#watching the trailer was a weird experience

[moonlitwintersky]

So... the trailer for Red, White and Royal Blue looks like it was taken straight out of a merthur modern au fic, right?

Like I KNOW it’s from a book, and that I don’t know the whole story, and that there are many clichés (from what I got from the trailer) that are not EXCLUSIVE to merthur... but c’mon.

The disrespectful foreigner, the bantering, the forced proximity that forces them to get to know one another, the internal conflict of his responsibilities as prince vs his own desires, wondering what it’d be like to be a commoner, blond and dark hair.

I’ve read this before. Multiple times.

[infizero]

grgrhgahahh i wanna read more pokespe but i cant do it on my phone and im not unpacking my stuff until the morning

[swashbucklery]

Hey nerd-friends, question:

- is Asohka actually queer? Is this a thing I read? - if I like the trailer for the new Asohka series, how much Other Star Wars do I have to consume before I can follow along? I cannot with the CGI series no matter how good people say they are, and my patience for watching Cishet Star War Mans talk about Space Feelings is razor-thin so i have not been able to sit through any Mandalorian/am still trying to finish but not doing great at getting through Andor, and would love to keep it that way?

But also if there are things that will ENHANCE my experience I would like that? IDK.

[youremyonlyhope]

Stupidly I decided to watch this video just now.

Today would have been my Grandma's birthday, but we lost her last fall and then my Nanna in the winter.

I did not think that a commentary video on Rugrats would make me uncontrollably sob. But I blocked out how sad the Mother's Day episode was. And combining it with Grandma's birthday...

I've spent the last 10 minutes or so doubled over crying.

[nullcanary]

"Now all my other gods are dead. Hallelujah, to the apocalypse in my head!"

[imaginesig]

Nepo Baby

Xolo Maridueña x Macchio!Reader

Ralph Macchio x Daughter!Reader

SMAU

I wanted to do a fic with dad Ralph Macchio, but I figured that alone wouldn't be interesting so I added Xolo as a romantic interest. Lowkey starts kinda crappy but gets better as the story evolves

I also kept his real kids out of this because I didn't feel comfortable including them

yn_macchio

liked by missmarymouser, Ralph_macchio, user42, and 928,029 others

yn_macchio: I ❤️ Nepotism

tagged: no one

Ralph_macchio you need to at least get a matching bandana if you're gonna post Karate Kid

yn_macchio set me up then

Ralph_macchio next time you come home it'll be waiting

user7 I love their relationship so much

user1 OMG A NEW SCRIPT!!

user2 Y/N ARE YOU JOINING COBRA KAI

user7 OMG PLEASE

user3 Daniel LaRusso mentioned‼️

user5 ugh hes so fine

misssmarymouser my fav nepo baby!!

yn_macchio 😘😘

user6 first using her dad for jobs and now likes 🙄

William_zabka Johnnys better

yn_macchio you're so right

load more

Twitter

yn_macchio

liked by thejacobbertran, user42, solo_mariduena, and 829,028 others

yn_macchio: bring your daughter to work day!!

tagged: ralph_macchio, william_zabka, thejacobbertrand, xolo_mariduena

william_zabka wonderful to have your energy on set today!

ralph_macchio she’s got the correct headband now everyone!!

Peytonlist when she makes dealing with those two idiotic bearable>>>

thejacobbertrand I’ll remember this

xolo_mariduena I’m hurt😔

yn_macchio I love you so much 🫶🫶 @/peytonlist

peytonlist 😘😘

thejacobbertrand NOW IM DEFINITELY REMEMBERING THIS

missmarymouser I GOT BEAT ON THE POST BY XOLO?? AND JACOB?? What happened to that cute selfie we took Y/n 😭

yn_macchio don’t worry it’ll be on a more ~aesthetic~ post

Load more

xolo_mariduena

liked by user4, user092, yn_maccio, and 829,029 others

xolo_mariduena: that’s a wrap #cobrakaiseason5

Tagged: I’m not typing them all out

user1 IM SO EXCITED

user2 do we think Y/n is in this one??

user3 she did seem to allude to it recently

User4 I have some doubts because they’ve started posting each other more but Xolo didn’t include her here

User5 maybe it’s meant to be a secret and if he posted her the speculation would be confirmed

Netflix counting down the days now…

cobrakaiseries we are SO ready 👊👊

Load more

ralph_macchio

liked by yn_macchio, William_zabka, user3, and 829,039 others

ralph_macchio: Happy premier to “Cobra Kai” season 5! Thank you to the worlds best daughter for being my red carpet date, with absolutely no alterer motives

Tagged: yn_macchio

yn_macchio brb crying on my flight back home, the baby pic has me emotional 😭

yn_macchio absolutely no other reason to attend a red carpet event with my super cool, super fun dad

ralph_macchio I’m watching you

user2 y/n what are you up to??

william_zabka it felt like yesterday I was being shown baby pics of you

Ralph_macchio and now we’re dropping her off to fly across the country

user1 “alterer motives” Ralph what are you on abt????

user3 y/n is plotting

xolo_mariduena

Liked by user42, user6, peytonlist, and 892,928 others

xolo_mariduena: “Cobra Kai” season 5 📸

Tagged: yn_macchio

Missmarymouser: it wasn’t even 3d where did those glasses come from 😭

yn_macchio shhhhhh🤫

xolo_mariduena don’t worry abt it

user1 anyone else think it’s weird the only other person he posted was Y/n

User2 right like girlie isn’t even in the cast😭

user3 do yall think something’s going on between them??

user4 OMG do you guys think this is what her dad was on abt on his post???

load more

yn_macchio

Liked by Ralph_macchio, xolo_mariduena, peytonlist, and 928,092 others

Yn_macchio the gig is up! What an experience working on my new show, “Callous, Retro, Wild,” has been! The trailer is out now! 🤠

Tagged: CRWoffical

user1 OMG

user3 IM IN LOVE WITH THE OLD WESTERN MOVIE VIBE

user4 and the pink overlay too!!

Xolo_mariduena damn girl 🫣🍑

yn_macchio the jeans do wonders

Ralph_macchio I’ll have Miguel written out right now I swear

tannerbuchananoffical THE EMOJIS WERE FOUL DUDE

user5 BAHAHAHA

Peytonlist I CANT WAIT

Missmarymouser this is so badass 👊👊

yn_macchio what an honor coming from you👏👏

load more

cobrakaiseries

Liked by user43, user93, user92, and 928,827 others

cobrakaiseries: and with that, the season 5 promo tour is over😭

Tagged: I’m not typing that all out

user1 I’m so sad😭😭

user2 I’m going to miss all the content

load more

xolo_mariduena

Liked by yn_macchio, thejacobbertrand, missmarymouser, and 928,892 others

xolo_mariduena: little tour of the concrete jungle

Tagged:

yn_macchio WHERE DREAMS ARE MADE OF

xolo_mariduena THERES NOTHING YOU CANT DO

User1 🤨🤨

thejacobbertrand Xolo can pull??

tannerbuchananoffical alert the public 🚨🚨

xolo_mariduena stfu both of you

missmarymouser WHO IS SHE

xolo_mariduena Idk 🤭

load more

twitter

Yn_macchio

Liked by cobrakaiseries, user92, user3, and 892,928 others

Yn_macchio: She’s nominated for her first Golden Globe 🤩 I’m so honored to be nominated for “Best Actress in a Television Series- Drama” and a huge congrats to the entire team of Cobra Kai for their nomination for “Best Television Series- Drama”

Tagged: no one

Cobrakaiseries Thank you and congrats to little Macchio 🥋🙌

yn_macchio 💋💋

Peytonlist PLEASE THE LAST PHOTO💀

yn_macchio listen if you don’t manically laugh in public upon being informed of your nomination did you even get nominated 🤔

Missmarymouser time for Cobra Kai and Callous, Retro, Wild to tear👏the👏Golden👏Globes👏up👏

yn_macchio we’re gonna eat it up

xolo_mariduena ahhh congrats 🫶🫶

yn_macchio thank youuuuu💋

tannerbuchananoffical 👀

thejacobbertran 👀

Peytonlist 👀

Missmarymouser 👀

gianni_decenzo 👀

Load more

xolo_mariduena

liked by yn_maccio, user1, tannerbuchananoffical, and 829,823 others

xolo_mariduena: Just a couple of golden globe winners

Tagged: yn_macchio

Ralph_macchio the secrets out! Finally!! I can talk about you guys

yn_macchio ❤️❤️

Missmarymouser I had my suspicions but I’m still shocked

thejacobbertrand OH OH OH

tannerbuchananoffical ok brother

user1 THAT TWITTER PERSON WAS RIGHT

user2 OMG OMG OMG

user3 STOPPP

user4 what in the wattled has occurred today

load more

yn_macchio

liked by peytonlist, missmarymouser, user5, and 982,092 others

yn_macchio: I MET RYAN GOSLING (and won a golden globe (I would like to thank the academy (oh and my mans here too)))

tagged: Xolo_mariduena

user1 LMAO Y/N REALLY RUINED THE POST AESTHETIC JUST TO INCLUDE HER SELFIE WITH RYAN

user2 she’s so real for that

xolo_mariduena you’re telling me I snuck around for months, kept my big mouth shut, perfectly crafted a soft launch post, AND made what I’d argue was a pretty nice caption all for Ken to come along and take my spotlight

yn_macchio whoops🫣

xolo_mariduena WHOOPS??

thejacobbertrand how dare you put my boy last

yn_macchio 😐

peytonlist y/n you didn’t go to the academy

yn_macchio I know but people always say it so 🤷🏼‍♀️

ralph_macchio so you’re priorities are 1) Ryan Gosling 2) winning an award 3) thanking a school you didn’t attend for said award 4) your boyfriend

Yn_macchio yes.

ralph_macchio you know what? I like that order

Xolo_mariduena and here I thought you liked me Ralph

william_zabka the Macchios are no man’s peace

user3 this is the most chaotic Y/n thing ever 😭

load more

Ralph_macchio

Liked by yn_macchio, William_zabka, user5, and 822, 922 others

Ralph_macchio: I wanna brag on this awesome girl for a second. She has official won her first “big girl” award ever and boy did she deserve it! Watching you star in “Callous, Retro, Wild” was such a tear jerking experience. I remember when you were a toddler running around and pretending to be Daniel LaRusso (we definitely showed you Karate Kid way too young) and now you’re originating a role with such depth I can’t help but cry. I’m so proud of all the hard work you’ve put in, and I’m proud of your ability to pick a boyfriend. He may be an idiot but he’s a good one. I love you to the moon and back ❤️❤️

tagged: yn_macchio

yn_macchio aww dad you’re making me cry! I love you so much ❤️❤️

yn_macchio also don’t think that jab went unnoticed

Comments have been limited

[dsireland86]

*credit for the top four pictures goes to owners * *credit for the bottom pictures goes to me :)*

Okay, friends..... I have a story to tell.

