#we all have good and bad: brian

[weezerlvr228]

flippin boobahs!

[pebblezone]

this Tylenol ain’t shit w

[izzy-b-hands]

Day Five fill for ‘band/musician’ is done! With an OFMD/Queen crossover AU, involving Ed and Izzy and their band opening for Queen, circa 85/86 tours (I didn’t go through Queen’s touring timeline to set a hard date on this, so just wiggle it in there wherever you think feels best in your head when you read lol.)

Izzy and Ed are happy together except that they aren’t because neither of them has sat down to confront their own feelings and what they actually want. Freddie can see a miserable Izzy needing a break from waiting for Ed to feel exactly as he does, as well as an Izzy making the same sort of not-quite-mistakes he’s made before with guys he’s really liked.

No real drama, despite the above, nothing beyond Ed and Izzy being grumpy with each other (which is like. a regular Tuesday for them let’s be real here), just some bitter sweetness.

https://archiveofourown.org/works/49139830

[majorshatterandhare]

[ID: two screencaps of tags from dark mode

First Image: tags from ×-caliber reading “#guys it's called UNRELIABLE NARRATING all caps: unreliable narrating] # shes NOT [all caps: not] evil #jonny just views her in a certain light" Second Image: tags from ceaseless-ramblerand x-caliber.

Tags from ceaseless-rambler read "#this is such a hard fucking poll because do you love her or hate her' the answer is YES [all caps: yes] #she's great but the fucking morality switch destroys me every time i think about it because. morality switch. what the fuck. #but also. gestures wildly in her direction. you understand? #doctor carmilla #the mechanisms."

Tags from x-caliber read '#prev has a great elaboration actually #bevause i answered thinking only about the unreliable narration that made people think she's evil #but i didn't actually think as far about her ACTIONS [all caps: actions] #now i do think that she had good intentions with the morality switch #that doesn't make it any less fucked up however"

End ID]

Okay in regards to this poll I'm going to do some Doc Carmilla analysis because I don't like having back and forth conversations in tags. This is long, I couldn't really find a way to cut it down

The biggest thing that fucks me up about her is Brian's morality switch. The concept of a morality switch at all is horrifying to me, taking that control away from someone. Brian's about page on the mechanisms website says the reasoning was because Doctor Carmilla found it "amusing" which. Makes me hate it even more. @x-ca1iber pointed out the fact that Jonny is an unreliable narrator, which is a good point. However, I doubt Jonny wrote everyone's bio and I don't think either morality mode would really let Brian lie about it, lying is wrong and I can't come up with ends that would justify it. Brian could be wrong about reasoning, of course, but I'm not sure why he would be. Because a lot of that second half is speculation, *please* let me know if there's anything to agree or disagree with any of it.

The two other things that make me not willing to chalk all of anti-Doctor Carmilla sentiment up to unreliable narration and character misinterpretation are the end of this video and near the end of Lashings. The first video shows Jonny cut the music and, sounding somewhat frantic, ask Carmilla what she's going to do about being thrown out the airlock. When she doesn't respond, he backs away and accuses her of planning something. This is something that isn't attributable to unreliable narration because the premise there isn't that it's a retelling but an actual event occurring. Also, the way Jonny is on edge, expecting her to do something but not knowing what/when and having to just kind of act like it's fine really makes me read it as a bad relationship for him. The end of the Lashings performance shows Nastya stressed about various other things and Doctor Carmilla coming up behind her and hugging her. Nastya visibly tenses and remains as such for the entire interaction. I've seen people argue that this was due to the aforementioned various other things, and it could very much be that! This is definitely my least compelling piece of evidence. But it's worth noting that Doctor Carmilla doesn't back off from the hug and remains sort of in Nastya's face until Nastya steps away. The situation is either Nastya being generally uncomfortable with physical contact at that moment (or in general) and Carmilla not caring, or Nastya being distrustful of her in general. Either way doesn't reflect well on their relationship.

None of this is to say that I think she's trying to cause them harm. She does see them as her kids, in her own way. The only other close relationship she had that I'm aware of is Lorelai (please let me know if you have any more information on this! I'm always open to corrections) and that wasn't exactly healthy. She could very well not know any other way to treat them, and I really do think she meant well. The problem with meaning well is that is doesn't change the ramifications of your actions. The best of intentions don't change the fact that you hurt people. This is, in my opinion, especially prominent in parental figures, which she is.

