#we all have to figure out who we are at some point
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harzilla · 2 days ago
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More self aware concepts but humorous.
You end up in the world of Twst but every time you try to tell somebody your actual name you get censored out by some random background noise, a car horn(why is there a car on campus?) a random student running into a tree, Sebek yelling, Kalim's carpet crashing into the person you were talking to, etc... to the point that the others notice and certain troublemakers like Ace, Floyd, and Jade start doing it on purpose because they want to see how the universe censored you. About the fifth time it happens you turn into a mess of explicit language, much to the horror of Vil or Riddle. It turns out the only name you can give them is your in-game name. If you used your own name. You're good. Used the name Yuu? Not so bad. But if you have some hard to say or random numbers? Good luck. You're going to get mocked by Ace especially. Like you couldn't pick something cool at least?
Explaining the friendship system to them. Like trying to explain how the guestroom and sticker system work. The guys you give the stickers vary in reaction. The liars who act like it's no big deal but the stickers end up somewhere safe. The ones who react happy. Thank you, they love them! Then you got the "I would die for these stickers" group. They're gonna protect them so hard.
You got guys like Azul who openly brag "Why yes of course I have more stickers, the prefect is quiet intelligent when it comes to strategizing... blah blah blah. A couple people about ready to shove the stickers down his throat. Stickers end up in odd places. Trey's hat stand, Jack's dumbbell, Rook's quiver, one of Jade's terrariums, etc... Some of them have them tucked away in a box. Floyd walking around with one on his cheek because you drew an eel on it for him.
The guys being stuck doing the same dance routine five times in a row. What do you mean this is a game mechanic? Do they HAVE to perform this much?
You: Oh no I actually have all week but I like to get it all done in one go. Now we gotta do the "piece of my world" set three more times. Chop chop.
Them: Mercy....
You: Mercy is for the weak. Now keep dancing.
The guys be acting up and you're just tired of it.... So the particular trouble makers you pick for lessons. Azul or Jade pissed you off? Welcome to Hell flight class. The two start getting nervous because you know how much they dislike this class right? Then you look them dead in the eye as you bust out the candy jar from your pocket that extends the lessons. The smile you give them. There's no mercy behind those eyes. Azul is trying to figure out a hundred different ways to get you to sign a contract to never torture him with flight class again after you extend the time twice. Everybody knows that if you bring out that jar, nobody is spared. May the seven have mercy on their souls.
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impactrueno · 2 days ago
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Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?
i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????
this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.
i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball
edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.
let's review their first encounter from his point of view:
you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.
after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.
someone walks in looking for adam and barbara. don't they know they're dead?
"are you a ghost too?"
"i'm the ghost with the most, babe."
hold on a sec, who's even—
...well hey. it's the girl.
the girl who can see ghosts, and she's talking to you.
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target acquired. this one's your ticket out of this hellhole.
"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.
"i want to get in," she says.
whoa there.
what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.
"...why?"
she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.
after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT
adam and barbara walk in because of course they do. womp womp
ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.
wait why are they moving the model— where are they taking it—
ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.
these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.
of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.
the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.
despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.
she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.
well well well.
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look who came crawling back.
she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.
once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.
she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.
the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.
she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.
Beetlejuice........Beetlejuice...........Beetlejuice.
it's showtime.
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this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.
you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.
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"shall we?"
there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.
witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.
you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.
almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"
a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.
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you're sent back to the afterlife waiting room.
not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.
a long time sitting here it is, then.
movie ends, credits roll.
for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.
36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.
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jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)
in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.
AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"
so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.
lydia deetz, the young girl who told him she wanted to die.
...
is she alright?
i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.
much much much to think about for mr. juice.
after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.
he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.
at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.
that's nice. very sweet. good to know.
maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.
oh well. curiosity sated! and beetlejuice goes back home and doesn't return.
until the next time he returns.
and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.
he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!
before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.
maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?
the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.
then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."
then lydia, at her most vulnerable, meets rory.
beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.
he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.
but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?
he needs to bring that back. he's the only one who can.
in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.
sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.
it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you
the end
don't trick me into writing a fanfic again
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lord-of-christmas-lights · 50 minutes ago
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I'm not super tech savvy. I was born in the earlier 2000s, so I grew up with the home desktop, the rise and fall of Adobe, and the advent of social media. I'm good with technology, sometimes better than my peers, but I put that down to my desire to know what I'm doing, rather than any speciality. I don't know how to code, I don't know how to fix hardware issues, and I can really only follow basic tutorials when I have to start using the control panel in Windows.
That being said, I am known around my office as the guy who can find things out for a reason. Anyone can find things out, if they know two simple things. 1 a starting point for someone's digital footprint and 2 what to look for where.
The more information you have about someone, the more you have to go off of when looking them up. Some people have different levels of information out there. I've done this for fun for people before. I was able to pinpoint my co-worker's home address, job position, work contact information, and personal social media starting with just her name on Instagram.
I've also done this to legitimately find people. One time at work, we had someone come in who was having a severe psychotic episode. He was super chill, but was so out of touch with reality that he wasn't sure of his own name anymore. He gave us a couple different names for himself and family, and some half remembered locations to go off of. Between my work with social media, news sites, reverse image search, a Mormon genealogical website, and my supervisor searching our state welfare system for historical cases he may have been on, we were able to eventually figure out who he was, jog his memory enough to confirm PII that matched the system, and give APS some contacts for his family in an afternoon.
Digital footprints aren't necessarily a bad thing. It's the storage of data and humans are uniquely stellar in our pattern recognition. We all have one, whether it be our real identities or our cultivated online identity's footprint. It's just a matter of what you want out there because you never know how someone might use your data.
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dcxdpdabbles · 2 days ago
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Hello 👋 if requests are open do you think we can get another of The Summoned Demon? I've never seen a take on Danny being misunderstood and speaking a different language after a summoning and I'm really excited to see where you wanna take this. If not don't worry about it I have a vivid imagination hahaha
Take care of yourself man, this is also your mandatory water and food break ❤️
Danny runs for what feels like hours but is probably only a few minutes, attempting to find the exit of the caves. This would be easier if he could go ghost, but for some reason, his powers were disrupted when he tried to change into Phantom back in the cell.
He didn't know how, but the weird lights had messed with his core. It was almost like an invisible hook had attached itself to his navel. The thing yanked his power into the floor and walls, causing them to explode.
Thankfully, when the strange writing had vanished, a bit of his strength had returned, allowing him to tear through the stone bars. He couldn't go ghost, but at least some of his powers were accessible.
He had super strength, night vision (which would have been really helpful the day he was kidnapped!), and a few energy beams. It could be a better skill set, but if needs must. If only his Phantom stamina could transfer over.
Right now, he was using Fenton Stamina. There was a reason he was failing P.E. It showed how he was gasping for air, kneeling by one of the stone walls.
"Must...huff...find...exit....huff huff....escape!" Danny pants, attempting to crawl forward. "Must....check with a doctor about possible asthma...leg cramp! leg cramp!"
It wasn't going well.
Danny grips the meat of his calf, curling into a tight ball and silently screaming at it. The pain is annoyingly rippling across his whole body, causing his muscles to tense to the point he can only sit there and wait for it to go away.
All the while, he was mentally swearing up a storm.
After a few minutes, the muscles relax enough for him to feel some relief. Slowly unclenching his hands- afraid that if he got too quickly, the pain would return- Danny stretches out his leg. The ache is a distant echo as he slumps against the stone.
"I'm going to die in here," He whimpers. "I'm going to die from a kidnapping cult that thought it was a great idea to wait after my math test to take me."
While Danny wallows in misery, two glowing figures flout out of a nearby wall. A woman who looks to be wearing an outfit straight from the pilgrim's age and a man who may have once been a gentleman in the early ninety-thousands.
Danny's eyes widen at the blood staining the woman's head and dress. It's evident from the crack that runs along the right side of her skull. The man, meanwhile, looks more normal if it is not for the way one of his legs is twisted sickeningly.
"This one is young, " says the woman, shaking her head in pity. "It looks like he hurt his leg."
"I know how that feels," the man sighs, flouting until he is mere inches from Danny's face. "It doesn't seem he's been down here for long. Maybe there is hope someone will find him before the starvation hits."
"What do you mean starvation!?" Danny yelps. The two glowing people flinch.
The man gapes at Danny. "You can see us!?"
"Yeah? You're ghosts, right? I'm part ghost on my mother's side." Danny jokes, only seeing the woman cross herself before doing a slight hop and pointing at him with clear disgust.
"Witch!" She stretches, dragging out the syllables. He a bit impressed by how she puts her whole chest into that yell. Hell, he's even a little envious with how low she got her voice too.
"Not now, Mary," The man hisses at her. He reaches to touch Danny, but the boy avoids the contact, afraid of being overshadowed. That earns him a smile that seems oddly approving. "It's nice to meet you, lad. My name is Harold McConnell; I was an explorer attempting to map out Gotham's caves when I was separated from my crew. I broke my leg in the dark and starved to death. This is Mary, no last name. She and her family were moving from different American colonies when they passed over Gotham, and their carriage fell when the ground gave way. She died upon impact."
Dang, okay. Harold is oddly forward. Danny knows most ghosts are well aware of the specter's unwritten rules: Never bring up another death or share yours until a deep bond has been made.
A bit flustered Danny placed a hand on his chest, ensuring his fingers were spread so that they know he was a friendly ghost. He was not after their haunt or territory. "I'm Danny Fenton. Yesterday I was kidnapped by a cult from my classroom. They had me in warehouse then in a stone cell in a near by cave I escaped them but ended up gettng lost."
Marry lowered her hand, eyes wide. "A cult brought you down here?"
"Yeah, and I'm afraid they will find me," Danny mutters, looking over his shoulder. He can't see or hear anyone, but that does little to reassure him.
Harold's face tightens. "There are many monsters in this city."
"We can show you the way out," Mary offers, flying closer. Danny does his best not to stare at her gruesome features. It would be vulgar. "Does being half ghost- or a witch- make it possible for us to carry you?"
Danny blinks. "I think so, but I can walk-"
"Nonsense," Harold grunts, reaching out and lifting Danny from the floor. He throws him over his shoulder like he was picking up a flour sack. Danny squeaks. "Goodness, I forgot how it felt to hold something. I miss this."
Danny starts to protest, but Harold merely bounces him with a laugh, twisting around where Mary is flouting. "Onward!"
Mary smiles, floating alongside them. "We can go through the west caves to where my skeleton is. There is an opening that should lead to the center of Gotham's suburbs."
"Good idea, Mary," Harold compliments, flying right behind her at a much faster speed than Danny's running. "Listen, lad, we can't leave the blasted caves, but we can stare through openings. The suburbs are the safest place for you to pop out of."
Considering that his only other option is a mad group of cultists, a kiddy pool of blood, or a full ghost status from being lost in the caves, Danny doesn't mind.
He is saddened that they are anchor ghosts, though he suspected as much from the way neither had noticed his Infinite Realms mannerism. It means they are doomed to only wander the areas of their death, forever trapped in their sudden and abrupt demise.
"Thank you for helping me," He says, staring down at his hands. He can see the ground past him back, aware of the way Harold's muscular arms wrap around him without any warmth but not lacking in kindness. "I wish I could take you with me."
"That's a sweet thought, little one witch, but it's alright." Mary says, "We've come to terms with our fate. We even found love."
Danny peaks at her, noticing how adoring she is regarding the ghost, and she can't help but smile. "You two are together?"
"Aye. Mary comforted me in my final hours." Harold responds in a voice as fond and adoring as Mary's: "She was my reward for how I perished."
How romantic.
"I hope I find love like yours," Danny tells them just as they round a few corners and come to a deep drop. The remains of a carriage and five skeletons rest at the very bottom, making him heartache for the fact she had likely been alone with their bodies for centuries.
Mentally, he makes a pack to come back for the bodies and give them a proper burial—once he has his powers, of course.
