, they're suddenly a good person!" Except that's not how it works. Someone can be a bad person and also be a victim. And even if them being an asshole was the result of their abuse, those behaviors and the consequences of those behaviors don't just vanish. They still hurt people and frankly I would riot if it came out that Vox was being abused by Valentino and then everyone in the show just up and forgave him for being an asshole. Like...no? He would still need to make up for his own shit and actually work towards being a better person. I like this character because he's an unapologetic asshole. If making him a victim takes that away, then that would be such a missed opportunity.

In fact, one thing I find interesting is that I definitely believe that Vox would have no problem admitting to being a bad person, but would rather fight an exorcist alone than admit to being a victim. His ego won't allow for it. He would probably laugh in your face and call you delusional while literally having a broken screen. Because he can't admit it, even to himself. He would see it as a sign of weakness and that's not acceptable to him (side note that being a victim does not make you weak, that's just what Vox's toxic mindset tells him). While I am fairly certain that he would have moved on from most 1950s mindsets since he is all about the future and progress and moving forward, toxic masculinity is still very much a thing today and I can definitely see him embodying it in some aspects, like needing to appear strong and in control at all times (and Hell's power hierarchy definitely encourages this mindset, so...). Fuck, even now in fucking 2024, men still have a hard time being taken seriously as the victims of abuse. Unless of course you fit a certain mold.

Angel Dust is the perfect example of this. He is a palatable male victim. He's effeminate, he's funny, he's friendly, he's caring, and we actively see him miserable in his suffering. Despite being in Hell just like the rest of them and having been a former mafia member and clearly able to stand on his own two feet it combat, his victimhood is constantly on display and the audience wants to protect and save him. On the opposite end, Vox is shown in a position of power that is constantly reinforced. He's an Overlord, he's manipulative, he's cruel, he's greedy, and he enables abusive behavior from others. He is not a palatable victim, which is why it's perfect.

Now let's get into what I believe is the actual evidence that this dynamic could still be present.

Something I see people commonly say is that Vox being abused by Valentino doesn't make sense because why wouldn't Vox just fight back? He could just shock Valentino into next Tuesday? And to these people I kindly say fuck you. Because while physical strength can be a factor in abuse, it is very rarely the thing that keeps the victim from leaving. Abuse, even when physical, is heavily psychological. It's like telling a victim "well, why didn't you just leave?" It's not that easy. Abusers tend to target those with low self-esteem and it's made pretty clear that Vox is a very insecure person (I feel the need to point out that having an ego and having high self-esteem are not the same thing, in fact having a big ego is typically a side effect of very low self-esteem). It's entirely possible that Vox makes the conscious decision not to fight back because he's afraid of what will happen if he does. He's afraid Valentino will leave. We know Valentino is just as mentally and emotionally abusive to those around him as he is physically abusive and we have actively witnessed him playing into Vox's insecurities and mentally messing with him (specifically in the events leading up to "Stayed Gone").

So let's talk about the scene leading up to "Stayed Gone," because I also see Vox's behavior towards Valentino here used as justification for why it's not possible for Valentino to be abusing Vox. Full disclosure, I myself in the past have even thought that it demonstrated them being mutually abusive towards each other, but have since changed my opinion after reading more takes and doing further analysis. Having rewatched this scene many times now, I have some observations.

There's a small moment that always caught my attention when I watched this scene because I wasn't sure what it meant, but looking at it in the context of this post, I think I can see a possibility. When Vox goes to see Valentino, he approaches the doors and they are opened for him by Valentino's servants. Vox pauses in the doorway, glances at them, then continues on inside.

What was the point of this moment? It seems out of place. Surely Vox has gone to Valentino's room before? Surely this door opening thing isn't new? And looking at Vox's face here, he looks...concerned? Like...they might hear what goes on inside? And he maintains that expression even as he enters the room, like he doesn't like that those two are out there and might hear them.

It also makes the entire situation feel so routine. Like Valentino is upset and these girls just expect Vox to show up and take care of it. And the scenes prior to this also sets it up as a normal occurrence. Vox rearranges his entire schedule to deal with Valentino, like he absolutely expects this situation could take up the rest of his day. And Valentino clearly doesn't listen to Velvette in this regard as she had to call Vox to come deal with Valentino despite him wrecking her department. Her comment even further establishes this as normal when she tells Vox that Valentino is "up in his tower, waiting for a flat-faced prince to calm him down." And when Vox arrives? "FUCKING FINALLY!" All of this sets up a standard situation: when Valentino is upset, it is Vox's job to calm him down and make him feel better. Valentino is a full grown adult and yet he has made it someone else's problem to manage his emotions.