Wasn't planning on it because I never thought I'd see these pictures on Pinterest.

So here it goes... September 8th, 2023, I went to Atlanta and saw Bad Omens for the first time ever at the Coca-Cola Roxy. It was a freaking experience of a lifetime, let me tell you

That's how close I was!

I was so mesmerized by the four of these guys so freaking close..... omg... anyway...

After the show, I hung around outside the venue for a while, talking to others about the show, watching the crew load up trailers with equipment and other stuff, just soaking in the entire experience because I didn't think I'd ever get the opportunity to do it again.

Saw some pretty amazing stuff that night. Hours later, after exploring, I headed back to the venue for one last look and just really soaked it all in. By this time, it was almost 2am, and there were still people hanging out, waiting around to get what I guess was a glimpse of the band. As I turned to leave, I saw Noah and Ash walking up the sidewalk, heading back towards the bus. Noah looked absolutely exhausted. But you know what..... despite how he felt, he still took the time for these people who asked him for pictures. In the very first picture, there is a body standing in the back left, and that would be me. Just found this out a bit ago, hence why I'm sharing my story. It reminded me of that night and how amazing it was and how seeing Noah in person, only feet from me, changed my life. He was gentle, respectful, and kind to everyone who wanted a piece of him and all I could do was stand there, just a few feet from him and look at him, seeing his tattoos with my own eyes and just how freaking tall he was.... Holy hell.

He looked at me and asked if I wanted a picture too, and all I could do was shake my head and smile while saying, "Nope, I'm good. Seeing you in real life is enough." The look on his face, I will never forget, as He chuckled with a tired grin and said "alright". I seriously felt my soul leave my freaking body. I felt absolutely stupid once he walked away, but when he turned back and looked at me, still grinning and waved to everyone that was around, which were only two out of the four pictured plus me, I didn't feel so bad anymore. Noah was kind and sweet, and it wasn't until I saw these pictures that I fully remembered how awesome these guys are and that they're beautiful humans who are faulty and awkward and weird just like us. I thought I'd share this experience with you all, my Tumblr family, since I really have nobody else who would appreciate it as much as you!!! Love you all, and I hope you have a fabulous Monday tomorrow 😘

The four top pictures were taken that night.

[jaegerisim]

Vent post y'all are gonna hate me for.

I viscerally hate how the Duffers treat most of their non white or queer characters and I hate even more viscerally, how y'all big byler blogs in your circle jerk of other 5 big byler blogs casually like to ignore many red flags the show has.

Y'all like to say: "tHe DufFeRs ArE gReAt WrIteRs" and it's like girl, who are you lying to??? They aren't top shit writers at all. The Duffers are pretty mid imo. Yeah, they run a good show that's fun to watch and theorize abt , but that doesn't mean they're good writers cuz they're not.

1. they completely side lined Will during s3 for the sake of their straight romances: lumax, jancy, mlvn, duzie and partly stobin (even if stobin wasn't endgame, thankfully, Steve's intentions were clearly wanting to date Robin and they gave it a lot of screen time). Will was sidelined bc he didn't fit the straight romance plotline bc they planned to make him gay or whatever. Now in s4 Will and his feelings have been used as mlvn toilet paper. Yes, we like to say this is build up for byler but canonically, Will's feelings have been used to clean the shit mlvn leaves behind.

2. Billy was sympathized a lot during the last 2 seasons. They gave him the sad backstoryTM in order for ppl to feel sorry for him. Billy's backstory is literally Jonathan's but whatever.

3. El's anger issues are constantly girlboss-ified. They down play her bullying situation and literally just use it for El to be a ''girlboss" without realizing how triggering that is. As someone who has lived bullying, seeing it be ignored by canon and fanon is super sad. The whole Rink-O' Mania experience must have been so traumatizing for her yet, everyone absolutely forgets abt it 🤷🏻‍♀️

4. Robin, Erica and Argyle are stereotypical characters. Robin is the quirky lesbian with social anxiety, Erica is the badass black woman and Argyle is the Latino stoner that sells weed to white kids and works as a pizza delivery guy.

5. Altho Argyle and Eddie both do drugs, (Eddie actually sells K-12 to a minor and nobody batted an eye. He has a huge fan base). Eddie is held in a pedestal bc "poor thing 🥺 he lives in a trailer with his uncle 🥺". Tell me a single fact you know abt Argyle that isn't "he smokes weed", "he is Jonathan's only friend", "drives a van" and "he works at a pizzeria". Exactly, Eddie is given a useless backstory and Argyle isn't.

6. Dustin stopped being important to the plot sometime around s2 and s3. He is only there to curse and be mildly funny. My guy needs to hangout with ppl his age cuz he only hangs out with seniors.

7. El needs to stop having so much "I'M THAT BITCH" screentime like I need in s5 for El's arc to not just be her becoming more powerful and falling in love with Mike. I need the Duffers to explore her trauma and problems.

8. Angela should have been run over by the van.

9. Patrick should have been given a backstory that isn't the basic "strict black parents that hit their kids cuz they are a disgrace". Patrick's backstory is actually racist af, fight w the wall.

10. As Lex already said, they didn't trigger tag the ep where Jason and his friends assault Lucas and Erica. Like wtf? Why was that necessary? Why did I have to see a black boy being held at gunpoint by some white guy?? Was it relevant to the plot?? I don't think so. And then I've got to see ppl online be like "Jason wasn't that bad. He was just mourning" like bitch you can stfu. This is what happens when you make the racist assholes conventionally attractive.

Also the fact that Lucas's arc is fulfilled by him fist-fighting Jason and "embracing his weirdness" aka accepting he is black. His arc was not fulfilled at all cuz that ending spoke so loud to me. It showed how little empathy ppl have towards the struggles poc ppl living in the Midwest have. Y'all circle jerks can only see racism when it's super obvious.

Furthermore, parents complained when ST showed "an excessive amount of smoking" yet nobody batted an eye when Billy tried to run over Lucas, when Erica (an 11 y.o ffs) was chased by white kids or when Lucas was held at gunpoint by Jason.

All of this happened while they focused on Max's guilt and mourning that, yeah, are important but certainly not less important than racism!!!

11. In s3, they gave us that whole Nancy vs The Bigots arc that was honestly just triggering and useless. It didn't help Nancy's character at all, quite the opposite it put unnecessary angst.

12. Lonnie being presented as an abuser just for him to never be spoken of again. Can we please get to explore the trauma he left the Byers's with?

13. The fact that both queer relationships are considered "sloppy seconds" is extremely sad. Both Vickie and Mike are rebounding from their failed relationship with Robin and Will. These 2 ships have caused more commotion than Jancy and Jopper together! (These last ships are technically sloppy seconds too but everybody forgets that. Shocker!!)

14. Last but not least, ppl blame Argyle for being the one to get Jonathan into smoking weed as if Jonathan probably wasn't the one looking for it. Let me tell you, that you only find weed if you look for it.

[starrystevie]

based on this headcanon i posted previously!

"what do you mean you've never had a valentine?"

eddie rolls his eyes and swings his arms across his front as if to gesture to his entire being at steve's question.

"consider me flattered that you think all this," he gestures again, "would land me a date at all, but it's not like i even want a valentine in the first place."

they glare at each other as steve picks at his cold diner fries and eddie finishes off his strawberry milkshake. they've landed at a stand still, steve trying to figure out how eddie can experience a real valentine's day, and eddie trying to figure out how to talk steve out of whatever sympathy thing he's planning. he opens his mouth to say something, and before he can get a word out, eddie cuts him off.

"whatever you've got cookin' up in that pretty little head of yours, i want you to stop. i don't want a bullshit pity date on a fake holiday that only puts more money in the hallmark ceo's pockets. forget it."

eddie watches as a grin spreads across steve's face and he knows then and there that there's no way in hell steve will forget it.

it's four days later that eddie is packing what is bound to be the best bowl of his life, feet up on the coffee table and the wizard of oz playing faintly in the background, when he hears a knock at the trailer door. he ignores it with a huff and shakes his curls out of his face, bringing the bowl up to his lips only to be cut off by the knocking once more.

"what?!" eddie yells out. he doesn't want to get up and see who it is. he wants to wallow in the weird liminal space of self-pity and anger about capitalism and smoke weed until the flying monkeys in the movie seem even scarier than they already are. he doesn't want to deal with someone when he feels so crushingly lonely-

"it's me!" steve's voice is muffled through the door. "let me in, munson!"

something vaguely hope-shaped catches in eddie's chest before he pushes it away with a deep breath and a shake to clear his head. "open the door yourself, lazy. it's unlocked."

he hears something hit the door, a loud thump that he thinks might be steve kicking the door, and then hears the door handle rattle for a few seconds before steve clearly gives up with a groan.

"come on, a little help here?"

"this better be fucking worth it," he grumbles under his breath. eddie rolls his eyes and set the pipe down on the coffee table next to his pbr with a huff. "fine, fine, i'm coming hold your horses."

he doesn't really know what he is expecting, but steve with his arms wrapped around a bouquet of daisies, a too-big heart shaped box of chocolates, a stuffed bear and a card is at the bottom of the list. he's smiling that smile, the one that eddie takes a mental picture of and files into the steve-shaped folder in his memory every time he sees it, and he has on a stupidly charming button up shirt to go along with it all.