That is all about her as a person, though. As a character? She's fantastic. Trans lesbian vampire scientist with dubious ethics? Great!!! And all of the things I just talked about that make me dislike her as a person make me love her as a character. That disparity is what makes it really hard to answer the poll I linked at the beginning, because holy fuck morality switch but I love her as a character

Tags that inspired this under the cut

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[pasta-in-the-pudding]

This just popped up in my mind and I just wnated you to picture this

So imagine a teen kid coming to the slendermanor and obviously they're a teen so everyone expects them to be loud and trouble in general because teens are teens at the end of the day. Just to find out that the teen is actually very mature because they were forced into a situation where they had to be mature at a young age and they're just quiet(but also have mad good murder tactics). Like i just imagine jeff trying to scare the child for shits and giggles and they just stare at him like 🙂

Summary: Quiet teen reader gets into shenanigans in the manor

Genre: Fluff

Warnings: None

A/n: The battle between Jeff and children is an age old war that I don't see ending anytime soon. ALSO SIDE NOTE, I'm probably gonna be changing up my format for writing majorly soon because im tired of looking at it lolz

Credits: Any Creepypasta characters used- Creepypasta, Divider- saradika-graphics, Picture- Pinterest

Creeps x mature!teen!reader

Generally when kids are brought into the manor, everyone's vibe is "Aw man that's really sad :(" even if they are a teen

Of course, once they get over the sadness, the anxiety starts peeking through

Like not even just teens, all kids are rowdy and annoying so no one really wants to deal with that

So when you get there and you're chill they're like "oh thank god"

No one likes rowdy kids

However, even that can have its hinderances

Like, it's definetly nothing as bad as you being crazy around the manor, but more so just concerning habits

For example, Brian can never do his job as a caretaker, because he'll be coming down the stairs only to see that all of his assigned kids are already out of bed

And when he finally finds them, they are watching T.V

He will ask "Are you guys ready for breakfast?" and they will reply "No thanks, y/n fed us!"

Or E.J, who as we know can't stand dirty things or unhygienic things, will be so confused when that pile of trash he commented on is suddenly gone only a few minutes later

Or his fridge will magically be cleaned out right when he was about to go and do it

Toby will be wondering where on earth his favorite hoodie and hatches went, only to find you out back sharpening and cleaning them, and his hoodie in the washer

Everyone is grateful for your help and all, but it's a little strange?

Like why do you feel the need to do these things? Do you just like helping out or do you feel you need to?

Then there's Ben and Jeff

No fucks given

So what if you're like 13? Jeff was being lit on fire at that age, grow tf up 🙄

Anyways, they both get a kick out of scaring kids

Jeff more than Ben, but it's a fun little friendship activity they do together <333

So when you are exploring the manor one day, suddenly Jeff bumps into you, being waaay nicer than usual

"Hey, y/n! I was just looking for you!"

"Oh, Hello Jeff. Did you need something?"

He'll grin real big and hold your shoulders "Yeah, I just need to test something real quick, so don't move. Just stay exactly like this, kay?"

You nod and do as told, but Jeff doesn't move either, he just stands still, still holding onto your shoulders and staring into your eyes

You then feel a chill go up your spine, and all of a sudden a horrifying warped face that looks as if it was straight out of an analog horror jumps right in front of you

You do jump a little, but other than that, there's no reaction

Jeff immediately drops the act and lets go of you "Ugh, really? Whatever loser, I'll go find someone else to scare"

And with that, he stomps off, but Ben stays for a little bit, his face still contorted into that scary one

He wiggles his fingers and makes an "Oooooo" sound before also walking off behind Jeff

They lose interest in you very quickly after realizing you won't give them a satisfactory reaction

[shelbycragg]

hi friends i haven’t been posting much art on here, i have still been in a ton of pain and it’s looking likely its an autoimmune arthritis of the spine and pelvis called ankylosing spondylitis which is good and bad news of course, it means if i can get on the right meds i can get my pain down. bad news is i have anky LOSING spondy loser spine of pain

here in the US it takes a very long time to get a proper diagnosis and it has taken 5 months of severe pain to get to this point.

unfortunately i need to be reach out for mutual aid from our community as this has put me out of work for almost half a year and we are struggling. my partner brian is also sick and unable to work and while we are doing all we can to get support it just isnt enough to keep us afloat until one of us can get better enough to work. danny is also looking for work so if anyone wants to hire an amazing animator hit him up!!

if you wanna help us out with life expenses while i wait for medical appointments you can donate at paypal.me/shelbycragg , anything helps

once i’m feeling better i will be reaching out to people who donate to see what i can do about drawing something for you but i can’t guarantee my ability to work until i start to improve medically.

thank u love u all take care of yourselves! 🤗 im going to try to work on a painting and backlogged commissions as soon as i possibly can 🙏

[wonderjanga]

Billy and Mister Scarlet

So, I was reading on the wiki for Mister Scarlet and apparently, he’s broke. Or at least he put himself out of a job. As a result, he has to work odd jobs. You know who also works odd jobs because he’s broke? Billy. Let’s just say they run into each other every now and then when the two happen to both help sweep a certain diner, or run delivers for a local ma and pop shop.

Billy: “Heya, Mister Butler.” *little wave as he picks up some food he needs to deliver*

Brian: “Hello, Billy.” *also picking up some food he needs to deliver*

Billy: “How’s your kid?”

Brian: “He’s doing good.”