"I pray that you do," Mary says, keeping her gaze away from the pit. She points upwards to a whole in the cave's ceiling, a few streaks of light peaking through. "Up there, my love."
Harold obediently flies upwards, twisting Danny so the boy's back is to his chest and his hands are supporting him on his bum. Danny's face turns red. "Sorry, lad, but something is covering the exit. I can not touch it, but you should be able to. Kick it until it breaks. It should only be a few layers of grass."
Danny coughs. "I'll try my best."
He kicks upwards, pressing himself into Harold so he has more leverage for throwing his legs upwards. They make contact with a heavy thump, his super strength giving him an edge.
"Donkey kicks, lad!" Harold shouts, "Both legs, nice and even."
He pulls his legs back again, putting more strength into his second kick. It shakes the ground above him as bits of dirt fall through, and the light streaks grow. Danny's legs go through once, twice, and on the third kick.
Danny cheers as the ground above him collapses, falling into the pit below. It's a reasonable-sized hole, just big enough that he will be able to squeeze through, but thankfully, the rest of the ceiling seems sturdy enough that he won't accidentally cause a sinkhole.
"Good job!" Mary cheers, clapping her hands. Harold lets out a deep and joyish laugh, helping Danny straight up by holding his waist and lifting him up through the hole.
He struggles to keep Danny upright when Mary swoops in, lacing her fingers and supporting Danny's feet. Her added assistance allows the ghosts to push him upwards, away from the darkness and into the light.
Danny rises from the ground with a laugh so cheerful he doesn't think he's ever been this happy to see sunlight, even when it blinds him.
It takes a couple moments to adjust his eyesight, stepping out of the ghosts' hold onto solid ground, but he can smell the sweet grass below his feet. He hears the tender psss of a meat on a girl. The alluring aroma of hotdogs-
Wait a minute.
Danny's eyes finally come into focus, and he stares into the faces of a surprise family just about to sit down for a BBQ. His eyes find the face of a very familiar teenage boy looking increasingly horrified by the second.
"Hey, you're the cult pants guy!" Danny shouts at him, twisting around to look down at Harold and Mary. "One of the cult sacrifices is here! I think he escaped, too!"
"Solitary!" Harold yells back, "You have more strength in numbers!"
"I don't know how he can help me since last time I couldn't understand his language- oh! Er, hello?" Danny looks down to where the teenager is once again, clinging to his feet, babbling in his fast-paced language. He presses his face against Danny's leg, rubbing himself there, and the Halfa is quick to try to push him away. "Dude! Dude! Personal space!"
"My word!" Mary calls up, scandalized. "Danny, will you force this young one into being your bride?"
"What!? No! Wait—" Danny looks back at the scene where Mary is once again making that same disgusted face while Harold is offering him a thumbs up and an eyebrow wiggle. "You can understand him!?"
"Yes, can you not?" Harold responds.
"Not even a single word. Would you mind translating for me?"
"I can let you know what he is saying, but I'm afraid the living won't be able to hear us." Marry cautions, sounding strangely apologetic and relieved in the same tone. "He's attempting to bargain for his family's lives in exchange for being your bride."
"Why would he assume I even want their lives or him!?" Danny yelps, finally untangling himself from the teenager and putting in some much-needed details. He makes a x with his arms, hissing when the other guy makes a move to follow him.
"Hard to say. He's not making a lot of sense- it's just pleas for a bargain.," Harold shouts, speaking louder now that Danny has moved away from the hole's edge. "It is best to put some distance between you and him."
"But what about you?"
"Don't worry about us; we've been here long enough. Escape while you can and be safe!" Mary yells over the cries of the rest of the family, who seem to have finally snapped out of their daze.
Danny looked at the two adults, the one pre-teen and a crying five-year-old, and decided he did not want to stick around for more screaming in a language he could not understand. "Thank you for everything you've done for me, Harold, Mary!"
"You're welcome!"
"It was a pleasure lad!"
Quick as a whip, Danny twists on his heel, racing for the fence and leaping over it. He's suddenly grateful for all the times he would sneak into Tucker's house as he clears over the wood in one smooth tug up and over, hitting the ground running.
He ignores the cries of the other humans behind him as he sprints down the surprisingly lovely suburban street.
___________________________________________________________
Jack Roux's hands shake as the demon disappears from view. He thought Batman had a handle on the cult and was free. But obviously, that wasn't the case.
When the ground first started to thump, he thought their garden had a mole or something, only to have his blood turn to ice when the ground gave way. Rising from the ground was the very demon that he had seen only two days ago.
His mother quickly ran to his side, wrapping Jack in her arms, sobbing uncontrollably. His dad stood in front of him, likely wanting to be a shield between Jack and the demon. His little siblings crowed around crying in fright.
It had come back for him, even though he had assumed it was kind and likely was going to go after the others.
If I had been alone, Jack thinks, thankfully his father's quick thinking and fast-paced prayers had scared the thing away in time, I would have been taken again.
It's a bone-chilling thought.
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samandcolbyownme · 3 days ago
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Summary: Who knew you could find a lot more than a basketball game at The Garden.
Warnings: Swearing, heavy flirting, mostly fluff
Word Count: 2.4k | unedited
⊹₊。ꕤ˚₊⊹
“We should probably go find our seats.” You nudge Laura, “I think the game is about to start.”
“We have time, relax.” Laura laughs, “Have you ever been to a basketball game like this before?”
You shake your head, looking around, “No, the only basketball game I’ve been to was my high school team, who absolutely sucked.”
“Well, the Celtics don’t suck.” She looks at you, “That’s who you’re rooting for, right?”
“Well yeah, obviously.” You shake your head and pull your phone out of your pocket. You snap a picture of the court, tagging the team before posting it to your Instagram story.
“Alright. I’ll catch you guys later.” Laura turns around, “I’m so glad you got offered courtside seats.”
“Yeah, I don’t know how. They just dm’d me asking if I wanted to come, I figured it would be fun and I know you like them so.”
“I could kiss you right now.”
You laugh, “That’s okay. I’ll just settle on you buying me dinner afterwards.”
“Oh that’s a good deal.” She glances back at you as she walks towards the steps. You follow her down and find your seats at the end of the court.
You look around, feeling kind of underdressed at some of the other girls are dressed up, heels and all.
“Stop that. You’re good.” Laura nudges you, “You dressed perfect.” You furrow your brows, “How do you know when I do that?”
“I know you.” She smirks, “A little too well, at that.”
“It’s kind of scary.” You laugh, turning your attention back to the court.
Halfway through the first quarter, you pull out your phone, snapping a picture of your jeans, sneakers, and the game that’s going on.
Taking a video and adding it too while you’re at it.
You’re an influencer at a popular basketball game, might as well give them the publicity you think they invited you for, right?
“This is actually quite entertaining.” You lean in to Laura, booing when the crowd boos. You were getting into it.
You bring your phone up, smirking as you see an Instagram notification - Christopher Sturniolo replied to your story.
You angle your phone, smirking at Laura, “Look who just-“
“Girl, you better get on that.” She nods, “What did he say?”
You tap on it, biting your lip as it opens into the thread, if you look closely I’m in the background of that video.
You click on the story and rewatch it, smirking when you see a quick glimpse of Chris. You swipe out and type back, Look at that, you are. Enjoying the game so far?
As you stare down at your phone, Laura nudges you and you look over at her, then to the direction she’s pointing.
A smile washes over your lips as you see Chris, Nate, and Matt on the Jumbotron.
You watch as they all smile and wave and then sure enough, your face is on it. It rapidly changes to a smile, to a shocked expression, then to a happy expression as you and Laura both wave.
“Oh my god that was embarrassing.” You mumble as you sink down into your chair, “I didn’t expect that.”
“We’re beautiful women sitting courtside at a Celtics game, what did you expect, y/n?” Laura laughs and cheers as Nick and Mikayla appear on the screen.
You clap and yell before returning your attention back to your phone, reading Chris’ message, I am, you?
You tap the screen, tilting your head slightly, It’s definitely something new. I’ve never been to one of these games before, but it’s exciting. Go Celtics!🍀
“Oh my god.” You lay your hand over your face, “I’m so stupid. You would think, just by how this conversation was going, I never spoke to this man before in my life.”
Laura turns your phone towards her and she can’t help but giggle, “Noo! That was cute!” You roll your eyes at her and look up at the game that has restarted.
You couldn’t help but find yourself looking for Chris through the moving bodies on the court. It’s not that you and Chris have history, per se.. it’s more or less feelings that neither of you have displayed for one another, yet.
You’ve done a video with them before, and you’ve stayed friends with all of them afterwards, and surprise, you’re more close with Chris than the other two.
You look down at your phone as it vibrates and you can’t help but smile as you click on Chris’ message, Atta girl, but we gotta get you to some more games. You’re from Boston for Christ sake lol.
You smirk as you answer back, Is that you offering to buy my ticket? Because if so, count me in.
“Was that.. too straight forward?” You look at Laura and she shakes her head, “You know what you want, and I say you just better go for it.”
You chew on your cheek, the smirk returning to your lips as you watch the chat bubbles bob up and down before his message comes through, I’ll take you to every one of their games if you don’t mind traveling.
“Oh he is so into you.” Laura mumbles with a smirk, “Ask him to go to dinner afterwards, it can be as a group or whatever so it’s not awkward.”
“I will, just.. give me a second.” You go back to typing out your response, If you think I’d have an issue with traveling, then you clearly don’t know me at all lol
You weren’t even interested in the game anymore, you were more interested into talking to Chris.
Chris responds, there’s another game here on the 12th, I can get us tickets right now. Or the 13th at the Barclays Center in Brooklyn.
You take a deep breath, Why not both? I can get the Brooklyn ones if you want?
You hit send and you bounce your leg, trying to keep your heart from racing out of your chest. You glance over the court, seeing Matt and Nate pick on him for smiling so hard.
“How’s it going?” Laura asks and you shrug, “May have just planned out one if not two dates.”
“look at you go, girl.” She smirks at you and your phone vibrates, sending an excited chill up your spine. He sends a screenshot of the gotten tickets and you smile as you shake your head, Looks like it’s a date, or dates? I don’t know, but I’m excited to understand the world of basketball better.
You look around, clapping when the fans wearing Celtic clothing clap. Your attention is ripped from the game instantly as soon as you feel the vibration, hell it wasn’t even on it anyway, Well, since we finally scheduled a date, I guess it’s safe for me to say you look gorgeous tonight.
You purse your lips as your cheeks heat up, It was safe before, way before lol, but thank you. You look good in green, it almost makes up for the shots you took earlier.
You and Chris are always teasing each other, so it wasn’t anything out of the ordinary for one of you to start picking.
You look up, watching him cover his face as he laughs, turning to tell Nate and Matt, what you assume is what you said you saw.
Ohh fuck, you saw that? Now it’s even more embarrassing.
You can’t help but giggle, You were under a lot of pressure, we know lmao.
It’s almost like Chris wasn’t interested in the game either anymore, he would answer back almost instantly, Yeah, the pressure. We’ll go with that. Do you have any Celtics merch?
You glance down from the game, Look over and see.
You set your phone down and move your hair out of the way of the Celtics logo on your white crew neck. You stare over at Chris and he gives you a smile, raising his hand to give you a thumbs up.
He looks back down at his phone and yours vibrates, I like that also you know what I just realized? I have your number, why are we talking through insta?
You laugh slightly, I honestly have no idea.
Right after you hit send, you get a text from him, Hi.
You smirk, Hi, how’s the game?
“Moved onto texting I see.” Laura teases as she sits back down, “Here.” She hands you a drink, “Figured you could somehow manage to quench your thirst a-“
“Alright.” You cut her off, “You’re going to make me blush even more.” You laugh and take a sip before you steal some of her popcorn, “I didn’t even know you left.”
“You’ve been glued to your phone, I didn’t want to interrupt anything.” She smirks and shakes her head, “It’s about damn time something happens between the two of you.”