"what." eddie says blankly, the cold february air making him shiver as it hits his bare arms. steve thrusts the gifts towards him with an even brighter smile that has his eyes crinkling and eddie's heart thumping painfully in his chest.

"be my valentine?" steve breathes out and eddie has half a mind to pinch himself.

"steve, i don't-"

"nope," steve responds and pushes past eddie to get into the warmth of the trailer. "you don't get to say no or tell me it's stupid or that today's only a money grab for the corporate elite or whatever-"

eddie balks as steve beelines to the kitchenette to pull out a large glass to put the flowers in. "it is, though."

"-we're going to sit and order a pizza and eat these stupid, over-priced chocolates for dessert, and you're going to like it."

there's butterflies and knots and something that's too close to love fluttering around in his stomach, so eddie sits down on the edge of the arm of the couch and watches as steve finishes adjusting the bouquet.

"daisies?" eddie asks after a beat of silence.

steve beams. "they're your birth flower so i thought..."

dorothy's in the background saying something about not being in kansas and eddie feels the same.

this is all as foreign to him as tin men and scarecrows and wicked witches would be. he's never had anyone, let alone someone like steve fucking harrington, barge into his house and demand a date. he's never wanted anyone to demand a date out of him, especially on valentine's day of all days. he sees steve reach for a phone book and start searching for a pizza delivery number to call and it all feels right in a way that it probably shouldn't.

"are you fucking with me?" eddie asks. his voice feels small.

steve looks up, face smoothing out from determination to something softer, and puts the phone back in the cradle. he hesitates before grabbing the card and teddy bear, this fuzzy brown thing that's holding a heart that says 'i love you beary much', and hands them to eddie.

"not in the slightest," he tells eddie. with a wave of his hand, steve motions for eddie to open the card before pulling his hand up to his mouth to bite at his thumbnail.

the front of the card is simple, just some hearts with a 'be mine' in a fancy script, but it has eddie's breath catching anyway. it's a real card with real stupid hearts and real meaning behind it and it forces him to pause before he can open the rest. he's too cowardly to admit that he's afraid of whatever it could say.

"open it," steve says like it's the easiest thing in the world and eddie pulls his eyes away from the front of the card to see how steve is staring at the paper like it's going to burst into flames. "but don't read it out loud. please."

it's an easy request to follow. with the card open, eddie glances down to see only a few short sentences written and yet it still hits him like an arrow through his goddamn heart.

you're going to think this is a joke, the card starts, but i promise it's not. it's not pity, either. it's just some crazy little thing called love. be my valentine? xo, steve.

eddie can feel how big his eyes are, wide as dinner plates, as he looks between the card and steve who probably won't be hungry for pizza after he finishes chewing off his thumb out of nerves. a laugh sneaks out in a gust of wind through his nose and it has steve wincing despite himself, which has eddie rushing into action.

"you mean it?" he asks, wrapping his hands around steve's shoulders. their eyes meet and steve looks as scared as eddie feels as he nods with a watery laugh of his own.

"yeah, i mean it. you haven't had a valentine and what better way to start than with a harrington that is absolutely nutty over you?"

the tin man is the background singing something about having a heart while eddie's beats out of his chest as steve connects their lips in a soft kiss. and eddie might be against valentine's day, against capitalism and the mass-produced niceties that it brings to the everyday consumer, but if steve keeps pressing into him like this, it might just become his favorite holiday yet.

[becauseimanicequeen]

I have a bunch of small details I've noticed in 4 Minutes so far and I thought I would gather them in a post. I may have detailed theories about some of them, but I'm too lazy to write full posts on every single one. So, here we are.

The small things I've noticed in 4 Minutes:

1.

I know that I've previously written that I believe Great is the patient having the cardiac arrest and is currently having an out-of-body experience (OOBE). But, the bandages on the patient:

They're positioned where Tyme was hurt and shot. It's possible that the patient can be either of them (or someone completely different).

2.

I loved Great's lava lamp from the moment I saw it in the first episode (I had no idea it was a lava lamp when they showed it from above in the trailer).

Lava lamps are symbols of sex and fluid social norms (among other things). Very fitting considering he has visions of him and Tyme having sex in that condo.

3.

And on the topic of Great... If Great had his cardiac arrest at 11:00, and that being the reason he sees 11:00 all the time (as well as 11:01, and now 11:02):

I think it means that he's having his cardiac arrest in the morning (so, 11:00 am). The reason I believe this is because I think his phone is set on the 24-hour clock setting rather than the am/pm thing (which makes me think all his digital clocks are set like this):

So, even though his phone shows 07:13 when Korn drops him off at night, he might've changed his setting after this to see if it stops acting weird (or it's just that all his clocks are inconsistent because he's not compatible with technology due to his cardiac arrest).

If this (Great having a cardiac arrest in the morning) proves to be true and if it has some significance to the show remains to be seen.

4.

Tonkla has an Arctic Monkeys poster, which is similar to the album cover for "Tranquility Base Hotel & Casino". Interesting considering his sugar daddy is now managing the illegal gambling sites in his dad's company.

5.

I have to mention these sunrise and sunset artworks at the hospital as well:

I find these artworks fascinating because sunrises are usually cooler (more blueish) while sunsets are usually warmer (more red/orangeish). But from our perspective, looking at them straight on, the warmer artwork has the sun setting in the west while the cooler artwork has the sun rising in the east.

Additionally, since the eye in left-to-right reading cultures often automatically goes from left to right, it's interesting that the sunset comes first and then the sunrise. Perhaps it's to show that the world is turned upside down now that Great is having these weird experiences. Or perhaps it's to show that the time between the sunset and sunrise will be important for Great and Tyme since Great watches Tyme pass those artworks (from sunset to sunrise) the first time he has visions of them having sex.

6.

This one is based on a wild-ass theory I had of Great and Tyme (and a possible third character) having OOBEs together and currently going through the different types of experiences Den's patients talked about.

When Tyme was in Manee's room in the second episode, there was thunder and lightning. What if that's the weather of his current location in the present timeline (him being shot and dying at that abandoned place in the dark) seeping through into his OOBE?

Additionally, what if the thunder/lightning in the scene with Manee is an indication of Tyme's past experiences seeping through? She talks about debt and losing her son because of it. What if that's what's happened to Tyme in his past as well, and it's seeping through as he now lies dying?

7.

The group chat that's for Great's class is called BA-63. I think the 63 is the year, so that's the year 2563, since the years in Thailand are 543 years ahead of the Gregorian calendar. And that means Great either started studying in 2020 or will graduate in 2020 (I'm not sure how the years in class names are used in Thailand, if the number here even indicates the year).

But, on the documents Nan found in the safe, it says 67 in the column which I think might be dates. That means that the records she finds are from dates during 2024. Once again, time is very interesting in this show (and I have no idea what's going on, lol).

I'm sure I'll find many more details like this as the show continues. We're only 3 episodes in, and I can't wait to see more.

Is it Friday, yet?

[rainbow-femme]

I would like to pitch a movie you should watch as it is both rather unknown and very odd

-“Wait, it’s called Sgt Pepper’s Lonely Hearts Club Band? Like the Beatles song?” Yes, it is very vaguely based on that one song.

-“Are the Beatles in it?” No, but some of their songs are.

-“What’s it about?” Unclear.

-“Is it a musical?” Technically only one person speaks and it’s a narrator, any other dialogue is sort of soundlessly implied. Everything else is just pre existing songs

-“So it works existing songs into the plot?” I don’t know if you can legally call it a plot or even say effort is put in to make any of the songs work as part of said “plot” but boy are they in there.

-“Who is Sgt Pepper?” Some guy who ended World War 1 by going into Germany with a marching band and playing marching band music.

-“What?” Yeah.

-“That’s what the movie is about?” No, he dies in the first few minutes. Fully unrelated to the rest of the story.

-“What?” Yeah.

-“So what actually happens in it?” Band of dudes goes on a trip, weird guy with robots chases them because he hates love or something, Steve Martin almost kills the main dude at one point, later on the entire story stops so the characters can watch an Earth Wind & Fire concert in real time. Day saved by magical black man who was at no point hinted at up to this point. It’s very 70s.

-“Steve Martin is in this and almost kills a guy?” Yeah, mainly to set up one song later and then it’s never relevant again.

-“Kinda sounds like a bad movie.” It is and you owe it to yourself to experience it at least once in your life.

-“Will watching the trailer help make this make more sense?” No, in fact it will probably make things more confusing. So please do that as well.

[absolutebl]

There was a surprising amount of sex in Be Mine Superstar! I really wasn’t expecting it…. Similarly, Love Syndrome had a LOT less sex than I was promised by the trailer…

Are there any BLs that had either many more or many less NC scenes than you were expecting before you started watching them?

BLs that exceeded (or underperformed) sexy expectations

Interesting question. So far, not that many Thai BLs. But I think that's just because I pay attention to the pairs and the actors in Thai stuff, and you sort of get a feel for what they will (and won't) take on. So in your examples: I know JaFirst did high heat so I expected the producers to lean into that advantage as part of BMSS because, frankly, it didn't have much else going for it.

I haven't watched Love Syndrome III yet but knowing Frank I wouldn't expect it to go super high heat in terms of actual physical contact.

I guess the ones that have surprised me are mostly out of Thailand are pulps that I knew nothing about going in. Let me see...

Thai BL that ended up being way hornier/better than I expected

Secret Crush On You - such a weird show but BillySeng brought IT, whatever IT is, they got it.

Love in Translation - yeah, what happened in that sauce isle boys? Very saucy. Whatever pun, more please.

2 Moons 3 - about on par with ForthBeam from 2 Moons 2 but nothing else in the previous 2 series would lead one to expect the horny we got in this show on the main.

Second Chance - yeah it was a throw away pulp and this studio is hit or miss on chemistry but it had one of the best kisses of its year.

Big Dragon - I don't know what I expected form the trailers, but it wasn't as good as it turned out to be. Don't get me wrong, the rest of the show is naff, but the chemistry/heat levels are scorching.