Then of course we have the classic moment of Valentino literally throwing his glass at Vox only seconds after Vox has arrived. And this has to have been a conscious decision, because right before that, he throws his first glass on the ground before demanding another. So if he wanted to just break something, he didn't need to throw it at Vox, but he did. And I definitely don't think he cared if Vox got out of the way or not. But how easily Vox moves aside tells us that he fully expected to have things thrown at him and was ready for it. Now, I do believe that Valentino would throw shit at literally anyone when he is mad, but the key here is that Vox, his supposed friend, on-and-off lover, and business partner, is not exempt from this behavior. He even breaks Vox's phone when he realizes Vox is not paying attention to him. He has no qualms breaking Vox's property just to soothe his rage (I would also like to point out that he fucking obliterated that thing; just how hard did he fucking throw it?!).

Something in this scene that did initially throw me as I was writing this is that Vox doesn't seem particularly afraid of Valentino. Not the way we see Angel is when Valentino gets angry. We also see him actively get angry with Valentino, get in his face, and manipulate him. In the past, I believed this behavior from Vox to have established their relationship as mutually abusive. However, after reading yet another post from @deeply-unserious-fellow, I realized that everything Vox does here is only in direct response to Valentino's tantrum.

So let's go through some things here. When Vox initially tries to tell Valentino he can't go to the hotel, Valentino straight up ignores him. Does not respond to Vox's words, completely carries on like he didn't even speak. From this point on, Vox takes an entirely different approach to the situation. He manipulates Valentino into thinking that not shooting up the hotel is his idea and even offers further appeasement in the form of shooting his own employees as a method to satisfy Valentino's temper. I admit to initially viewing this as Vox being abusive, but frankly, when your options are being manipulative or letting your business partner go shoot up a hotel that houses the literal Princess of Hell, yeah, I'd take the manipulation route. Because, as I pointed out above, Vox cannot actually control Valentino. He tries to give him an order and is completely ignored. And even when he does successfully manipulate him, he still has to appease him in some capacity.

Now, there's also something here that is often played for shits and giggles, but I'm taking it 100% seriously right now. Many people point out that Vox's screen gets brighter when he gets in Valentino's face. Valentino is a moth demon and after Vox does this, he seems to be dazed for a moment, enough for Vox to rapidly switch back into manipulator mode and does his thing. It seems to have snapped Valentino out of his rage and I literally can't help but think that Vox has learned this as a defense mechanism. Valentino can't see very well, so it's very likely Vox's hypnotism doesn't work on him, so Vox had to find other ways of manipulating him and calming him down when he's in one of his rages.

Something I also want to point out is that it is made very clear through a single solitary moment that Valentino is in no way afraid of Vox. When he tells Vox about Alastor, Vox screams in his face, manhandles him, and Valentino just...pushes him off and saunters away, grinning like the cat that caught the canary. He doesn't even look upset or concerned when Vox grabs him. He just...laughs it off...like he knows Vox won't actually hurt him. Because I genuinely think Vox won't. Later in the episode, we hear Valentino's voicemails to Angel Dust and how he's emotionally manipulating him, telling him he can't really get better. I wouldn't be surprised to find that he's given Vox a similar treatment, especially considering that it's obvious Valentino knew what kind of reaction he would get out of Vox by bringing up Alastor. And sure, he brushes it off with a kink joke, but in all seriousness, why did Valentino keep Alastor's return from Vox? We know Angel has been at the hotel for a little while and Alastor has been involved with it as of a week prior to the beginning of season 1, so why suddenly bring it up? It's almost like he was specifically holding onto this information, waiting for the perfect time to use it that would be the most beneficial to him.

There's also another little scene that always caught my attention. It's when Valentino is getting pissed about the shadow construct that Angel Dust is flirting with.