“Shut up.” You roll your eyes and look down at your phone, I don’t know, I haven’t been paying that much attention to it honestly.
Same here. I’ve been a little distracted, you look around, realizing that it’s halftime, “Huh, halftime. That was fast.”
“Well th-“
“Can it.” You laugh, “I know.” You look down and bring your phone up to read your new text, Distracted by what, ma?
You glance up at him, smiling slightly when you see Chris actually paying attention to the game. You look back down and type, Oh you know, just by this cute guy finally asking me out on a date, I’ve only been waiting for.. oh I don’t know.. months now.
You hit send and immediately look back up, giving Matt a weird face when he looks at you with a smirk.
He laughs and your attention turns back to Chris, who immediately picks up his phone and starts smiling like an idiot, Months huh? Man that guy fucking sucks.
You let out a slight laugh, He definitely made up for it though, well almost….
You look up, watching some of game while it takes Chris all of two seconds to reply, Almost huh?
You answer back just as fast, I mean, yeah. He bought me tickets to see two basketball games and I’m just hoping he’d ask me to dinner after this one, but we’ll see how it goes.
Your heart was racing. You’ve always thought that the two of you were better off as friends, but now that you think about it, you were always each others, just never official.
“God you guys just need to meet at half court and have a passionate kiss.” Laura smirks, tilting her head, “That would actually be so romantic, all of the people cheering you guys on.” She sighs, “I need to find a boyfriend.”
You laugh, “As much as I would love that, I think we’ll settle on keeping the pda to a minimum.. for now.” You smirk and look down at your phone, Do you want to grab dinner after this y/n?
I would love to, Chris, you smirk and nudge Laura, “I have a date after this.”
“About damn time.”
“You’ve said that already.” You laugh, looking around. You clap and cheer, glancing up at the scoreboard to see the Celtics leading, “Hey, we’re winning.”
“I’ve known that.” She laughs, “I’m not in world Y/n Sturniolo.” She looks at you, “That has a nice ring to it.”
“Don’t rush things.” You look away, tilting your head as you think about it, “It does though, doesn’t it.” You laugh, looking back at her.
You look down, tapping on the text, If you want you can meet me over here when the game is over, that way we’re not swimming through the crowd up there trying to find each other.
Laura and I drove separate, so that works out perfect, and hey. Celtics are winning!!
“I guess it’s a good thing we drove separate.” Laura laughs and you show her your phone, “I literally just said that to Chris.”
She laughs, “Oh my god.”
You laugh, shaking your head, “We are one.”
“Kinda scary.” She looks at you and you both break out into laughter, quickly switching to cheering and clapping when the Celtics score more points.
You could really get into this basketball scene.
You get another text from Chris, that’s because you’re just a lucky charm🍀
You smile, We’ll see if that’s the case on our second and third date. You set your phone down, turning towards Laura, “Is this actually happening?”
She nods with a smile, “It is. Do you want me to pinch you?”
“No, no.” You stop her as she reaches over and you laugh, “I believe you.”
Chris texts back, I’m ready for this game to end now haha, you glance up at the scoreboard, texting back, Just a little bit longer, I think you’ll make it.
You see the texts bubbles pop up, I don’t know, I have a date with this really pretty girl and to me that’s more exciting than this basketball game.
You feel your cheeks heating up and you quietly inhale as you type, Aww, you can be nice.
Yeah I thought the same thing about you.. kidding kidding.
You laugh, shaking your head and you jump slightly as the buzzer goes off. The fans uproar with excitement as the Celtics win and you stand up, cheering, clapping and jumping around with Laura.
You bring your phone up, Guess what? Games over.
You tuck your phone into your pocket and look at Laura, “Do you want to walk over with me and then we can all walk out together?”
She nods, “Yeah, that’ll probably be best.”
You make your way around the court, weaving in and out of people while you look for Chris through the crowd. You spot him, keeping your eyes locked on his as you lead Laura with you.
You give him a smile as you walk up to him, “Hey.” You look at Nate then Matt, giving them a smile, “Hey, guys.”
Chris immediately takes your hand into his and interlocks your fingers, “Ready?”
You give his hand a squeeze and you nod, “Ready.”
⊹₊。ꕤ˚₊⊹
Thank you so much for reading, I know absolutely nothing about basketball, so sorry if nothing makes sense, but I tried to just keep it focused on texting Chris. I hope you enjoyed! I love you and I will catch you in the next one! 🖤
Likes and reblogs are majorly appreciated!
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ghostlyglimmer · 1 day ago
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You're Grounded Mister
Summary:
A mission gone wrong leaves the Batkids bickering—until Batman grounds them and Danny Fenton, a confused civilian caught in the chaos. This one-shot is based on this post by Shower-Phantom-Ideas
It had all gone downhill fast.
The plan had been Dick’s idea—though Tim and Jason definitely could have pointed out the glaring holes in it, and Damian hadn’t exactly offered his usual dose of cynicism. It was supposed to be a quick, in-and-out operation. Minimal risk, maximum payoff.
But things got complicated when that guy showed up. Just some kid, and not even a vigilante or a rogue. It was supposed to be a straightforward job in Gotham’s shadier district—stop the exchange of a highly dangerous chemical, break up the bad guys, be home in time for breakfast. But, no, some civilian had gotten in the way and distracted the gangsters long enough to mess with their timing.
As Jason would tell it later, “It was just bad luck.” As Bruce would say, “It was complete negligence.”
And as for Danny? Well, he didn’t have much of a say in it. Not that he was about to back down from a bunch of armed gangsters, especially with the Batkids swooping in around him, leaving chaos and knocked-out criminals in their wake. Danny had handled a few of them before they even showed up, quietly taking out the last of them when Bruce finally stepped in.
And now they were here, a tense, heated argument in a dark Gotham alley.
“You should have waited for backup!” Bruce snapped, his voice slicing through their squabbles. “I told you it was a risk to go in alone—especially when we didn’t have all the intel! This is about safety, and clearly—”
“Right, clearly we were fine until you stepped in,” Jason shot back, scowling.
“It would have gone smoothly if someone didn’t just happen to be there,” Dick muttered, clearly feeling defensive.
“It was your idea, Grayson!” Tim hissed, his voice laden with frustration. “Don’t turn this around.”
“Maybe if you’d listened—”
Damian scoffed. “I could have handled them on my own.”
Bruce’s frown deepened, and he turned to Danny, who was awkwardly inching his way toward the exit.
“And don’t think you’re getting out of this,” Bruce said, turning his Batglare on him. “You’re grounded too.”
Danny froze, one foot halfway lifted in a tippy-toe pose. “I… I’m sorry, what?”
The Batkids stopped mid-argument and looked at Danny, then back at Bruce, then at each other, as if piecing something together. Dick’s face morphed from irritation to confusion; Jason’s went slack.
“Uh… Mr. Batman, sir, with all due respect, I’m just some guy,” Danny said slowly, staring at Bruce. “Can… Can Batman even do that?”
“Everyone in the Batmobile,” Bruce said firmly, ignoring Danny’s question. “We’ll discuss this further in the morning.”
Danny, still too stunned to process much beyond “Batman grounded me,” felt himself nodding along. Guess we’re going with it.
The ride was silent and tense. Jason looked broody, arms crossed, staring out the window. Tim rubbed his temples, probably rethinking every tactical choice. Dick was sulking, and Damian, surprisingly, just looked mad at being lumped in with the others. Danny, meanwhile, stayed very still, wedged between Tim and Jason, trying not to breathe too loudly. It was a surreal experience—he was tired, his limbs ached, and his brain was reeling from the absurdity of it all, but it was Batman. The Batmobile wasn’t exactly the place to make his objections.
By the time they reached the Batcave, Danny figured he’d try for some clarity.
“Uh,” he started, looking around at the cavernous space, vast and impressive, filled with tech and lights. “So, do you mind if I, uh, call my family to tell them I won’t be home tonight?”
The entire cave fell silent. Jason froze mid-complaint, Dick and Tim stopped sulking, and Damian’s scowl melted into shock. All four of them stared at Danny, and then slowly, like someone had hit pause, their heads turned to look at Bruce.
He seemed unbothered, glancing at Danny as if this were just standard procedure. But for everyone else, the realization was dawning. Dick was the first to speak, his voice wavering.
“Uh… Bruce?” Dick asked slowly, eyebrows raised. “Did… Did you kidnap a civilian?”
Bruce frowned. “I don’t know what you’re talking about.”
Jason burst out laughing, doubling over, his hands clutching his sides. “Oh, this is gold. He’s not even a rogue, B. He’s just some random guy you told to get in the car!”
Danny held up his hands. “In my defense, it was Batman, okay? Who’s going to not get in the Batmobile when Batman tells you you’re grounded?”
Tim covered his face with both hands, muffling his laugh. Damian scowled, crossing his arms.
“This is embarrassing,” he muttered. “Father, you’re losing credibility by the second.”
Bruce’s expression tightened, clearly irked by the fact that his kids’ attention had wandered from the initial issue. They had disobeyed him, endangered a civilian, and now they were laughing because, okay, maybe he had unintentionally forced said civilian to join them in the Batcave.
He sighed, rubbing his temples, clearly rethinking several recent decisions.
“Alright,” Bruce finally said. “My apologies. You were in the wrong place at the wrong time, and you don’t need to be here. We’ll get you a ride back home.”
Danny blinked, a little surprised. “So, wait, I’m not grounded?”
“No, you’re not grounded,” Bruce replied, a small smile tugging at the corner of his mouth.
Jason snickered. “Damn, you got off easy. We’re grounded for sure.”
Bruce cleared his throat, and the smiles faded from the other Batkids’ faces. “Yes, you’re grounded,” he said, looking at each of them in turn. “All of you.”
They groaned in unison, but Danny, relieved beyond measure, was already edging toward the door. He nodded a quick thank you to Batman and managed a small, awkward wave to the others.
As he left, he could hear Dick muttering, “Grounded… from what? We’re grown men!”
Jason groaned. “Grounded as in, no solo missions, genius.”
Danny paused, letting the sounds of the Batfamily’s complaints echo behind him as he took the lift back to ground level. He shook his head, chuckling. Only in Gotham. Only with Batman would you end up “grounded” for just existing in the wrong place at the wrong time.
But hey—at least he got a free ride in the Batmobile out of it.
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riacte · 1 day ago
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Unconventional format / mixed media / meta / epistolary fic ideas:
Script format but the characters slowly break fourth wall until they grow self aware and scream to leave but the script confines them.
Mock up notes of an author's fic outline only for a "fan favourite" / "author's darling" character to gain sentience and influence the story. The character changes the outline to suit their own agenda, and their changes are marked with a different colour whereas black text means it's the author's will. Maybe another character using another colour gains sentience. The different colours fight for dominance. Mom says it's my turn with the keyboard hey what the fuck man excuse me I'm literally trying to save my family can you guys let go and let me write your character arcs in peace OH FUCK OFF
Recipe fic. The story is told via those unnecessarily long backstories on a recipe blog in which you learn about someone's grandma or a breakup or literally anything. Bonus points if the actual recipe deals with worldbuilding (what ingredients are available? What utensils are used? How to serve this meal? Woohoo Dungeon Meshi) or in-cheek recipes (eg. "Recipe for making up with your estranged mother - Step 1: Mix patience, nostalgia, and filial piety and let it marinate for ten years. Step 2: Throw that shit into the trash because you're better than that")
Travel fic. A character is lost and trying to find their way somewhere. GPS directions, googling "x place to x place", tickets and dates, train station maps, leaflets. It gets weirder and weirder. You never get closer to your destination. You're walking around in circles. It's always 10 meters away. Where are you going and where have you been?
Receipts. Try to infer what a character is doing judging from the weird things they buy together. Also yipppee inflation tracker. On the other side, maybe it can be about a cashier/ shop owner getting to know their customers and what they order.
Written from the pov of an non-native English speaker, all the English words are italicized whereas their native tongue are the only words not italicized. Inspired by Kupu rere kē by Alice Te Punga Somerville. This is because I got salty about people from Ao3 Reddit saying they won't read a fic in all italics.