And let me tell you right now I think Mister Scarlet, or Brian, cause that’s his name, would want to adopt Billy so badly, but, you know, he’s not in the best financial situation not only that but he has a kid of his own already. The man prays every that odd job he takes, Billy will be there so he can check up on the kid. Because I mean, Billy is such a sweetie. He’s such a cutie patootie and he’s so nice. He doesn’t deserve anything that he went through, and as much as he wants to call CPS, Billy explicitly told him not to. Billy told him this one day when they were unloading boxes, or rather Brian was unloading boxes and Billy was checking them off on a clipboard.

Brian: “I’m just saying, maybe the next home could be better.” *unloads a box from a truck*

Billy: “I’ve thought that too. Multiple times. I don’t ever wanna go to another home again. I’m better off on the streets. *checks something on the clipboard*

Brian: “But you’re not.”

Billy: “But I am.” *says with a little more annoyance in his tone than he’d like. He then realizes this and feels bad* “I’m sorry. I just don’t want to go back. I don’t want a repeat of the last five ones.”

Brian: *sighs* “I’m sorry too. I shouldn’t have pushed you.”

This incident just made him want to adopt Billy more. Then, during all of this, there was his vigilante life as Mister Scarlet. He’d met the hero Captain Marvel a few times now. The man seems friendly. Or at least he seemed friendly

It all started when the two had briefly teamed up to take down a villain.

Marvel: *staring at Mister Scarlet, looking confused*

Mister Scarlet: “What? What is it?”

Marvel: *puts hands on hips* “Well, it’s nothing really. It’s just that every time we meet, I can’t help but think you’re familiar.”

Mister Scarlet: “I don’t feel that at all.”

Marvel: “You don’t, but I do.” *stares for a few seconds* “Mister Butler…?”

Mister Scarlet: *has an almost-heart attack* “Wha? How do you?”

Marvel: “I’m Billyyyssss… uncle. Billy’s uncle.”

Solomon: “Nice save there, champ.”

Mister Scarlet: “Billy’s uncle…?” *remembers the one time Billy opened up to him about how his uncle was the reason he lived on the streets* “You… You bastard!”

Marvel: “What!?”

Mister Scarlet: “Billy! He told me about you! You scummy scum! That kid isn’t in school, working at the ripe age of 10! All because of you!”

Marvel: *hits Billy like a train when he remembers that he told Brian about the whole Ebenezer thing* “Uhm… he’s 12.” *mumbles*

Mister Scarlet: “Like that’s any better! How dare you! How dare you go and pretend to be a hero when you kicked that poor kid to streets?! What is wrong with you?!”

Marvel: *just stands there and takes the verbal lashing because he can’t really say anything without being outed as a liar*

[hanahanumana]

From AnaMaria Abramovic on Fb

Paste magazine has done an article about Michael and how underrated he is in Good Omens and I found a transcript since it's behind a paywall. Here's the link if anyone wants to subscribe. 💙

https://www.pastemagazine.com/tv/amazon-prime-video/good-omens-michael-sheen-underrated-performance-explained-streaming

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

[muscleloverz69]

A Raw Deal

To a normal person one of the fae might appear human. In fact it is nearly impossible to tell the two apart. The only difference is the fae are always extremely hot. One of the most important rules of dealing with the fae is never make a deal. Unfortunately, Brian had no idea Nick was anything but a young vendor at the music festival. 

All the food looked so good to Brian and he was so hungry, too bad he realized he was flat broke once he reached the front of the line. He looked up from his empty wallet at Nick to apologize and completely froze. Brian had always been completely straight but even he could admit Nick was one of the most attractive men he had ever seen with completely chiseled features, perfect lean muscles that complemented his narrow waist and thick upper thighs spread out in his seat. Nick smirked “Hey dude, you good?” 

“Oh yeah sorry I’m flat broke my bad I’ll step out of line.”

Brian was so flustered he completely missed the predatory gleam in Nick’s eyes. “Bro don’t even worry about it, I’ll make you a deal help me out in the back for a couple hours and lunch is on me.”

“Wow really, thanks!”

“Of course! The only rule is you can’t eat until we’re done or it’ll mess up my inventory count.”

Brian was so hungry but he knew he could struggle through a couple hours for a free lunch, so he nodded and followed Nick into the tent behind the counter.

The moment Brian entered the tent he felt his stomach cramp up, the most delicious smells of pies, cookies, and sandwiches were coming at him from every angle.

“So, I really just need you to stay here for the next two hours and make sure nobody sneaks back here and eats anything.”

Brian could only shake his head in agreement and watch as Nick walked away admiring his full ass move as he did. He rubbed his eyes trying to snap himself out of it. Brian had never so much as looked at a man in his entire life but maybe the hunger and partying from the past couple days was getting to him.

Not to mention Brian was a little sex-starved. It wasn’t that he was unattractive. Some would definitely think he was cute but it was always in a twinky nerd way. He looked nothing like Nick who was already occupying more space in his mind than another man should.

The first hour wasn’t easy, but Brian just tried to ignore the food around him and relax. He didn’t notice Nick peek through the entrance. Nick was starting to wonder if Brian would make it the full time and decided he needed to turn up the challenge. Nick walked back into the tent holding a large pizza. “Hey, this came a little early its for after you’re done working but it might be a little cold by then.”