Valentino starts getting pissy again, demands Vox's attention, gets annoyed when he doesn't get it, then immediately switches to mocking and confident when Vox starts bitching about Alastor. Like...he's so fucking proud of himself for getting Vox all worked up over Alastor. Like it's some kind of game for him. Riling Vox up and messing with his emotions is fun for Valentino. Alastor dredges up some real shit for Vox and Valentino exploits it. And from here on, he just keeps egging him on. Now, I'm pretty sure "Stayed Gone" would have happened with or without Valentino, but the point here is that he is definitely playing with Vox's emotions here.

As for the not being afraid aspect, again, Valentino hasn't actually threatened him with something that truly scares him. I don't think he's afraid of what Valentino could physically do to him. It's more likely to make him mad than anything else, even if he doesn't fight back (he'll probably go take out his anger on someone else). The thing about Vox is that we see that he does not like to appear weak in any capacity and I think this extends well into his own psyche. If he admits, even to himself, that he's a victim...to him, that's admitting weakness and he just can't do that. So Valentino's not abusing him, they just had a fight. He didn't hit back because he's in control of himself and he knows he could totally toast Valentino. It's Vox's own fault for pushing his buttons when he knew Valentino was mad. It wasn't rape cause he never said "no".

TLDR: Vox can be both an asshole and an abuse victim and it would be a really interesting aspect to his character as long as the show does it right and doesn't scrap his assholeness to make him a more palatable victim. Show him being a victim and also victimizing others. Show him not wanting to accept that he has been abused. LET PEOPLE BE UNCOMFORTABLE WITH FEELING SORRY FOR HIM.

(that's all for now, I have literally been working on this post for days and I'm exhausted)

[demon-country]

I'm kind of surprised that this isn't a more common opinion, but I really do think that Blitz started coming over way more often than just the full moon for sex and also that he started staying the whole night as time went on. Like, even if you want to claim that Stolas doesn't love Blitz, he only loves the idea of being loved - which I highly disagree with - Blitz ain't that kinda person. He doesn't catch feelings after only like, what, 12-ish days spent having marathon long sex, and a couple of times spent being vaguely together in public? Ain't no way, Blitz is too guarded for that, and even though BDSM breeds a lot of trust just by virtue of it being about trust more than it is about sex, there's no way those things alone would make Blitz start to fall in love enough that he lists Stolas among the people he doesn't want to live without and die alone, or enough to do literally all of The Full Moon and Apology Tour.

On Stolas' phone there is also a picture of a horse that Blitz drew, laid on Stolas' bed, showing that Blitz felt comfortable enough at Stolas' palace and in Stolas' company that he was willing to draw Stolas a horse. That speaks of intimacy, that speaks of familiarity, and that speaks of trust that Blitz would share something he loves doing with Stolas. It also speaks of them having the time to do things other than sex when he comes over.

Now, to be fair, Blitz himself says that Stolas liked to do things like call him a lot to ask about his day and whatnot, and liked his sinstagram posts all the time. And while their now-defunct official Instagram posts aren't strictly canon, Viv did say that the stuff there was true to what the characters might do. So if we take what Blitz said in Oops and applied it to something Blitz posted on his sinstagram account, then Blitz used to book out an entire hour on his daily schedule just to talk on the phone with Stolas. Spending an hour or even half an hour almost every single work day for around a year and regularly talking on sinstagram is definitely significant and would also foster familiarity and plant the seed that Stolas does care for him, even if Blitz's self-hatred and Stolas' more unfortunate comments prevented him from truly believing it.

But I don't think it'd stop with that. Sex is the only way Blitz feels he can really spend time together with Stolas, and it's the only thing he knows for certain that Stolas wants from him and is always down for. If he was catching feelings - and Ozzie's, The Full Moon, and Apology Tour all show that he most definitely was -, he'd start desiring to be around Stolas more often, which would almost definitely lead to him making excuses to come over and have sex.

Of course, he couldn't just admit that even to himself, so he probably would have excused it to himself as something like being too busy to find someone else to sleep with. Oh you know he's just so busy with work and taking care of Loona, and going out to find a fling when he has a perfectly willing booty call he can go see basically whenever he wants is just way less convenient. Why put in the extra work finding someone he's interested in when Stolas is a smoking hot great lay who's down to do pretty much anything and everything? Not that it means anything though! He could totally go get someone else if he wanted to, he just... doesn't. Because he's too busy for that, of course.