Murder mystery / "Among Us" style impersonation fic strictly using the chatfic format. Characters and readers will have to figure out which character has been killed and replaced from the way they text and use emojis. This is also because I got salty about Ao3 Reddit being a wee bit pretentious about emoji usage in fics. Maybe emojis can be important plot devices! Some people prefer to sign off messages with a heart emoji of their signature colour, so won't it be weird if they use another coloured heart? How about someone using lapslock suddenly using proper capitalisation and full stops? Can you tell if someone's phone has been stolen? What if someone's mother is pretending to text like their child? Why is someone suddenly only using UwU speak? Is it a bit, or have they been replaced?
Innocuous second person POV until the last line where it's suddenly revealed to be first person POV all along and the "I" has been stalking and narrating "you".
Other fun bits / Easter eggs / secrets to hide:
Decoding within the text itself. Maybe we get given instructions to find a word in x chapter on page y on the nth line. And when we as readers collect all the words, they form a sentence that spells out an important fact which the characters are oblivious to. Or maybe the in-universe characters find a book with the same title as the irl fic with a bookmark in it, and if you go to where the bookmark is stuck irl, you'll find the murderer plainly stated. The rest of the fic is about the readers having hard confirmation of who the murderer is while characters don't know.
A phrase is subtly repeated throughout the text of the fic and is spelled out with the letter that begins a sentence. It gives off the effect that the narrator is screaming and crying into the void (to the readers in the fourth wall) while trying to avoid detection. Bonus points if the same word is repeated for pages and pages to the point the lack of sentence variation feels weird and clunky.
Morse code!! I love morse code! Using onomatopoeia to convey the dots and dashes! The sound of rain pattering on the tin rooftop— drop, drop, drop. A low whistle of a train rumbling in the distance. He slowly sharpens his knife, creating a shiiing sound. A lengthy, high pitched squeal from his kettle. A dog barks. A sharp knock. His heart thumps. Dot dot dot, dash dash dash, dot dot dot. SOS. Maybe a character's death scene spells out the name of their mysterious murderer. Maybe a character is reminiscing their deceased loved one and the scene spells out what the deceased person would've wanted to tell them— "LIVE ON" or "I LOVE YOU" or something.
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livwritesstuff · 2 days ago
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Today was a bittersweet day – the last day of the three-month parental leave Steve had taken when their daughter Robbie was born before he headed back to his counseling job.
Eddie knows that Steve is feeling torn a few different ways about going back to work.
On the one hand, Steve loves his job, and he’d worked his ass off earning his doctorate so he could be a trauma therapist just like he’d planned. Kids had also been a part of his plan, obviously, but as more of an in addition to type of way, rather than instead of when it came to his career. Eddie knows this, and he knows that Steve is excited to go back, to reconnect with his patients after three months apart.
Eddie also knows that their kids are everything to Steve in a way his job will never be (duh), and Eddie had seen the way Steve refused to ignore the gravity of today – the last day he doesn’t have to share his time with anything other than their daughters.
Steve had been emotional about going back to work in a similar way the first time around with Moe, and he’d called home about eight or nine times during his first day back in the office, asking how things were going and if he’d missed anything. Now, Moe is two-and-a-half (and some change, if they’re being technical), and Robbie just hit the three-month mark a few days ago. This time, Steve had done his best to split his time between their two daughters, and it’s not all that different from their normal day-to-day, honestly, just…something heavier in the air, maybe.
Now, Moe’s all fresh and clean from her bath, her bangs slicked back with the rest of her damp hair (Steve had put on a whole show of planting kisses all over her forehead and saying, “is this where you’ve been hiding your brilliant brain from us?” which always sends Moe into giggling hysterics), and Steve’s got her all bundled up in a big fluffy towel, snuggling her close with one arm as he balances Robbie on his chest with the other, all of them piled into a rocking chair while Eddie sits stretched out on Robbie’s rug.
“I’m probably not gonna be home when you wake up tomorrow morning,” Steve tells Moe, and it’s not the first time he’s brought up this particular subject today, but, y’know…toddlers. Really gotta nail in the point sometimes with toddlers, “‘Cause I’m going back to work, so I have to leave early to drive into Boston.”
“Why do you hafta drive to Boston?” Moe asked.
“Because that’s where my office is. Remember a few weeks ago when we visited my office?”
“Yeah and they met Robbie.”
“That’s right,” Steve nodded, “Everyone I work with met Robbie. I got to take a break from work when Robbie was born, and now it’s time for me to go back.”
Moe’s eyebrows are furrowed.
“But…I don’t want you to go.”
“I know, bug,” he tells her, “I miss you and Robbie and Daddy like crazy when I’m not home with you.”
“So why don’t you take more break?”
“I sorta took all the break I’m allowed to, sweet pea. It’s time for me to go back to work.”
Eddie looks at Moe, sees the cogs turning in her little brain as she tries to figure out a way to convince her dad to stay home with her.
“But what if you just don’t work anymore?”
It’s a good question, Eddie knows, and she’s not the only one asking it.
Not too long after Robbie’s arrival, when Max and El had come to visit and meet the new baby, Max had privately asked Eddie if he thought Steve might throw in the towel on the whole career thing this time around. Again, it’s a fair question for anybody who really knows Steve, anybody who sees how much he loves their kids and how much he loves being a dad, even if Eddie knows the answer is no. Still, it’s a close no.
Steve hums sympathetically, “Maybe someday, but I like my job. I get to help people, and I worked hard in school to be able to do that. Someday you might decide you want to have a job where you do more school and get special degrees.”
“Like what kinds of jobs?”
“Like a doctor or a lawyer, or maybe you want to work in a lab and do research on something. It’s a big world, Moe, and you can do whatever you set your mind to."
"I want to be an astronaut," Moe tells them.
"Well, there you go."
"Or I wanna be a cookie."
"Oh-" Steve's eyebrows furrow as Eddie starts to laugh. "Alright..."
"That's my girl," Eddie says, "Astronaut or pastry. I like it."
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doeeyeseddie · 1 day ago
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Piaaaaaa "brushing their arm against the other's, hoping the other would finally catch their arm and hold it close" please, we already know they constantly brush arms anyway!
fridaaaa this took me, once again, many months to get to and i sort of only vaguely filled the actual prompt, but i hope you still enjoy it <3
5+1 things, rated t, wc: 4k
[read on ao3]
I.
Eddie’s first day as a probationary firefighter is…interesting. Captain Nash welcomes him with the same warm smile he gave him the first time they talked, then leads him inside and shows him around the app bay.
“We’ll give you the full tour later,” he promises, “after you’ve met the rest of the team. You’re the first one here, if you want, you can change into your uniform now.”
He points towards the locker room – which has glass walls for some reason – and Eddie nods.
He’s just finished buttoning up his shirt when Captain Nash ushers a group of firefighters inside. Eddie runs a hand through his hair to make sure it’s tidy and smiles as Hen and Chimney introduce themselves to him with warm smiles and handshakes, welcoming him to the team.
There’s a third person with them, hovering in the background and glowering at Eddie. He’s young, probably around Eddie’s age, tall and very built, and despite his hostile expression, he doesn’t give Eddie the impression of being an asshole. It’s like the expression doesn’t fit on his face, like he’s not used to wearing it.
Chim grabs him by the arm and pushes him forward, giving Eddie a commiserating smile.
“And this guy is Buck,” he says. “He was our probie before you.”
“Nice to meet you,” Eddie says politely, stretching a hand out to offer a handshake. “You’ll have to show me how things work around here, then.”
Buck glowers down at his hand, and when he finally grabs it, he squeezes it too tightly, like he’s trying to prove something. Eddie squeezes back, amused by the pretense this guy is clearly putting on.
Behind Buck’s back, Hen rolls her eyes, but she’s also wearing a fond look, which only confirms Eddie’s assumption that Buck isn’t half as bad as he’s pretending to be.
From Captain Nash, he knows that they’re supposed to work together a lot of the time, so that’s gonna be interesting. He doesn’t know why Buck is acting like this, but he’s gonna find out, and then he’s gonna figure out a way to work with Buck anyway.
He didn’t come here to make friends, but he’ll be spending 50 hours a week with these people, and he has to trust them with his life for a lot of that time, so they at the very least need to bury whatever hatchet Buck is carrying right now.
Eddie lets go of his hand with a nod and a polite smile, and gives himself a week to figure Buck out.
II.
The days between the accident and the funeral are kind of a blur.
There’s too much to do and think about, too many decisions to make, too many people to call, too much to organize. He has help – Abuela, Pepa, the entire 118, but it still feels too much.
Shannon was 27, she didn’t have a will, they never talked about any of this. How is Eddie supposed to know how she would like to be buried, or if she’d rather be cremated? What kind of music she would want them to play at her funeral? This wasn’t supposed to happen. Not for a very, very long time.
But it did happen, and now Eddie is somehow supposed to know all this about her, his wife, the woman he’s only just let back into his and Christopher’s lives, the woman who asked him for a divorce and completely pulled the rug from under his feet just a day before she died.
Sometimes, he feels like he didn’t know her at all.
His parents are here “to help”, which should be a relief but really isn’t. They never liked Shannon and aren’t making a secret of it, even now that– now that she’s gone. So Eddie can’t involve them in the funeral planning, and he can’t even leave Christopher with them because he’s scared that they’re gonna take the opportunity to grab him and run, and someone needs to make sure that Shannon’s memory is honored, but she didn’t have any family except him and Christopher, and Chris is seven, so Eddie has to be the one to make this funeral beautiful, something she’d deserve, but he doesn’t know– there’s so much–
“Eddie,” someone says next to him, snapping him out of his spiral. “Come on, breathe with me.”
Eddie stares at Buck’s chest as it rises and falls with exaggerated breaths, trying to match him. When did Buck get here? He doesn’t remember letting him in, doesn’t really remember what he was doing before he started hyperventilating on his couch.
“Chris,” he gasps when he realizes that also means he’s not sure where his kid is. And of course he’s the kind of father who would do that only days after his kid lost his mom, maybe his parents are–
“Is with Hen and Karen,” Buck says firmly, grabbing his forearm. “He’s gonna spend the day with them and Denny, probably getting spoiled rotten. I borrowed Pepa’s key when we went over there so they could pick him up, she told me you might not open – sorry for barging in here, but I’m glad I did. I know you– I wanted to– Bobby and Athena are running interference with your parents. And I’m here to help you with all that.” He gestures towards the couch table that’s covered in forms, leaflets from funeral homes, and cards from grief counselors. “After Abby’s mom– I helped plan her funeral. So I’ve got some experience.”
Eddie just stares at him, biting the inside of his cheek hard to stop himself from crying. He trusts Buck, but he still doesn’t want to cry in front of him, doesn’t want to cry in front of anyone. But he does think that maybe he should give Buck his own copy of a key, so he won’t have to borrow Pepa’s next time.
Buck squeezes his forearm and gives him a small, sad smile. “We’re all here for you, Eddie. I got your back, remember?”
Eddie blinks against the tears in his eyes and swallows around the lump in his throat that’s keeping him from saying anything.
Instead, he twists his arm from Buck’s grip and grabs his hand instead, squeezing it in a silent thank you.
Buck squeezes back and keeps holding on.
III.
Buck gets to go home earlier than anyone expected, but Eddie has been to his new apartment, so he isn’t surprised when Buck texts him a picture of his couch with a sad face. It’s not ideal, but at least he has a bathroom downstairs and a girlfriend who can help if he struggles with anything.
Until he doesn’t have that girlfriend anymore.
Eddie doesn’t find out until after his shield ceremony, days after, actually, once his parents have finally gone home to Texas.
Buck says he’s fine, obviously, but Eddie starts going over every day he doesn’t have a shift anyway, because he knows Buck and can see how much he’s struggling with the whole situation, with the uncertainty of when and how he can return to work.