Ghost Host, Ghost House - generally the horror stuff doesn't do chemistry well, but these two have some of the best chemistry EVER put into a pulp. I really hope we see more of them.

KinnPorsche - It's no secret I'm not as wild about this show as most, but I did think the VegasPete stuff was unexpectedly killer in all ways.

Oh My Sunshine Night - yeah it was exactly what one expects from OhmFluke but THE SIDES!!!! I mean... WHAT? I'm not mad, just pleasantly surprised.

TharnType - Okay but remember at the time what we'd had from Mame was LBC (relatively low heat) and other Thai stuff I was familiar with at the time was Make It Right, Love Sick, SOTUS, and UWMA. TT was way higher heat that I'd seen from Thailand before. And then...

Why R U? - ZeeSaint's "away trip to the beach" full on sex scenes plus repping for verse was just crazy at the time. Especially since Saint played Pete in LBC before this and Zee was new to BL. Add that to the very odd and disjointed (and miss-matched) SaifahZon counter story and WRU? was this insane all over the place viewing experience, including the heat levels. There was this "what will they do next?" kind of tension over the production. Not the story (because who was following that?) but the PRODUCTION. At the time, it was welcome, but truly bonkers. What a way to drive narrative tension... pure high heat chaos.

Thai BLs where chemistry failed meet my (relatively low) expectations

My Ride - honestly, if they had just gotten the kiss right this might even have earned a 10/10 from me

Unforgotten Night - ugh

Bite Me - double ugh

Friend Forever - I know I'm the only person who watched this but why could we not have gotten ONE kiss from the leads?

Nitman - studies have since shown us it is entirely not Noh's fault... see Oh My Sunshine Night

Wedding Plan - the leads were fine, but Mame usually fails me in every way except chemistry, so "fine" is not up to her usual standards. Those standards being predominantly "they hawt together" and nothing else. There wasn't even a side dish couple to pick up the slack noodle... so to speak.

Korean BL

For most of 2022 I was consistently getting surprised by Korean BL's chemsitry when it was good but now I've settled into half expecting it yet still being delighted when it happens and is well done.

I do think Semantic Error was a bit of a seed change for them.

The problem is, now we know they can do it, we are starting to get pissed when it's bad or entirely absent.

Taiwanese BL

Taiwan is the opposite of Korea.

I expect good chemistry and almost always always get it. I struggle to think of a time when they've disappointed me (in this arena). Maybe a few? But I tend to cut Taiwan more slack than other countries because they have so few BLs and they are generally so consistent. If they falter at all, at least the side couple will pick up the slack.

Japanese BL

I have no expectations of Japan. Life as a BL fan is a lot easier that way.

(source)

[eds6ngel]

hi, b!

i love your account and i saw that you’re okay with writing smut.

i was thinking it’s eddie and reader’s first time and he’s really soft with her? maybe he’s worried about her losing feelings or of him messing everything up by his inexperience?

thank you! <3

hey darling!! i actually made them both virgins in this, just to amp up the sweetness <33 (and because i have no experience at all) also, i made this a part 2 to my 'new girl' fic, so if you wanna check out part 1, you can read it here!!

warnings: SMUT. fem!afab!reader. p in v. fingering. handjob. blowjob. cunnilingus. lots of kissing. sex talk outside of the smut. basically just your basic sex stuff. swearing. vulgar language. fluff. comfort. established relationship. r is 18, eddie is 20 [4.1k].

You and Eddie have been dating for three months by this point. You had done the most that normal horny teenagers had done: kissing, making out, grinding, hell, you even tried your part at having sex. However, it didn’t go successfully the first time.

The both of you had no idea what to do. Eddie condoms expired, so you agreed to do it without one, which was mistake number one. You weren’t wet enough whatsoever, the both of you skipping all foreplay. And to top it all off, Eddie pushed in all the way without thinking, causing you to scream out in pain and call it quits for the night.

Since then, you both avoided ridding of any clothes closely tied to a sexual nature, the pair of you scared to death that your mutual lack of knowledge was going to cause harm again.

You and Eddie both agreed that the failed first attempt was not going to be classed as your ‘first time,’ despite what society would try and argue against. You both wanted it to feel special, the relationship going strong so far, a failed ‘first time’ not ruining that for you.

You actually went out to the library both together and on separate occasions to research about sex. Eddie’s first recommendation was to sit down and watch porn together, you having to explain that in no shape or form would a woman in real life ever want to live out the fake fantasy of a porn film. Besides, it was also a very fucking weird thing to do.

Hawkins was a very religious town, you searching high and low for anything that didn’t bring up the topic of abstinence. And even when looking past that, the woman’s pleasure was always disregarded, the term ‘submit’ popping up more times than you and Eddie would like to recall. With you just turning 18 and Eddie 20, Hawkins Library gave you permission to access the restricted section, much to a very pleased Eddie. You had to keep him on track most of the time, Eddie getting distracted by the mature content.

“Baby, come on. We’re looking for books on sex, not Satanism.”

With even the restricted books being more sanitised than you would’ve liked, at least some of the authors knew what they were talking about, especially the female ones, to no surprise. You learnt about safety, to foreplay, to pleasure points, to techniques, your joint knowledge growing by the minute.

It had been around a month of research for the two of you, preparing for whenever the appropriate time would be to try again.

Which was tonight.

You and Eddie were sat on his couch watching a cheesy horror flick, Wayne working a night shift, leaving the two of you in the trailer alone, with no interruptions.

You were lying on Eddie’s lap, his ringed hand mindlessly threading through your hair as you focused on the killer slashing the victims on screen, fake blood pouring out of them as they perished to the ground.

“Babe?” you pipe up, Eddie humming in response, “How’s research been going?”

Eddie chuckles as you both look at each other, “Is that what we’re calling it now?”

“We’re studying sources to learn new facts, sounds like research to me,” you smile.

Eddie kisses the crown of your head, “Just doesn’t sound very manly, does it? ‘What have you been up to recently Eddie?’” he says, putting on an overexaggerated posh accent, “’Oh nothing much, just researching how to have sex with my girlfriend.’ People would think I’m insane, sweetheart.”

You shift yourself so you are lying on your stomach, wrapping your arms around Eddie’s neck and shrugging, “You can make anything sound manly babe. You could word in a way such as ‘I’ve been reading up on ways to pleasure my girl better.’ That’s such a hotter way to put it.”

Eddie raises his eyebrows, “Yeah,” he drags out, “But, I’m not looking into how to make the sex better, I’m looking into how to even start having it.”

“Better than most people,” you reply, “Many of my friends have told me that they don’t even get to cum when they have sex with their boyfriends. At least you’re trying.”

“Isn’t that the whole point of sex?” Eddie asks, as if a stupid question, “To make your girl feel good?”

“Unfortunately baby, most men just have sex for themselves. They just want the feeling of a vagina wrapped around their dick.”

Even though the two of you had a horrific first attempt, you were both still very sex positive. Just because you didn’t have it didn’t mean you were in any way uncomfortable talking about it.

“Stupid,” Eddie mumbles with a shake of his head, “They could just jerk themselves off for the same effect, stop wasting a girl’s time.”

“Is that what you do?” you tease him, “Just in between the research, you have a ten minute jerking break?”

“I get hot and bothered sometimes, okay?” he laughs, “There’s some very graphic images in there. S’hard to concentrate.”

And from your position sitting in his lap, it might not just be the research that gets him that way. “You sure you’re not feeling the same way now, baby?” you purr, looking deep into his eyes.

He groans slightly as you grind your hips into his, “Jesus sweetheart, if I wasn’t already before, I definitely am now.”

Your lips connected together in a passionate kiss, the pair of you grinding into each other as your tongues explored each other’s mouths. This was something you’d done before. As your relationship developed, you realised how easy it was to dissect society’s words surrounding sex. If it were society defining your relationship by its standards, you two would’ve technically lost your virginities to each other in the first month of the relationship. Grinding was a simple task to get the two of you going, even making each other cum by it. It was just further than that where you guys had an issue, which is why both still class yourselves as virgins.

As you break apart, you lift Eddie’s shirt off, him doing the same to you, looking into your eyes, asking, “Are we really about to do this?”

“I’m game if you’re game,” you reply.

He smirks, “Baby, I’m always game.”

You giggle as you begin to litter kisses down his neck, him moaning out as you find his sweet spot, his hands gripping tighter at your waist. You make a trail down his chest to his stomach, him gripping your hair as you do so, his head falling back against the couch. There was just something about your lips that were so intoxicating to him.

You reach the waistband of his pants, Eddie switching into his grey sweatpants the minute he stepped into his trailer. He was a metalhead at heart, but keeping up the physical appearance wasn’t always the comfiest.

He lifts himself up, allowing you to pull down the sweatpants, his white and blue checkered boxers on show, a visible bump from where he had gotten hard from the mere mention of you talking about sex. He hates to admit it, but this happened every time, you had just failed to notice.

You look up at him with the softest look in eyes, making sure that he was comfortable with you going further. As every book said: consent was key.

“Yeah, sweetheart, take ‘em off,” he verbalises, you nodding as you pull down his boxers, his cock springing free in front of you. You look up at him with a glint of worry, Eddie immediately taking notice. “It’s all about practice, okay? It’s you, I’m sure I’ll enjoy it regardless.”

You wrap your hand around the base of his cock, Eddie already groaning above you by the mere feeling of your touch on his body. “I, um—” you stutter out, “Do I just go up and down?”

“Yeah, babe, just—” he wraps his hand around yours, the size difference sending shivers down his spine as he moves your hand in the same motion he would when he’s on his own. Yet, the slight change of you doing it in comparison to him made it all the more enjoyable. It was true what they said: it was the person, not the action.

He shudders as you begin to create a steady rhythm, you asking, “Is this good?”

He sighs, “Nothing could be better than this baby, thank you. God, fuck,” he moans out. However, what shocked him was how quick you became accustomed to him, the feeling of your tongue licking up the side of his shaft sending shivers down his spine. “Jesus fucking Christ, God.”