And why go to some rando's place if he's just gonna have to get up and leave right after? With Stolas he can stay the night in a giant ass, comfy as fuck bed (with a super soft, super snuggly bird. Uh, not that he cares about that though! It's certainly not like he's touch starved or anything, haha no of course not that'd be crazy! >_>), and in the morning if he sticks around long enough he can either get another round in or some fancy brand coffee.

Like, that's all just an example of how he might explain it to himself, but however he actually did, I'm of the opinion that he used to not stay the night, but most of the time by the end of it he did. Blitz doesn't fall quickly, but once he does he falls hard, and given how desperately he clings to Stolas in The Full Moon and Apology Tour, I'm not sure if he'd be able to stop himself from spending whatever time he could make excuses for with Stolas. The only reason he doesn't post-Ozzie's is because of Stolas' supposed rejection and, after Western Energy, because he feels unworthy of it and is scared of what his perceived failure to protect Stolas might have changed.

That's how I see it, anyway. But I guess it's a pretty unpopular opinion? This got way longer than I thought it would...

[nitrowyverine]

I thought playing Obscura would help me get rid of my brain worms. no, it just gave me new ones. For Obscura, specifically.

I'll be adjusting the format from my TOUCHSTARVED expanded thoughts post. Brain dump after the cut!

[Demo/CH 1 spoilers are included]

(Header Image from Itch.io page! All images in this post are either from there or the Rotten Raccoons tumblr page)

Design/gameplay thoughts:

In full honesty without fluff: this game fucks immensely.

The setting for Obscura might be my new all-time favorite, like, ever. Mystery underground scandalous marketplace??? Under a mountain???? it's a diverse and vast city that's still elegantly contained and claustrophobic, but in a spicy way. The worldbuilding and flavor is excellent. I really want to run a TTRPG in a similar setting now, since its an area with so many possibilities.

CH. 1/the "demo" has a LOT of meat on it. It's got different endings, variations, a whole soundtrack. Speaking of sountrack-

Obscura is also one of the few games I've put on the soundtrack to just to vibe to. The soundtrack is SO good, and sets such a strong mood/tone. I think it complements the game perfectly.

Allot of people have mentioned it, but I am also a fan of the Safeword pause menu. It's a nice and comforting touch, especially when the game can get so intense. It lets players take a breather if they need it, but also doesn't interrupt the intensity/mood of the game for someone who doesn't want a break from the narrative.

Now, onto character specific thoughts!

Cirrus:

IN MY HOUSE WE DON'T BELIEVE IN NOT STARTING OUT STRONG

Shout outs for having your asexual option in the dating sim be. The kinkiest guy there

Cirrus is a bit too intense for me, however, that is NOT a bad thing in the slightest. I think his route is well done for those who are up for his brand of intensity.

I might still play his route because. damn this boy's issues got me curious about his backstory. ($10 on mommy issues)

I had the hardest time getting to Cirrus's good end during my playthrough because having pretty much any self-preservation instinct around Cirrus gives you a bad/neutral ending. He's the only one I had to pull the guide out to get the best ending. (I think I'm just too sassy)

I get medusa vibes from Cirrus. The snake imagery is more likely tied to the lunar church, but his staunch reluctance to take his own mask off makes me wonder (this is mainly referenced in asks answered by the Rotten Raccoon studios). Refusal to let people see his eyes + snakes + power + slightly unnatural abilities to influence is, something.

I am shaking this man like a snowglobe WHAT IS YOUR DEAL I MUST KNOW MORE

(I am. metaphorically shaking him like a snowglobe. I would never shake this man im terrified)

CONCLUSION: Most likely to shame you for your anime choices. Least likely to be normal about it when you ask for help peeling an orange.

Keir:

HERE COMES BIG MAN

yeah he's tied for favorite right now. the slow burn in his plot is just too good? big man....freckles...secret soft side...im weak

he's so nice I keep forgetting. He kind of kidnaps you? not even kind of he just drags you off the street and goes "you live in my house now". Even Griff calls MC a stray early on. My man really said "Here's a convenient lost human I'm dragging them home now"

oh my GOD they were ROOMATES

I definitely was too nice to him in my first playthrough until I realized he does need (and want) to be sassed to death.

this man is like 6'6 and the canon-ish Vesper height from the CG is 5'4. THE HEIGHT DIFFERENCE. This kills the man (me)

The sprite of Keir's ears blushing SENDS ME INTO A FRENZY

I quite liked the gameplay style of Keir's route. I was so focused and invested as soon as I realized I needed to remember specific directions to save the heist group during timed decisions

Something I haven't seen discussed yet: I'm mega curious about the dagger Keir has on his outfit. It's specifically pointed out in text that it's high-quality, and I vaguely remember an ask that Rotten Raccoons answered that said it's a status symbol. (The dagger also just looks SO cool. and....it looks like Francesco's...?)