Nick shrugged and walked back out. Brian sweated it out for a few minutes before finally stuffing his face with the pizza. It only took a few bites before Brian could tell something was wrong. First he felt a burning sensation on his arm, then in big letters NICK was written in black on his arm. He found himself frozen unable to move at all.

Brian stood there unable to move for the next few hours until it got late. Then Nick walked in with a wicked smile across his face. “Hello Brian, so it looks like you couldn’t wait to eat. Unfortunately, that means you are now my servant.”

Nick snapped his fingers and Brian found myself able to speak but my feet were still planted to the ground.

“WHAT. I don’t understand I’m sorry I couldn’t help myself.”

“Brian, it’s quite alright. These things happen you’ll come home with me and the details of your contract will be provided shortly.”

Nick walked forward to Brian wrapping his muscular arms around his waist. Nick brushed under Brians chin forcing them to make eye contact. Nick leaned in their lips brushing against each other. “We are going to have fun together.”

Brian woke up in a large bed sore and confused. As he looked around his eyes landed on a man. He was an attractive guy, large boulder shoulders and beefy pecs that shadowed over him.

“You’re up,” the man walked over to him.

“My name is Jock how do you feel?”

Brian shook his head confused, “your name is Jock.”

“I don’t think it was always Jock but that’s what master said it is now.”

It was then Brian glanced down at his arm to the letters NICK and remembered what happened. Jock went on to explain that Nick was a fae and had tricked the both of them into becoming his slaves. They were now magically forced to do anything Nick asked. 

“Really anything master wants you’ll do, become, or believe,” Jock sat down on the bed. “I didn’t always look like this but this is what master wanted for when he has fun with me”

Brian was in disbelief at what a quick turn his life had taken. “So what can I do? I’m not gay and I don’t want to be owned.”

Jock shook his head “There really isn’t anything you can do, my only advice, Master offers everyone the same deal…take it.”

It was then the door swung open. Nick walked in to the bedroom shirtless, his tight muscles reminding Brian of some predatory cat. “Jock thank you for watching our new guest, you can go.”

Like that Jock was gone. Now it was just Brain and Nick.

“So Brian I trust Jock filled you in. Now its time to make you more suited for my home. First I value fitness so grow your muscles for me.” 

Brian hardly had a chance to be confused before he felt his stomach ache and looked down to see a set of cobbled defined abs. He suddenly felt much wider as his shoulders and back spread. His pecs began to balloon and his biceps thickened.

Nick smiled as he closed the distance between them. “Now you look tasty.” 

Nick kissed Brian pushing him backward on the bed. Brian opened his mouth to say something but Nick cut him off “You will participate and try to please me.”

Brian quickly got the message and allowed his lips to part for Nick’s tongue. Brian tossed his own shirt on the floor. Internally he was screaming, I’m not gay, but he couldn’t help but try to make Nick happy.

Nick groped Brian’s new arms before cupping his face. “Now time for a few more things. First Brian doesn’t quite suite you anymore, I think from now on you’ll be Thad and you can forget it was ever anything else.”

Thad was confused. Wait wasn’t his name always Thad. Was that right?” 

Nick interupted Thad’s thinking, ”The only thing is that name isn’t known for being intellegent so let’s dumb you down and make you a little more bro-y”

Thad felt a relaxing fog descend on him, he didn’t mind it. “Bruh that kinda feels sick.”

“Now just one last thing. I offer everyone this deal, now it’s your turn. You will live hear forever but if you agree to become gay I will make you happy to be here. Then you’ll have as much fun with our encounters as me. I could just make these changes myself, but honestly it’s no difference to me how you feel and the choice is more fun.”

Thad felt confused. A feeling he would probably have to get used to with his new intellect, but he needed to choose. Thad decided that if this was his new life he might as well enjoy it.

“Ok dude, do it.”

Thad felt it almost instantly. He was in the best place ever, and standing in front of him was the sexiest man he had ever seen. Thad almost lept forward, ripping Nicks pants off and began latching onto his cock. Nick gripped Thad’s new styled hair as his head bobbed up and down. Then Nick came. Nick chuckled Thad didn’t know it but the entire spell only would have lasted 24 hours then he could have gone home free, but now that he willingly drank Nick’s cum the spell was sealed forever.

Meanwhile Thad was in total bliss he was going to love being here with Nick and Jock.

[weezerlvr228]

they look half dead ☹️

[hotluncheddie]

‘I just don’t get it.’ Steve says, slamming the apartment door, pouting. 

He throws his keys down on the counter in a huff. Untucking his polo from his skin tight ‘date jeans’ and rubbing his fingers soothingly over the little indents they’re leaving on his belly. 

Eddie and Robin are splayed out on the couch, air hazy with smoke and a half eaten pizza on the coffee table. ‘What babe?’ Robin asks, lifting her arms up and making grabby hands at Steve. 