He brings Christopher most of the time. They’re not having the best summer either, Eddie still worries that he’s not doing enough to help Christopher deal with his grief, when he can barely keep his own head above the water of grief, guilt and fear.
Carla is doing what she can, watching Christopher whenever Eddie’s working, she found him a grief counselor and is even looking into more permanent therapists.
None of it changes the fact that they’re grieving. 
But when Christopher gets to hang out with Buck, he lights up every time, and so does Buck, which makes this a two birds with one stone kind of situation. Hanging out with Buck helps them both, too, makes their grief not the first thing on their minds for a little while.
Buck can’t move much, so they play board games and try to find one they all enjoy equally – it’s not easy, since Eddie likes luck-based games (he plays poker with his abuela and tía whenever he can), Buck prefers trivia and games relying on knowledge, while Christopher likes strategic games most.
But everyone gets to pick sometimes, and when they don’t want to play board games, they switch to video games instead.
Eddie knew that Buck and Chris get along well, they have ever since the first time they met, when Buck drove Eddie to Chris’ school after the earthquake during Eddie’s second week at the 118. But with how much time the three of them are spending together now, he can see them growing closer every day – and he loves it.
Buck is his best friend, and he genuinely cares about Christopher in a way that feels completely independent from Eddie.
One evening, while they’re playing a few rounds of Christopher’s current favorite video game after dinner, the kid falls asleep between them on the couch.
Buck smiles down at him and lowers the volume of the TV, which means he loses even more clearly to Eddie, but he had the win in the bag anyway, he’s sure.
Buck rolls his eyes at him when Eddie celebrates his victory with big, silent gestures, but he’s smiling, too.
Eddie grins at him, resting his arm on the back of the couch behind Chris, and Buck twists a little to face him. His leg, resting outstretched on the couch table in front of them, moves with him, and Eddie slides Christopher’s glass of water out of the way in a practiced move.
“I know you’re here to keep an eye on me,” Buck says, “and I should probably be annoyed. I– I was kind of annoyed, at first. But it’s hard to stay annoyed when he’s here, right?” He nods down at Christopher. “And I guess you’re okay, too.”
“Wow, thanks,” Eddie says, but he knows his glare isn’t convincing. “To be clear, we’re all keeping an eye on each other.”
“Yeah, yeah.” Buck reaches for Eddie’s hand, still on the backrest between them, and squeezes it – just for a moment, like he’s trying to get Eddie’s attention, like he doesn’t already have it anyway. “Thanks.”
IV.
Everything sucks.
It’s the uncertainty that gets to Eddie most, the not knowing how to help, how to stay safe, how to keep his loved ones safe. How long this is gonna last.
Every day, they have to see people die from a virus they know nothing about, and can’t do anything against.
And afterwards, they can’t even go home.
Christopher is part of a high risk group, and Eddie risks exposure at work every day, so obviously, he can’t endanger him by living with him. Chimney feels the same way about Maddie, and Hen also wants to keep her family safe, which is how the three of them ended up at Buck’s apartment, where they’ve been camped out for the past three weeks.
It’s generous of Buck to let them all stay with him, but the loft is not made for four people to live there, and they’re all feeling it.
Eddie loves his friends, but spending every minute of every day with them is starting to wear on him. They all try to give each other space, using the balcony as an extra room or going for runs outside, but there’s only so much they can do. 
He hates being separated from Chris, it makes him feel like he’s breaking his promise to never leave him behind again. Christopher says he understands, but Eddie worries anyway. He trusts Pepa, who’s working fully remote and offered to stay with Chris, and they talk every day, but it’s not the same as being there.
Whenever he talks to Chris on the phone, he feels better in the moment, but worse the second they hang up. While they’re talking, he can almost pretend that things are normal, but it all comes crashing down afterwards.
He hasn’t hugged his son in weeks, and he has no idea when he’s even gonna see him in person again.
Buck joins their calls most of the time, at least for a few minutes, and he sits next to Eddie on the bed now, shoulders slumped where they’re touching Eddie’s. In a world where he has to keep his distance from almost everyone, except the patients he’s treating and the people he’s living with, touching and being touched by Buck is a real comfort.
“This won’t be forever, Eddie,” he says, almost desperately. 
“But for how long?” Eddie asks, and it comes out sounding a little wobbly.
He’s not embarrassed by it anymore – Buck’s seen him in all kinds of situations, and they’re currently sharing a bed, so he’s seen him cry anyway.
“I–I wish I knew,” Buck says. “I wish I could– fix this.”
Eddie wipes at his eye and laughs a little. “The whole pandemic?”
“If I could, yeah.” Buck shrugs.
Eddie presses even closer to him for a moment, a gentle pressure of their shoulders, arms and thighs against each other. “I wish you could, too. But even if you can’t – I’m glad you’re here.”
“Of course.” Buck smiles at him and places his hand on Eddie’s thigh, palm up.
Eddie smiles back and grabs his hand, squeezing tightly.
“Okay,” he says, taking a deep breath. “I think it’s our turn to make dinner tonight – you ready?”
“Ready when you are,” Buck says, but he doesn’t let go until Eddie does.
V.
After Chris has gone to sleep, after Eddie has finally stopped crying, after Buck has wrapped his knuckles and cleaned up the worst of the mess in Eddie’s bedroom – the shards, the pieces of drywall, the fallen furniture, he makes up the couch for Eddie to sleep on. Eddie wants to help him, to tell him that he’ll just sleep in his room, but he can’t seem to move from his seat at the dining table.
Everything feels like too much, his hands hurt and his head worse, and he can’t stand the thought of Buck leaving. He’s exhausted, but he knows he won’t sleep if Buck goes home now.
But he can’t ask him to stay, not after Buck already dropped everything because Eddie couldn’t keep it together. He probably had plans, and Eddie ruined those too.
He can already feel the hot burn of tears behind his eyes again and drops his forehead onto his arms, folded on the table in front of him.
Buck’s hand lands on his back, warm, then travels up to squeeze the back of his neck gently.
“You ready to sleep?” he murmurs, and Eddie makes a noncommittal sound. “Come on, you must be exhausted.”
Eddie shrugs and Buck’s thumb brushes along his hairline.
“You don’t have to go in there, I can get you anything you need,” Buck says quietly. “And I’ll be right next to you in case you have a nightmare.”
“You’re staying?” Eddie asks, lifting his head. Buck’s hand stays where it is.
“Of course, Eddie,” Buck says, like it’s that easy.
And maybe it is that easy, Eddie thinks when they settle in next to each other in the living room, Eddie on the couch and Buck on a makeshift bed next to it. He’s pushed the couch table to the side to make room for it and it looks like he’s dragged Eddie’s mattress here, so at least Eddie doesn’t need to worry about him sleeping on the floor.
They’ve been by each other’s side through so much shit, maybe it’s not such a surprise that Buck wants to be here now too. He’s just not sure he deserves it.
“I’m sorry,” he says, staring up at the ceiling instead of looking at Buck. “You had plans– I’m sure you didn’t want to–”
“You have nothing to apologize for,” Buck says firmly. “Of course I’ll come whenever Christopher calls. O–or if you need me. I’m here, okay?”
“I keep thinking about her,” Eddie mumbles, pressing the heels of his hands to his burning eyes. “Mills. Last August– I should’ve– if I’d picked up the phone earlier–”
“This isn’t on you.” There’s rustling and then Buck is gripping Eddie’s forearms, trying to gently pull his hands away from his face. “I d-don’t know what Mills was going through, but I know that you couldn’t have known how bad it was. It’s sad, and it’s unfair, but it’s not your fault. And I know you’re feeling all these things now, but Eddie– I’m so happy you’re still here. I need you to– know that. Okay?”
Eddie finally lowers his arms, but instead of letting go fully, Buck just grabs his right hand and holds on. His eyes are wide and scared, and Eddie has scared too many people he loves tonight.
“Okay,” he says, even though– well. What makes him special? Why should he be the only one to get out? He’s not a better person than any of them, he doesn’t have a right to happiness or whatever he’s been deluding himself into believing he could have. 
But he knows that he can’t tell Buck that now (or ever), knows that it’s a dark road to go down.
Maybe for tonight, with Buck by his side, he can keep the thoughts at bay for a little bit longer. After that– he has no idea. But Buck is still holding his hand, and Eddie may not deserve him, but he trusts him.
He thinks it may just give him enough hope to get through this night.
+ I
“This was nice,” Buck says, holding the door for Eddie as they leave the restaurant. “You, uh, you really didn’t have to pay, though.”
“I wanted to,” Eddie says with a smile, glancing right towards their cars and then left to where the beach is only a short walk away, and finally back to Buck’s face, finding him already looking back. “How do you feel about taking a walk?”
Buck grins, turning left. “Let’s go.”
They’re not on a date, or at least they haven’t called it that, but Eddie has been thinking that it feels like one all night. Technically, they’re two friends trying out a new restaurant together. They drove here separately, no one pulled anyone’s chair out, they talked the same way they always do.
But Eddie spent half an hour picking something to wear tonight, Buck is wearing a shirt that looks new and gorgeous and fit for a date, and every time their eyes caught across the table, Eddie thought that maybe, Buck wouldn’t pull away if he reached out and took his hand.
It’s not the first time Eddie has thought that. Ever since Buck and Tommy broke up, it’s felt like maybe they’re heading towards something, familiar touches lingering and turning into something new, gazes catching and then holding instead of looking away.
Buck was upset for a little while afterwards, but he admitted to Eddie that it was more about another failed relationship – and his first one with a man, after he thought he’d finally figured out what was missing, than about Tommy as a person.
He went on a couple of dates, with men and women, but nothing ever stuck.
Eddie was going through his own stuff at the time – he eventually came out to Buck a week before Chris finally came home, and Buck hasn’t been on a date since.
Sometimes, Eddie wonders (hopes), if the two things are related.
Still, neither of them has called tonight a date – yet.
Eddie glances at Buck’s profile while they’re walking, and wonders what he’s waiting for.
Yes, it’s scary because Buck is the most important person in his life right after Christopher, but it’s also not, because this is Buck. Who has been by Eddie’s side through the worst, most painful, most humiliating times of his life, and is still here. Buck, who Eddie trusts with his life, and his son, and his heart.
Buck smiles at him and Eddie smiles back, heartbeat picking up. He’s doing this, he’s gonna tell Buck how he feels. Any minute now, he’s gonna be brave enough.
“Hey,” Buck says, “it’s just me.”
“I know,” Eddie says, and his heart thumps against his ribs. He lets his fingers brush against Buck’s on their next swing and watches as Buck bites his lip, smiling down at the ground. Hushed, like a confession, he adds, “Are you nervous, too?”
Buck looks back up at him then, eyes glittering in the dark. “Y-yeah. I am.”
They’ve reached the edge of the beach by now and bend down to take off their shoes without having to talk about it.
When they start walking again, they’re even closer than before, the backs of their hands, their elbows and shoulders all brushing with every step.
Eddie keeps stealing glances at Buck, and almost every time, Buck is already looking back.
There aren’t many people at the beach at this time of day, so they don’t come close to anyone else, and all they hear is the sand beneath their feet and the waves crashing a few feet away. The moon is big enough to be reflected on the sea, a beautiful sight, but Eddie still can’t look away from Buck for long.
“So, this is, uh, kind of romantic,” Buck blurts out after a few quiet minutes. “Right? I–I’m not misreading that?”
“No,” Eddie says. “I mean– you’re not misreading it.”
“But you’re nervous.”
When their knuckles brush again, Eddie stretches out his fingers and catches Buck’s, holding on. Buck’s own fingers tighten immediately, and it gives Eddie the last bit of courage he needs.
“Well, yeah. Buck–” He stops walking, and Buck follows, turning so he’s facing Eddie. He’s close enough that Eddie can see his expression despite the dark, and he looks terrified, hopeful, nervous and excited at the same time, all of which Eddie feels, too. Eddie takes a deep breath. “I’m nervous because– nothing…no one’s ever been this important.”