In your head, you were trying to recall the steps that the book you read taught you, trying your best not to mess up and cause your boyfriend to become uncomfortable. You lick the tip of his dick, seeing that Eddie loudly moans out at the feeling, hearing him say, “Just like that baby, take it down further.”

And so you do, hollowing out your cheeks as you take him into your mouth, Eddie grabbing your hair into a ball as he lightly guides you up and down, giving him maximum pleasure. You look up at him with innocent eyes, continuing to bob your head, Eddie swearing he just died and went to heaven.

He can feel his balls tightening up, Eddie yelling out, “Baby, wait, wait!” in a manner that came across a little too panicked, causing you to immediately jump off of him.

“I’m sorry!” you squeak out, beginning to ramble, “Did I get you with my teeth? Or was I too rough? God, I was probably too rough, wasn’t I—”

But, your nervous state gets cut off by Eddie grabbing your chin and pulling you into a soft kiss, you instantly cupping his cheek back. As you part, he leans your forehead against his, “It was nothing you did sweetheart, don’t worry. I just… don’t wanna cum yet,” he shyly smiles.

“Oh,” you giggle softly, “Okay.”

He kisses your cheek, making trail down your neck, “But, I do think it’s your turn to cum for me, sweetheart.”

You whimper at his words, the eagerness oozing from his throat. “Can we, um… go to your bedroom though? This is technically Wayne’s bed after all.”

Eddie chuckles, “Yeah, I don’t think he’d be too happy with that.” He shocks you by lifting you up underneath his arms, laughing to himself as he guides you to his bedroom.

As he kicks open the door with his foot, he carries you over to the bed, placing you down gently and hovering over you, placing a tender kiss to your lips. “You’ve given me all your love sweetheart, I’m here to give you mine.”

He litters kisses all over your chest and collarbones, sucking a little to visibly show that you belong to him. Nobody else was gonna get his girl.

Despite your eyes being closed, basking in the pleasure of his soft lips on your skin, you feel him reach around the back of you, trying his hardest to unclasp your bra.

Helping him out, you sit up, wrapping your arms around his neck, smiling at him, “You need help with that, my love?”

“No, no, I got it,” he grits out, trying to get the hooks to come apart. “Why the hell is this so difficult?”

You giggle into his neck, deciding to press little kisses there as a form of distraction.

“Baby, don’t tease me. I’m struggling enough here.”

You laugh as you reach around yourself, pushing his hands out of the way and instantly un-hooking your bra, tossing it onto the floor.

Eddie can’t be drawn away from your breasts, his eyes practically bulging at the sight, his mouth agape. “I… um…” he stutters out, “I was gonna ask how you did that, but your tits baby… Holy shit.”

And no word of a lie, your boyfriend does grabby hands, like a child in a candy store, “Please can I touch them? Please let me touch them… Oh my God.”

You cup his face with your hands, smiling, “You can do whatever you want with them, my love.”

He breathes out, shakes his hands as he mutters, “Okay.” He pushes your breasts together, massaging them in his hands as he genuinely gawks, “Jesus… They’re perfect. You’re perfect. Fuck…”

You press a kiss to the underside of his jaw as a ‘Thank you,’ Eddie rubbing his thumbs over your nipples, a loud whine escaping your mouth.

He stops his motions, “That feel good?”

“Mhmm,” you hum, “It’s sensitive. Keep doing that.”

And he does exactly that, flicking over them, surprised that such a simple action could cause so much pleasure for you. “You need to go braless more baby, holy shit.”

“If I knew you would’ve had this reaction, I would’ve shown you them sooner,” you giggle.

“Better than any porn magazine I’ve ever seen,” he mumbles, leaning in and taking your left breast into his mouth, him pulling on your nipple, letting go with a pop. “Who needs porn when I can have you?”

“I better see the ones under your bed gone by tomorrow then,” you smirk back at him.

“Easiest decision I’ll ever make.”

He traces his thumbs over the sides of your hips as he makes a trail down from your cleavage to the bottom of your stomach, tugging at your belt, a much easier task for him than your difficult bra.

He pulls down your jeans, adding them to the increasing pile on the floor. The next thing surprises you, Eddie beginning to laugh as he places his head down on top of your cloth-covered pussy, his hair tickling the bottom of your stomach. “Shit.”

You laugh too, despite not knowing what he was giggling about, he was just infectious like that. “What, my love?” you ask with a smile.

“Took off your bra before I got to see the matching set on you,” he frowns over-dramatically.

You thread your fingers through his curls, “I’ll give you a fashion show one day.”

“That day better fuckin’ hurry the hell up,” he grumbles, delicately taking your panties off of your body, him not wanting to wreck them for the future fashion show you had just planned.

“Okay, he mumbles, situating his head between your legs, “I’ve heard that eating you out gets you wetter, so can I do that?”

You sigh happily, “Tell you what baby, we’ll do the colour coding system, okay? I’m giving you permission to do whatever you like. If I find myself uncomfortable at any point, I’ll say either ‘orange’ or ‘red.’ Deal?”

He nods, “Yeah, deal…” sighing out, “I’m sorry if I mess this up.”

You smile lovingly, “It’s you baby. You could be totally shit at this and I would love it regardless. Just like you said to me,” you reassure him.

“Well, I learnt some techniques anyway, now I get to put them to practice.”

You laugh as you hear him sigh out, “Relax baby, you got this.”

He nods, “Yeah… I got this.”

He takes his tongue and moves it straight up your pussy, causing you to push your legs in and let out a loud whine. “That easy, huh?” Eddie smirks.

You give him the same wide smirk back, “Depends on whether you can make me cum or not.”

“Challenge accepted,” he replies, moving up towards your clit and flicking it up and down, causing you to moan out in pleasure, “Eddie, fuck. Just like that baby.”

That spur encouraged Eddie to speed up his movements, flipping between an up and down motion to a side to side one, you grabbing onto and tugging at his hair, him discovering a new kink as he moans out loudly.

Eddie takes his middle finger and moves it down your folds, collecting your slick and pushing it into your hole, you immediately clenching around him as he sucks on your clit.

“Jesus fucking Christ Eddie, keep doing that and you’ll make me cum,” you truthfully whine out.

“God, sweetheart, already?” he asks, speeding up the movement of his finger as he tries his best not to rut against the bed, relieving the uncomfortability of his dick straining in his boxers.

“I’m an easy girl to impress,” you sigh out, giggling at your own statement and how truthful it actually was.

Without a doubt in your mind, you begin to rut against his face, trying to get yourself to the edge as quickly as possible, which was evidently working.

“Fuck, baby, I’m gonna cum. Please let me cum,” you mewl out.

Eddie drills his finger in and out of your pussy, sucking on your clit and shaking his head back and forth, sending you into a spiral as you fall over the edge, whining out, “Eddie, I’m cumming, fuck!”

As you come down back to reality, Eddie looks up at you, gripping tightly onto your thighs, a smile on his face as your juices drip down from his mouth, falling off of his chin. “Fuck me baby, I can’t believe you just did that.”

“I’ve never cum that hard before,” you sigh out, still relieving in the height of your orgasm, “Guess it really is the person, not the action.” Exactly what he thought.

He licks up most of the juices on his face, crawling back up to you and connecting your lips in a soft kiss, you humming as you say, “I taste better on your lips.”

Eddie groans out at your words, “I’d love to be sweet with you and all angel, but I really need to be inside you right now.”

You nod, “Then do that,” you smile back, “I noticed you got a new packet of condoms the other week.”

He leans over to his beside table and rips open the packet, replying, “Yeah… Well, I felt like my research was coming to an end.”

He takes out the condom and rolls it onto his dick, pinching the end and looking down at you, “You want it just like this or—?”

“Extra lube? Just in case?” you ask nervously, Eddie nodding as he reaches over to grab the bottle and squirts some on top of the condom, rubbing it over the entirety of it, making sure it would be comfortable for the initial entrance.

This was the part you were most nervous about. This was where it all went wrong last time. But, you took the pre-cautions. You were already wet, Eddie had a condom on, and it was well lubricated. Eddie was a little over average in terms of length, which increased your worries. But, on the flip side, a little under on the girth, the part that would make the stretch worse if he was bigger.

Eddie lines himself up with your pussy, leaning his forehead against yours, whispering, “Please sweetheart, I beg of you, use that colour coding system. I’ve heard it hurts for most women, but it should soon fade away, okay?”

You breathe out, “Okay… I’m ready.”

“You sure?”

“I’m sure.”

And that was the conformation he needed, slowly pushing into you, letting you take in the feeling and get yourself comfortable. “You doing okay?” he asks.

And for you, it wasn’t even that bad. Maybe you were one of the lucky ones, you don’t know, but it was more of a mild discomfort from the stretch rather than a sharp pain that the research told you. But again, Eddie being under average in his girth may have helped, something you were thankful for compared to how most women would have judged that.

“It’s actually not that bad,” you smile, “Just keep going slow, okay? We haven’t even gotten halfway yet.”

“Okay,” he nods, pushing in another two inches, the discomfort becoming a little bit stronger as you predicted, but not unbearable. It actually caused you to moan a little, something Eddie had been doing the second his dick pushed half an inch into your vagina.

“Only a bit more, okay sweetheart?” he says softly, you nodding as he slowly pushes in the final three inches, the discomfort subsiding into pleasure as you whine out.

“Fuck…” Eddie moans, “You are so incredibly tight.”

You giggle, causing yourself to clench around him, a growl erupting from his throat. God, he was vocal, and you loved every second of it.

“You can start moving now, my love.”

This was now where Eddie basically took over, his inexperience making him nervous, especially with how much he hurt you the last time. He wanted this time to be special. This was gonna be the first time for both of you, and he sure as hell wasn’t about to ruin that. He needed this to be perfect with the girl he loved.

He tried his best to find a steady rhythm, but was struggling. It felt good, but he sighed out frustratedly, you noticing his change in demeanour, “Baby, look at me. Just go in and out, don’t worry about being fast or anything. Just set a pace,” you tell him, cupping his cheeks.