He slumps over and falls into her side, snuggling into her shoulder and taking a puff form the joint she holds to his lips. ‘I though coming out as bi would mean I’d go on nice dates, like I used to take girls on. But people would take me on them instead, guys or girls.’ He explains, taking another hit. 

‘Ah. Brian wasn’t the one?’ Robin asks. Putting the joint back in her mouth and tucking Steve closer under her arm. 

‘No.’ Steve pouts. ‘He was lame and he got all weird when I ordered pie. Which, like, we met at the bar, he knows what I look like, it’s not surprising that I ordered pie. Then he started yapping about his jogging routine.’ Steve rolls his eyes, undoing the fly of his jeans so he can kick them off and get comfy on the couch, like he always does, ‘date jeans’ are way too constricting for high pizza time. ‘Like one, bold of him to assume I don’t jog when I do, like, when I feel like it. And two, the pie was really good! I even offered him a bite and he didn’t even accept it! Rude!’ 

‘So rude.’ Robin pets at Steve’s head. 

Eddie unsticks himself from the sofa to get another slice of pizza and pass one over to Steve in consolidation. Nodding along to what Steve is saying as it passes through the soup of his brain. 

‘Like I know people like to sleep around and that’s fun and all but why are they so bad at dating?’ He pulls another deep drag of the joint Robin holds for him, chewing a bite of pizza as smoke billows out between his lips. ‘Why does no one want a cute fat boyfriend with great hair? Why do they just see me as a piece of ass?’ He whines, the weed hitting him now. 

‘Because your ass is great babe.’ Robin says, stealing a chunk of his crust. ‘Top tier ass.’ 

He looks up at her with big eyes ‘Yeah?’ 

‘Yeah.’ She smiles at him, pinching his cheek 

‘I want a cute fat boyfriend.’ Eddie sighs, from the other end of the couch. eyes glazed over staring at the muted tv screen, his slice of pizza held untouched in his hand. ‘I’d take him out on nice dates, brush his hair and help him try on pretty clothes. I could kiss his chubby cheeks and cuddle him and call him sweet names..’ He sighs again, finally taking a bite. 

‘You know Eddie, Stevie here on the couch is single.’ Robin says, getting up to go to the kitchen. Leaving the joint in Steve’s mouth. 

Eddie looks at her go. Blinks hard a couple times and looks at Steve. Sprawled out on the couch cushions, belly peaking out of his shirt. His lovely roommate Steve. Cute and fat and silly hot. ‘Maybe I even want to hold his hand as we take a little walk. Maybe I want to take care of him and spoil him and make him feel like the world spins around him. He could get fatter, if he wanted, because i lo-like him so much.' Eddie continues. Confesses. Eyes wide and heart racing.  

Steve’s cheeks are pink, eyes glassy and pretty. ‘Me?’ Steve points at himself, joint between his long fingers, looking at Eddie, looking all over his face. 

‘Yeah.’ he breaths. Matching the dopey smile that spreads over Steve’s face, besotted and beaming. 

-

me and @scoops-aboy86 were talking about this post. so now you all have to read the silliness too xoxo

Tag list (open): @pearynice @xxfiction-is-my-realityxx @chickensinrainboots @cheesedoctor

[javelinbk]

Here it is, Beatle People! The official 'Insane Things Paul Has Said About John' list, as created by the people of tumblr. I hope this is a useful supplement to the original McLennon iceberg

Sources under the cut:

“He was a very cool boy” (@javelinbk)

"Whenever other people do that it always reminds me of John" (@javelinbk)

"We put our names next to each other in our school exercise books" (@beatlepaul4ever)

When was Lennon at his best? "When he was asleep." (@didwemeetsomewherebefore)

"A delicious broth of a boy" (@zilabee)

"A lovely little baby, John was" (@mallowedheart)

"Daddy's room" (@pauls1967moustache)

"We’re songwriting together even if we’re not together" (@midchelle)

"John seemed like some sort of emperor in control of it all" (@blondecasino)

"I'm trying to get my son to have a son and call him Lennon, and then he'll be Lennon McCartney" (@peaceloveandstarrs)

“John and I had millions of fabulous little experiences in Paris” (@divine-sphinx)

"We used to have wanking sessions" (@merseydreams)

"You can be heterosexual and be having a homosexual dream and wake up, and think, 'Shit, am I gay?'" (@skylikeaflame)

"It was a place called Menlove Avenue. [Pauses] Someone's going to read significance into that: Paul and John on Menlove Avenue. Come onnnnnnn" (@s-l-martin)

"I slept with him a million times" (@s-l-martin)

"A wild and woolly genius who it was my pleasure to work with, walk with, talk with, and occasionally sleep with." (@didwemeetsomewherebefore)

"In bed" (@i-am-the-oyster)

"Well, I’m sure Brian was in love with John, I’m sure that’s absolutely right. I mean, everyone was in love with John; John was lovable, John was a very lovable guy." (@whenyourbirdisbroken)

"Dear friend, throw the wine, I’m in love with a friend of mine." (@heartsinthebasement)