A smile spreads out across Buck’s face, slowly deepening the crinkles around his eyes. “So this was a date?”
“Did it feel like one to you, too?”
Buck’s smile widens. “Yeah, i–it did. And I’m–I’m nervous too, of course. Eddie, if we do this, there’s no going back for me. I can’t– lose you. You and Christopher, you’re too important.”
He pulls on Eddie’s hand a little, and Eddie takes another step closer, drops his shoes in the sand and places his free hand on Buck’s shoulder, thumb resting against his collarbone.
“It’s the same for me,” he says quietly. He shivers when Buck grabs his waist, the warmth of his hand seeping through Eddie’s shirt. “I– We don’t know what’s gonna happen. But, Buck– I love you. I love you so much, I have for…way longer than I was aware of it, and I just don’t see that going away. And I don’t think it’s fair to us to deny ourselves when I really think we could make each other– so happy. I know I can make you happy, and I want to prove it to you every day of my life, Buck.”
Buck is just staring at him with a dazed expression, his lips slightly parted, and Eddie suddenly can’t stand not kissing him for a second longer.
He slides his hand from Buck’s shoulder to the back of his neck, watches Buck’s eyes flutter shut and feels his fingers tighten on his waist, and then he’s finally, finally closing the distance between them.
Buck makes a soft sound against his mouth, like he’s still somehow surprised this is happening, but he gets on board very quickly, and Eddie stops thinking entirely.
When they pull back breathlessly, Eddie’s hair is a mess – he can feel the loose strands on his forehead – his lips are still tingling, and Buck’s got both arms wrapped around him tightly.
“In case that wasn’t clear,” Buck gasps, and lifts a hand to cup Eddie’s cheek. His thumb brushes over Eddie’s chin and caresses his lower lip, and Eddie presses a kiss to the pad of it. “I love you, too.”
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suzukiblu · 2 days ago
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Day twelve of “obligatory sugar baby Kon” behind the cut. prev: (( chrono || non-chrono ))
Tim clears his throat and adjusts the collar of his shirt for honestly no good reason, and Kon keeps doing–Kon keeps beaming at him. There is just . . . there is just so, so much beaming happening right now, and it is very, very hard to concentrate on anything else. Or even, like, passingly think about anything else. 
Kon looks–he just looks happy, and Tim feels flustered and overwhelmed and vaguely nauseous, but like, in a good way, somehow, and . . . it’s a lot. Yeah. Just–Tim is currently feeling a lot of things, is all. Just . . . a lot. So much. 
Tim wonders if he could figure out a loophole to “legally” marry Kon despite the fact he’s fifteen and Kon is only maybe legally a person and/or citizen in the eyes of the government, because in that case even once Kon gets bored of Tim Drake he’ll be able to send him alimony payments or whatever, so– 
Actually, Tim realizes as he looks at Kon’s beaming face–at Kon’s beaming face beaming at him–and feels Kon’s hand still gripping his easily and comfortably, and Kon still leaned in closer than necessary even as they walk along the sidewalk together . . . 
Actually, he doesn’t feel like Kon’s getting bored with Tim Drake at all. 
. . . . . . huh. 
Weird, Tim thinks, a little too bewildered to figure out why he feels that way. 
“Oh, hey, that looks good,” Kon says, perking up a little more as he looks at something over Tim’s shoulder and points past him with his free hand. “We need a new dinner place, right? Wanna try it?” 
Tim looks where Kon’s pointing and frowns in confusion, because he’s pointing at a skate shop, of all things, not a restaurant or cafe or even a bar. 
“I haven’t touched a skateboard in months and also I have no idea what that has to do with dinner,” he admits, still frowning in confusion, and Kon laughs. 
“The food truck, babe,” he says with a snigger, pointing more emphatically. “You skateboard?” 
“Uh–sometimes, yeah,” Tim says, refocusing his eyes to realize–yeah, there is in fact a food truck there, parked just to the side of the skate shop. It’s very . . . yellow. Very, very brightly yellow. 
He can absolutely never, ever tell Bruce he missed something as obvious as a huge neon yellow food truck, Tim swears to himself, and then he actually registers what the truck says and . . . blinks, very slowly. 
“Is that the one-dollar grilled cheese truck?” he says. “I thought that was a meme or something.” 
“I mean, probably some bargain-basement content creator who thinks they're an influencer is running it as some publicity stunt shit, but one-dollar grilled cheese,” Kon says reasonably, except for how Tim cannot even imagine what about that statement would be “reasonable”. 
“You want to get dinner from the one-dollar grilled cheese truck?” he asks, a little incredulous about the idea. 
“We could get so many, babe,” Kon says with a gleeful grin. Tim, instinctively, is about to protest that they could get “so many” of whatever Kon wanted, in fact, and a truck that says both “cash only” and “no change given, figure out your own shit” in Impact font is literally just . . . what. What? But then he has a brief remembered flash of Dick saying there wasn’t any “one size dates all” and talking to him about circus tickets and tailoring dates to the other person's tastes and, well . . . 
“Um, sure?” he says, still vaguely bewildered. Kon needs more expensive tastes. He needs to get Kon more expensive tastes. And also maybe, like, better standards for a “nice” dinner. 
Kon beams at him again, giving his hand a squeeze, and Tim disassociates for a minute or two in an attempt to process any of that and entirely, entirely fails to. 
. . . alright, maybe some of Dick’s dating advice was helpful, he reflects. 
. . . . . . also to be fair, this also might be the Condiment King or some other D-lister about to start some shit, in which case it wouldn't hurt to throw a superhero at the problem anyway. 
And at least it's gonna be a lot of calories, right?
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abnomi · 20 hours ago
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IDK if i was the first to notice this or not but i havent seen anyone talk about this before!! i love going crazy over colors and now is my Chance.
something subtle but notable about Ralph's design is how he has a teal undershirt. (debatably turquoise or green or something, but it is teal in this post..sorry green/turquoise truthers...)
i wondered for a bit why exactly that was a feature of his design, as it stood out to me for some reason; its a contrasting color to red, his main color, of course, so i brushed it off as an accent.
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upon further inspection, however, what does that mean with the knowledge we have of him wanting to be good? or about who he shares a connection with?
green/blue is generally known to symbolize goodness, as its the opposing color to red, a color that can represent evil or danger depending on its context.
as you can see here, this crude caricature of Ralph is lacking that extra pop of color; the nicelanders dont see the good inside of him, only seeing the external deep red hues :-(
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it doesnt end there, though. which character in this film is represented by a certain teal color?
someone Ralph carries close to his heart, someone who helped define his personhood and who he is internally. that spunky racer girl who relied on him just as he relied on her. not just a glitch, but Vanellope.
Vanellope represents someone who is able to accept herself and grow stronger because of it, and in exploring her own identity, Ralph took a journey of his own alongside her. she's a figure of love, passion, and resistance. taking this into account, her main color symbolizes the same.
we can also see bits of red in Vanellope's design!
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interestingly, the main spots we see it in are her licorice hair tie, the stitches and strings of her hoodie, and the bottom of her shoes.
now i could be overanalyzing this a bit, but each of these features have something in common: they're all used for support. the tie supports her hair, the threads keep her hoodie together, and her shoes let her run around and be a kid safely. yeah, she made all of those by herself on her own terms, but Ralph supports her too, right? shes the heart and hes the practicality.
not to mention the MEDALS OHHH the medals. beware ⚠️🚨 im going to overanalyze this like crazy ok let me be neurodivergent about this
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all three of these medals have differences that could mean a variety of different things. I'll break each one down individually:
Vanellope's gift
handmade with love, the medal itself is teal (if we ignore the brown underside). as stated before, teal implies love and resistance. this is also quite obvious due to the gift being heart-shaped.
relating to that last point, notice how he wears it close to his chest? it's practically a second heart to him! what else is close to his chest? TEAL UNDERSHIRT. wow!!! so that love was there with him the whole time!
the ribbon itself is pink, not blue or red like traditional medals. this is less significant, i will admit, but i find it nice how its so simple yet defies what a "real" medal is meant to look like, ESPECIALLY in relation to Ralph's expectations as to what a medal should be.
Hero's medal
It's a reflective gold, something that hypnotized Ralph immediately upon being greeted with it (kind of like a certain racer heeheheehoo)... this is all pretty obvious; gold is for winners, and supposedly, only heros can be winners.
something a little less obvious, though, is the blue of his ribbon. so, why is it blue, specifically? now, this isn't teal, this is more of a royal blue. something similar to Felix's palette... a hero. Ralph treats goodness as something attainable, love as transactional. it's not real, it's not genuine. he wears this symbol of heroism without truly EARNING it.
The cake
notice how the ribbon around his neck is red in this imaginary scene? the medal designed for Felix and his wins? his contrasting color? on Ralph, it's almost indistinguishable from his shirt because he isn't supposed to wear it. it wasn't created with him in mind.
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ok ok just one more thing. ☝️ Turbo and Ralph parallel with their color schemes.
red as a color carries a dual meaning. on one hand, it can mean passion, love, adrenaline and strength. on the other hand, it could represent evil, malicious intentions, a warning, something dangerous. both Ralph and Turbo share red in their palettes; something to note, Turbo lacks any cool colors.
Ralph is seen as evil when he is truly anything but evil. the red makes him a bigger target considering his position, but this red relates to him internally on a more positive level. its his strength, what keeps his softer core safe. above his teal undershirt.
Turbo is seen as this intense fireball who's just passionate about racing, a little tough guy who just wants to have fun. we all know that this isn't the case. he is dangerous, he is a cautionary tale, a warning and simultaneously a threat.
considering how much as the two parallel each other, its no surprise that they share a color, one that can be interpreted in so many ways. one that ultimately means the reverse for their roles.
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korrasera · 2 days ago
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Like I said, this is a good example. When you're arrogant you tend to think you know everything despite being uninformed about the topic you're talking about. People who are like this also tend to either react really poorly or retreat into their talking points when called on it.
As an example, aside from the fact that Israel isn't a vassal state just being obvious on its face, you can also look at that talking point up there about Biden sending smaller amounts to bypass Congress, which is just straight up not what happened.
It's because people like the above don't understand what the congressional bypass is or how it works.
The US sends aid to Israel every year. Period. We've done it since the country was founded. The power to send that aid, in the form of military sales, is invested in the office of the US president. Congress has a 15 day period to review such sales before they go through. If Congress wants to block the sale, they can pass a joint resolution to do so, but no Congress ever has.
In the case of what Biden did, he didn't choose smaller amounts to bypass Congress, he used a waiver that's also part of his powers to send aid in situations where it's deemed a special case, something Biden did to provide aid to both Israel and Ukraine. If he'd sent smaller amounts of aid he wouldn't have needed the waiver at all because Congress wouldn't even get a chance to review it.
So, as you can see:
These arguments try to convince you of is that Biden is some sort of genocidal cowboy that's bypassing the checks and balances meant to keep deals like this from moving forward. That's not just propaganda, it's not just false, it also demonstrates that the person making the argument doesn't know anything they're talking about.
Also, this aid is the aid that was delayed, by years, by Biden, as a political poker chip.
Oh, sorry Bibi, we approved the aid but you know it's just going to take forever and also why don't you listen to all of the military advisors we sent over telling you that you should stay the hell out of Gaza?
As an example, the last time that I know of where the US did something even remotely like this was when Reagan banned the sale of cluster munitions to Israel because the Israeli government had been using them to strike civilian targets. And apparently even Reagan had a limit.
Is the US complicit in Israel's genocide? Absolutely. Unfortunately, it's just part of being an American. We've been fighting constantly to tear out the authoritarian warmongering parts of our society and this is as far as we've gotten.
Is the US a fascist genocidal state? No, not literally and not figuratively. We are very much a people working to build a better tomorrow, built on unthinkable bloodshed and crimes against humanity.
We have not yet won that fight, but it is absolutely going in our direction, and the work the Biden administration has put in to oppose Netanyahu's government is a sign that it's gotten better. His administration is the first one that's taken meaningful steps to rehabilitate our foreign policy towards Israel.