“Yeah. In and out,” he mumbles, slowly pushing in and out, the two of you moaning in sync as he repeats his motion, before he finds himself a rhythm that you both enjoy, noted by a series of whines an groans.

“That’s it, you got it baby,” you say, supported by a sigh.

“That feels so fuckin’ good,” he groans out, deciding that he could speed up now that he found a good rhythm.

“Oh fuck,” you whine, your head falling back against the pillows on Eddie’s bed.

You had always heard that wrapping your legs around your partner’s back would somehow push them even deeper, sending women spiralling down the route of an orgasm.

So, you tried it, reaching your legs around Eddie’s waist, pulling him in closer, hitting something at the back of your pussy that you could only describe as mind-blowing. “Harder, Eddie, please!”

And so he complied, pushing himself both deeper and harder into you, the boy falling apart on top of you. You could only imagine how good this felt for him.

But, once he changed angles, it was over for you. This is what the G-spot must’ve been. You could feel his dick sliding across the top of your vagina, hitting a spot that sent shivers down your spine.

The atmosphere was constant skin slapping against skin, a series of “Fucks” and “Shits” being moaned out by the two of you. You were praying to God none of the neighbours in the trailer park could hear any of this.

“Baby, I’m not gonna last much longer,” Eddie chokes out, his pace already faltering as you reply through broken moans, “Me neither baby, cum with me.”

He moves his hand down to rub your clit, making sure you reach your peak since his thrusts were no longer as hard as they were a mere few minutes ago.

That sensation combined with his dick brushing past your G-spot over and over again caused you to see stars, a loud whine erupting from your throat as you choke out, “Baby, I’m cumming!”

The feeling of your orgasm causing your walls to tighten around him pushes him over too, him stuttering before coming to a halt. You can feel his whole body shake against you, a loud groan mixed in with a whine being let out as his dick pulses in your pussy.

As you both come down from your highs, your pants are the only thing heard in the all but silent atmosphere. Eddie smiles, trying to not let himself fall on top of you as he lets out a “Whoa…”

“Yeah, whoa…” you giggle, Eddie slowly pulling out, taking the condom off and tying it up. “Shit, I don’t have a trash can in here…”

You laugh at him, “You don’t have one in here?”

He begins to walk out to the kitchen, yelling back so you can hear, “Why do you think I have all that shit lying around my room, sweetheart?”

As he appears back in the doorway, you’ve tucked yourself under the covers, replying with, “Good point.”

He shows his goofy smile, one where he shows off his teeth. Your favourite kind of smile on him. He tucks himself under the covers with you, the pile of clothes being left in the middle of his room. You could sort that out tomorrow.

Eddie presses a soft kiss to your forehead as you lay your head on his chest, “Get some sleep, sweetheart. You deserve it.”

You hum in response, closing your eyes, your mind fading away as the final words you mutter are: “I love you.”

And although you can’t see it, Eddie smiles widely, gripping you tighter as he leans his head on top of yours, whispering back, “I love you too, sweetheart.”

And that was the day he knew, you were definitely a keeper.

i hope you enjoyed this my love! and if anything is inaccurate, don't be afraid to let me know <33

[bizarrelittlemew]

okay. i just watched the movie Snakeskin (2001). i bought a physical dvd in the year of our lord 2024 because Taika has 6.5 minutes of screentime in it. and now i'm sitting here trying to process wtf i just watched asjdhfdjsk so here are the highlights (thank you Meow @blakbonnet for going through this experience with me)

first of all, enjoy these screenshots from the trailer (i'm still not sure if they're mandatory disclaimers?):

...but say yes to snake imagery, because there will be a lot of it

we are definitely in 2001. this is extremely apparent throughout the whole movie. but especially from this girl's hair

Taika's character (Nelson) and his girlfriend (Daisy, pictured above) drive around in a repurposed ice cream truck and sell drugs btw. it's called Mr. Trippy.

main character Alice (Melanie Lynskey) is a huge fan of ✨America��. her best friend is in love with her but she only wants Bad Boys. also said friend's name is Johnny but it's actually Craig

ALSO Craig-slash-Johnny is played by Dean O'Gorman (Fili)??!?!?!?

their hobby is to drive around picking up hitchhikers but only those who look not boring

enter The American. this guy is the most American you have ever seen. americans wish they could be as American as this guy. no one else has ever Americaned harder.

as you can see, i'm not lying. he even says "howdy ma'am" so we're convinced he is a real American

three skinheads are after The American because he stole their drugs (i think). he also stole drugs from Nelson and Daisy, who now owe money and/or drugs to their boss, who also has beef with The American for reasons i'm still not totally sure of

The American not only steals drugs and money, he also has a real gun(!!!) and fucks pretty much everyone?

"darlin'. u gotta earn the raaaiht. ter wear snakeskins 😎"

oh my god the sunglasses emoji just reminded me of the fucking sunglasses oh no i'm not sure i can do this akjsdhjsk this will make sense later i promise

do not learn gun safety from this movie

at one point, there is a whole lotta sheep. we are, after all, in Aotearoa New Zealand. and ok this had the cutest moment of Taika yelling "SHEEPY" out of a car

there's a scene where uhm. uhhh no not gonna describe this i think but. yeah fair warning this movie has some period-typical homophobia let's just say 💀 this is the live reaction:

MOVING ON

if you enjoy the 2000s aesthetic of "look how edgy we are doing drugs" *colorful-haired people on couches in dark club* *echo-y laugh* *hallucinations* *it's mushrooms look it's mushrooms we're doing psychedelics* then this is the movie for you my friend

oh and Alice also did acid at some point while being very "i've totally done drugs before" about it (((doubt)))

GIRL GET UP FROM THAT DIRTY BATHROOM FLOOR

[New Zealand accent] "wow. six and acid." yes she is living all her american dreams as you can see

by nighttime, all three cars (main characters, mr. trippy, and the nazimobile) and the motorcycle (mr. drug boss) have made it pretty far up the mountain, it seems. cute moment between mr. drug boss and nelson. look how :D he is!

but you know a movie with Taika in it needs to have a father figure talk down to him so he gets very 🥺 right after this

lots of shit goes down (i won't spoil too much if by any chance you still want to watch this) and it turns out that the older skinhead guy is the best actor in the movie??

and NOW things get weird

Craig and The American have so much beef by now that they decide to solve it by russian roulette

Alice's reaction to this is something like "ugh, you guys are crazy, i can't watch this 🙄"

like she just walks away?? GIRL THEY'RE AIMING A REAL GUN AT EACH OTHER

she keeps COMPLETELY UNDERREACTING TO WHAT IS HAPPENING like (spoilers from now on) CRAIG IS SHOT AND KILLED and she doesn't even run over and she doesn't even say anything to The American?? WHO SHOT HIM???? he's just standing there??

and then. AND THEN.

ok this is where i fully lost it for several minutes and missed half the following scene. i was fucking HOWLING like actually crying with laughter, i couldn't see or breathe and my partner got worried ksjdhfdjsk ok so here's what happens

they're in the car. craig is obviously very dead. alice is kinda in denial i guess. The American tells her to shut his eyes and she's like why? BECAUSE HE DEAD GIRL!! but she doesn't, she doesn't shut his eyes, no, this is what she does instead

I COULD BARELY MAKE THIS GIF BECAUSE I KEPT LAUGHING TO THE POINT OF TEARS

NOT THE SUNGLASSES ARE YOU FUCKING KIDDING ME. THE UNTAPPED MEME POTENTIAL HERE IS FUCKING RIDICULOUS

ANYWAY shortly after this we hear one of the funniest lines in the movie (and it's not even about the shooting and killing of Craig):

"fuck, Seth! this isn't fucking America, you can't just go around shooting everybody!"

oh yeah The American does have a name and it's Seth

i'll just post a few chat screenshots for the next part because i can't really describe it, i promise we're almost at the end

after some incredible visual effects™️, we end with Return of the Sunglasses (and me scaring my cats away because i was sobbing again)

i haven't even really talked about Taika's scenes much (the reason i watched this in the first place) because the ending took me OUT and honestly he is maybe the most normal person in this whole movie. one review (from the trailer) wrote this:

and yeah that may honestly be the best way to describe it. 10/10 movie watching experience, highly recommend. thank you for coming to my snek talk

[thesublemon]

best picture

For the first time in a long time, I watched all of the movies nominated for Best Picture at the Oscars this year. Partly on a whim, partly for a piece I’ve been working on for a while about what is going wrong in contemporary artmarking. I cannot say that the experience made me feel any better or worse about contemporary movies than I already felt, which was pretty bad. But sometimes to write about a hot stove, you gotta put your hand on one. So. The nominees for coldest stove are:

Poor Things. Did not like enough to finish. I always want to like something that is making an effort at originality, strangeness, or style. Unfortunately, the execution of those things in this movie felt somehow dull and thin. Hard to explain how. Maybe the movie’s motif of things mashed together (baby-woman, duck-dog, etc) is representative. People have been mashing things together since griffins, medleys, Avatar the Last Airbender’s animals, Nickelodeon’s Catdog, etc. Thing + thing is elementary-level weird. And while there’s nothing wrong with a simple, or well-worn premise, there is a greater burden on an artist to do something interesting with it, if they go that route. And Poor Things does not. Its themes are obvious and belabored (the difficulty of self-actualization in a world that violently infantilizes you) and do not elevate the premise. There’s a fine line between the archetypal and the hackish, and this movie falls on the wrong side of it. It made me miss Crimes of the Future (2022), a recent Cronenberg that was authentically original and strange, with the execution to match.

Anatomy of a Fall. Solid, but not stunning. The baseline level of what a ‘good’ movie should be. It was written coherently and economically, despite its length. It told a story that drew you along. I wanted to know what happened, which is the least you can ask from storytelling. It had some compelling scenes that required a command of character and drama to write—particularly the big argument scene. The cinematography was not interesting, but it was not annoying either. It did its job. This was not, however, a transcendent movie.