(My bet is that he either 1. stole it. or 2. got it from Oleander during their tryst (WHICH WE ALSO NEED TO TALK ABOUT-))

CONCLUSION: Most likely to be gifted a "WORLD'S BEST DAD" mug from his similarly-aged peers. Least likely to live down that one time he ate soap because he thought it was edible.

Francesco:

someone keep the "silver dust" away from this lad im scared

Originally, I was least looking forward to playing Francesco's route since I just wasn't interested in his initial concept. After playing his route though? It was excellently done, and I genuinely had fun. It was refreshing to have a character more naive than Vesper, so more cultural aspects were explained and we got a good alternate perspective on the marketplace. Also, it got REAL spicy in new and exciting ways the other chapters didn't. I'm really looking forward to the next chapters with his route!

I totally love the contrasts in his design and his character. He's got both bright red and blue highlights in his design, his outfit is very pointy and angular while his hair/smile is soft and flow-y.

And in his personality, he's both sweet and open, but extremely cagey about some information, and quite pragmatic when he wants to be. I think he's way smarter than he lets on.

that doesn't mean I don't want to bridal carry him and tuck him into bed at night after a all-nighter party

I do think Fran's slightly looser demeanor could lead to him being even more brutal than the other LI's. Remember that one anime clip (Found it, it's this one from Danshi Koukousei) where a group of friends wants to fight for fun, but one of the friends asks why they need rules in a fight? And said friend is shown like secretly holding a rock and was ready to use it? that's Fran. He would not have chill and does not heed the rules.

"Protect the boy", but mostly to prevent him from tasting blood. Because if that happens we're all fucked

CONCLUSION: Most likely to eat that M&M off the ground because you dared him. Least likely to beat the puppy allegations.

Oleander:

Oleander is tied for favorite with Keir. Oleander is just *chefs kiss* LOOK AT HIM. inscrutable......

Somewhere in an ask answered by Rotten Raccoons studio, they mentioned that for Oleander's route, they were going for a "Sexy boss situation that doesn't feel like a work safety violation". They hit that right on the nose; there's intrigue and a power imbalance, but in a non-restrictive or terrifying way.

I love being involved in the business part of his route. I keep making decisions like "Hmm yes my primary goal is to romance Oleander. But what would be the smartest business move here? How do we advance our agenda?"

Also, I do love playing a sexy evil secretary in a vn. love having a job and being evil at it AND being paid money. 10/10

That dance scene is everything I could have ever wanted no notes

I am fascinated to find out more about what he's been up to since his last trek into the marketplace. Seems like people are trying to kill him all the time anyway, so what would be enough to cause him to leave?

he's like an angler fish, but the lure is his booba

I relate to Oleander in that. I have too many online usernames because I can't stick with one. People get my 800 online names mixed up often. He has the same problem, we're basically twinsies

This man is pretending to be a himbo like his life depends on it (It probably does). He's too smart though, I know for a fact he has at least three different schemes going at any given time.

CONCLUSION: Most likely to be able to help you properly lace a corset (this man knows the boot-to-the-back necessity of the process). Least likely to be allowed to be banker during monopoly night.

Vesper:

black mask enjoyer 4 life

(all three are good I just wanted to say which one I picked. And to add my conclusion section)

CONCLUSION: Most likely to get their shit rocked by a falling piano. Least likely to survive an argument about pineapple on pizza.

Concerns:

With how separate the four routes are, the game could potentially feel like four separate visual novels all in one universe. Maybe I haven't played enough VN's, but there is a feeling of separation between the routes.

In the very beginning of the game, when you're picking your route, I wish there was a bit more heads up/information between who you're picking. For example, I had a rough idea that going into the church is where you'd find Cirrus, but only from information outside the game. I didn't know sticking around for the brawl would push you into Kier's route. It's overall pretty vague to which route you're going based on only in-game information.