"We got very drunk and cried about how we loved each other" (@nikidontsurf)

“Then also we were like married, so you got the bitterness. It’s not a woman scorned this time, it’s two men scorned — probably even worse. And I had to make way for Yoko. My relationship with John could not have remained as it was and Yoko feel secure.” (@thefortunateisle)

"If I was a girl, maybe I could go out and…" (@alienoriana, @majinmelmo)

"You just don’t hang around with your ex-wife" (@javelinbk)

"No, I have a lot of dreams about John, and they're always good" (@notgrungybitchin, @skylikeaflame)

"This (painting) is John’s Room. It just looked to me like John, when he had his long hair and then his cloak or whatever this is. Then I just scratched in that, looked like one of those drawings John used to do. You know his funny little men. So then I called that John’s room … If I’m gonna see a face in a painting it’s highly likely to be his." (@foryouwereinmysong)

"I wish I had sat and just hugged John all the time when we were together.’ (…) I’d just sit around and hug him forever. That’s the depth of my feeling for him" (@theoldmixer)

“Here Today - a love song to John” (@javelinbk, @bluewater9)

"So if you've got someone, you want to tell them you love them, just get it said, don't wait" (@lennon-gal)

And honourable mention for the following stories:

Stalking John all over Liverpool until Ivan officially got them introduced (@only-a-northern-soul)

‘He’s been telling himself and the whole world that nobody cared about writing songs and his music before he met John. He knew George Harrison.’ (@greatsaladavenue)

Quitting his job to commit to the band aka explicitly picking John over his father (@adriansfrombrooklyn)

Writing "Here, There, and Everywhere" by John's pool while waiting for him to wake up and write with him alone in his attic (@aint-that-kind-of-blog-bruv)

Taking the one photo of him and john from that night with the cursed pictures with jane and then blowing it up and hanging it in his office at apple (@pauls1967moustache)

Taking LSD so he could join John in his potentially bad trip (@scurator)

The time he vaulted over a table because another man was touching John and Paul had to physically intervene (@scurator)

[justarandombrit]

Believe it or not, I did in fact go to see Spies Are Forever (you'd never know from looking at my blog), and, as usual, I wrote down some notes. My memory is shit so I'll probably update this with additions when I remember more, but for now, below the cut...

Act 1:

. They played Show Stoppin' Number and so many people were singing along

. It started midway through them playing The Guy Who Didn't Like Musicals

. Joey: “Sorry to anyone who thought they were seeing Wizard Of Oz. Although, this show has many friends of Dorothy”

. Emily Proudlock has a beautiful voice. The microphone was struggling a little at the start, though lmao

. THEY GOT AN ACTUAL BANANA PEEL

. Oliver Ormson (Owen) called Curt “Mega” which in the show he doesn't do until he becomes the DMA (not a criticism, just interesting)

. Owen said the “A man needs his privacy”(?) line, so Owen and Barb have officially interacted now

. I love Brian's Informant. His French accent was so over the top

. Brian stared at Clark when he said “The Deadliest Man Alive” until Clark played the keyboard sting. And then whenever anyone else said it throughout the show, he played it.

. They left in a huge awkward silence when the DMA was waiting for Sergio and it was so funny

. Sergio sounded so awkward when he said “You guys can relate, right?”

. Joey fucking SCREAMED “PLEASE!” during Sergio's little Somebody's Gotta Do It reprise

. “The Deadliest Man Alive disarms Mega and escapes”

“He does?”

. Dean John Wilson walked back on stage after his exit, said “The Deadliest Man” and left again

. Okay, so Claire M. Hall is a perfect Cynthia

. You guys are gonna crucify me for this, but I actually liked her Eyes On The Prize I better than Lauren's…

. Joey was making the weirdest faces during Eyes On The Prize II

. Curt cocked his head at Hallucination!Owen and Owen shrugged and mouthed “I don't know” at him

. I LOVE EMILY OOI’S BARB!!!!!! She did a cute little dance during “It's actually a gun!”

. Obioma (Curt) pretending his beard had been shaved lmao

. No Richard Big appearance sadly

. Curt was even more oblivious about Tatiana hitting on him than in the actual show

. The Nazi ensemble stuck around throughout the whole scene and kept gasping when Curt called them villains

. THEY MADE NOT SO BAD… EVEN MORE NOT SO BAD

. “SAY WE GOT A BIT LOST, WITH THE WHOLE HOLO–” *looks at ensemble* “ehh…”

. “WE DID ALL WE COULD DO TO poopoo THE JEW”

. They didn't make the audience chant, which was… probably for the best

. Von Nazi yelled “I'm a big boy! A BIG BOY” at Mega then walked off without using his knees

. Curt groaned and hung his head when the DMA said “I'm gonna torture the living shite outta you”

. Actually gasped at the overlapping “Doesn't even matter if I killed my best friend” and “To show you the horror of staying alive”, even though I knew it was coming

. The homoeroticism 🤌🤌🤌🤌

Act 2:

. I WAS ON THE SAME ROW AS A.J. FUCKING HOLMES AND DIDN'T NOTICE UNTIL JOEY SHOUTED HIM OUT

. Joey shouted out loads of cosplayers still in character as Vanger Borschtit

. Everyone was so excited about Vanger Borschtit, and Joey made everyone cheer for an acceptable amount of time “for his reel”

. The new We Love the Prince lyrics really are so much better (also what did he do to the Pope?!?!?)