It really sucks that all of that progress is going to be lost when Trump takes power, but we've been knocked down by setbacks before. We're not done fighting.
Don't listen to propaganda. Don't let people tell you it's hopeless. They're just scared and looking for you to be scared with them.
Be brave instead. Fight.
We tried to warn you, and you wouldn’t listen to us over the sound of your own self-righteousness. You must be so proud of yourselves.
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spookwriter-xo · 23 hours ago
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Coppélia
Chapter 3 - The Figure Painter
Chapter Summary - Y/N visits a childhood friend to go over Seonghwa's odd invitation.
Series Masterlist
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"And then he gave you a contract... Like from Fifty Shades of Gray?"
"I told you it's not a contract, he said it was an invitation."
"Honey, it literally gives you a place to sign at the bottom."
After Seonghwa had given me the envelope and left, I wasted no time in rushing over to my friend, Mia's, house to tell her everything. Mia and I had known each other since we were seven years old, hanging off of each other like leeches since. Her family was rich too, but unlike mine, they supported her artistic endeavors.
She was a painter, specializing in figure paintings and realism, and was also my voice of reason.
"I seriously don't know what to do," I whine, my head resting on her kitchen countertop.
"Well, what does it say? Like what does he want you to do?" She asks, her fingers twirling a teaspoon around her tea cup.
I glance down at the papers in front of me. So many rules were listed I struggled to even wrap my head around it.
"He wants me to move into their home," I say.
"Their home?" Mia clarifies. "As in other people?"
"I guess so?" I clear my throat as I continue. "I can remain as a dancer for the society as long as I don't practice for any longer than I need to be."
"Well, at least they're offering you some freedom." She mumbles sarcastically, taking a sip of her tea.
"Mia come on!" I cry out rather dramatically.
"I feel like there isn't much up for discussion here? Yes, it's weird and borderline controlling but when was the last time something exciting like this happened in your life?" She argues.
"I don't want to be controlled, Mia. This whole thing, it's just way above my pay grade. I had enough of it living with my parents, I don't need it in a romantic relationship too!" I point out. She lets out a sigh, nodding in understanding.
"You're right, I'm sorry." Mia runs a hand through her hair. "Okay, let's try a different approach. What things in there benefit you?"
"Uhm, I get to live in a big ass mansion free of charge," I say, my finger hovering over the bullet point. It sure would be better than the cheap studio apartment I live in now.
"You can never go wrong with a big ass mansion." She quips before I continue.
"It says... I have to be willing to, share myself?" I tilt my head with furrowed eyebrows.
"Oh, don't tell me they're the type to want a girl to homey hop." She seethes, leaning over the counter to read the paper. "Oh god, they are!" She exclaims.
"Just because you're monogamous doesn't mean you can judge!" I scold.
"I'm not judging, I'm cringing 'cause it's not for me." She says defensively. "If you're into that, I won't judge."
"Sure you won't."
"I might make fun of you a little, but you know I'll get over it!" She laughs. "Besides it's a bonus if they're all cute. I looked up Seonghwa and that Hongjoong guy and woo!" She whistles.
"Poor Mark." I tease, she gasps. "Listen, I don't know if I'm up for that either. I mean I don't even know who the others are, for all I know there could be a serial killer among them."
"Then call him." She states. "Call him and demand him to rewrite it on your terms."
"Would that work?" I ask, placing the papers back into a neat pile.
"He's a businessman, right? Of course, it would! Hell, you might even get to meet the others if you play your cards right." She says confidently. "You like this guy right?"
"Yeah, I do."
"Then fight for your own morals and boundaries, and if he doesn't accept that then move on." She says, moving over slightly to place her mug in the sink. "And if they try something, Mark and I will come over and beat them up for you."
"You and I both know Mark Lee is not going to beat anyone up." I laugh causing her to let out a snort.
"You're right, he could yap their ears off and give us time to escape the country though." She jokes, a wide grin spreading across her face.
I glance back down at the documents, genuinely contemplating for a moment. I hated the idea of being controlled by anyone again, let alone a bunch of men who, aside from 1, I have never had a conversation with in my life. But on top of that, it would be really nice to stay somewhere that didn't charge me almost my entire weekly pay for rent.
Plus Seonghwa was really good-looking, but was I really going to risk my freedom just because a cute guy gave me a second of his time? Mia was right, I needed to call him and set up some kind of meeting and get this document altered to my liking also, not just theirs.
"You're doing that thing again." Mia's voice cuts me out of my thoughts. "You know it's creepy when you stare off into space like that."
"Sorry, was just thinking about everything," I say softly, stuffing the document back into the envelope it came in.
"It's a lot, I know, but once you put your foot down like I know you can it'll all even out. You'll see." Mia was often right about these things, then again she was always the one to come up with the ideas that would get us into trouble growing up. I trusted her with things like this because I knew it would never leave the two of us, but trusting her to convince me to do something that could lead to me signing my life away? I was going to be a little more cautious of that.
"I should probably go, I got another show tonight," I say, hopping off of the seat I was perched on.
"Oh! I'm coming to the show next Monday! Don't mess up for me okay?" She says, skipping around the counter to give me a quick hug before I leave.
"Of course I won't, you're my lucky charm." I joke, pulling away and waving. She waves back, knowing I could find my way out.
I contemplated calling Seonghwa as I walked through the city streets. I let out an annoyed huff at the constant tug-of-war going on in my head. My finger hovered over the call button as I stared down at his contact. He'd probably show up tonight, but did I really want to decline his initial offer in person?
Without thinking I pressed call, holding my phone up to my ear as I chewed on my bottom lip nervously. I felt a sick feeling of nerves in my stomach, the same feeling I felt before I went out on stage.
It rings 4 times before he picks up.
"I thought you'd think about it a while longer." He states, his voice rough. I take a deep breath before I speak.
"I'm declining your 'invitation'," I stated, making sure my voice sounded defiant.
"What?" He asked, sounding genuinely surprised.
"You heard me. This... Contract is far too controlling for my liking and I refuse to subject myself to signing my life away for a man who only graced me with his presence last night." I say, earning some looks from passersby.
"Doll-"
"I'm not done! Look, I like you. But the only way this is happening is if we rewrite this to include my own terms. And I want whoever the hell you expect me to share myself with to be there also. No way in hell am I agreeing to something like that without even knowing what they look like." I say, rather rushed. Silence follows, and I look at my phone screen for a moment to make sure the phone call didn't end. As I placed the phone back to my ear I heard laughter.
"My, I really underestimated you didn't I?" Seonghwa chuckles. "A real firecracker you are, so unassuming up until now." I could feel his grin through the screen, and it made my blood boil.
"If you're going to waste my time-"
"Hold on a second, Doll." He says, his voice still laced with amusement. "I'll organize a dinner, how does that sound? You, me, and the others who helped write the original contract. That way you can meet everyone and get your boundaries heard."
I blinked in surprise at his offer. Was it really that easy? "You're serious?"
"Of course I am! Honestly, it's refreshing to talk to someone as pretty as you about business exchanges." He chuckles. "You have a show tonight, yes? Are you free Saturday night?"
I clear my throat. "Uhm, yeah?"
"Excellent, I'll send you the details tonight with your Gardenias." He says, hanging up before I can get another word in.
I gape at the phone, staring at it as I stand frozen in the middle of the street. I look around for a moment before continuing on my way.
I had a sinking feeling that this dinner was not going to be as easy as he made it seem. The others were most definitely businessmen also, co-owners of ATZ Corp. Me, a broke ballerina versus 8 businessmen on their own turf.
Pray for me.
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vidavalor · 2 days ago
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Playing with Fire
Armageddon: The end of the world.
World: The Earth. Also: a person's own universe-- the life of an individual and the people they let into that life.
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With that in mind...
Armageddon: The destruction of Earth and the deaths of all living beings inhabiting it. Also: a person's mental health crisis.
"When alle is fayed and all is done, ye must choose your faces wisely for soon enouff, ye will be playing with fyre." -Agnes Nutter's final prophecy of Armageddon and a big theme of the story in a nutshell.
Faces: The front portion of the head of a human or an animal.
Also: to confront and deal with a difficult or unpleasant task or situation.
Also: the front of a building, including its front door.
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Agnes Nutter's prophecy is not just about the destruction of Earth but about the everyday Armageddon of people's lives. Soon enough, we all will eventually find ourselves playing with fire-- in dark times and in the danger zone of falling. We all wind up there at some point and we need help either staving off a fall or getting back up from one.
The only way out of that is to choose our faces wisely. It's to choose to trust the people who show us they are worthy of that trust and to let them in enough to help with safety and support.
It's to form a mutual aid association and face the world together as a group. That's the only way to move through the dark stuff to keep it from getting you-- to go as one, together.
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In S2, Gabriel survives by doing exactly this to the letter, even though he doesn't know Agnes' prophecy. He is the positive example of this theme in action.
Gabriel chooses his faces wisely. He is unconcerned with how a person is labeled or judged by others and, so, trusts two demons in Crowley and Beez to help him, and enjoys joining the human world as a bookseller. He puts his fate in the hands of Aziraphale, the only angel he has seen with the good heart and moral character to be fully trustworthy.
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He isn't bothered or intimidated by Beez's change of face because he can recognize them enough to know they are who they say they are and outward appearance matters little to the guy who is, ironically, also sometimes the vainest person on the show.
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He picks a person in Beez to trust with all of himself who has proven with their actions that they are worthy of that trust. This is the wisest of choices as it's evident Ineffable Bureaucracy were made for each other.
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Without opening up and trusting Beez, Gabriel would not have had the means to survive his fall without losing himself entirely. Trusting them is the wisest choice of a face that Gabriel has made.
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He then is ready to face his issues with Heaven and its role in all definitions of Armageddon. He rejects the, well, literal face that is The Metatron...
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...and goes to the face of the building where he knows he'll be safe...
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...because he knows he can trust the faces of the couple who lives there to let him in and help him.
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As such, Gabriel survives his personal Armageddon. He falls and he's struggling but he is saved from forms of death by Beez, Crowley and Aziraphale, finds a new way forward, and rendered literally immune to darkness as a result.
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Gabriel went down in S2... both figuratively and literally... a mental health crisis and cast down from his position at the top of Heaven and down in the lift to Earth as he ran for his life... but he's saved from the fall leading all the way to death by virtue of the fact that he chose his faces wisely. Beez, Crowley and Aziraphale helped him find his way through and join The Whickber Street Shopkeepers and Traders Association and now Jim has people.
Not only does this help Gabriel but it's going to help others as well because now that Jim is on the mend, he can be there for them and others as well.
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But what about the one whose story Gabriel is paralleling in S2?
What about Aziraphale? Did he remember in S2 what Agnes told him?
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He did not.
In S2, for the most part, Aziraphale was pushing away the people and things he needed to survive a personal Armageddon and, as of the end of S2, is playing with some serious, serious fire.
In The Final 15, Aziraphale chose an untrustworthy being wearing the very same face that Gabriel had wisely finally rejected...
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...over quite literally a lot of face of the person he trusts more than anyone else...
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...he chose the elevator door face ("going to Heaven"/death) over that of his own bookshop (life)...
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He was offered the chance to become the new Gabriel and that is likely more true in the S2 falling Gabriel sense of things than it is in terms of the job offer being real. In his effort to take care of everyone, Aziraphale didn't let in the people around him to help him, too. He didn't see himself as a person in his own right. He made the fatal mistake against which Agnes cautioned and which Gabriel avoided.
That said... everyone goes down. It's just gravity. Everyone wants to live and they'll eventually fall trying. No one asks for death. They all ask for coffee.
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But those that manage to survive can find wings can fly and go back up together.
Insects, birds...
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The flies. The nightingales...
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Did you give wings to peacocks, Job? The communication metaphor of feeding the ducks frozen peas:
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Or teach the ostrich to run? The ostrich who ran:
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And when you feed your ducks your frozen peas and make your own history, you're living life together.