Misc thoughts:

Vesper: "How are you going to keep me?? ;)" Keir and Oleander: "crimes" Vesper: "Wh-" Keir and Oleander: "you're an accomplice now congrats we're in this together. wanna get drinks"

catch my socially anxious ass wanting to be under the mountain and wear masks so I don't have to make eye contact with strangers all the time. at least its a fun thought to have when I mask for covid

OKAY FRANCESCO AND KEIR'S DAGGER MATCH? AND ARE RED/BLUE LIKE FRANCESCOS OUTFIT? DOES IT MEAN ANYTHING??? probably not but I do like the pretty knives....

For real, I got the brain worms for this game, I'm on the edge of making a big ol playlist. the headcannons? They go on my friend. they go on. I'm laying awake at night thinking about what each character would order at a coffee shop

by the time I publish this post. I did start working on the playlist

yes, I've also designed my own vesper, its such a prime opportunity for character design.

Obscura also may or may not have inspired me to get involved with an otome jam game team, more on that in the future possibly.....

OVERALL: I got the first chapter/demo of Obscura for free from Itchio/steam. High marks for writing, sound, art, game design, all of it! I am on the edge of my seat waiting for CH2.

TL;DR: If you haven't played it, and love spicy and dark stories, go play it! Part one is free! and fantastic.

Itch.io

Steam

[11queensupreme11]

How do the gods feel about Percy being an 'It Girl'? Idk, every time I think of her, i just imagine all the popular girls from high school 😭

omg i gotta talk about this in detail forgive me 😂😂

you know those tiktok stories ppl post about their glow ups? like they'd show pics of them when they were kids or in middle school, to how they look now in high school/collage/working adult????

THAT'S PERCY!!!!!

percy canonically was seen as a loser in the earlier books. she was constantly shuffled around boarding schools, which are EXPENSIVE btw, and in my fic the explanation for that is that these schools willingly took percy in with free tuition/lowered tuition because of how HORRIBLE her record is, and they wanted to take her in in hopes they could "improve" her and make their school look better cuz "hey we took this criminal poor child in and we made her a stellar student! we're so much better than the other schools, so give us donations and send ur kids to us because we actually work!" and that obviously just... never happened lol 💀

BUT ANYWAY, those schools are expensive and usually filled with wealthy kids from wealthy families, and they can CLEARLY tell percy isn't one of them. maybe because she's always wearing the same shoes, or she can't afford to get another uniform so she's always got the same crummy one with rips or stains they couldn't get out or "hey i saw percy and her mom walking to the laundromat, they're so poor they don't even have their own washing and drying machine haha!", or "guys i saw percy working at the macy's parade! hahaha, she's so poor she's gotta work during summer break!", etc.

like EVERYONE always knew her as that kid with no money and no dad who's always committing crimes ("hey isn't that jackson girl a terrorist?!"), she's a loser with barely any friends, and the friends she DOES make are losers too (grover and tyson were always looked down on, and in my fic she attends the di angelo's school, and they were looked down on too).

so imagine seeing that kid grow up into her teens and then get hit with the biggest glow up you've ever seen (cuz her face claim's adriana lima) 😂😂😂😂 i think her life started getting better around the time she she started attending goode high (a regular high school, not for elites like her previous school, so no one there knows her aside from her "crimes" on tv). and it's not just the glow up too, she's also a little more outgoing and confident in herself, more comfortable in her skin, etc. she's got a glow up inside AND outside. like imagine strolling around ur school and a girl who looks like a victoria's secret super model just walks by and she NOTICES you and just waves and says "oh hi! 👋😄"

percy has always been seen as a poor loser, but then high school happened and BAM she's now suddenly the most popular girl in school 🥺 she probably has a lot of mortal friends too. so not only is she popular in the demigod/godly world, but also popular in the mortal world (her high school, i mean lol). she's on the swim team, she's the ✨it girl✨ she probably got a ton of juniors or seniors trying to ask her out to prom/homecoming and shit despite being a freshman/sophomore 😂 and because she's got so many friends from school, she most DEFINITELY spent a lot of her free time hanging out with them, like just shopping in new york, going to skate parks, walking around the city, etc. (and with her demigod friends too ofc if they're in new york at the time). her insta, tiktok, and twitter's probably FULL of pics/vids of her just hanging out and being social 😂 she's the girl that's everywhere but home, always out and doing shit 😭

okay okay, i rambled too much im sorry, i just really love talking about percy being an ✨it girl✨ everywhere she goes