. Vanger Borschtit was DISTRAUGHT when the prince died

. Obioma stared so blankly into the audience at “Or whatever it is you boys do in the rumpus room”

. I think out of all of the new cast members, Evelyn Hoskins (Tatiana) sounded the most like the original actor (she was also so cool)

. Obioma actually sung the little “Very good place to start” Sound Of Music reference and Tatiana looked so annoyed

. Tatiana was SO into Doing This up until the kiss (which wasn't a real kiss lmao)

. MRS MEGAAAAAAAAAA

. The lights flashed rainbow after the line “So we're just… friends?”

. Curt looked straight at Barb when he said “Some of us may die”

. Curt paused before he drank the shot, and then started drinking a load and everyone stared at him, really concerned. It was a really neat piece of acting

. Von Nazi kept stressing how he had no idea how Feurgin was killed

. The Informant looked so concerned at the start of NSB reprise, then actually kinda got into it

. Jak Malone (Von Nazi) made his death SO DRAMATIC. He fell to the ground and went “Ow, my back! Ow, my front! Ow, my…self” and then got up and bowed

. Owen stood behind the DMA and they just spun around while Joey narrated

. Joey: “THE DEADLIEST MAN ALIVE FALLS DOWN THROUGH A HIDDEN TRAP DOOR IN THE STAGE–”

. ONE STEP AHEAD JSTSKTKEYYKDKFYFUHDYSWWGDJFKGKFDHSGSTSFJKGKGKGJDSYSYIFKF I'M NOT OKAY

Dean: *Crouch-walks away*

. Owen stared directly at Curt (and addressed him instead of Tatiana) when he said “Don't slip up” and loads of people “Ooh”ed

. Owen seemed actually on the verge of tears in Spies Are Forever (Reprise)

. He also fully yelled “You're a caveman!”

. They changed the line “Taking your advice” to “Moving on”, just like Curt (I think it was Curt? Edit: IT WAS JOEY) wanted in the livestream

. The speech before Spy Again (Reprise) was so good. Everyone came out on stage and it was all just incredible

. SPIES ARE FOREVER, IT'S A MUSICAAAAAAAAALLLLLL……. IT'S ABOUT SPIES!

[foressfaction]

Warning: mentions of s*icide and other topics that could be triggering

“My trust in you is like a dog with a broken leg”

Time to yap

Can we just talk about how I think if Toby ever got caught and arrested by the police that he would straight up just let them. His life is so shit and aside from maybe in AUs where he lives with his work partners (Tim and Brian) or with Jack, that he is practically homeless and has been barely scrapping by. Lets just say even in one of those AUs he’d surrender due to pure panic cause being held at gun point would probably freak bro the fuck out and he’d have no possible choice. Now of course he’d put up a good chase but maybe in a situation the authorities just run into him. He’d just let it happen.

I’d feel the police would know who he is even after the years. I don’t think he’d look much different other than the changes that are inevitable. I feel they’d be gentle. Though yes. He killed people, has weapons. But by then they learned the story, I just think they’d be gentle. He would have a look of pure fear for once other than what goes on in his head. All he knows is fear, anger, guilt. I think that would be very prominent in his arrest.

He doesn’t know his rights, he doesn’t know how to comply, just lets his body be escorted and almost dragged away into what ever vehicle they would transport him.

In court his mom who still lived would face him for the first time in years after thinking both of her kids were dead. What she saw of her brutally murdered ex husbands body still haunted her. And probably wouldn’t leave her mind upon first glance at her son. She sees him as a killer, but certainly not a monster. Tears would stream but her face would stay blank. Her black mascara running down her pale skin.

Her hair has grown longer and put up in a neat bun, some loose strands from the family’s genetic frizzy hair.

She’d lay eyes on her son that had gone missing all those years ago after such a traumatic event. She knew him better than anyone.

But Toby… he wouldn’t even know who she is. He would have this gut wrenching feeling something was off, everytime he would look at her, like he was supose to know something, feel something. But nothing.

I feel like the court would consist of questions, ones that would only be answered by the sweet sound of silence and head tilt downwards. Obviously he didn’t remember his past. But they would ask so much about it. About Lyra, about the fire, his home life. They probably would mention that his mom is in the room, and ask what she thinks.

She wouldn’t respond sometimes, still in complete numbness and shock that her son was not only alive, but had been homeless and taking more lives of the innocent. At first it was a case of escaping abuse, but there was something far more sinister going on as well.

He looks so much older than what she remembers. So worn out looking and exhausted. His eyes were so dark. She’d recall. So lifeless. Deep down she loved him dearly and wanted nothing bad to happen to him. But that was not up to her. He was a murderer.