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Everyday/it's a getting closer/going faster than a rollercoaster...
A rollercoaster goes in a bendy loop. It goes up, it goes down, it goes upside down and right side up again and sideways and every which way, and when, all is said and done, it drops you off back off in what looks like the same place you began... but the experience has left you a changed person. This is life.
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Life is a series of loops on the rollercoaster track. You can go up and you can down and it doesn't matter because it's all the same track and your position, so long as you are alive, isn't fixed but forever in motion.
If you choose your faces wisely like Gabriel did, they can help you stay alive, get back on the rollercoaster, and take the ride with you. If you shut out those who are there, you might never get back on. If you don't, as the song suggests, love will surely never come your way.
But what if you're like Aziraphale and you have chosen your faces wisely but then, unwisely, pulled away from them? What if you push people away when you're struggling and are only going so high up because the track has run out and you're about to take a massive plunge down? Is it really all over for him?
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Yes and no. Yes, because a fall is a death of sorts and there is no going back. Aspects of it will forever be a part of him... but, also, no, because while he might have chosen his faces, for very sympathetic reasons, ultra-poorly in The Final 15, he has chosen them very well before. As such, Aziraphale has people around him, like Crowley and The Lords of the Flies, that will help him back up-- as well as some people he might not yet even realize are in his corner.
To save Aziraphale from the effects of Aziraphale's own, personal armageddon, they're going to have to come together to change Heaven and, in doing so, they will stop the destruction-of-Earth kind of Armageddon in the process. In choosing the faces of one another over the floating head's face, they'll save their individual worlds and the Earth as a whole, giving everyone a chance to live their lives as they see fit.
Save the angel, save the world.
A-hey? A-hey-hey. 😇
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sepublic · 2 days ago
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I think there’s a lot of implications to Evelyn that people ignore in favor of making her into their white everyman’s Manic Pixie Dream Girl instead of like, an actual character with motives who came to the human world for a reason.
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There’s the very obvious implication that she made the archway in Gravesfield??? The one that uses Titan’s Blood to open a temporary portal each time? And there’s another archway located by her house; I dunno if Evelyn made it herself, or if she had parents who were just never shown because they’re not too important to the story.
Evelyn obviously would’ve been a child when she visited Gravesfield as well, because there’s no way the writers would have her romance with Caleb begin if only one of them was a minor. So that points to her being a kid prodigy, which is something you can see in her descendants Eda and Lilith (Yes, Lilith as well; She’s very skilled herself and even figured out Glyph combos, it’s just that she’s being compared to Eda constantly and let her inferiority complex downplay herself).
But how did Evelyn even get to the human realm in the first place if the other archway hadn’t been built? Did she just magically connect hers to a pre-existing human archway?
We know Eclipse Lake exists, it’s how Philip entered the Boiling Isles, and others in the Demon Realm knew of it. Plenty of witches speculated on how a permanent portal to and from the human realm worked; So interdimensional travel was already a field that wild witches in the Deadwardian Era were interested in.
Portals in this show are two-way, so Evelyn must’ve entered Eclipse Lake, emerged somewhere in what would be known in the present as the Connecticut area, and then wandered until she came across some humans… And alas, she came across some of the worst humans to ever exist, RIP.
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She made Flapjack, and Palismen you create don’t awaken until you state your wish. If Flapjack resonated with Hunter for sharing Caleb’s wish, then he must’ve resonated with Caleb for sharing Evelyn’s wish; To decide her own future. Flapjack himself is introduced trying to leave and go places, despite people telling him to stay put.
Caleb is someone for whom that wish came in leaving his ‘home’ in Gravesfield, he’d already moved there from someplace else prior! When Evelyn is established to be someone skilled in interdimensional travel, is there not an obvious connection to be made between this and her shared dynamic in Caleb, and the Palisman who resonated with both?
Did Evelyn live with her parents? Was she by herself as a kid? When a teenage Eda runs to the human realm to escape her complicated relationship with her parents, is it the same as her ancestor? The Boiling Isles was never perfect (but the coven system was an objective downgrade), and Dana even mentioned it herself at one point. Its people are just as humans as humans, and so just as capable of being messy and flawed and even cruel. The Coven Heads were willing to fuse their realm with ours under the expectation they'd be treated like royalty for it.
Like Gus, did Evelyn find human detritus and become interested this way? Like Luz, did Evelyn hope she could escape her problems in one world by finding another? I wonder what magic Evelyn liked? Probably stuff to do with portals (Eda uses them in the first episode), teleportation, warping space, etc.
With all this in mind, with Evelyn already being established as someone who can create portal devices, Philip’s tendency to plagiarize and take credit, his inability to make a second portal without using the first one as a base, and the portal itself being found right by Evelyn’s home and archway…
What if Evelyn made the portal, with Caleb’s help. It does change the context of these notes in Philip’s journal, if they’re transcribed from those of Evelyn, a wild witch who revered the Titan and her way of life.
Evelyn went through Eclipse Lake, traveled until she found Gravesfield; Evelyn posed as a human and trusted Caleb after seeing how he and Flapjack got along. Evelyn built a working archway and when Gravesfield suspected a witch in their presence —possibly due to her experiments— they went on a hunt for her.
Evelyn revealed her identity to Caleb and Philip, and brought the former to her world, possibly as a test run or to celebrate its completion, before bringing him back to Gravesfield. Evelyn and Caleb would meet in secret for their own safety, communicating via rebuses, as Caleb stayed in Gravesfield until Philip was old enough to take care of himself, and/or even changed his mind and went along!
But he didn’t, and if Philip tried to do something about the archway, Evelyn still had Eclipse Lake. She might’ve even made the Portal by this point and that’s how Philip has notes on it prior to reuniting with Caleb. So Caleb moved to her home (possibly after Evelyn showed up in his house using the Portal), and Philip eventually found the Eclipse Lake portal. But in those subsequent 5+ years, Evelyn used the Titan’s right eye to create a new portal, that would use a little bit of Titan’s Blood as a battery but not deplete it with each use.
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Evelyn and Caleb programmed this portal to open in his childhood home where Caleb expected Philip to be, because he still hoped to have his brother with him and always had. Evelyn agreed to let this happen despite Philip clearly wanting her dead, even if he was not going to get Caleb implicated and killed to do so.
But Philip decided to cross that line, because at some point Evelyn and Caleb had a child, and knowing he was related to a mixed child pissed him off so bad. He pretended to be accepting, even as Evelyn and Caleb revealed a Portal and their plan to go back to him anyhow. Despite this, he attempted to murder Evelyn and/or Caleb anyway. Caleb died, and the Portal was damaged, but Evelyn chased off Philip. He eventually went back for Caleb’s body and stole it, and attempted to replicate the Portal that Evelyn and Caleb had showed off, believing he’d broken it beyond repair.
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Evelyn decided she wanted nothing else to do with the human realm and buried the Portal; Maybe she left the option for anyone else who was still interested. Which gets me to another point, that maybe Evelyn made a grave mistake in accessing the human world, but let’s be real the onus is always on those who act in bad faith, not someone who acted in good faith and had that taken advantage of. But in the long, long run, even longer than 400 years, past the ending of the series…
Gus is not the first, but he might be more successful than Evelyn, and succeed where she failed. He’s a witch who was also fascinated in the human world, and now he’s cultivating a Human-Demon Realm Exchange Program, so both worlds can get to know each other, so people from both worlds can find new places. Because Evelyn’s portal was reclaimed by her ancestor, who did need it after all; And it led to Luz finding the isles, to Vee finding Gravesfield.
Luz and Vee were also taken advantage of to commit genocide, but Luz helped stop it. She helped right a great wrong in freeing the Collector and giving the Titan’s son a friend; Evelyn was a wild witch, so she would’ve respected the Titan, and did use his right eye to create the Portal. During that time, the Titan was also able to peer into both the human and demon realms, though he wouldn’t have had much reason to care about the human realm for a while.
(And if the Archivists ever return; There’s a Collector who could be very helpful in resolving that threat, who was freed thanks to the butterfly effect of Evelyn’s actions.)
So in the long run, perhaps centuries after the show ends? Maybe Evelyn did good after all. There’s a lot our worlds could learn from each other, and perhaps healing magic would’ve helped someone like Manny; If not him, others down the line. Plant magic could also be very helpful. The Collector was able to create a second Portal to establish more permanent contact through Caleb’s old home, as Evelyn intended. Not to mention the work of her descendants she had from meeting Caleb! And Gus is helping more Calebs and Evelyns find homes, just as Evelyn helped Caleb, Luz, and Vee.
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homopopsie · 3 days ago
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[Sif has been looking at you weird for a while...] "Isa." [CRAB!!!] "Uhh, Yeah Sif?" [He's looking straight at you, his eyes piercing you to your bones. He looks kinda creepy like this... Reminds you of all the times you found him reading late at night with his flashlight eye.] "You mind if we talk for a second? Alone." "UMM. YEAH SURE SIF." [CRAB CRAB CRAB CRAB CRABBBBBB] "Are you alright, Isa? I've noticed you doing some... things. You're acting more- There's really no other way to say it, Isa you've been acting dumb. Acting like you're just 'really lucky' whenever you find a key that we need. I know you, Isa. I know you aren't stupid. You're really smart actually, and I know something is up. So what is it? Can I help?" [CRAB CRAB CRAB WHY IS HE ASKING THIS NOW????] "What do you mean? I really have just been getting lucky?! I don't know how I would know where the keys are, I've never been here?!?" [You feel awful lying to them.] "Right. So you finding the switch to the Death Corridor trap instantly isn't something strange? You always trust me to handle traps, and yet you immediately put your hand out in front of me and stopped me before I could look around, and then hit the hidden switch. I know I only have one eye, but that was really well hidden." "But how would I know where it was beforehand? I just had a feeling."
"I don't know Isa, but I know that people with 'a feeling' still jump at massive falling rocks! And I know that people with 'a feeling' don't just nonchalantly strut into The King's chambers and talk before Odile gets a chance to talk to the man who froze her entire home. I know people with 'a feeling' don't grit their teeth hard enough to shatter. Don't act like nobody noticed that either, maybe the others didn't but I did." [!!!] "But, that'd be impossible, right? It's impossible to have been here before-" "Is it? Because you sure seemed to have a few theories! You knew to ask me about Wish Craft, to ask me to read those books! You knew that I could wish properly, you didn't have an inch of doubt on your face when you said how I taught you. You knew that a wish could have given The King the ability to harness Time Craft. Don't think I believed you when you said you didn't wish for anything. I know you're indecisive, but you aren't going to just ignore something I told you either. I know you wouldn't just listen to me tell you how to wish and not bother with it. You aren't callous. [If only he knew... If only he knew how callous you were!]
"I..." "Isa, I know you're not stupid. And you know I'm not stupid either. If I see something, the only thing I can do is observe for more. And all signs right now point to you. Did something happen? Is that... Is that why you're looping in time? Did-"
"Oh Siffrin... Why? Why did you have to figure it out now? Why couldn't you have figured it out before? Why couldn't you have never figured it out?" "Isa, I-" "Can't you see? It's too late now. Nobody can help, now. It's already too late. Because I was too much of a coward to try and ask for help. Because I was too much of a coward to tell anyone about the loops! Because I was too much of a coward to say anything! Because I was too much of a coward to tell you how I feel! Especially you, Sif. I'm too much of a coward to tell you how I feel about you. And I'll never get that chance. Because it's already too late. "..." [He's just staring at you with a scared expression. Or at least its probably scared. Whatever. It's too late anyway. You coward.]
"...So what is it? Can I help?" "Nope! Was that all?"
[Sif seems... sad, at your response.]
"Alright. I'll miss you Isa. Come visit me sometime on your travels, okay? It'd be a shame if I couldn't look at the stars another time with you."
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Roleswap Sus event combos Everybody gets a turn being the suspect and the suspectee! Nobody enjoys the experience, though.
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