Oppenheimer. Did not like enough to finish. But later forced myself to, just so no one could accuse me of not knowing what I was talking about when I said I disliked it. I felt like I was being pranked. The Marvel idea of what a prestige biopic should be. Like Poor Things, it telegraphed its artsiness and themes and has raked in accolades for its trouble. But obviousness is not the same as goodness and this movie is not good. The imagery is painfully literal. A character mentions something? Cut to a shot of it! No irony or nuance added by such images—just the artistry of a book report. The dialogue pathologically tells instead of shows. It constantly, cutely references things you might have heard of, the kind of desperate audience fellation you see in soulless franchise movies. Which is a particularly jarring choice given the movie’s subject matter. ‘Why didn’t you get Einstein for the Manhattan project’ Strauss asks, as if he’s saying ‘Why didn’t you get Superman for the Avengers?’ If any of this referentiality was an attempt to say something about mythologization, it failed—badly. The movie is stuffed with famous and talented actors, but it might as well not have been, given how fake every word out of their mouths sounded. Every scene felt like it had been written to sound good in a trailer, rather than to tell a damn story. All climax and no cattle.

Barbie. Did not like enough to finish. It had slightly more solidity in its execution than I was afraid it would have, so I will give it that. If people want this to be their entertainment I will let them have it. But if they want this to be their high cinema I will have to kill myself. Barbie being on this list reminds me of the midcentury decades of annual movie musical nominations for Best Picture. Sometimes deservingly. Other times, less so. The Music Man is great, but it’s not better than 8 1/2  or The Great Escape, neither of which were nominated in 1963. Musicals tend to appeal to more popular emotions, which ticket-buyers and award-givers tend to like, and critics tend to dislike. I remember how much Pauline Kael and Joan Didion hated The Sound of Music (which won in 1966), and have to ask myself if in twenty years I’ll think of my reaction to Barbie the same way that I think of those reviews: justified, but perhaps beside the point of other merits. Thing is. Say what you want about musicals, but that genre was alive back then. It was vital. Bursting with creativity. For all Kael’s bile, even she acknowledged that The Sound of Music was “well done for what it is.” [1] Contemporary cinema lacks such vitality, and Barbie is laden with symptoms of the malaise. It repeatedly falls back on references to past aesthetic successes (2001: A Space Odyssey, Singin’ in the Rain, etc) in order to have aesthetic heft. It has a car commercial in the middle. It’s about a toy from 60 years ago and politics from 10 years ago. It tries to wring some energy and meaning from all of that but not enough to cover the stench of death. I’d prefer an old musical any day.

American Fiction. Was okay. It tried to be clever about politics, but ended up being clomping about politics. At the end of the day, it just wasn’t any more interesting than any other ‘intellectual has a mid-life crisis’ story, even with the ‘twist’ of it being from a black American perspective. Even with it being somewhat self-aware of this. But it could have been a worse mid-life crisis story. The cinematography was terrible. It was shot like a sitcom. Much of the dialogue was sitcom-y too. I liked the soundtrack, what I could hear of it. The attempts at style and meta (the characters coming to life, the multiple endings) felt underdeveloped. Mostly because they were only used a couple times. In all, it felt like a first draft of a potentially more interesting movie. 

The Zone of Interest.Wanted to like it more than I did. Unfortunately, you get the point within about five minutes. If you’ve seen the promotional image of the people in the garden, backgrounded by the walls of Auschwitz, then you’ve already seen the movie. Which means that all the rest of the movie ends up feeling like pretentious excess instead of moving elaboration. It seemed very aware of itself as an Important Movie and rested on those laurels, cinematically speaking, in a frustrating way. It reminded me of video art. I felt like I had stepped through a black velvet drape into the side room of a gallery, wondering at what point the video started over. And video art has its place, but it is a different medium. Moreover video art at its best, like a movie at its best, takes only the time it needs to say what it needs to say. 

Past Lives. I’m a human being, and I respond to romance. I appreciate the pathos of sweet yearning and missed chances. And I understand how the romance in this movie is a synecdoche for ambivalent feelings about many kinds of life choices, particularly the choice to be an immigrant and choose one culture over another. The immigrant experience framing literalizes the way any choice can make one foreign to a past version of oneself, or the people one used to know, even if in another sense one is still the same person. So, I appreciate the emotional core of what (I believe) this movie was going for, and do think it succeeded in some respects. And yet…I was very irritated by most of its artistic choices. I found the three principal characters bland and therefore difficult to care about, sketched with only basic traits besides things like Striving and Being In Love. Why care who they’d be in another life if they have no personalities in this one? It’s fine to make characters symbols instead of humans if the symbolic tapestry of a movie is interesting and rich, but the symbolic tapestry of this movie was quite simple and straightforward. Not that that last sentence even matters much, since the movie clearly wanted you to feel for the characters as human beings, not just symbols. Visually, the cinematography was dull and diffuse, with composition that was either boring or as subtle as a hammer to the head.

Maestro. Did not like enough to finish. Something strange and wrong about this movie. It attempts to perform aesthetic mimicry with impressive precision—age makeup, accents, period cinematography—but this does not make the movie a better movie. At most it creates spectacle, at worst it creates uncanny valleys. It puts one on the lookout for irregularities, instead of allowing one to disappear into whatever the movie is doing. Something amateurishly pretentious in the execution. And not in the fun, respectable way, like a good student film. (My go-to example for a movie that has an art-school vibe in a pleasant way is The Reflecting Skin). There’s something desperate about it instead. It has the same disease as Oppenheimer, of attempting to do a biopic in a ‘stylish’ way without working on the basics first. Fat Man and Little Boy is a less overtly stylish rendition of the same subject as Oppenheimer, but far more cinematically successful to me, because it understands those basics. I would prefer to see the Fat Man and Little Boy of Leonard Bernstein’s life unless a filmmaker proves that they can do something with style beyond mimicry and flash.

The Holdovers. Did not like enough to finish. It tries to be vintage, but outside of a few moments, it does not succeed either at capturing what was good about the aesthetic it references, or at using the aesthetic in some other interesting way. The cinematography apes the tropes of movies and TV from the story’s time period, but doesn't have interesting composition in its own right. It lacks the solidity that comes from original seeing. (Contrast with something like Planet Terror, in which joyous pastiche complements the original elements.) The acting is badly directed. Too much actorliness is permitted. Much fakeness in general between the acting, writing, and visual language. If a movie with this same premise was made in the UK in the 60’s or 70's it would probably be good. As-is the movie just serves to make me sad that the ability to make such movies is apparently lost and can only be hollowly gestured at. That said, the woman who won best supporting actress did a good job. She was the only one who seemed to be actually acting.

Killers of the Flower Moon. The only possible winner. It is not my favorite of Scorsese’s movies, but compared to the rest of the lineup it wins simply by virtue of being a movie at all. How to define ‘being a movie’? Lots of things I could say that Killers of the Flower Moon has and does would also be superficially true of other movies in this cohort. Things like: it tells a story, with developed characters who drive that story. Or: it uses its medium (visuals, sound) to support its story and its themes. The difference comes down to richness, specificity, control, and a je ne sais quois that is beyond me to describe at the moment. Compare the way Killers of the Flower Moon uses a bygone cinematic style (the silent movie) to the way that Maestro and The Holdovers do. Killers of the Flower Moon uses a newsreel in its opening briefly and specifically. The sequence sets the scene historically, and gives you the necessary background with the added panache of confident cuts and music. It’s useful to the story and it’s satisfying to watch. Basics. But the movie doesn’t limit itself to that, because it’s a good movie. The sequence also sets up ideas that will be continuously developed over the course of the movie.* And here’s the kicker—the movie doesn’t linger on this sequence. You get the idea, and it moves on to even more ideas. Also compare this kind of ideating to American Fiction’s. When I said that American Fiction’s moments of style felt underdeveloped, I was thinking of movies like Killers of the Flower Moon, which weave and evolve their stylistic ideas throughout the entire runtime.

*(Visually, it places the Osage within a historical medium that the audience probably does not associate with Native Americans, or the Osage in particular. Which has a couple of different effects. First, it acts as a continuation of the gushing oil from the previous scene. It’s an interruption. A false promise. Seeming belonging and power, but framed all the while by a foreign culture. Meanwhile potentially from the perspective of that culture, it’s an intrusion on ‘their’ medium. And of course, this promise quickly decays into tragedy and death. The energy of the sequence isn’t just for its own sake—it sets up a contrast. But on a second, meta level it establishes the movie’s complicated relationship to media and storytelling. Newsreels, photos, myths, histories, police interviews, and a radio play all occur over the course of the movie. And there’s the movie Killers of the Flower Moon itself. Other people’s frames are contrasted with Mollie’s narration. There’s a repeated tension between communication as a method of knowing others and a method of controlling them—or the narrative of them—which plays out in both history and personal relationships.)

Or here’s another example: When Mollie and Ernest meet and he drives her home for the first time, we see their conversation via the car’s rearview mirrors. This is a bit of cinematic language that has its origins in mystery and paranoia. You see it in things like Hitchcock or The X-Files or film noir. By framing the scene with this convention, the movie turns what is superficially a romantic meet-cute (to quote a friend) into something bubbling with uneasiness and dread. This is not nostalgia—this is just using visuals to create effects. It doesn’t matter if you’ve seen anything that uses the convention before, although knowing the pedigree might add to your enjoyment. The watchfulness suggested by the mirrors and Ernest’s cut-off face will still add an ominous effect. It works for the same reason it works in those other things. Like the newsreel, it is a specific and concise stylistic choice, and it results in a scene that is doing more than just one thing.