I feel there would be a moment where they’d touch hands. He would be shaken up, just like when he was little. But he was so different at the same time. To him this was just some ordinary woman. She also looked so different. He wouldn’t even be able to form words, as that feeling of belonging forced itself to so badly be seen.

Connie would watch her son die. Not by body, but by soul. As he would be sentenced to life in a phych ward. Where there he would be treated like a dog at a pound, a prisoner of multiple first degree murder charges. Including the one of his father.

And in that cell block, behind those bars. He would slowly but surely lose his mind and become inhuman, unresponsive. A living life sized dog that would snap at any hand.

There however, he considered himself free. Even if the torture of the facility progressed, the Operator couldn’t reach him here. A feeling he longed for. But was it really worth it.

Toby dies in this place at the age of 31 due to starving himself as a form of s*uicide. His grief practically killed him and the staff let it happen.

It was all rumored to have been on purpose but it’s still a mystery on what happened to him those years ago. The answer would be unbelievable to most. Which is why he ended up here in the first place. He is so unbelievably ill.

[lakesbian]

attention everyone we have reached my personal favorite Line in worm

I stepped toward Sundancer and offered a hand to help her up.  She flinched away. Oh.  My hands were bloody.  I dropped the offered hand to my side. “Let’s go,” I suggested.

there are a lot of good Lines in worm, and while i will acknowledge that many of them are sort of objectively more powerful culminating moments than this one, this one is still My Personal Favorite. Oh. My hands were bloody.

it's been obvious through the early arcs that taylor has a lot of repressed anger: she beats the shit out of rachel, even after being bitten. she outright admits to the other undersiders that she hasn't taken subtle revenge on the trio at school because she's afraid she would take it too far/it would obviously be her. she is, initially, unnerved by violence: she's a bit scared by the gun present in the loft, it creeps her out that brian knows every way to break a person's body, she feels guilt about the idea of any civilians being hurt during the bank robbery. but she still beat up rachel, and she still shoves bugs up the wards' noses during the robbery, and she still gleefully rides rachel's dog and laughs and hollers from the joy and the adrenaline rush of victory afterwards.

the expression of this repressed anger thru violence escalates further when her concussion leads her to slapping emma in the mall. in the principal's office, when it's clear that nothing she or her dad says will garner help with the bullying, she shouts and slaps papers off the table and asks what would happen if she brought a knife to school. after she and her dad leave the meeting, she calls lisa:

“Hey.  How did it go?” I couldn’t find the words for a reply. “That bad?” “Yeah.” “What do you need?” “I want to hit someone.”

lisa invites her to a raid on the ABB so she can do that, and it's soo. Sooo Very. to watch how she cuts loose on it. she's so angry rachel notices it in how she's standing, and she's still confused about how rachel noticed. she's a confident leader when the fight goes crisis mode, she responds to rachel bucking against her orders by consistently shouting at rachel to "NOT fuck with me right now," she acts nigh-suicidally aggressive during her fight with lung, and she snarls "don't fucking underestimate me" when she takes him out using a caterpillar dipped in newter's blood.

all of this happens in relatively subtle increments. she doesn't notice how she progressively becomes comfortable expressing herself and taking charge instead of withdrawing or acting insecurely during the course of the mission. she doesn't notice that she's not horrified by dealing with newter's wound or seeing the sniper's broken leg. back in unmasked society, she was forced to consider how many of her aggressive actions were the result of the concussion loosening her impulse control--here, she repeatedly yells at bitch without a second thought. it's a place where her violence and anger isn't only acceptable but necessary. the circumstances normalize her outbursts and comfort with violence to her, leaving her blind to how alienated and dissociated and repressed and traumatized and furious and just Fucked Up she has to be to face down lung and then dig his eyes out.

when she says that she "doesn't believe in eye for an eye," in arc 4 alec asks her why the fuck she's a supervillain. his implicit assertion is clear: being a villain is, for him, about taking your revenge for being hurt out on whoever you can manage or justify, even if they're not the person who originally hurt you. and taylor thinks she's not doing that. but hey: she goes beyond just "hitting someone" and into literally taking lung's eyes as a culmination of the cathartic violence she's been engaging in as recompense for how she was mistreated earlier.

and the person who serves as a more "normal" reference point for how far taylor just escalated is sundancer: horrified by the idea of having to use her sun to hurt people, shocked by how casually violent taylor has been, flinching away from taylor when she turns to sundancer after committing that violence & tries to offer sundancer help.

because, oh. her hands are bloody. she hadn't even noticed how bloody they were getting, but they are.

deeply evocative one-line reminder of how taylor has changed in these first five arcs, without even noticing. and the best part is that, while the imagery of "oh. my hands were bloody" does convey that change in an incredibly brief and powerful way, the fact that taylor is saying it still means even she hasn't really realized. she thinks it's mainly just about the superficial, literal blood on her hands, and not the metaphorical blood on her hands that sundancer is disturbed by. it's good.