but anyways... the yanderes...... WOULD FUCKING HATE IT 😂

poseidon and beelzebub are the biggest introverts EVER. the thought of going out and touching grass would actually give them psychic damage 😂

poseidon's so lucky he was never in sally's position because he wouldn't be able to handle it. his daughter is everywhere BUT HOME 😭😭😭 like pls go home already child, stop hanging out with people, what do you mean you're at a SLEEPOVER RIGHT NOW? NO, COME HOME. do you even know the ppl you're talking to? YOU JUST MET THEM???? DON'T TALK TO STRANGERS, IDC IF THEY'RE COMPLIMENTING UR OUTFIT 😭😭😭 poor percy, in ror verse her life of excitement's gone, no going around hanging out with friends and doing random shit, she's got an overbearing dad now 😭

beelzebub's screaming, crying, throwing up, dramatically sliding his back down the door and everything 😭 going to midgard with percy was already hard enough for him, he literally had to handcuff her because she just WOULDN'T. STAY. STILL. and everyone kept staring at her and everything (remember when he read the mind of that one taxi cab driver and he lost his shit 😂). percy ALWAYS wants to go outside and he can't fucking take that shit, but he loves her so he takes her out anyway and it kills him every time 😭😭 BECAUSE EVERYONE ALWAYS WANTS TO TALK TO HER, AND SHE NEVER DOES ANYTHING ABOUT IT like sweetie..... stranger danger 😭

hades would be crying internally like "pls.... stay home.... just stay home pls 😭". he's glad his niece is so well-liked, she deserves to be adored by everyone!!! but maybe... maybe this is just a lil too much popularity... 😭 he'd burst into tears from the sight of her social media accounts alone, she's always out and about and rarely home, always with different ppl. it's so shocking to him cuz he's more comfortable hanging out with ppl he's close to like family and stuff, what do you mean percy's got different friend groups and she's always hanging out with them, what do you mean she's in hundreds of group chats in various texting apps, what do you mean seniors were asking her out to dances, STAY AWAY *HISSSSSS*

APOLLO WOULD BE SO HYPOCRITICAL 😂 he is ALSO a very popular god who's very extroverted and outgoing but holy shit would he meet his match in percy and he starts to see the downsides to such popularity 😂 he's soooooo glad that all of percy's old friends are universes away, but if that starts happening again in THIS universe he'd be on his hands and knees begging her to stay home and stop hanging out with ppl 😭 he now understands why poseidon kept her in the palace, cuz once she's out, she's going EVERYWHERE and meeting EVERYONE and nothing's gonna send her back home unless they drag her 😂

anubis is extroverted af so he definitely understands!!!!!!! jk. he'd be fine with it for the first few 24 hours, then everyone starts to become a threat to him because they keep stealing percy's attention. he'd be like "can't you stay home 🥺 pretty please 🥺🥺🥺 kebechet and i miss you so much 🥺🥺🥺 ur rarely home nowadays 🥺🥺🥺" and he and kebi would work together to guilt her into spending more time with them, and it would work 💀💀💀

loki would make the fatal mistake of taking her around valhalla and meeting other gods and shit, and then immediately regret it once he realizes that he's got a super sociable ✨it girl✨ in his hands who easily befriends everyone she meets 💀 he'd probably try to horde her in the palace, but that doesn't work cuz now she's helping servants out with the cooking and cleaning, having tea parties with odin, petting huginn and muninn, doing thor's hair, hanging out with the valkyries, etc. into the basement she goes, i guess! 😭😭😭

cú chulainn 1000% also understands what it's like to be popular. i'm pretty sure all of ireland knew him; ladies loved the dude and men feared and hated his ass cuz he either killed someone they cared about or fucked their wives and daughters 💀 so yes he definitely understands, but karma strikes him and it strikes him BADLY because percy is absolutely gonna be 100000000% more popular than him. like, he takes her out and looks away from her for ONE SECOND, and she's suddenly got 61341 friends already, half of which are probably in love with her or some shit 😭 hell, she'd probably unknowingly steal the hearts of the girls who crushed on him and all those dudes who hated his ass? yeah now they forgot about him cuz "wow who's the pretty girl next to him?? 😳😳" he'd be so stressed fr, he can't take her ANYWHERE cuz they all WANT HER. deserved karma if you ask me 💀