In general, the common thread I noticed as I watched these nominees, was the tendency to have the ‘idea’ of theme or style, and then stop there. It’s not that the movies had nothing in them. There were ideas, there was use of the medium, there was meaning to extract. There were lots of individually good moments. But they tended to feel singular, or repetitive, or tacked on. Meanwhile contemporary viewers are apparently so impressed by the mere existence of theme or style, that being able to identify it in a movie is enough to convince many that the movie is also good at those things. The problem with this tendency—in both artists and audiences—is that theme and style are not actually some extra, remarkable, inherently rarifying property of art. Theme emerges naturally from a story with any kind of coherence or perspective. And style emerges naturally from any kind of artistic attitude. They are as native as script, or narrative, or character. A movie’s theme and style might not be interesting, just like its story or dialogue might not be interesting, but if the movie is at all decent, they should exist. What makes a movie good or bad, then, is how it executes its component parts—including theme and style—in service of the whole. When theme is well-executed it is well-developed. Contemporary movies, unfortunately, seem to have confused ‘well-developed’ with ‘screamingly obvious.’ A theme does not become well-developed by repetition. It becomes well-developed by iterationand integration. Theme is like a melody. Simply repeating a single melody over and over does not result in the song becoming more interesting or entertaining. It becomes tedious. However, if you modify the melody each time you play it, or diverge from the melody and then return to it, that can get exciting. It results in different angles on the same idea, such that the idea becomes more complex over time, instead of simply louder.

Oppenheimer wasprobably the worst offender in this regard. Just repeat your water drops, crescendoing noise, or a line about ‘destroying the world’, and that’s the same as nuance, right? Split scenes into color and black and white and that’s the same as structure, right? That’s the same as actually conveying a difference between objectivity and interiority (or another dichotomy) via the drama or visual composition contained in the scenes, right? When I watched many of these movies, I kept thinking of a behind-the-scenes story from Buffy the Vampire Slayer. The story goes that Joss Whedon was directing Sarah Michelle Gellar in some scene, and when the take was over he told her how great she was, and that he could see right where the music would come in. And Gellar replied that if he was thinking about the music, he clearly wasn’t getting enough from her acting alone. This conversation then supposedly informed Whedon’s approach to “The Body,” a depiction of the immediate aftermath of death that is considered one of the best episodes of television ever made, and which has no non-diegetic music whatsoever. Not to imply that music is necessarily a crutch, or to pretend that “The Body” is lacking in other forms of stylization (it is a very style-ish episode). But more to illustrate the way that it is easy to forget to make the most of all aspects of a medium, particularly the most fundamental ones, once one has gotten used to what a final product is supposed to feel like. 

And that’s why most of these movies don’t feel like movies. They create the gestalt of a movie or a ‘cinematic’ moment—often literally through direct vintage imitation—without a sense of the first principles. Or demonstrating a sense of them, anyway. Who needs AI when the supposedly highest level of human filmmakers are already cannibalistically cargo-culting the medium just fine.

[1] “The Sound of Money (The Sound of Music and The Singing Nun).” The Pauline Kael Reader. (This book contains the full text of the original review, rather than the abbreviated review that I linked earlier.) 

[stevieharringtonwifeguy]

hey, yall like t4t lesbian steddie? how about transfem eddie beefing coming out to her girlfriend Real Hard?

also on ao3 here

--------------------------------------------------------------

Eddie has never been able to control her mouth. Honestly sometimes she wonders if she has some kind of medical condition that makes her incapable of saying normal things at the appropriate time. 

And this is a real problem when trying to figure out how to tell her girlfriend that she might kinda wanna be a girl too maybe. Because instead of sitting the love of her life down and calmly explaining that she’s been doing some thinking and might want to experiment with her gender more, Eddie just holds it all in until she projectile vomits the information at the worst possible time.

They’re snuggled in bed, hazy in post-coital bliss, Stevie burying her face in Eddie’s neck and nuzzling in with her nose like a kitten looking for milk. It’s adorable. Eddie half expects her to start making biscuits on her stomach.

And so when Stevie sighs contentedly, hums a little, “My boy,” with so much love in her voice Eddie kind of wants to cry, she’s not ready for the wave of wrongness that crashes over her, smashing the cozy, contented vibe in the room like it’s an actual tidal wave ripping the trailer to shreds.

So she does what she always does. Fucks it up.

“No I’m not,” she says, voice choked with panic.

Stevie stiffens against her. “What?” she asks.

“I’m not your boy,” Eddie says. “It’s not- I-”

Stevie draws away from her, and Eddie already misses the warmth. She keeps her eyes screwed shut, doesn’t want to see Stevie’s reaction to the information that her boyfriend is actually her girlfriend. And yeah, the logical part of her brain knows that it absolutely is not an issue. Stevie’s a lot of things (beautiful, wonderful, perfect, a teensy bit of a bitch but just enough to keep things interesting-), but she’s not a hypocrite, so the trans thing is obviously fine. And Stevie was well known for making her way through most of the female population of Hawkins High before she came out, so the girl thing is also obviously a non-issue.

But. That mean little voice in the back of Eddie’s head. The one that listened carefully to every bad thing anyone ever said about her- freak, monster, trash- and quietly stored them away just to take them out again when she’s alone at night. That voice is real loud right now. 

It tells her she’s imagining things, that she’s just looking for another way to be different. That Stevie will just think she’s trying to copy her, and worse than that, she’s copying her badly. It whispers that sure, Stevie liked her as a guy, thought she was attractive then, but she’s probably going to be so ugly as a girl that any attraction Stevie’s managed to muster for her weird lanky man-body is gonna just shrivel up and die. And she doesn’t even really like girly things, which she knows because she dressed up as Frank N Furter that one time they all went to see Rocky Horror, and the makeup had felt gross on her skin and the corset had been too tight and the heels had hurt- and if she’s not gonna commit to femininity what’s even the point of trying to tell people she’s a girl?

Eddie is so lost in her own head that it takes her a second to realise that Stevie has gotten out of bed. Eddie sits up, watching in confusion as her girlfriend flits around the room in search of her clothes. 

“Stevie?” Eddie asks, her voice small. “Wh- what are you doing?”

Stevie sighs, shakes her head a little. “What does it look like I’m doing, Eddie?” Her voice sounds watery, and she won’t look Eddie in the eyes, using her voluminous hair as a shield as she pulls up her jeans with shaking hands.

Eddie’s heart breaks. She doesn’t think she ever expected this, that Stevie would just leave, even on her darkest nights alone. “But- why?”

Stevie finally looks at her then, her face incredulous even as it’s streaked with tears. “Why? Why would I stay, Eddie, if this- what, was it just- just bullshit?” she says, getting more heated as she speaks, hands flying in that way Eddie usually loves because it means her girl is really getting riled up. Now it feels terrible to see, like the final nail in Eddie’s coffin. 

“I can’t believe- fuck- this is the second time I thought- I mean it’s gotta be me at this point, right? Like, fool me once-” Stevie cuts herself off with a sob, before scrubbing her face furiously and looking around the room. “Where the fuck is my jacket???”

“I don’t- what do you mean, second time-”

Stevie scoffs. “I mean, sure, you didn’t actually say the word ‘bullshit’ but that’s- you see how it’s the same right? Like, even if you didn’t- if you didn’t want me anymore, how could you-? You knew about Nancy, Eddie, and you still just-” She scrubs her face again and heads to the door. “You know what, fuck my jacket.”

And Eddie is not the smartest. Her three senior years can attest to this. But she can tell she’s missing something here, because what the hell does Nancy have to do with anything? So Eddie goes over the last couple of minutes, everything Stevie said, everything she said, and- oh. Fuck.

“I forgot the second part of that sentence.” 

She literally cannot believe how stupid she is. Stevie’s already out the bedroom door, and Eddie prays to every god who’s never believed in her that she hasn’t left the trailer entirely, because fuck knows if she has Eddie will probably never see her again. At least not for several months, and even then, only with Robin standing off to the side trying to kill her with her mind.

“Stevie!” She calls, running through the trailer at a speed she frankly didn’t think herself capable of. “Stevie, please wait! I didn’t mean to- I forgot the rest of the sentence!”

Stevie stops at the door of the trailer, turns around with an eyebrow raised in the kind of ‘I’m waiting, make it good’ expression she uses whenever the kids try to explain why they were acting like little shits this time. It’s ruined a bit, by the tears still streaming down her face and the tremble in her disapproving frown, but she’s trying. 

“Baby, I’m so sorry, that’s not what I was trying to say- I didn’t even realise how it sounded- I love you so much and I’m sorry I made you doubt that for even a second,” Eddie pleads, her own tears running down her face.

Something in Stevie’s posture seems to soften a little, but her hand stays on the doorknob. “What- what else would you be trying to say there, Eddie?”

“I-” Eddie can’t look at her, so she looks at her own feet. “I’m not your boy, I’m your- I don’t really know. Girl? Something? Uh. If you still want me to be.”

It’s quiet for a moment. Eddie doesn’t look away from her feet.

But then, strong, warm arms wrap around her. A hand gently pushes her head into a neck. A pair of lips press into the top of her head.

“Oh E- baby,” Stevie says, softly. “I love you so much, no matter what. Of course you can be my girl, if you want.”

Eddie nods into Stevie’s neck, holding her so tight she’d be a little worried about hurting her if she wasn’t well aware Stevie was way stronger than she’d ever be. “Yes please,” she says, voice small.

Stevie presses another kiss to the top of Eddie’s head, pulls back to hold her face gently in her hands. “Love you so much, baby. And it’s with love that I have to ask- what the hell is wrong with you.” Eddie snorts, and Stevie smiles like that’s what she was aiming for. “That was the worst coming-out I’ve ever seen. And I’m including the way I came out to Dustin.”

Eddie fully laughs then, and Stevie smiles too. That really had been awful. Dustin had found Stevie’s collection of feminine clothes and underwear and had taken it upon himself to lecture her on how weird it was to keep ‘souvenirs’, until eventually Stevie had been so mortified by the picture he was painting that she had to come out just to get him to shut up. He’d since made up for it by being her staunchest defender (Eddie and Robin notwithstanding), but the whole thing was still painful enough that whenever he was being annoying Stevie could now get him to shut up with just a particularly pointed look.

“I know, it was- I got all up in my head,” Eddie says. She places her hand over Stevie’s, gently turns her head to place an apologetic kiss on her wrist, right against her pulse point. “I really am sorry. I love you.”

“I know. Now, at least. Although I hope you realise I’m gonna be using this against you for like, the rest of our lives. Good luck trying to get me to turn off the ABBA, considering you very briefly broke my heart.”

Eddie groans, just like Stevie wanted her too, but honestly ‘the rest of our lives’ sounds pretty good to her.